Author: fgt

Alongside today’s kickoff of their North American tour supporting metal icon Kerry King, New Zealand modern groove metal trio, Alien Weaponry, are pleased to announce their heaviest, most powerful and mature offering to date, Te Rā, out March 28 via Napalm Records.

Since releasing their acclaimed debut Tū (2018), the band have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both English and te reo Māori, the indigenous language of New Zealand. With their third full-length album, Alien Weaponry expand on their hallmark messages of cultural, societal and environmental resilience while delivering their most massive-sounding, focused musical output ever. In the hands of veteran producer/mixer Josh Wilbur (Lamb Of God, Gojira, Megadeth) and featuring a guest vocal appearance from longtime Alien Weaponry champion Randy Blythe of Lamb Of God, Te Rā’s gnashing blend of groove, nu, math and thrash metal shines with anthemic choruses and refreshed technical skill.

With today’s album announcement, the band have unleashed a brand new, grooving single, “Mau Moko”. Featuring te reo Māori lyrics, the track honors traditional Māori face tattooing while delving into the costs of maintaining customs that are at-odds with dominant cultural norms. Check out the track and its new music video below,

“Mau Moko” lyricist/bassist Tūranga Porowini Morgan-Edmonds says: “Māori have a rich history of marking traditions that were nearly lost during colonization. These traditions are currently in the process of a much needed cultural revival, and I was inspired by that. I wanted the lyrics to remind people that moko is, and always will be, a part of who we are. With the song’s video, we wanted to show the darker side of the history of moko and how the head trade played a part in the near extinction of the tradition. We fought through it and continue to fight for its revival still today!”

On Te Rā, listeners can hear the band doubling-down on the aggression in the verses before applying temperance, especially in the case of “Taniwha”, a death metal-leaning banger featuring the particularly raw aforementioned guest vocal from Randy Blythe. Lyrically, there’s a noticeable tilt towards despondency, hopelessness, and frustration on Te Rā. While bassist Tūranga Porowini Morgan-Edmonds’ lyrics in Māori on songs like “Tama-nui-te-rā” and “Ponaturi” draw from the themes of history, battle lore and mysticism that made the first two albums so rich, frontman/guitarist Lewis Raharuhi de Jong’s English-language lyrics illustrate the impact when culture collides with disenfranchisement day to day. “Crown” and “Hanging by a Thread” take us into the headspace where struggle pushes people to the brink of desperation, while on “Blackened Sky” and “1000 Friends”, Lewis addresses universal woes like the looming threat of World War III and the damaging effects of social media. On album closer “Te Kore”, Tūranga dives into primordial nothingness at the root of the Māori origin story, while on “Mau Moko”, he finds the middle ground between these perspectives. Taken as a whole, Te Rā grapples with what it’s like to be caught in the pull of divergent cultures – not just for the descendants of colonized people, but for all of us.

Alien Weaponry have solidified themselves as one of the greatest young metal bands of their generation with renewed musical tenacity and crucial messaging. Te Rā is a bold, unwavering cry for a future in which we can all take part in the legacy of peoples like the Māori and others all around us – people who, if they aren’t seen, most certainly need to be heard.

Alien Weaponry frontman/guitarist Lewis Raharuhi de Jong adds: “We really stepped it up this time, as we understood that this album had to go further. We went through a lot of songs and scrapped entire sections of songs. We kept working them and working them until we got them right. Then, with the way we were pushing ourselves musically, I knew it was important to challenge myself lyrically as well. This time I delved into difficult emotional places and mental states. There’s a lot of existential dread running through the album, and I tried to find the right words to describe the indescribable.”

Te Rā will be available in the following formats:  

– 1-LP Deluxe Gatefold Splatter Vinyl w/ 20” Booklet, Patch, Slipmat – Napalm mail order only, limited to 300
– 1-LP Gatefold Marbled Vinyl – Napalm mail order only, limited to 300
– 1-LP Gatefold Black Vinyl
– 1-CD Digisleeve   
– Digital Album   

Pre-order here.

