Complete List of Oasis Songs From A to Z

Complete List of Oasis Songs From A to Z

Feature Photo: freschwill, CC BY-SA 2.0 , via Wikimedia Commons

Oasis, one of the most influential British rock bands of the 1990s and 2000s, was formed in Manchester, England, in 1991. Originally called The Rain, the group was renamed after Liam Gallagher joined as lead vocalist. His brother Noel Gallagher became the band’s primary songwriter and lead guitarist, solidifying their lineup with Paul “Bonehead” Arthurs on rhythm guitar, Paul “Guigsy” McGuigan on bass, and Tony McCarroll on drums.

The band’s debut album, Definitely Maybe (1994), became the fastest-selling debut album in the UK at the time, spearheaded by iconic tracks like “Live Forever” and “Supersonic.” Their follow-up, (What’s the Story) Morning Glory? (1995), catapulted them to global stardom, featuring anthems like “Wonderwall” and “Don’t Look Back in Anger.” Oasis released seven studio albums in total, including Be Here Now (1997), Standing on the Shoulder of Giants (2000), Heathen Chemistry (2002), Don’t Believe the Truth (2005), and Dig Out Your Soul (2008).

The band won numerous awards, including Brit Awards and NME Awards, and was known for their rivalry with Blur, which marked the “Britpop” era. Despite internal tensions and public feuds, Oasis sold over 70 million records worldwide. They disbanded in 2009 following Noel Gallagher’s departure. Their influence endures through their timeless music and the continued solo careers of both Noel and Liam Gallagher.

Complete List of Oasis Songs

(A-F)

“Acquiesce” – B-side of Some Might Say (1995)
“Ain’t Got Nothin’”Dig Out Your Soul (2008)
“Alive” – B-side of Shakermaker (1994)
“All Around the World”Be Here Now (1997)
“All Around the World (Reprise)”Be Here Now (1997)
“Angel Child” – B-side of D’You Know What I Mean? (1997)
“(As Long as They’ve Got) Cigarettes in Hell” – B-side of Go Let It Out (2000)
“Bag It Up”Dig Out Your Soul (2008)
“Be Here Now”Be Here Now (1997)
“A Bell Will Ring”Don’t Believe the Truth (2005)
“Better Man”Heathen Chemistry (2002)
“Bonehead’s Bank Holiday”(What’s the Story) Morning Glory? (Vinyl Edition) (1995)
“Born on a Different Cloud”Heathen Chemistry (2002)
“Boy with the Blues”Dig Out Your Soul (Box Set Bonus CD) (2008)
“Bring It on Down”Definitely Maybe (1994)
“The Cage” (Hidden Track) – Heathen Chemistry (2002)
“Can Y’See It Now? (I Can See It Now!!)”Don’t Believe the Truth (Japanese Edition) (2005)
“Carry Us All” – B-side of Sunday Morning Call (2000)
“Cast No Shadow”(What’s the Story) Morning Glory? (1995)
“Champagne Supernova”(What’s the Story) Morning Glory? (1995)
“Cigarettes & Alcohol”Definitely Maybe (1994)
“Cloudburst” – B-side of Live Forever (1994)
“Columbia”Definitely Maybe (1994)
“Cum On Feel the Noize” (Slade Cover) – B-side of Don’t Look Back in Anger (1996)
“D’Yer Wanna Be a Spaceman?” – B-side of Shakermaker (1994)
“D’You Know What I Mean?”Be Here Now (1997)
“Digsy’s Dinner”Definitely Maybe (1994)
“Don’t Go Away”Be Here Now (1997)
“Don’t Look Back in Anger”(What’s the Story) Morning Glory? (1995)
“Don’t Stop…” – Non-album Single (2020)
“Eyeball Tickler” – B-side of Lyla (2005)
“Fade Away” – B-side of Cigarettes & Alcohol (1994)
“Fade In-Out”Be Here Now (1997)
“Falling Down”Dig Out Your Soul (2008)
“The Fame” – B-side of All Around the World (1998)
“Flashbax” – B-side of All Around the World (1998)
“Force of Nature”Heathen Chemistry (2002)
“Fuckin’ in the Bushes”Standing on the Shoulder of Giants (2000)
“Full On” – B-side of Sunday Morning Call (2000)

