10 Of Our Favorite Songs About Drinking

10 Best Songs About Drinking

Feature Photo: The Everett Collection: Licensed From Shutterstock

This is not a “10 Best Songs About Drinking” list, and it’s not even a “10 Essential Songs About Drinking” list. No, this is an article based on our 10 favorite songs about drinking. The reason we’ve titled it like that is because these are songs that are not always associated with drinking—unless you really know the lyrics. Not all of them fit this mold; we do have a few on here that are unmistakably about drinking just from their titles.

What we wanted to do was make sure we didn’t create another “Top 10 Drinking Songs” list filled with the same old typical tracks. You know the ones: “Whiskey in the Jar,” “One Bourbon, One Scotch, One Beer,” “I Drink Alone”—all those fantastic songs. They’ve been written about so many times and are so closely tied to drinking that they’re the usual suspects on lists like this.

Instead, we wanted to dig a little deeper and create something more interesting. We’ve selected songs that might not immediately come to mind when you think of drinking, giving this list a unique twist. This is what we set out to do, and we hope you enjoy the result.

# 10 – My Wife – The Who

“My Wife” by The Who is one of those songs that turns a drinking story into a full-blown, comical crisis. Written by bassist John Entwistle, the track was released in 1971 on the legendary Who’s Next album. It’s a sharp and hilarious tale about a man who’s been out drinking and is now terrified of facing his furious wife when he gets home.

What makes this song perfect for a drinking list is how vividly it captures the panic of realizing you’ve overdone it. With lines like “I’m heading for the nearest bar” and “She’ll kill me if she finds me drunk again,” it’s a mix of genuine fear and over-the-top humor. As the story unfolds, the man spirals into imagining increasingly ridiculous scenarios to escape his wife’s wrath, from needing a tank to dreaming of an airplane to get away. It’s a drinking song, sure, but it’s also a wild exaggeration of the consequences we’ve all joked about after a long night out.

The music amplifies the chaos with Entwistle’s thundering bassline, a lively horn section, and a frenzied pace that mirrors the panic in the lyrics. While Who’s Next is filled with Pete Townshend’s monumental anthems, “My Wife” is a standout moment of humor and personality from Entwistle. It wasn’t a hit single, but its quirky charm made it a fan favorite, and it remained a staple in The Who’s live shows.

This song makes the list because it’s more than just about drinking—it’s about the all-too-relatable fallout. Whether you’ve ever been in that kind of trouble or you’re just laughing along with the absurdity, “My Wife” captures the humor and chaos of drinking in a way that only The Who could pull off.

# 9 – Deacon Blues – Steely Dan

“Deacon Blues” by Steely Dan is a reflective, bittersweet anthem that pairs perfectly with a glass of whiskey in hand. Released in 1977 on the album Aja, the song explores themes of longing, disillusionment, and the romanticized image of living life on your own terms, even if that means embracing failure. Written by Donald Fagen and Walter Becker, it stands as one of their most iconic tracks, blending jazz sophistication with biting lyrical wit.

The connection to drinking comes through in its vivid imagery of someone defying convention and embracing a lifestyle of rebellion, regardless of the cost. The line “I’ll drink Scotch whiskey all night long and die behind the wheel” paints a picture of someone choosing a path of self-indulgence and creativity over conformity. The act of drinking isn’t just a pastime here—it’s a deliberate symbol of breaking away from societal norms and embracing an imperfect, unpredictable existence.

Musically, “Deacon Blues” is a lush, sprawling masterpiece. Clocking in at over seven minutes, the track features jazzy saxophone solos, layered harmonies, and meticulous production that helped make Aja a standout in Steely Dan’s catalog. The combination of complex chords and Fagen’s smooth, reflective vocals creates a soundscape that feels introspective yet grand.

While it wasn’t released as a single, “Deacon Blues” became a classic through its inclusion on Aja, which peaked at number three on the Billboard 200 and eventually went double platinum. The song’s lasting appeal lies in its relatable themes of dreaming big, falling short, and finding beauty in the wreckage—a feeling many find amplified with a drink in hand.

# 8 – “Kiss Me, I’m #!@’faced” – Dropkick Murphys

The Dropkick Murphys’ “Kiss Me, I’m #!@’faced” is a boisterous anthem drenched in the chaotic spirit of a long night at the bar. Released in 2003 on their album Blackout, the song captures the blend of humor, self-deprecation, and raucous camaraderie that defines much of the band’s work. Written by band members Al Barr, Ken Casey, and the rest of the Murphys crew, it’s a tune that embraces the messiness of life, love, and late-night confessions.

