10 Most Rocking Huey Lewis And The News Songs

Carl Lender, CC BY-SA 3.0 , via Wikimedia Commons

At the core of Huey Lewis and the News was a pure rock and roll band—a group of talented musicians who combined stellar musicianship with unforgettable songs. While their rise to superstardom in the 1980s was undoubtedly aided by the dawn of MTV, where their polished look and Huey Lewis’s movie-star charisma captivated audiences worldwide, it was the music itself that solidified their place in history. Huey Lewis and the News weren’t just a band with good looks; they were a band with the chops to back it up.

MTV’s embrace of the group amplified their presence, making them one of the most visually iconic acts of the decade. Videos for hits like “The Power of Love” and “Hip to Be Square” brought their infectious energy to living rooms across America. Still, what truly resonated with fans was the band’s dedication to crafting great rock and roll songs. Whether delivering razor-sharp original tracks or later exploring covers that paid homage to their musical roots, Huey Lewis and the News always kept their focus on what mattered most: the music.

Their sound defined the 1980s, blending rock with pop sensibilities to create anthems that dominated the airwaves and MTV alike. At the height of their fame, they delivered a string of hits that showcased their tight musicianship, powerful vocals, and knack for storytelling through song. This list celebrates the best rocking Huey Lewis and the News songs—tracks that remind us why they remain one of the most beloved bands of their era. These are the songs that defined their legacy, rooted in the timeless energy of rock and roll.

# 10 – Buzz Buzz Buzz – Picture This

“Buzz Buzz Buzz” appears on Huey Lewis and the News’ 1982 album, Picture This. This track is a reimagining of the 1957 hit by The Hollywood Flames, written by Bobby Day and John Gray. Huey Lewis and the News infused the song with their signature energy, blending rock and roll elements with the original doo-wop charm. Recorded in 1981, the album sessions took place in California, with the band handling production alongside veteran producer Bob Brown. The band’s core lineup featured Huey Lewis (vocals and harmonica), Chris Hayes (guitar), Johnny Colla (saxophone and guitar), Sean Hopper (keyboards), Mario Cipollina (bass), and Bill Gibson (drums). Their unified effort brought a fresh take to this classic tune.

The playful, metaphor-rich lyrics of “Buzz Buzz Buzz,” such as “Twiddledeedledee goes the bird,” carry a cheerful and flirtatious tone, perfectly complementing the track’s upbeat tempo. Its charm lies in the way it captures the innocence and fun of early rock and roll. This aligns with other songs from Picture This, like “Do You Believe in Love,” which also weaves catchy melodies and infectious enthusiasm into a modern rock framework. The band’s ability to reinterpret older styles with authenticity and innovation shines throughout the album, particularly on this track.

Though not released as a single, “Buzz Buzz Buzz” remains a hidden gem, celebrated for its vibrant homage to rock’s early influences. Its upbeat energy stands in contrast to the soulful depth of tracks like “Do You Believe in Love,” showcasing the band’s stylistic range. While the song may not have charted, its enduring appeal lies in its role as a bridge between rock’s formative years and the polished sound Huey Lewis and the News mastered in the 1980s.

# 9 – Pretty Girls Everywhere – Weather

It was really nice to get a new Huey Lewis And The News album in 2020. It did not disappoint. “Pretty Girls Everywhere,” originally written by Eugene Church and Thomas Williams, was recorded by Huey Lewis and the News for their 2020 album Weather. This album, released on February 14, 2020, was the band’s first studio effort in nearly a decade. The recording sessions for Weather took place in the band’s personal Troutfarm Studio in Marin County, California. The production was handled by Huey Lewis and the band, ensuring their characteristic blend of rock, soul, and rhythm and blues remained intact.

The track highlights Huey Lewis’s signature vocal delivery, backed by the band’s sharp instrumental interplay. Key contributors on the recording include Johnny Colla on guitar and saxophone, Bill Gibson on drums, Sean Hopper on keyboards, and John Pierce on bass. This arrangement exemplifies their commitment to staying true to the energetic and infectious sound they are known for while introducing a contemporary edge. Weather was lauded as a concise yet impactful addition to their catalog, with this track standing out for its upbeat rhythm and faithful homage to its original version.

Lyrically, “Pretty Girls Everywhere” captures the playful and celebratory tone that the title suggests, with themes of attraction and admiration woven into the verses. The upbeat tempo and lively instrumentation provide a fitting backdrop for these lighthearted lyrics, creating a track that is both nostalgic and fresh. Comparatively, while it shares the vibrant energy of songs like “Buzz Buzz Buzz” (also a cover from earlier in the band’s career), “Pretty Girls Everywhere” feels more polished, reflecting the band’s maturity and refined production techniques.

# 8 – Good Morning Little School Girl – Four Chords & Several Years Ago

Huey Lewis and the News brought a spirited rendition of “Good Morning Little School Girl” to their 1994 album Four Chords & Several Years Ago. Originally written and recorded by bluesman John Lee “Sonny Boy” Williamson in 1937, the song is a staple in the blues canon and has been covered by numerous artists. Huey Lewis and the News delivered their take as part of a broader tribute to classic R&B and blues tracks, a central theme of this album. The band recorded Four Chords & Several Years Ago at The Plant Studios in Sausalito, California, under the production of Bill Schnee, known for his meticulous engineering and production work.

The lineup for the album featured the band’s classic members: Huey Lewis on lead vocals and harmonica, Johnny Colla on guitar and saxophone, Mario Cipollina on bass, Bill Gibson on drums, Sean Hopper on keyboards, and Chris Hayes on guitar. This ensemble crafted a tight, energetic performance that reflected their reverence for the genre while incorporating their distinctive blend of rock and soul influences. “Good Morning Little School Girl” stands out on the album for its faithful adherence to the song’s blues roots, with a prominent harmonica riff and raw vocal delivery that pay homage to the original.

Lyrically, the song captures the longing and charm of early blues with lines like “Good morning, little schoolgirl, can I go home with you?” Though reflective of its time, the lyrics have often sparked modern reinterpretations of their themes. The News’ version maintains a playful tone, emphasizing the musicality rather than dwelling on the lyrical narrative. Compared to other tracks on this list, such as “Buzz Buzz Buzz,” which exudes a lively and upbeat vibe, “Good Morning Little School Girl” leans more toward the raw energy of blues and R&B. This track underscores the band’s ability to honor their influences while showcasing their versatility.

The album Four Chords & Several Years Ago marked a significant artistic endeavor for Huey Lewis and the News, demonstrating their deep admiration for the music that shaped their sound.

# 7 – Jacob’s Ladder – Fore!

“Jacob’s Ladder” opens Fore!, Huey Lewis and the News’ fourth studio album, released in September 1986. Written by Bruce Hornsby and his brother John Hornsby, the song was initially intended for a Hornsby album produced by Huey Lewis. Dissatisfied with his band’s arrangement, Bruce Hornsby suggested that Lewis use it for his own project, resulting in one of the album’s standout moments. The track was recorded at Studio D in Sausalito, California, with the band serving as producers. This marked a pivotal collaboration, blending the Hornsby brothers’ lyrical introspection with Huey Lewis and the News’ polished rock sensibilities.

The lyrics of “Jacob’s Ladder” juxtapose the Biblical imagery of ascension with modern struggles, exploring themes of perseverance and defiance against shallow evangelism. Lines such as “Step by step, one by one, higher, then higher” reflect an individual’s journey to improve life incrementally, resisting external pressures. The verses narrate encounters with dubious evangelists, including a street preacher and a televangelist, emphasizing personal resolve over external dogma. The bridge, “All I want from tomorrow is to get it better than today,” reinforces the song’s message of incremental self-betterment.

Commercially, “Jacob’s Ladder” became the band’s third and final number-one hit on the Billboard Hot 100 in March 1987. Critics praised its powerful arrangement, with Billboard highlighting the “insightful” wrestling with spiritual themes, while Cash Box commended the “soaring chorus” and dynamic instrumentation. The band’s tight rhythm section, led by Mario Cipollina on bass and Bill Gibson on drums, underpinned Chris Hayes’ guitar work and Huey Lewis’ commanding vocals, creating a memorable and energetic opener.

The music video, filmed during a live New Year’s Eve concert at the Oakland-Alameda County Coliseum Arena, showcases the band’s high-energy performance style. Comparatively, “Jacob’s Ladder” stands out in this list for its layered storytelling, contrasting with the buoyant tone of tracks like “Buzz Buzz Buzz.” It embodies the band’s ability to deliver introspective yet accessible rock, cementing its place as a cornerstone of Fore! and Huey Lewis and the News’ discography.

Read More: 1989’s Best Rock Albums

# 6 – I Want A New Drug – Sports

Released as part of Huey Lewis and the News’ critically acclaimed 1983 album Sports, “I Want a New Drug” quickly became one of the band’s signature tracks, showcasing their infectious blend of rock and pop. The song was written by Huey Lewis and Chris Hayes and features a vibrant and horn-driven arrangement that perfectly complements its upbeat and energetic mood. Recorded in 1983 at Fantasy Studios in Berkeley, California, the track reflects the band’s polished yet approachable style, cementing their place in the pop-rock scene of the 1980s.

The song’s lyrics cleverly mix humor with relatability, presenting a tongue-in-cheek take on the quest for something more fulfilling, be it a metaphorical or literal “new drug.” Lines such as, “I want a new drug / One that won’t make me sick” convey a yearning for satisfaction while maintaining a playful tone. This lyrical approach resonated with listeners and contributed to the song’s widespread appeal, reaching No. 6 on the Billboard Hot 100 chart in 1984.

The production of “I Want a New Drug,” led by Huey Lewis and the News themselves, demonstrates the band’s meticulous attention to detail. The interplay of Hayes’ guitar riffs with the horn section, anchored by Bill Gibson’s driving drum beat, gives the track its dynamic and danceable quality. Its inclusion in this list serves as a reminder of the band’s knack for crafting relatable and memorable anthems, much like “Jacob’s Ladder,” another track that capitalized on the band’s signature sound and commercial appeal.

The success of “I Want a New Drug” also sparked a cultural impact beyond its chart performance, most notably through its contentious connection to Ray Parker Jr.’s theme for Ghostbusters. Lewis alleged similarities between the two tracks, leading to a lawsuit that was eventually settled out of court. This controversy only heightened the song’s legacy, ensuring its place as one of Huey Lewis and the News’ most iconic contributions to 1980s rock.

Read More: 1989’s Best Rock Albums

# 5 – Couple Days Off – Hard At Play

“Couple Days Off,” released as part of Huey Lewis and the News’ 1991 album Hard at Play, is a high-energy track that embodies the band’s signature style of combining rock rhythms with relatable, working-class themes. Written by Huey Lewis, Chris Hayes, and Geoffrey Palmer, the song showcases a raucous, guitar-driven arrangement paired with a driving beat, reflecting the band’s knack for crafting infectious rock anthems. It was released as a single and became a commercial success, reaching No. 11 on the Billboard Hot 100 chart and demonstrating the enduring appeal of the band in the early 1990s.

Thematically, “Couple Days Off” resonates as an anthem for the overworked, highlighting the universal longing for a break from the daily grind. Lines like, “I got to get away from the same old, same old” perfectly encapsulate the song’s relatable essence. Musically, the track features tight, punchy instrumentation, with Johnny Colla’s guitar riffs and Bill Gibson’s dynamic drumming laying the foundation for Huey Lewis’ robust and charismatic vocals. The energy of the song makes it a standout track on Hard at Play, reinforcing the album’s broader themes of resilience and celebration.

Hard at Play, recorded in the late 1980s and early 1990s, was produced by Bill Schnee and the band themselves. The album reflects the seasoned musicianship of Huey Lewis and the News, featuring a mix of upbeat tracks and heartfelt ballads. Alongside “Couple Days Off,” songs like “He Don’t Know” and “Build Me Up” showcase the band’s ability to balance energetic rock with more reflective tones. Key band members, including Sean Hopper on keyboards, Mario Cipollina on bass, and Chris Hayes on guitar, contributed their talents to create a cohesive and polished record. While the album didn’t achieve the same level of commercial success as Sports or Fore!, it reaffirmed the band’s place as one of the most versatile and enduring rock acts of their era.

In the context of the band’s career, “Couple Days Off” serves as a powerful reminder of their commitment to crafting music that connects with audiences on both a sonic and emotional level. Its placement in this list underscores its status as a quintessential Huey Lewis and the News track, comparable to the energy of songs like “I Want a New Drug” while highlighting the evolution of their sound into the 1990s.

Read More: 1991’s Best Rock Albums

# 4 – The Heart of Rock & Roll – Sports

“The Heart of Rock & Roll,” the opening track from Huey Lewis and the News’ breakout album Sports, is an exuberant celebration of rock music’s enduring spirit and its ability to transcend geographical boundaries. Written by Huey Lewis and Johnny Colla, the song combines driving rhythms, bold horn sections, and Lewis’s commanding vocals to create a timeless anthem. Released in 1984 as the album’s third single, it achieved significant commercial success, peaking at No. 6 on the Billboard Hot 100. Its catchy chorus and affirming lyrics contributed to its recognition as one of the band’s signature hits.

The lyrics of “The Heart of Rock & Roll” serve as a tribute to various American cities where rock thrives, reinforcing the notion that the genre remains vibrant and alive. With references to iconic musical hubs like New York, Detroit, and Los Angeles, the song creates a map of rock’s cultural impact. Its pulsating rhythm, punctuated by Sean Hopper’s keyboard flourishes and Bill Gibson’s steady drumming, captures the excitement of live performances and the power of rock music to unify diverse audiences. The addition of Johnny Colla’s saxophone solo injects an extra dose of energy, rounding out the track’s dynamic arrangement.

Sports, released in 1983, was a landmark album for Huey Lewis and the News, solidifying their position as one of the premier rock bands of the 1980s. Produced by the band alongside Bob Brown and mixed by Bob Clearmountain, the album spawned multiple hit singles, including “I Want a New Drug” and “If This Is It.” “The Heart of Rock & Roll” exemplifies the tight musicianship of the group, with contributions from key members like Mario Cipollina on bass and Chris Hayes on guitar. Recorded primarily at Fantasy Studios in Berkeley, California, the album reflects the band’s dedication to crafting accessible yet sophisticated rock music.

# 3 – The Power Of Love – Back to the Future: Music from the Motion Picture Soundtrack

“The Power of Love,” written by Huey Lewis, Chris Hayes, and Johnny Colla, stands as one of Huey Lewis and the News’ most iconic songs. Released in 1985 as part of the Back to the Future: Music from the Motion Picture Soundtrack, the track gained monumental success and remains synonymous with the blockbuster film. This upbeat and infectious rock anthem not only highlighted the band’s knack for crafting memorable hooks but also marked their first and only No. 1 hit on the Billboard Hot 100. Its inclusion in Back to the Future introduced the band to a global audience, further cementing their place in music history.

The song’s energetic arrangement is driven by Hayes’s dynamic guitar riffs and Lewis’s commanding vocal performance. Underpinned by a tight rhythm section featuring Mario Cipollina on bass and Bill Gibson on drums, “The Power of Love” radiates the uplifting, feel-good energy that was characteristic of the band’s style. The song’s horn section, a signature element of their sound, adds depth and vibrancy to the track. The production, handled by Huey Lewis and the News, highlights their polished yet accessible approach to rock, perfectly suited for the film’s adventurous spirit.

Lyrically, “The Power of Love” explores themes of emotional strength and the transformative nature of love, with lines such as “It’s strong and it’s sudden, and it can be cruel sometimes / But it might just save your life.” The connection to the film is amplified by its inclusion in pivotal scenes, such as Marty McFly’s daring skateboarding sequence. The music video, featuring scenes from the movie and a cameo by Christopher Lloyd as Doc Brown, further linked the song to the cultural phenomenon of Back to the Future.

In the context of this list of the 10 most rocking Huey Lewis and the News songs, “The Power of Love” serves as a powerful counterpoint to tracks like “The Heart of Rock & Roll.” While both songs emphasize uplifting themes and energetic arrangements, “The Power of Love” carries the distinction of being a cultural touchstone tied to one of the most beloved films of the 1980s. Its chart-topping success and enduring popularity solidify its place as one of the band’s most celebrated contributions to rock music.

Read More: 1985’s Best Rock Albums

# 2 – Hip To Be Square – Fore!

“Hip to Be Square,” a 1986 hit from Fore!, showcases Huey Lewis and the News’ playful approach to blending rock and pop sensibilities. Written by band members Bill Gibson, Sean Hopper, and Huey Lewis, the song’s upbeat tempo and clever lyrics explore the idea of embracing conventionality with tongue-in-cheek humor. Its success on the charts reflected the band’s popularity in the mid-1980s, peaking at No. 3 on the Billboard Hot 100 and solidifying their status as rock radio staples.

The song’s arrangement highlights the band’s tight musicianship, with Gibson’s propulsive drumbeat and Hopper’s keyboards providing a vibrant foundation. Johnny Colla’s saxophone lines punctuate the track with bursts of energy, while Chris Hayes’s guitar riffs add a driving edge. Huey Lewis’s vocal delivery captures the ironic tone of the lyrics, particularly in the playful chorus, “It’s hip to be square.” The backing vocals, provided by members of the San Francisco 49ers, further add a unique and humorous element, underscoring the band’s connection to their Bay Area roots.

Lyrically, “Hip to Be Square” humorously flips societal expectations, embracing the mundane aspects of life with pride. Lines such as “I like my bands in business suits / I watch them on TV” capture the playful yet sharp commentary on pop culture and societal norms. The track’s music video, featuring the band performing in a minimalist setting interspersed with shots of the 49ers players, emphasizes the song’s lighthearted and accessible nature.

When compared to other songs on this list, such as “The Heart of Rock & Roll” and “The Power of Love,” “Hip to Be Square” stands out for its satirical edge and distinct thematic focus. While those tracks celebrate rock and love’s transformative power, “Hip to Be Square” takes a self-aware detour, poking fun at trends and conformity in a way that resonates with the band’s playful persona.

# 1 – Tie – Heart & Soul / Working For A Living – Picture This

Tying for the top spot on our list of the 10 Most Rocking Huey Lewis and the News Songs, “Heart and Soul” and “Workin’ for a Livin’” represent the duality of the band’s sound: the polished, radio-ready pop rock and the gritty, blue-collar energy that made them icons of the early 1980s. Both tracks are emblematic of Huey Lewis and the News’ ability to balance accessibility with authenticity, making them deserving of this shared number one position.

“Heart and Soul,” originally written by Mike Chapman and Nicky Chinn for the band Exile, was transformed by Huey Lewis and the News into an electrifying anthem for Picture This. Featuring a driving bassline, sharp guitar riffs, and Huey Lewis’s commanding vocal delivery, the song captures a sense of urgency and passion. The track peaked at No. 8 on the Billboard Hot 100, solidifying the band’s rising commercial success. Its catchy hook and dynamic arrangement make it a quintessential example of their ability to blend rock and pop elements seamlessly.

On the other hand, “Workin’ for a Livin’” dives into the raw, unfiltered energy of blue-collar life. Written by Huey Lewis and guitarist Chris Hayes, the song is a spirited celebration of the hustle and grind, set against an infectious rock groove. With its rapid-fire lyrics detailing everyday struggles and triumphs, “Workin’ for a Livin’” resonates with listeners as an anthem of resilience. The song became a live staple for the band, showcasing their energetic stage presence and connection with their audience.

Together, these two tracks highlight the versatility of Picture This. While “Heart and Soul” emphasizes the band’s pop sensibilities and knack for crafting chart-topping hits, “Workin’ for a Livin’” reinforces their roots in rock and roll grit. The decision to tie these two songs at number one underscores the dual nature of Huey Lewis and the News, a band that could dominate the charts while staying true to their working-class ethos. This pairing is a testament to their enduring appeal, both as a hit-making machine and as champions of the everyday experience.

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