10 Best Songs With The Word ‘Dream’ In The Title

10 Best Songs With The Word 'Dream' In The Title

Feature Photo: Photography Stock Ruiz / Shutterstock.com

With this article, we started out paying respect to legendary Classics and then shifted gears to dig deep into some extraordinary music that doesn’t always get the acclaim it should. If there are some songs on this list that you’ve never heard of before or forgotten about, we hope this provides an entertaining read and listen because that’s what these articles are always just about.

# 10 – Dream On – Aerosmith

Let’s get this one out of the way. I love this song, but I have heard it so many times that I usually turn the radio at those opening notes. Still, you have to respect it and the band. They have given us so much joy through the years. Even though this was from their first album, this was not the song that fueled the band’s initial success. It only became a hit after the success of Toys in the Attic, but what a hit it became.

Read More: Joe Perry of Aerosmith Interview: 13 Albums That Changed My Life

# 9 – Dream Weaver – Gary Wright

As a keyboard player, the late Gary Wroght has always been one of my heroes. “Dream Weaver,” released in 1975, stands as one of Gary Wright’s most iconic tracks, defining his career with its ethereal soundscape and spiritual undertones. The song was recorded at Sound Labs, Los Angeles, with Gary Wright handling lead vocals and keyboards. What set “Dream Weaver” apart was Wright’s innovative use of the synthesizer, making it one of the earliest tracks to rely almost entirely on the instrument, supported only by drums played by Jim Keltner. Wright himself produced the song alongside engineers Andy Johns and John Haeny, resulting in a sound that felt both futuristic and introspective. The track debuted on Wright’s The Dream Weaver album, which marked a shift in popular music production methods, showcasing the possibilities of the synthesizer in rock and pop.

Lyrically, “Dream Weaver” was inspired by Wright’s reading of Autobiography of a Yogi by Paramahansa Yogananda, reflecting themes of spiritual transcendence and the search for inner peace. Wright’s refrain, “Ooh, dream weaver, I believe you can get me through the night,” encapsulates the song’s meditative quality, offering listeners a moment of escape and reflection. The song resonates with universal feelings of longing and hope, creating a sonic journey that transports the listener.  Critically, “Dream Weaver” reached number 2 on the Billboard Hot 100 chart in 1976,

Read More: Top 10 Gary Wright Songs

# 8 – I Can Dream About You – Dan Hartman

Written and produced by Hartman, the track was recorded in his personal recording studio in Connecticut. Released as part of the Streets of Fire soundtrack in 1984, the song also appeared on Hartman’s studio album of the same year, cementing its place in pop culture. Hartman performed all of the instruments and vocals on the recording, showcasing his versatility as a multi-instrumentalist and producer. The track became an instant classic, peaking at number 6 on the Billboard Hot 100, and its success contributed significantly to Hartman’s career resurgence in the 1980s.

Lyrically, “I Can Dream About You” is a poignant ode to unrequited love, where the narrator finds solace in dreaming about the one they can’t have. Lines such as “I can dream about you, if I can’t hold you tonight” highlight the bittersweet longing at the heart of the song. The infectious chorus and layered production amplify the emotional weight of the lyrics, making it both a danceable anthem and a heartfelt ballad. The song’s duality is what makes it so enduring, resonating with listeners who have experienced both the joy and the heartbreak of love. Hartman’s passionate delivery adds a personal touch to the narrative, making it feel like an intimate confession set to an irresistible groove.

The music video for “I Can Dream About You,” featuring the fictional band The Sorels, added another layer to the song’s legacy. While Hartman didn’t appear in the video, the integration with Streets of Fire showcased the song’s cinematic quality. Compared to other entries on this list, such as Gary Wright’s “Dream Weaver,” this track stands out for its vibrant, soulful energy and its ability to blur the lines between yearning and celebration. Both songs offer different takes on the concept of dreams, with Hartman’s leaning more toward romantic escapism than Wright’s ethereal introspection.

Read More: Top 10 Dan Hartman Songs

# 7 – Maria McKee – Peddlin’ Dreams

Maria McKee’s “Peddlin’ Dreams” stands as a hauntingly introspective track from her 2005 album of the same name. Written and produced by McKee alongside Jim Akin, the song reflects the artist’s signature blend of emotive storytelling and raw vocal delivery. Recorded in the intimate confines of her home studio in Los Angeles, the album represents a deeply personal era for McKee. This title track weaves an intricate tapestry of disillusionment and longing, encapsulating the struggles of ambition, fleeting hope, and the emotional toll of chasing unattainable ideals.

The lyrics of “Peddlin’ Dreams” are laced with metaphor and biting commentary, painting a picture of vulnerability in the face of lofty aspirations. Lines like “You’re peddlin’ dreams, givin’ ’em out like candy” convey a poignant critique of the illusions people sell themselves and others in pursuit of success or fulfillment. McKee’s delivery, filled with a yearning that borders on desperation, makes each line resonate with authenticity. The imagery of “a girl with the gold in her cheeks” serves as a striking symbol of fleeting beauty and empty promises, adding a layer of complexity to the song’s themes.

Musically, “Peddlin’ Dreams” is sparse yet impactful, featuring acoustic-driven instrumentation that allows McKee’s voice to take center stage. The subtle arrangements evoke a melancholic atmosphere, mirroring the emotional weight of the lyrics. Compared to other songs in this list, such as Gary Wright’s “Dream Weaver,” which offers a more celestial and uplifting perspective on dreams, McKee’s approach is grounded and visceral. Both tracks, however, showcase how dreams can serve as both inspiration and a source of heartbreak.