Te Rā tracklisting:

“Crown”
“Mau Moko”
“1000 Friends”
“Hanging by a Thread”
“Tama-nui-te-rā”
“Myself to Blame”
“Taniwha” (feat. Randy Blythe)
“Blackened Sky”
“Te Riri o Tāwhirimātea”
“Ponaturi”
“Te Kore”

“Mau Moko” video:

Alien Weaponry recently announced a massive North American tour with metal icon Kerry King, kicking off today. After the tour, the band will headline a home country run of New Zealand. Find the band’s tour itinerary here.

Alien Weaponry is: 

Henry Te Reiwhati de Jong – Drums, Backing vocals
Lewis Raharuhi de Jong – Guitars, Lead vocals
Tūranga Porowini Morgan-Edmonds – Bass, Backing vocals
 
(Photo – Frances Carter)

NY Daily News is reporting that the Bronx man found beaten to death Monday inside an ambulette he was driving was a groundbreaking musician and devoted member of a collective dedicated to promoting all genres of Black music.

Peter Forrest, 64, was known as P. Fluid when he sang in the original lineup of 24-7 Spyz, a South Bronx-based band that mixed metal, hardcore, punk and funk and opened for Jane’s Addiction on their Ritual de lo Habitual tour in 1990-91.

Forrest was also a founding member of the Black Rock Coalition, said his former longtime girlfriend Chiedza Makonnen, 55, who used to be known as Charmelle Dukes.

“He was my first love,” Makonnen said in a phone call from Ghana, where she now lives part time. “I knew Peter from when I was 18 until I was about 35.”

The pair met when Maconnen was visiting a cousin in Harlem from her home in Chicago and the two hit it off, embarking on a relationship that ended partly due to the demands of Forrest’s touring but later picked back up and included a six-year stretch of living together.

“Music was his life and advancing Black rock was his life,” she said. “He was passionate about that. He really helped pave that road for a lot of people to understand that Black musicians aren’t just rappers or R&B or soul, we’re rockers too.”

The first single from 24-7 Spyz was a cover of Kool & The Gang’s “Jungle Boogie,” and their debut album, Harder Than You, was released to critical acclaim in 1989.

Read more at NY Daily News.

The spectacular “house of tomorrow” where Elvis Presley and Priscilla Presley spent their honeymoon is back on the market, and pictures show a stunning property that’s well worth its hefty price tag.

The 4-bedroom, 4.5-bathroom, 4,695-square-foot avant-garde residence in Palm Springs, Calif., is currently for sale for $9,275,000. According to online real estate sites, that asking price breaks down to $1,976 per square foot and a monthly payment of $63,747.

Renowned architect William Krisel designed the dynamic winged home. The Alexander Construction Company completed the house in 1960, and it originally served as Robert Alexander’s personal residence.

The jaw-dropping house centers around a futuristic round concept, with pod rooms extending from a central hub. Its unusual interior amenities include a floating fireplace, angular stacked stone walls, terrazzo flooring and more. The living area is circular and features floor-to-ceiling windows, sliding glass doors and a built-in 40-foot sofa.

The master bedroom juts out over the street and also boasts floor-to-ceiling windows. The custom circular kitchen centers around a built-in stove island that features six electric burners and a round range hood.

The exterior of the luxury property is just as eye-catching, including a pentagonal pool, lush landscaping and breathtaking views of the hills.

Look magazine christened the Alexander Residence “The House of Tomorrow” in 1962, and in 1967, Presley and his bride-to-be were hounded by journalists while staying at the luxurious Palm Springs residence.

They escaped from reporters by exiting down a small pathway at the back of the property, where a limo waited to take them to Frank Sinatra’s private jet, as Realtor.com reports. They flew to Las Vegas for their wedding, then spent their honeymoon at the house in Palm Springs, paying $21,000 to rent it for a year afterward.

The estate most recently sold for $5.65 million in January of 2022. It went on the market again on Jan. 10, 2025.

Marc Sanders from Compass Real Estate holds the official listing on the house. Scroll through the pictures below to see inside Elvis Presley’s honeymoon “House of Tomorrow.”

