Author: fgt

Australia’s culture is very vibrant and unique. Many ideas and trends intersect here, which together give a unique historical code. This multicultural tapestry is woven from Indigenous traditions, British colonial influences, and the contributions of countless immigrant communities. The arts thrive in Australia, from the famous Sydney Opera House to street art in Melbourne, showcasing the creativity and diversity of its people. Additionally, Australian cuisine reflects this blend, featuring native ingredients alongside international flavors, making dining an adventurous experience. Overall, Australia’s culture is a dynamic celebration of heritage and innovation, continuously evolving while honoring its rich history.

The Metal Revolution: How Australian heavy music won the hearts of fans

Have you ever woken up to the sound of hellish growls, selfish melodies and guitar virtuosity that could blow your skull off? If so, you may have caught a glimpse of the current pinnacle of Australian heavy music. In the early 70s, Australians flocked to the musical anarchy of loud, distorted guitars and much of the music existed on an underground level for nearly 20 years. By the early 2000s, however, Australian heavy music had evolved and the ‘scene’ in particular had become what we are familiar with today. 

Although the definition of ‘scene’ is a generic term and is not strictly defined by a specific sound, it is a subculture of like-minded bands and fans united by an ethos of camaraderie, loyalty and community. Today, however, this ‘scene’ is being transformed by Triple J’s worship of metalcore and Unify Gathering’s rise to power as a festival force where insanely trendy merchandise sells out faster than Supreme capsule stocks.

Over the years a dizzying variety of sub-genres have joined the heavy music family, from technical death metal to ground pounding hardcore to anthemic metalcore. Let’s take a look at the history and evolution of Australian heavy music through these highlights.

AC/DC: ‘It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)’ (1973)

‘It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)’, which topped the Australian heavy music charts without AC/DC, is a classic song unique in its influence and the first sign of heavy music history, as it was a rock dog that determined the need for relentless and unrelenting hard rock. Careless, AC/DC have also influenced the evolution of Australian pop music through the ages, as their music has to some extent been heavily drowned in pop-punk fusion.

Armoured Angel: ‘Madame Guillotine’ (1989)

Released in 1989, “Madame Guillotine” was one of the most terrifying and evocative shots of the genre, bleeding with brutality and madness.1. If you’re listening to an UNFD label offering on the radio, it wouldn’t be normal to hear Rubens and Vera Blue these days, but Australian metal occupied a very underground place when the Armored Angel was there.

Armored Angel was a pioneering grassroots band that formed Metal for the Brain Festival and toured with c-Cus and Morbid Angel before taking to the Big Day Out stage in 1993.

Nitrocris: ‘Anger’ (1994)

Nitocris is known to be one of the founding members of the “grot-grrrl” scene, which is equivalent to the “riot grrrl” movement of the 90s1. However, Nitchris was marked as a bona fide heavy rock figure, so he was more popular later in terms of his radio rock sound.

‘Anger’ was released in 1994, Rage featured hard rock riffs detailing Soundgarden, Pantera’s L7 and Bikini Kill, and the powerful riot grrrl vocals, which caught the attention of Channel V in 2001 and became the most popular song in the world. The history of Australian music. As a unique heavy rock costume

Sunk Loto: ‘Everything Everyway’ (2003)

In the late 90s and early 00s, nu-metal and alternative were the dominant scenes, with epic acts such as Marilyn Manson gracing the big day with knots and cones satisfying the hungry throats of sun-weary Australian teens. Initially, however, the genre did not have much pizza locally, but formed the heyday of the New Metal, and it was Sanken Lotto who jumped out of the doors to offer funk-based pop-ups set with killer melodies and deadly riffs.

The track “Everything Everywhere” combines the smooth melodies of incubus with the natural colors of deftone chord progressions and the wandering whispers of the instrument. After releasing 2 studio albums, they broke up in 2007.

Karnivool: ‘Themata’ (2005)

Karnivool is a West Australian resident prog-devil who has given one of the longest running and impressive careers in Australian heavy music. Capturing eerie and interesting images and sounds, the Australian Response Tool developed something of a cult following before making its critical debut, “Themata,” in 2005.”From the tail end of the new metal scene, the Themata track is a vast instrument intertwined with ebb and flow in multiple directions, before bursts of triumph and sonic oasis are heard.

It’s not a complete list, but this has been an easy look at Australia’s heavy music scene over the past few decades. From AC/DC to sinking Loto, we are ready to have a huge number of genres covering musical inventions and your mind-blowing subcultures.

But it’s not just heavy music that is gaining momentum. For decades, the passion of Australians for gambling has been growing, and here, in the days of the Internet and advanced technology, online casinos occupy a huge share of the market and leisure of the average Australian. Unlike other people, Australians treat online casinos as a leisure or hobby, while for an ordinary European it is rather an exceptional situation

The origin of gambling in Australia

The first lottery was organized in 1880, and the first slot machines appeared in clubs and pubs in the 50s of the last century. It is this moment that can be considered a starting point in the history of Australian gambling.

The love of sports betting on horse racing was instilled in Australians by the British. And although it is not possible to name the exact date, it is safe to say that as long as the sport exists, bets will be placed in Australia.

