Complete List Of Dream Theater Songs From A to Z

Complete List Of Dream Theater Songs From A to Z

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Complete List Of The 10 Songs From A to Z

Dream Theater originated in Boston, Massachusetts, in 1985, formed by students attending Berklee College of Music, initially under the name Majesty. The band was founded by guitarist John Petrucci, bassist John Myung, and drummer Mike Portnoy, who shared a vision of creating progressive metal music characterized by complex musical arrangements, sophisticated technical proficiency, and elaborate compositions.

Dream Theater’s debut album, When Dream and Day Unite, was released in 1989, marking their entry into the progressive metal scene with a distinctive blend of heavy metal intensity and progressive rock intricacies. Despite limited initial commercial success, the band’s potential was evident, leading to their breakthrough with the 1992 album Images and Words. This pivotal record featured their hit single “Pull Me Under,” which garnered significant radio play and MTV exposure, ultimately becoming one of their most recognizable tracks and boosting their international popularity.

Throughout their extensive career, Dream Theater has released fifteen studio albums, each characterized by meticulous musicianship and profound lyrical themes. Notable albums include Awake (1994), Metropolis Pt. 2: Scenes from a Memory (1999), Six Degrees of Inner Turbulence (2002), and Octavarium (2005), all of which further solidified their reputation within the progressive rock and metal communities. Scenes from a Memory is particularly celebrated for its narrative concept and is often hailed as one of the greatest progressive metal albums ever recorded.

The band’s consistent dedication to pushing musical boundaries has earned them numerous accolades. Dream Theater has been nominated for multiple Grammy Awards, including a win for Best Metal Performance for their single “The Alien” from their 2021 album A View from the Top of the World. These recognitions reflect their influential status and enduring impact on the genre, further highlighting their exceptional contributions to progressive music.

Dream Theater is revered by fans and fellow musicians alike for their technical virtuosity, innovative compositions, and unwavering artistic integrity. Their elaborate live performances, frequently featuring extended instrumental sections and improvisations, have attracted a dedicated global following. The band’s meticulous approach to music creation and performance has set them apart, cementing their legacy within progressive rock and metal.

Outside of music, members of Dream Theater, particularly Mike Portnoy and John Petrucci, have contributed significantly to music education through clinics, masterclasses, and instructional materials. Their commitment to nurturing musical talent and education underscores their broader dedication to the arts community. Additionally, the band has participated in various charitable events, such as benefit concerts and fundraisers, demonstrating their awareness and commitment to social responsibility.

Dream Theater continues to be an influential force in music, consistently inspiring new generations of musicians. Their ongoing pursuit of musical excellence and innovation ensures that their legacy will endure, reflecting their profound impact on both fans and the broader progressive music community.

Complete List Of Dream Theater Songs From A to Z

:

  1. 6:00Awake – 1994
  2. 2285 Entr’acteThe Astonishing – 2016
  3. About to CrashSix Degrees of Inner Turbulence – 2002
  4. About to Crash (Reprise)Six Degrees of Inner Turbulence – 2002
  5. Act of FaytheThe Astonishing – 2016
  6. AfterlifeWhen Dream and Day Unite – 1989
  7. The AlienA View from the Top of the World – 2021
  8. Along for the RideDream Theater – 2013
  9. The AnswerThe Astonishing – 2016
  10. The Answer Lies WithinOctavarium – 2005
  11. Answering the CallA View from the Top of the World – 2021
  12. Anna LeeFalling into Infinity – 1997
  13. Another DayImages and Words – 1992
  14. Are We Dreaming?Parasomnia – 2025
  15. As I AmTrain of Thought – 2003
  16. AstonishingThe Astonishing – 2016
  17. At Wit’s EndDistance Over Time – 2019
  18. Awaken the MasterA View from the Top of the World – 2021
  19. Barstool WarriorDistance Over Time – 2019
  20. Bend the ClockParasomnia – 2025
  21. A Better LifeThe Astonishing – 2016
  22. Begin AgainThe Astonishing – 2016
  23. Behind the VeilDream Theater – 2013
  24. Beneath the SurfaceA Dramatic Turn of Events – 2011
  25. The Best of TimesBlack Clouds & Silver Linings – 2009
  26. Beyond This LifeMetropolis Pt. 2: Scenes from a Memory – 1999
  27. The Bigger PictureDream Theater – 2013
  28. Blind FaithSix Degrees of Inner Turbulence – 2002
  29. Breaking All IllusionsA Dramatic Turn of Events – 2011
  30. Bridges in the SkyA Dramatic Turn of Events – 2011
  31. A Broken ManParasomnia – 2025
  32. Brother, Can You Hear Me?The Astonishing – 2016
  33. Build Me Up, Break Me DownA Dramatic Turn of Events – 2011
  34. Burning My SoulFalling into Infinity – 1997
  35. Caught in a WebAwake – 1994
  36. ChosenThe Astonishing – 2016
  37. Constant MotionSystematic Chaos – 2007
  38. The Count of TuscanyBlack Clouds & Silver Linings – 2009
  39. The Dance of EternityMetropolis Pt. 2: Scenes from a Memory – 1999
  40. The Dark Eternal NightSystematic Chaos – 2007
  41. Dead AsleepParasomnia – 2025
  42. Descent of the NOMACSThe Astonishing – 2016
  43. Digital DiscordThe Astonishing – 2016
  44. DisappearSix Degrees of Inner Turbulence – 2002
  45. Dystopian OvertureThe Astonishing – 2016
  46. The Enemy InsideDream Theater – 2013
  47. Endless SacrificeTrain of Thought – 2003
  48. Enigma MachineDream Theater – 2013
  49. ErotomaniaAwake – 1994
  50. Fall into the LightDistance Over Time – 2019
  51. False Awakening SuiteDream Theater – 2013
  52. Far from HeavenA Dramatic Turn of Events – 2011
  53. Fatal TragedyMetropolis Pt. 2: Scenes from a Memory – 1999
  54. Finally FreeMetropolis Pt. 2: Scenes from a Memory – 1999
  55. ForsakenSystematic Chaos – 2007
  56. A Fortune in LiesWhen Dream and Day Unite – 1989
  57. The Gift of MusicThe Astonishing – 2016
  58. The Glass PrisonSix Degrees of Inner Turbulence – 2002
  59. Goodnight KissSix Degrees of Inner Turbulence – 2002
  60. The Great DebateSix Degrees of Inner Turbulence – 2002
  61. Heaven’s CoveThe Astonishing – 2016
  62. Hell’s KitchenFalling into Infinity – 1997
  63. Hollow YearsFalling into Infinity – 1997
  64. HomeMetropolis Pt. 2: Scenes from a Memory – 1999
  65. Honor Thy FatherTrain of Thought – 2003
  66. The Hovering SojournThe Astonishing – 2016
  67. Hymn of a Thousand VoicesThe Astonishing – 2016
  68. I Walk Beside YouOctavarium – 2005
  69. Illumination TheoryDream Theater – 2013
  70. In the Arms of MorpheusParasomnia – 2025
  71. In the Name of GodTrain of Thought – 2003
  72. In the Presence of Enemies – Part ISystematic Chaos – 2007
  73. In the Presence of Enemies – Part IISystematic Chaos – 2007
  74. Innocence FadedAwake – 1994
  75. Invisible MonsterA View from the Top of the World – 2021
  76. Just Let Me BreatheFalling into Infinity – 1997
  77. The Killing HandWhen Dream and Day Unite – 1989
  78. Learning to LiveImages and Words – 1992
  79. LieAwake – 1994
  80. A Life Left BehindThe Astonishing – 2016
  81. Lifting Shadows Off a DreamAwake – 1994
  82. Light Fuse and Get AwayWhen Dream and Day Unite – 1989
  83. Lines in the SandFalling into Infinity – 1997
  84. Losing FaytheThe Astonishing – 2016
  85. Losing Time/Grand FinaleSix Degrees of Inner Turbulence – 2002
  86. The Looking GlassDream Theater – 2013
  87. Lord NafaryusThe Astonishing – 2016
  88. Lost Not ForgottenA Dramatic Turn of Events – 2011
  89. Machine ChatterThe Astonishing – 2016
  90. Metropolis—Part I: ‘The Miracle and the Sleeper’Images and Words – 1992
  91. Midnight MessiahParasomnia – 2025
  92. The Ministry of Lost SoulsSystematic Chaos – 2007
  93. The MirrorAwake – 1994
  94. MisunderstoodSix Degrees of Inner Turbulence – 2002
  95. Moment of BetrayalThe Astonishing – 2016
  96. My Last FarewellThe Astonishing – 2016
  97. Never EnoughOctavarium – 2005
  98. A New BeginningThe Astonishing – 2016
  99. New MillenniumFalling into Infinity – 1997
  100. Night TerrorParasomnia – 2025
  101. A Nightmare to RememberBlack Clouds & Silver Linings – 2009
  102. OctavariumOctavarium – 2005
  103. On the Backs of AngelsA Dramatic Turn of Events – 2011
  104. The Ones Who Help to Set the SunWhen Dream and Day Unite – 1989
  105. Only a Matter of TimeWhen Dream and Day Unite – 1989
  106. Our New WorldThe Astonishing – 2016
  107. Out of ReachDistance Over Time – 2019
  108. OutcryA Dramatic Turn of Events – 2011
  109. OvertureSix Degrees of Inner Turbulence – 2002
  110. Overture 1928Metropolis Pt. 2: Scenes from a Memory – 1999
  111. Pale Blue DotDistance Over Time – 2019
  112. Panic AttackOctavarium – 2005
  113. ParalyzedDistance Over Time – 2019
  114. The Path That DividesThe Astonishing – 2016
  115. Peruvian SkiesFalling into Infinity – 1997
  116. Power DownThe Astonishing – 2016
  117. Prophets of WarSystematic Chaos – 2007
  118. Pull Me UnderImages and Words – 1992
  119. RavenskillThe Astonishing – 2016
  120. RegressionMetropolis Pt. 2: Scenes from a Memory – 1999
  121. RepentanceSystematic Chaos – 2007
  122. A Rite of PassageBlack Clouds & Silver Linings – 2009
  123. The Road to RevolutionThe Astonishing – 2016
  124. Room 137Distance Over Time – 2019
  125. The Root of All EvilOctavarium – 2005
  126. S2NDistance Over Time – 2019
  127. Sacrificed SonsOctavarium – 2005
  128. A Savior in the SquareThe Astonishing – 2016
  129. ScarredAwake – 1994
  130. The Shadow Man IncidentParasomnia – 2025
  131. The Shattered FortressBlack Clouds & Silver Linings – 2009
  132. The Silent ManAwake – 1994
  133. Sleeping GiantA View from the Top of the World – 2021
  134. Solitary ShellSix Degrees of Inner Turbulence – 2002
  135. Space-Dye VestAwake – 1994
  136. The Spirit Carries OnMetropolis Pt. 2: Scenes from a Memory – 1999
  137. Status SeekerWhen Dream and Day Unite – 1989
  138. Strange Deja VuMetropolis Pt. 2: Scenes from a Memory – 1999
  139. Stream of ConsciousnessTrain of Thought – 2003
  140. Surrender to ReasonDream Theater – 2013
  141. SurroundedImages and Words – 1992
  142. Take Away My PainFalling into Infinity – 1997
  143. Take the TimeImages and Words – 1992
  144. A Tempting OfferThe Astonishing – 2016
  145. The Test That Stumped Them AllSix Degrees of Inner Turbulence – 2002
  146. These WallsOctavarium – 2005
  147. This Dying SoulTrain of Thought – 2003
  148. This Is the LifeA Dramatic Turn of Events – 2011
  149. Three DaysThe Astonishing – 2016
  150. Through Her EyesMetropolis Pt. 2: Scenes from a Memory – 1999
  151. Through My WordsMetropolis Pt. 2: Scenes from a Memory – 1999
  152. Transcending TimeA View from the Top of the World – 2021
  153. Trial of TearsFalling into Infinity – 1997
  154. Under a Glass MoonImages and Words – 1992
  155. Untethered AngelDistance Over Time – 2019
  156. VacantTrain of Thought – 2003
  157. A View from the Top of the WorldA View from the Top of the World – 2021
  158. Viper KingDistance Over Time – 2019
  159. VoicesAwake – 1994
  160. Wait for SleepImages and Words – 1992
  161. The Walking ShadowThe Astonishing – 2016
  162. War Inside My HeadSix Degrees of Inner Turbulence – 2002
  163. When Your Time Has ComeThe Astonishing – 2016
  164. Whispers on the WindThe Astonishing – 2016
  165. WitherBlack Clouds & Silver Linings – 2009
  166. The X AspectThe Astonishing – 2016
  167. The Ytse JamWhen Dream and Day Unite – 1989
  168. You Not MeFalling into Infinity – 1997

Album Song Count (Running Total)

When Dream and Day Unite (1989): 8 songs

Images and Words (1992): 8 songs

Awake (1994): 11 songs

Falling into Infinity (1997): 11 songs

Metropolis Pt. 2: Scenes from a Memory (1999): 12 songs

Six Degrees of Inner Turbulence (2002): 13 songs

Train of Thought (2003): 7 songs

Octavarium (2005): 8 songs

Systematic Chaos (2007): 8 songs

Black Clouds & Silver Linings (2009): 6 songs

A Dramatic Turn of Events (2011): 9 songs

Dream Theater (2013): 8 songs

The Astonishing (2016): 34 songs

Distance Over Time (2019): 10 songs

A View from the Top of the World (2021): 7 songs

Parasomnia (2025): 8 song

Check out our fantastic and entertaining Dream Theater articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

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Dream Theater’s Amazing Cover of Pink Floyd’s Time

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

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Complete List Of J Balvin Songs From A to Z

Complete List Of J Balvin Songs From A to Z

Feature Photo: festivaldevinachile, CC BY 3.0 , via Wikimedia Commons

J Balvin launched his career from the city of Medellín, Colombia, where he began rapping in English before shifting his focus to Spanish-language music that reflected his culture and connected more deeply with Latin audiences. Influenced early on by reggaeton pioneers like Daddy Yankee and Tego Calderón, he spent years honing his style in the Colombian underground music scene. Balvin’s dedication to blending urban rhythms with catchy pop melodies eventually caught the attention of EMI Colombia, and his breakthrough came with the release of “Ella Me Cautivó” in 2009. That single opened the door to mainstream success in Latin America and laid the foundation for what would become a global career.

His debut album Real was released in 2009, followed by La Familia in 2013, which solidified his standing in the Latin music world. The album’s standout single “6 AM,” featuring Farruko, earned him widespread recognition and a Latin Grammy nomination. Balvin continued to build momentum with Energía (2016), featuring hits like “Ginza” and “Safari.” That album topped Billboard’s Top Latin Albums chart and earned him a Latin Grammy Award for Best Urban Music Album. By the time he released Vibras in 2018, Balvin had cemented himself as a global reggaeton ambassador, collaborating with artists like Rosalía, Bad Bunny, and Cardi B.

Balvin’s collaborative energy has played a huge role in his ascent. His joint album with Bad Bunny, Oasis (2019), included hits like “Qué Pretendes” and further pushed the boundaries of Latin trap and reggaeton into new creative spaces. He followed it with Colores in 2020, a concept album where each track was named after a color, produced by long-time collaborator Sky Rompiendo. Songs like “Rojo” and “Morado” highlighted his versatility, with “Blanco” leading the way as a charting single. His fifth solo studio album, José, released in 2021, included collaborations with Dua Lipa, Khalid, and Ozuna, continuing his commitment to cross-genre partnerships and global reach.

Balvin has received numerous accolades throughout his career. He has won six Latin Grammy Awards, including Best Urban Song and Best Urban Music Album, and holds multiple Billboard Latin Music Awards and MTV Video Music Awards. His single “Mi Gente” with Willy William, later remixed with Beyoncé, became a cultural phenomenon and marked his breakthrough on the U.S. charts. The song reached No. 3 on the Billboard Hot 100, helping introduce reggaeton to a wider English-speaking audience without sacrificing its Spanish-language roots. With over 35 million records sold worldwide, he is one of the best-selling Latin artists of all time.

Outside of music, J Balvin has made an impact as a style icon and mental health advocate. Known for his vibrant fashion sense, he has collaborated with brands like Nike, Guess, and Jordan, bringing Latin urban culture into the mainstream fashion world. His distinctive aesthetic—marked by bold colors, eccentric hairstyles, and streetwear—has earned him a reputation as a trendsetter well beyond the recording studio. He also uses his platform to speak openly about anxiety and depression, bringing attention to mental health in the Latinx community. His 2020 documentary The Boy from Medellín, directed by Matthew Heineman, chronicled his struggle with fame, politics, and personal vulnerability during a pivotal time in his career.

Balvin’s influence goes beyond hit records and flashy visuals. He’s helped globalize reggaeton without diluting its roots, standing firm in his choice to sing in Spanish even as he climbs international charts. He’s also been vocal about representation, often calling for more visibility and respect for Latin artists in the global music industry. His work in amplifying Colombian culture on the world stage has made him a national figure, not just in pop culture but in shaping conversations about identity, pride, and creative freedom.

At every turn, J Balvin has redefined what it means to be a global Latin artist—balancing authenticity with innovation, and mainstream appeal with artistic experimentation. His story is still being written, but his impact is already undeniable: a visionary who transformed reggaeton from a regional movement into a worldwide force.

“He’s gone from being unable to do the shows to clearly being unwilling to do shows with us”: Faith No More drummer Mike Bordin doesn’t see estranged singer Mike Patton rejoining the band any time soon

“He’s gone from being unable to do the shows to clearly being unwilling to do shows with us”: Faith No More drummer Mike Bordin doesn’t see estranged singer Mike Patton rejoining the band any time soon

Faith No More in 2015
(Image credit: Dustin Rabin/Press)

Anyone still holding out hope for a Faith No More reunion should look away. Four years after the alt-metal icons cancelled their comeback tour due to singer Mike Patton’s struggles with agoraphobia and alcohol, FNM drummer Mike Bordin claims his estranged bandmate has “gone from being unable to do the shows to clearly being unwilling to do shows with us.”

Speaking on the Let There Be Talk podcast, Bordin revealed his frustration that Patton apparently seemed happy to tour with his other band, Mr Bungle, though not Faith No More.

Speaking about the cancellation of FNM’s scheduled dates in 2021 and 2022, themselves rescheduled from the previous year due to the covid pandemic, Bordin said the band were supportive of Patton after the tour was pulled on the eve of the first date.

“It was very clear that he was unable at that point to physically do it,” said the drummer. “We made the decision that, ‘Look, we’ve gotta support our guy.’ It’s gonna be a shit storm cancelling fucking 75 shows, but none of us wants to be the guy that breaks his back and forces him to do something that he’s not in the position to be able to do. It wasn’t even an argument. The only argument was, How the fuck did we logistically do this? Because we have to.’

“I mean, we did support him in our way, and whether that’s perceived or not is beyond me – I can’t control it,” continued the drummer. “So we pull these shows and just wait to see. Hopefully things are better, and try to find out what we can around the edges.”

The Faith No More shows ultimately weren’t rescheduled, although Patton’s other band, Mr Bungle, announced a series of South American dates in 2022. The latter outfit subsequently toured in 2023 and 2024.

“So it’s my take, my position, my statement on it is that he’s gone from being unable to do the shows to clearly being unwilling to do shows with us,” Bordin said. “And that’s heavy. That’s a big difference… And we haven’t really had much dialogue on it.”

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Bordin isn’t the first member to address the uncertainty around Faith No More’s current status. Speaking to The Guardian in 2022, Patton said his reasons for pulling out of the tour were a result of the pandemic and issues with agoraphobia and alcohol: “Because I was isolated so much, going outside was a hard thing to do, and that’s a horrible thing. And the idea of doing more Faith No More shows – it was stressful. It affected me mentally.”

In late 2024, FNM keyboard player Roddy Bottum said that the band were “on a semi-permanent hiatus”, while bassist Billy Gould addressed the situation in January 2025. “I honestly don’t know… Right now we’re in a really weird spot, a really strange spot, and I can’t really tell you what’s going on. I don’t know myself. I get different information from people, and I’m in the band.”

Faith No More’s most recent album, Sol Invictus, was released in May 2015. They last played together in August 2016 in Los Angeles.

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“He threw me in the lake and I had to learn to swim”: Remembering Dickey Betts, southern rock pioneer

Dickey Betts in 1980
(Image credit: Kirk West / Getty Images)

Dickey Betts, a co-founder of the Allman Brothers Band and one of the most influential and colourful figures in the realm of music known loosely as southern rock, died on April 18, 2024, following a period of declining health. His passing at 80 years old left just co-drummer Jai Johanny Johanson, aka Jaimo, as the last surviving member of the original line-up of the group.

A statement on behalf of the band recalled how Betts’s “extraordinary” guitar playing, alongside that of Duane Allman, “created a unique dual-guitar sound that became the signature sound”. Until that point it had been traditional for two-guitar bands to have defined roles for soloists and rhythm players.

The statement remembered Betts as being “passionate in life, be it music, songwriting, fishing, hunting, boating, golf, karate or boxing”, adding: “Dickey was all-in on and excelled at anything that caught his attention.”

It concluded: “Betts joins his brothers, Duane Allman, Berry Oakley, Butch Trucks and Gregg Allman, as well as ABB crew members Twiggs Lyndon, Joe Dan Petty, Red Dog, Kim Payne and Mike Callahan in that old Winnebago in the sky touring the world, taking their music to all who will listen.”

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The Allman Brothers Band formed in Jacksonville, Florida, in 1969, their freeform style fusing together elements of country, rock, blues and jazz. While brothers Duane (guitar) and Gregg Allman (keyboards, vocals) were the band’s leaders, Betts was a significant member, writing many of the band’s quintessential songs including Blue Sky and Ramblin’ Man, and also the instrumentals In Memory Of Elizabeth Reed and Jessica, the latter of which became the theme tune to the British TV show Top Gear.

On stage and in the studio, the band became known for their improvisational skills. Their tune Mountain Jam (based on the 1967 Donovan song There Is a Mountain), which appeared on 1972’s part-live double album Eat A Peach, would serve as an extended instrumental jamming vehicle for the Allman Brothers Band throughout their long and distinguished history.

Also recognised for his unpredictable, hellraising rock-star behaviour, Betts was the inspiration for the character played by Billy Crudup in the 2000 film Almost Famous. During Betts’s youth, trashed hotel rooms, arrests and fights with band members and authority figures were just a little too commonplace.

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Forrest Richard Betts was born in West Palm Beach, Florida. At five years old he played the ukulele, and progressed to performing in several local bands before meeting future ABB member bassist Berry Oakley III and forming the group Second Coming. After the pair jammed with Duane Allman, Duane invited them to team up together.

With his connection to Eric Clapton, Duane brought pedigree to the Allman Brothers Band, although the ex-session star admitted: “I’m the famous guitar player, but Dickey is the good one.”

When Duane died in a motorcycle crash in October 1971, with the group poised for a commercial breakthrough via their double live set At Fillmore East, Betts stepped up to take a bigger role. When just a year later Berry Oakley died in remarkably similar circumstances, crashing his motorbike into a bus just three blocks from where Duane had been killed, a lesser band would have combusted. But somehow the Allmans continued to reinvent themselves, with Betts acting as unofficial leader for their fourth album, 1973’s Brothers And Sisters.

Although the ABB became superstars, drug usage began to spiral, and the band members grew apart. When Gregg Allman reluctantly testified against his personal road manager John ‘Scooter’ Herring in a 1976 federal drugs case, the Brothers were torn asunder. After a split in 1976, Betts released a solo album, Highway Call, before forming Dickey Betts & Great Southern.

A reunion ensued for the Allmans’ 1979 album Enlightened Rogues, but despite selling half a million copies the spark was missing, and three years later, having misfired with Reach For The Sky and Brothers Of The Road, the band broke up again.

In 1989 a new line-up celebrated ABB’s twentieth anniversary, with guitarist Warren Haynes, previously of Dickey Betts’s solo group, helping them to rediscover their form with the back-tobasics, Tom Dowd-produced 1990 album Seven Turns.

“I wound up spending twenty-five years of my life as a member of my favourite band,” Haynes stated, as the terrible news of Betts’s death broke. “It did not take long to realise, standing next to Dickie with that beautiful tone, that I had a lot to work to do on both with my tone and with my style. He threw me in the lake and I had to learn to swim. I’m forever grateful for that once-in-a-lifetime opportunity.”

With Gregg Allman and Betts at loggerheads, for what was described as “personal reasons” – the band had insisted that Dickey go into rehab – he was suspended prior to a tour in 1990. The move was meant to be temporary. “Ain’t no way we can fire Dickey,” founding member Butch Trucks said at the time. However, the first of several police reports for claims by his long-suffering wife Donna of domestic assault muddied the waters. Betts insists he was sacked for demanding an audit of the band’s money from the band’s management.

“[Dickey] was just crazy as a bat, y’know,” Gregg Allman explained at the time. “But the main thing is that it wasn’t working musically any more.”

After Betts filed a lawsuit, there was little realistic chance of him making a return to the Allman Brothers, so he resumed a solo career. In later years his son Duane (named after Duane Allman) joined him on lead guitar in Dickey Betts & Great Southern.

The Dickey Betts Band “Ramblin’ Man” – YouTube The Dickey Betts Band

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Betts and Gregg Allman reconciled before the latter’s death in 2017. Betts’s daughter Christie is married to Tesla guitarist Frank Hannon. A road dog to the end, Betts remained on the road even after brain surgery as a result of a fall at his Florida home in what was described as a “freak accident”. He also suffered a minor stroke.

Betts was inducted to the Rock And Roll Hall Of Fame with the rest of the Allman Brothers Band in 1995. Still without him, the group wrapped their career in October 2014 upon completion of what had become an annual run of shows at New York’s Beacon Theatre. They continue to be hailed as an influence by Lynyrd Skynyrd, ZZ Top, The Black Crowes and Kid Rock, among others

Despite having become poster boys for the genre, Betts “hated” the label ‘southern rock’, commenting: “I think it’s limiting. I’d rather just be known as a progressive rock band from the South. Calling us that pigeonholed us, forcing people to expect certain types of music from us that I don’t think are fair.”

In 2020, Betts was name-checked in Bob Dylan’s song Murder Most Foul, which included the line: ‘Play Oscar Peterson, play Stan Getz, play Blue Sky, play Dickey Betts’. While Betts was thrilled by that, he was modest enough to say: “Well, he [Dylan] just used me because [my name] rhymes with Getz.’”

Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Dave’s life was shaped in 1974 through the purchase of a copy of Sweet’s album ‘Sweet Fanny Adams’, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word ‘Br***ton’.

“I needed to cleanse my soul from stupidity”: Tobias Forge “shied away” from the media when writing new Ghost album Skeletá

Tobias Forge says he “shied away” from consuming media while writing Ghost’s upcoming album, Skeletá.

During a new video interview with Rolling Stone UK, the Swedish singer/multi-instrumentalist, who performs onstage as Ghost’s masked “Papa” frontman, says he’s been on a total “media blackout” since November 2024.

He adds that, although Skeletá was already composed by that point, he also distanced himself from the news and social media while writing the album, hoping to distance it from the political themes of 2022 predecessor Impera.

“There’s a misconception that I wrote the record [Skeletá] during my media blackout – that is not true,” he says. “But I did, however, shy away from the immediate media.”

He goes on to talk about his ongoing blackout, which he started “to cleanse my soul from stupidity”.

Metal Hammer Ghost bundle

(Image credit: Future)

The frontman elaborates: “[I needed to] focus on what my role is as a human and what my job is. My job as an entertainer is to make as many people happy and motivated and joyous as possible. And my job as a husband and father is to take good care of my children and my family.”

He adds that “bury[ing]” himself in the “dead end” that is social media ran counter to those goals.

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“Social media has led a lot of people to believe that they can magically change the world,” he explains. “Even though social media has done tremendous good for a lot of people, especially when it comes to structural change, it also has given a lot of people the false hope that their voice actually matters no matter what. If they can’t use that voice, and it’s not heard, it’s like a right that’s been taken away from them.”

Forge’s seeming dislike for modern technology will play into Ghost’s 2025 world tour, which started on Tuesday (April 15) in Manchester, UK. The six-month run of shows is phone-free, with attendees needing to place their mobile phones in magnetically sealed pouches as they enter the venue.

During a recent conversation with Planet Rock, Forge explained that he wants attendees to live in the moment rather than focus on filming parts of the show. He also said that he banned phones after needing to do so at two Los Angeles concerts in 2023, during which Ghost filmed last year’s movie Rite Here Rite Now, and enjoying the experience.

“I don’t wanna turn this into an ageist thing where I’m gonna tell 14-year-olds everything was better back then,” he said (via Blabbermouth). “But I swear that the experience of shows and the making of memories, the making of magic, was much more powerful [at the phone-free Los Angeles concerts].

“Some of the best shows I’ve ever been to, I have maybe not even seen a picture from that because they all live here [in my head]. They live in my core. That’s the memory I have of that. And that is an experience I wish for.”

Skeletá will come out on April 25 via Loma Vista. Ghost are on the cover of the new issue of Metal Hammer, which contains an in-depth interview with Forge about the new album and Ghost’s ‘new’ frontman, Papa V Perpetua. Order it now in a bundle that also includes an exclusive Skeletá vinyl variant.

Tobias Forge of Ghost on Skeletá, the writing process, ghost encounters, and the heavy music scene – YouTube Tobias Forge of Ghost on Skeletá, the writing process, ghost encounters, and the heavy music scene - YouTube

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“Wildhearts fans have come to my aid. And it’s a two-way street”: Ginger Wildheart on beautiful connections, our beautiful planet, and his beautiful new album The Satanic Rites Of The Wildhearts

Ginger Wildheart headshot
(Image credit: Andy Ford)

In a lofty position in the Yorkshire Dales lies Britain’s highest pub, Tan Hill Inn, which sits 1,752 feet above sea level. The nearest town, Richmond, is a drive away, and today, in the depths of winter, locals and tourists are happily snowed in, making new friends, sampling the establishment’s beers, and whiling the hours away with card games and conversations.

It’s remote, sure, but go even further, deeper along farmers’ tracks into the countryside and you’ll find a large, pretty, truly isolated country cottage, miles from anywhere. And this is where, via Zoom, we meet Ginger Wildheart. It was supposed to be an in-person chat but he, too, is snowed in, with only his beloved border collie Maggie – his “soul mate”– for company. “It’s the sort of place where you go missing and no one finds you for years,” he says.

He’s been living there for a year and a half, having moved away from the relative bustle of York. Instinct says that this might not be the best environment for someone who has publicly battled severe mental health issues – something he has been commendably open about. In 2023 he was sectioned and placed on suicide watch, so concern over the isolated nature of his new home and lifestyle is natural. But it seems to be working for him, a brave and risky move he says he had to make.

“I needed to learn how to live with mental health and how to live with depression,” he explains. “I’d been chewed up, spat out, chucked around the system for years. Medication is not going to fix anything. I need to go away and figure out what depression is, trying to understand it, instead of just coping and living with it. Because the system offers you drugs that numb you and gives the impression that life’s got better, but it hasn’t. So I came in here with lots of boxes, and I had to just open them one by one. I looked in the mirror, I made an inventory of all the things that I hated about my life and then started fixing them.”

The first of those boxes was an intense fear of being alone, being away from everything and everyone he knew. Having reached a point where, he says, he was likely to end up in jail or six feet under, rather than avoiding that fear he faced it full-on.

“I wondered what you would do if you were left with only you and your head,” he says. “And the option is you would learn to live in your head. For years I’ve been masking it with alcohol and drugs. How do I exist by myself? I thought, well, there’s only one way of finding out, and that’s to chuck yourself feet-first into the abyss and build your wings on the way down. I’d gone as mad as I want to go, and I was getting into a lot of trouble. I had huge suicidal ideation. It got so far down it looked like up to me.”

Ginger Wildheart studio portrait

(Image credit: Andy Ford)

So, country living it was. Out in the wilds, Ginger has spent his time studying Buddhism – something he’s long held an interest in, but which fell by the wayside when the booze was on the table – and stoicism, getting healthy and sober, walking for miles with the dog, getting fit, working out his own thoughts, his own deep-held anger issues. Getting his lungs full of fresh air and taking time to watch the wildlife. Writing a journal has helped, too. Taking a year “to be a ghost” seems to have hit just the reset button he needed.

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“There was this one time I was in the studio, making the last album,” he remembers, “and I ran out of medication, and it was like being a smackhead again. I couldn’t work without the medication. At that point I’m like, this has got to change. So I spent a year coming off medication, which I had been a slave to for a long time, and just, you know, small steps, but in the right direction.”

The last album he refers to was 2021’s excellent but fraught 21st Century Love Songs, which saw the classic Wildhearts line-up of Ginger and CJ on guitar, Danny McCormack on bass and Andrew ‘Stidi’ Stidolph on drums. The re-formation was a cause for celebration among devotees, but, without going into too many details, Ginger makes it clear that this combination won’t be back together any time soon; too much murky water under the bridge, too many resentments and clashes. Some people just aren’t meant to be together, whatever the artistic outcome.

The Wildhearts – I’ll Be Your Monster (feat. Jørgen Munkeby) – YouTube The Wildhearts - I'll Be Your Monster (feat. Jørgen Munkeby) - YouTube

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The great news is that he’s back with a new iteration of The Wildhearts, and the searingly honest but irrepressibly joyous The Satanic Rites Of The Wildhearts. A blaze of songs that takes in a million directions at once, with The Wildhearts’ instantly recognisable blend of crazed pop and fiery rock, it deals with all the issues the frontman has laid bare today and before, but with a sense of hope and positivity at its core.

“I used to think that I wasn’t allowed to do The Wildhearts without the rest of the [original] guys in the band,” he says. “I had to maintain some kind of allegiance. It’s a long story, but it ended up so bad – it was a terrible end to the band, it got so ugly – and I wanted nothing to do with it. In fact I left, and I was being paid as a session player to sing my songs. I gave all the control back to the band, still hoping that it would work this time. You know, that grim sense of hope that just… be better. And it wasn’t. It felt like an abusive relationship for everybody, and I think everyone would agree that they’re much happier now.”

Ginger beams when the subject of the new lineup is raised. There’s bassist Jon Poole, a familiar face to Wildhearts fans (“He’s just a magical entity, the funniest man I know”), guitarist Ben Marsden (“An absolute Duracell battery of a person”), and a new drummer named, singularly, Charles (taking over from Gong’s Cheb Nettles, who played on the album). It is, he says, the first time he’s experienced real camaraderie in the studio with The Wildheats, particularly on swearily hilarious collaborative rant Kunce.

“I don’t think people realise how much I did and how little the rest of the band did, as far as the creative side goes,” he explains. “I’m used to working alone. I’m used to being responsible for everything, and it not being a very fun experience. And this was a fucking brilliant experience. It’s odd to be doing this for a living and laughing all the time. That it’s okay to enjoy it this much.

“We also had [prog hero and Gong alumni] Kavus Torabi as a guest on the album. Him and Jon were just like putting two foul-mouthed Furbies together. It was great, there was a lot of musical collaboration, which is what I really want. I wanted people to bring things to the table. This is something that I’m not used to with The Wildhearts.”

The Wildhearts on stage

(Image credit: Rudi Knight)

At the other end of the scale there’s Fire In The Cheap Seats, a portrait of a turbulent mind that serves as a reminder of how pioneering The Wildhearts, and Ginger in particular, have been over the years in opening up the discussion on mental health, particularly among men. It’s thankfully more common now, but back in the 90s it was groundbreaking.

“At a time like now where people are being convinced by people like Russell Brand and Andrew Tate, it’s just telling a man: ‘It’s okay to cry. It’s okay to suffer. It’s okay to ask for help. It’s okay to feel like you failed, like you’re on the bottom of your world,’ and ‘You can build yourself back up.’ That’s a more important message than: ‘Hate women because you’re stronger physically.’ We are trying to lead by example. It’s a story of someone getting through life by whatever means necessary, and I think it’s a sentiment that’s shared by a lot of Wildhearts fans. We don’t have misogynist, homophobic racists in our community.”

The Wildhearts’ fans, perhaps uniquely, are as crucial an element to The Wildhearts story as any band member. It’s a collective, a support network, organically and unpretentiously populated by people who genuinely care for one another, and it’s a beautiful thing to witness. Live shows represent a community coming back together to reconnect – less a fan base, more a found family created by the man at the heart of it all. It’s a light surrounding the frontman when things seem their darkest.

“Music has always been my best friend, my therapist, my confidante and my means of communication, my connection with people,” Ginger says. “I’ve never made a secret about The Wildhearts being all about the community. We started with a handful of people, making sure everyone’s mental health was alright, everyone’s feeling strong, everyone feeling supported, and it’s got bigger and bigger. The whole thing not only gives people a bit of hope, it gives me hope.

“There’s times when I’ve needed the community, and therapists haven’t done it, psychiatrists haven’t done it, medication hasn’t done it. And Wildhearts fans have come to my aid. I hear from a lot of people that the music’s helped them. And it’s a two-way street. They absolutely help me. Music is the connection, and it’s magical and it’s real.”

The Wildhearts – Troubadour Moon (Official Video) – YouTube The Wildhearts - Troubadour Moon (Official Video) - YouTube

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The public-access nature of the band extends to the music itself. Ginger says he never sits down to write, never picks up the guitar at home, never goes back and listens to the songs once they’re recorded. (“Once it’s done, it’s for other people, it’s not for me then.”) The songs just arrive fully formed in his head, these days usually when he’s out walking in the fields. Maybe that’s why they’re so catchy, they’re built already embedded in the brain. He’s already got 12 ready to go for the next Wildhearts album, way ahead of the current one being released. “Once they started coming, they started coming. And who am I to argue with that?”

It sounds like taking himself off to be the wild man of the Yorkshire Dales has paid off in spades. With Maggie a constant and faithful source of comfort and love by his side – on the tour bus, in the studio, at acoustic shows – his search for peace seems to be heading in the right direction, at least. The countryside, with the scent of the earth and the sound of the birds, the clean, life-giving air and nature’s cool indifference to human struggles and endeavours, has become a muse, not just for the music but also for life.

“Working on yourself, demanding that things be better, I’ve lost quite a few friends because of that, and that’s been food for thought,” says Ginger. “But you learn a lot being surrounded by trees, to the point where I feel more like a tree than a human. Just being surrounded by no bullshit, no lies, no ego. There’s just honesty. Nature’s got it right, it’s not a terrible world. We’re a blight on the bloody planet, but nature’s got it all right.

“When you get a level of communication with a wild animal where they don’t fear you, you’ve got something really special going on that you don’t get in society. When you raise your energy to match nature, you find that you’re in a good place where you’ve got a good overview of things. The only hope is that you can just go back out into the illusion of society and try and put it into practice.”

Outside the cottage, things are silent, the snow banked up, indifferent to anyone who may have things to do, places to go, people to see. It’s a good place to take stock, and from here, at the start of the year, Ginger declared on Instagram his one plan for 2025: to “aim for brilliance”.

“Why would you want anything else?” he asks. “Aim for happiness. You can change your life completely. I’ve manifested this to the point where it’s too late to get off the fucking train. Now it’s all starting to happen. And it’s fascinating. But life isn’t an illusion, and the universe wants you to be happy, and when you take those two things into consideration, you can ask and demand anything from life. If you just appreciate every little step, it’s just a step in the right direction, and you’re manifesting happiness before you know it. You look around and go: ‘Fucking hell, this is all I wanted ten years ago.’”

Satanic Rites Of The Wildhearts is out now via Snakefarm.

Emma has been writing about music for 25 years, and is a regular contributor to Classic Rock, Metal Hammer, Prog and Louder. During that time her words have also appeared in publications including Kerrang!, Melody Maker, Select, The Blues Magazine and many more. She is also a professional pedant and grammar nerd and has worked as a copy editor on everything from film titles through to high-end property magazines. In her spare time, when not at gigs, you’ll find her at her local stables hanging out with a bunch of extremely characterful horses.

Three Dog Night 1968 Debut Album Review

Feature Photo: Public Relations, Public domain, via Wikimedia Commons

Anytime we publish an article about Three Dog Night, it receives a tremendous response, which tells us one thing: people loved that band. Of course, they are one of my favorite bands of all time. I grew up listening to them. Not just the big hits on the radio, but as a teenager in the 1970s, I purchased every single album they released. So I thought it was time to basically go back and run through every single one of their Studio albums and just write a little bit about the records, give some helpful information, and some commentary about each one of their albums. So we start with their debut album…..

Recorded in Los Angeles during the summer of 1968, the album (also known as “One”) was produced by Gabriel Mekler. The album featured the vocal talents of Danny Hutton, Cory Wells, and Chuck Negron, backed by an impressive lineup of musicians who too often did not get the credit that they should have gotten. These fantastic musicians played with an intense spirit that balanced the perfect blend of rock and soul grooves that sounded perfect on the radio. They were their own Wrecking Crew.  The band included Michael Allsup on guitar, Jimmy Greenspoon on keyboards, Joe Schermie on bass, and Floyd Sneed on drums. Originally formed in 1967, the group had initially gone by the name Redwood before settling on Three Dog Night, a name referring to an Australian aboriginal expression.

The album made a strong commercial impression, reaching the Top 20 on both the U.S. and Canadian album charts. While the first two singles from the album, “Nobody” and “Try A Little Tenderness,” achieved only moderate success, it was the third single, “One” (a cover of Harry Nilsson’s song), that became their breakthrough hit, reaching number five on the Billboard charts in 1969. The album brilliantly showcased the group’s versatility and talent for interpretation, featuring songs from an impressive array of songwriters including Traffic, The Beatles, Johnny “Guitar” Watson, Randy Newman, and Neil Young.

Three Dog Night’s debut album included several songs that would later become part of their live repertoire, and notably contained their version of “Your Song,” making them one of the first major acts to record an Elton John composition well before he achieved his own breakthrough in America.  This pattern of identifying and covering songs by up-and-coming songwriters would become a hallmark of Three Dog Night’s career, helping to introduce audiences to writers like Harry Nilsson, Laura Nyro, Randy Newman, and others.

The album title has often caused some confusion among fans. Gary Burden designed the album’s cover art, which initially displayed only the band’s name. Following the success of the single “One,” the title was added to capitalize on the song’s popularity. Nevertheless, the album is not officially titled One; it is simply Three Dog Night.

Three Dog Night’s self-titled debut album made a remarkable commercial impact upon its release in 1968, peaking at an impressive number eleven on the Billboard 200 chart and reaching number seventeen on the Canadian Albums Chart. The album’s commercial success was further validated when it was certified Gold by the RIAA on August 15, 1969, for sales exceeding five hundred thousand units, and nearly four decades later, was awarded Platinum certification on August 5, 2008, recognizing sales of over one million copies.

While the album’s first single “Nobody” barely made a dent on the charts at number one hundred sixteen on the Billboard Hot 100, the second single “Try a Little Tenderness” performed considerably better, reaching number twenty-nine in the US and number nineteen in Canada. However, it was the third release, “One,” that became the album’s breakout hit, climbing to number five on the Billboard Hot 100, reaching number one on Record World Singles chart, and performing strongly internationally with a number four position in Canada and number sixteen in New Zealand.

While many fans remember the hits, the album’s first two tracks have become cult favorites among many hardcore fans who bought the individual albums. The album’s opening track, “Nobody,” is a real scorcher, followed by another smoking rock and roll song called “Chest Fever.”

CD Track Listings:

  1. “Nobody” 2:19
  2. “Chest Fever” 3:25
  3. “I’ll Be Creeping” 3:30
  4. “Don’t Make Promises” 3:00
  5. “Bet No One Ever Hurt This Bad” 3:12
  6. “It’s For You” 2:15
  7. “Let Me Go” 3:55
  8. “One” 3:00
  9. “Try A Little Tenderness” 4:05
  10. “Heaven Is In Your Mind” 3:07
  11. “Find Someone To Love” 2:00

“Nobody”

Lead Vocal – Cory Wells

Written by Beth Beatty, Dick Cooper, and Ernie Shelby

“Chest Fever”

Lead Vocal – Cory Wells

Written by Robbie Robertson

And, of course, we need to include the two big hits…

“One”

Lead Vocal – Chuck Negron

Written by Harry Nilsson

“Try A Little Tenderness”

Lead Vocal – Cory Wells

Written by Jimmy Campbell, Reginald Connelly, and Harry M. Woods

Another choice deep track

Don’t Make Promises

Lead Vocal – Chuck Negron

Written by Tim Hardin

Check out more Three Dog Night articles on ClassicRockHistory.com Just click on any of the links below……

10 Most Rocking Three Dog Night Songs

Top 10 Three Dog Night Love Songs

Top 10 Three Dog Night Deep Tracks

10 Three Dog Night Songs We All Loved

Top 10 Three Dog Night Albums

Three Dog Night: Underappreciated Hitmakers

In A Classic Rock Year, Three Dog Night’s Joy To The World Was No.1

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

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Three Dog Night 1968 Debut Album Review article published on ClassicRockHistory.com© 2025

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AC/DC Leaves Dallas Thunderstruck: Review and Photos

AC/DC has spent the past half-century defying the odds at every turn, and they did it once again on Monday at Arlington, Texas’ AT&T Stadium during the second night of their North American Power Up Tour.

You can see exclusive photos from the show below.

The septuagenarian rockers played the same 21-song set as their opening night in Minneapolis, delivering a relentlessly energetic two-hour performance that left 80,000 fans feeling shell-shocked and thunderstruck — fitting, considering they were in the home of the Dallas Cowboys, whose beloved cheer squad dances to the 1990 hit at every game.

AC/DC Keeps Getting Better With Every Tour Stop

It was an ear-splitting, unqualified triumph that became all the more remarkable when you consider just how unlikely it is that AC/DC is even here in 2025. The band’s 2016 Rock or Bust Tour, which ended with Axl Rose subbing for a hearing-impaired Brian Johnson, felt like an elegy, compounded by the death of Malcolm Young the following year. 2020’s reunifying Power Up album roared like a beast awoken from its slumber, but AC/DC didn’t return to the stage until late 2023 for the Power Trip festival. That show felt like a miracle, but could the band — particularly Johnson — really handle the rigors of a world tour?

