10 Best Songs With The Word ‘Woman’ In The Title

10 Best Songs With The Word 'Woman' In The Title

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From heartfelt tributes to declarations of independence, classic rock has used “woman” to paint vivid portraits of emotion and experience. Each song on this list captures a unique perspective, showcasing how this single word can inspire such diverse artistic expression while remaining a cornerstone of the genre.

Foreigner’s “Woman Oh Woman” explores a tender yet desperate plea for emotional connection, delivered with Lou Gramm’s impassioned vocals and the band’s signature arena-rock sound. Carole King’s “(You Make Me Feel Like) A Natural Woman” is a timeless ode to feminine strength and love, its deeply personal lyrics amplified by King’s piano-driven arrangement. Percy Sledge’s “When a Man Loves a Woman” remains one of the most heartfelt ballads ever recorded, with its soulful yearning cementing it as an anthem for eternal devotion. Roy Orbison’s “Oh, Pretty Woman” captures the thrill of infatuation with an unforgettable riff and Orbison’s soaring voice. Bob Dylan’s “Just Like a Woman” offers a poetic and enigmatic exploration of vulnerability, cementing its place in Dylan’s repertoire as one of his most introspective works.

Electric Light Orchestra’s “Evil Woman” injects a dose of orchestral funk into the narrative, pairing Jeff Lynne’s biting lyrics with lush instrumentation. John Lennon’s “Woman” stands as a poignant and deeply personal love letter, reflecting both gratitude and vulnerability in its heartfelt simplicity. The Doors’ “L.A. Woman” blazes with raw energy, embodying the spirit of Los Angeles nightlife in Jim Morrison’s final recorded performance with the band. The Guess Who’s “American Woman” boldly critiques cultural ideals with an electrifying riff and Burton Cummings’ powerhouse delivery. The Rolling Stones’ “Honky Tonk Women” oozes swagger and southern charm, a bluesy celebration of the titular women that remains a staple of their legendary catalog.

# 10 – Woman Oh Woman – Foreigner

“Woman Oh Woman” is a captivating track from Foreigner’s self-titled debut album, Foreigner, released on March 8, 1977. The album, produced by John Sinclair and Gary Lyons, was recorded at The Hit Factory and Atlantic Recording Studios in New York City between late 1976 and early 1977. The lineup for this track features Lou Gramm on lead vocals, Mick Jones on guitar and backing vocals, Ian McDonald on keyboards and saxophone, Al Greenwood on synthesizers, Ed Gagliardi on bass, and Dennis Elliott on drums. These musicians contributed their distinctive talents to craft a song that is both emotionally resonant and musically intricate, standing as a testament to the band’s early mastery of rock balladry.

Critically, “Woman Oh Woman” has often been overshadowed by the album’s more commercially successful hits like “Cold as Ice” and “Feels Like the First Time.” However, it offers a nuanced and introspective counterbalance to the album’s more anthemic tracks. The song’s delicate interplay between the verses and chorus highlights Foreigner’s ability to infuse emotional depth into their music. Lou Gramm’s heartfelt vocal delivery brings a sense of vulnerability to the lyrics, which explore themes of love, longing, and the yearning to reclaim a lost connection. The song also showcases Mick Jones’ talent for crafting melodic guitar lines that weave seamlessly into the track’s lush arrangement, complemented by Greenwood’s synthesizers that add an ethereal touch to the overall sound.

Lyrically, “Woman Oh Woman” delves into the complexities of romantic relationships, particularly the struggle to reconcile lost intimacy. Lines like “Just make me feel I’ve the right to survive” and “This is nothing like our love was meant to be” convey a profound sense of emotional turmoil and introspection. The song’s poetic imagery, such as “Your love flows down like a river, ’til it reaches down to the sea,” evokes a sense of timelessness and natural inevitability, resonating deeply with listeners who have experienced the ebb and flow of love. As the first song on this list, it sets a reflective tone, paving the way for further explorations of how the word “woman” embodies a spectrum of emotions and meanings in classic rock.