If we compare online games with casinos and bookmaking, it is worth noting that this fun is relatively new, but the most favorite for residents of the green continent.
Australia, known for its pubs, clubs and casinos, has seen a significant increase in the popularity of online casino gambling. According to a report by the IMARC Group, the Australian online gambling market reached significant figures of 4.5 billion US dollars in 2022, while it is projected to grow to 2028 billion US dollars by 7.2. the availability of high-speed Internet and the widespread adoption of digital payment methods. 

This growing interest is reflected in platforms such as axecasino.com, which offers a wide range of games, ensuring that players can enjoy the thrill of gambling from the comfort of their homes. The convenience of online casinos has attracted a younger audience, eager to explore the dynamic world of digital gaming. Additionally, the availability of high-speed Internet and the widespread adoption of digital payment methods have made online gaming more accessible than ever. As a result, Australians are increasingly drawn to this modern form of entertainment, which complements the traditional gambling culture that has been a part of the nation for over a century.

How much does gambling bring to the treasury

Government revenue from gambling in Australia varies by state, but the average is 10% of the budget. In the treasury of the state of Victoria, where gambling is most popular, gambling brings 13% of profits annually. In contrast, gambling deductions account for only 4% of income in Western Australia. This is due to the fact that many types of gambling are still prohibited here. Player winnings are not taxed in Australia. 

Gambling operators are forced to follow the laws of each particular state, since taxation differs in them. Tax rates for different types of gambling also vary. Gambling operators pay fees upon obtaining a license, as well as taxes on turnover, player losses and net profit.

Excitement and Music: Gambling and Heavy metal Craze in Australian Society

In conclusion, the history of gambling in Australia demonstrates the evolution, starting with the first lotteries and slot machines and ending with modern online casinos. This area has not only enriched the leisure culture of Australians, but also significantly influenced the state’s economy, providing impressive budget revenues. Despite the differences in income levels from gambling between the states, the overall contribution of this industry to the national treasury remains significant. Given the growing popularity of online gambling and its increasing accessibility to players, gambling can be expected to take an even more important place in Australian society. It is important that this industry continues to develop within the framework of strict regulation in order to ensure both the protection of players and the maximization of benefits for the state.

Cradle Of Filth’s singer says his mum wants the band’s hit single Nymphetamine to be played at her funeral.

Dani Filth, who founded the UK extreme metal gremlins in 1991, makes the revelation in a new video interview with Metal Hammer, where he names the 2004 track as one of the five defining Cradle songs.

“It’s our time-honoured track,” Filth explains. “If we don’t play it, people revolt – I’m not saying our fans are revolting or anything like that. Ha ha!”

He continues: “Danny Jacobs was the director of [the music video], and he wanted everything simple and stylish. He did it and it was an MTV fave for a long time.”

Nymphetamine was released as the lead single of Cradle’s sixth album, also called Nymphetamine. A 2004 press release said the song lyrically “concerns itself with a love affair so intense that, although soured and dead, it ignites at the slightest sniff of re-invention”.

Nymphetamine’s music video became a TV staple and, according to setlist wiki setlist.fm, it’s the band’s second-most played song live after 2000 single Her Ghost In The Fog.

It also seems that the success of Nymphetamine was so great that Dani’s mum wants it to be blaring out as she’s lowered into the ground one day.

“My mum wants it played at her funeral,” Filth tells Hammer. After receiving a surprised ‘Really?!’, he jokes, “Apparently so. But she’ll be dead, so we can change the tracklisting.”

This isn’t the first funny anecdote Filth has offered about his mum. Talking to Hammer last year, the singer revealed that she has a crush on Slayer frontman Tom Araya.

“I don’t know [what the appeal is]. I don’t see it myself,” he said. “I just know she does because I see Instagram accounts like ‘Tom Araya lovers’ and the first name I see is my mum’s.”

Watch Hammer’s full video interview with Filth below and see what other songs he named as Cradle essentials.

Feature Photo: ABC Television, Public domain, via Wikimedia Commons

The Bee Gees, a trio of brothers Barry, Robin, and Maurice Gibb, formed one of the most enduring and influential acts in music history. Originally from the Isle of Man, the Gibbs spent their early years in Manchester, England, before relocating to Australia in 1958. It was in Australia that they began their professional music career, achieving early success with hits like “Spicks and Specks.” In 1967, the brothers returned to the United Kingdom, marking the beginning of their international breakthrough. Known for their rich harmonies and emotionally resonant lyrics, the Bee Gees quickly became icons of the late 1960s pop scene with songs such as “Massachusetts” and “To Love Somebody.”

In the 1970s, the Bee Gees reinvented themselves as pioneers of the disco era, crafting some of the most iconic tracks of the genre. The soundtrack to Saturday Night Fever (1977), featuring hits like “Stayin’ Alive” and “Night Fever,” catapulted the group to unprecedented fame and solidified their place as music legends. The album became one of the best-selling soundtracks of all time and defined the disco movement. Their ability to evolve musically ensured their relevance across decades, and they continued to produce chart-topping hits throughout the 1980s and beyond.

Despite personal challenges and the eventual passing of Maurice in 2003 and Robin in 2012, the Bee Gees’ legacy endures. Barry Gibb remains an active performer and ambassador for their music. With over 220 million records sold worldwide, the Bee Gees’ influence spans genres and generations, cementing their status as one of the best-selling and most celebrated acts in history.