Needless to say, the answer is a resounding “yes.” Not only can AC/DC still deliver their peerless, megawatt stadium rock spectacle, but they’re getting better with each tour stop, gleefully rubbing it in the faces of their doubters.

At 70 years old, Angus Young stomped and shimmied down the catwalk with the same combustible energy of his youth. He ripped the solo to “You Shook Me All Night Long” with economical precision, and the stadium roared with applause when he writhed on a raised platform during the free-form, splendidly gratuitous “Let There Be Rock.”

READ MORE: How to Hear and Watch Every US AC/DC Tour: 1977-2023

Johnson, meanwhile, seems to harvest the life force of every audience. The frontman shook the rust off his vocal cords throughout the band’s 2024 European tour, and his voice sounded demonically robust on Monday. He screamed like a feral alley cat on “Highway to Hell” and “For Those About to Rock (We Salute You),” and he delivered an inspired, gravelly interpretation of “Sin City.” Some croaks and crags are inevitable at 77, but Johnson has developed workarounds for the toughest vocal moments — and when he needed backup, he had 80,000 screaming fans more than happy to oblige.

That’s the timeless beauty of an AC/DC concert. It’s still a night out with the lads like no other, a testament to the communal, life-affirming spirit of rock ‘n’ roll. We know better than to ever count them out at this point — maybe they’ll be back in Dallas again in a couple of years. But if the Power Up Tour ends up being their swan song, it will be remembered as a blaze of hellfire and glory from one of rock’s most indomitable forces.

AC/DC Live in Arlington – April 14, 2025

Aussie rockers left AT&T Stadium’s 80,000 fans shell-shocked and thunderstruck.

Gallery Credit: Bryan Rolli

10cc Announces Summer US Tour Dates

10cc is returning to the U.S. for a run of shows this summer.

The dates follow the British band’s concerts in the States last summer, their first performances in the U.S. since 1983. The Ultimate Ultimate Greatest Hits Tour starts on Aug. 27 in Napa, California, and will hit major U.S. cities for the next few weeks.

10cc’s 2025 lineup includes singer, bassist and band cofounder Graham Gouldman; guitarist Rick Fenn, who’s been with the band since 1976; drummer Paul Burgess, a member since 1983; and touring members keyboardist Keith Hayman and multi-instrumentalist Andy Park.

READ MORE: Top 40 Soft-Rock Songs

“After not having toured the U.S. for more than three decades, last year’s tour was a remarkable experience,” Gouldman said in a press release announcing the shows.

“We’re used to our regular audiences across Europe, Australia and New Zealand, but the reaction of the American audiences took us completely by surprise – it was incredible. We are really looking forward to our return and playing new venues this year.”

Looking back at 10cc’s earliest U.S. tours, Gouldman told UCR last year, “It was great to be in America – because American music is such a big part of what influenced us. And for me, it still does to this day, and it always will.

“People like Buddy Holly, Eddie Cochran, the Everly Brothers, Chuck Berry, Little Richard, that’s in my DNA and the DNA of all of my contemporaries. Every writer or anybody I work with, once we start talking about influences, it’s always pretty much the same.”

Where Is 10cc Playing in 2025?

After 10cc’s Ultimate Ultimate Greatest Hits Tour launches in Napa, California, the band will play dates in Las Vegas, Phoenix, Denver, Chicago, Detroit, Cleveland and other cities before wrapping up on Sept. 14 in Alexandria, Virginia.

You can see all of 10cc’s current tour dates below. More information, including tickets, can be found on the band’s website.

10cc Ultimate Ultimate Greatest Hits 2025 Tour
Aug 27 – Napa, CA @ Uptown Theatre
Aug 28 – Monterey, CA @ Golden State Theatre
Aug 29 – Thousand Oaks, CA @ Kavli Theatre
Aug 30 – Las Vegas, NV @ Westgate Resort & Casino
Aug 31 – Phoenix, AZ @ Celebrity Theatre
Sept 2 – Denver, CO @ Paramount Theatre
Sept 3 – Lincoln, NE @ Bourbon Theatre
Sept 4 – Leewood, MO @ Ranch North
Sept 5 – Chicago, IL @ Park West
Sept 6 – Detroit, MI @ Royal Oak Theatre
Sept 7 – Columbus, OH @ Kemba Live!
Sept 9 – Cleveland, OH @ Agora Theatre
Sept 10 – Glenside, PA @ Keswick Theatre
Sept 11 – Norwalk, CT @ District Music Hall
Sept 12 – Tarrytown, NY @ Tarrytown Music Hall
Sept 13 – Carteret, NJ @ Carteret Performing Arts Center
Sept 14 – Alexandria, VA @ Birchmere

25 Under the Radar Albums From 1975

You already know the Dylan, Springsteen and Zeppelin classics that came out that year. Now it’s time to go deeper.

Gallery Credit: Michael Gallucci

David Bowie’s Daughter Insists She’s ‘Not a Copy’ of Her Late Dad

David Bowie’s Daughter Insists She’s ‘Not a Copy’ of Her Late Dad
Jo Hale, Getty Images / @_p0odle_, Instagram

Lexi Jones, the musician daughter of David Bowie and supermodel Iman, has detailed her struggle to escape her late father’s legacy.

Jones, 24, released her debut album, Xandri, earlier this month — however it’s not the first art she’s launched into the world. She previously established herself as a painter, whose work is for sale in a variety of formats.

Presumably in response to the reception of her musical creations, Jones published a poem titled “David Bowie’s Daughter” – with the subheading “That gets your attention ay?”

READ MORE: Why David Bowie’s ‘Space Oddity’ Was Rush-Released

I’m the daughter of a legend / but I’m more than just his name / They see the blood, they hear the sound / yet fail to see me, don’t feel the same,” she began.

Suggesting exasperation at being compared to Bowie’s heights, “like I’m supposed to reach his light,” she continued: “I’m not here to chase what’s already been done.”

Jones went on to say that while people expect her to carry on her late father’s legacy, it has never been a driving force in her life. In fact, she added, “I’m not a copy, not a shadow… never thought I was good at much.”

Lexi Jones Says She’s Not Trying to Fill David Bowie’s Shoes

Elsewhere in the poem, Jones reported that she’d finally focused on freeing herself from the expectations of others: “Even when the world is hard to please / I’m not trying to fill his shoes  / I’m just trying to find my own peace.”

On Jones’ website she explains that her mission with art is “to create and share my pieces with the intent to encourage others to create their own.”

Noting that she’d started drawing as a child before it became more important to her as she encountered mental health issues later, she added: “My hope is to inspire those [who] come across this body of work to join in the journey… find something that fuels a passion to find your driving force in life. It’s a necessity for everyone.”

Listen to Lexi Jones’ Song “The Passage Unseen”

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He tried on many personas over his long career, and tested out various styles. Which tracks are the most essential?

Gallery Credit: Michael Gallucci

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