“Righteous proof that rebel music and irony are alive and well”: Rage Against The Machine’s Killing In The Name amasses one billion Spotify streams

Rage Against The Machine’s Killing In The Name has been streamed one billion times on Spotify.

Guitarist Tom Morello announced that the rap metal band’s 1992 single crossed the billion-stream threshold in a post on X (formerly Twitter) on Saturday, January 11.

Killing In The Name just hit 1 billion streams on Spotify!” he wrote. “Thanks to all those who listened to it: those who love it, those who hate it, and those that have enjoyed it without understanding it. Righteous proof that rebel music and irony are alive and well.”

Killing In The Name was released in November 1992 as the lead single from Rage Against The Machine’s self-titled debut album. It instantly drew acclaim and controversy for the Los Angeles four-piece, whose mixture of rap and metal had only been attempted by a handful of bands before them.

The lyrics, which feature numerous profanities, attack racist police officers and the military-industrial complex. They also contain arguably Rage Against The Machine’s most famous line: “Fuck you, I won’t do what you tell me.”

Reflecting on Killing In The Name’s lyrics in a 2020 Rolling Stone interview, Morello said: “‘Fuck you, I won’t do what you tell me’ is a universal sentiment. While it’s a simple lyric, I think it’s one of [Zack De La Rocha’s, vocalist] most brilliant.

“And to me, it relates to Frederick Douglass. Frederick Douglass said, the moment he became free was not the moment that he was physically loosed from his bonds. It was the moment when master said, ‘Yes.’ And he said, ‘No.’ And that’s the essence of ‘Fuck you, I will not do what you tell me.’

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The song was a chart hit in 1992, reaching the top 20 in four countries, but found its greatest commercial success almost two decades later. In 2009, a social media campaign to get Killing In The Name to the UK’s coveted Christmas number one position over Joe McElderry, winner of prime-time TV talent show The X Factor, was successful.

Rage Against The Machine released two more studio albums after their debut (1996’s Evil Empire and 1999’s The Battle Of Angeles) before splitting in 2000. They’ve reunited multiple times since, most recently in 2020, but as of January 2024 are once again inactive.

According to Spotify’s official ‘Billions Club’ playlist, only 850 songs have reached the 10-digit mark. Other heavy metal tracks to have joined those hallowed ranks include Metallica’s Enter Sandman, Black Sabbath’s Paranoid and System Of A Down’s Chop Suey.

“KILLING IN THE NAME” just hit 1 billion streams on Spotify! Thanks to all those who listened to it: those who love it, those who hate it, and those that have enjoyed it without understanding it. Righteous proof that rebel music and irony are alive and well.January 11, 2025

The 50 best metal songs of 2024

Let’s face it, 2024 was a massive year for metal breaking through to the mainstream. Even without new releases from the likes of Metallica, Slipknot or Iron Maiden, there was a stunningly impressive and diverse selection of albums for fans to get their ears around.

And more importantly, the barrage of new singles was seemingly endless. Each week we hunted high and low to bring you the very best metal songs around from across the heavy music spectrum, and each week we asked you to vote for your favourites, crowning a top three. Then, as the year drew to a close, we asked you to vote one last time – and crown the very best metal song of 2024.

It was no easy task. In a year that brought back Kerry King, Kittie and Linkin Park, that saw new songs from the likes of Ghost, Judas Priest and Opeth and gave us massive team-ups and mainstream moments (including Gojira at the Olympics and Knocked Loose breaking through to late night TV on Jimmy Kimmel Live), there was a hell of a lot to pick from. But below, you’ll find the results of the fan vote, with over 60,000 votes taken into account for the final tally. These are the results.

A divider for Metal Hammer

50. Gaerea – Hope Shatters

Masked Portuguese black metallers Gaerea had already built up a buzz in the underground with their first three records. But Coma, their fourth release, pushed the boat out as the band begin folding more death metal influence into their sound, lead single Hope Shatters combining some of the high-toned ferocity of BM with an earthy, explosive heft that showed the band weren’t going to stay strictly in one lane.

GAEREA – HOPE SHATTERS (OFFICIAL VIDEO) – YouTube GAEREA - HOPE SHATTERS (OFFICIAL VIDEO) - YouTube

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49. Raging Speedhorn – Night Wolf

Back in the early 2000s, there was a point where it looked like Raging Speedhorn were seriously going to blow up. Single The Gush spent two weeks in the UK single charts – an astounding feat for a band so uncompromisingly heavy – and slipped into the top 50. While they never achieved the success they so clearly deserved, new single Night Wolf was a reminder that they were a band with the world in their sights, a veritable force of riffs and headbanging grooves that called back to the very best elements of Crowbar and Pantera.

Raging Speedhorn – Night Wolf (Official Music Video) – YouTube Raging Speedhorn - Night Wolf (Official Music Video) - YouTube

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48. Alcest – Flamme Jumelle

Almost 20 years since they set out the stall for blackgaze, Alcest remain masters of the form. But while they’re still given to flights of extremity, Flamme Jumelle showed they weren’t lax when it came to the more melodic side of the shoegaze/black metal balance, crafting a gorgeous and gentle tune with a few spikes of extremity to keep things spicy.

ALCEST – Flamme Jumelle (OFFICIAL MUSIC VIDEO) – YouTube ALCEST - Flamme Jumelle (OFFICIAL MUSIC VIDEO) - YouTube

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47. Dominum – One Of Us

Zombie Jesus. That’s the two-word pitch for the gloriously daft video for Dominum’s One Of Us, another slab of oh-so-catchy and irresistible power metal-adjacent fun to emerge from Germany, joining the likes of Powerwolf and Feuershwanz. Although a (relatively) new face on the scene, they’ve quickly established themselves as a rising force, the sheer catchiness of their tunes proving impossibly infectious, which given their undead fixation feels entirely appropriate.

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DOMINUM – One Of Us (Official Video) | Napalm Records – YouTube DOMINUM - One Of Us (Official Video) | Napalm Records - YouTube

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46. Red Method – All For One, None For All (ft. Jayant Bhadula)

Red Method were ahead of the curve when it came to the nu metal revival, their chunky, thudding slabs of metal harkening back to the days when metal bands would regularly inhabit the charts and hobnob with celebrities. Rather than hobnobbing with James Corden or whoever else passes as a celeb these days though, they instead opted to team up with Bloodywood’s Jayant Bhadula, producing a brilliant track that balances brutality with melody, drawing on the weightless melodies of Deftones whilst also delivering a serious death metal-inspired smackdown.

Red Method – All For One, None For All – [feat. Jayant Bhadula from Bloodywood] – [OFFICIAL VIDEO] – YouTube Red Method - All For One, None For All - [feat. Jayant Bhadula from Bloodywood] - [OFFICIAL VIDEO] - YouTube

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45. Kerry King – Idle Hands

Oh, how we waited for this. We’d known for years that Kerry King was locked away with Paul Bostaph working on a new project, but when it finally emerged with lead single Idle Hands King lived up to his name with a seriously premium slab of thrash metal. With perhaps a little more hardcore punk in its DNA and snarls’n’howls provided by Death Angel’s Mark Osegueda, Idle Hands was the perfect primer for King’s comeback. Hail to the King, baby.

Kerry King – Idle Hands (Official Audio) – YouTube Kerry King - Idle Hands (Official Audio) - YouTube

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44. Lamb Of God ft. Malevolence & Kublai Khan – Another Nail For Your Coffin

Bit of a cheat this one, but we can’t argue too hard when the results are this good. First released as a bonus on the 15th anniversary reissue of the seminal Ashes Of The Wake, Lamb Of God’s Another Nail For Your Coffin is closer to the metalcore stylings of Killswitch Engage than their usual groove oriented style. To celebrate the 20th anniversary, LOG invited tourmatres Malevolence and Kubhlai Khan to add extra vocals on the track, resulting in an all-star team-up that highlights just how brilliant the contemporary metal scene is.

Another Nail For Your Coffin (Feat. Kublai Khan TX & Malevolence) – YouTube Another Nail For Your Coffin (Feat. Kublai Khan TX & Malevolence) - YouTube

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43. Apocalyptica – The Four Horsemen

Returning to the format that introduced them to the world almost 30 years ago, Apocalyptica were back to their Metallica-covering antics on …Plays Metallica Vol. 2. The highlight? An absolutely rampaging cover of The Four Horsemen, given a cello makeover and with guest contributions from Rob Trujillo to really lock in the grooves.

Apocalyptica – The Four Horsemen ft. Rob Trujillo (Official Video) – YouTube Apocalyptica - The Four Horsemen ft. Rob Trujillo (Official Video) - YouTube

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42. Bridear – Still Burning

Over a decade since their formation, Japan’s Bridear remain an enthralling prospect. Still Burning found the band offering up a meatier, heavier vision for power metal, proving that while the likes of Babymetal and Hanabie might have the market cornered when it comes to cutesy metal, other corners of Japan’s metal scene remain rooted in tradition and sheer fucking heft.