# – C

“2 Years On” – 2 Years On (1970)
“855-7019” – Non-album release (1993)
“Above and Beyond” – Size Isn’t Everything (1993)
“Alive” – To Whom It May Concern (1972)
“All Around My Clock” – Bee Gees 1st (1967)
“All This Making Love” – Main Course (1975)
“Alone” – Still Waters (1995)
“Alone Again” – 2 Years On (1970)
“And the Sun Will Shine” – Horizontal (1967)
“Angel of Mercy” – Mythology (1995)
“Angela” – E.S.P. (1987)
“Anything for You” – Size Isn’t Everything (1993)
“Baby As You Turn Away” – Main Course (1975)
“Back Home” – 2 Years On (1970)
“Backtafunk” – E.S.P. (1987)
“Bad Bad Dreams” – To Whom It May Concern (1972)
“Barker of the UFO” – Tales from the Brothers Gibb (1967)
“Be Who You Are” – Living Eyes (1981)
“Birdie Told Me” – Horizontal (1967)
“Black Diamond” – Odessa (1968)
“Blue Island” – Size Isn’t Everything (1993)
“Bodyguard” – One (1988)
“Boogie Child” – Children of the World (1976)
“Breakout” – Staying Alive (1983)
“The Bridge” – Mythology (2000)
“Bridges Crossing Rivers” – Idea (1968)
“The British Opera” – Odessa (1968)
“Bury Me Down by the River” – Cucumber Castle (1969)
“Can’t Keep a Good Man Down” – Children of the World (1976)
“Castles in the Air” – Unreleased (A Kick in the Head Is Worth Eight in the Pants, 1972)
“The Chance of Love” – Cucumber Castle (1969)
“The Change Is Made” – Horizontal (1967)
“Charade” – Mr. Natural (1973)
“Children of the World” – Children of the World (1976)
“Chocolate Symphony” – Idea (1968)
“Close Another Door” – Bee Gees 1st (1967)
“Closer Than Close” – Still Waters (1996)
“Come Home Johnny Bridie” – Life in a Tin Can (1972)
“Come On Over” – Main Course (1975)
“Country Lanes” – Main Course (1975)
“Country Woman” – Tales from the Brothers Gibb (1971)
“Craise Finton Kirk Royal Academy of Arts” – Bee Gees 1st (1967)
“Crazy for Your Love” – E.S.P. (1987)
“Cryin’ Every Day” – Living Eyes (1981)
“Cucumber Castle” – Bee Gees 1st (1967)

D – H

“Day Time Girl” – Horizontal (1967)
“Dear Mr. Kissinger” – A Kick in the Head Is Worth Eight in the Pants (1973)
“Dearest” – Trafalgar (1971)
“Deeply, Deeply Me” – Horizontal (1967)
“Déjà Vu” – This Is Where I Came In (2000)
“Dimensions” – High Civilization (1990)
“Dogs” – Mr. Natural (1973)
“Don’t Fall in Love with Me” – Living Eyes (1981)
“Don’t Forget to Remember” – Cucumber Castle (1969)
“Don’t Wanna Live Inside Myself” – Trafalgar (1971)
“Down the Road” – Mr. Natural (1973)
“Down to Earth” – Idea (1968)
“E.S.P.” – E.S.P. (1987)
“The Earnest of Being George” – Horizontal (1967)
“Edge of the Universe” – Main Course (1975)
“Edison” – Odessa (1968)
“Ellan Vannin” – Non-album release (1998)
“Elisa” – Tales from the Brothers Gibb (1972)
“Embrace” – This Is Where I Came In (2000)
“Emotion” – Their Greatest Hits: The Record (1994)
“Every Christian Lion Hearted Man Will Show You” – Bee Gees 1st (1967)
“Every Second, Every Minute” – 2 Years On (1970)
“Evolution” – High Civilization (1990)
“The Extra Mile” – This Is Where I Came In (2000)
“Fallen Angel” – Size Isn’t Everything (1992)
“Fanny (Be Tender with My Love)” – Main Course (1975)
“The First Mistake I Made” – 2 Years On (1970)
“First of May” – Odessa (1968)
“Flesh and Blood” – One (1988)
“For Whom the Bell Tolls” – Size Isn’t Everything (1992)
“Gena’s Theme” – Idea (1968)
“Ghost Train” – High Civilization (1990)
“Gilbert Green” – Bee Gees 1st (1967)
“Give a Hand, Take a Hand” – Mr. Natural (1973)
“Give Your Best” – Odessa (1968)
“Giving Up the Ghost” – E.S.P. (1987)
“Grease” – One Night Only (1997)
“The Greatest Man in the World” – Trafalgar (1971)
“Guilty” – One Night Only (1997)
“Had a Lot of Love Last Night” – Mr. Natural (1974)
“Happy Ever After” – High Civilization (1990)
“Harry Braff” – Horizontal (1967)
“Harry’s Gate” – A Kick in the Head Is Worth Eight in the Pants (1973)
“Haunted House” – Size Isn’t Everything (1993)
“He’s a Liar” – Living Eyes (1981)
“Heart Like Mine” – Size Isn’t Everything (1993)
“Heartbreaker” – Their Greatest Hits: The Record (1994)
“Heavy Breathing” – Mr. Natural (1973)
“High Civilization” – High Civilization (1990)
“Holiday” – Bee Gees 1st (1967)
“Home Again Rivers” – A Kick in the Head Is Worth Eight in the Pants (1972)
“Horizontal” – Horizontal (1967)
“House of Lords” – Bee Gees 1st (1967)
“House of Shame” – One (1989)
“How Can You Mend a Broken Heart” – Trafalgar (1971)
“How Deep Is Your Love” – Saturday Night Fever (1977)
“How to Fall in Love, Part 1” – Size Isn’t Everything (1992)
“Human Sacrifice” – High Civilization (1990)