(G-N)

“Gas Panic!”Standing on the Shoulder of Giants (2000)
“(Get Off Your) High Horse Lady”Dig Out Your Soul (2008)
“The Girl in the Dirty Shirt”Be Here Now (1997)
“Go Let It Out”Standing on the Shoulder of Giants (2000)
“Going Nowhere” – B-side of Stand by Me (1997)
“Guess God Thinks I’m Abel”Don’t Believe the Truth (2005)
“Half the World Away” – B-side of Whatever (1994)
“Headshrinker” – B-side of Some Might Say (1995)
“Hello”(What’s the Story) Morning Glory? (1995)
“Helter Skelter” (The Beatles Cover) – B-side of Who Feels Love? (2000)
“Heroes” (David Bowie Cover) – B-side of D’You Know What I Mean? (1997)
“Hey Now!”(What’s the Story) Morning Glory? (1995)
“The Hindu Times”Heathen Chemistry (2002)
“Hung in a Bad Place”Heathen Chemistry (2002)
“I Believe in All”Dig Out Your Soul (Japanese Edition) (2008)
“I Can See a Liar”Standing on the Shoulder of Giants (2000)
“(I Got) The Fever” – B-side of Stand by Me (1997)
“I Hope, I Think, I Know”Be Here Now (1997)
“I’m Outta Time”Dig Out Your Soul (2008)
“Idler’s Dream” – B-side of The Hindu Times (2002)
“If We Shadows”Be Here Now (Reissue) (2016)
“The Importance of Being Idle”Don’t Believe the Truth (2005)
“It’s Better People” – B-side of Roll with It (1995)
“It’s Gettin’ Better (Man!!)”Be Here Now (1997)
“(It’s Good) To Be Free” – B-side of Whatever (1994)
“Just Getting Older” – B-side of The Hindu Times (2002)
“Keep the Dream Alive”Don’t Believe the Truth (2005)
“Let There Be Love”Don’t Believe the Truth (2005)
“Let’s All Make Believe” – B-side of Go Let It Out (2000)
“Listen Up” – B-side of Cigarettes & Alcohol (1994)
“Little by Little”Heathen Chemistry (2002)
“Little James”Standing on the Shoulder of Giants (2000)
“Live Forever”Definitely Maybe (1994)
“Lord Don’t Slow Me Down” – Non-album Single (2007)
“Love Like a Bomb”Don’t Believe the Truth (2005)
“Lyla”Don’t Believe the Truth (2005)
“Magic Pie”Be Here Now (1997)
“Married with Children”Definitely Maybe (1994)
“The Masterplan” – B-side of Wonderwall (1995)
“The Meaning of Soul”Don’t Believe the Truth (2005)
“Merry Xmas Everybody” (Slade Cover) – NME Presents: 1 Love (2003)
“Morning Glory”(What’s the Story) Morning Glory? (1995)
“Mucky Fingers”Don’t Believe the Truth (2005)
“My Big Mouth”Be Here Now (1997)
“My Generation” (The Who Cover) – Little by Little/She Is Love (2002)
“My Sister Lover” – B-side of Stand by Me (1997)
“The Nature of Reality”Dig Out Your Soul (2008)

(O-Z)

