Top 10 Opening Tracks From 1990s Rock Albums

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Working on a list like this is always a lot of fun because there’s so much material to review and research. It reminds us of many great albums we might have forgotten about or bands we haven’t considered in years. Picking ten songs from an entire decade of music to represent the best opening tracks on individual albums is a lot of work and involves a lot of listening. Of course, some tracks should be on this list, but we just didn’t have the room. The ’90s is one of the most interesting decades in rock music.

The decade kicked off with the grunge scene, but there was also fascinating music happening in the progressive rock scene, where old-school styles of ’60s and ’70s progressive music blended with hardcore metal elements to create a unique sound. Additionally, we saw a revival of ’70s-style rock with bands like The Black Crowes coming on the scene. At the same time, the traditional rock acts from the ’60s, ’70s, and ’80s continued to release new albums, giving us plenty of music to choose from.

# 10 – Rusty Cage – Badmotorfinger (1991) – Soundgarden

Soundgarden’s “Rusty Cage” kicks off their seminal 1991 album Badmotorfinger with a visceral intensity that set the tone for the band’s breakthrough moment in the grunge movement. Recorded at A&M Studios in Los Angeles from March to April 1991, and produced by Terry Date along with the band, the track embodies the raw, unfiltered energy of the early ’90s. Chris Cornell’s searing vocals, Kim Thayil’s jagged guitar riffs, Ben Shepherd’s rumbling bass, and Matt Cameron’s thunderous drumming coalesce into a sonic assault that commands attention from the first note.

“Rusty Cage” opens with a frenetic guitar riff that seems to tear through the speakers, immediately grabbing the listener by the throat. The song’s lyrics capture a sense of rebellion and confinement, perfectly encapsulated in the chorus: “I’m gonna break my rusty cage and run.” Cornell’s vocal delivery brims with urgency and desperation, embodying the song’s themes of escape and defiance. The track shifts from its relentless pace into a hypnotic, slower groove in the bridge, showcasing Soundgarden’s knack for unexpected dynamic shifts. The song’s intensity and complex structure helped it stand out, earning critical acclaim and establishing Soundgarden as a key player in the grunge scene. Although every time I mention Soundgarden as a member of the grunge scene, I cringe a little because, in the end, I think Soundgarden sounded more like Led Zeppelin than they did Nirvana.

Upon its release, “Rusty Cage” achieved commercial success, reaching number 41 on the Billboard Mainstream Rock chart and becoming one of Soundgarden’s signature songs. The accompanying music video, directed by Eric Zimmerman, features surreal, dystopian imagery that complements the song’s aggressive, unsettling vibe. Over the years, “Rusty Cage” has been covered by several artists, most notably by Johnny Cash on his 1996 album Unchained. Cash’s haunting, stripped-down rendition reimagines the song through the lens of outlaw country, proving the track’s versatility and impact beyond the rock genre. “Rusty Cage” remains a defining opening track, not just for Badmotorfinger but as a statement of Soundgarden’s place in rock history.

Read More: Top 10 Soundgarden Songs

# 9 – I’m Gonna Soothe You – You Gotta Sin to Get Saved (1993) – Maria McKee

We present a dramatic difference in musical style from the last song with more I am a keys beautiful and very seductive track “I’m Gonna Soothe You.” This was the opening track from Maria McKee’s 1993 album You Gotta Sin to Get Saved. Recorded at Ocean Way Recording in Hollywood, California, the track was produced by George Drakoulias, known for his work with artists like The Black Crowes and Tom Petty. McKee, who first gained fame as the frontwoman of Lone Justice, enlists a stellar lineup of musicians, including Heartbreakers Benmont Tench on keyboards and Mike Campbell on guitar, adding an undeniable touch of rock ‘n’ roll authenticity.