Read More: 10 Maria McKee Songs That Will Leave You Mesmerized

# 6 – Ellis Paul – City Of Silver Dreams

Ellis Paul’s “City of Silver Dreams” paints an evocative portrait of New York City during the holiday season, capturing both its grandeur and intimate magic. Released as part of his album City of Silver Dreams, the song exemplifies Paul’s ability to blend heartfelt storytelling with masterful songwriting. Recorded in a studio that allowed for his signature folk-inspired sound to shine, Paul’s performance is accompanied by lush instrumentation that complements his soothing vocals. The track is a testament to his skill as a songwriter, merging personal reflections with universal themes of wonder and connection.

Lyrically, “City of Silver Dreams” captures the enchantment of New York City as it transforms into a winter wonderland. Lines like “The windows in New York City / All dressed up with ribbons and smiles” and “They hung a star over Fifth Avenue” immerse listeners in a cinematic depiction of the city’s festive spirit. The chorus, with its imagery of glowing faces and ringing bells, evokes a shared sense of joy and community, underscoring the song’s central message of finding connection amidst the holiday bustle. The bridge, with its poignant observation that “this city will change you,” adds a layer of introspection, showcasing Paul’s ability to balance external imagery with internal emotion.

Musically, the arrangement is understated yet elegant, allowing the lyrics to take center stage. The inclusion of strings and subtle percussion creates a shimmering quality that mirrors the song’s title and thematic elements. Compared to other songs in this article, such as Gary Wright’s “Dream Weaver,” which explores ethereal and dreamlike escapism, “City of Silver Dreams” remains grounded, celebrating the tangible beauty and magic of a specific time and place. Both tracks, however, share a sense of transporting the listener to another world, whether through celestial or earthly dreams.

Ellis Paul’s “City of Silver Dreams” is a poignant addition to any collection of songs celebrating dreams, offering a warm, vivid, and heartfelt reflection on the power of place, memory, and connection. Its timeless quality ensures it will continue to resonate with listeners, particularly those who have experienced the magic of New York City during the holidays.

Read More: 10 Great Songs You May Have Forgotten Or Never Heard (Vol.1)

# 5 – Sweet Dream Fade – Laura Nyro

Laura Nyro’s “Sweet Dream Fade,” featured on her posthumously released album Angel in the Dark, is a poignant exploration of rekindling love and salvaging connections amidst life’s imperfections. Recorded in the late 1990s and produced by Eileen Silver-Lillywhite, the track highlights Nyro’s unparalleled ability to blend lyrical introspection with soulful musicality. The song features Nyro on piano and vocals, her expressive voice weaving through a gentle arrangement that emphasizes intimacy and emotional resonance.

The lyrics of “Sweet Dream Fade” poignantly address the fragility of dreams and relationships. Lines such as “Do you wanna make a sweet dream fade after all the tries we made?” capture the vulnerability inherent in love, while the plea to “never mind perfection” suggests an embrace of humanity’s flaws and complexities. The refrain, “Tonight, let’s be lovers again,” is both a tender invitation and a desperate bid to preserve what remains. Nyro’s evocative imagery, including the melancholic observation, “Kids cry, money flies away,” roots the song in the everyday struggles and joys of life, making it deeply relatable.

Musically, the track is a masterclass in subtlety. The restrained instrumentation allows Nyro’s vocal delivery and piano to shine, creating an intimate atmosphere that draws listeners into the song’s emotional core. Compared to other songs on this list, such as Ellis Paul’s “City of Silver Dreams,” which celebrates external wonder, “Sweet Dream Fade” turns inward, focusing on the personal and relational. Both tracks, however, share a dreamy quality that underscores their reflective themes, demonstrating the versatility of the dream motif in songwriting.

Read More: Top 10 Laura Nyro Songs

# 4 – Dreams I’ll Never See – Molly Hatchet

Molly Hatchet’s powerful cover of Gregg Allman’s “Dreams I’ll Never See,” featured on their 1978 debut album Molly Hatchet, is a blistering Southern rock reinterpretation of an introspective blues classic. The album was recorded at The Sound Pit in Atlanta, Georgia, and produced by Tom Werman and Pat Armstrong. This track, clocking in at over seven minutes, transforms the melancholy tone of the original Allman Brothers Band version into an electrifying anthem filled with searing guitar solos and unrelenting energy, cementing Molly Hatchet’s place in the pantheon of Southern rock greats.

The lyrics delve deeply into the universal struggle of reconciling one’s dreams with reality. Lines like “I’m hung up on dreams I’m never gonna see” capture the poignant sense of frustration and yearning, while the repeated plea for help, “Lord help me, babe,” reveals a raw vulnerability beneath the song’s muscular sound. Molly Hatchet’s rendition intensifies the original’s themes of longing and perseverance, with the band’s dual-guitar attack amplifying the emotional weight of the lyrics. The extended instrumental passages further emphasize the inner turmoil expressed in the song, showcasing the band’s technical prowess and their ability to convey profound emotion through their instruments.

Musically, “Dreams I’ll Never See” serves as a defining moment in Molly Hatchet’s career, blending the introspective blues roots of Southern rock with their distinctive hard-edged sound. Compared to other tracks on this list, such as Laura Nyro’s “Sweet Dream Fade,” which takes a more intimate approach to dreamlike themes, Molly Hatchet’s cover is expansive and grandiose. Both songs, however, grapple with the fragility of aspirations, offering different perspectives on the interplay between hope and reality.