The drinking connection is as clear as a pint of Guinness at last call. The lyrics spin a tale of a narrator whose bravado grows with every drink. He tells exaggerated tales of his charm and exploits, only to admit in the chorus that it’s all a drunken facade: “I’m a liar and a thief / I’m an asshole and a creep.” It’s an honest, if slightly sloppy, portrait of the kind of self-awareness that only surfaces after a few too many.

Musically, the song is a Celtic punk powerhouse, mixing rousing bagpipes, driving guitars, and a singalong chorus that demands to be belted out in a crowded pub. The Dropkick Murphys’ knack for blending traditional Irish folk elements with punk energy makes “Kiss Me, I’m #!@’faced” a standout track on Blackout, an album that helped solidify their reputation as kings of the Celtic punk genre.

While it wasn’t a chart-topping hit, the song became a fan favorite and a staple of the band’s live shows. Its irreverent humor and relatability have kept it alive in the hearts of fans who understand the cathartic release of laughing at yourself, especially after a couple of drinks.

Read More: Top 10 Dropkick Murphys Songs

# 7 – Cracklin’ Rosie – Neil Diamond

Neil Diamond’s “Cracklin’ Rosie” is often mistaken for a simple love song, but its deeper meaning ties it directly to this list of drinking-themed tracks. Released in 1970 on the album Tap Root Manuscript, this chart-topping hit is not about a woman at all—it’s about a bottle of cheap wine. Inspired by Diamond’s visit to a Canadian First Nations community, “Cracklin’ Rosie” tells the story of a group of men who share a communal bottle of “Cracklin’ Rosé” wine as a way to bond and unwind when there aren’t enough women to go around.

Lyrically, the song captures a sense of camaraderie and joy, with the narrator treating Cracklin’ Rosie as if she were a romantic partner: “Oh, I love my Rosie child / You got the way to make me happy.” The personification of the wine makes it a charming and lighthearted take on how people create joy and connection through simple pleasures, even in less-than-ideal circumstances.

Musically, “Cracklin’ Rosie” blends Diamond’s signature storytelling style with an upbeat melody and infectious rhythm. The combination of acoustic guitar, a driving beat, and Diamond’s rich vocals make it a timeless classic. Its feel-good energy and celebratory tone have helped the song endure as a favorite among fans and casual listeners alike.

The song was a massive success, becoming Neil Diamond’s first No. 1 single on the Billboard Hot 100 and earning him international acclaim. It solidified his reputation as a masterful songwriter with a knack for weaving relatable narratives into his music.

“Cracklin’ Rosie” earns its spot on this list not just for its backstory, but for the way it elevates an ordinary drinking experience into a heartfelt celebration. Whether you’re sharing a bottle of cheap wine with friends or simply reminiscing about good times, this song captures the universal joy of finding comfort and happiness in the moment.

Read More: 10 Most Rocking Neil Diamond Songs

# 6 – Rudy Wants To Buy Yez A Drink – Frank Zappa

Frank Zappa’s “Rudy Wants to Buy Yez a Drink” is a sly, satirical track from the Chunga’s Revenge album, released in 1970. The drinking theme emerges immediately in the title, which sets up the premise of Rudy, a character who wants to play the magnanimous host by buying a round of drinks. However, Zappa, never one to take things at face value, layers the narrative with biting humor and social commentary. Rudy’s offer to buy everyone a drink comes across as performative and self-serving, a commentary on the transactional nature of social interactions and the hidden motivations behind seemingly generous acts.

Musically, the track blends elements of rock and jazz, showcasing Zappa’s skillful instrumentation and knack for blending genres. The upbeat tempo and playful arrangement create an ironic contrast to the underlying critique in the lyrics, drawing listeners into the song’s seemingly lighthearted vibe while delivering a deeper message.

“Rudy Wants to Buy Yez a Drink” highlights Zappa’s mastery of using music as a platform for storytelling and satire. The drinking motif, while central to the song’s surface narrative, also serves as a vehicle for broader commentary on human nature, social dynamics, and hypocrisy. The absurdity of Rudy’s over-the-top hospitality becomes a lens through which Zappa explores the complexities of interpersonal relationships.

# 5 – Linda Ronstadt – Willin

Linda Ronstadt’s poignant interpretation of “Willin’” brings a heartfelt depth to this tale of a life lived on the road. Originally penned by Lowell George of Little Feat, the song found new resonance when Ronstadt included her cover on her 1974 album Heart Like a Wheel. The song tells the story of a weary truck driver whose life revolves around long highways, fleeting connections, and an unwavering relationship with substances—both alcohol and other intoxicants—to make the journey bearable.