PICTURES: See Inside Priscilla Presley’s Spectacular Estate

Sterling Whitaker is a Senior Writer and Senior Editor for Taste of Country. He focuses on celebrity real estate, as well as coverage of Yellowstone and related shows like 1883 and 1923. He’s interviewed cast members including Cole Hauser, Kelly Reilly, Sam Elliott and Harrison Ford, and Whitaker is also known for his in-depth interviews with country legends including Don Henley, Rodney Crowell, Trace Adkins, Ronnie Milsap, Ricky Skaggs and more.

Wild Cherry was a funk rock band formed in 1970 in the United States. The group is best known for their hit song “Play That Funky Music,” which became a massive chart-topping success in 1976. Wild Cherry’s blend of rock, funk, and soul created a unique sound that resonated with audiences, particularly during the mid-1970s. The band released multiple albums, including their self-titled debut album in 1976, which featured “Play That Funky Music” and helped establish their place in pop and rock music history. Wild Cherry had several lineup changes throughout their career, and while their time in the spotlight was relatively brief, their legacy in the funk and rock genres endures.

The band’s early success was driven by the infectious energy of their music and the power of their live performances. “Play That Funky Music” went to No. 1 on the Billboard Hot 100 chart, cementing Wild Cherry’s place in pop culture. Despite this success, the group faced internal challenges, including changes in lineup and direction. They disbanded after a few years of active recording and touring, with various members continuing their musical careers in other projects.

Over the years, Wild Cherry’s influence on the funk, rock, and disco scenes has been acknowledged by many artists and fans alike. Below is a detailed account of the band’s final and earlier members, their contributions to Wild Cherry’s sound, and their careers both inside and outside of the band.

Rob Parissi

Rob Parissi was the lead vocalist and guitarist for Wild Cherry, forming the band in 1970 and remaining with the group until their disbandment in 1979. Parissi was the driving force behind Wild Cherry’s most significant success, writing and performing their iconic hit “Play That Funky Music.” His vocal style, combined with his guitar playing, helped define the band’s funky rock sound. Parissi was pivotal in shaping the direction of the band’s albums, contributing to the success of their self-titled debut album in 1976. After Wild Cherry’s break-up, Parissi continued to pursue music, though his work was not as widely publicized.

Donnie Iris

Donnie Iris was the guitarist and occasional vocalist for Wild Cherry from 1978 to 1979. His guitar work added a new dimension to the band’s sound during its later years, and his time with Wild Cherry coincided with the band’s exploration of more rock-oriented tracks. Iris had previously been a member of The Jaggerz, known for the hit song “The Rapper,” and later enjoyed a successful solo career. His contributions to Wild Cherry, though brief, helped solidify the band’s late-era sound during the final phase of their existence.

Cooke Michalchick

Cooke Michalchick played bass and provided vocals for Wild Cherry from 1978 to 1979. His bass lines were an integral part of the band’s rhythm section, helping to lay the foundation for their funky rock style. Michalchick’s bass playing contributed to the band’s tight sound, and his vocal harmonies helped add depth to the band’s overall performance. After his time with Wild Cherry, Michalchick continued working in the music industry, though his involvement in other major projects was limited.

Ronald Beitle

Ronald Beitle was the drummer and percussionist for Wild Cherry from 1975 to 1979. His drumming was a vital part of the band’s rhythm section, helping to propel their energetic live performances. Beitle’s percussion work on tracks like “Play That Funky Music” became iconic, providing the infectious groove that the band was known for. After leaving Wild Cherry, Beitle continued working in various musical projects, contributing his skills to other acts.

Mark Avsec

Mark Avsec was the keyboardist for Wild Cherry from 1975 to 1979. Avsec’s keyboard playing added layers to the band’s funky sound, providing the harmonic backdrop to the band’s music. His contributions to songs like “Play That Funky Music” helped enhance the band’s upbeat and danceable tracks. Avsec’s work with Wild Cherry was part of his broader music career, which also included work with other rock and funk bands after the band disbanded.

