10 Best Songs About Mondays

# 10 – Welcome To The Working Week – Elvis Costello

“Welcome to the Working Week” kicks off Elvis Costello’s 1977 debut album My Aim Is True with a biting, sardonic take on the grind of daily life. The song, which runs just over a minute long, is a brief but impactful commentary on the frustrations of the working world, aimed at a privileged woman who seems to float above the realities of everyday labor. Written during the summer of 1977, Costello described the song as one of several penned in just two or three weeks, reflecting the urgency and raw energy of his early work. It was recorded with the American country-rock band Clover, who played on much of the album. Produced by Nick Lowe at Pathway Studios in London, the track is notable for its unpolished, almost spontaneous feel, which adds to its raw charm and aligns with the punk and new wave ethos of the time.

Musically, “Welcome to the Working Week” pairs a punchy, fast-paced rhythm with Costello’s sharp vocal delivery, packing a lot of emotion into its brief runtime. The members of Clover, while not deeply familiar with the style of some of Costello’s songs, provided a tight backing performance, with John Ciambotti on bass, Sean Hopper on keyboards, and John McFee on guitar. The song’s production is stripped down, giving it an almost demo-like quality that mirrors the roughness of entering the so-called “working week.” Costello’s lyrics are filled with clever wordplay and sardonic observations, as seen in lines like “I know it don’t thrill you, I hope it don’t kill you / You gotta do it till you’re through, so you better get to it,” capturing the resigned acceptance of working life. This reflection on the monotony of the week echoes similar themes in later songs about Mondays on this list, which often explore the struggle and disillusionment of routine labor.

Lyrically, Costello also touches on broader social critiques. In lines like “Now that your picture’s in the paper being rhythmically admired / And you can have anyone that you have ever desired,” he targets the shallowness of fame and privilege, contrasting it with the harsh realities faced by those who must work to survive. The bitterness and disillusionment in the lyrics align with the themes of disenfranchisement that would come to define much of punk rock. As the opener to My Aim Is True, “Welcome to the Working Week” sets the tone for the album’s combination of sharp, biting social commentary and energetic rock music. Its role as a B-side to the single “Alison” also contributed to its recognition over the years, attracting critical acclaim for its concise yet powerful message.

The song’s satirical look at the working world bears thematic similarities to other entries in this article, such as the playful yet dark tone of songs like “Werewolves of London.” However, Costello’s take on the subject is far more personal and cynical, reflecting a frustration with both the mundanity of the working week and the broader societal inequalities that feed into it. In the grand scheme of rock songs about Monday and the working world, “Welcome to the Working Week” stands out for its brevity, wit, and its ability to encapsulate the exhaustion and disenchantment that come with the start of the week.

# 9 – The Day Will Come Between Sunday And Monday – Kiki Dee

Kiki Dee’s “The Day Will Come Between Sunday and Monday” is a soulful, Motown-inspired single released in 1970, showcasing her powerful vocal abilities and capturing the emotional intensity of a love that will never fade. Produced by Frank Wilson, one of Motown’s legendary producers known for his work with artists like Marvin Gaye and The Supremes, the song encapsulates the classic Motown sound of the era—lush instrumentation, tight grooves, and a vocal performance filled with passion. Recorded during Kiki Dee’s short but notable tenure with the Motown label, this track stands out for its lyrical poignancy and its ability to merge soul and pop seamlessly. While the exact recording date remains unspecified, the song is a product of Motown’s golden years, likely recorded in Detroit, where the label’s famous “Hitsville U.S.A.” studios were churning out some of the greatest hits of the time.