I – L

“Human Sacrifice” – High Civilization (1990)
“I Can Bring Love” – To Whom It May Concern (1972)
“I Can’t Let You Go” – Mr. Natural (1973)
“I Can’t See Nobody” – Bee Gees 1st (1967)
“I Close My Eyes” – Bee Gees 1st (1967)
“I Could Not Love You More” – Still Waters (1995)
“I Don’t Wanna Be the One” – Life in a Tin Can (1972)
“I Held a Party” – To Whom It May Concern (1972)
“I Laugh in Your Face” – Odessa (1968)
“I Lay Down and Die” – Cucumber Castle (1969)
“I Love You Too Much” – Staying Alive (1983)
“I.O.I.O.” – Cucumber Castle (1969)
“I Started a Joke” – Idea (1968)
“I Still Love You” – Living Eyes (1981)
“I Surrender” – Still Waters (1995)
“I Was the Child” – Cucumber Castle (1969)
“I Will” – Still Waters (1995)
“I Will Be There” – Non-album release (2000)
“Idea” – Idea (1968)
“If I Can’t Have You” – Bee Gees Greatest (1977)
“If Only I Had My Mind on Something Else” – Cucumber Castle (1969)
“I’m Satisfied” – Spirits Having Flown (1978)
“I’m Weeping” – 2 Years On (1970)
“Immortality” – One Night Only (1997)
“In My Own Time” – Bee Gees 1st (1967)
“In the Summer of His Years” – Idea (1968)
“Indian Gin and Whisky Dry” – Idea (1968)
“Irresistible Force” – Still Waters (1995)
“Islands in the Stream” – One Night Only (1997)
“Israel” – Trafalgar (1971)
“It Doesn’t Matter Much to Me” – Tales from the Brothers Gibb (1973)
“It’s Just the Way” – Trafalgar (1971)
“It’s My Neighborhood” – One (1988)
“I’ve Decided to Join the Air Force” – Idea (1968)
“I’ve Got to Learn” – Bee Gees 1st (1967)
“I’ve Gotta Get a Message to You” – Idea (1968)
“Jesus in Heaven” – A Kick in the Head Is Worth Eight in the Pants (1973)
“Jive Talkin’” – Main Course (1975)
“Jumbo” – Tales from the Brothers Gibb (1968)
“Just in Case” – This Is Where I Came In (2000)
“Kilburn Towers” – Idea (1968)
“King and Country” – Tales from the Brothers Gibb (1973)
“Kiss of Life” – Size Isn’t Everything (1992)
“Kitty Can” – Idea (1968)
“Lamplight” – Odessa (1968)
“Lay It on Me” – 2 Years On (1970)
“Lemons Never Forget” – Horizontal (1967)
“Let There Be Love” – Idea (1968)
“Life Am I Wasting My Time” – A Kick in the Head Is Worth Eight in the Pants (1973)
“Life Goes On” – Staying Alive (1983)
“Lion in Winter” – Trafalgar (1971)
“Live or Die (Hold Me Like a Child)” – E.S.P. (1987)
“Living Eyes” – Living Eyes (1981)
“Living in Chicago” – Life in a Tin Can (1972)
“Living Together” – Spirits Having Flown (1978)
“Lonely Days” – 2 Years On (1970)
“A Lonely Violin” – A Kick in the Head Is Worth Eight in the Pants (1972)
“The Longest Night” – E.S.P. (1987)
“Loose Talk Costs Lives” – This Is Where I Came In (2000)
“The Lord” – Cucumber Castle (1969)
“Losers and Lovers” – A Kick in the Head Is Worth Eight in the Pants (1972)
“Lost in Your Love” – Mr. Natural (1974)
“Love Is Blind” – Too Much Heaven: Songs of the Brothers Gibb (1998)
“Love Me” – Children of the World (1976)
“Love Never Dies” – Still Waters (1995)
“Love So Right” – Children of the World (1976)
“Love You Inside Out” – Spirits Having Flown (1978)
“Lovers” – Children of the World (1976)