Read More: 10 Essential Molly Hatchet Songs

# 3 – Girl From Last Night’s Dream – Coney Hatch

Coney Hatch’s “Girl From Last Night’s Dream,” from their 1985 album Friction, delves into the thrilling yet fleeting connection between dreams and desire. Recorded at Le Studio in Morin-Heights, Quebec, and produced by esteemed producer Max Norman, this track embodies the band’s distinctive hard rock sound with a melodic edge. Carl Dixon’s evocative vocals and Steve Shelski’s sharp guitar riffs create an atmospheric track, supported by Andy Curran’s steady basslines and Barry Connors’ driving drumming. The song reflects the polished yet raw energy of the album, which was pivotal in cementing the band’s place in the rock landscape.

Lyrically, “Girl From Last Night’s Dream” captures the bittersweet longing for an imagined connection that feels profoundly real. With lines like “I know dreams are what she’s made of, but I don’t want to say goodbye,” the song vividly portrays the tension between illusion and yearning. The dream sequence is depicted as vivid and exhilarating, as the narrator recounts their encounter with an elusive, idealized figure. The repeating chorus, “I wanna meet her, the girl from last night’s dream,” underscores the persistent desire for something unattainable yet hauntingly beautiful. The track’s dynamic shifts between verses and chorus mirror the emotional highs and lows of such a surreal experience.

In comparison to other songs on this list, “Girl From Last Night’s Dream” leans into the rock genre’s ability to turn abstract emotions into anthemic energy. Unlike the reflective tone of Gary Wright’s “Dream Weaver” or the wistful sentiment in Molly Hatchet’s “Dreams I’ll Never See,” this track takes a more visceral and immediate approach. Its focus on a vivid, momentary dreamscape aligns it closer to the narrative-driven storytelling of Laura Nyro’s “Sweet Dream Fade,” while maintaining its unique rock identity.

Read More: Andy Curran of Coney Hatch: The ClassicRockHistory.com Interview

# 2 – Dream Train – Babylon A.D.

Babylon A.D.’s “Dream Train,” from their 1992 album Nothing Sacred, delivers a powerful blend of rock and storytelling that vividly captures the tension between dreams and harsh realities. Produced by the skilled Tom Werman and recorded at various locations including the iconic Record Plant in Los Angeles, this track highlights the band’s ability to craft compelling narratives through gritty vocals and dynamic instrumentation. With Derek Davis’s impassioned vocals leading the charge, complemented by Dan DeLaRosa and Ron Freschi’s guitar work, Jamey Pacheco’s driving drums, and Robb Reid’s solid basslines, the song embodies the band’s signature hard rock edge with a deeply reflective undercurrent.

Lyrically, “Dream Train” paints a poignant picture of life in the American South, juxtaposing the hope symbolized by a distant train whistle with the struggles of daily life. Lines like “Playing my guitar in that deep South Delta way” set a vivid scene of a simpler time, yet the story quickly turns toward the hardships faced by the narrator’s family. The image of the father, unable to find work due to factory closures, reflects a somber reality, while the dream of escape aboard the elusive “dream train” offers a glimmer of hope. The train becomes a metaphor for freedom and opportunity, but its distant whistle serves as a reminder of how unattainable those dreams often feel.

In the context of this list, “Dream Train” stands out for its evocative storytelling and its ability to merge personal struggle with a universal yearning for something better. While it shares thematic connections with Molly Hatchet’s “Dreams I’ll Never See” in its exploration of longing and escape, Babylon A.D.’s approach feels rawer and more immediate, steeped in bluesy rock influences. The imagery of a train as a vehicle for hope aligns it thematically with Ellis Paul’s “City of Silver Dreams,” yet “Dream Train” anchors itself more firmly in the grit of everyday struggles.

“Dream Train” is a testament to Babylon A.D.’s knack for weaving vivid narratives into their hard rock sound. Its combination of heartfelt lyrics, soulful melodies, and a driving rhythm captures the emotional weight of chasing dreams against all odds, making it a compelling addition to this list of songs that explore the depth and complexity of our aspirations.

Read More: Derek Davis of Babylon A.D. The ClassicRockHistory.com Interview

# 1 – Everytime I Dream – Autograph

“Every Time I Dream” by Autograph, from their 1987 album Loud and Clear, stands as a poignant exploration of longing, desire, and the inescapable pull of a recurring love. The track was recorded as part of the band’s third studio album at the famed One on One Recording Studios in North Hollywood, California. Produced by Andy Johns, who was celebrated for his work with iconic acts like Led Zeppelin and The Rolling Stones, the song exhibits a polished, arena-rock sound. With Steve Plunkett’s emotive vocals, Steve Lynch’s intricate guitar solos, Randy Rand’s steady basslines, Steven Isham’s atmospheric keyboards, and Kenny Richards’ driving drums, the band delivers a power ballad that captures both the rawness and sophistication of their craft.

The lyrics of “Every Time I Dream” delve into the anguish and yearning of love that exists only in dreams. Lines like “You know I only dream of you” and “Wake up in a cold sweat, reaching out and calling your name” reflect the torment of a love that feels tangible yet remains just out of reach. The song builds a vivid narrative of longing through its haunting imagery, such as “Shadows are falling, moon’s getting bright,” which underscores the loneliness that intensifies with the night. The chorus acts as a cathartic release, blending vulnerability with an anthemic quality, creating an emotional connection with listeners who have experienced unrequited love or dreams that blur the lines between reality and fantasy.