Musically, “The Day Will Come Between Sunday and Monday” features a rich arrangement of strings, horns, and a steady backbeat, characteristic of Motown’s signature sound. The musicians, although unnamed, were likely members of Motown’s renowned house band, The Funk Brothers, who were responsible for crafting the sound behind many of the label’s biggest hits. Kiki Dee’s voice soars over this backdrop, delivering the lyrics with conviction and soul, particularly in the chorus where she sings, “The day will come between Sunday and Monday, boy / That’s the day I’ll stop loving you.” This metaphorical expression of undying love—a love so strong it will only end when an impossible day arrives—anchors the song, imbuing it with both romance and a touch of melancholy. The song’s arrangement and production, much like Elvis Costello’s “Welcome to the Working Week,” are succinct yet impactful, demonstrating how a short song can pack a powerful emotional punch.

Lyrically, the song draws on a series of whimsical and poetic metaphors, all illustrating the impossibility of the day when the narrator will stop loving her partner. Lines such as “When the grass in the spring forgets to be green” and “When a boy flying a kite no longer needs the wind” emphasize the eternal nature of this love, giving the song a dreamy, almost fantastical quality. This theme of undying love, though romantic, also carries a subtle undercurrent of heartbreak, as the singer contemplates a love that may never be fully reciprocated. Comparisons can be made to the bittersweet tone in other songs on this list, such as Elvis Costello’s “Welcome to the Working Week,” which deals with frustration and resignation, albeit through a different lens. Where Costello’s song critiques the monotony of the working life, Kiki Dee’s track explores the infinite and unbreakable nature of true love.

While “The Day Will Come Between Sunday and Monday” didn’t achieve major chart success, it remains a gem in Kiki Dee’s discography and is a testament to her talents as a vocalist within the Motown era. The song’s inclusion in this list highlights its unique place in the canon of Monday-themed tracks, standing out for its romantic, lyrical take on the impossible. Much like the disillusionment found in the lyrics of other Monday songs, Kiki Dee’s track offers a distinct, optimistic spin, celebrating the strength of love even in the face of improbable odds. Its evocative imagery and heartfelt delivery make it a memorable entry among the best songs about Mondays.

Read More: Top 10 Kiki Dee Songs

# 8 – Long Monday – John Prine

“Long Monday” is a tender, melancholy track from John Prine’s 2005 album Fair & Square, capturing the feeling of longing and heartache that can make a Monday seem to stretch forever. Released on Prine’s own label, Oh Boy Records, Fair & Square marked his first album of original material in nine years and earned widespread acclaim for its intimate, reflective tone. “Long Monday,” one of the album’s standout songs, is a masterclass in Prine’s ability to turn simple observations into emotionally resonant stories. Recorded in Nashville, the album was produced by John Prine and Gary Paczosa, and featured contributions from renowned musicians like guitarist Jason Wilber and multi-instrumentalist David Jacques, whose contributions help shape the song’s folksy, laid-back sound.

Musically, “Long Monday” is built around a simple acoustic guitar riff, accompanied by gentle mandolin and subtle backing instrumentation. Prine’s warm, weathered vocals are front and center, conveying a deep sense of yearning. The song’s arrangement is understated, allowing Prine’s lyrics to take the spotlight. Much like Kiki Dee’s “The Day Will Come Between Sunday and Monday,” “Long Monday” deals with the passage of time in relation to love, though in Prine’s case, it’s the absence of a loved one that makes time feel unbearable. The refrain, “It’s gonna be a long Monday / Sitting all alone on a mountain by a river that has no end,” expresses a quiet sadness, perfectly encapsulating the song’s theme of separation and longing.

Lyrically, “Long Monday” is a bittersweet meditation on love and distance. Prine sings about the mundane activities that fill the narrator’s time—“window shopping, finger-popping”—but these small joys are overshadowed by the ache of missing someone. The line “You and me, sitting in the back of my memory / Like a honey bee buzzing round a glass of sweet Chablis” offers a nostalgic glimpse into happier times, but the impending sense of loss makes it clear that these moments are fleeting. This use of memory and longing places “Long Monday” alongside other songs on this list, like Elvis Costello’s “Welcome to the Working Week,” which also grapples with the passage of time and the weariness of daily life. However, where Costello’s song uses biting humor, Prine’s approach is gentle and wistful, making it a fitting reflection on the slow passage of a lonely Monday.

