Feature Photo: Eddie Mallin, CC BY 2.0
Bob Marley grew up in the rural community of Nine Mile in Saint Ann Parish, Jamaica, before moving to the Trenchtown neighborhood of Kingston, where the foundation of his musical identity took shape. His earliest forays into the music scene began in the early 1960s when he formed The Wailers with Peter Tosh and Bunny Wailer. Initially influenced by American R&B and ska, the group began recording at Studio One under producer Coxsone Dodd. Their early hits like “Simmer Down” and “Rude Boy” introduced them to Jamaican audiences and positioned them as voices of the youth during a time of cultural and political change on the island.
The Wailers evolved musically through the late 1960s and early 1970s, embracing the reggae sound that would become synonymous with their name. Marley’s songwriting matured into a powerful blend of social commentary, Rastafarian spirituality, and universal themes of struggle and unity. After briefly working with producer Lee “Scratch” Perry, Marley signed a pivotal contract with Island Records founder Chris Blackwell. This led to the international release of Catch a Fire in 1973, which presented reggae to a global rock audience with a polished studio sound. The album marked the beginning of Marley’s ascent on the world stage, followed by Burnin’ later that same year, which featured “Get Up, Stand Up” and “I Shot the Sheriff”—the latter famously covered by Eric Clapton.
After Tosh and Bunny Wailer departed to pursue solo careers, Marley rebranded the group as Bob Marley and the Wailers. He retained the Wailers band and introduced the I Threes, a trio of female backing vocalists that included his wife Rita Marley, Judy Mowatt, and Marcia Griffiths. This lineup produced a run of landmark albums beginning with Natty Dread (1974), which included the anthemic “No Woman, No Cry.” In 1976, Rastaman Vibration broke into the Top 10 of the Billboard 200, powered by tracks like “War,” which set Haile Selassie’s speech to music, and “Crazy Baldhead.”
Marley’s political influence surged in Jamaica during this period, culminating in the infamous 1976 assassination attempt at his home just days before the Smile Jamaica concert. Although wounded, Marley performed as scheduled with his arm in a sling, solidifying his status as a unifying figure in a politically divided country. He relocated to London shortly afterward, where he recorded Exodus in 1977. That album became a turning point in his career, containing classics such as “Jamming,” “Waiting in Vain,” “Three Little Birds,” and the title track. Exodus remained on the UK charts for 56 consecutive weeks and was later named Album of the Century by Time magazine.
The international impact of Marley’s music grew with Kaya (1978), a softer, more romantic album featuring “Is This Love” and “Satisfy My Soul.” In 1979, Survival returned to themes of African unity and resistance, with tracks like “Africa Unite” and “Zimbabwe.” Marley’s final studio album, Uprising (1980), included “Could You Be Loved” and “Redemption Song,” the latter a stripped-down acoustic anthem reflecting his increasing awareness of mortality amid his battle with cancer. That same year, he performed at Zimbabwe’s independence celebration and embarked on the Uprising Tour, concluding with a final performance in Pittsburgh on September 23, 1980.
Bob Marley released a total of 13 studio albums during his lifetime, including his early work with The Wailers and later solo projects. His compilation album Legend, released posthumously in 1984, became the best-selling reggae album of all time, with over 25 million copies sold globally. His signature songs—“One Love,” “Buffalo Soldier,” “Stir It Up,” and “No Woman, No Cry”—remain staples across generations, transcending language and culture with their messages of peace, justice, and love.
Awards and honors followed both in life and after death. Marley was posthumously awarded the Grammy Lifetime Achievement Award in 2001. He was inducted into the Rock and Roll Hall of Fame in 1994 and the Hollywood Walk of Fame in 2001. His influence has been recognized by the United Nations and cultural institutions around the world, including a commemorative star in Ethiopia and statues in Kingston and London. His legacy was further cemented with the establishment of the Bob Marley Museum in his former Kingston home.
Marley’s impact extended far beyond music. He was a symbol of resistance, hope, and dignity for oppressed people worldwide. He used his platform to promote Pan-Africanism, Rastafarian beliefs, and human rights, often putting himself in harm’s way to advocate for peace. He donated generously to schools and hospitals in Jamaica and supported various humanitarian causes throughout Africa and the Caribbean.
