GLORYHAMMER Surprise With New Single “He Has Returned”; Official Music Video Posted

GLORYHAMMER Surprise With New Single “He Has Returned”; Official Music Video Posted

Fantasy metal titans, Gloryhammer, end 2024 by unleashing surprise single, “He Has Returned”. Expanding on the story of the fan-favourite character of the Robot Prince of Auchtertool, the song sees the band revisit a familiar theme whilst treading new sonic ground, seamlessly combining pounding heavy metal, uplifting electro-synths, and devastating dual guitars with the masterful songwriting and singalong choruses the band has made their trademark for the past decade.

The band also takes a retrospective look at their history and evolution with two bonus tracks, new versions of “The Unicorn Invasion Of Dundee” (hearkening all the way back to their first 2010 demo) and “Hootsforce”, the breakout hit from 2019’s Legends From Beyond The Galactic Terrorvortex. With a fresh production from the dream team of George Lever (Loathe, Sleep Token) and Jacob Hansen (Amaranthe, Powerwolf, Volbeat), these two classics take on a new lease of life.

“He Has Returned” is Gloryhammer like you’ve never heard them before. With a calendar of shows across the globe, and a new record in the works, the stage is set for Gloryhammer to dominate the modern power metal scene yet again!

Watch the official music video for “He Has Returned” below.

He Has Returned will be available in the formats listed below, and will be available to order here.

– 12” LP Solid Gold – limited to 300 copies worldwide (Napalm Records Mailorder exclusive)
– 12” LP Solid Purple – limited to 300 copies worldwide (Napalm Records US Mailorder & Band Shop exclusive )
– Digipack
– Digital Album

“He Has Returned” tracklisting:

“He Has Returned”
“The Unicorn Invasion of Dundee” (Transcendent Empyrean Incantation Version)
“Hootsforce” (Subnautical Achnasheen Justice Version)

Gloryhammer is:

Sozos Michael – Vocals
Paul Templing – Guitars
James Cartwright – Bass
Michael Barber – Keyboards
Ben Turk – Drums
Christopher Bowes – Narration

(Photo – Fernando Bonenfant)


GOTTHARD To Release Stereo Crush Album In March; “Boom Boom” Single And Lyric Video Out Now

GOTTHARD To Release Stereo Crush Album In March;

Nearly five years after the release of #13, Swiss rockers, Gotthard, are making a powerful comeback with their new album, Stereo Crush, set to release on March 21 via Reigning Phoenix Music (RPM).

To mark the announcement, the band have unveiled their latest single, “Boom Boom”. This high-energy anthem not only celebrates the album announcement but also offers a dynamic preview of the signature sound fans can expect from Stereo Crush.

Guitar duo Leo Leoni and Freddy Scherer ignite the track with heavy riffs that haven’t been heard in the Gotthard realm for quite some time. The remarkable rhythm section, powered by bassist Marc Lynn and drummer Flavio Mezzodi, propels the Swiss express forward with relentless energy, while frontman Nic Maeder masterfully commands the journey through hard rock territory with his powerful and charismatic vocals. Building up to an irresistibly catchy chorus, it’s clear to all that this is a new Gotthard classic in the making.

Stream/purchase “Boom Boom” here, and watch a lyric video for the song below.

Leo Leoni explains the personal meaning of the song: “I wrote it when I found out that we were expecting a child. The birth of my son Gabriel was a moment that completely changed my life. When I hold him in my arms, look into his eyes or see his smile, I feel an indescribable love and deep gratitude. This song is my way of expressing all these feelings for him.”

Produced and mixed by long-time partner Charlie Bauerfeind, who’s known for his work with the likes of Helloween and Blind Guardian, alongside founding member Leo Leoni at Yellowhouse Studio, and mastered by Sascha “Busy” Bühren (TrueBusyness), Stereo Crush promises to set new standards which will additionally come to shine on the band’s forthcoming touring cycle: Gotthard will open it with a tour in May, accompanied by special guests Y&T, before the quintet head to select festivals as well as the stages of their home country at the end of 2025. The band’s current live schedule can be found below.