BRIDEAR – Still Burning [Official music video] – YouTube BRIDEAR - Still Burning [Official music video] - YouTube

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41. Machine Head x In Flames x Lacuna Coil x Unearth – These Scars Won’t Define Us

Was 2024 the year of the team-up? From Poppy appearing with Knocked Loose to Babymetal and Bloodywood joining forces, there were plenty of huge collabs throughout the year (more than a few you’ll find in this list, in fact). But there’s no way it comes any bigger than the almighty package Machine Head pulled together for These Scars Won’t Define Us, inviting tourmates In Flames, Lacuna Coil and Unearth to collaborate on a metal anthem that offers a glimpse at where Robb Flynn and co. are headed in 2025.

MACHINE HEAD – “These Scars Won’t Define Us” feat. In Flames, Lacuna Coil, Unearth (LYRIC VIDEO) – YouTube MACHINE HEAD -

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Chicago Adds More Than 35 Shows to 2025 Tour

Chicago has added more than 35 new stops to a previously announced run of 2025 concerts in North America. The complete list of shows is below; newly announced dates are followed by an asterisk.

The tour was already set to begin on Jan. 26, in Melbourne, Florida, and now runs through Sept. 10 in San Diego. Chicago will preview the shows with a Jan. 24 appearance on NBC’s Kelly Clarkson Show.

Key stops include New York City, Boston, St. Louis, Denver, Kansas City, Phoenix, Milwaukee and Atlantic City, among others. Chicago will also perform in an extended residency at the Venetian in Las Vegas, beginning on Feb. 28. More dates are expected to be announced.

READ MORE: Chicago Could Continue Without Any Original Members

Chicago played sold-out shows in 2024 across America and into Japan, both alone and in co-headlining appearances with Earth Wind and Fire. They also celebrated the anniversary of their double-platinum debut with Live at 55, a guest-packed movie and album featuring Steve Vai and others that arrived in November.

Tickets for most of the newly announced shows go on sale Friday, Jan 17. Visit ChicagoTheBand.com/tour for more information and tickets.

Listen to ‘Beginnings’ From Chicago’s ‘Live at 55’

Chicago 2025 Tour Dates
1/26 – Melbourne, FL @ King Center For The Performing Arts
1/30 – Fort Myers, FL @ Barbara B. Mann Performing Arts Hall at FSW
1/31 – Key West, FL @ Key West Amphitheater
2/28 – Las Vegas, NV @ The Venetian Theatre
3/1 – Las Vegas, NV @ The Venetian Theatre
3/4 – Phoenix, AZ @ Celebrity Theatre
3/5 – Las Vegas, NV @ The Venetian Theatre
3/7-9 – Las Vegas, NV @ The Venetian Theatre
3/12 – Las Vegas, NV @ The Venetian Theatre
3/14-15 – Las Vegas, NV @ The Venetian Theatre
3/27 – Tulsa, OK @ Paradise Cove at River Spirit Casino Resort*
3/28 – Norman, OK @ Riverwind Casino
3/29 – Thackerville, OK @ Lucas Oil Live at WinStar World Casino and Resort
3/31 – San Antonio, TX @ Majestic Theatre
4/2 – Austin, TX @ ACL Live at The Moody Theater
4/4-5 – Biloxi, MS @ Beau Rivage Theatre
4/8 – Huntsville, AL @ VBC Mark C. Smith Concert Hall
4/9 – Macon, GA @ Macon City Auditorium
4/11 – Clearwater, FL @ The BayCare Sound at Coachman Park
4/12 – Hollywood, FL @ Hard Rock Live
4/13 – St Augustine, FL @ The St. Augustine Amphitheatre
4/16 – North Charleston, SC @ North Charleston Performing Arts Center
4/18 – Cherokee, NC @ Harrah’s Cherokee Resort Event Center
4/19 – Durham, NC – Durham Performing Arts Center
6/13 – Waite Park, MN @ The Ledge Amphitheater*
6/17 – Lincoln, NE @ Pinewood Bowl Theater*
6/18 – Dubuque, IA @ Five Flags Center*
6/20 – Appleton, WI @ Fox Cities Performing Arts Center*
6/21 – Ft Wayne, IA @ Embassy Theatre*
6/24 – Kalamazoo, MI @ Miller Auditorium*
6/25 – Mt Pleasant, MI @ Soaring Eagle Casino & Resort*
6/27 – St. Louis, MO @ Stifel Theatre*
6/28 – Kansas City, MO @ Starlight Theatre*
7/1 – Peoria, IL – Prairie Home Alliance Theater*
7/2 – Louisville, KY @ The Louisville Palace Theatre*
7/4 – Milwaukee, WI @ BMO Pavillion
7/22 – Virginia Beach, VA @ Virginia Beach – The Dome*
7/23 – Vienna, VA @ Wolf Trap*
7/25 – Newark, NJ @ New Jersey Performing Arts Center*
7/26-27 – Atlantic City, NJ @ Hard Rock Live at Etess Arena*
7/29 – Bridgeport, CT @ Hartford HealthCare Amphitheater*
7/31 – Bangor, ME @ Maine Savings Amphitheater*
8/1 – Gilford, NH @ BankNH Pavillion*
8/2 – Boston, MA – Leader Bank Pavillion*
8/5 – Bethlehem, PA @ Wind Creek Steel Stage at PNC Plaza*
8/6 – New York, NY @ Beacon Theatre*
8/8 – Lewiston, NY @ Artpark*
8/9 – Verona, NY @ The Event Center at Turning Stone Resort Casino*
8/10 – Saratoga Springs, NY @ Saratoga Performing Arts Center*
8/21 – Sandy, UT @ Sandy Amphitheater*
8/23 – Colorado Springs, CO @ Ford Amphitheater*
8/24 – Denver, CO @ Fiddler’s Green Amphitheater*
8/27 – Boise, ID @ Outlaw Field at the Idaho Botanical Garden*
8/31 – Bend, OR @ Hayden Homes Amphitheater*
9/3 – Santa Rosa, CA @ Luther Burbank Center for the Arts*
9/5 – Lincoln, CA @ The Venue at Thunder Valley Casino Resort
9/6-7 – Saratoga, CA @ The Mountain Winery*
9/9 – Paso Robles, CA @ Vina Robles Amphitheatre*
9/10 – San Diego, CA @ The Rady Shell at Jacobs Park*

Rock’s 100 Most Underrated Albums

You know that LP that it seems like only you love? Let’s talk about those.

Gallery Credit: UCR Staff

The Best-Selling Rock Songs of the 21st Century (So Far)

The Best-Selling Rock Songs of the 21st Century (So Far)
Charles Taylor, Getty Images

Billboard has released a list of the Top 100 Songs of the 21st Century. If you’re having a busy day don’t worry, it will not take you very long to read about the rock artists featured on their list.

That’s because Nickelback and Santana are the only two rock acts to earn a spot on the list. Nickelback reached No. 24 with “How You Remind Me,” from their 2001 album Silver Side Up. Santana (featuring The Product G&B) follows at No. 56 with “Maria Maria” from his 1999 album Supernatural.

If you want to push the boundaries a bit, Rolling Stones frontman Mick Jagger is the subject of the song that reached No. 39, Maroon 5’s “Moves Like Jagger.”

The Weeknd earned the top spot on Billboard’s song list with “Blinding Lights,” followed by Mark Ronson and Bruno Mars’ “Uptown Funk.” The Black Eyed Peas, Ed Sheeran, Morgan Wallen, Dua Lipa and Mariah Carey all also earned spots in the Top 10.

Rock acts did a bit better on Billboard’s Top 200 Albums of the 21st Century list, with artists such as Nickelback, Santana, the Beatles and Guns N’ Roses earning 19 spots.

Read More: The Best-Selling Rock Albums of the 21st Century (So Far)

Nickelback was also the highest-charting rock artist on the magazine’s list of the Top Artists of the Century, coming in at No. 26. Linkin Park hit No. 37, Coldplay No. 53, Creed No. 66, 3 Doors Down No. 76, Kid Rock No. 83, Daughtry No. 89 and Santana No. 98. Taylor Swift, Drake and Rihanna came in first, second and third.

Rock Songs on Billboard’s Top Hot 100 Songs of the 21st Century List:

24. Nickelback, “How You Remind Me”
56. Santana, “Maria Maria”

Top 40 Debut Rock Albums

You get only one shot at a first impression.

Gallery Credit: Ultimate Classic Rock Staff

More From Ultimate Classic Rock

Complete List Of The Beatles Songs From A to Z

Complete List Of The Beatles Songs From A to Z

Feature Photo: Omroepvereniging VARA, CC BY-SA 3.0 NL , via Wikimedia Commons

The Beatles, a band that would forever change the landscape of popular music, hailed from Liverpool, England. Comprising John Lennon, Paul McCartney, George Harrison, and Ringo Starr, the group came together in 1960, blending their distinct talents and influences into a sound that resonated globally. What began as a local phenomenon in their hometown quickly transformed into an international sensation, fueled by relentless determination and an unmatched musical chemistry.