“One Way Road” – B-side of Who Feels Love? (2000)
“Part of the Queue”Don’t Believe the Truth (2005)
“Pass Me Down the Wine” – B-side of The Importance of Being Idle (2005)
“(Probably) All in the Mind”Heathen Chemistry (2002)
“Put Yer Money Where Yer Mouth Is”Standing on the Shoulder of Giants (2000)
“A Quick Peep”Heathen Chemistry (2002)
“The Quiet Ones” – B-side of The Importance of Being Idle (2005)
“Rock ‘n’ Roll Star”Definitely Maybe (1994)
“Rockin’ Chair” – B-side of Roll with It (1995)
“Roll It Over”Standing on the Shoulder of Giants (2000)
“Roll with It”(What’s the Story) Morning Glory? (1995)
“Round Are Way” – B-side of Wonderwall (1995)
“Sad Song”Definitely Maybe (Vinyl and Japanese Editions) (1994)
“Shakermaker”Definitely Maybe (1994)
“She Is Love”Heathen Chemistry (2002)
“She’s Electric”(What’s the Story) Morning Glory? (1995)
“The Shock of the Lightning”Dig Out Your Soul (2008)
“Shout It Out Loud” – B-side of Stop Crying Your Heart Out (2002)
“Sittin’ Here in Silence (On My Own)” – B-side of Let There Be Love (2005)
“Slide Away”Definitely Maybe (1994)
“Soldier On”Dig Out Your Soul (2008)
“Some Might Say”(What’s the Story) Morning Glory? (1995)
“Songbird”Heathen Chemistry (2002)
“Stand by Me”Be Here Now (1997)
“Stay Young” – B-side of D’You Know What I Mean? (1997)
“Step Out” – B-side of Don’t Look Back in Anger (1996)
“Stop Crying Your Heart Out”Heathen Chemistry (2002)
“Strange Thing”Definitely Maybe (Reissue) (2014)
“Street Fighting Man” (The Rolling Stones Cover) – B-side of All Around the World (1998)
“Sunday Morning Call”Standing on the Shoulder of Giants (2000)
“Supersonic”Definitely Maybe (1994)
“The Swamp Song” – B-side of Wonderwall (1995)
“Take Me Away” – B-side of Supersonic (1994)
“Talk Tonight” – B-side of Some Might Say (1995)
“Thank You for the Good Times” – B-side of Stop Crying Your Heart Out (2002)
“Those Swollen Hand Blues” – B-side of Falling Down (2009)
“To Be Where There’s Life”Dig Out Your Soul (2008)
“Turn Up the Sun”Don’t Believe the Truth (2005)
“The Turning”Dig Out Your Soul (2008)
“Underneath the Sky” – B-side of Don’t Look Back in Anger (1996)
“Up in the Sky”Definitely Maybe (1994)
“Waiting for the Rapture”Dig Out Your Soul (2008)
“Whatever” – Non-album Single (1994)
“Where Did It All Go Wrong?”Standing on the Shoulder of Giants (2000)
“Who Feels Love?”Standing on the Shoulder of Giants (2000)
“Who Put the Weight of the World on My Shoulders?”Goal! (2005)
“Within You Without You” (The Beatles Cover) – Performed for Sgt. Pepper’s Lonely Hearts Club Band 40th Anniversary (2007)
“Won’t Let You Down” – B-side of Lyla (2005)
“Wonderwall”(What’s the Story) Morning Glory? (1995)
“You’ve Got the Heart of a Star” – B-side of Songbird (2003)
“You’ve Got to Hide Your Love Away” (The Beatles Cover) – B-side of Some Might Say (1995)

Check out our fantastic and entertaining Oasis articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Top 10 Oasis Songs

Complete List Of All Oasis Band Members

An Interview With Andy Bell Of Oasis, Beady Eye & Ride

Complete List Of Oasis Albums And Complete Discography

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

Complete List of Oasis Songs From A to Z article published on Classic RockHistory.com© 2024

DMCA.com Protection Status

About The Author

Brian Kachejian

More from this Author

Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

Former CANNIBAL CORPSE Frontman CHRIS BARNES On Butchered At Birth Album – “That’s What Really Brought Us Out Of The Woodwork; The Band Was Just Hitting On All Cylinders” (Video)

Former CANNIBAL CORPSE Frontman CHRIS BARNES On Butchered At Birth Album -

In a new Cameo clip, Six Feet Under frontman / former Cannibal Corpse vocalist Chris Barnes explains in detail why his vocals changed so drastically on Cannibal Corpse’s The Bleeding (1994) from the more guttural style of Butchered At Birth (1991) and Tomb Of The Mutilated (1992). He also goes into detail of his vocal approach on various Six Feet Under records.

