10 Best 1960s Debut Singles In Rock Music

# 10 – “Break On Through (To the Other Side)” – The Doors

We open up our 1960s debut singles list with one of the most electrifying bands of the decade. Jim Morrison stood in a class all of his own. There has never been a never will be another character in music like Jim Morrison. Released on January 1, 1967, “Break On Through (To the Other Side)” was recorded in August 1966 at Sunset Sound Recorders in Hollywood. Produced by Paul A. Rothchild, known for his meticulous production techniques, the track was a standout on the band’s self-titled debut album.

The lineup for “Break On Through” featured Jim Morrison on vocals, Ray Manzarek on keyboards, Robby Krieger on guitar, and John Densmore on drums. The recording sessions captured the raw energy and innovative spirit of the band, with Morrison’s haunting vocals, Manzarek’s driving organ riffs, Krieger’s sharp guitar work, and Densmore’s jazz-inflected drumming creating a potent mix. The song’s distinctive groove and rhythmic intensity were groundbreaking at the time, showcasing The Doors’ unique fusion of rock, blues, and psychedelia.

“Break On Through” achieved moderate chart success upon its release, peaking at number 126 on the Billboard Bubbling Under Hot 100 Singles chart. Despite its initial modest performance, the song quickly became a fan favorite and a staple of The Doors’ live performances. The song’s lyrics, with lines like “You know the day destroys the night, night divides the day,” exemplify Morrison’s poetic and often provocative style, exploring themes of perception and transcendence.

# 9 – Nobody – Three Dog Night

Some people may be surprised at the inclusion of the Three Dog Nights nobody’s single on this list. The song was not a hit. Most people don’t remember this song unless you’re a big time Three Dog Night fan. However it stands as one of their greatest releases. It’s one of the most underrated songs ever released. And of course it’s Three Dog Night’s debut single. Released in November 1968, “Nobody” by Three Dog Night stands as the energetic debut single that set the stage for the band’s remarkable career. Written by Larry Ramos and produced by Gabriel Mekler, the song was recorded at American Recording Company in Studio City, California. “Nobody” captures the raw energy and dynamic vocal harmonies that would become the hallmark of Three Dog Night’s sound.

The lineup for “Nobody” featured the distinctive vocal trio of Danny Hutton, Chuck Negron, and Cory Wells, supported by an accomplished band that included Michael Allsup on guitar, Joe Schermie on bass, Floyd Sneed on drums, and Jimmy Greenspoon on keyboards. The recording sessions highlighted the group’s ability to blend rock, pop, and soul influences into a cohesive and compelling sound.

Although “Nobody” did not achieve significant chart success, peaking at number 116 on the Billboard Bubbling Under Hot 100 chart, it laid the foundation for the band’s future hits. The song’s upbeat tempo, catchy chorus, and robust vocal interplay showcased the band’s potential and helped them build a solid fan base. The lyrics, with their themes of love and longing, resonated with listeners and set the tone for the band’s subsequent work.

# 8 – Runaway – Del Shannon

Released in February 1961, “Runaway” by Del Shannon is pure 60s rock and roll that captured the angst and energy of its era. Written by Shannon and keyboardist Max Crook, the song was recorded at Bell Sound Studios in New York City. Produced by Harry Balk and Irving Micahnik, the track features a distinctive blend of rock and roll and pop, with innovative production techniques that set it apart from its contemporaries.

The recording lineup for “Runaway” included Del Shannon on vocals and guitar, Max Crook on the Musitron (an early synthesizer that he invented), Al Caiola on guitar, Milt Hinton on bass, and Joe Marshall on drums. Crook’s use of the Musitron for the song’s unforgettable instrumental break gave “Runaway” its unique and futuristic sound, while Shannon’s powerful vocals and poignant lyrics about lost love resonated deeply with audiences.

“Runaway” achieved remarkable commercial success, reaching number one on the Billboard Hot 100 in the United States and topping the charts in several other countries. Its infectious melody and innovative sound captured the zeitgeist of the early ’60s, making it an instant hit. The song’s opening line, “As I walk along, I wonder what went wrong,” paired with its driving beat and catchy chorus, has become one of the most recognizable in rock history.

# 7 – Come On – The Rolling Stones

Do you remember this song? If you’re a casual fan, probably not. Released on June 7, 1963, “Come On” marked the debut single of The Rolling Stones and signaled the arrival of a band that would become one of the most iconic in rock history. Originally written and recorded by Chuck Berry in 1961, the song was reinterpreted by The Stones, who infused it with their own raw energy and youthful exuberance. Recorded at Olympic Studios in London, the track was produced by Andrew Loog Oldham, who was instrumental in shaping the band’s early sound and image.