The song itself is a blend of blues, country, and rock, with McKee’s powerhouse vocals driving the track’s seductive narrative. The lyrics are a bold, unapologetic promise of comfort and solace: “I’m gonna soothe you, oh, gonna lose you / Gonna soothe you down.” McKee’s performance is both tender and commanding, capturing a sense of longing and reassurance that resonates throughout the track. The arrangement combines a laid-back rhythm section with a rich tapestry of guitars and Hammond organ, creating a warm, enveloping sound that perfectly frames McKee’s vocal brilliance.

Read More: 100 Best Rock Albums Of The 90s

# 8 – Mas Tequila – Red Voodoo – Sammy Hagar

“Mas Tequila,” the opening track from Sammy Hagar’s 1999 album Red Voodoo, is an unapologetic celebration of the rock and roll lifestyle, blending infectious energy with Hagar’s signature party spirit. Recorded in 1998 at Hagar’s own Red Rocker Studios in Mill Valley, California, the song was produced by Hagar and long-time collaborator Jesse Harms. This high-octane track captures the late ’90s era of Hagar’s post-Van Halen career, where his solo work continued to thrive on themes of good times, escapism, and tequila-fueled revelry.

Musically, “Mas Tequila” is built around a riff that borrows heavily from Gary Glitter’s “Rock and Roll Part 2,” giving it a familiar yet refreshed feel. The track features Hagar on vocals and guitar, Victor Johnson on lead guitar, Mona Gnader on bass, and David Lauser on drums, with Jesse Harms contributing on keyboards. The band’s chemistry is palpable, delivering a tight, rhythmic groove that complements Hagar’s carefree, raucous vocal delivery. Lyrically, the song is a straightforward ode to having fun, with Hagar chanting lines like “Mas tequila!” as an anthem for letting loose, perfectly capturing the mood of a carefree night out.

“Mas Tequila” became one of Hagar’s standout tracks of the late ’90s, receiving substantial airplay on rock radio and becoming a staple of his live performances. The song’s music video, set in Hagar’s Cabo Wabo Cantina in Mexico, captures the wild, party atmosphere that the song embodies, complete with beach scenes, tequila shots, and a crowd dancing to the infectious rhythm. The imagery of endless sun, surf, and celebration became synonymous with Hagar’s personal brand, cementing his place as rock’s ultimate beach party frontman.

Read More: Top 10 Sammy Hagar Deep Cuts

# 7 – Right Next Door To Hell – Use Your Illusion I (1991) Guns N’ Roses

# 6 – Twice As Hard – Shake Your Money Maker (1990) – The Black Crowes

The early ’90s were a period of reinvention for rock, and no song better captured the essence of Southern rock revival than “Twice As Hard” by The Black Crowes. Kicking off their debut album Shake Your Money Maker in 1990, the track arrived at a time when rock was dominated by grunge and glam but still managed to carve out its own identity. Recorded at Soundscape Studios in Atlanta and Chapel Studio in Los Angeles under the seasoned production of George Drakoulias, the song signaled the emergence of a band that could seamlessly blend gritty blues with an attitude-laden swagger reminiscent of rock’s golden era.

“Twice As Hard” showcases the band’s potent mix of Rich Robinson’s dirty, groove-heavy guitar riffs and Chris Robinson’s soulful, blues-tinged vocals, reminiscent of rock legends yet refreshingly modern. The lineup of Rich Robinson on rhythm guitar, Chris Robinson on vocals, Jeff Cease on lead guitar, Johnny Colt on bass, and Steve Gorman on drums lays down a foundation that is both tight and electrifying. The song’s lyrics speak to the pain of a love gone wrong, with lines like “It’s twice as hard to carry on / But I’m twice as strong to carry on” reflecting resilience in the face of heartbreak, delivered with the raw emotion that became a hallmark of the band’s sound.

Upon its release, Shake Your Money Maker propelled The Black Crowes into the spotlight, with “Twice As Hard” receiving significant radio airplay and helping the album achieve multi-platinum status. The track climbed to number 11 on the Billboard Mainstream Rock Tracks charts.