Barnes was a founding member of Cannibal Corpse, and was with the band from 1988 – 1995. He left the band due to “creative differences.” Six Feet Under was launched in 1993 and released their debut album, Haunted, in 1995. 

Barnes: “I kind of tend to really like Butchered At Birth because that’s what really brought us out of the woodwork, so to speak, and caused a lot of controversy, and also gave us really our first real step up. And the music and everything on that… the band was just hitting on all cylinders. There was not too much tension in the band, although there was some. There was always tension on a personal level when I was in the band, and probably mostly my fault (laughs), so I’ll be the first to admit it. But, yeah, those are great albums that you picked there. I’m glad you like those a lot. They’re important, important, important albums to me, too.”

Six Feet Under’s fourteenth studio album, Killing For Revenge, is out now via Metal Blade Records.

A gnarly beast of a record that’s not for the faint-hearted, Killing For Revenge dishes up nightmare-inducing imagery courtesy of legendary frontman Chris Barnes via the vocalist’s trademark guttural vocals. Both the album title and darkly detailed red-hued album cover by artist Vince Locke are perfect containers for the brutality within.

Forged as a side project for Barnes during his final years with the band that he co-founded, Cannibal Corpse, Six Feet Under became the frontman’s sole focus in 1995, coinciding with the release of their debut, Haunted. Only Barnes remains from Six Feet Under’s original incarnation, but the quality has remained remarkably consistent. The current lineup of Barnes, guitarists Jack Owen (ex-Cannibal Corpse) and Ray Suhy, bassist Jeff Hughell, and drummer Marco Pitruzzella make for a devastating unit.

Killing For Revenge marks the second album that Barnes and Owen have created together since reuniting for 2020’s Nightmares Of The Decomposed. Owen also produced the record. The chemistry between the five men is palpable; listening to Killing for Revenge, one could be forgiven for assuming that they hid themselves away for a couple of months and hammered it out in creative seclusion. Not the case. “We all recorded it on our own, in different parts of the country since we’re all spread out,” says Barnes. “I think the most important thing is to put everybody in a comfortable space so that they get a great performance. That’s what you want to capture. It’s really hard nowadays to afford everyone being in the studio recording like we used to back in the ’90s. It can be done just as effectively this way.”

Killing For Revenge, which features a guest appearance by guitarist Jason Suecof on “Neanderthal,” was mixed and mastered by Chaz Najjar at Badlands Recording in Denver, Colorado.

The record is released on CD and digital formats as well as vinyl in the following color variants:

– Clear w/ Red Bloodshot (US)
– 180g Black (EU)
– Crusted Blood Marbled (EU)
– Khaki Brown Marbled (EU – Ltd. 300)
– Blood Red Splatter (EU – Ltd. 300)
– Gold “Black Dust” (EU – Ltd. 200)

Order here.

Killing For Revenge tracklisting:

“Know-Nothing Ingrate”
“Accomplice To Evil Deeds”
“Ascension”
“When The Moon Goes Down In Blood”
“Hostility Against Mankind”
“Compulsive”
“Fit Of Carnage”
“Neanderthal” (Guest Lead Guitar Solo – Jason Suecof)
“Judgement Day”
“Bestial Savagery”
“Mass Casualty Murdercide”
“Spoils Of War”
“Hair Of The Dog” (Nazareth Cover – CD + Digital Only)

“When The Moon Goes Down In Blood” lyric video:

“Ascension” lyric video:

“Know-Nothing Ingrate” lyric video:

Six Feet Under lineup:

Chris Barnes – vocals
Jack Owen – rhythm guitar
Ray Suhy – lead guitar
Jeff Hughell – bass
Marco Pitruzzella – drums


BLIND GUARDIAN Share Video Of “The Bard’s Song” Live At Wacken Open Air 2024

January 12, 2025, 2 hours ago

news blind guardian wacken open air 2024 heavy metal

 BLIND GUARDIAN Share Video Of

German metal legends, Blind Guardian, have shared a new video along with the following message:

“It’s never too late to look back on great moments – like when a crowd of over 80,000 bards sings one of YOUR anthems.”

The band recently shared a video recap of The God Machine Tour 2024. Check it out below. 


Featured Video

KINGDOM IN FLAMES – “Black Widow”

KINGDOM IN FLAMES – “Black Widow”

Latest Reviews



“Part of the attraction for Lou Reed was that I had an ample supply of hash”: how a British 70s cult hero became a member of famously grumpy Lou’s crew

As frontman of The Only Ones, Peter Perrett was one of the most captivating singer-songwriters of the mid-to-late 70s. The band only ever released three records, between 1978 and 1980, and Perrett’s career was derailed as addiction took hold. But he has come back roaring creatively in the past few years and released a sprawling double-album titled The Cleansing towards the end of 2024.

It featured guest appearances from Johnny Marr, Fontaines D.C. and Bobby Gillespie but Perrett’s rock’n’roll credentials were already cemented decades ago. In an interview with The New Cue last year, for example, he recalled his encounters with Lou Reed in the early 70s, unwittingly becoming his supplier of hash.

“I was a big Velvet Underground fan, but the original incarnation never toured England,” Perrett explained. “In 1972, Lou had a band called The Tots and we went to every gig south of Cambridge. Eventually they started talking to us after the shows. They had a holiday let on the corner of Beaufort Street and the King’s Road in Chelsea, and they invited us back there. We’d just go there after every gig and hang out. A part of the attraction was that I had an ample supply of hash, which they didn’t get in New York. They’d never seen such large lumps of it. That was an icebreaker.”

Perrett stated that Reed, alongside Bob Dylan, was the greatest influence on his work but he was determined to put his own stamp on his music. “For ages in the ‘70s I tried my hardest not to sound like Lou Reed,” he continued. “That’s why we were called The Only Ones: I’m an individual! So, once I’d lost my mid-Atlantic accent people compared me to Syd Barrett. Really, we’re influenced by everything that happens to us every day of our lives from the moment we’re born. I’m hoping that this new double-album goes to places that are unexpected.”

He’s still going his own way. Listen to one of best cuts from The Cleansing below:

Peter Perrett – I Wanna Go With Dignity (Official Video) – YouTube Peter Perrett - I Wanna Go With Dignity (Official Video) - YouTube

Watch On

Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox!

“We really weren’t compatible. It was kind of cool, but there was a lot left to be desired”: The singer who briefly replaced Ozzy Osbourne in Black Sabbath in 1977 – and then was forgotten

“We really weren’t compatible. It was kind of cool, but there was a lot left to be desired”: The singer who briefly replaced Ozzy Osbourne in Black Sabbath in 1977 – and then was forgotten

Black Sabbath in the early 1970s with an inset of Dave Walker
(Image credit: Chris Walter/WireImage)

Black Sabbath are rightly enshrined as one of the forefathers of heavy metal. The band’s original line-up – singer Ozzy Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward – were responsible for one of the greatest run of albums in music history, stretching from 1970’s self-titled debut to 1975’s Sabotage.

But following 1976’s Technical Ecstasy, the wheels started to wobble on the Sabbath wagon. The band themselves had just emerged from a costly battle with their ex-manager, tax bills were mounting up, their lifestyles were finally catching up with them and record sales were starting to tail off.

“I’d had enough,” Ozzy wrote in his 2009 autobiography, I Am Ozzy. “There didn’t seem to be any point any more. None of us was getting on. We were spending more time in meetings with lawyers than we were writing songs; we were all exhausted from touring the world pretty much non-stop for six years; and we were out of our minds on booze and drugs.”

In late 1977, Ozzy finally snapped. “One day, I just walked out of a rehearsal and didn’t come back,” he said of his decision to abruptly quit the band he co-founded nearly a decade earlier.

For the rest of Sabbath, it left a huge problem: how do you replace such a charismatic frontman as Ozzy? Rather than go through the chore of sitting through endless auditions, the band decided to tap up someone they knew. Enter Dave Walker.