Fans should also mark January 17 of next year in their calendars as Stereo Crush pre-orders will officially be launched on that date. One thing’s for sure: Even in 2025, there won’t be a way around Gotthard for the worldwide hard rock community.

Stereo Crush Tour 2025 with Y&T:

May
23 – Bochum, Germany – RuhrCongress
24 – Geiselwind, Germany – Music Hall
25 – Frankfurt, Germany – Batschkapp
27 – Hamburg, Germany – Große Freiheit 36
29 – Munich, Germany – Circus Krone
30 – Filderstadt, Germany – FILharmonie
31 – Telfs, Austria – Rathaussaal

More upcoming Gotthard live dates:

June
14 – Zamora, Spain – Z! Live Rock
27 – Basel, Switzerland – Summerstage

July
22 – Regensburg, Germany – Piazza im Gewerbepark

December
19 – Bern, Switzerland – Festhalle
20 – Zurich, Switzerland – The Hall

(Photo – Manuel Schütz)


GLENN HUGHES Announces “The Chosen Years” European Tour 2025

GLENN HUGHES Announces

Glenn Hughes, the former bassist and singer of Deep Purple, known to millions as the “Voice of Rock”, Rock And Roll Hall Of Fame inductee, and the current frontman for rock super group Black Country Communion, is pleased to announce that he will be performing hit songs from his fascinating career, that he has penned with some of the most influential bands and musicians in rock history.

The show promises to be a dynamic, turn-back-the-clocks, two-hour live extravaganza homage to his illustrious career spanning 5 decades in music – including songs from Trapeze, Deep Purple, Hughes/Thrall, Iommi/Hughes and Black Country Communion – some of music history’s most seminal and influential rock and roll groups. Not only that, the show will feature brand new music from Glenn’s upcoming solo album due for release in Summer 2025.

As well as Glenn on lead vocals and bass guitar, the touring band features Soren Anderson on guitar, and drummer Ash Sheehan.

Glenn comments: “I’m looking forward to sharing my new solo music with you and bringing back some classics to my setlist. Something beautiful is happening in 2025… the best is yet to come. See you in Europe in September.”

The Chosen Years European Tour 2025:

September
3 – Zoetermeer, Netherlands – Boerderij
4 – Hamburg, Germany – Fabrik
6 – Neuruppin, Germany – Kulturhaus Stadtgarten
8 – Krakow, Poland – Studio
10 – Warsaw, Poland – Progresja
12 – Dresden, Germany – Alter Schlachthof
14 – Lindau, Germany – Club Vaudeville
16 – Nuremberg, Germany – Hirsch
17 – Augsburg, Germany – Spectrum
19 – Maastricht, Netherlands – Muziekgieterij
20 – Nijmegen, Netherlands – Doornroosje
22 – Mannheim, Germany – Capitol
24 – Pratteln, Switzerland – Z7


“It’s really very disrespectful… the artistic value is zero.” Sepultura guitarist Andreas Kisser blasts his former bandmates Max and Iggor Cavalera for their decision to re-record the Brazilian band’s early albums

“It’s really very disrespectful… the artistic value is zero.” Sepultura guitarist Andreas Kisser blasts his former bandmates Max and Iggor Cavalera for their decision to re-record the Brazilian band’s early albums

Sepultura in 1996

(Image credit: Mick Hutson/Redferns)

Sepultura guitarist Andreas Kisser has made his feelings known on Max and Iggor Cavalera’s decision to re-record the Brazilian band’s earliest releases, and he’s evidently far from impressed.

In July 2023, Cavalera released their newly-recorded versions of Sepultura’s first EP, Bestial Devastation, and their first full-length album Morbid Visions via Nuclear Blast Records. And in June this year, the pair completed the third of their re-recordings of what Max Cavalera called “The Third World Trilogy with the release, on the same label, of a new version of 1987’s Schizophrenia, the first Sepultura album to feature Andreas Kisser.

Revisiting his mindset when the original album was released, Max Cavalera stated in June, “I was inspired to take on the world and this recording shows my commitment is relentless!”

Asked for his thoughts on this in a new interview with IMPACT Metal Channel, Andreas Kisser makes it clear that he doesn’t share his former bandmate and friend’s take.

“I don’t think anything,” says Kisser, who is currently leading Sepultura on their final world tour. “I mean, it’s a weird choice that they had. I think artistic value is zero. Maybe they’re going for some money or something, but there’s no reason to do something like that…

“But if they’re having a good time, so let it be,” the guitarist continued. “I don’t care, man. I just think it’s totally unnecessary. It’s really very disrespectful from themselves, for their own selves in the past, you know?”

Not quite ready to let it be just yet, Kisser added, “It’s weird to see a guy [Max Cavalera] who always says, ‘Oh, I did this,’ ‘I did all that,’ ‘I’m so creative,’ and ‘I did everything by myself,’ and doing this shit, like re-recording riffs that we did 30, 40 years ago, it doesn’t click, the rhetoric with the example. But whatever. I just think that the artistic value is zero.”

Watch the interview in full below:

Sepultura working on new songs – YouTube Sepultura working on new songs - YouTube

Watch On

Earlier this month, Kisser invited the Cavalera brothers to be a part of Sepultura’s last ever show, which the band hope to play in São Paulo, Brazil, in 2026.

“We like to invite all the ex-members, including the brothers, Cavalera brothers,” he said. “Let’s see what happens. We’re working towards that, to have a big celebration for the fans.”

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The guitarist’s most recent comments are unlikely to mend any bridges.

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

“Scream for me Long Beach!” One of the best live albums of all time is currently 27% off for Black Friday

Iron Maiden’s Live After Death is undeniably one of the greatest live albums of all time – and it’s currently available on Amazon at a reduced price of £35.06.

The heavy metal legends celebrate their 50th anniversary in 2025 with the Run For Your Lives tour – in which they will be performing classic songs from their first nine studio albums.

As singer Bruce Dickinson tells Classic Rock: “We’ll be presenting things in such a way that people will be blown away – not just by the music, but by the whole spectacle!”

Fans are already speculating about which songs will be in the setlist for the Run For Your Lives tour, but pretty much everyone agrees that they’ll have to play Run To The Hills, 2 Minutes To Midnight, The Trooper, The Number Of The Beast, Hallowed Be Thy Name, Flight Of Icarus, Phantom Of The Opera, Running Free and the band’s calling card Iron Maiden.

Iron Maiden – Iron Maiden (Live at Long Beach Arena) – YouTube Iron Maiden - Iron Maiden (Live at Long Beach Arena) - YouTube

Watch On

All of these classics are of course featured on Live After Death.

The album was recorded on the band’s World Slavery Tour, a 13-month marathon which began in August 1984 and ended 331 days and 189 shows later in July 1985.

The stage show was based on theme of ancient Egyptian mythology that inspired the title track and the cover of the band’s then-current studio album Powerslave.

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

A four-night stint at Long Beach Arena in Orange County, California in March 1985 would – along with earlier shows at London’s Hammersmith Odeon – provide the basis for the Live After Death album.

As bassist Steve Harris told Classic Rock: “We wanted to record all of [Live After Death] from Hammersmith, but we ended up recording three sides from LA because by that time we were just playing that bit better.”

The World Slavery Tour helped turn Maiden into one of the biggest metal bands of the decade, but at a cost. The punishing tour schedule pushed the band members to their mental and physical limits, almost bringing the group to an end.

“That tour fried everybody,” Harris said. “Bruce in particular. Christ, he had to get up and sing six nights a week for 13 months, and that took its toll. Our schedule then was insane. It wasn’t like anyone twisted our arms, we were totally up for it, but perhaps we took on more than we could deal with.”

Bruce himself recalled: “At no point on the tour did we ever get to the point where anybody hated each other. We held that end of it together very well. Because we all realised what each of us was going through, and if someone threw a wobbler – which we all did at some point – it was, ‘Shall we leave the room and let him wreck the place and come back later?’ Because everyone was going through it.

“But it was the first time I really thought about leaving. I don’t just mean Maiden, I mean quitting music altogether. I really felt like I was pretty much basket case material by the end of that tour, and I did not want to feel that way.”

If that tour was a test of human endurance, what came out of it was a legendary double-live album comparable to such classics as Deep Purple’s Made In Japan, UFO’s Strangers In The Night, Thin Lizzy’s Live And Dangerous and Kiss Alive!

So if your old copy of Live After Death is worn out – or you’ve never heard this masterpiece – now’s the time to grab a copy.

More Black Friday goodness:

The best music magazines on the planet just got a hefty 50% discount for Black Friday

Apparently everyone’s offering Black Friday deals today, and not wanting to be outdone, we’ve launched a Black Friday magazine sale of our very own – for this weekend, you can get 50% off all our magazine subscriptions. Hooray!

We have three different magazine titles, and you can see below for individual deals:

Metal Hammer – £22.71 for six months (usually £45)
Classic Rock – £20.31 for six months (usually £40)
Prog – £19.97 for six months (usually £40)

What’s that? You need even more reasons to subscribe? Fine, here’s the hard sell: between Classic Rock, Metal Hammer and Prog we have by far the heftiest and most thorough rock reviews section on the planet (yes, you will have to subscribe to all three mags to read them all. I don’t make the rules). We also have interviews with rock, metal and prog’s biggest stars while constantly keeping an eye on up and coming bands you can tell all your friends down the pub about, eventually basking in the glory of knowing you were one to break them down at the Dog and Bell (oh, yes we WERE one of the first mags to cover Sleep Token, very good of you to remember).

We have some of the world’s best music writers on our books, bringing you the stories behind rock, metal and prog’s classic albums, biggest tours and greatest bands – often because they were there to see them firsthand themselves. Whether your passion is hard rock or heavy metal, blues or AOR, punk or prog, goth, sleaze or southern-fried boogie, we’ve got it covered.

Then there are the added bonuses that you get your magazine first, before it even appears in the shops, delivered straight to your door each month, landing on the doormat with a hearty thwack. You’ll never miss an issue (full magazine collections go for a fortune on eBay, you know) and subscribing is by far the cheapest option for buying per issue.

Did we mention they also make really good Christmas presents? You know what to do.

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

More cool Black Friday stuff

“I blagged my way into this band from the beginning”: Depeche Mode frontman Dave Gahan on tricking his future bandmates into letting him join

Depeche Mode in 1980

(Image credit: Virginia Turbett/Redferns)

There was something in the water in Basildon in the late 70s, where the members of bands that would become Depeche Mode, Erasure, Yazoo, the Vandals plus solo star Alison Moyet all crossed paths as teens, sometimes in the same class together at school. The well-worn tale of how Dave Gahan came to be the singer in Depeche Mode goes that his bandmates, then in a group called Composition Of Sound, were rehearsing and could hear Gahan singing Bowie’s “Heroes” in the next room and decided his voice was strong enough that he should be their vocalist.

But, speaking to this writer in 2017, Gahan threw some doubt on the tale. “I blagged my way into this band from the beginning,” he said. “They were already a band before me – Vince, Fletch and Martin – and they needed a front guy. I was an Essex lad. Vince thought he heard me singing “Heroes” by David Bowie in a rehearsal room next door with this other band. I was singing it, but so was a couple of other people too. We were all on the mic, just jamming along. But when he asked me if that was me, I was like, ‘That was me, yeah’. I had nothing else going on.”

Gahan would go on to be one of the most captivating and exuberant frontmen of his generation, but he said the role never came naturally to him. “I felt very awkward,” he said. “I would say for the first ten years or so. You’re always just trying to fit in. We were very lucky, we worked with some amazing people. We got a lot of creative, amazing people, all due to [Mute boss and band mentor] Daniel Miller. If Daniel hadn’t have found us and took us under his wing, god knows what would’ve happened. We would’ve been some awful fucking Spandau Ballet, Duran Duran-type thing.”

Gahan knows where he belongs these days, though, and you can see him do his thing in London next week. He’ll perform at a tribute show for ex-Screaming Trees frontman Mark Lanegan at the Roundhouse on December 5 alongside Afghan Whigs’ Greg Dulli, Primal Scream’s Bobby Gillespie, Soulsavers, The Kills’ Alison Mosshart and more.

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

Niall Doherty is a writer and editor whose work can be found in Classic Rock, The Guardian, Music Week, FourFourTwo, on Apple Music and more. Formerly the Deputy Editor of Q magazine, he co-runs the music Substack letter The New Cue with fellow former Q colleagues Ted Kessler and Chris Catchpole. He is also Reviews Editor at Record Collector. Over the years, he’s interviewed some of the world’s biggest stars, including Elton John, Coldplay, Arctic Monkeys, Muse, Pearl Jam, Radiohead, Depeche Mode, Robert Plant and more. Radiohead was only for eight minutes but he still counts it.

Redefine your wardrobe with 25% off watches, hats, wallets and more at Nixon

Nixon watches

(Image credit: Future)

Is any gift more universally well received than a good wristwatch? The answer’s no (probably). To wit, Nixon Watches have launched a sitewide Black Friday deal, deducting 25% off the price tag for everything they sell. Everything.

Nixon have been selling top-quality watches since 1997, and their website boasts a rich array of timepieces for both him and her. If none of them seem to grab you (not even the designs inspired by rock legends Nirvana and the Rolling Stones?!), then no sweat. They also sell a host of accessories, from wallets to duffel bags and hats to vegan-friendly belts.

Few of Nixon’s mens items look as sleek as the 51-30 Chrono watch, especially when it’s chosen in all-black. The company say it “bridges the gap between fashion and function”, thanks to its bold indices and an ability to keep on ticking up to 300m underwater. The universal Black Friday sale has taken more than £100 off the price tag, slashing this standout pick from its RRP of £455 down to £341.25.

For women, Nixon have the stylish and understated Confidante, available in entirely gold or a more dynamic fusion of gold and silver. It’s “fine jewellery first and a precise timepiece second”, say the manufacturer, with the watch’s small face able to be hidden beneath a butterfly clasp. Whether you want to tell the time on a good-looking piece or just make a fashion statement, it’ll do the trick. Around Black Friday, you can get it for £172.50, down from its original £230.

Fan of rock music? You’ll be doing yourself a disservice if you don’t check out Nixon’s unisex watches with styling inspired and officially licensed by the famed bands Nirvana and the Rolling Stones. Wear your fandom boldly with a timepiece displaying the Nirvana logo and their iconic “smiley face” logo (down from £160 to £120). Or, go for a subtle but gorgeous option with a second hand inspired by the Stones’ generation-spanning “tongue” symbol (now £187.50, was £250).

Extend your Nixon collection beyond your wrist with their catalogue of accessories. Two of their vegan belt options, the all-black “Americana” and brown and gold-coloured “DNA”, are now just £18.75 apiece. Their mixture of wallets, several of which are also vegan-friendly, start at £18.75. With backpacks, coolers, duffel bags and more also available, it’s obvious watches are just the beginning.

If you’re after more great discounts, don’t forget to take a look at Louder’s main Black Friday music deals page.

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

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Louder’s resident Gojira obsessive was still at uni when he joined the team in 2017. Since then, Matt’s become a regular in Prog and Metal Hammer, at his happiest when interviewing the most forward-thinking artists heavy music can muster. He’s got bylines in The Guardian, The Telegraph, NME, Guitar and many others, too. When he’s not writing, you’ll probably find him skydiving, scuba diving or coasteering.

Earth, Pallbearer, Elephant Tree, Hippie Death Cult, Lust Ritual among new additions to Desertfest London weekender

Desertfest 2025 line-up

(Image credit: Desertfest)

Earth, Pallbearer, Elephant Tree, Castle Rat, Hippie Death Cult and Lust Ritual among new additions to next year’s Desertfest weekender in London.

Having already revealed Zeal & Ardor and Elder as two of the festival’s three headliners, the Desertfest team have announced that Dylan Carlson’s legendary drone-doom postrockers Earth will headline the Electric Ballroom on Sunday May 18. This will be the Olympia, Washington band’s first UK show in five years, as well as their first time on the Desertfest London stage.

Arkansas doom quartet Pallbearer will join the Saturday night line up at the Roundhouse, and the event will also see the UK debut of Chöd, an audio-visual collaboration between Isaiah Mitchell (Earthless), artist Arik Roper, and Doc Kelley (Psychedelic Sangha).

In total 20 artists have been newly announced for the UK’s premier doom/stoner/sludge metal fest: alongside Earth, Pallbearer and Chöd, the list includes Conan, Elephant Tree, Hippie Death Cult, Castle Rat, Avon, Greenmillk from the Planet Orange, Servo, Mr Bison, Kind, El Moono, The Hazytones, King Botfly, Lust Ritual, Slump, Witchorious, The Summit Fever and Dresden Wolves.

Desertfest 2025 will take place in venues across Camden, north London, from May 16-18.

Tickets are on sale now, here. Further details on the event can be found here.

Desertfest 2024 featured headliners Masters Of Reality, Suicidal Tendencies and Godflesh, alongside Cancer Bats, Brant Bjork, Ozric Tentacles and more.

As Metal Hammer‘s Matt Mills noted, “These days Desertfest is as much a celebration of the riff as it is a mecca for UK stoner, doom and psych fans, and over the years its bills have evolved to reflect a wider spectrum of guitar-slinging brilliance.”

Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

Sting and Snoop Dogg Rework ‘Message in a Bottle’ on New Single

Sting and Snoop Dogg Rework ‘Message in a Bottle’ on New Single

Snoop Dogg has recruited Sting for his newest single, “Another Part of Me.” The song’s musical track draws heavily from the distinctive bass line, guitar and melody of the Police‘s 1979 hit “Message in a Bottle.”

You can listen to the new song below.

In addition to occasionally punctuating Snoop’s verses, Sting gets a brief vocal spotlight near the end of the track: In a moment jump up on it, see the ocean, stay in motion /You’re not broken, know I’m chosen, I just gotta have faith / Time is passin’, I stay active, mamis laughin’, movies, rappin’ Millions stackin’,  / Look what happened, life just isn’t the same..”

Read More: 10 Classic Rock Stars Acts That Embraced Hip-Hop

“Another Part of Me” is taken from Snoop Dogg’s upcoming Missionary album, which features the ubiquitous rapper / Olympic commentator teaming up with legendary rap producer Dr. Dre to (somewhat belatedly) celebrate the 30th anniversary of 1993’s Doggystyle.

The Missionary track list also includes a cover of “Last Dance with Mary Jane,” with vocals from the late Tom Petty and current country favorite Jelly Roll. The album is due to arrive Dec. 13.

Sting will resume his Sting 3.0 power trio tour in 2025 with shows in both North and South America. You can get his complete tour itinerary at Sting.com.

Hear Snoop Dogg and Sting Perform ‘Another Part of Me’

40 Awesome Police ‘Synchronicity’ Collectibles

You’ve got the album, but do you have the merchandise?

Gallery Credit: Matt Wardlaw

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