# 5 – Them Bones – Dirt (1992) Alice In Chains

“Them Bones” is the explosive opener to Alice In Chains’ 1992 album Dirt, a track that captures the gritty essence of the grunge era while pushing the boundaries of heavy metal. Recorded at Eldorado Recording Studios in Burbank, California, and London Bridge Studio in Seattle, the song was produced by Dave Jerden, who had previously worked with Jane’s Addiction. The band’s lineup during this period featured Layne Staley on vocals, Jerry Cantrell on guitar and backing vocals, Mike Starr on bass, and Sean Kinney on drums. This song marks one of Alice In Chains’ most iconic contributions to the early ’90s rock landscape.

Musically, “Them Bones” is driven by Cantrell’s signature downtuned guitar riffs, which give the song its distinctive, unsettling feel. The song’s structure features odd time signatures, creating a jarring yet captivating listening experience. Lyrically, Staley’s raw and introspective vocals delve into existential themes, opening with the stark line, “I believe them bones are me,” setting the tone for a song that addresses the inevitability of death and the anxiety surrounding it. The brevity of the track, clocking in at just under three minutes, adds to its intensity, refusing to let listeners catch their breath as it barrels toward its abrupt end.

“Them Bones” was a critical and commercial success, receiving significant airplay on rock radio stations and contributing to Dirt’s multi-platinum status. The track itself became a staple of the band’s live performances, showcasing their ability to blend haunting melodies with crushing heaviness.

# 4 – Thunderstruck – The Razors Edge (1990) AC/DC

“Thunderstruck,” the electrifying opener from AC/DC’s 1990 album The Razors Edge, is a track that instantly grabs the listener’s attention with its iconic, finger-tapped guitar riff by Angus Young. Recorded between January and March 1990 at Windmill Lane Studios in Dublin, Ireland, the song was produced by Bruce Fairbairn, known for his work with Bon Jovi and Aerosmith. The band lineup included Brian Johnson on vocals, Angus and Malcolm Young on guitars, Cliff Williams on bass, and Chris Slade on drums. “Thunderstruck” is not just a song but an anthem that has transcended its era, becoming a staple of rock playlists and sports arenas worldwide.

The song’s infectious energy is propelled by Angus Young’s intricate guitar work, which is complemented by Malcolm Young’s steady rhythm guitar, forming a wall of sound that perfectly underscores Johnson’s powerful vocal delivery. Lyrically, “Thunderstruck” tells a loosely autobiographical tale of an adventurous journey, capturing the spirit of rock and roll with lines like “I was caught in the middle of a railroad track.” The song’s chorus, with its repetitive and anthemic “Thunder,” engages the listener immediately, making it an irresistible call-and-response moment in live performances.

Charting in multiple countries, including a peak at number five on the Billboard Mainstream Rock Tracks, “Thunderstruck” helped propel The Razors Edge to commercial success, earning multi-platinum certifications. It has been covered by numerous artists across genres, from Croatian cello duo 2Cellos to country rock band Steve ’n’ Seagulls, highlighting its wide appeal. The song’s music video, filmed at Brixton Academy in London, showcases the raw energy of AC/DC’s live performances.

# 3 – Radio Song – Out Of Time – R.E.M.

“Radio Song,” the opening track of R.E.M.’s 1991 album Out of Time, marks a bold departure from the band’s alternative rock roots by blending elements of funk, pop, and rap. Recorded at Bearsville Studios in New York and John Keane Studio in Athens, Georgia, the song was produced by Scott Litt and the band members themselves. R.E.M. consisted of Michael Stipe on vocals, Peter Buck on guitar, Mike Mills on bass and keyboards, and Bill Berry on drums, with rapper KRS-One of Boogie Down Productions adding a distinctive touch with his guest vocals. The song is emblematic of R.E.M.’s experimental spirit at a time when they were breaking new ground both musically and commercially.