Born in Walsall, a few miles northwest of Sabbath’s hometown of Birmingham, Walker had been a member of early 60s band The Redcaps, who counted Tony Iommi as one of their fans. Walker subsequently went on to replace future ELO leader Jeff Lynne in his pre-fame band The Idle Race, record an album with choogle-rockers Savoy Brown, and even briefly joined Fleetwood Mac (he sings on two tracks on 1973’s largely forgotten Penguin album). But by 1977, he could see his chances of hitting the big time disappearing in the rear view mirror. And then he got a message asking if he wanted to sing for Black Sabbath.

“I was in California with a band called Mistress that was falling apart,” Walker told Classic Rock in 2014. “I got a call from Sabbath’s road manager, and I flew over to start rehearsals at an old mill near Rockfield Studios in Monmouth.”

Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox!

The rest of the band had continued writing songs for the follow-up to Technical Ecstasy despite Ozzy’s departure, which they played for Walker.

“Right away they let me hear the tracks they’d been working on and told me they needed lyrics,” he said. “There wasn’t what I’d call one complete song, just reels of tape with little ideas on them. I wrote a shitload of lyrics, but I had no idea that Geezer was their main lyricist.”

Initially, Black Sabbath seemed committed to making it work with their new singer. On January 6, 1978, the band and Walker appeared on Look! Hear!, a local TV show produced in Birmingham, where they performed Sabbath classic War Pigs and a brand new song titled Junior’s Eyes. No footage exists of the show, though audio of the latter song appears on YouTube, illustrating how different Walker’s bluesy vocals are from Ozzy’s demented howl.

Ozzy himself had tried to launch a new band, an early version of Blizzard Of Ozz featuring members of the band Necromandus, but was struggling to get it together. Sabbath themselves hadn’t completely severed ties with their former singer. Walker told Classic Rock that he even met his predecessor.

“Ozzy came to meet us one day in a pub,” he said. “I felt really sad for him, because he was literally shaking. I’ve been around the block with drugs but when I saw poor Ozzy I thought, ‘God almighty.’ There was no suggestion that he might come back, but I had the feeling he was having second thoughts.”

Walker’s instincts proved right, though it was also becoming apparent that things weren’t working out for him in Sabbath.

“I knew things weren’t going well musically, and it was made worse by the fact that my wife and Bill Ward’s wife clashed,” he recalled.

The end, when it came, was sudden. “One day I turned up where they were rehearsing near Evesham and they were having a meeting, after which Bill told me, ‘We’re in, you’re out,’” Walker recalled. “No warning. I still don’t even know if Ozzy had agreed to come back then.”

Whatever the chronology, Walker’s tenure in the band had lasted just a few months. When Sabbath released their next album, Never Say Die!, in September 1978, it featured the reinstalled Ozzy on vocals. Junior’s Eyes, the song which Walker had sung on that lone TV appearance, made it onto the album, albeit with retooled lyrics.

As for Sabbath, they ploughed on with Ozzy, but the underpowered Never Say Die! had failed to recapture past glories, and the singer’s alcohol and substance problems were becoming an insurmountable issue. In April 1979, he left the band once more – though this time he was fired by his bandmates, who replaced him with Ronnie James Dio and made 1980’s classic Heaven And Hell album.

Dave Walker would continue playing music with his eponymous band and, later, a reunited Savoy Brown. And in his defence, he wasn’t the only singer to have been recruited by Sabbath and then dispensed with shortly afterwards – the same fate befell David Donato, who was briefly a member in 1984. Walker himself was sanguine about his brief stint in Black Sabbath.

“I knew that on the artistic side we really weren’t compatible,” he said. “It was kind of cool, but there was a lot left to be desired.”

Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.