M- R

“Man for All Seasons” – 2 Years On (1970)
“Man in the Middle” – This Is Where I Came In (2000)
“Marley Purt Drive” – Odessa (1968)
“Massachusetts” – Horizontal (1967)
“Melody Fair” – Odessa (1968)
“Method to My Madness” – Life in a Tin Can (1972)
“Miracles Happen” – Still Waters (1995)
“More Than a Woman” – Saturday Night Fever (1977)
“Morning of My Life (In the Morning)” – Melody, Best of Bee Gees, Vol. 2 (1970)
“Mr. Natural” – Mr. Natural (1974)
“Mr. Wallor’s Wailing Wall” – Bee Gees 1st (1967)
“Mrs. Gillespie’s Refrigerator” – Horizontal (1967)
“My Destiny” – Non-album release (1993)
“My Life Has Been a Song” – Life in a Tin Can (1972)
“My Lover’s Prayer” – Still Waters (1995)
“My Thing” – Cucumber Castle (1969)
“My World” – Best of Bee Gees, Vol. 2 (1971)
“Never Been Alone” – To Whom It May Concern (1972)
“Never Say Never Again” – Odessa (1968)
“New York Mining Disaster 1941” – Bee Gees 1st (1967)
“Night Fever” – Saturday Night Fever (1977)
“Nights on Broadway” – Main Course (1975)
“Nobody’s Someone” – Sketches for Odessa (1968)
“Nothing Could Be Good” – Living Eyes (1981)
“Obsessions” – Still Waters (1995)
“Odessa (City on the Black Sea)” – Odessa (1968)
“Omega Man” – Size Isn’t Everything (1992)
“On Time” – Tales from the Brothers Gibb (1971)
“One” – One (1988)
“One Minute Woman” – Bee Gees 1st (1967)
“The Only Love” – High Civilization (1990)
“Ordinary Lives” – One (1988)
“(Our Love) Don’t Throw It All Away” – Bee Gees Greatest (1977)
“Out of Line” – Horizontal (1967)
“Overnight” – E.S.P. (1987)
“Paper Mache, Cabbages and Kings” – To Whom It May Concern (1972)
“Paradise” – Living Eyes (1981)
“Party with No Name” – High Civilization (1990)
“Paying the Price of Love” – Size Isn’t Everything (1992)
“Pity” – Sketches for Odessa (1968)
“Please Don’t Turn Out the Lights” – To Whom It May Concern (1972)
“Please Read Me” – Bee Gees 1st (1967)
“Portrait of Louise” – 2 Years On (1970)
“Promise the Earth” – This Is Where I Came In (2000)
“Reaching Out” – Spirits Having Flown (1978)
“Really and Sincerely” – Horizontal (1967)
“Red Chair Fade Away” – Bee Gees 1st (1967)
“Remembering” – Trafalgar (1971)
“Rest Your Love on Me” – Bee Gees Greatest (1978)
“Ring My Bell” – Horizontal (1967)
“Rings Around the Moon” – Still Waters (1995)
“Road to Alaska” – To Whom It May Concern (1972)
“Rocky L. A.” – A Kick in the Head Is Worth Eight in the Pants (1973)
“Run to Me” – To Whom It May Concern (1972)

S- Z

“Sacred Trust” – This Is Where I Came In (2000)
“Saw a New Morning” – Life in a Tin Can (1972)
“Sea of Smiling Faces” – To Whom It May Concern (1972)
“Search, Find” – Spirits Having Flown (1978)
“Secret Love” – High Civilization (1990)
“Seven Seas Symphony” – Odessa (1968)
“Shape of Things to Come” – One Moment in Time (1988)
“She Keeps on Coming” – This Is Where I Came In (2000)
“Sincere Relation” – 2 Years On (1970)
“The Singer Sang His Song” – Tales from the Brothers Gibb (1968)
“Sinking Ships” – Tales from the Brothers Gibb (1967)
“Sir Geoffrey Saved the World” – Tales from the Brothers Gibb (1967)
“Smoke and Mirrors” – Still Waters (1995)
“Soldiers” – Living Eyes (1981)
“Somebody Stop the Music” – Trafalgar (1971)
“Someone Belonging to Someone” – Staying Alive (1983)
“Songbird” – Main Course (1975)
“Sound of Love” – Odessa (1968)
“South Dakota Morning” – Life in a Tin Can (1972)
“Spirits (Having Flown)” – Spirits Having Flown (1978)
“Stayin’ Alive” – Saturday Night Fever (1977)
“Still Waters Run Deep” – Still Waters (1995)
“Stop (Think Again)” – Spirits Having Flown (1978)
“Subway” – Children of the World (1976)
“Such a Shame” – Idea (1968)
“Suddenly” – Odessa (1968)
“Sun in My Morning” – Tales from the Brothers Gibb (1969)
“Swan Song” – Idea (1968)
“Sweet Song of Summer” – To Whom It May Concern (1972)
“Sweetheart” – Cucumber Castle (1969)
“Tears” – One (1989)
“Technicolor Dreams” – This Is Where I Came In (2000)
“Tell Me Why” – 2 Years On (1970)
“Then You Left Me” – Cucumber Castle (1969)
“This Is Where I Came In” – This Is Where I Came In (2000)
“This Is Your Life” – E.S.P. (1987)
“Throw a Penny” – Mr. Natural (1973)
“To Love Somebody” – Bee Gees 1st (1967)
“Tokyo Nights” – One (1988)
“Tomorrow Tomorrow” – Best of Bee Gees, Vol. 1 (1969)
“Too Much Heaven” – Spirits Having Flown (1978)
“Trafalgar” – Trafalgar (1971)
“Tragedy” – Spirits Having Flown (1978)
“True Confessions” – High Civilization (1990)
“Turn of the Century” – Bee Gees 1st (1967)
“Turning Tide” – Cucumber Castle (1969)
“Until” – Spirits Having Flown (1978)
“Voice in the Wilderness” – This Is Where I Came In (2000)
“Voices” – Mr. Natural (1973)
“Walking Back to Waterloo” – Trafalgar (1971)
“Walking on Air” – This Is Where I Came In (2000)
“Warm Ride” – Bee Gees Greatest (Expanded) (1979)
“The Way It Was” – Children of the World (1976)
“We Lost the Road” – To Whom It May Concern (1972)
“Wedding Day” – This Is Where I Came In (2000)
“When Do I” – Trafalgar (1971)
“When He’s Gone” – High Civilization (1990)
“When the Swallows Fly” – Idea (1968)
“Where Is Your Sister” – A Kick in the Head Is Worth Eight in the Pants (1972)
“While I Play” – Life in a Tin Can (1972)
“Whisper Whisper” – Odessa (1968)
“Wildflower” – Living Eyes (1981)
“Will You Ever Let Me” – One (1989)
“Will You Love Me Tomorrow” – Tapestry Revisited (1995)
“Wind of Change” – Main Course (1975)
“Wing and a Prayer” – One (1988)
“Wish You Were Here” – One (1988)
“With All Nations (International Anthem)” – Odessa (1968)
“With My Eyes Closed” – Still Waters (1996)
“With the Sun in My Eyes” – Horizontal (1967)
“The Woman in You” – Staying Alive (1983)
“Words” – Best of Bee Gees, Vol. 1 (1967)
“World” – Horizontal (1967)
“Wouldn’t I Be Someone” – Best of Bee Gees, Vol. 2 (1972)
“You Know It’s for You” – To Whom It May Concern (1972)
“You Should Be Dancing” – Children of the World (1976)
“You Stepped into My Life” – Children of the World (1976)
“You Win Again” – E.S.P. (1987)
“You’ll Never See My Face Again” – Odessa (1968)