The lineup for “Come On” featured Mick Jagger on vocals, Keith Richards on guitar, Brian Jones on harmonica, Bill Wyman on bass, and Charlie Watts on drums. The recording session captured the band’s early rock and blues influences, with Richards’ sharp guitar riffs and Jones’ wailing harmonica providing a gritty edge to Berry’s original. Jagger’s confident vocal delivery hinted at the charisma that would soon make him a rock legend.

“Come On” achieved moderate commercial success, reaching number 21 on the UK Singles Chart. While not a major hit, it established The Rolling Stones as a force in the burgeoning British rock scene. The song’s brisk, up-tempo beat and driving rhythm made it a favorite among the band’s early fans and a staple of their live performances. The straightforward, energetic interpretation of Berry’s song showcased The Stones’ potential to rework American rock and blues into a distinctively British sound.

# 6 – “Questions 67 and 68” – Chicago

“Questions 67 and 68” by Chicago stands as a testament to the band’s innovative fusion of rock, jazz, and pop elements. The song was released in 1967 hence the title which most people probably dont realize. Written by Robert Lamm, the song was recorded at Columbia Recording Studios in New York City and Hollywood. It was produced by James William Guercio, who played a crucial role in crafting Chicago’s distinct sound.

The lineup for “Questions 67 and 68” featured Robert Lamm on keyboards and lead vocals, Peter Cetera on bass and backing vocals, Terry Kath on guitar, Danny Seraphine on drums, Lee Loughnane on trumpet, James Pankow on trombone, and Walter Parazaider on saxophone and flute. The song is notable for its complex arrangement, blending robust horn sections with rock rhythms and melodic keyboard lines. Lamm’s introspective lyrics explore themes of love and reflection, adding a poignant layer to the energetic musical backdrop.

“Questions 67 and 68” achieved moderate chart success, reaching number 71 on the Billboard Hot 100 in its initial release and later re-released in 1971, peaking at number 24. The song’s intricate interplay between brass and rhythm sections, combined with its jazz-inspired time signatures, set it apart from the mainstream rock of its time. The dynamic vocal interplay between Lamm and Cetera added depth to the track, showcasing the band’s vocal versatility.

Critically, “Questions 67 and 68” has been praised for its ambitious composition and the seamless integration of diverse musical styles. The song remains a favorite among Chicago’s extensive catalog, highlighting their ability to push the boundaries of conventional rock music. The accompanying performances and live renditions of the song further emphasized the band’s technical skill and stage presence, solidifying their reputation as pioneers of the jazz-rock genre.

# 5 – Brown Eyed Girl – Van Morrison

“Brown Eyed Girl” by Van Morrison stands as one of the most enduring and beloved tracks in rock and roll history. The song was released in 1967. Written by Morrison and recorded at A&R Studios in New York City, the song was produced by Bert Berns. This classic hit is a cornerstone of Morrison’s career and a defining track of the 1960s.

The recording lineup for “Brown Eyed Girl” included Van Morrison on vocals and guitar, Eric Gale on lead guitar, Al Gorgoni on rhythm guitar, Russ Savakus on bass, Gary Chester on drums, and Paul Griffin on piano. The recording sessions captured a sound that was both upbeat and nostalgic, blending elements of rock, pop, and R&B. The song’s catchy melody, buoyant rhythm, and Morrison’s distinctive vocal delivery create an infectious sense of joy and freedom.

“Brown Eyed Girl” achieved significant commercial success, reaching number ten on the Billboard Hot 100. Its lyrics, which nostalgically reminisce about a youthful romance, resonate with a wide audience, and its memorable chorus—”You, my brown-eyed girl”—has become iconic. The song’s breezy, feel-good vibe and its universal themes of love and memory have ensured its lasting appeal.

Read More: Our 10 Favorite Van Morrison Songs

# 4 – She’s Not There – The Zombies

Released in July 1964, “She’s Not There” by The Zombies is a landmark in British rock music, showcasing the band’s sophisticated blend of jazz, rock, and pop influences. Written by keyboardist Rod Argent, the song was recorded at Decca Studios in West Hampstead, London. Produced by Ken Jones, “She’s Not There” captures a moody and atmospheric sound that stood out amidst the British Invasion of the 1960s.

The lineup for “She’s Not There” featured Colin Blunstone on lead vocals, Rod Argent on keyboards, Paul Atkinson on guitar, Chris White on bass, and Hugh Grundy on drums. Argent’s electric piano, played on a Hohner Pianet, provided the distinctive riff that drives the song, while Blunstone’s breathy, haunting vocal delivery added to the track’s mysterious aura. The instrumental arrangement, marked by its jazzy chord progressions and fluid bass lines, showcased the band’s technical prowess and innovative approach.