The drinking connection in “Willin’” comes from its vivid imagery and character-driven narrative. The narrator speaks of being “drunk and dirty” as he navigates the endless roads that define his existence. It’s not merely a song about travel but about the sacrifices and coping mechanisms required to endure a hard life on the move. Alcohol, in this case, becomes a companion as much as a crutch, symbolizing the blend of escapism and endurance that defines the narrator’s lifestyle.

Ronstadt’s version strips the song down to its emotional core, with her evocative voice lending a tender vulnerability to the lyrics. Her phrasing captures both the resignation and resilience of the narrator, creating a version that’s less gritty than Little Feat’s original but no less powerful. By framing the lyrics with her melodic sensitivity, Ronstadt transforms “Willin’” into a universal anthem of perseverance and longing, making it relatable to anyone who has felt the weight of life’s burdens.

Heart Like a Wheel was a breakthrough album for Ronstadt, and her cover of “Willin’” played a pivotal role in showcasing her ability to reinterpret songs with emotional authenticity. Lowell George, who originally wrote the song, reportedly appreciated Ronstadt’s take, which brought wider attention to his work with Little Feat. The song’s inclusion on her chart-topping album further solidified its place as a classic in the Americana and country-rock genres.

Ultimately, “Willin’” is more than just a road song or a drinking song; it’s a deeply human story of survival, told with poetic grace. Ronstadt’s interpretation highlights the universal truths embedded in its lyrics, making it a standout in both her career and the larger canon of American music.

# 4 – Mas Tequila – Sammy Hagar

Sammy Hagar’s “Mas Tequila” is a raucous anthem that celebrates the carefree, party-driven lifestyle Hagar has epitomized throughout his career. Released on his 1999 album Red Voodoo, the song is a high-energy toast to good times, blending rock with Latin-inspired rhythms and showcasing Hagar’s signature exuberance. Its unapologetic embrace of tequila-fueled revelry makes it a quintessential drinking song that belongs on any list celebrating such themes.

The connection to drinking is direct and undeniable—Hagar penned “Mas Tequila” as a love letter to the good times associated with his Cabo Wabo Tequila brand and the vibrant party culture of his Cabo San Lucas bar. The lyrics, delivered with Hagar’s raspy, spirited vocals, paint a vivid picture of a night filled with endless tequila shots, dancing, and unapologetic hedonism. Lines like “Mas tequila!” chant the mantra of a wild night, making it a rallying cry for anyone who has ever let loose with a bottle of the fiery spirit.

Musically, the song borrows its melody from Gary Glitter’s “Rock and Roll Part 2,” but Hagar infuses it with his own unique style, blending a crunchy rock foundation with playful mariachi horns and infectious Latin rhythms. This fusion gives “Mas Tequila” its distinctive flair, reflecting the cultural influences of Hagar’s beloved Cabo San Lucas. It’s more than just a song; it’s a celebration of a lifestyle—one that Hagar himself has championed both on and off the stage.

Red Voodoo, the album that houses “Mas Tequila,” was a commercial success, riding on the popularity of this standout track. Hagar’s decision to tie the song’s identity to his tequila brand was a savvy marketing move, solidifying both the song and the brand in the cultural consciousness. Fans embraced the track as an essential party anthem, with its high-octane energy perfectly encapsulating the spirit of a tequila-fueled fiesta. In the context of drinking songs, “Mas Tequila” is unapologetically about indulgence and celebration.

Read More: Our 10 Favorite Sammy Hagar Videos

# 3 – Elderberry Wine – Elton John

Elton John’s “Elderberry Wine” from his 1973 album Don’t Shoot Me I’m Only the Piano Player is a lively, piano-driven track that blends nostalgia and heartbreak with the unmistakable rhythm of a drinking song. The song is a bittersweet ode to simpler times, where the comfort of elderberry wine and the company of a loved one made life feel complete.

The connection to drinking in “Elderberry Wine” lies in its lyrics, which recount a man’s longing for his past, punctuated by memories of the titular homemade beverage. The refrain, “Elderberry wine, it’s on my mind,” underscores the song’s theme of escapism, where the sweet, intoxicating drink symbolizes both comfort and the haze of nostalgia. The protagonist reflects on a lost relationship, lamenting, “Drunk all the time, feeling fine on elderberry wine,” as he tries to drown his sorrows and relive those cherished moments.

Musically, the song is classic Elton John—a vibrant arrangement of rollicking piano, upbeat rhythm, and exuberant vocal delivery. The spirited instrumentation contrasts with the melancholic undertone of the lyrics, creating a dynamic interplay that mirrors the emotional complexity of the narrative. It’s as much a celebration of indulgence as it is a lamentation for what’s been lost, a hallmark of Bernie Taupin’s evocative songwriting.