In the context of this list, “Every Time I Dream” shares a thematic resonance with songs like “Dream Weaver” by Gary Wright, as both tracks use dreams as a metaphor for love and the subconscious pursuit of something unattainable. However, while “Dream Weaver” evokes a sense of spiritual transcendence, Autograph’s approach is grounded in raw emotion and heartache, making it distinctively grounded in the human experience. The song also pairs well with the yearning expressed in “Dreams I’ll Never See” by Molly Hatchet, though Autograph leans into the romantic rather than existential dimensions of dreaming.

“Every Time I Dream” is a shining example of Autograph’s ability to blend heartfelt storytelling with a dynamic rock sound. It showcases the band’s knack for crafting deeply personal yet universally relatable music, ensuring its place as a memorable entry in this exploration of songs with the word ‘dream’ in the title. The track’s emotional depth, combined with its polished production and passionate delivery, secures its legacy as an underrated gem of 1980s rock.

Read More: Steve Plunkett of Autograph: The ClassicRockHistory.com Interview

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Words In The Title Articles (There are a lot of them!)

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10 Best Songs With The Word ‘Dream’ In The Title article published on Classic RockHistory.com© 2024

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THE HANDSOME DEVILS Feat. TODD KERNS Perform “Creatures Of The Night” Live At KISS Cancer Goodbye III Benefit; Pro-Shot Video

THE HANDSOME DEVILS Feat. TODD KERNS Perform

KISS Cancer Goodbye III, a fundraiser for the American Cancer Society, took place December 6 – 8, 2024 in Sarasota, Florida.

The Handsome Devils performed the entire Creatures Of The Night album at Kiss Cancer Goodbye III, and benefit organizers are releasing the entire show on their YouTube channel. Every week, a new video will appear on Friday at 8am PST.

The Handsome Devils is comprised of: Todd Kerns (Slash Featuring Myles Kennedy & The Conspirators) – guitar and vocals, Gabriel Connor (Red Devil Vortex) – bass and vocals, Joey Cassata (Ace Frehley) – drums, and Luis Kalil (Red Devil Vortex) – lead guitar. 

Professionally filmed video, courtesy of Undaunted Media, of The Handsome Devils performing the title track to the tenth studio album from KISS, Creatures Of The Night, which was released in 1982 via Casablanca Records, can be enjoyed below.


SKY LIGHTHOUSE Illuminates The Darkness With New Single / Video “Melodic”

SKY LIGHTHOUSE Illuminates The Darkness With New Single / Video

Orlando-based heavy metal band Sky Lighthouse has released their latest single, “Melodic”, a raw and introspective exploration of the inner struggle between light and darkness. The single is accompanied by a visually stunning music video that brings the song’s themes to life, solidifying the band’s reputation for crafting music that resonates deeply with fans.

“’Melodic’ dives beneath the surface to explore the realm where light and darkness collide,” shares Luis Osorio, Sky Lighthouse’s vocalist and producer. “The song was inspired by the struggles and inner demons we face every day and the strength it takes to embrace every part of ourselves. It’s about realizing that darkness isn’t just something to fear—it’s an essential part of who we are.”

What makes “Melodic” truly unique is its raw honesty, as it encourages listeners to confront their fears and embrace their true selves. The music video, directed and produced by Luis Osorio, intensifies the song’s central theme through contrasting visuals and a striking color palette of reds, blues, and blacks. Filmed across indoor and outdoor locations, the video juxtaposes confined, dimly lit spaces symbolizing the mind’s labyrinth with open, dramatically lit settings representing the collision of light and dark.

Sky Lighthouse, formed in 2019, is driven by a mission to create music with real meaning. Founded by Luis Osorio, the band combines the raw intensity of heavy metal with profound lyrical storytelling. Their sound draws inspiration from bands such as Linkin Park, Architects, Wage War, Bad Omens, and All That Remains, blending hard-hitting riffs with emotive and thought-provoking lyrics.

The band’s name encapsulates their philosophy: “Sky” represents a divine presence, while “Lighthouse” symbolizes guidance through life’s challenges. This guiding ethos drives their music, which serves as a beacon of hope for fans navigating their own struggles.

Over the years, Sky Lighthouse has independently produced seven singles and their accompanying music videos, showcasing their DIY ethic and creative control. Osorio’s personal experiences and the struggles he’s witnessed in others fuel his songwriting, creating music that offers solace, strength, and camaraderie to listeners.

With “Melodic,” Sky Lighthouse delivers a heavy metal anthem that is as thought-provoking as it is powerful. The band invites fans to join them on a journey of self-discovery and resilience, proving once again that their music is not just entertainment—it’s a beacon of hope.

“Melodic” is now available on all major streaming platforms. For further details, visit Sky Lighthouse on Facebook.


THE WAVE AND THE PARTICLE Sign With WormHoleDeath Records; New Album Preview Available

THE WAVE AND THE PARTICLE Sign With WormHoleDeath Records; New Album Preview Available

Prepare for a sonic singularity as the electrifying, female-fronted metal outfit The Wave And The Particle announces their official signing with WormHoleDeath Records. This partnership paves the way for the release of their album, Electric Sheep, set to drop on January 31st, 2025.