“She’s Not There” achieved significant commercial success, reaching number twelve on the UK Singles Chart and peaking at number two on the Billboard Hot 100 in the United States. Its success helped propel The Zombies to international fame and established them as one of the premier bands of the British Invasion. The song’s memorable chorus, “Well, no one told me about her / The way she lied,” coupled with its infectious melody, ensured its lasting appeal.

Read More: 10 Best Songs Of The Zombies

# 3 – Hey Joe – The Jimi Hendrix Experience

“Hey Joe” marked the debut of The Jimi Hendrix Experience in 1966. The song, written by Billy Roberts, was recorded at De Lane Lea Studios and CBS Studios in London. Produced by Chas Chandler, “Hey Joe” showcased Hendrix’s extraordinary guitar skills and innovative approach to rock music.

The recording lineup for “Hey Joe” featured Jimi Hendrix on lead vocals and guitar, Noel Redding on bass, and Mitch Mitchell on drums. The track is distinguished by Hendrix’s masterful guitar work, which includes both fluid, bluesy solos and powerful, distorted riffs. Redding and Mitchell provide a solid rhythmic foundation, allowing Hendrix’s guitar and vocal performance to shine.

“Hey Joe” achieved considerable commercial success, reaching number six on the UK Singles Chart. Though it did not chart in the US initially, it later became one of Hendrix’s most celebrated songs and a staple of his live performances. The song tells the story of a man on the run after shooting his unfaithful lover, a narrative delivered with raw emotion and intensity by Hendrix’s vocals and guitar playing.

Read More: Jimi Hendrix Albums Ranked

# 2 – The Weight – The Band

Released in August 1968, “The Weight” by The Band stands as a quintessential piece of Americana, blending elements of rock, folk, and gospel into a timeless narrative. Written by Robbie Robertson, the song was recorded at A&R Studios and Capitol Studios in New York City. Produced by John Simon, “The Weight” showcases The Band’s unique sound and storytelling prowess.

The recording lineup for “The Weight” featured Levon Helm on drums and lead vocals, Rick Danko on bass and backing vocals, Richard Manuel on piano and backing vocals, Garth Hudson on organ, and Robbie Robertson on guitar. The track’s distinctive sound is characterized by its laid-back groove, rich vocal harmonies, and the interplay between Helm’s soulful lead vocals and the ensemble’s intricate instrumentation.

Despite its modest initial chart performance—reaching number 63 on the Billboard Hot 100—the song quickly became a cultural touchstone. Its lyrics weave a vivid tapestry of characters and scenes, beginning with the iconic opening line, “I pulled into Nazareth, was feeling ’bout half past dead.” The song’s chorus, with its enigmatic refrain “Take a load off Fanny, take a load for free,” resonates with listeners for its simplicity and profundity, encapsulating themes of burden and redemption.

Critically, “The Weight” has been hailed as one of the greatest songs of all time, praised for its lyrical depth and musical composition. Rolling Stone magazine ranked it among the 500 Greatest Songs of All Time, highlighting its influence and enduring popularity. The song has been covered by numerous artists, including Aretha Franklin and The Staple Singers, each bringing their own unique interpretation to the piece.

The Band’s performance of “The Weight” in the 1976 concert film The Last Waltz, directed by Martin Scorsese, further cemented its legacy.

# 1 – Love Me Do – The Beatles

How could we not place in the number one spot the Beatle debut single Love Me Do? Released on October 5, 1962, “Love Me Do” by The Beatles stands as a seminal moment in rock history, marking the debut of a band that would soon become the most influential in popular music. Written primarily by Paul McCartney, with contributions from John Lennon, the song was recorded at EMI’s Abbey Road Studios in London. The recording sessions took place on September 4 and September 11, 1962, under the guidance of producer George Martin.

The lineup for “Love Me Do” featured John Lennon on harmonica and vocals, Paul McCartney on bass and vocals, George Harrison on acoustic guitar, and Ringo Starr on drums. Notably, due to producer George Martin’s initial reservations about Ringo’s drumming, session drummer Andy White was brought in to play on the September 11 session, with Ringo relegated to tambourine. This led to two different versions of the song being released: the original UK single with Ringo on drums and a later album version with Andy White.

“Love Me Do” achieved modest chart success upon its initial release, reaching number 17 on the UK Singles Chart. However, its historical significance is immeasurable, as it introduced the world to The Beatles’ unique sound—a blend of rock and roll, skiffle, and pop. The song’s simple, yet catchy melody and heartfelt lyrics set the stage for the band’s future innovations. The harmonica riff, played by Lennon, became one of the song’s most distinctive features and a symbol of The Beatles’ early sound.

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