Ben Difabbio

Ben Difabbio was the original drummer and vocalist for Wild Cherry, playing with the band from 1970 to 1975. Difabbio’s drumming helped lay the groundwork for the band’s early sound, playing a critical role in their initial formation and recordings. His time with Wild Cherry, though not as well-documented as later members, was significant in establishing the band’s identity in its early years. Difabbio left the band in 1975, and after his departure, he did not maintain the same public profile in the music industry.

Louie Osso

Louie Osso was a guitarist and vocalist for Wild Cherry from 1970 to 1973. His guitar playing helped establish the band’s early sound, contributing to their blend of rock, funk, and soul. Osso’s role in Wild Cherry was part of the band’s formative years, laying the foundation for their future success. After leaving Wild Cherry in 1973, Osso did not continue with major musical projects but remained an integral part of the band’s early history.

Larry Brown

Larry Brown was the bassist and vocalist for Wild Cherry from 1970 to 1973. Brown’s bass work helped define the early sound of the band, providing the solid foundation that underpinned their rock and funk influences. Brown left Wild Cherry in 1973, and while he did not have the same prominence in the music industry after his departure, his contributions to the band’s early recordings are an important part of their history.

Coogie Stoddart

Coogie Stoddart was a guitarist and vocalist for Wild Cherry from 1973 to 1975 and again from 1977 to 1978. Stoddart played a significant role in the band’s transition from their early years into their more funk-oriented phase. He contributed to the development of their live performances and the band’s overall sound, particularly during their tours. After his time with Wild Cherry, Stoddart continued to work in music but did not achieve the same level of recognition.

Joe Buchmelter

Joe Buchmelter was the bassist for Wild Cherry in 1973. His tenure with the band was brief, but his contributions to their early live performances helped shape the band’s early live shows. Buchmelter’s time with Wild Cherry was part of the band’s evolution, though his influence was not as significant as that of later members. After leaving the band, Buchmelter did not continue in the public eye.

Bucky Lusk

Bucky Lusk was the bassist for Wild Cherry from 1973 to 1975. His bass work contributed to the band’s sound during their early years, adding a funky groove that became a defining feature of Wild Cherry’s style. Lusk’s contributions were important in helping the band shape their early sound, but after leaving the band, he did not continue with major musical projects.

Allen Wentz

Allen Wentz was the bassist, synthesizer player, and vocalist for Wild Cherry from 1975 to 1978. Wentz helped to refine the band’s sound, especially as they began to integrate more synthesizers and electronic elements into their music. He played a significant role in albums that marked the band’s transition to a more sophisticated funk-rock style. After leaving Wild Cherry, Wentz continued to be involved in music, though his subsequent projects did not achieve the same level of recognition.

Bryan Bassett

Bryan Bassett was the guitarist for Wild Cherry from 1975 to 1978. He contributed his guitar skills to the band during their most productive years, playing on several tracks that became staples of their funk-rock style. Bassett’s guitar work helped define Wild Cherry’s sound, adding texture and depth to their music. After leaving Wild Cherry, Bassett continued his career in music, working with other rock bands, including Foghat. His contributions to Wild Cherry’s recordings remain an important part of their musical legacy.

Check out more Wild Cherry articles on ClassicRockHistory.com Just click on any of the links below……

Top 10 Wild Cherry Songs

Bryan Bassett of Foghat: 10 Albums That Changed My Life

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

Complete List Of Wild Cherry Band Members  article published on Classic RockHistory.com© 2024

Mariah Carey, one of the most influential and successful artists in modern music history, was born on March 27, 1969, in Huntington, New York. Raised in a multiracial family, Carey faced challenges that shaped her resilience and artistry. Her early exposure to music came from her mother, Patricia, a former opera singer and vocal coach, who nurtured Carey’s extraordinary vocal talent. After graduating from high school, Carey moved to New York City, where she pursued her dream of becoming a singer. Her journey from aspiring artist to global icon began when she met Tommy Mottola, then-head of Columbia Records, at a party. After hearing her demo tape, Mottola signed Carey to Columbia, marking the start of a career that would redefine pop and R&B music.