“WormHoleDeath has a rich history of supporting artists who aren’t afraid to take risks, and we’re honored to be among them,” states the band. “This signing opens up new possibilities for us, and we’re excited to see where this road will take us. A huge thank you to the entire team at WormHoleDeath for their trust in our band. We can’t wait to bring you new music and experiences that will push the boundaries of what The Wave And The Particle can be.”

Electric Sheep takes listeners on a journey through the near and distant future, exploring the impact of globalization, emerging technologies, and the shifting concept of self in the digital age. Each song delves into these themes, reflecting on the world that is rapidly transforming around us.

The album’s sound is layered and dynamic, ranging from acoustic alt-rock to the intensity of doom metal. Synths and symphonic elements are woven into the metal core, creating a dynamic and immersive musical landscape. Drawing from influences in symphonic metal, industrial rock, and electronic music, Electric Sheep presents a compelling exploration of the future through sound.

The Wave and the Particle, based in Fremont, CA, fuses post-industrial rock, symphonic metal, and progressive rock into a powerful, unique sound. Formed in 2015 by Vasiliy and Katie, the band started as an experiment to blend dark industrial beats with soaring symphonic vocals. In 2016, guitarist Chandra joined, adding intricate solos that enriched their sound, culminating in their debut album, “Event Horizon,” released in 2019.

Despite challenges during the COVID-19 pandemic, the lineup solidified in 2021 with the addition of drummer Abhiram and bassist Alessandro. Over the next two years, they refined their sound and experimented with new song structures.

As 2023 approached, the band began work on their second album, “Electric Sheep,” inspired by cyberpunk themes that explore technologies, transhumanism, globalization, and digital identity. Committed to pushing musical boundaries, The Wave and the Particle crafts music that resonates on multiple levels.

Line up:

Abhiram – Drums
Alessandro Castelli – Bass
Chandra Garud – Guitar
Katharina Huang – Vocals
Vasiliy Sharikov – Keys, Synths, Programming


70000 Tons Of Metal 2025 – Online Cruise Planner Now Open; Video

70000 Tons Of Metal 2025 - Online Cruise Planner Now Open; Video

The 2025 edition of 70000 Tons Of Metal, The Original, The World’s Biggest Heavy Metal Cruise, will fans back to an absolute favorite port that hasn’t been visited in a decade – Ocho Rios, Jamaica! Taking place January 30 – February 3, 2025.

Organizers have released the new video below, stating: “The Online Cruise Planner for 70000 Tons Of Meta 2025 is now open! If you have booked a spot to sail with us and completed all payments, you should have already received an email with your login credentials for our upcoming sailing. From there you will be able to access the Online Cruise Planner to book Artist Escorted Shore Excursions, onboard internet access, beverage packages, spa treatments, dinner reservations and more!”

60 Bands, 4 Days, 1 Cruise Ship, and only 3000 Tickets. This is 70000 Tons Of Metal, The Original, The World’s Biggest Heavy Metal Cruise!

70000 Tons Of Metal 2025 roster: Arcturus, Benighted, Beyond Creation, Candlemass, Crownshift, Decapitated, Delain, Emperor, Ex Deo, Finntroll, Flotsam And Jetsam, HammerFall, Ihsahn, In Extremo, Kalmah, Majestica, Mork, The Kovenant, Samael, Septicflesh, Sepultura, Sonata Arctica, Stratovarius, Subway To Sally, Swallow The Sun featuring Finnish Ballet, Tankard, Symphony X, The Zenith Passage, Trollfest, Trouble, Twilight Force, Unleash The Archers.

On 70000 Tons Of Metal you get unrestricted festival access to all 120 live shows on board, 70000 Tons Of Karaoke until sunrise, Jamming In International Waters – the Official 70000 Tons Of Metal All Star Jam which writes heavy metal history every year, clinics and work-shops with the musicians, our infamous belly flop contest, shore excursions with your favorite artists, and much more.

Organizers: “Everyone on board is a VIP, we don’t have assigned seating (this is a heavy metal cruise after all), and most importantly the bars on our ship never close – you heard us, bars that never close! On this life changing adventure you will spend five days and four nights at sea mingling side-by-side with your favorite artists in this incredibly fan-friendly scenario that has no comparison. It’s like having an All-Access backstage pass!”

Visit 70000Tons.com or the official 70000 Tons Of Metal Facebook page for further details.


BREWER & SHIPLEY Legend MICHAEL BREWER Dead At 80 – “We Made Nixon’s ‘Hate List’, Which We Held As A Badge Of Honor”

BREWER & SHIPLEY Legend MICHAEL BREWER Dead At 80 -

Ultimate Classic Rock is reporting that Michael Brewer of Brewer & Shipley passed away on Tuesday (December 17) at the age of 80.

The news was confirmed in a press release, noting that Brewer had been battling multiple illnesses for the last three years.

Brewer & Shipley were best known for their Top 10 hit, “One Toke Over the Line,” released as their debut single in 1971.

“Who would have guessed they [the duo’s record label] would release it as a single, it would go shooting up the charts, and the Nixon administration would try to ban it?” Brewer said to UCR in 2016. “We made Nixon’s ‘hate list,’ which we held as a badge of honor and still do to this day, and the Vice President, Spiro Agnew, named us personally on national TV one night as ‘subversives to America’s youth.’ I mean, you can’t buy that kind of publicity.”