Check out our fantastic and entertaining Bee Gees articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Top 10 Bee Gees Songs

Complete List Of Bee Gees Albums And Discography

Top 10 Bee Gees 1970s Songs

Top 10 Bee Gees 1960s Songs (1963-1973)

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

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Complete List Of The Bee Gees Songs From A to Z article published on Classic RockHistory.com© 2024

About The Author

Brian Kachejian

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

Iron Maiden’s The Future Past World Tour 2024 wrapped up with their December 7 concert at Allianz Parque in São Paulo, Brazil. The band have released the new recap video below.

Says the band: “Thank you to everyone around the world for making The Future Past Tour one that we’ll never forget!”

Legendary Iron Maiden drummer, Nicko McBrain, has announced that he is stepping away from touring. He played his final show with the band on December 7 in São Paulo.

Iron Maiden shareed official video from the show, which can be viewed below.

Says Bruce Dickinson, addressing the audience, “Tonight is a very special night. As some of you, I think probably all of you will know, because this morning we announced, Nicko announced that he was stepping back from playing live with Iron Maiden. So, for 42 years Nicko’s been in this band. He was a drummer before I was a singer, he was a pilot before I was a pilot, and now he’s not leaving the band, but he’s just not playing live with us anymore. If you do what you gotta do out there tonight, so let him know how much he’s loved everybody. So, we have a lot more music to get to tonight, and I want the rest of the night to be a celebration of Nick, a celebration of the joy that he’s brought to everybody around the world, not just here in Brazil, alright. And with that, on we go.”

McBrain issued the following statement regarding his departure before the show:

“After much consideration, it is with both sorrow and joy, I announce my decision to take a step back from the grind of the extensive touring lifestyle. Today, Sat, Dec 7th, Sao Paulo will be my final gig with Iron Maiden. I wish the band much success moving forward.

“I will, however, remain firmly part of the Iron Maiden family working on a variety of projects, my long time managers, Rod Smallwood and Andy Taylor, have in mind for me. I’ll also be working on a variety of different personal projects and focusing on my existing businesses and ventures, including The British Drum Company, Nicko McBrain’s Drum One, Titanium Tart, and of course, Rock-N-Roll Ribs!

“What can I say? Touring with Maiden the last 42 years has been an incredible journey! To my devoted fan base, you made it all worthwhile and I love you! To my devoted wife, Rebecca, you made it infinitely easier and I love you! To my kids, Justin and Nicholas, thank you for understanding the absences and I love you! To my friends that are always there for me, I love you! To my bandmates, you made it a dream come true and I love you!

“I look into the future with much excitement and great hope! I’ll be seeing you soon, may God bless you all, and, of course, “Up the Irons!”

Manager Rod Smallwood on behalf of Iron Maiden:

“And we all love you too!!

“Thank you for being an irrepressible force behind the drum kit for Maiden for 42 years and my friend for even longer. I speak on behalf of all the band when I say we will miss you immensely!

“Ever since Rock in Rio in 1985 we have had a special relationship with Brazil so to bow out of touring in front of 90,000 fans here in Sao Paulo over 2 nights is poetic and you are deserving of all the accolades I am sure these marvellous fans will give you on this last show.

“Phantom look forward to many more years of working with you on the projects you mentioned and I am sure we can find a few more special ones around the Maiden family and FC!

“The band and I all have a thousand great memories of the past 42 years, great gigs, copious platinum and gold discs and awards, love from the fans and one beer too many on too many occasions! Such a bond is forever! And, as Steve Harris says, ‘Nicko is and will always be part of the Maiden family’.” – Rod, Andy, Steve, Bruce, Davey, Adrian & Jan

Iron Maiden announced their new drummer with the following message:

“As The Future Past Tour concludes after 81 shows to over 1.4 million fans, from Ljubljana to the Coachella Valley and from Western Australia to Sao Paulo, Iron Maiden are delighted to announce that stepping in behind the kit for 2025 is a name familiar to many of our fans – Simon Dawson, a former session drummer and Steve’s rhythm section partner of the past 12 years with British Lion.

“A native of Suffolk, England, Simon first teamed up with Steve Harris back in 2012. He debuted on three tracks on the first British Lion album and all of the second critically acclaimed The Burning, plus the many subsequent tours in the US, UK, Europe, Australia, Japan, New Zealand &, most recently, both Mexico and South America.

“Iron Maiden celebrate their 50th Anniversary next year with The Run For Your Lives Tour starting in Budapest on May 27th.”

Find Iron Maiden’s Run For Your Lives World Tour itinerary here.

KK’s Priest – featuring former Judas Priest members K.K. Downing and Tim “Ripper” Owens – performed at the 2024 edition of Germany’s Rock Hard Festival. Professionally-filmed footage of the band performing their song, “Hellfire Thunderbolt”, can be viewed below:

KK’s Priest unveiled their blistering sophomore offering, The Sinner Rides Again, in September 2023.

With The Sinner Rides Again, KK’s Priest double down on the ripping melodic force of their debut, Sermons Of The Sinner. The Sinner Rides Again wields nine tracks of pure hellfire, produced and written by Downing and mixed/mastered by Jacob Hansen. The celebrated new album is a call for the classics while speeding full force into the future, delivered by some of heavy metal’s most essential performers.

Order The Sinner Rides Again here.

Tracklisting:

“Sons Of The Sentinel”
“Strike Of The Viper”
“Reap The Whirlwind”
“One More Shot At Glory”
“Hymn 66”
“The Sinner Rides Again”
“Keeper Of The Graves”
“Pledge Your Souls”
“Wash Away Your Sins”

“Sons Of The Sentinel” video:

“Hymn 66” video:

“Strike Of The Viper” video:

“Reap The Whirlwind” video:

“One More Shot At Glory” video:

KK’s Priest is:

Tim “Ripper” Owens – Vocals
K.K. Downing – Guitar
A.J. Mills – Guitar
Tony Newton – Bass
Sean Elg – Drums

The inaugural Boardwalk Rock festival is scheduled for May 17-18, 2025 in Ocean City, Maryland.

Ticket pre-sales begin on Friday, December 13 at 10 AM, ET. Sign up here to obtain a pre-sale password. A general on-sale will follow on December 13 at 11 AM, ET, if tickets remain.

Acts confirmed for Boardwalk Rock include:

Saturday, May 17: Def Leppard, Mötley Crüe, Halestorm, Bush, Chevelle, Flyleaf with Lacy Sturm, The Struts, Extreme, Everclear, Puddle Of Mud, Trapt, Kat Von D, Royale Lynn.

Sunday, May 18: Nickelback, Shinedown, Three Days Grace, Alice Cooper, 3 Doors Down, Bret Michaels, Candlebox, Night Ranger, Crossfade, Dorothy, Black Stone Cherry, Fuel, Saliva, Tim Montana.

Complete Boardwalk Rock details can be found here.

Category 7, featuring John Bush (Armored Saint, Anthrax), Phil Demmel (Kerry King, Machine Head), Mike Orlando (Adrenaline Mob), Jack Gibson (Exodus), and Jason Bittner (Shadows Fall, Overkill), were set to embark on their first ever tour in support of their self-titled Metal Blade debut. The trek, which was set to commence on March 6 in Baltimore, Maryland, has now been cancelled.

A message from the band states: “With the overwhelming competition for the live show dollar, we feel that our projected ticket sales will not be enough for our tour to be profitable, so we have made the painful decision to cancel our tour in March. The cost of touring continues to go up and while we had no illusion of big profits, at least breaking even was a goal which after speaking to our agent and the promoters of the shows did not seem achievable. We appreciate everyone that is enjoying our music and we will continue to attempt to find a way to bring the live show on the road. In making this decision now it will enable everyone to get refunds before Christmas. All vip purchases will be immediately refunded. Thank you again for the support for Category 7.”

The Category 7 album was produced, engineered, mixed, and mastered by Mike Orlando at Sonic Stomp Studios with art and layout by Carlos Fides at Artside Studio (Angra, Evergrey, Kamelot).

Category 7 tracklisting:

“In Stitches”
“Land I Used To Love”
“Apple Of Discord”
“Exhausted”
“Runaway Truck”
“White Flags And Bayonets”
“Mousetrap”
“Waver At The Breaking Point”
“Through Pink Eyes”
“Etter Stormen”

“Land I Used To Love” video:

“Mousetrap” video:

“Exhausted” video:

“In Stitches” video:

“Apple Of Discord” video:

(Photo – Rob Shotwell)

Tarja has released the official video for the Nightwish medley, “Tutankhamen” / “Ever Dream” / “The Riddler” / “Slaying The Dreamer”, from her just released Rocking Heels: Live At Hellfest, available via earMUSIC. Watch below:

On June 19, 2016, Tarja delivered a captivating performance at Hellfest, one of Europe’s largest and most prestigious metal festivals held in Clisson, France. Her powerful blend of operatic vocals and heavy metal instrumentation enthralled the audience, making her performance one of the festival’s highlights. The setlist featured a carefully curated mix of her solo work and iconic Nightwish songs.

Opening with “No Bitter End” from her 2016 album, The Shadow Self, Tarja set the tone for an evening of intensity and emotion. Her dynamic stage presence and dramatic musical arrangements created an unforgettable experience, solidifying her status as one of metal’s greatest female singers.

Experience the raw energy and powerful emotion of Tarja Turunen’s unforgettable performance at Hellfest 2016. Rocking Heels: Live At Hellfest is available as a Ltd. 1LP Gatefold Vinyl Edition, CD Digipak in LP-replica design and on Digital. Order here.

Tracklisting:

“No Bitter End”
“Never Enough”
“Ciaran’s Well”
“Calling From The Wild”
“Supremacy”
“Victim Of Ritual”
“Tutankhamen / Ever”
“Tutankhamen” / “Ever Dream” / “The Riddler” / “Slaying The Dreamer” (Nightwish Medley)
“Die Alive”
“Until My Last Breath”

“No Bitter End” (Live At Hellfest) video:

“Ciaran’s Well” (Live At Hellfest) video:

“Supremacy” (Live At Hellfest) video:

Canadian modern art rock quartet Envy Of None are back with another new single, this time the suitably moody and atmospheric Under The Stars, which features what bandmate Andy Curran calls “An unmistakable “Alex” guitar solo!” from Rush guitarist Alex Lifeson.

It’s the second single release from the band, following Day Of The Dead, which the band released back in October, which suggests they’re gearing up to announce their second album, which they’ve been working on in the studio with an expected release date in the Spring of 2025. Envy Of None released their self-titled debut album through Kscope back in 2022.

“Alf and I toiled over this one for months and really felt, even at its rough demo stage that we had something special, exclaims bassist and keyboardist Curran. “We left a ton of space for Maiah in the verses and there’s such a cool mood shift when the chorus hits. Joe Vitale’s drum track and percussion added an almost trance-like vibe and the icing on the cake, is an unmistakable “Alex” guitar solo. I’m a romantic at heart and the message here is universal. Soul mates, “two against the world!”

Alongside the former Coney Hatch man and Lifeson, Envy Of None also feature vocalist Maiah Wayne and producer and engineer Alfio Annibalini.

Comedian John Mulaney paid a visit to The Tonight Show with Jimmy Fallon on Tuesday night, and he brought two of his favorite topics with him: fatherhood and Steely Dan.

“So I love Steely Dan,” the comedian proclaimed. “Some people don’t like Steely Dan. It’s a very divisive band. When I had a son I go, ‘Great, fresh person. Fresh ears.’ That’s one reason to have a baby, so you can test Steely Dan out on them.’”

The comedian then proceeded to detail his efforts to get his young son interested in the jazz rock band’s music.

“He loves dancing, my son loves music,” Mulaney explained. “So I put on the Steely Dan song ‘Hey Nineteen.’ Cause that’s fun.”

Typically, Fallon’s crowds look for any excuse to cheer pop-culture references, like name-drops of album or movie titles. However, in this instance they were silent, a fact Mulaney instantly noticed.

READ MORE: Steely Dan Albums Ranked Worst to Best

“Look at all the applause of recognition for ‘Hey Nineteen,’” the comedian sarcastically remarked before continuing with his anecdote. “I’m staring at Malcolm, he’s nine months old. I turn on ‘Hey Nineteen,’ he’s not dancing. So I turn on, I change it to the song ‘Gaucho’ from the album Gaucho.”

Once again, the audience was totally silent when Mulaney mentioned Steely Dan’s 1980 album by name.

“Again, folks, sit down. Stop applauding,” the comedian quipped, generating some laughs. “I turn on ‘Gaucho,’ still not dancing. My son looks at me and he says ‘Ee-I-Ee-I-Oh.’ And I go, ‘You want to listen to ‘Old McDonald’?” The child nodded and Mulaney responded by playing the nursery rhyme.

“So here’s what’s interesting about that story,” the comedian surmised. “He had never spoken before. That’s how much he hated Steely Dan.”

John Mulaney’s Son Prefers Elvis

Elsewhere in the interview, Mulaney noted that his son has developed an interest in Elvis Presley, to the point that his birthday party had an Elvis theme.

“He’s a really big Elvis fan,” the comedian noted, adding that the boy was “riveted” while watching the King’s 1968 comeback special. “More than any [kids movie], Inside Out, Moana, anything. Staring at Elvis in a leather suit in the late ’60s.”

Watch John Mulaney on ‘The Tonight Show with Jimmy Fallon’