“Radio Song” critiques the commercial radio landscape with lines like “The world is collapsing around our ears / I turned up the radio, but I can’t hear it.” Stipe’s lyrics convey a sense of disillusionment with the music industry, which is enhanced by the juxtaposition of R.E.M.’s jangly instrumentation and KRS-One’s dynamic rap interjections. This blend of styles was ahead of its time, reflecting the band’s willingness to take risks at the height of their popularity. The track’s upbeat melody masks its underlying cynicism, creating a complex listening experience that is both catchy and thought-provoking.

Upon release, Out of Time became a massive success, winning three Grammy Awards and selling over 18 million copies worldwide.

Read More: Top 10 R.E.M. Songs

# 2 – Poundcake – For Unlawful Carnal Knowledge – Van Halen

“Poundcake” kicks off Van Halen’s 1991 album For Unlawful Carnal Knowledge with a thunderous blend of hard rock grit and the unmistakable swagger of Sammy Hagar’s vocals. Recorded at 5150 Studios in Studio City, California, the album was produced by Andy Johns, Ted Templeman, and the band members themselves, including Eddie Van Halen on guitar, Alex Van Halen on drums, Michael Anthony on bass, and Sammy Hagar on lead vocals. “Poundcake” stands as a declaration of Van Halen’s enduring energy and creative spark, even as the rock landscape of the early ’90s was rapidly evolving.

The track opens with the unexpected yet iconic sound of Eddie Van Halen using a power drill against the strings of his guitar, creating a mechanical growl that sets the tone for the entire song. This inventive use of sound manipulation is quintessential Eddie—pushing the boundaries of what rock guitar could be. The driving rhythm section, anchored by Alex’s thunderous drumming and Anthony’s steady bass, propels the song forward, while Hagar’s gritty lyrics pay homage to the simple pleasures of life with lines like “She’s gotta have a soul / Or it won’t feel right.” The song’s catchy chorus and infectious energy make it an unforgettable anthem.

“Poundcake” received significant airplay, reaching number one on the Billboard Album Rock Tracks chart, solidifying its place as a standout track from For Unlawful Carnal Knowledge, which itself topped the Billboard 200 and earned a Grammy for Best Hard Rock Performance.

# 1 – Enter Sandman – Metallica (The Black Album) – Metallica

“Enter Sandman” opens Metallica’s self-titled 1991 album, commonly known as The Black Album, with an ominous, chugging riff that immediately signaled a shift in the band’s sound. Recorded at One on One Recording Studios in Los Angeles between October 1990 and June 1991, the track was produced by Bob Rock, James Hetfield, and Lars Ulrich. The lineup featured Hetfield on vocals and rhythm guitar, Kirk Hammett on lead guitar, Jason Newsted on bass, and Ulrich on drums. “Enter Sandman” marked a significant departure from Metallica’s thrash metal roots, embracing a more mainstream heavy metal sound that would go on to dominate rock radio and MTV throughout the ’90s.

The song is built around a menacing riff that Hammett conceived, which sets the tone for a nightmarish tale that Hetfield penned, drawing inspiration from childhood fears and the lurking presence of the Sandman figure. Lyrically, it taps into the primal fear of what lurks in the dark, as Hetfield sings, “Sleep with one eye open / Gripping your pillow tight.” The unsettling atmosphere is heightened by the song’s dynamics, with the verses building tension before exploding into the anthemic chorus that implores, “Exit light / Enter night.” It’s a song that captures the listener’s imagination with its dark imagery and relentless drive, perfectly encapsulating the band’s evolution at the time.

Commercially, “Enter Sandman” was a massive success, reaching number 16 on the Billboard Hot 100 and propelling The Black Album to become one of the best-selling albums of all time. The track’s haunting music video, directed by Wayne Isham, mirrored the song’s eerie narrative with disturbing dream sequences, further embedding it into the cultural zeitgeist. Over the years, “Enter Sandman” has been covered by numerous artists, including Motörhead, Pat Boone, and Apocalyptica, each bringing their own spin to the iconic track while paying homage to its enduring legacy. Its presence in pop culture—from sports arenas to movie soundtracks—cements its status as one of the defining rock songs of the ’90s.

Read More: Top 10 Metallica Songs

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