Read more at Ultimate Classic Rock.

Tom Shipley shared the following tribute via social media:

“Michael Brewer, my friend of 65 years and music partner for over 60, had to go. I saw him on Saturday at Cox Hospital in Branson and he told me he wanted to go home. He was weak and very tired. They took him home on Sunday and his wife Scarlett called this morning to tell me he was gone. So tonight I will raise a glass to Michael and drink to all those years, all those miles, all those songs, and all the heavenly audiences we played for. Go with God my friend. I’ll see you on the other side.”


BLACK SABBATH – Rare 1976 Technical Ecstacy Tour Video Unearthed

December 18, 2024, 14 hours ago

news heavy metal rarities black sabbath

BLACK SABBATH - Rare 1976 Technical Ecstacy Tour Video Unearthed

Rare live video of Black Sabbath performing on November 9, 1976 at Selland Arena in Fresno, California during their Technical Ecstacy tour has surfaced online.

According to Louder Sound, Black Sabbath’s support at the concert were Boston and Bob Seger & The Silver Bullet Band.

Black Sabbath performed 14 songs on the night, and six of those are featured in the clip: “Symptom Of The Universe”, “Snowblind”, “All Moving Parts (Stand Still)”, “War Pigs”, “Gypsy” and “Children Of The Grave”.

Read more at Louder Sound, and check out the video below:

(Top photo – Sam Emerson)


ARCH ENEMY Announce Spring 2025 Headline Tour With FIT FOR AN AUTOPSY, BAEST, THROWN INTO EXILE

ARCH ENEMY Announce Spring 2025 Headline Tour With FIT FOR AN AUTOPSY, BAEST, THROWN INTO EXILE

Swedish extreme metal pioneers, Arch Enemy, have announced their spring 2025 North American tour plans.

The massive tour kicks off on April 14 in San Diego and runs through May 16 in Atlanta, including several stops in Canada. All dates are below, along with key spring festival appearances, such as Sonic Temple and Welcome to Rockville. Get tickets here.

“We can’t wait to reconnect with our amazing North American fans this spring,” says guitarist Michael Amott. “We’re bringing Fit For An Autopsy, Baest, and Thrown Into Exile along for the ride – prepare for an unforgettable night of pure metal mayhem. See you soon!”

Dates:

April
14 – San Diego, CA – The Observatory North Park
15 – Los Angeles, CA – The Wiltern
16 – San Francisco, CA – The Regency Ballroom
18 – Portland, OR – Roseland Theater
19 – Seattle, WA – Showbox SoDo
20 – Vancouver, BC – The Pearl
22 – Edmonton, AB – Union Hall
23 – Calgary, AB – MacEwan Hall
25 – Salt Lake City, UT – The Complex
26 – Denver, CO – Summit
28 – Minneapolis, MN – The Fillmore Minneapolis
29 – Chicago, IL – The Vic Theatre
30 – Detroit, MI – The Majestic Theatre

May
2 – New York, NY – Palladium Times Square
3 – Worcester, MA – The Palladium
5 – Philadelphia, PA – Theatre of The Living Arts
6 – Silver Spring, MD – The Fillmore Silver Spring
8 – Montreal, QC – L’Olympia*
9 – Toronto, ON – Queen Elizabeth Theatre
10 – Stroudsburg, PA – The Sherman Theater
11 – Columbus, OH – Sonic Temple**
13 – Charlotte, NC – The Underground***
15 –  Daytona Beach, FL – Welcome To Rockville**
16 – Atlanta, GA – The Masquerade***
18 – Milwaukee, WI – Milwaukee Metal Fest**

* no Fit For An Autopsy, but featuring Martyr
** festval appearance
*** no Baest

Arch Enemy will release their new album, Blood Dynasty, on March 28 via Century Media Records.

Blood Dynasty marks Arch Enemy’s 12th studio album. The record features 11 new tracks full of the band’s signature powerful guitar riff and guttural force.

Blood Dynasty is available for pre-order in the following formats:

– Special Edition CD (11 tracks)
– Special Edition CD (US version) (11 tracks)
– Ltd. Deluxe CD Box Set (11 + 2 bonus tracks)
– Ltd. Deluxe A/B split (red&golden) LP (11 tracks) + bonus LP (2 tracks) + CD Artbook (13 tracks) + art print black LP & LP-Booklet (11 tracks)
– Ltd. deep blood red LP + LP-Booklet (11 tracks)
– Ltd. grey LP + LP-Booklet (11 tracks)
– Ltd. transp. red LP + LP-Booklet (11 tracks)
– Ltd. creamy white LP + LP-Booklet (11 tracks)
– Ltd. dark green LP + LP-Booklet (11 tracks)
– Ltd. bright gold LP + LP-Booklet (11 tracks)
– Ltd. red blood splatter (clear-red splatter) LP + LP-Booklet (11 tracks)
– Ltd. Liquid Blood Vinyl (limited to 666 copies) (11 tracks)
– Ltd. black ice LP + LP-Booklet (US version) (11 tracks)
– Ltd. milky clear LP + LP-Booklet (US version) (11 tracks)
– Ltd. tangerine colored LP + LP-Booklet (US version) (11 tracks)
– Digital album (11 tracks)

Next to the limited deluxe editions that feature two exclusive bonus tracks, fans can direct their attention to the Ltd. Liquid Blood Vinyl that is exclusively available in the band stores and limited to 666 copies.