10 Best Songs With The Word ‘Heaven’ In The Title

10 Best Songs With The Word 'Heaven' In The Title

Feature Photo: Paul Keeling / Shutterstock.com

From intimate ballads to grandiose anthems, these songs demonstrate how “heaven” has inspired some of the most evocative and enduring moments in rock history. Bryan Adams captures the bliss of romantic union with “Heaven,” a timeless ballad that resonates with heartfelt simplicity. INXS turns the celestial into the carnal with “Heaven Sent,” a sultry anthem of passion and desire. Heart’s “Rockin’ Heaven Down” celebrates the communal ecstasy of rock and roll, blending raw power with spiritual overtones. Bob Dylan’s “Knockin’ on Heaven’s Door” meditates on mortality with a poignant simplicity that has made it one of his most enduring works. Maria McKee’s “Show Me Heaven” offers a soaring exploration of love and longing, her voice imbuing the song with emotional depth. Frank Zappa’s reimagining of “Stairway to Heaven” transforms Led Zeppelin’s classic into a playful, virtuosic commentary on musical conventions.

# 10 – Heaven – Bryan Adams

Bryan Adams’ “Heaven,” an enduring anthem of love and devotion, was recorded during the sessions for his Reckless album in 1983. The track was initially conceived for the A Night in Heaven film soundtrack before being included on Adams’ breakthrough album, which was released on November 5, 1984. The song was recorded at Power Station Studios in New York City, with Adams and his longtime collaborator, Jim Vallance, sharing songwriting credits. Produced by Adams and Bob Clearmountain, Reckless showcased a polished rock sound that brought Adams international acclaim. “Heaven” epitomized this mix of heartfelt lyricism and stadium-ready balladry. Notably, the ethereal tone of the song is enriched by Tommy Mandel’s delicate keyboard work, but the recording does not feature a trumpet solo, distinguishing it from other tracks where instrumental solos heighten the emotional resonance.

Musically, “Heaven” captures the era’s quintessential soft rock sensibility while lyrically celebrating the transcendent nature of true love. Lines like “Once in your life you find someone who will turn your world around” elevate the song into an ode to the permanence of a deep connection. The song’s title and refrain, “We’re in heaven,” root it firmly in the theme of this list, embodying the euphoric heights love can achieve.

Critically, “Heaven” was lauded for its universal appeal and emotive delivery. It climbed to number one on the Billboard Hot 100 in June 1985, cementing its place in pop culture. Its success was bolstered by a timeless music video directed by Steve Barron, featuring Adams performing in a fog-drenched, dreamlike setting that visually mirrors the song’s celestial themes. The lyrical emphasis on steadfast love and enduring hope, underscored by Adams’ impassioned vocal delivery, ensures “Heaven” remains a defining example of rock balladry. Its place on this list speaks not only to its chart success but to its enduring message of love’s ability to lift us to our highest emotional heights.

Read More: Top 10 Bryan Adams Songs 

# 9 – Heaven Must Be Missing An Angel – Tavares

Tavares’ “Heaven Must Be Missing an Angel” exemplifies the radiant blend of soul, funk, and disco that defined the late 1970s. Released in 1976 as a two-part single and featured on their album Sky High!, the song was recorded at Capitol Studios in Hollywood, California. Produced by the renowned Dennis Lambert and Brian Potter, the track reflects the duo’s knack for crafting danceable hits with infectious melodies. While the song does not include a trumpet solo, its dynamic arrangement owes much to a lush horn section, layered strings, and the rhythmic precision of session musicians. The Tavares brothers—Ralph, Pooch, Chubby, Butch, and Tiny—lend their signature harmonies, with lead vocals by Chubby Tavares infusing the track with soulful intensity.

Lyrically, the song plays with the metaphor of an angel on earth, channeling celestial imagery to describe a love that feels otherworldly. Lines like “Heaven must be missin’ an angel, missin’ one angel, child, ’cause you’re here with me right now” merge romance with divine allure, elevating the theme of love into a near-spiritual experience. The vivid imagery continues with phrases such as “Your love comes in showers, and every hour of the hour, you let me feel your loving power,” capturing the overwhelming nature of infatuation and devotion. The titular reference to heaven connects seamlessly to the theme of this article, emphasizing the transcendence of love as a divine force.