Despite being diagnosed with acral lentiginous melanoma in 1977, Marley continued to perform and tour, spreading his message to as many people as possible. He passed away on May 11, 1981, in Miami, Florida, at the age of 36. His funeral in Jamaica was a national event attended by Prime Minister Edward Seaga and thousands of mourners. He was laid to rest in Nine Mile with his guitar, football, and a stalk of ganja—symbols of the life he lived and the messages he carried.
Bob Marley’s influence has only grown since his death. His music is used in classrooms, protests, and celebrations, continuing to inspire new generations of artists and activists. His children, including Ziggy, Damian, Stephen, and Julian Marley, have carried on the musical legacy, contributing to reggae’s evolution while honoring their father’s vision. His lyrics are quoted by world leaders, his songs featured in countless films, and his face remains one of the most recognized images in global culture.
To understand Bob Marley is to understand more than just reggae. It is to grasp how music can become a weapon of resistance, a balm for the oppressed, and a bridge between people. His voice still echoes around the world—reminding us to stand up, unite, and never give up the fight.
Complete List Of Bob Marley Songs From A to Z
- (I’m Gonna) Put It On – The Wailing Wailers – 1965
- 400 Years – Soul Rebels – 1970
- Africa Unite – Survival – 1979
- All Day All Night – Catch a Fire – 1973
- African Herbman – Soul Revolution Part II – 1971
- Am-A-Do – Natty Dread – 1974
- Ambush in the Night – Survival – 1979
- Baby We’ve Got a Date (Rock It Baby) – Catch a Fire – 1973
- Babylon System – Survival – 1979
- Back Out – The Best of the Wailers – 1971
- Bad Card – Uprising – 1980
- Bend Down Low – Natty Dread – 1974
- Blackman Redemption – Confrontation – 1983
- Brain Washing – Soul Revolution Part II – 1971
- Buffalo Soldier – Confrontation – 1983
- Burnin’ and Lootin’ – Burnin’ – 1973
- Can’t You See – The Best of the Wailers – 1971
- Caution – The Best of the Wailers – 1971
- Chant Down Babylon – Confrontation – 1983
- Cheer Up – The Best of the Wailers – 1971
- Coming in from the Cold – Uprising – 1980
- Concrete Jungle – Catch a Fire – 1973
- Corner Stone – Soul Rebels – 1970
- Could You Be Loved – Uprising – 1980
- Crazy Baldhead – Rastaman Vibration – 1976
- Crisis – Kaya – 1978
- Cry to Me – Rastaman Vibration – 1976
- Do It Twice – The Best of the Wailers – 1971
- Don’t Rock My Boat – Soul Revolution Part II – 1971
- Duppy Conqueror – Burnin’ – 1973
- Duppy Conqueror V/4 – Soul Revolution Part II – 1971
- Easy Skanking – Kaya – 1978
- Exodus – Exodus – 1977
- Forever Loving Jah – Uprising – 1980
- Fussing and Fighting – Soul Revolution Part II – 1971
- Get Up, Stand Up – Burnin’ – 1973
- Give Thanks and Praises – Confrontation – 1983
- Go Tell It on the Mountain – The Best of the Wailers – 1971
- Guiltiness – Exodus – 1977
- Hallelujah Time – Burnin’ – 1973
- High Tide or Low Tide – Catch a Fire – 1973
- I Know – Confrontation – 1983
- I Need You – The Wailing Wailers – 1965
- I Shot the Sheriff – Burnin’ – 1973
- I’m Still Waiting – The Wailing Wailers – 1965
- Is This Love – Kaya – 1978
- It Hurts to Be Alone – The Wailing Wailers – 1965
- It’s Alright – Soul Rebels – 1970
- Jamming – Exodus – 1977
- Johnny Was – Rastaman Vibration – 1976
- Jump Nyabinghi – Confrontation – 1983
- Kaya – Soul Revolution Part II – 1971
- Keep On Moving – Soul Revolution Part II – 1971
- Kinky Reggae – Catch a Fire – 1973
- Lively Up Yourself – Natty Dread – 1974
- Lonesome Feeling – The Wailing Wailers – 1965
- Love and Affection – The Wailing Wailers – 1965
- Memphis – Soul Revolution Part II – 1971
- Midnight Ravers – Catch a Fire – 1973
- Misty Morning – Kaya – 1978
- Mix Up, Mix Up – Confrontation – 1983
- My Cup – Soul Rebels – 1970
- My Sympathy – Soul Rebels – 1970
- Natural Mystic – Exodus – 1977
- Natty Dread – Natty Dread – 1974
- Night Shift – Rastaman Vibration – 1976
- No More Trouble – Catch a Fire – 1973
- No Sympathy – Soul Rebels – 1970
- No Water – Soul Rebels – 1970
- No Woman, No Cry – Natty Dread – 1974
- One Drop – Survival – 1979
- One Foundation – Burnin’ – 1973
- One Love – The Wailing Wailers – 1965
- One Love/People Get Ready – Exodus – 1977
- Pass It On – Burnin’ – 1973
- Pimper’s Paradise – Uprising – 1980
- Positive Vibration – Rastaman Vibration – 1976
- Put It On – Soul Revolution Part II – 1971
- Rasta Man Chant – Burnin’ – 1973
- Rastaman Live Up! – Confrontation – 1983
- Rat Race – Rastaman Vibration – 1976
- Reaction – Soul Rebels – 1970
- Real Situation – Uprising – 1980
- Rebel Music (3 O’Clock Roadblock) – Natty Dread – 1974
- Rebel’s Hop – Soul Rebels – 1970
- Redemption Song – Uprising – 1980
- Revolution – Natty Dread – 1974
- Ride Natty Ride – Survival – 1979
- Riding High – Soul Revolution Part II – 1971
- Roots – Exodus – 1977
- Roots, Rock, Reggae – Rastaman Vibration – 1976
- Rude Boy – The Wailing Wailers – 1965
- Running Away – Kaya – 1978
- Satisfy My Soul – Kaya – 1978
- She’s Gone – Kaya – 1978
- Simmer Down – The Wailing Wailers – 1965
- Slave Driver – Catch a Fire – 1973
- Small Axe – Burnin’ – 1973
- So Jah Seh – Natty Dread – 1974
- So Much Things to Say – Exodus – 1977
- So Much Trouble in the World – Survival – 1979
- Soon Come – The Best of the Wailers – 1971
- Soul Almighty – Soul Rebels – 1970
- Soul Captives – The Best of the Wailers – 1971
- Soul Rebel – Soul Rebels – 1970
- Soul Shakedown Party – The Best of the Wailers – 1971
- Stand Alone – Soul Revolution Part II – 1971
- Stiff Necked Fools – Confrontation – 1983
- Stir It Up – Catch a Fire – 1973
- Stop That Train – Catch a Fire – 1973
- Stop the Train – The Best of the Wailers – 1971
- Sun Is Shining – Soul Revolution Part II – 1971
- Survival – Survival – 1979
- Talkin’ Blues – Natty Dread – 1974
- Ten Commandments of Love – The Wailing Wailers – 1965
- The Heathen – Exodus – 1977
- Them Belly Full (But We Hungry) – Natty Dread – 1974
- Three Little Birds – Exodus – 1977
- Time Will Tell – Kaya – 1978
- Top Rankin’ – Survival – 1979
- Trench Town – Confrontation – 1983
- Try Me – Soul Rebels – 1970
- Turn Your Lights Down Low – Exodus – 1977
- Waiting in Vain – Exodus – 1977
- Wake Up and Live – Survival – 1979
- Want More – Rastaman Vibration – 1976
- War – Rastaman Vibration – 1976
- We and Dem – Uprising – 1980
- What’s New Pussycat? – The Wailing Wailers – 1965
- When the Well Runs Dry – The Wailing Wailers – 1965
- Who the Cap Fit – Rastaman Vibration – 1976
- Work – Uprising – 1980
- Zimbabwe – Survival – 1979
- Zion Train – Uprising – 1980
Albums
The Wailing Wailers (1965): 12 songs
Soul Rebels (1970): 12 songs
Soul Revolution Part II (1971): 12 songs
The Best of the Wailers (1971): 10 songs
Catch a Fire (1973): 11 songs
Burnin’ (1973): 10 songs
Natty Dread (1974): 10 songs
Rastaman Vibration (1976): 10 songs
Exodus (1977): 11 songs
Kaya (1978): 10 songs
Survival (1979): 10 songs
Uprising (1980): 10 songs
Confrontation (1983): 10 songs
Check out our fantastic and entertaining Bob Marley articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com
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