Blood Dynasty tracklisting:

“Dream Stealer”
“Illuminate The Path”
“March Of The Miscreants”
“A Million Suns”
“Don’t Look Down”
“Presage”
“Blood Dynasty”
“Paper Tiger”
“Vivre Libre”
“The Pendulum”
“Liars & Thieves”

“Blood Dynasty” video:

“Liars & Thieves” video:

“Dream Stealer” video:

Arch Enemy are:

Alissa White-Gluz – Vocals
Michael Amott – Guitars
Joey Concepcion – Guitars
Sharlee D’Angelo – Bass
Daniel Erlandsson – Drums

(Photo – Katja Kuhl)


“Steve Harris from Iron Maiden said, ‘If any band can carry our torch, it’s them.’ You think, ‘Wow – do we even want that?’” Nightwish’s constant reinvention could be a chain reaction that explodes out of control

“Steve Harris from Iron Maiden said, ‘If any band can carry our torch, it’s them.’ You think, ‘Wow – do we even want that?’” Nightwish’s constant reinvention could be a chain reaction that explodes out of control

Nightwish

(Image credit: Tina Korhonen)

In 2020, when Nightwish unveiled ninth album Human. :||: Nature. – their grandest musical vision to date, recorded before bassist Marko Hietala left – Prog spoke to Floor Jansen and Troy Donockley about the joy of vocal harmonies, breaking boundaries with their first orchestral suite, and being tipped as the future of rock and metal.


Five years since Nightwish’s last studio release, Endless Forms Most Beautiful, the symphonic metal giants have returned with Human. :||: Nature., a two-disc release: the first contains nine new tracks that cover just about everything from sweeping grandeur to folk harmonies and crushing metal riffs. That’s followed by the eight-part All The Works Of Nature Which Adorn The World, an orchestral suite that refuses to be bound by expectations concerning what rock or metal bands are capable of producing.

Human. :||: Nature. marks the second studio album for Floor Jansen and Troy Donockley since they officially joined Nightwish, and the first record with drummer Kai Hahto as a fully-fledged member. “There’s a constant reinventing ourselves going on, ever since I joined, at least,” says vocalist Jansen.

“There’s also been a real, tangible sense of freedom in what we do since the last album,” adds multi-instrumentalist and co-vocalist Donockley. “Maybe that’s something to do with us – me, Floor and Kai – being more established within the sound world of Nightwish now. We definitely felt like the sky’s the limit as to how we could push the sound.

“This album is still quintessentially Nightwish, but there are lots of different journeys to take within each song. In that way it’s really quite progressive. Our approach to our music has expanded with all of us; that includes Tuomas Holopainen [keys], Emppu Vuorinen [guitars] and Marco Hietala, [bass and co-vocals], not just me, Floor and Kai. It feels like we’re heading further out there, out into the wilderness of Nightwish.”

NIGHTWISH – Noise (OFFICIAL MUSIC VIDEO) – YouTube NIGHTWISH - Noise (OFFICIAL MUSIC VIDEO) - YouTube

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One of the changes from Endless Forms to Human. :||: Nature. has been the decision to pare back the orchestral and choral elements on the first disc, leaving more room for the band to showcase the vocals of Jansen, Donockley and Hietala. They started experimenting with close harmonies on the Decades tour in 2018 and it quickly fed into Holopainen’s writing.

“We started to use them in old songs, which gave them a completely different sound,” says Donockley. “But also it got driven home to us: the quality of each vocal, the quality of Floor’s stratospheric voice with Marco’s harder voice and my soft voice, the three of them. Bang, it just exploded!

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“We’ve got a really interesting sound here, so that was inspirational: we could take the band into a new area because it hasn’t happened before. Then Tuomas went completely bananas and decided that he wanted three-part harmonies in every single song. So that’s what we did. In every song, we’ve got three-part harmonies – it’s quite a sound.”

It shows the rest of the genre that it’s a boundless one… you don’t have to be stuck in symphonic elements

Floor Jansen

New track Harvest taps into English folk, both lyrically and in the way the voices blend. As someone used to singing lead, it was an interesting challenge for Jansen to become comfortable with harmonising. “It requires a different kind of singing,” she says. “I’m personally not the best at this in particular – I can do the basics but it’s cool to see that Troy and Marco can be very creative; they’re more experienced with that.

“If you sing together, everybody needs to move towards each other in order for that sound to become one. It’s close listening; you need to determine the strength and the length of the vibrato. It’s nice that we can tune into each other quite naturally now.”

From the pastoral vibes of Harvest, the album shifts gears entirely into one of its heaviest tracks, the pummelling Pan, which in turn is followed by the celtic flavours of How’s The Heart? where Donockley’s Uilleann pipes come to the fore.

NIGHTWISH – Harvest (OFFICIAL LYRIC VIDEO) – YouTube NIGHTWISH - Harvest (OFFICIAL LYRIC VIDEO) - YouTube

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“It keeps us properly entertained!” says Jansen. “It just proves that the boxes we put bands into, metal bands or symphonic metal, it’s just a guideline really. It doesn’t hold us back. It’s not like Tuomas sits down at the beginning of the writing process and thinks, ‘Yeah, I want to write a very diverse album and all these elements have to be in there. I want more pop there, more folk there, it has to be super-heavy there.’ It just happens.

“There’s something unique and so recognisable in the sound of this band. It doesn’t matter whether it’s Harvest or Pan, it still sounds like Nightwish. That also shows the rest of the genre that it’s a boundless one and you don’t have to be stuck in symphonic elements just to be a symphonic metal band.”

That said, the band give fullest expression to their symphonic impulses on All The Works Of Nature, which isn’t what anyone really expects from a prog or metal band – although Donockley says it’s been a long time coming.

“To me, it was a given that we’d have a completely orchestral, extended suite,” he reveals.

Prog 108

This article first appeared in Prog 108 (Image credit: Future)

“It was on the cards, because it’s such a vital component of the band’s sound. The idea of Nightwish is a big choir, a big orchestra. It’s going to raise a few eyebrows. People are going to be like, ‘What on earth are they up to?’ But it works perfectly. It’s within the universe of Nightwish. It could have been done years ago, but now is the right time.”

As they’ve become musically more adventurous and diverse, their profile has steadily grown. The video for Élan, from Endless Forms, has more than 65 million views on YouTube, and their latest video, Noise, passed two million views in its first three weeks. Their European tours sell out arenas, and they’ve built a huge and devoted fanbase in South America, where they shot the Decades: Live In Buenos Aires concert. The fans were so enthusiastic, they didn’t just sing the lyrics, but all the melodic lines from guitar solos to Donockley’s woodwind.

“On Élan, the introduction on the low whistle, I could hardly hear myself because everybody was singing – it was unbelievable,” he says. “There were times when Floor would have to stop and wait for it to subside, but it didn’t! She had to go, ‘Thank you very much, but do you want to hear a song?’ It’s crazy; they’re wild over there. But we love it.

NIGHTWISH – Élan – Live In Buenos Aires (OFFICIAL LIVE VIDEO) – YouTube NIGHTWISH - Élan - Live In Buenos Aires (OFFICIAL LIVE VIDEO) - YouTube

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“It can be a bit hairy at times if you’re out on the streets and you get mobbed. It’s like being in The Beatles when you go to South America. Then you come back here; I’m just outside of York, I’m in Morrisons, and nobody cares. Nobody runs after me in Morrisons.”

With that level of adulation, supermarket anonymity notwithstanding, Nightwish are one of the very few bands big enough and good enough to carry the torch for rock and metal as the titans who built the genres move into retirement. Someone has to be able to headline Wacken and Download and pull in the crowds if the music is to have a future.

“That’s an interesting thing,” says Jansen,“because it’s going to happen; and out of curiosity you start to think about it. But then again, things happen the way they happen. It’s not an ambition in that sense. We’re very satisfied with where we are, but I recently read an article where Steve Harris from Iron Maiden said, ‘If any band can carry our torch, it’s Nightwish.’

“It’s a huge honour, really massive, and you think, ‘Yeah, wow – do we even want that?’ There will definitely be a shift and we’ll take it as it comes. But it’s an honour that people like Steve Harris consider us to be a proper torchbearer.”

After starting his writing career covering the unforgiving world of MMA, David moved into music journalism at Rhythm magazine, interviewing legends of the drum kit including Ginger Baker and Neil Peart. A regular contributor to Prog, he’s written for Metal Hammer, The Blues, Country Music Magazine and more. The author of Chasing Dragons: An Introduction To The Martial Arts Film, David shares his thoughts on kung fu movies in essays and videos for 88 Films, Arrow Films, and Eureka Entertainment. He firmly believes Steely Dan’s Reelin’ In The Years is the tuniest tune ever tuned.

“Nigel has been running a cheese and guitar shop in Berwick-upon-Tweed”: Spinal Tap director Rob Reiner reveals what the band have been up to since breaking up

Film director Rob Reiner has shed some light on what the key members of Spinal Tap – David St. Hubbins, Nigel Tufnel and Derek Smalls – have been doing since they disbanded after a one-date world tour in 2009.

Speaking to film magazine Empire, Reiner says, “Nigel has been running a cheese and guitar shop in Berwick-upon-Tweed. He’s also been performing with a local folk band in the village that play penny whistle and mandolin, and he plays electric guitar with them. We show a little clip of that.

“David St Hubbins has been living in Morro Bay in California, and he’s been writing music for podcasts, particularly this one true-crime podcast called The Trouble With Murder. He also writes the music that you hear when you’re on hold on the phone.

“And then we have Derek. Derek is living in London and is now the curator of the New Museum of Glue. He’s curated glue from every country in the world, the whole history of glue, and he shows me around. He’s also been performing with a philharmonic orchestra, and he’s written this kind of symphony about the fact that the devil wears a bad hair piece. It’s called Hell Toupée.”

Planned to coincide with the 40th anniversary of the original film, Spinal Tap II will reunite St. Hubbins (Michael McKean), Tufnel (Christopher Guest) and Smalls (Harry Shearer) for the first time since the trio performed an acoustic set at the 2019 Tribeca Film Festival. Reiner will reprise his original role as mockumentarian Marty DiBergi.

Elsewhere in the interview, Reiner confirms that both Paul McCartney and Elton John have filmed cameos for the movie, which began filming in February. Metallica man Lars Ulrich also makes an appearance.

“We came up with a good idea for Paul, and he was excited to do it,” says Reiner. “And we had a great idea for Elton. They’re both terrific in the film, both comfortable just talking off the cuff.”

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Reiner also confirms that a soundtrack album has been recorded, which features contributions from both McCartney and John, as well as new songs by Spinal Tap themselves.

A release date for Spinal Tap II has not yet been announced.