# 9 – (You Make Me Feel Like a) Natural Woman – Carole King

Carole King’s rendition of “(You Make Me Feel Like) A Natural Woman,” from her seminal 1971 album Tapestry, offers a deeply personal and introspective take on a song she co-wrote with Gerry Goffin and Jerry Wexler. While Aretha Franklin’s original 1967 version became an iconic anthem, King’s recording imbues the song with a quiet vulnerability and understated power that aligns perfectly with the intimate, confessional tone of Tapestry. The album, recorded at A&M Studios in Los Angeles with producer Lou Adler, featured a stellar lineup of musicians, including King on piano and vocals, Danny Kortchmar on guitar, Charles Larkey on bass, and Russ Kunkel on drums.

King’s interpretation strips the song down to its essential emotional core, with her signature piano work and gentle vocal delivery creating an atmosphere of raw sincerity. Unlike the soaring gospel-inflected power of Franklin’s rendition, King’s version feels like a heartfelt diary entry, capturing the quiet strength and gratitude expressed in the lyrics. The subtle instrumentation enhances the intimate quality, allowing King’s voice and piano to take center stage, making the listener feel as though they are hearing her private reflections.

Lyrically, the song’s timeless appeal lies in its ability to convey a profound sense of emotional transformation. Lines such as “You make me feel like a natural woman” encapsulate the essence of love’s power to inspire self-acceptance and empowerment. King’s performance exudes a quiet confidence, turning the song into a celebration of personal connection and the transformative nature of love. Positioned as a landmark on Tapestry, this version serves as both a tribute to her own songwriting legacy and a fresh reimagining that resonates with listeners on a deeply personal level. As one of the foundational tracks in this list, it highlights how the word “woman” can convey a spectrum of emotions, from empowerment to profound vulnerability.

Read More: Top 10 Carole King Songs

# 8 – When A Man Loves A Woman – Percy Sledge

Percy Sledge’s timeless classic “When a Man Loves a Woman,” recorded in 1966, remains one of the most poignant and powerful love ballads in the history of soul music. Released as a single by Atlantic Records, the song was recorded at Norala Sound Studio in Sheffield, Alabama, with producers Quin Ivy and Marlin Greene. The Muscle Shoals Rhythm Section provided the instrumental foundation, including Spooner Oldham on organ, Albert “Junior” Lowe on bass, and Roger Hawkins on drums. Sledge’s impassioned vocal delivery, coupled with the track’s hauntingly tender arrangement, made this song an instant hit, reaching number one on both the Billboard Hot 100 and R&B charts.

The recording captures raw emotion, as Sledge reportedly improvised the melody during an early studio session, pouring his heartbreak over a failed relationship into the performance. The lyrical narrative reflects the vulnerabilities and sacrifices that often accompany deep love: “When a man loves a woman, he’ll trade the world for the good thing he’s found.” The evocative organ lines and understated rhythm section amplify the sincerity of Sledge’s delivery, creating a soundscape that complements the deeply personal nature of the song.

Critically, “When a Man Loves a Woman” is celebrated not only for Sledge’s emotive performance but also for its influence on the soul genre. Its universal theme of love’s power and the vulnerability it brings has made it a cultural touchstone, covered by artists ranging from Michael Bolton to Bette Midler. As part of this article’s focus on songs with “woman” in the title, this track exemplifies the depth of feeling and storytelling that defines the use of the word in music. It stands as a testament to the enduring impact of heartfelt songwriting and the human experience it reflects.

Read More: Top 10 Percy Sledge Songs

# 7 – (Oh) Pretty Woman – Roy Orbison

Roy Orbison’s “Oh, Pretty Woman” is a defining moment in rock and roll history, seamlessly blending irresistible hooks with Orbison’s signature vocal prowess. Recorded at Monument Records Studio B in Nashville, Tennessee, on August 1, 1964, the track was co-written by Orbison and his frequent collaborator Bill Dees. Produced by Fred Foster, the single became an immediate success, topping the Billboard Hot 100 chart for three weeks and charting globally, cementing Orbison’s status as a rock legend.

The track features a stellar lineup of Nashville A-team session musicians, including Jerry Kennedy and Billy Sanford on guitars, Floyd Cramer on piano, and Boots Randolph on saxophone, with Orbison himself contributing rhythm guitar. The iconic opening riff, played on guitar by Billy Sanford, sets the tone for the song’s infectious energy, while the driving beat and catchy melody create an irresistible groove. Orbison’s soaring vocals bring a sense of both longing and playfulness as he sings about an encounter with an alluring woman, capturing the essence of admiration and romantic pursuit.