Carey’s self-titled debut album, Mariah Carey, was released in 1990, showcasing her extraordinary five-octave vocal range and unique ability to blend pop, soul, and gospel influences. The album produced four consecutive number-one singles: “Vision of Love,” “Love Takes Time,” “Someday,” and “I Don’t Wanna Cry,” cementing her status as a rising star. This was followed by Emotions in 1991, which further showcased her vocal prowess and versatility. Over the next three decades, Carey released a total of fifteen studio albums, including landmark works such as Music Box (1993), Daydream (1995), Butterfly (1997), and The Emancipation of Mimi (2005). Her ability to evolve sonically and lyrically ensured her longevity in a constantly shifting industry.

Carey’s impressive catalog of hit singles includes an astonishing 19 songs that reached the top of the Billboard Hot 100, a record for any solo artist. Among her most iconic tracks are “Hero,” “Fantasy,” “Always Be My Baby,” and “We Belong Together,” with the latter being hailed as one of the greatest songs of the 2000s. Her perennial holiday classic, “All I Want for Christmas Is You,” has become a cultural phenomenon, returning to the top of the charts annually and breaking streaming records worldwide. The song’s enduring popularity underscores Carey’s ability to create timeless music that resonates across generations.

Throughout her career, Carey has amassed an extraordinary array of awards and accolades, including five Grammy Awards, 19 World Music Awards, and 10 American Music Awards. She was named Billboard’s Artist of the Decade for the 1990s and holds the distinction of being the only artist to have a number-one hit in four consecutive decades. In 2019, she was honored with the Billboard Icon Award, a testament to her unparalleled contributions to music and popular culture. Carey’s influence extends far beyond the charts, as she has inspired countless artists with her vocal techniques, songwriting, and trailblazing image.

What sets Carey apart is not just her remarkable vocal range but also her deep involvement in the creative process. As a prolific songwriter, she has co-written nearly all of her hits, infusing her music with authenticity and emotional depth. Her ability to write both heart-wrenching ballads and uplifting anthems has solidified her connection with fans worldwide. Carey’s role as a producer and arranger further underscores her multifaceted talent, as she meticulously crafts the soundscapes that accompany her unparalleled voice.

Beyond her musical achievements, Carey has made significant contributions to philanthropy and social causes. She has been a longtime supporter of the Fresh Air Fund, Camp Mariah, and various initiatives aimed at helping underprivileged youth. Carey’s openness about her struggles with mental health has also helped to break stigmas and encourage conversations about bipolar disorder, showing her commitment to using her platform for positive change.

Mariah Carey’s career is a testament to the power of resilience, reinvention, and raw talent. From her record-breaking achievements to her enduring impact on the music industry, she has become a symbol of excellence and longevity.

(#-B)