Their journey to stardom began with their early performances in Liverpool’s Cavern Club and Hamburg’s gritty music venues. These formative years were pivotal, honing their skills and building their reputation as an electrifying live act. In 1962, they secured a record deal with EMI’s Parlophone label under producer George Martin, a collaboration that would prove vital to their creative success. With the release of their first single, “Love Me Do,” in October 1962, The Beatles began their meteoric rise.

The group’s debut album, Please Please Me (1963), recorded in just over 12 hours, showcased their raw energy and songwriting prowess. It included tracks like “I Saw Her Standing There” and “Twist and Shout,” which quickly became fan favorites. Their second album, With The Beatles (1963), solidified their status as Britain’s hottest act, featuring hits such as “All My Loving.” By this time, Beatlemania had taken hold in the UK, with screaming fans and packed concert halls marking every appearance.

Their international breakthrough came in 1964 with their appearance on The Ed Sullivan Show, introducing them to millions of Americans. That same year, they released A Hard Day’s Night, an album entirely composed of original material, alongside a film of the same name. The title track, along with songs like “Can’t Buy Me Love,” showcased their knack for catchy melodies and innovative studio techniques. The success continued with Beatles for Sale (1964) and Help! (1965), with tracks such as “Yesterday” demonstrating a maturing lyrical and musical depth.

1965’s Rubber Soul marked a turning point, blending folk influences with introspective lyrics in songs like “Norwegian Wood” and “In My Life.” The following year’s Revolver pushed boundaries further, incorporating psychedelic elements and groundbreaking studio experimentation. Tracks like “Eleanor Rigby” and “Tomorrow Never Knows” highlighted their willingness to innovate and challenge musical norms.

The release of Sgt. Pepper’s Lonely Hearts Club Band (1967) was a cultural milestone, often heralded as one of the greatest albums of all time. It included classics like “Lucy in the Sky with Diamonds” and “A Day in the Life,” showcasing their unparalleled creativity. This period also saw the release of “All You Need Is Love,” a global anthem performed during the first live international satellite broadcast.

Their later works, including The White Album (1968) and Abbey Road (1969), continued to push musical boundaries. Songs like “While My Guitar Gently Weeps,” “Come Together,” and “Here Comes the Sun” remain timeless classics. Despite internal tensions, the band demonstrated their cohesive brilliance one last time with Let It Be (1970), featuring tracks such as “The Long and Winding Road.”

The Beatles’ influence extended far beyond music. Their role in the counterculture movement of the 1960s, as well as their ventures into film and business with Apple Corps, cemented their status as cultural icons. Their commitment to artistic evolution and their ability to connect with listeners on a deeply personal level are among the reasons they remain beloved to this day.

Outside of music, individual members pursued philanthropic endeavors, with George Harrison organizing the Concert for Bangladesh in 1971, a pioneering benefit concert. Paul McCartney’s advocacy for animal rights and John Lennon’s peace activism further demonstrated their impact beyond the stage and studio.

With over 600 million album sales worldwide, The Beatles remain the best-selling music act in history. They garnered countless accolades, including 7 Grammy Awards, an Academy Award for Best Original Song Score (Let It Be), and induction into the Rock and Roll Hall of Fame as a group in 1988 (with each member inducted individually later). Their legacy is preserved through countless tributes, scholarly studies, and the enduring love of fans across generations.

BEATLES SONGS FROM A- Z

Original Albums and Singles List

(A-C)

“Across the Universe”Let It Be, Past Masters (1969)
“Act Naturally”Help! (1965)
“All I’ve Got to Do”With the Beatles (1963)
“All My Loving”With the Beatles (1963)
“All Together Now”Yellow Submarine (1969)
“All You Need Is Love”Magical Mystery Tour (1967)
“And I Love Her”A Hard Day’s Night (1964)
“And Your Bird Can Sing”Revolver (1966)
“Anna (Go to Him)”Please Please Me (1963)
“Another Girl”Help! (1965)
“Any Time at All”A Hard Day’s Night (1964)
“Ask Me Why”Please Please Me (1963)
“Baby It’s You”Please Please Me (1963)
“Baby, You’re a Rich Man”Magical Mystery Tour (1967)
“Baby’s in Black”Beatles for Sale (1964)
“Back in the U.S.S.R.”The Beatles (“White Album”) (1968)
“Bad Boy”Past Masters (1965)
“The Ballad of John and Yoko”Past Masters (1969)
“Because”Abbey Road (1969)
“Being for the Benefit of Mr. Kite!”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Birthday”The Beatles (“White Album”) (1968)
“Blackbird”The Beatles (“White Album”) (1968)
“Blue Jay Way”Magical Mystery Tour (1967)
“Boys”Please Please Me (1963)
“Can’t Buy Me Love”A Hard Day’s Night (1964)
“Carry That Weight”Abbey Road (1969)
“Chains”Please Please Me (1963)
“Come Together”Abbey Road (1969)
“The Continuing Story of Bungalow Bill”The Beatles (“White Album”) (1968)
“Cry Baby Cry”The Beatles (“White Album”) (1968)

(D-G)

“A Day in the Life”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Day Tripper”Past Masters (1965)
“Dear Prudence”The Beatles (“White Album”) (1968)
“Devil in Her Heart”With the Beatles (1963)
“Dig a Pony”Let It Be (1970)
“Dig It”Let It Be (1970)
“Dizzy Miss Lizzy”Help! (1965)
“Do You Want to Know a Secret”Please Please Me (1963)
“Doctor Robert”Revolver (1966)
“Don’t Bother Me”With the Beatles (1963)
“Don’t Let Me Down”Past Masters (1969)
“Don’t Pass Me By”The Beatles (“White Album”) (1968)
“Drive My Car”Rubber Soul (1965)
“Eight Days a Week”Beatles for Sale (1964)
“Eleanor Rigby”Revolver (1966)
“The End”Abbey Road (1969)
“Every Little Thing”Beatles for Sale (1964)
“Everybody’s Got Something to Hide Except Me and My Monkey”The Beatles (“White Album”) (1968)
“Everybody’s Trying to Be My Baby”Beatles for Sale (1964)
“Fixing a Hole”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Flying”Magical Mystery Tour (1967)
“The Fool on the Hill”Magical Mystery Tour (1967)
“For No One”Revolver (1966)
“For You Blue”Let It Be (1970)
“From Me to You”Past Masters (1963)
“Get Back”Let It Be, Past Masters (1969)
“Getting Better”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Girl”Rubber Soul (1965)
“Glass Onion”The Beatles (“White Album”) (1968)
“Golden Slumbers”Abbey Road (1969)
“Good Day Sunshine”Revolver (1966)
“Good Morning Good Morning”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Good Night”The Beatles (“White Album”) (1968)
“Got to Get You into My Life”Revolver (1966)

(H-K)

“A Hard Day’s Night”A Hard Day’s Night (1964)
“Happiness Is a Warm Gun”The Beatles (“White Album”) (1968)
“Hello, Goodbye”Magical Mystery Tour (1967)
“Help!”Help! (1965)
“Helter Skelter”The Beatles (“White Album”) (1968)
“Her Majesty”Abbey Road (1969)
“Here Comes the Sun”Abbey Road (1969)
“Here, There and Everywhere”Revolver (1966)
“Hey Bulldog”Yellow Submarine (1969)
“Hey Jude”Past Masters (1968)
“Hold Me Tight”With the Beatles (1963)
“Honey Don’t”Beatles for Sale (1964)
“Honey Pie”The Beatles (“White Album”) (1968)
“I Am the Walrus”Magical Mystery Tour (1967)
“I Call Your Name”Past Masters (1964)
“I Don’t Want to Spoil the Party”Beatles for Sale (1964)
“I Feel Fine”Past Masters (1964)
“I Me Mine”Let It Be (1970)
“I Need You”Help! (1965)
“I Saw Her Standing There”Please Please Me (1963)
“I Should Have Known Better”A Hard Day’s Night (1964)
“I Wanna Be Your Man”With the Beatles (1963)
“I Want to Hold Your Hand”Past Masters (1963)
“I Want to Tell You”Revolver (1966)
“I Want You (She’s So Heavy)”Abbey Road (1969)
“I Will”The Beatles (“White Album”) (1968)
“If I Fell”A Hard Day’s Night (1964)
“If I Needed Someone”Rubber Soul (1965)
“I’ll Be Back”A Hard Day’s Night (1964)
“I’ll Cry Instead”A Hard Day’s Night (1964)
“I’ll Follow the Sun”Beatles for Sale (1964)
“I’ll Get You”Past Masters (1963)
“I’m a Loser”Beatles for Sale (1964)
“I’m Down”Past Masters (1965)
“I’m Happy Just to Dance with You”A Hard Day’s Night (1964)
“I’m Looking Through You”Rubber Soul (1965)
“I’m Only Sleeping”Revolver (1966)
“I’m So Tired”The Beatles (“White Album”) (1968)
“I’ve Got a Feeling”Let It Be (1970)
“I’ve Just Seen a Face”Help! (1965)
“In My Life”Rubber Soul (1965)
“The Inner Light”Past Masters (1968)
“It Won’t Be Long”With the Beatles (1963)
“It’s All Too Much”Yellow Submarine (1969)
“It’s Only Love”Help! (1965)
“Julia”The Beatles (“White Album”) (1968)
“Kansas City/Hey-Hey-Hey-Hey!”Beatles for Sale (1964)
“Komm, gib mir deine Hand”Past Masters (1964)

(L-O)

“Lady Madonna”Past Masters (1968)
“Let It Be”Let It Be / Past Masters (1970)
“Little Child”With the Beatles (1963)
“The Long and Winding Road”Let It Be (1970)
“Long Tall Sally”Past Masters (1964)
“Long, Long, Long”The Beatles (“White Album”) (1968)
“Love Me Do”Please Please Me / Past Masters (1962)
“Love You To”Revolver (1966)
“Lovely Rita”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Lucy in the Sky with Diamonds”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Maggie Mae”Let It Be (1970)
“Magical Mystery Tour”Magical Mystery Tour (1967)
“Martha My Dear”The Beatles (“White Album”) (1968)
“Matchbox”Past Masters (1964)
“Maxwell’s Silver Hammer”Abbey Road (1969)
“Mean Mr. Mustard”Abbey Road (1969)
“Michelle”Rubber Soul (1965)
“Misery”Please Please Me (1963)
“Money (That’s What I Want)”With the Beatles (1963)
“Mother Nature’s Son”The Beatles (“White Album”) (1968)
“Mr. Moonlight”Beatles for Sale (1964)
“The Night Before”Help! (1965)
“No Reply”Beatles for Sale (1964)
“Norwegian Wood (This Bird Has Flown)”Rubber Soul (1965)
“Not a Second Time”With the Beatles (1963)
“Nowhere Man”Rubber Soul (1965)
“Ob-La-Di, Ob-La-Da”The Beatles (“White Album”) (1968)
“Octopus’s Garden”Abbey Road (1969)
“Oh! Darling”Abbey Road (1969)
“Old Brown Shoe”Past Masters (1969)
“One After 909”Let It Be (1970)
“Only a Northern Song”Yellow Submarine (1969)

(P-S)

“Paperback Writer”Past Masters (1966)
“Penny Lane”Magical Mystery Tour (1967)
“Piggies”The Beatles (“White Album”) (1968)
“Please Mr. Postman”With the Beatles (1963)
“Please Please Me”Please Please Me (1963)
“Polythene Pam”Abbey Road (1969)
“P.S. I Love You”Please Please Me (1962)
“Rain”Past Masters (1966)
“Revolution”Past Masters (1968)
“Revolution 1”The Beatles (“White Album”) (1968)
“Revolution 9”The Beatles (“White Album”) (1968)
“Rock and Roll Music”Beatles for Sale (1964)
“Rocky Raccoon”The Beatles (“White Album”) (1968)
“Roll Over Beethoven”With the Beatles (1963)
“Run for Your Life”Rubber Soul (1965)
“Savoy Truffle”The Beatles (“White Album”) (1968)
“Sexy Sadie”The Beatles (“White Album”) (1968)
“Sgt. Pepper’s Lonely Hearts Club Band”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Sgt. Pepper’s Lonely Hearts Club Band (Reprise)”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“She Came In Through the Bathroom Window”Abbey Road (1969)
“She Loves You”Past Masters (1963)
“She Said She Said”Revolver (1966)
“She’s a Woman”Past Masters (1964)
“She’s Leaving Home”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Sie liebt dich”Past Masters (1964)
“Slow Down”Past Masters (1964)
“Something”Abbey Road (1969)
“Strawberry Fields Forever”Magical Mystery Tour (1967)
“Sun King”Abbey Road (1969)

(T-Z)

“A Taste of Honey”Please Please Me (1963)
“Taxman”Revolver (1966)
“Tell Me What You See”Help! (1965)
“Tell Me Why”A Hard Day’s Night (1964)
“Thank You Girl”Past Masters (1963)
“There’s a Place”Please Please Me (1963)
“Things We Said Today”A Hard Day’s Night (1964)
“Think for Yourself”Rubber Soul (1965)
“This Boy”Past Masters (1963)
“Ticket to Ride”Help! (1965)
“Till There Was You”With the Beatles (1963)
“Tomorrow Never Knows”Revolver (1966)
“Twist and Shout”Please Please Me (1963)
“Two of Us”Let It Be (1970)
“Wait”Rubber Soul (1965)
“We Can Work It Out”Past Masters (1965)
“What Goes On”Rubber Soul (1965)
“What You’re Doing”Beatles for Sale (1964)
“When I Get Home”A Hard Day’s Night (1964)
“When I’m Sixty-Four”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“While My Guitar Gently Weeps”The Beatles (“White Album”) (1968)
“Why Don’t We Do It in the Road?”The Beatles (“White Album”) (1968)
“Wild Honey Pie”The Beatles (“White Album”) (1968)
“With a Little Help from My Friends”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“Within You Without You”Sgt. Pepper’s Lonely Hearts Club Band (1967)
“The Word”Rubber Soul (1965)
“Words of Love”Beatles for Sale (1964)
“Yellow Submarine”Revolver (1966)
“Yer Blues”The Beatles (“White Album”) (1968)
“Yes It Is”Past Masters (1965)
“Yesterday”Help! (1965)
“You Can’t Do That”A Hard Day’s Night (1964)
“You Know My Name (Look Up the Number)”Past Masters (1970)
“You Like Me Too Much”Help! (1965)
“You Never Give Me Your Money”Abbey Road (1969)
“You Really Got a Hold on Me”With the Beatles (1963)
“You Won’t See Me”Rubber Soul (1965)
“Your Mother Should Know”Magical Mystery Tour (1967)
“You’re Going to Lose That Girl”Help! (1965)
“You’ve Got to Hide Your Love Away”Help! (1965)

Other Beatles songs not released as part of the original albums or singles

The following songs were released as part of “The Anthology Series,” “Live at the BBC series,” and any Deluxe editions or films that were released.

(A-H)

“12-Bar Original”Anthology 2 (1996)
“Ain’t She Sweet”Anthology 1 (1995)
“All Things Must Pass”Anthology 3 (1996)
“Bad to Me”The Beatles Bootleg Recordings 1963 (2013)
“Beautiful Dreamer”On Air – Live at the BBC Volume 2 (2013)
“Bésame Mucho”Anthology 1 (1995)
“Blue Moon”The Beatles (“White Album”) (2018 Deluxe Edition)
“Can You Take Me Back?”The Beatles (“White Album”) (2018 Deluxe Edition)
“Carol”Live at the BBC (1994)
“Cayenne”Anthology 1 (1995)
“Child of Nature”The Beatles (“White Album”) (2018 Deluxe Edition)
“Christmas Time (Is Here Again)” – Non-album single (B-side of “Free as a Bird”) (1995)
“Circles”The Beatles (“White Album”) (2018 Deluxe Edition)
“Clarabella”Live at the BBC (1994)
“Come and Get It”Anthology 3 (1996)
“Cry for a Shadow”Anthology 1 (1995)
“Crying, Waiting, Hoping”Live at the BBC (1994)
“Don’t Ever Change”Live at the BBC (1994)
“Free as a Bird”Anthology 1 (1995)
“Glad All Over”Live at the BBC (1994)
“Goodbye”Abbey Road (2019 Super Deluxe Edition)
“Hallelujah, I Love Her So”Anthology 1 (1995)
“Hello Little Girl”Anthology 1 (1995)
“The Hippy Hippy Shake”Live at the BBC (1994)
“The Honeymoon Song”Live at the BBC (1994)

(I-Z)

“I Forgot to Remember to Forget”Live at the BBC (1994)
“I Got a Woman”Live at the BBC (1994)
“I Got to Find My Baby”Live at the BBC (1994)
“I Just Don’t Understand”Live at the BBC (1994)
“I’ll Be on My Way”Live at the BBC (1994)
“I’m in Love”The Beatles Bootleg Recordings 1963 (2013)
“I’m Gonna Sit Right Down and Cry (Over You)”Live at the BBC (1994)
“I’m Talking About You”On Air – Live at the BBC Volume 2 (2013)
“If You’ve Got Trouble”Anthology 2 (1996)
“In Spite of All the Danger”Anthology 1 (1995)
“Jazz Piano Song”Let It Be (film) (1970)
“Jessie’s Dream”Magical Mystery Tour (film) (1967)
“Johnny B. Goode”Live at the BBC (1994)
“Junk”Anthology 3 (1996)
“Keep Your Hands off My Baby”Live at the BBC (1994)
“Lawdy Miss Clawdy”Let It Be (film) (1970)
“Leave My Kitten Alone”Anthology 1 (1995)
“Lend Me Your Comb”Anthology 1 (1995)
“Like Dreamers Do”Anthology 1 (1995)
“Lonesome Tears in My Eyes”Live at the BBC (1994)
“Lucille”Live at the BBC (1994)
“Mailman, Bring Me No More Blues”Anthology 3 (1996)
“Memphis, Tennessee”Live at the BBC (1994)
“Moonlight Bay”Anthology 1 (1995)
“My Bonnie”Anthology 1 (1995)
“Not Guilty”Anthology 3 (1996)
“Nothin’ Shakin’”Live at the BBC (1994)
“Now and Then”1967–1970 (2023 expanded edition) (2023)
“Ooh! My Soul”Live at the BBC (1994)
“Real Love”Anthology 2 (1996)
“Rip It Up/Shake, Rattle and Roll/Blue Suede Shoes”Anthology 3 (1996)
“Searchin’”Anthology 1 (1995)
“The Sheik of Araby”Anthology 1 (1995)
“A Shot of Rhythm and Blues”Live at the BBC (1994)
“Shout”Anthology 1 (1995)
“So How Come (No One Loves Me)”Live at the BBC (1994)
“Soldier of Love”Live at the BBC (1994)
“Some Other Guy”Live at the BBC (1994)
“Sour Milk Sea”The Beatles (“White Album”) (2018 Deluxe Edition) (2018)
“Step Inside Love/Los Paranoias”Anthology 3 (1996)
“St. Louis Blues”The Beatles (“White Album”) (2018 Deluxe Edition) (2018)
“Sure to Fall (in Love with You)”Live at the BBC (1994)
“Suzy Parker”Let It Be (film) (1970)
“Sweet Little Sixteen”Live at the BBC (1994)
“Teddy Boy”Anthology 3 (1996)
“That Means a Lot”Anthology 2 (1996)
“That’ll Be the Day”Anthology 1 (1995)
“That’s All Right (Mama)”Live at the BBC (1994)
“Three Cool Cats”Anthology 1 (1995)
“To Know Her Is to Love Her”Live at the BBC (1994)
“Too Much Monkey Business”Live at the BBC (1994)
“What’s the New Mary Jane”Anthology 3 (1996)
“You Know What to Do”Anthology 1 (1995)
“Young Blood”Live at the BBC (1994)
“You’ll Be Mine”Anthology 1 (1995)
“(You’re So Square) Baby I Don’t Care”The Beatles (“White Album”) (2018 Deluxe Edition) (2018)

Check out our fantastic and entertaining Beatles articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Complete Beatles Songs List And Albums Discography
Top 10 Beatles Songs of 1963
Top 10 Beatles Songs of 1964
Top 10 Beatles Songs of 1965-1966
Top 10 Beatles Songs of 1967-1968
Top 10 Beatles Songs of 1969-1970
Top 10 Beatles Love Songs
Top 100 Beatles Songs
Top 10 Beatles Albums
Top 10 Beatles Album Covers
Best Beatles Box Sets
Why The Beatles Should Have Never Broken Up
Why The Beatles A Hard Day’s Night Album Was So Special
Beatles Live At The Hollywood Bowl Defines The Band In The Beatles
50 Years Ago Today The Beatles Last Played Shea
Beatles New Let It Be Film In The Making
The Beatles White Album Deluxe 50th Anniversary Edition
A Heartfelt Retrospective Of The Beatles Solo Albums Of 1970
Beatles ‘Get Back’ Debuts Today On Disney + And It’s Stunning
Beatles Get Back Documentary Will Inspire A New Wave of Artists
Top 10 Non-Beatle Characters In Beatles Movies
Why 1974 Was Such A Busy Year For The Beatles
Best Solos Performed On Beatles Solo Records
Beatles Albums In Order Of Original UK And US Studio Issues

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

Complete List of Beatles Songs From A to Z  article published on Classic RockHistory.com© 2024

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Today In Metal History 🤘 January 12th, 2025 🤘LED ZEPPELIN, ROB ZOMBIE, SWORD, APRIL WINE, DEEP PURPLE

Today In Metal History 🤘 January 12th, 2025 🤘LED ZEPPELIN, ROB ZOMBIE, SWORD, APRIL WINE, DEEP PURPLE

HEAVY BIRTHDAYS

Happy 62nd 
Rick Hughes (SWORD) – January 12th, 1963

Happy 60th 
Robert Bartleh Cummings (real name ROB ZOMBIE, WHITE ZOMBIE) – January 12th, 1965

Happy 55th
Zack De La Rocha (RAGE AGAINST THE MACHINE) – January 12th, 1970

HEAVY RELEASES

Happy 56th 
LED ZEPPELIN’s Led Zeppelin – January 12th, 1969

Happy 44th 
APRIL WINE’s The Nature Of The Beast – January 12th, 1981

Happy 38th 
DEEP PURPLE’s The House Of Blue Light – January 12th, 1987

Happy 27th 
MERCENARY’s First Breath – January 12th, 1998

Happy 25th 
THE BLACK CROWES’ By Your Side – January 12th, 1999
 
Happy 21st 
ICED EARTH’s The Glorious Burden – January 12th, 2004

Happy 18th
GRAVE DIGGER’s Liberty Or Death – January 12th, 2007
THERION’s Gothic Kabbalah – January 12th, 2007 

Happy 14th 
STRATOVARIUS’ Elysium – January 12th, 2011
MYGRAIN’s myGRAIN – January 12th, 2011

Happy 12th Birthday
MORS PRINCIPIUM EST’s …And Death Said Live – January 12th, 2013
MUTINY WITHIN’s Synchronicity – January 12th, 2013

Happy 10th 
WEDNESDAY 13’s Monsters Of The Universe: Come Out And Plague – January 12th, 2015

Happy 7th 
AVATAR’s Avatar Country – January 12th, 2018
BLACK VEIL BRIDES’ Vale – January 12th, 2018
CORROSION OF CONFORMITY’s No Cross No Crown – January 12th, 2018
LEAVES’ EYES’ Sign Of The Dragonhead – January 12th, 2018
WHITE WIZZARD’s Infernal Overdrive – January 12th, 2018
HAMFERD – Támsins likam – January 12th, 2018
HEIDEVOLK – Vuur Van Verzet – January 12th, 2018
MYSTIC PROPHECY – Monuments Uncovered (covers album) – January 12th, 2018
TRESPASS – Footprints in the Rock – January 12th, 2018
TY TABOR – Alien Beans – January 12th, 2018


ROBERT FRIPP & TOYAH Perform FOO FIGHTERS Hit “Everlong” For Sunday Lunch (Video)

ROBERT FRIPP & TOYAH Perform FOO FIGHTERS Hit

King Crimson founder Robert Fripp and his wife, Toyah Willcox, have served up a performance of the Foo Fighters hit, “Everlong” for Sunday Lunch.

Fender Musical Instruments Corporation (FMIC) recently announced the Chris Shiflett Cleaver Telecaster® Deluxe, the new American-made signature model from Chris Shiflett – lead guitarist for the Foo Fighters, solo artist, and host of the podcast, Shred With Shifty.

Night after night, Shiflett carves his way through a full brigade of guitar tones on the biggest, loudest stages in the world, and this tour-tested guitar is named “The Cleaver” for a reason – it positively slashes through the mix with a voice that snarls dirty as well as it sings clean. Previously available only as a Fender Custom Shop Masterbuilt Artist offering, the new Chris Shiflett Cleaver Telecaster® Deluxe is a stripped-down rock machine built for high-octane live performance.

With more than 25 years in the music industry, Chris Shiflett is a true punk rock veteran and Rock & Roll Hall of Famer. As a pivotal member of the Foo Fighters, Shiflett has played a crucial role in shaping modern rock, contributing to highly praised albums like One by One, Wasting Light, and Concrete and Gold, while earning multiple Grammy Awards along the way. His musical journey also includes stints with prominent California punk bands like No Use For a Name and Me First and the Gimme Gimmes, alongside his Country Rock solo work. Known for his love of Fender Telecaster® guitars, particularly his cherished 1972 Tele® Deluxe, Shiflett is a versatile artist, whether making records and touring the world with Foo Fighters or exploring a range of musical directions with his solo band.

“We put a lot of love and research into creating the American made version of my signature model, The Cleaver,” said Shiflett on his new Signature guitar. “It’s been road-tested, dropped on its head, kicked around, x-rayed, strummed, chicken-picked, and arpeggio swept! I’m excited to announce we’ve made a great guitar that’s adaptable to all situations. Can’t wait to get this into the hands of players everywhere!”

Available in Dakota Red or Charcoal Frost Metallic finishes, the Chris Shiflett Cleaver Telecaster® Deluxe’s resonant alder body lays the perfect foundation for bone-rattling, stadium-ready tones. Dressed up in a nitrocellulose lacquer finish, this alder body also has a “belly cut” for superior comfort during the longest sets. Built for speed, the 25.5” scale maple neck features a 12” radius rosewood fingerboard with 21 medium jumbo frets for fiery leads and silky bends. Pearloid block inlays add a touch of unexpected class, whilst two Custom Chris Shiflett “Cleaver” Noiseless™ CS-90 pickups pair powerful output with the throaty midrange punch and singing highs of a vintage single coil, all without hum. The “F”-stamped tuning machines, bone nut and wing string tree with nylon spacer keep things in tune through marathon sets, while the string-through body hardtail bridge enhances resonance and sustain.

“Collaborating with Chris Shiflett on his signature Telecaster® Deluxe has been an incredible journey,” said Justin Norvell, EVP of Product, FMIC. “Chris has a lot of guitars, plays a lot of styles and demands versatility, and our goal was to capture that spirit in the design. This guitar is not just an instrument; it’s an extension of his musical identity and tone that both he and his fans demand. Fun Fact- we didn’t nickname it the ‘The Cleaver’- his Front-of-house person did the first night he played it live- because ‘it cut through the mix like a cleaver!!’, which speaks for itself!”

In true tradition, the Fender Artist Signature Series honours iconic musicians through product progression and storytelling, creating instruments and gear inspired by the unique specifications of the world’s greatest guitarists and bassists. Watch Chris Shiflett demo his Signature Cleaver Telecaster Deluxe below.

For technical specs, additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.


What If KORN Wrote Tetris Videogame Theme Music? (Video)

January 12, 2025, 2 hours ago

news moonic productions korn tetris heavy metal

What If KORN Wrote Tetris Videogame Theme Music? (Video)

Finnish musician / producer Otu, who works under the banner Moonic Productions, has shared his take on what would happen if Korn wrote the theme music for the videogame, Tetris. Check it out below, get the full version via Otu’s Patreon page here.

Previously, Otu shared his take on what would happen if Iron Maiden wrote the Queen classic, “Don’t Stop Me Now”.


Featured Video

KINGDOM IN FLAMES – “Black Widow”

KINGDOM IN FLAMES – “Black Widow”

Latest Reviews



45 Movie Sequels That Will Rule the Box Office in 2025

Only one of the Top 14 money-making movies of 2024 wasn’t a sequel. And that lone holdout was Wicked, the long-awaited big-screen adaptation of a hugely successful Broadway musical, which, guess what, is getting its own movie sequel in 2025.

So yeah, sequels are where the money is at in Hollywood. Over 40 sequels, prequels, reboots or franchise films are scheduled to be released in 2025. Here’s the ones you should line up for:

Star Trek: Section 31 (Jan. 24th on Paramount+)

Michelle Yeoh stars in the first made-for-TV Star Trek movie, a spin-off from the Star Trek: Discovery series that exists in a timeline between the original William Shatner / Leonard Nimoy Star Trek movies and the Patrick Stewart Star Trek: The Next Generation series. Looks like a blast, and we’re also still hoping they get a fourth “Chris Pine as Kirk” movie together one of these days.

Captain America: Brave New World (Feb. 14)

Anthony Mackie’s Sam Wilson, previously known as the Falcon, has taken over for Steve Rogers as Captain America in the 35th (!!) Marvel Cinematic Universe movie. Judging by the trailer, he’s about to become embroiled in a high-stakes political mystery involving Harrison Ford as the President of the United States of America, who’s also an extremely pissed off Red Hulk?

Paddington in Peru (Feb. 14)

Paddington 2 is incredible.” “I cried through the entire thing, it made me want to be a better man.” “I f—ing told you.” Nicolas Cage and Pedro Pascal know what’s up. If the third movie in this series is half as good as the second it’ll be well worth your time.

The Accountant 2 (April 25)

Nine years after the first installment, Ben Affleck is back as autistic accountant / killing machine Christian Wolff, with support from Jon Bernthal and J.K. Simmons.

Thunderbolts* (May 2)

The misfit toys of the Marvel Universe – including Florence Pugh’s Yelena Belova and David Harbour’s Red Guardian, the scene-stealing stars of 2021’s Black Widow – are forced to work together to battle… Julia Louis-Dreyfus?

Mission: Impossible – The Final Reckoning (May 23)

“I need you to trust me – one last time.” We’re not sure if that’s Tom Cruise or Ethan Hunt talking at the end of this trailer, but 2023’s Mission Impossible: Dead Reckoning Part One was an unexpected misfire, so here’s hoping the eighth film in the Mission Impossible series marks a return to form.

Read More: 50 Movies Turning 50 in 2025

Karate Kids: Legends (May 30)

The Karate Kid worlds will converge in 2025, with Ralph Macchio from the original series teaming up with Jackie Chan from the kung fu-themed 2010 reboot in a brand new adventure set three years after the conclusion of Macchio’s popular Cobra Kai series.

From the World of John Wick: Ballerina (June 6)

After delivering the most exciting 10 minutes of 2021’s James Bond movie No Time to Die, Ana de Armas takes the lead role in the first big screen spin-off of the John Wick franchise, which will feature an appearance from the Baba Yaga himself, Keanu Reeves.

28 Years Later (June 20)

18 years after the last installment, director Danny Boyle returns to the post-apocalyptic 28 Days Later franchise, along with writer Alex Garland, for 28 Years Later, the first of a newly promised trilogy from the innovative zombie franchise.

M3GAN 2.0 (June 27)

You can’t keep a good AI-powered doll down, and you can’t resist a sequel to a horror movie that grossed $181 million in 2022. So M3GAN is back to torment the human beings who (rightfully) rejected her in the first movie. A spin-off, SOULM8TE, is already lined up for 2026.

Jurassic World: Rebirth (July 2)

This is such an abusive relationship. Can we be honest and admit that even the first Jurassic Park movie was only great until the last five minutes, and that every successive sequel has been more preposterous and less exciting? And yet, the idea of a fresh start remains undeniably appealing, and the recruitment of Gareth “Monsters / Rogue One” Edwards offers real hope.

Superman (July 11)

Realizing they were being badly outclassed by Marvel, DC hired Guardians of the Galaxy mastermind James Gunn to re-boot their movie franchise. He’s starting right at the top, writing and directing a new Superman movie. If the whole thing’s as good as the trailer we’re in good hands, but we’ll still die on the “Superman Returns was great and they should have kept that story going” hill.

The Fantastic Four: First Steps (July 25)

Will the fourth time be the charm? After the first three failed attempts to bring the popular comic book series to the big screen, Marvel has their first shot at the Fantastic Four. The ’60s’-set movie is also expected to mark the debut of Robert “Iron Man” Downey Jr. in a new role as Doctor Doom.

The Naked Gun (Aug. 1)

Three decades after Leslie Nielsen last appeared as clueless detective Frank Deblin, Liam Neeson is set to take over the role in a reboot of the Naked Gun series. Pamela Anderson, fresh off her acclaimed comeback performance in The Last Showgirl, and WWE Champion Cody Rhodes are also in the cast.

Freakier Friday (Aug. 8)

22 years after their beloved 2003 reboot of the Freaky Friday franchise, Jamie Lee Curtis and Lindsey Lohan will again swap bodies and stressful lives in Freakier Friday. “We couldn’t have made this movie until now,” Curtis told People, “because Lindsey had to be old enough to have a 15 year old.”

Nobody 2 (Aug. 15)

Bob Odenkirk was flat-out amazing in 2021’s Nobody, starring as a retired but only partially domesticated assassin forced back into action against a coked-up Russian mobster. Christopher Lloyd, RZA, Connie Nielsen and Michael Ironside are all back from the original, along with new co-stars Sharon Stone and Chris Pine.

Tron: Ares (Oct. 10)

The third film in the comet-like Tron series flips the tables on its predecessors. Instead of. humans entering the computer world, a humanoid AI-powered computer program (played by Jared Leo) who is sent into the real world on a dangerous mission.

Predator: Badlands (Nov. 7) and Untitled Sequel (TBA)

The Predator franchise has produced two rather underappreciated gems in the past 20 years. 2010’s Predators is well worth your time, as is 2022’s 1719-set Prey. (Oddly enough, the only bum note in that streak came from the usually reliable Shane Black, with his 2018 The Predator.) Prey director Dan Trachtenberg returns with Predator: Badlands AND another secretly shot Predator movie, which is expected to be released before Badlands.

The Running Man (Nov. 7)

Glenn Powell takes over for Arnold Schwarzenegger in director Edgar “Hot Fuzz / Baby Driver” Wright’s remake of The Running Man. Seeing as how the life or death game show at the center of the story is at most a year away from happening in real life, his timing is good.

Wicked: For Good (Nov. 21)

Can’t say we fully understand how the already bloated three-hour musical version of Wicked had to be divided into two movies, the first half of which ran 160 minutes, but our kids would have sat still for another five hours during the first one so the filmmakers must know something we don’t.

Zootopia 2 (Nov. 26)

It’s been nine years since the clever and funny Zootopia first hit movie theaters. Jason Bateman and Ginnifer Goodwin return as the fox and rabbit buddy cops, this time trying to track down a snake played by Ke Huy “Short Round” Quan. Safe assumption: the sloth steals every scene he’s in.

Avatar: Fire and Ash (Dec. 19)

Three years after James Cameron rather boringly reheated the first Avatar movie and Titanic with Avatar: The Way of Water, the world’s most successful director returns to Pandora with Avatar: Fire and Ash. Much like Jurassic World: Rebirth, we’ll be seeing this one in spite of our better judgment.

Anaconda (Dec. 25)

17 years after Ice Cube and Jennifer Lopez tangled with a giant snake in the original Anaconda, Jack Black and Paul Rudd take the reigns of the franchise just in time for Christmas 2025. We’re gonna go out on a limb and guess that this chapter will play up the humor a bit more deliberately.

Happy Gilmore 2 (TBA)

Adam Sandler makes his long-awaited return to the role of Happy Gilmore, a failed hockey player turned golf champion who seems destined to conflict with Christopher McDonald’s Shooter McGavin yet again. The film is going to be filled with golf pro and celebrity cameos, and we’re betting that AEW’s Maxwell Jacob Friedman leaves them all in his dust. Because he’s better than you, and you know it.

The Old Guard 2 (TBA)

Casting Charlize Theron in any kind of role that involves ass-kicking is a foolproof plan to happily separate us from our money and time. She’s back as the (formerly?) immortal leader of a group of mercenaries in The Old Guard 2, which will also star Uma Thurman.

Wake Up Dead Man: A Knives Out Mystery (TBA)

Daniel Craig is set to return as the highly idiosyncratic private investigator Benoit Blanc in the third Knives Out movie, which features yet another star-studded cast. This time around, he’ll match wits with Mila Kunis, Josh Brolin, Jeremy Renner and Glenn Close. (Bold prediction: Glenn did it.)

Other Sequels and Franchise Films Arriving in 2025:
Den of Thieves 2 (Jan. 10)
Wolf Man (Jan. 17)
The Witcher: Sirens of the Deep (Feb. 11)
Bridget Jones: Mad About the Boy (Feb. 13)
Snow White (March 21)
Final Destination: Blood Lines (May 16)
Lilo & Stitch (May 23)
How to Train Your Dragon (June 13)
The Smurfs Movie (July 18)
Untitled I Know What You Did Last Summer sequel (July 18)
The Conjuring: Last Rites (Sept. 5)
Untitled Downton Abbey: A New Era sequel (Sept. 12)
Saw XI (Sept. 26)
The Black Phone 2 (Oct. 17)
Mortal Kombat 2 (Oct. 24)
Now You See Me 3 (Nov. 14)
Five Nights at Freddy’s 2 (Dec. 5)
The Spongebob Movie: Search for Squarepants (Dec. 19)

The Best Rock Movie From Every Year

A look at the greatest biopics, documentaries, concert films and movies with awesome soundtracks.

Gallery Credit: Ultimate Classic Rock Staff

Complete List Of Cinderella Band Members

Cinderella Band Members

Feature Photo: Adrián Pérez from Helsinki, Finland, CC BY-SA 2.0 , via Wikimedia Commons

The band originally consisted of Tom Keifer, Eric Brittingham, Jeff LaBar, and Fred Coury, who collectively shaped the band’s signature sound. Throughout their career, Cinderella sold over 20 million albums worldwide and were a staple of the glam metal movement, which dominated the 1980s. Although the band faced several breaks and lineup shifts, they continued to enjoy significant success through touring and their enduring influence. The band’s albums were frequently well-received, with Long Cold Winter reaching platinum status and Heartbreak Station charting highly. The band’s legacy is often discussed alongside other hard rock legends of the era.

Over the years, the members of Cinderella have pursued various solo projects, but the band’s music remains a significant part of rock and glam metal history. Here’s a closer look at the key members of the band, starting with the lead vocalist and guitarist, Tom Keifer, who was the driving force behind the band’s sound.

Tom Keifer

Tom Keifer is the lead vocalist, guitarist, and primary songwriter for Cinderella. He was the founding member of the band in 1983 and remained with them throughout their entire career. Keifer’s distinctive raspy voice and his ability to blend blues influences with rock music were central to Cinderella’s sound, particularly on tracks like “Nobody’s Fool” and “Don’t Know What You Got (Till It’s Gone).” He was not only the voice of the band but also played guitar, keyboards, saxophone, harmonica, steel guitar, mandolin, and dobro, showcasing his versatility as a musician. Keifer’s contributions to Cinderella’s albums, including Night Songs (1986), Long Cold Winter (1988), and Heartbreak Station (1990), were vital to their success.

After Cinderella went on hiatus, Keifer pursued a solo career, releasing his debut solo album The Way Life Goes in 2013. He continued to tour and perform songs from his time with Cinderella, as well as his solo work, bringing his powerful voice to new audiences. Keifer’s musical career has been marked by his tenacity and ability to create music that resonates with rock fans, making him one of the most respected figures in the genre.

Eric Brittingham

Eric Brittingham was the bassist and backing vocalist for Cinderella, joining the band in 1983. Brittingham was an integral part of the band’s rhythm section, contributing not only bass lines but also providing backing vocals, which helped define the band’s harmonic sound. His bass work can be heard on tracks like “Somebody Save Me” and “Gypsy Road.” Brittingham’s musical influence extended beyond just his technical skill, as he was also involved in the band’s songwriting and the overall direction of their sound.

Brittingham continued to perform and tour with Cinderella throughout the band’s career. After the band went on hiatus, he participated in various musical projects, including playing with the band Devil City Angels. Despite changes in the music scene, Brittingham’s steady presence as a bassist has ensured his place as one of rock’s respected bass players. His contributions to Cinderella’s catalog continue to be celebrated by fans and critics alike.

Jeff LaBar

Jeff LaBar joined Cinderella in 1985 as the band’s guitarist and backing vocalist, a position he held until 2014. LaBar’s guitar playing was a vital part of Cinderella’s sound, bringing a combination of heavy riffs and melodic solos to the band’s tracks. He played a major role in defining the band’s hard rock aesthetic, and his slide guitar work on “Coming Home” became one of Cinderella’s signature sounds. LaBar contributed to all of Cinderella’s albums, including Night Songs, Long Cold Winter, and Heartbreak Station, helping shape their musical identity.

After his time with Cinderella, LaBar continued his music career by pursuing solo projects, and he was involved in various collaborations. He remained a key figure in the glam metal scene until his untimely death in 2021. LaBar’s contributions to Cinderella are still remembered, and his musical legacy remains influential in the hard rock community.

Fred Coury

Fred Coury was the drummer and percussionist for Cinderella, joining the band in 1986. Coury’s drumming was a fundamental part of the band’s rhythm section, providing a powerful and driving force behind the music. His work on songs like “Shake Me” and “Don’t Know What You Got (Till It’s Gone)” showcased his ability to craft beats that complemented the band’s hard rock and blues elements. Coury was known for his solid drumming style and his ability to adapt to different musical genres within rock.

Coury played with Cinderella throughout their active years, contributing to all of their major albums and touring extensively. After the band’s hiatus, Coury continued his career in music, performing with various artists and maintaining his presence in the rock scene. He rejoined Cinderella during their later tours, solidifying his place as a key member of the band until its official end in 2014. Coury’s drumming remains an essential part of Cinderella’s musical legacy.

Other Musicians Associated with the band through touring and studio recordings

Rick Criniti

Rick Criniti was the keyboardist, pianist, organist, synthesizer player, and backing vocalist for Cinderella during their 1986–1995 touring years. Criniti played a key role in helping the band shape its sound during their live shows, bringing an extra layer of depth to the band’s music with his keyboard and synthesizer work. His contributions were felt especially in the band’s later years, as they incorporated more keyboards and atmospheric sounds into their live performances. Criniti also provided backing vocals, adding texture to Cinderella’s harmonies. After his tenure with the band, Criniti continued to perform and work as a session musician.

Garry Nutt

Garry Nutt was a bassist for Cinderella during a few brief periods: in 1989, 2000, and 2008. His time with the band was intermittent, and he was mainly involved in touring and supporting the band during those years. Nutt’s bass playing complemented the band’s hard rock and glam metal style, though he did not appear on any of their studio albums. After his time with Cinderella, Nutt played with various other musical acts, contributing to his career as a touring bassist.

Gary Corbett

Gary Corbett was the keyboardist and backing vocalist for Cinderella from 1990 to 1995 and again from 1998 to 2014. Corbett’s keyboard work was an important part of the band’s sound during the early ’90s, especially during their tours for Heartbreak Station (1990) and Still Climbing (1994). His experience as a session musician and live performer helped elevate Cinderella’s live shows, adding layers of texture to their hard rock sound. Corbett remained an integral member of the band during their later reunion tours. After his passing in 2021, Corbett’s contributions to the band’s music and live performances continued to be remembered by fans.

Kevin Valentine

Kevin Valentine was the drummer and percussionist for Cinderella during the 1991–1993 period. Valentine’s drumming helped define the band’s live sound during the early ’90s, providing a solid rhythm foundation for their music. Although Valentine’s time with the band was relatively short, his drumming appeared during a transitional period for Cinderella as they toured and performed their hits from Heartbreak Station and Still Climbing. After leaving the band, Valentine continued to work in music, performing with various other acts as a session musician and live performer.

Roberta Freeman

Roberta Freeman was a backing vocalist for Cinderella from 1990 to 1991. Freeman contributed to the band’s live performances, adding depth and harmony to the band’s sound during their tours in support of Heartbreak Station. Her backing vocals helped enhance the band’s sound, particularly during songs that required rich vocal harmonies. After her brief time with Cinderella, Freeman continued to work as a backing vocalist and performer, contributing to a variety of musical projects.

Dianne Jones

Dianne Jones was a backing vocalist for Cinderella during the band’s 1990–1991 tours. Jones’ vocals were a key component of the band’s live sound during this period, where she helped complement the band’s music with her harmonies. Like Freeman, Jones was part of the band’s efforts to bolster their vocal sound during their live performances. After leaving Cinderella, Jones continued to pursue a career as a backing vocalist for other musical projects.

Charles Lawrence

Charles Lawrence was a keyboardist and backing vocalist for Cinderella during the 1991 tour. His contributions to the band’s live performances helped support the band’s evolving sound, which began to incorporate more keyboard-driven elements. Though his time with Cinderella was brief, Lawrence’s work provided a rich layer to the band’s sound. After his time with Cinderella, Lawrence continued working as a session musician and performer in various music projects.

Ray Brinker

Ray Brinker was the drummer and percussionist for Cinderella during their 1994–1995 tours. Brinker contributed to the band’s live performances, adding a solid and dynamic rhythm section to the band’s sound during this time. His drumming supported the tracks from Still Climbing (1994) and helped the band bring an energetic performance to their live shows. After leaving Cinderella, Brinker worked with various other artists and continued his career in music.

Phillip Calfy

Phillip Calfy played drums and percussion for Cinderella during their 2006 tour. His brief involvement with the band came during a time of transition as Cinderella was reconnecting with their audience and reestablishing their live presence. Calfy’s drumming style contributed to the band’s hard rock sound during the period, adding energy to their shows. After his time with the band, Calfy continued to perform in the music industry.

John Rogers

John Rogers played drums and percussion for Cinderella from 2009 to 2010. His time with the band occurred during their reunion phase, where they played select shows and celebrated their past successes. Rogers’ drumming helped solidify the rhythm section during these performances. After his brief tenure with Cinderella, Rogers continued to work as a drummer for various live performances and session work.

Paul Taylor

Paul Taylor was a keyboardist and backing vocalist for Cinderella during their 2012 and 2014 tours. Taylor’s keyboard work complemented the band’s live sound, providing a richer, more layered musical experience for audiences. His backing vocals added depth to the band’s harmonies, particularly in songs that required vocal layering. After his involvement with Cinderella, Taylor continued to work in the music industry, contributing to various musical projects as a session musician and live performer.

Michael Schermick

Michael Schermick was a guitarist and backing vocalist for Cinderella during their early years, from 1983 to 1985. Schermick contributed to the band’s initial sound, playing guitar on some of their formative tracks and providing backing vocals. His involvement was integral to the band’s live performances during this period, helping to shape their sound before the lineup solidified with the more recognizable members of the group. After leaving Cinderella, Schermick pursued other musical ventures but did not achieve the same level of fame he had during his time with the band.

Sam Smith

Sam Smith was the bassist and backing vocalist for Cinderella from 1983 to 1984. He was part of the band’s early lineup, contributing to their early live performances and recordings. Smith’s bass playing provided the foundational groove to Cinderella’s music during the initial stages of their career. However, his time with the band was brief, as he left in 1984. After his departure, Smith did not maintain a significant public presence in the music industry.

Tony Destra

Tony Destra was the drummer and percussionist for Cinderella from 1983 to 1985. Destra played an important role in the band’s early sound, helping to define their rhythm section during their formative years. His energetic drumming was featured in their early live shows and recordings. Tragically, Tony Destra passed away in 1987, but his contributions to Cinderella’s early years remain a part of the band’s history. His death was a sad moment for the band and the rock community, as Destra had been a vital part of their live performances.

Jim Drnec

Jim Drnec played drums and percussion for Cinderella from 1985 to 1986. He replaced Tony Destra during the band’s early years and played on some of their live performances and recordings during this transitional period. Drnec’s drumming style added a new dynamic to Cinderella’s rhythm section, but his time with the band was relatively short. After leaving Cinderella in 1986, Drnec continued to pursue his career in music, though he did not remain a prominent figure in the public eye.

Albie “Al” Barker

Albie “Al” Barker was the drummer and percussionist for Cinderella in 1986. His time with the band was brief, and he played during a transitional phase in the band’s lineup. Though Barker’s involvement in Cinderella was short-lived, his drumming helped complete the rhythm section during this period. After his time with the band, Barker continued his career in music but did not achieve widespread recognition outside of his brief period with Cinderella.

Jody Cortez

Jody Cortez was the drummer and percussionist for Cinderella in 1986. His involvement with the band was during a transitional period when the band was evolving and refining their sound. Cortez played a role in their live performances and helped define the band’s rhythm section during this time. Although his time with Cinderella was brief, his drumming style contributed to their energetic performances in 1986. After his departure from the band, Cortez continued his career as a session musician and live performer, contributing to various musical projects.

Barry Benedetta

Barry Benedetta was a guitarist for Cinderella in 1986. His time with the band was short, but his guitar work played a role in shaping the sound of the band during that era. Benedetta’s contributions were particularly felt during the live shows, where his guitar playing added depth to the band’s hard rock and glam metal sound. After his brief tenure with Cinderella, Benedetta continued to perform and work with other bands. He passed away in 2022, leaving behind a legacy in the rock world.

Jeff Paris

Jeff Paris was the keyboardist for Cinderella in 1986, contributing to the band’s sound during their live performances that year. Paris’ keyboard work added a layer of melody and texture to Cinderella’s music, helping to expand the band’s sound. His contributions were particularly evident during their live shows, where his keyboard playing complemented the band’s hard rock style. After his time with Cinderella, Paris continued his career in music as a solo artist and songwriter, working on various musical projects over the years.

Cozy Powell

Cozy Powell was a renowned drummer who briefly played for Cinderella in 1988. Known for his exceptional drumming abilities, Powell played drums on some of the band’s tracks during this period. Powell’s extensive experience as a session musician and performer with other rock legends, including Rainbow and Black Sabbath, brought a distinctive energy to Cinderella’s sound. His time with the band was short-lived, but Powell’s drumming made a strong impact during his tenure. Powell passed away in 1998, but his legacy as one of rock’s greatest drummers remains significant.

Denny Carmassi

Denny Carmassi was the drummer for Cinderella in 1988, following Cozy Powell’s brief stint with the band. Carmassi brought his experience to the band’s rhythm section, contributing to their sound during this period. Known for his solid and precise drumming style, Carmassi played an important role during a transitional phase for the band. After his time with Cinderella, Carmassi continued his career in music, performing with various artists, including Montrose, and establishing himself as a respected figure in rock drumming.

Kevin Conway

Kevin Conway played drums and percussion for Cinderella from 1990 to 1991. His drumming during this period helped support the band’s evolving sound as they worked on new material. Conway’s rhythmic skills were vital during the band’s performances, providing a steady foundation for their hard rock and glam metal elements. After his time with Cinderella, Conway continued to work in music, but his involvement in other projects was limited. His time with the band remains a small but notable part of Cinderella’s rhythm section history.

Kenny Aronoff

Kenny Aronoff, a highly respected session drummer, joined Cinderella in 1994, playing drums and percussion for the band during their live performances. Aronoff’s drumming style, known for its powerful and precise execution, added energy and depth to Cinderella’s shows. He has worked with numerous artists in the rock world, including John Mellencamp, and his reputation as a world-class drummer enhanced Cinderella’s live performances during his tenure. After his time with Cinderella, Aronoff continued to enjoy a successful career as a session drummer, contributing to various high-profile projects.

Ken Hensley

Ken Hensley, a prominent keyboardist, was part of Cinderella’s lineup in 1990, contributing his keyboard skills to the band’s sound during this period. Hensley’s expertise in rock music, particularly his work with Uriah Heep, brought a layer of sophistication to Cinderella’s sound. His time with the band was brief, but his contributions to the band’s live performances and musical direction were valuable. After his time with Cinderella, Hensley continued his career in music, working on solo projects and collaborating with other artists. He passed away in 2020, leaving behind a lasting legacy in rock music.

Rod Roddy

Rod Roddy was the pianist for Cinderella in 1990, playing a key role in their live performances during this period. His contributions on the piano added an additional texture to the band’s music, particularly in the more melodic and balladic moments of their performances. Though Roddy’s time with Cinderella was short-lived, his musical input helped enhance the band’s live shows during the early 1990s. After his brief tenure with the band, Roddy continued to work in the music industry, although his work outside of Cinderella is less documented.