Lyrically, “Oh, Pretty Woman” tells the story of an encounter with a beautiful stranger who ultimately chooses to stay, flipping the narrative of longing into a triumphant conclusion. The song’s universality and its playful refrain of “Mercy!” give it an enduring charm, ensuring its place as one of the most recognizable rock songs of all time. As part of this list, “Oh, Pretty Woman” offers a lively contrast to more introspective entries, showcasing the multifaceted ways the word “woman” can inspire storytelling in music. Its enduring appeal continues to resonate, from its original release to its presence in films and cover versions by countless artists.

Read More: Top 10 Roy Orbison Songs

# 6 – Just Like a Woman – Bob Dylan

Bob Dylan’s “Just Like a Woman,” a track from his seminal 1966 album Blonde on Blonde, showcases his ability to weave intricate storytelling with poignant emotion. Recorded in Nashville in March 1966 and produced by Bob Johnston, the song stands out for its delicate balance of vulnerability and incisive observation. The musicians contributing to the recording include Charlie McCoy on bass, Kenny Buttrey on drums, and Joe South on guitar, with Al Kooper’s gently lilting organ adding texture. Dylan’s plaintive vocals and acoustic guitar create a deeply intimate atmosphere, complemented by a carefully layered arrangement.

The lyrics of “Just Like a Woman” reveal Dylan’s sharp lyrical eye, narrating a complex and bittersweet relationship. The song explores themes of love, disillusionment, and fragility, blending tenderness with critique. Lines such as “She takes just like a woman, yes, she does / And she makes love just like a woman, yes, she does / And she aches just like a woman / But she breaks just like a little girl” reflect a nuanced portrayal of human vulnerability. Dylan’s phrasing brings a conversational intimacy that draws the listener into the narrative, making it a deeply personal experience.

Read More: Best Bob Dylan Songs Of The 1970s

# 5 – Evil Woman – Electric Light Orchestra

Electric Light Orchestra’s “Evil Woman,” from their 1975 album Face the Music, epitomizes the seamless fusion of rock and orchestral elements that defined the band’s signature sound. Written by Jeff Lynne, the song was recorded at Musicland Studios in Munich, Germany, under Lynne’s production. The track also incorporates a lush string arrangement, featuring Lynne on lead vocals and guitar, Bev Bevan on drums, Richard Tandy on keyboards, and Kelly Groucutt on bass, adding sophistication to its rhythmic groove. The result is a polished and infectious piece of pop-rock brilliance.

Lyrically, “Evil Woman” explores themes of betrayal and emotional upheaval with a biting edge. Lines like, “You made a fool of me, but them broken dreams have got to end,” convey a sense of resilience and empowerment in the face of heartbreak. The song’s catchy chorus, set against an irresistible disco-inflected beat, contrasts its bitter undertones, creating a unique interplay between its buoyant sound and sharp lyrics.The song became a commercial success, reaching the top ten in both the US and UK charts, and remains one of ELO’s most iconic tracks.

# 4 – Woman – John Lennon

John Lennon’s “Woman,” a heartfelt tribute to love and partnership, stands as one of the most poignant tracks in his solo career. Released in 1980 on the Double Fantasy album, the song was co-produced by Lennon, Yoko Ono, and Jack Douglas. Recorded at The Hit Factory in New York City during the summer of that year, “Woman” features Lennon on lead vocals and acoustic guitar, with Tony Levin on bass, Andy Newmark on drums, and Earl Slick contributing additional guitar work. The lush arrangement and tender delivery perfectly complement the song’s intimate subject matter.

Often described as a love letter to Yoko Ono and, by extension, to all women, “Woman” captures Lennon’s vulnerability and admiration. Lines like, “Woman, I can hardly express my mixed emotions at my thoughtlessness,” reflect a profound sense of gratitude and introspection. The track’s soft melody and uplifting chorus create an atmosphere of warmth and sincerity, making it a standout in Lennon’s repertoire.

Commercially, “Woman” achieved significant success, reaching number two on the US Billboard Hot 100 and topping the UK Singles Chart in early 1981, shortly after Lennon’s tragic death. As part of this list, “Woman” enriches the exploration of the titular theme with its blend of personal depth and universal resonance. Its heartfelt lyrics and elegant production ensure its enduring legacy as a celebration of love and appreciation for women.

# 3 – L.A.Woman – The Doors

“L.A. Woman,” the title track of The Doors’ 1971 album L.A. Woman, is a sprawling, blues-infused ode to Los Angeles that captures the gritty allure and restless spirit of the city. Recorded in December 1970 and January 1971 at The Doors’ private workshop in Los Angeles, the track marked a departure from the band’s usual recording studios, embracing a more raw and spontaneous approach. Produced by the band with longtime collaborator Bruce Botnick, the track features Jim Morrison on vocals, Ray Manzarek on keyboards, Robby Krieger on guitar, and John Densmore on drums, with Jerry Scheff, known for his work with Elvis Presley, contributing on bass.

The song’s structure is as dynamic as the city it portrays, moving fluidly between hypnotic verses and electrifying instrumental sections. Morrison’s evocative lyrics, “I see your hair is burnin’, hills are filled with fire,” paint a vivid, surreal picture of Los Angeles, blending romanticism with a hint of danger. The refrain, “Mr. Mojo Risin’,” an anagram of Morrison’s name, adds a personal and enigmatic touch to the song, further cementing its status as a quintessential Doors track.

Critically and commercially, “L.A. Woman” has stood the test of time as one of the band’s most iconic songs. Its fusion of blues, rock, and poetic imagery makes it a powerful entry in this list of songs featuring “woman” in the title. The track’s sprawling narrative and haunting energy align seamlessly with other entries, showcasing the diverse ways artists have explored the concept of “woman” in music.

Read More: The Doors Albums Ranked

# 2 – American Woman – The Guess Who

“American Woman,” a searing anthem by The Guess Who, is one of the most enduring rock tracks of the 1970s. Released in January 1970 as the title track of their album American Woman, the song was recorded at RCA’s Mid-America Recording Center in Chicago in late 1969. Produced by Jack Richardson and featuring the lineup of Burton Cummings on vocals, Randy Bachman on guitar, Jim Kale on bass, and Garry Peterson on drums, the track became a defining moment for the Canadian band. Its raw energy and rebellious spirit resonated deeply with audiences, propelling the single to the top of the Billboard Hot 100, where it stayed for three weeks.

The song’s origins were famously spontaneous: Bachman improvised the riff during a live show in Ontario, with Cummings ad-libbing the lyrics. Its central refrain, “American woman, stay away from me,” has been interpreted as a critique of U.S. societal issues, contrasting with the band’s Canadian roots. Cummings later explained that the lyrics reflected a desire for peace and escape from the chaos of the Vietnam War era.

Musically, the track’s driving blues-rock riff and gritty vocal delivery created a powerful, unforgettable sound. “American Woman” stands tall among other entries in this article, showcasing how artists use the word “woman” to convey complex and often charged emotions. The Guess Who’s electrifying anthem underscores the power of rock music as both a cultural statement and a medium for raw, unfiltered expression.

Read More: Top 10 Songs Of The Guess Who

# 1 – Honkey Tonk Women – The Rolling Stones

“Honky Tonk Women,” a swaggering masterpiece by The Rolling Stones, captures the quintessential grit and groove of late 1960s rock. Released as a standalone single on July 4, 1969, and later included in the compilation album Through the Past, Darkly (Big Hits Vol. 2), the track was recorded at Olympic Studios in London during the spring of 1969. Produced by Jimmy Miller, the song features Mick Jagger’s signature vocal drawl, Keith Richards’ infectious guitar riff, Charlie Watts’ iconic cowbell introduction, Bill Wyman’s steady bassline, and Mick Taylor’s first recording with the band on slide guitar.

The song’s narrative vividly chronicles encounters with two sultry “honky tonk women,” blending humor, lust, and unapologetic swagger. Jagger and Richards penned the lyrics, weaving a playful tale of barroom romance and carefree indulgence. Musically, the track’s infectious rhythm and bold brass arrangement, courtesy of Bobby Keys on saxophone and Jim Price on trumpet, add a touch of Southern charm to its rocking blues foundation.

“Honky Tonk Women” climbed to the top of the Billboard Hot 100 in the U.S. and the UK Singles Chart, cementing its place as one of The Rolling Stones’ most enduring hits. The track’s sultry energy and rollicking vibe stand out among the entries in this article, showcasing how the word “woman” can evoke not just emotional depth but also uninhibited celebration in rock music. The Stones’ tale of honky-tonk allure is an essential part of the genre’s legacy.

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