“100%” – AT&T Team USA Soundtrack (2010)
“4real4real” – E=MC² (2008)
“8th Grade” – Caution (2018)
“A No No” – Caution (2018)
“After Tonight” – Rainbow (1999)
“Against All Odds (Take a Look at Me Now)” – Rainbow (1999)
“All I Live For” – The Rarities (2020)
“All I Want for Christmas Is You” – Merry Christmas (1994)
“All in Your Mind” – Mariah Carey (1990)
“Alone in Love” – Mariah Carey (1990)
“Always Be My Baby” – Daydream (1995)
“America the Beautiful” – Me. I Am Mariah… The Elusive Chanteuse (2014)
“And You Don’t Remember” – Emotions (1991)
“Angel (The Prelude)” – Memoirs of an Imperfect Angel (2009)
“Angels Cry” – Memoirs of an Imperfect Angel (2009)
“Anytime You Need a Friend” – Music Box (1993)
“Auld Lang Syne (The New Year’s Anthem)” – Merry Christmas II You (2010)
“Babydoll” – Butterfly (1997)
“#Beautiful” – Me. I Am Mariah… The Elusive Chanteuse (2013)
“The Beautiful Ones” – Butterfly (1997)
“Betcha Gon’ Know (The Prologue)” – Memoirs of an Imperfect Angel (2009)
“Bliss” – Rainbow (1999)
“Boy (I Need You)” – Charmbracelet (2002)
“Breakdown” – Butterfly (1997)
“Bringin’ On the Heartbreak” – Charmbracelet (2002)
“Butterfly” – Butterfly (1997)
“Bye Bye” – E=MC² (2008)
“Camouflage” – Me. I Am Mariah… The Elusive Chanteuse (2014)
“Can You Hear Me” – The Rarities (2020)
“Candy Bling” – Memoirs of an Imperfect Angel (2009)
“Can’t Let Go” – Emotions (1991)
“Can’t Take That Away (Mariah’s Theme)” – Rainbow (1999)
“Caution” – Caution (2018)
“Charlie Brown Christmas” – Merry Christmas II You (2010)
“Christmas (Baby Please Come Home)” – Merry Christmas (1994)
“Christmas Time Is in the Air Again” – Merry Christmas II You (2010)
“Circles” – The Emancipation of Mimi (2005)
“Close My Eyes” – Butterfly (1997)
“Clown” – Charmbracelet (2002)
“Cool on You” – The Rarities (2020)
“Cruise Control” – E=MC² (2008)
“Cry.” – Me. I Am Mariah… The Elusive Chanteuse (2014)
“Crybaby” – Rainbow (1999)

(D-H)

“Daydream Interlude” (Fantasy Sweet Dub Mix) – Daydream (1995)
“Dedicated” – Me. I Am Mariah… The Elusive Chanteuse (2014)
“Did I Do That?” – Rainbow (1999)
“Didn’t Mean to Turn You On” – Glitter (2001)
“Do You Know Where You’re Going To (Theme from Mahogany)” – #1’s (1998)
“Do You Think of Me” – B-side to “Dreamlover” (1993)
“Don’t Forget About Us” – The Emancipation of Mimi (2005)
“Don’t Stop (Funkin’ 4 Jamaica)” – Glitter (2001)
“Dreamlover” – Music Box (1993)
“El Amor Que Soñé” – Daydream (1995)
“Emotions” – Emotions (1991)
“Endless Love” – Songs (1994)
“Everything Fades Away” – Music Box (1993)
“Faded” – Me. I Am Mariah… The Elusive Chanteuse (2014)
“Fall in Love at Christmas” – Mariah’s Christmas: The Magic Continues… (2021)
“Fantasy” – Daydream (1995)
“The First Noel”/”Born Is the King (Interlude)” – Merry Christmas II You (2010)
“Fly Away” (Butterfly Reprise) – Butterfly (1997)
“Fly Like a Bird” – The Emancipation of Mimi (2005)
“For the Record” – E=MC² (2008)
“Forever” – Daydream (1995)
“Fourth of July” – Butterfly (1997)
“Get Your Number” – The Emancipation of Mimi (2005)
“Givin’ Me Life” – Caution (2018)
“God Rest Ye Merry, Gentlemen” – Merry Christmas (1994)
“Got a Thing 4 You” – Charmbracelet (2002)
“GTFO” – Caution (2018)
“Hark! The Herald Angels Sing”/”Gloria (In Excelsis Deo)” – Merry Christmas (1994)
“H.A.T.E.U.” – Memoirs of an Imperfect Angel (2009)
“Heartbreaker” – Rainbow (1999)
“Heat” – E=MC² (2008)
“Heavenly (No Ways Tired/Can’t Give Up Now)” – Me. I Am Mariah… The Elusive Chanteuse (2014)
“Here Comes Santa Claus (Right Down Santa Claus Lane)”/”Housetop Celebration” – Merry Christmas II You (2010)
“Here We Go Round Again” – The Rarities (2020)
“Hero” – Music Box (1993)
“Honey” – Butterfly (1997)
“How Much” – Rainbow (1999)

(I-J)