Don’t Shoot Me I’m Only the Piano Player marked a significant point in Elton John’s career, showcasing his ability to blend storytelling with infectious melodies. While the album is best known for hits like “Daniel” and “Crocodile Rock,” “Elderberry Wine” has earned a dedicated following for its distinctive charm and energy. The track captures the whimsical yet reflective spirit of Elton John and Bernie Taupin’s collaborations, resonating with listeners who appreciate its relatable themes.

# 2 – One For My Baby – Frank Sinatra

Frank Sinatra’s “One for My Baby (And One More for the Road)” is a timeless ballad of heartache, loneliness, and solace found in a dimly lit bar. Written by Harold Arlen and Johnny Mercer, the song was first introduced in 1943 in the movie The Sky’s the Limit, performed by Fred Astaire, but it became synonymous with Sinatra when he recorded it in 1947 for Columbia Records. Over the years, Sinatra revisited the song multiple times, most notably on his iconic 1958 album Only the Lonely, where it cemented its place as a cornerstone of the Great American Songbook.

The narrative of “One for My Baby” revolves around a man nursing his sorrows at the bar, pouring out his heart to the bartender as he orders “one more for the road.” The song’s connection to drinking lies not just in the act of ordering a drink but in the emotional refuge that the bar offers. It’s a place where the man seeks to drown his heartbreak and reflect on the pain of lost love. The lyrics’ conversational tone, directed at the bartender, create an intimacy that draws the listener into the protagonist’s world, making it feel personal and raw.

Musically, the song is a masterclass in minimalism and mood. Sinatra’s delivery is understated yet profoundly emotional, capturing the essence of a man barely holding it together. The sparse piano accompaniment, often provided by Bill Miller in live performances, mirrors the lonely atmosphere of the bar and allows Sinatra’s voice to take center stage. Every note and phrase is imbued with a sense of yearning and resignation, making it one of his most emotionally resonant performances.

Critically, “One for My Baby” has been hailed as one of Sinatra’s finest interpretations and a definitive example of his ability to convey deep emotion through music. The song’s melancholic elegance and universal themes have made it a favorite for artists across generations, with covers by legends like Billie Holiday, Ella Fitzgerald, and Tony Bennett.

As a drinking song, “One for My Baby” transcends its genre, offering more than just a tale of imbibing. It captures the bar as a sanctuary for the broken-hearted, a place where time slows down and reflection takes hold. Whether listened to in solitude or performed on a smoky stage, the song remains a poignant reminder of the power of music to express the inexpressible, making it a perfect entry for this list.

Read More: Top 10 Frank Sinatra Songs

# 1 – Picasso’s Last Words (Drink to Me) – Paul McCartney & Wings

“Picasso’s Last Words (Drink to Me)” by Paul McCartney & Wings is a fascinating and unconventional entry on the 1973 album Band on the Run. The song is a tribute to legendary artist Pablo Picasso and was inspired by a conversation McCartney had with actor Dustin Hoffman. As the story goes, Hoffman challenged McCartney to write a song on the spot, handing him a magazine article about Picasso’s last words: “Drink to me, drink to my health, you know I can’t drink anymore.” McCartney accepted the challenge, crafting the track almost immediately.

The song’s connection to drinking is both literal and symbolic. Picasso’s famous last words referenced his inability to partake in the ritual of drinking—a gesture often tied to celebration, camaraderie, or mourning. McCartney uses these words to create a toast to life and creativity, turning them into a meditative reflection on mortality and legacy. The phrase “drink to me” becomes a call to honor those who have passed, while also celebrating the joy of living.

Musically, “Picasso’s Last Words (Drink to Me)” is a patchwork of styles and moods, echoing Picasso’s own approach to art. The track flows through various sections, including a waltz-like rhythm and snippets of other songs from the album, such as “Jet” and “Mrs. Vandebilt.” The dynamic shifts and layered arrangement reflect the multifaceted nature of Picasso’s artistic legacy. The addition of percussion by the band’s drummer, Denny Seiwell, and acoustic guitar by Denny Laine, enhances the song’s rich, textured sound. The atmosphere is whimsical yet introspective, perfectly capturing the spirit of the artist it honors.

Critics have praised the song for its experimental nature and its clever integration into the narrative flow of Band on the Run. The album itself was a critical and commercial success, reaching number one on the US and UK charts and cementing McCartney & Wings as a dominant force in the 1970s music scene. “Picasso’s Last Words (Drink to Me)” stands out as a daring and imaginative piece that highlights McCartney’s ability to push creative boundaries. As a drinking song, it takes an unconventional approach. Rather than glorifying the act of drinking, it turns the concept into a reflective and celebratory act—a way to honor the artist’s spirit.

DMCA.com Protection Status