“Long Monday” didn’t chart significantly, but it has become a beloved track among John Prine fans for its emotional honesty and timeless quality. Like many of the songs on Fair & Square, it highlights Prine’s skill as a songwriter who can find beauty in the everyday and pain in the simplest of moments. In this list of the best songs about Mondays, “Long Monday” stands out for its quiet contemplation and the way it captures the universal feeling of longing that can make even the beginning of the week feel endless.

Read More: Top 10 John Prine Songs

# 7 – Monday’s Rain – Bee Gees

“Monday’s Rain” is an early Bee Gees track from 1966, which features on their Australian album Spicks and Specks. This song is a prime example of the group’s signature sound before their international breakthrough and subsequent evolution into disco icons. Written by Barry Gibb, “Monday’s Rain” showcases the Bee Gees’ ability to craft melancholic yet melodic pop songs, blending lush harmonies with reflective lyrics. Recorded at Ossie Byrne’s St. Clair Studio in Hurstville, New South Wales, the track is a part of the Bee Gees’ foundational years when they were developing their sound, fusing elements of folk, pop, and soft rock. Though it didn’t gain significant attention upon its initial release, “Monday’s Rain” offers a glimpse into the band’s potential for songwriting, which would later flourish with their international success.

Musically, “Monday’s Rain” features the harmonies that would become the hallmark of the Bee Gees’ sound. Barry, Robin, and Maurice Gibb’s voices intertwine seamlessly, creating a lush and emotional atmosphere. The track is driven by soft acoustic guitar, subtle drums, and a gentle bassline, all of which support the contemplative tone of the song. The melody, though understated, is infectious in its simplicity. The production, done by Nat Kipner, is straightforward, allowing the group’s harmonies and Barry’s lead vocals to shine. Much like John Prine’s “Long Monday,” “Monday’s Rain” conveys a feeling of melancholy associated with Mondays, but where Prine’s song centers on longing, the Bee Gees focus on sadness, using the metaphor of rain to reflect the narrator’s emotional state.

Lyrically, “Monday’s Rain” explores themes of heartache and disillusionment. Barry Gibb sings, “I can’t believe the love I gave was taken away / And by the way / It’s Monday’s rain.” The imagery of rain on a Monday serves as a powerful metaphor for emotional desolation, where the start of the week represents the continuation of sorrow. The lines “Monday’s rain will fall without you” emphasize the loneliness and grief that follow the end of a relationship. This metaphorical connection between Mondays and sadness can also be found in other songs on this list, such as Elvis Costello’s “Welcome to the Working Week,” where the day symbolizes the start of mundane and unhappy routines. However, while Costello’s take is more cynical and direct, “Monday’s Rain” takes a more poetic and wistful approach to the emotional burden of starting the week.

Although “Monday’s Rain” wasn’t a chart-topping hit, it remains an important part of the Bee Gees’ early catalogue, marking a time when they were honing their songwriting skills and vocal harmonies. Its inclusion in the list of the best songs about Mondays highlights the universal theme of how the beginning of the week often coincides with feelings of sadness and reflection. The song’s timeless quality and the emotional depth of its lyrics make it a worthy entry alongside other Monday-themed tracks, offering a delicate, introspective take on how the day can symbolize both personal and emotional struggles.

Read More: Top 10 Bee Gees Songs

# 6 – I Don’t Like Mondays – Boomtown Rats

Released in 1979, “I Don’t Like Mondays” is one of the most iconic songs by The Boomtown Rats, written by lead singer Bob Geldof. It became a massive international hit, reaching the number one spot on the UK Singles Chart for four weeks and charting in several other countries. The song was part of their third studio album, The Fine Art of Surfacing, and stands out for its dark, socially-conscious narrative. Unlike most other Monday-themed songs, which often focus on mundane frustrations or longing, “I Don’t Like Mondays” was inspired by a real-life tragic event: a school shooting in San Diego, California, committed by 16-year-old Brenda Ann Spencer, who, when asked why she did it, replied, “I don’t like Mondays.” The song’s stark subject matter gives it a much deeper and haunting tone compared to other entries in this list.