“I Am Free” – Daydream (1995)
“I Don’t” – (featuring YG) (2017)
“I Don’t Wanna Cry” – Mariah Carey (1990)
“I Know What You Want” – Charmbracelet (2003)
“I Only Wanted” – Charmbracelet (2002)
“I Pray” – The Rarities (2020)
“I Stay in Love” – E=MC² (2008)
“I Still Believe” – #1’s (1998)
“I Want to Know What Love Is” – Memoirs of an Imperfect Angel (2009)
“I Wish You Knew” – The Emancipation of Mimi (2005)
“I Wish You Well” – E=MC² (2008)
“I’ll Be Lovin’ U Long Time” – E=MC² (2008)
“I’ll Be There” – MTV Unplugged (1992)
“I’ve Been Thinking About You” – Music Box (1993)
“I’m That Chick” – E=MC² (2008)
“If It’s Over” – Emotions (1991)
“If We” – Glitter (2001)
“The Impossible” – Memoirs of an Imperfect Angel (2009)
“The Impossible (The Reprise)” – Memoirs of an Imperfect Angel (2009)
“In the Mix” – (2019)
“Infamous” – (2016)
“Infinity” – #1 to Infinity (2015)
“Inseparable” – Memoirs of an Imperfect Angel (2009)
“Irresistible (West Side Connection)” – Charmbracelet (2002)
“It’s a Wrap” – Memoirs of an Imperfect Angel (2009)
“It’s Like That” – The Emancipation of Mimi (2005)
“It’s Only Make Believe” – Overnight Sensational (2006)
“Jesus Born on This Day” – Merry Christmas (1994)
“Jesus Oh What a Wonderful Child” – Merry Christmas (1994)
“Joy Ride” – The Emancipation of Mimi (2005)
“Joy to the World” – Merry Christmas (1994)
“Just Stand Up!” – (2008)
“Just to Hold You Once Again” – Music Box (1993)

(K-O)

Seven Spires performed at Baysis in Yokohama, Japan on December 7, 2024. Fan-filmed video of the entire show can be viewed below.

Setlist:

“Songs Upon Wine-Stained Tongues”
“Almosttown”
“Succumb” (with Lords Of The Trident)
“The Cabaret of Dreams”
“Love’s Souvenir”
“Shadow on an Endless Sea”
“Emerald Necklace”
“The Road”
“No Place for Us”
“The Old Hurt of Being Left Behind”
“Gods of Debauchery”

Seven Spires recently shared “Portrait of Us,” the fourth single from their new studio album A Fortress Called Home. The track is accompanied by a new music video which is available below.

The band shared this about the track:

“A parade through some of our early influences, it’s arrogant, it’s playful, it might not know its place, it’s an irritating little brat of a song, but we love it all the same.”

Frontwoman Adrienne Cowan comments:

“I’m not sure if he would agree, but after over 10 years of listening to and studying songs that Sascha Paeth wrote or produced, this might be the closest I feel I’ve ever gotten to honoring his influence on my artistry.”

Guitarist Jack Kosto adds:

“This one has some really cool almost hidden or understated riffs and guitar parts that I’m super proud of which are influenced by my earlier rock n’ roll days, and maybe some older school Opeth songs. It’s a bit of a bitch to play, but in a really fun and peacocky kind of way that I suppose is really on brand for us.”

A Fortress Called Home was produced, mixed, and mastered by Jack Kosto who had this to say about it: “If our previous albums have intended to take you on an emotional journey of our design, this album forces you to confront the one of your own making. Good luck and enjoy!”

Order A Fortress Called Home at this location.

Tracklisting:

“A Fortress Called Home”
“Songs Upon Wine-Stained Tongues”
“Almosttown”
“Impossible Tower”
“Love’s Souvenir”
“Architect Of Creation”
“Portrait Of Us”
“Emerald Necklace”
“Where Sorrows Bear My Name”
“No Place For Us”
“House Of Lies”
“The Old Hurt Of Being Left Behind”

“The Old Hurt Of Being Left Behind” video:

“Architect Of Creation” video:

“Almosttown” video: