“If we put a small band together and just decided to throw shit at the wall, it might be great”: Pete Townshend addresses the future of The Who

Pete Townshend speaks onstage during The 77th Annual Tony Awards at David H. Koch Theater at Lincoln Center on June 16, 2024 in New York City

Pete Townshend onstage at The 77th Annual Tony Awards in June 2024 (Image credit: Theo Wargo via Getty Images)

Pete Townshend has addressed the future of The Who in a new interview. Talking to The Daily Beast to mark the release of his 14-CD set Live In Concert 1985-2001, Townshend appears hopeful that there may be more to come from the band, who formed 60 years ago, but there’s a catch. 

“I don’t know what’s gonna happen with The Who,” says Townshend. “I’m hoping Roger [Daltrey] and I can find some common ground and find some way to work again, possibly without an orchestra, because I think we’ve done that. But also, there’s this sense that we’re in the last tour period of our career. Are we just hoping to do what Bob Dylan does and just keep going? 

“I’m encouraged by seeing what Roger’s doing in his solo tour. It seems to me that if we put a small band together and just decided to throw shit at the wall, it might be great. But Roger and I don’t converse. We don’t talk. So, it might be difficult to land on something that we both share an interest in. But it’s there for the taking, I think.”

Later in the interview, Townshend reveals that he won’t attempt to cajole Roger Daltrey back into the studio.

“I’m not gonna try to bully Roger to do anything,” he says. “I don’t want to have the job that I used to have around the time of Quadrophenia, which is bullying everybody in The Who to do exactly what I want to do.

“It worked, yeah. But it was no fun. And at the end of that, Roger knocked me out. I asked for it, but he knocked me out. Anyway, I’m hopeful. I’m certainly not saying that we won’t do anything, but Roger and I do have a bit of a river to cross. And once we cross that river, we’ll see what happens.”

Elsewhere in the interview, Townshend discusses the new box set, questions the “cookie cutter” approach to songwriting taken by Bruce Springsteen and AC/DC, and reveals that he was never entirely comfortable as a solo performer.  

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Live In Concert 1985-2001 is out now.

Online Editor at Louder/Classic Rock magazine since 2014. 38 years in music industry, online for 25. Also bylines for: Metal Hammer, Prog Magazine, The Word Magazine, The Guardian, The New Statesman, Saga, Music365. Former Head of Music at Xfm Radio, A&R at Fiction Records, early blogger, ex-roadie, published author. Once appeared in a Cure video dressed as a cowboy, and thinks any situation can be improved by the introduction of cats. Favourite Serbian trumpeter: Dejan Petrović.  

Listen to the incomparable, much-missed Mark Lanegan on the driving Heard A Train, a previously-unreleased out-take from 2004’s brilliant Bubblegum album

Mark Lanegan

(Image credit: Flooded Soil Recordings)

The estate of the late Mark Lanegan and Beggars Arkive have shared a previously unreleased song from the iconic singer as a teaser for the upcoming 20th anniversary reissue of Bubblegum

Heard A Train was recorded with producer (and Masters of Reality mainman) Chris Goss during the sessions for Lanegan’s acclaimed 2004 album. It’s one of 12 songs among the 40 tracks on Bubblgum XX that have never previously been released. 

Talking about the original album, which featured guest appearances from PJ Harvey, Izzy Stradlin, Duff McKagan, Josh Homme and more, to Rolling Stone in 2003, Lanegan said, “I got tired of reading stuff about my records like ‘folky and alt-country’. I thought of this as a rock record.” 

The limited-edition four LP vinyl edition of the album includes a 64-page hardback booklet featuring essays by Lanegan’s friends and collaborators, including Queens Of The Stone Age duo Homme and Troy Van Leeuwen, Chris Goss, co-producer Alain Johannes, Greg Dulli and Duff McKagan, plus studio notes and photography by English photographer Steve Gullick, including unpublished shots.

It also features album demos recorded by Troy Van Leeuwen in hotel rooms.

“These hotel demo sessions were basically forgotten,” Van Leeuwen said in a statement. “When I heard the news of Mark’s passing, these memories started rushing back to me. I searched through my archive of drives and somehow magically was able to open up these sessions. … It’s a true gift from Mark to those of us who love him and his unvarnished expression of beauty. With every listen, I am humbled and honored to share his gift with you.”

Listen to Heard A Train below:

Heard a Train (2024 Remaster) – YouTube Heard a Train (2024 Remaster) - YouTube

Watch On


Bubblegum XX will emerge on August 23 through Beggars Arkive.

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A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

POWER TRIP Is A “Tribute Band” For Now, Says Guitarist BLAKE IBANEZ

August 5, 2024, 15 minutes ago

news heavy metal power trip

POWER TRIP Is A “Tribute Band” For Now, Says Guitarist BLAKE IBANEZ

Sh!tTalkReviews has uploaded an interview with Power Trip and Fugitive guitarist Blake Ibanez. Ibanez shares his thoughts on writing music and the future of Power Trip, saying the thrashers are for now a “tribute band” and they have recorded a full album without Riley Gale’s vocals on it.

Gale died at the age of 35 in 2020 and was the band’s singer since their inception in 2008 and sang on their two full-length albums, 2013’s Manifest Decimation and 2017’s Nightmare Logic.

Power Trip has played their first two shows without Gale earlier this year with Seth Gilmore as vocalist. Gilmore is embedded in Texas’s hardcore and punk communities and is well known as the vocalist of Skourge and as the frontman of Dallas thrash metal band, Fugitive, which he founded in 2021 alongside Power Trip guitarist, Blake Ibanez.  

The band is scheduled to perform at Knockdown Center in New York, NY on August 24.

(Photo – Adam Cedillo)

NAILS Releases New Single “Lacking The Ability To Process Empathy”

NAILS Releases New Single “Lacking The Ability To Process Empathy”

Anticipation continues as California masters of brutal aggression Nails reveals the latest single, “Lacking The Ability To Process Empathy”, from the band’s long-awaited, 4th full-length album, Every Bridge Burning, due out August 30 from Nuclear Blast Records.

Following the catastrophic tracks “Give Me The Painkiller” and “Imposing Will”, Nails unleashes a 2+ minute, groove-laden song that seethes with contempt and disdain.  

Every Bridge Burning was produced by Kurt Ballou at God City Studio and is adorned with aptly diabolic artwork by Jef Whitehead. Their first record in 8 years features 10 tracks of unyielding, violence that can only be described as the sound of Nails.

Preorder Every Bridge Burning here.

Tracklisting:

“Imposing Will”
“Punishment Map”
“Every Bridge Burning”
“Give Me The Painkiller”
“Lacking The Ability To Process Empathy”
“Trapped”
“Made Up In Your Mind”
“Dehumanized”
“I Can’t Turn It Off”
“No More Rivers To Cross”

“Lacking The Ability To Process Empathy”:

“Give Me The Painkiller”:

“Imposing Will”:

(Photo – Hristo Shindov)

The Metal Voice Reports From VOIVOD’s “We Are Connected” Premiere At Fantasia International Film Festival 2024 – “The Screen Is Bigger Than My House”

The Metal Voice Reports From VOIVOD’s “We Are Connected” Premiere At Fantasia International Film Festival 2024 – “The Screen Is Bigger Than My House”

Jimmy Kay from The Metal Voice spoke to all the members of Voivod and director Felipe Belalcazar at the Art Exhibition (BBAM) in Montreal, Canada before the premiere of the bands documentary We Are Connceted.

The band members spoke about the making and completion of the long awaited (8-10 years) documentary on Voivod and the experience at the festival with Belacazar saying, “the screen is bigger than my house!”

Canada’s The Metal Voice previously shared footage of Voivod’s entrance at the event, which can be viewed below.

Voivod: We Are Connected traces the first 40 years of career of the famous and innovative Quebec metal band Voivod. Through numerous testimonies and archival documents we follow the impressive journey of this extraordinary band. The documentary is enhanced by the use of animations from the visual creations of the band’s drummer, Michel “Away” Langevin.

It’s been a forty year journey punctuated by freak van accidents, bouts with cancer, Billboard recognition, and seismic lineup changes, never mind the event most critics assured would be the end of Voivod: the death of co-founding guitarist and composer Denis “Piggy” D’Amour. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voivod found guitarist Daniel “Chewy” Mongrain, re-igniting their engines to deliver a string of albums and EPs leading to late-career triumphs The Wake (2019) and Synchro-Anarchy (2023).

“We Are Connected” delves into the band’s creative journey and the challenges they’ve faced over the course of their career, while unequivocally reaffirming Voivod’s status as one of Canada’s most important and innovative musical exports.

Pictured at top:

Michel “Away” Langevin – drums (1982–present)
Denis “Snake” Bélanger – vocals (1982–1994, 2001–present)
Daniel “Chewy” Mongrain – guitars (2008–present)
Dominic “Rocky” Laroche – bass (2014–present)
Manager James Maclean
The Metal Voice – Jimmy Kay, Perrin Wolfson

“I remember thinking, ‘Good God, I’d love to front that band.'” Bruce Dickinson on the first time he saw Iron Maiden live – long before he became their singer

Bruce Dickinson now and Iron Maiden in 1980

(Image credit: Getty Images)

Bruce Dickinson has revealed his initial impressions upon seeing Iron Maiden live for the first time – well before he eventually joined the band as their singer. Speaking to Record Collector‘s Joel McIver (reported by Metal Injection), Dickinson reminisces about how impressed he was when he witnessed the then-emergent British metallers take to the stage at London’s Music Machine venue (now KOKO). Maiden were supporting Dickinson’s own band at the time, Samson, and were fronted by Paul Di’Anno and yet to release their game-changing debut album.

 “The first time I saw Maiden was at what was then the Music Machine in Camden,” Dickinson explains. “Samson were headlining because our management had bankrolled the gig and said, ‘We want the top slot,’ although we didn’t really deserve it. That became obvious when Maiden came on because the whole place was rammed. I’d heard rumours about how good they were, and I thought I’d better see them. When they came out, I thought, ‘I’ve never seen Deep Purple, but this is what it must have felt like to see Deep Purple in their prime, rocking up a storm.'”

Dickinson has some polite if not exactly gushing words for the man he’d eventually replace in Maiden, describing Di’Anno’s performance that night as “okay” before adding: “he didn’t have a lot of flex to his voice. I thought his voice had come as far as it was going to get.”

When it came to the rest of Maiden, however, Dickinson had no doubt that he was witnessing something special.

“I saw what the rest of the band were capable of straight away, and I remember thinking, ‘Good God, I’d love to front that band,'” he says. “And as soon as they finished playing, everybody in the venue left and we were headlining to about three people.”

Di’Anno would be removed from Iron Maiden towards the end of 1981, with Dickinson replacing him soon after. Dickinson himself would depart the band after an immensely successful decade-plus, leaving in 1993 only to return six years later, remaining Maiden’s frontman ever since. The singer has spent most of this year, however, focusing on his solo career, releasing the critically acclaimed The Mandrake Project in March. He’ll return to Maiden duties for the continuation of the successful Future Past Tour later this year.

“There’s only so many things you can do in the limited period of time you have,” Dickinson told Metal Hammer earlier this year. “But it’s like the William Blake quote at the start of the video says: my business is to create, it’s what I do.”

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Merlin moved into his role as Executive Editor of Louder in early 2022, following over ten years working at Metal Hammer. While there, he served as Online Editor and Deputy Editor, before being promoted to Editor in 2016. Before joining Metal Hammer, Merlin worked as Associate Editor at Terrorizer Magazine and has previously written for the likes of Classic Rock, Rock Sound, eFestivals and others. Across his career he has interviewed legends including Ozzy Osbourne, Lemmy, Metallica, Iron Maiden (including getting a trip on Ed Force One courtesy of Bruce Dickinson), Guns N’ Roses, KISS, Slipknot, System Of A Down and Meat Loaf. He has also presented and produced the Metal Hammer Podcast, presented the Metal Hammer Radio Show and is probably responsible for 90% of all nu metal-related content making it onto the site. 

LORDI Release Standalone Single “Made Of Metal”

LORDI Release Standalone Single “Made Of Metal”

Merging the worlds of heavy metal music and cutting-edge technology, Finnish hard rocker legends Lordi unleash their ferocious new single “Made Of Metal”, inspired by the OnePlus Nord 4 smartphone’s world first all-metal unibody design in the 5G era.

Taking metal to its extremes, the song fuses chainsaw-sharp guitar riffs, stinging keys, and industrial strength drums to create a Richter-scale rhythm which commands the banging of heads. Lyrics speak to the track’s technological inspiration; “Steel hard and screamin’ look at me” and “Charged up with power to prevail” reference the OnePlus Nord 4’s all-metal unibody design and future-proof capabilities, while at the same time celebrating the brand’s love of all that is metal. The anthemic chorus of “Never settle, I am made of metal” delivers an iron-clad earworm that drills itself into the listener’s brain.

Alongside the song’s release, the frightening five-some of Lordi have starred in a behind the scenes film. The short film follows the band in the studio as they grapple with the novelty of the first all-metal phone in the 5G era and the staggering capabilities that come with it. The star of the show, Mr Lordi, erupts in rage at the existence of plastic throughout the film, vanishing a plastic bottle within a selfie in a single swipe using the OnePlus Nord 4 ‘AI Eraser 2.0’. The tagline of ‘Never Settle, Made of Metal’ rings true as the band unleashed the powerful track, fiercely thrashing their instruments using the phone itself.

Mr. Lordi comments: “M-E-T-A-L. We love metal, and so do OnePlus, which is why we jumped at the challenge of writing and producing a song inspired by world’s only metal unibody phone of the 5G era. We never thought anything could be more metal than us, but the all-metal OnePlus Nord 4 proved us wrong. We can’t wait for our fans to lose their heads to the hellraising new track, all while celebrating the most metal collaboration of all time. Can we say it one more time for people at the back? M-E-T-A-L!!!!!!!!🤘”

Lordi are:
Mr Lordi | vocals
Kone | guitars
Hiisi | bass
Hella | keyboard
Mana | drums

(Photo – Eero Kokko)

JINJER, THE GLORIOUS SONS, DED, RIVALS Join ShipRocked 2025 Lineup

JINJER, THE GLORIOUS SONS, DED, RIVALS Join ShipRocked 2025 Lineup

Jinjer, The Glorious Sons, DED and Rivals have joined the music lineup for the 15th year of ShipRocked, the premier rock music festival cruise. As previously announced, ShipRocked 2025 will feature Parkway Drive, Hollywood Undead, Nothing More and The Struts, as well as 10 Years, Atreyu, Buckcherry, The Ghost Inside, P.O.D. and many more during the January 19-25, 2025 cruise departing from Miami, Florida on Carnival Magic, with stops at St. Thomas in the U.S. Virgin Islands (a new destination for ShipRockers) and Half Moon Cay in The Bahamas.

In addition, Big Jay Oakerson returns to ShipRocked to bring late night laughs along with fellow comedians Mike Finoia and Tim Butterly. In keeping with ShipRocked 2025’s Retro Paradise ’80s theme, Nashville’s ’80s tribute act Rubiks Groove are also joining the party.

Look for the lineup for The Stowaways – ShipRocked’s exclusive all-star band – to be announced in the coming weeks.

While ShipRocked cabins sold out within days of going on sale, a limited number of staterooms have just been released for purchase at shiprocked.com.

The music lineup for ShipRocked 2025 includes: Parkway Drive, Hollywood Undead, Nothing More and The Struts, as well as 10 Years, Atreyu, Austin Meade, Buckcherry, Calva Louise, DED, Des Rocs, Devour The Day, Diamante, Flat Black, The Ghost Inside, GHØSTKID, The Glorious Sons, Goodbye June, Jigsaw Youth, Jinjer, Kid Kapichi, Nevertel, Oxymorrons, Plush, P.O.D., Rivals, Silly Goose, Spiritworld and more. ShipRocked also features exclusive performances by ShipRockers’ favorite all-star band The Stowaways.

In addition to nonstop music and exciting port visits, the ShipRocked schedule also includes traditional cruise activities with a rock ‘n’ roll twist, such as the ShipRocked blackjack tournament, dodgeball tournament, live band karaoke, singles mixers, trivia contests and morning yoga.

A floating music festival, a rock & roll summer camp held in the dead of winter, a family reunion for the growing number of ShipRockers who have forged lifelong relationships out of a shared passion for music (and an occasional bucket of beer) – ShipRocked is the premier rock music vacation, offering dozens of performances and unique collaborations, artist-hosted events and activities, theme nights, and ample opportunity for fans and bands alike to unwind and create new friendships in tropical paradise.

Drummer JASON BITTNER Announces His Departure From OVERKILL

Drummer JASON BITTNER Announces His Departure From OVERKILL

Jason Bittner has announced he has played his last show with New Jersey thrashers Overkill and will shift his focus to Shadows Fall and his new band Category 7. Bittner joined Overkill in 2017 and played on the studio albums The Wings Of War (2019) and Scorched (2023).

Bittner says in a statement:

“On August 1, 2024, I played the Vagos Metal Fest in Portugal, and it was the last show I will play in the band Overkill. For a while now I have been juggling a few different bands along with Overkill, and I knew at some point something would have to give since I simply can’t be three places at once. Over the course of this last year, my schedule has reached that breaking point.

“At this time Shadows Fall is working towards completion of our new material that will take us back out on the road sometime in 2025, as well as our fall shows we have booked for the rest of this year celebrating 20 years of The War Within.

“Compounded on top of this is my new band, Metal Blade recording artists Category 7 whose album just hit the shelves last month and will start touring soon through 2025. All of this adds up to something having to ‘take a break’, so as of today I no longer play drums in Overkill so I can concentrate solely on the bands that I am a full member/owner of.

“Now don’t worry – they currently have another great drummer already learning the material, and he will be ready to do battle for the upcoming tours. I would like to thank EVERYONE in the Overkill extended family for 7 1/2 years of laughs, killer shows, and fun around the globe.

“All our crew members throughout my run, our agents Dolores Lokas and Mike Monterulo, my tech Animal for always having my back (Shake and Bake), as well as all of our crew past and present, the SKULLKRUSHERS (much love Jurgen), and all the fans who supported my tenure in the band, I love you all, thank you, and will miss you on the European and King Diamond tours… but I’ll see you out there with Shadows Fall and Category 7.”

“Their love of Yes shines through once more… but their simpler arrangements are just as striking”: IZZ’s Collapse The Wave

When the pandemic hit soon after this previously fairly prolific bunch released their ninth album Don’t Panic in 2019, and plans to tour went awry, the core members of IZZ looked elsewhere for a while to flex their creative muscles. 

Vocalist Laura Meade released two solo albums, helped by partner and Izz producer John Galgano, alongside contributions from bandmates Tom Galgano and Brian Coralian. John Galgano relaunched his own record and guitarist Paul Bremner took the opportunity to do the same.

Meade’s longtime co-vocalist in IZZ, Anmarie Byrnes, isn’t listed as a contributor to Collapse The Wave, which might be one reason why this album has a sharper sense of contrast between light and shade in its songs – immediate and melodic when Meade’s vocals take centre-stage, knottier and more angular when Tom Galgano is chief narrator on the mic.

The band’s love of Yes shines through once more on There’s Hope, as jazz-rock chord jumbles and pirouetting keyboard flourishes are blended with rich vocal harmonies. Jon Anderson-style musings on the cosmiverse can also be heard on tracks such as We Are The 3rd

The 11 songs are relatively concise – the longest track clocks in at eight and a half minutes

They employ a gutsy rock punch at times too – Brace For Impact employs staccato riff stabs and Delia Derbyshire-ish synth eeriness either side of observations such as: ‘We are the first in the whole of creation / there’s nothing between us and our destination.’

The simpler arrangements are just as striking, though. Haunting, love-lorn piano ballad Deep Inside is led by Meade’s emotive tones before building into an irresistible duet with Galgano. The pace-breaking shift is repeated when gentle acoustics and soft organ light up Sometimes Sublime, before it swells into a sweeping anthem further intensified by Bremner’s ecstatic guitar work.

The 11 songs are relatively concise – the longest track clocks in at eight and a half minutes – without the kind of long-form compositions found on previous Izz albums. That may be why at times it feels like they’re falling back on similar-sounding tricks, such as the variations on quick-quick-slow time signatures – as if they’re making it choppy because, well, that’s what prog is meant to sound like.

When they use such techniques to create a mood, though, it works a treat, as on the arrestingly anxious Not About Me, wherein guitars screech neurotically while Galgano and Meade trade vocals of conspiratorial uncertainties: ‘Isn’t everyone supposed to be happy?’ they enquire at one point. Fair question – but like writing verse-chorus songs in 4/4, where’s the fun in that?

Collapse The Wave is on sale now.