Musically, “I Don’t Like Mondays” is driven by a piano melody that contrasts with the darkness of the lyrics. The song’s arrangement is relatively simple, centered on Geldof’s somber vocals and an orchestral backing that adds dramatic weight to the narrative. The instrumentation builds throughout the song, with string and horn sections intensifying the emotional impact. Produced by Robert John “Mutt” Lange, who later became known for his work with bands like AC/DC and Def Leppard, the track is meticulously arranged to reflect both the bleakness of the subject matter and the catchiness of its melody. Despite its unsettling origins, the song’s polished production and infectious hook made it a radio staple and a defining track for the band.

Lyrically, the song dives into the mind of the shooter, with lines like “The silicon chip inside her head gets switched to overload” providing a chilling commentary on the loss of control and detachment from reality. The repeated chorus, “Tell me why, I don’t like Mondays,” serves as a chilling reminder of the senselessness of the violence. In the context of this list, “I Don’t Like Mondays” stands out for its social critique and its ability to blend catchy music with a serious and uncomfortable topic. It contrasts starkly with more lighthearted Monday-themed tracks like Kiki Dee’s “The Day Will Come Between Sunday and Monday,” which focuses on love and eternal devotion. Here, The Boomtown Rats use the metaphor of Monday to explore much darker territory, making it one of the most complex and thought-provoking songs about the struggles associated with the day.

Although controversial due to its subject matter, “I Don’t Like Mondays” remains a landmark in rock music for addressing societal issues in a pop format. Its success not only elevated The Boomtown Rats but also established Bob Geldof as a songwriter unafraid to tackle difficult topics. The song’s staying power over the decades, both as a chart-topping hit and a conversation starter, ensures its place among the most memorable Monday-themed tracks. Its haunting message and catchy melody make it one of the most unique entries in this list of songs about Mondays.

Read More: Top 10 Boomtown Rats Songs

# 5 – Rainy Days And Mondays – The Carpenters

“Rainy Days and Mondays” by The Carpenters is a classic ballad that perfectly encapsulates the melancholy often associated with both rainy days and the start of the workweek. Released in 1971 as the lead single from their self-titled album Carpenters, the song became one of the duo’s most memorable hits, reaching number two on the Billboard Hot 100 and topping the Easy Listening chart. Written by the legendary songwriting duo Paul Williams and Roger Nichols, and produced by Richard Carpenter, “Rainy Days and Mondays” is a poignant reflection on loneliness and the feelings of sadness that many people associate with Mondays.

The song opens with Karen Carpenter’s warm, soulful voice, accompanied by a delicate piano arrangement. Her smooth vocal delivery immediately draws listeners in, expressing a sense of vulnerability that made her one of the most revered vocalists of her time. The arrangement gradually builds with strings, light percussion, and subtle horns, creating a lush, orchestral backdrop that enhances the emotional weight of the lyrics. Richard Carpenter’s production ensures that every element of the song complements Karen’s voice, keeping the overall tone both melancholic and soothing. This careful balance between instrumentation and vocals makes “Rainy Days and Mondays” a timeless and relatable anthem for anyone who has ever felt weighed down by the start of the week.

Lyrically, “Rainy Days and Mondays” speaks directly to the universal experience of feeling down and disheartened, especially on gloomy days and, of course, Mondays. The chorus, “Rainy days and Mondays always get me down,” perfectly captures the theme of the song, with the lyrics expressing a longing for relief from these recurring feelings. The verses also delve into the struggle of finding meaning and coping with isolation, as Karen sings, “What I’ve got they used to call the blues / Nothin’ is really wrong / Feelin’ like I don’t belong.” This emotional introspection resonates with listeners, much like John Prine’s “Long Monday,” which also focuses on the feelings of longing and melancholy that accompany the beginning of the week. However, where Prine’s song reflects on personal distance in a relationship, “Rainy Days and Mondays” speaks to a broader sense of existential weariness.

The song’s enduring popularity and emotional impact can be attributed not only to its relatable lyrics but also to Karen Carpenter’s stunning vocal performance, which conveys both vulnerability and strength. Like other songs on this list, such as “I Don’t Like Mondays” by The Boomtown Rats, “Rainy Days and Mondays” taps into the collective frustration and sadness often associated with Mondays, but in a softer, more introspective way. It remains one of The Carpenters’ most beloved songs, exemplifying their ability to transform everyday emotions into timeless music. “Rainy Days and Mondays” continues to resonate with listeners decades later, solidifying its place among the best songs about Mondays.

Read More: Top 10 Carpenters Songs

# 4 – Monday Morning – Fleetwood Mac

“Monday Morning” opens Fleetwood Mac’s 1975 self-titled album, a landmark record that marked the beginning of the band’s transformation into one of the biggest rock acts of the 1970s. Written by Lindsey Buckingham, who had recently joined the band alongside Stevie Nicks, “Monday Morning” captures the restless energy and emotional uncertainty that often accompany the start of a new week. With its upbeat tempo and catchy melody, the song is a lively contrast to many of the more melancholic tracks that often define Monday-themed songs. It set the tone for Fleetwood Mac’s new era, with Buckingham’s crisp, energetic guitar work and the band’s trademark harmonies at the forefront.

Musically, “Monday Morning” is driven by Buckingham’s guitar and the rhythmic interplay between Mick Fleetwood’s drumming and John McVie’s bass. The song’s lively pace and jangling guitar riffs provide a sense of urgency and excitement, as Buckingham sings about the unpredictability of relationships and the frustrations that arise when emotions are at odds. His opening lines, “Monday morning, you sure look fine / Friday, I got travelin’ on my mind,” reflect a shift from optimism to uncertainty, perfectly capturing the rollercoaster of feelings that can come with both relationships and the start of the week. The harmonies between Buckingham, Christine McVie, and Stevie Nicks add depth to the song, infusing it with the signature Fleetwood Mac sound that would soon make them global superstars.

Lyrically, “Monday Morning” deals with the ups and downs of a tumultuous relationship, using Monday as a metaphor for the unpredictable and sometimes frustrating nature of love. Buckingham’s lyrics reflect both resignation and hope, as he contemplates the possibility of things getting better but also acknowledges the inevitability of change. This lyrical duality places “Monday Morning” in a different space compared to more somber Monday-themed tracks like The Carpenters’ “Rainy Days and Mondays,” which directly address feelings of sadness. Instead, Fleetwood Mac’s track leans into the idea that Mondays—and relationships—can be both challenging and full of potential, a sentiment echoed in the song’s bright, energetic instrumentation.

“Monday Morning” did not chart as a single, but it played a significant role in the success of Fleetwood Mac, an album that eventually sold over seven million copies in the U.S. alone and became one of the band’s most defining works. The song is often celebrated for its infectious energy and its position as the opener to such a groundbreaking record. In the context of this article, “Monday Morning” stands out as one of the more optimistic and fast-paced songs about Mondays, offering a refreshing take on how the start of the week can represent both frustration and a chance for new beginnings. The track remains a fan favorite and a staple of Fleetwood Mac’s live performances, highlighting Buckingham’s songwriting talents and the dynamic chemistry that defined this era of the band.

# 3 – Monday Monday – The Mamas And The Papas

“Monday, Monday” by The Mamas & The Papas is one of the most iconic songs associated with the start of the week, released in 1966 as part of their second studio album, If You Can Believe Your Eyes and Ears. Written by John Phillips, the song became the group’s first and only number one hit on the Billboard Hot 100, spending three weeks in the top spot. It also won a Grammy Award for Best Pop Performance by a Duo or Group with Vocal, solidifying the band’s place in music history. With its rich harmonies, melancholic yet hopeful lyrics, and smooth production, “Monday, Monday” remains a quintessential track about the mixed emotions associated with the beginning of the week.

Musically, the song features the lush vocal harmonies for which The Mamas & The Papas became known, with the voices of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips blending beautifully. The production, handled by Lou Adler, complements the group’s harmonies with a soft, folk-rock arrangement, featuring a gentle piano melody, subtle guitar strumming, and light percussion. The song opens with Doherty’s lead vocals, lamenting the uncertainty of Mondays, before the group’s harmonies take over in the chorus, emphasizing the universal feelings of both dread and anticipation that often come with the start of the week. The infectious chorus, “Monday, Monday, can’t trust that day,” encapsulates the sense of unpredictability that the day represents, setting it apart from other songs on this list that take a more direct or cynical approach to Mondays.

Lyrically, “Monday, Monday” speaks to the mixed emotions of disappointment and hope that often accompany the start of the week, a theme echoed in Fleetwood Mac’s “Monday Morning.” Both songs use Monday as a metaphor for the instability of relationships and life itself. In “Monday, Monday,” John Phillips wrote about how Monday can be a day of change and unpredictability, where emotions fluctuate just like the weather, singing, “Monday morning, it was all I hoped it would be / But Monday evening, you would still be here with me.” The song’s wistful lyrics and sunny harmonies provide a contrast between the melancholic message and the uplifting arrangement, much like how Fleetwood Mac balances the frustrations of a relationship with a lively melody in “Monday Morning.”

“Monday, Monday” was a commercial success, not only reaching number one in the U.S. but also charting in several countries worldwide, making it one of the most recognizable songs about the start of the week. Its success and lasting impact stem from its universal message about the unpredictability of life, relationships, and Mondays themselves. The song’s timeless appeal has kept it relevant for decades, as it continues to resonate with listeners who experience the emotional rollercoaster of Mondays. Its lush harmonies, relatable lyrics, and unforgettable melody make it a standout entry in the canon of Monday-themed tracks, placing it firmly among the best songs ever written about the most dreaded day of the week.

# 2 – Manic Monday – The Bangles

“Manic Monday” is one of The Bangles’ most iconic hits, released in 1986 as the lead single from their second studio album, Different Light. Written by Prince under the pseudonym Christopher, the song catapulted the band into mainstream success, reaching number two on the Billboard Hot 100, only held back from the top spot by Prince’s own “Kiss.” The track perfectly captures the chaotic, hurried energy often associated with the start of the workweek, making it one of the quintessential songs about Mondays. With its infectious melody, shimmering pop-rock arrangement, and relatable lyrics, “Manic Monday” remains a fan favorite and a defining track of 1980s pop music.

Musically, “Manic Monday” features a bright, upbeat arrangement with jangly guitars, keyboards, and the tight vocal harmonies for which The Bangles became known. Lead vocalist Susanna Hoffs delivers the lyrics with a sense of frustration and longing, perfectly embodying the song’s narrative of a woman who just can’t seem to catch a break as she navigates a stressful Monday morning. The production, handled by David Kahne, complements the band’s pop sensibilities with polished, radio-friendly sound, blending elements of pop, new wave, and rock. The track’s catchy chorus, “It’s just another manic Monday / I wish it was Sunday / ‘Cause that’s my fun day,” perfectly captures the universally relatable sentiment of wishing the weekend would last just a little longer.

Lyrically, “Manic Monday” tells the story of a woman trying to juggle her hectic work life with her personal life, capturing the frantic pace of trying to get through the day. The opening lines, “Six o’clock already / I was just in the middle of a dream,” set the tone for the entire song, as the protagonist wistfully reflects on how Monday abruptly interrupts her peaceful weekend. As the song progresses, the lyrics highlight the frustrations of running late, navigating traffic, and feeling overwhelmed by the pressures of work. In this way, “Manic Monday” shares thematic similarities with other songs on this list, such as The Mamas & The Papas’ “Monday, Monday,” which also explores the unpredictability and stress that come with the start of the week. However, where “Monday, Monday” focuses more on the emotional fluctuations of relationships, “Manic Monday” hones in on the literal and relatable chaos of a busy Monday morning.

“Manic Monday” was a huge commercial success, establishing The Bangles as one of the leading female rock bands of the decade. Its catchy melody and relatable lyrics struck a chord with listeners, earning the band critical and commercial acclaim. The song’s upbeat energy and clever lyrics make it a standout among Monday-themed songs, offering a more lighthearted take on the universal frustrations of starting the workweek. Decades later, “Manic Monday” continues to be a beloved song, celebrated for its fun, energetic vibe and its ability to capture the essence of those dreaded Monday mornings. Its place on this list is well-earned, as it remains one of the most memorable songs ever written about Mondays.

# 1 – Stormy Monday – The Allman Brothers Band

“Stormy Monday,” a standout track from The Allman Brothers Band’s legendary 1971 live album At Fillmore East, is a masterful interpretation of the blues classic “Call It Stormy Monday (But Tuesday Is Just as Bad)” written by T-Bone Walker. The Allman Brothers’ version takes the original song’s slow, mournful blues structure and infuses it with the band’s signature southern rock flair and extended improvisational jamming, making it one of the definitive live performances of the song. Recorded during their landmark performances at the Fillmore East in New York City in March 1971, this version of “Stormy Monday” showcases the band’s exceptional musicianship, particularly that of Duane Allman and Dickey Betts on guitars, and Greg Allman’s soulful, bluesy vocals and organ work.

Musically, “Stormy Monday” is a tour de force of blues rock. The song opens with a slow, expressive guitar intro from Duane Allman that sets the tone for the entire performance, blending precision with deep emotion. As the song progresses, both Duane and Dickey Betts take turns delivering intricate, soulful guitar solos, demonstrating the band’s ability to transform a traditional blues number into a sprawling, multi-dimensional jam. Greg Allman’s vocals are rich and resonant, imbuing the lyrics with a sense of longing and heartache. His Hammond B-3 organ adds another layer of depth to the song, giving it a fuller, more textured sound. Berry Oakley on bass and the dual drumming of Butch Trucks and Jaimoe Johanson provide a solid rhythmic foundation, allowing the guitars and vocals to soar over a tight yet expansive groove.

Lyrically, “Stormy Monday” sticks closely to Walker’s original blues lament, with lines like “They call it stormy Monday, but Tuesday’s just as bad / Wednesday’s worse, and Thursday’s also sad,” capturing the endless cycle of heartache and struggle. This timeless blues theme of pain and longing resonates throughout the song, mirroring the emotional weight found in other Monday-themed tracks in this article, such as The Carpenters’ “Rainy Days and Mondays” or John Prine’s “Long Monday.” However, where those songs take a more introspective or soft approach, The Allman Brothers’ version of “Stormy Monday” is a raw, electric expression of the blues, driven by the band’s dynamic instrumentation and powerful live energy.

“Stormy Monday” on At Fillmore East remains a quintessential live recording for both the band and the blues-rock genre. While the song itself didn’t chart, the album was a massive success, cementing The Allman Brothers Band’s reputation as one of the greatest live acts of all time. Their version of “Stormy Monday” has become a staple of blues rock, influencing countless musicians and listeners with its combination of technical skill and emotional depth. Its inclusion in this list of Monday-themed songs is well-deserved, as it stands as one of the most enduring and powerful musical tributes to the stormy, unpredictable emotions that Mondays—and life itself—can bring.

DMCA.com Protection Status