Critically and commercially, the song was a triumph. It reached number fifteen on the Billboard Hot 100 and climbed to number three on the Hot Soul Singles chart, showcasing its cross-genre appeal. On the international stage, it resonated with disco audiences, hitting number one on the Billboard Hot Dance Club Play chart. Its enduring popularity stems in part from its rhythmic groove and vibrant arrangement, making it a staple of 1970s dance floors. The song’s bright, celebratory tone contrasts with the reflective emotion of “Heaven” by Bryan Adams, highlighting the thematic diversity within this list of songs about heaven. While Adams’ piece explores love’s intimacy and depth, Tavares’ track celebrates its joyful, exhilarating heights.

Read More: Top 10 Tavares Songs

# 8 – Heaven Sent – INXS

With “Heaven Sent,” INXS unleashed a fiery burst of energy that showcased their evolving artistry during the early 1990s. Featured on their eighth studio album, Welcome to Wherever You Are, released on August 3, 1992, the song stands out as a powerful statement of reinvention. Recorded at Rhinoceros Studios in Sydney, Australia, in 1991, the track was produced by longtime collaborator Mark Opitz. The Farriss brothers—Andrew, Tim, and Jon—alongside Kirk Pengilly, Garry Gary Beers, and the magnetic Michael Hutchence, brought their signature chemistry to this dynamic piece. While the song doesn’t feature a trumpet solo, Pengilly’s intricate saxophone work and the relentless guitar riffs add a bold edge to the track’s high-octane sound.

“Heaven Sent” delivers its message of passion and yearning with searing intensity, encapsulated in lines like “You’re the one that makes me feel much higher, and I’ll never deny you.” Hutchence’s commanding vocal performance melds with the urgent instrumentation to create a track that channels the theme of heaven in a decidedly unconventional way. The repeated refrain of “heaven sent” transforms the celestial into something raw and immediate, giving the song a visceral emotional charge. Its thematic connection to the previous track on this list, Bryan Adams’ “Heaven,” highlights contrasting interpretations of love and transcendence—where Adams celebrates a tender union, INXS ventures into the thrilling, untamed side of passion.

Critically, the song was celebrated for its bold direction, receiving acclaim for its gritty, alternative sound. Charting at number 13 on the Australian ARIA Singles Chart and breaking into the UK Top 40, “Heaven Sent” demonstrated the band’s enduring global appeal. The accompanying video, directed by Nick Egan, complements the song’s frenetic pace with abstract imagery and kinetic energy, cementing the track’s place as a standout moment in INXS’s discography. The song’s sheer intensity and emotional depth make it a vital addition to this list, exploring heaven as not just a place of peace, but a state of overwhelming, all-consuming feeling.

Read More: Top 10 INXS Songs

# 7 – Heaven’s On Fire – Kiss

Kiss brought their signature fiery energy to “Heaven’s On Fire,” the lead single from their 1984 album, Animalize. Recorded at Right Track Studios in New York City, the song marked a transitional period for the band as they embraced a glam-metal sound under the production of Paul Stanley and Michael James Jackson. “Heaven’s On Fire” was co-written by Stanley and songwriter Desmond Child, whose knack for crafting radio-friendly rock anthems is evident throughout the track. Kiss members during this era included Stanley (vocals and rhythm guitar), Gene Simmons (bass and vocals), Eric Carr (drums), and Mark St. John (lead guitar), whose blistering riffs punctuate the song’s vibrant production. While the track does not feature a trumpet solo, its fiery instrumentation and searing guitar work create an explosive soundscape.

The lyrics of “Heaven’s On Fire” are unabashedly bold and sensual, capturing the essence of untamed desire. Lines such as “Feel my heat taking you higher, burn with me, Heaven’s on fire” combine physical intensity with celestial imagery, tying the song neatly to the theme of this list. The metaphor of “Heaven’s on fire” paints a vivid picture of passion so intense it transcends earthly bounds, turning the heavenly realm into a blazing inferno. Stanley’s delivery, punctuated by the primal “hah, hah, hah” breaths in the verses, enhances the song’s raw, electrifying appeal.

Critically and commercially, “Heaven’s On Fire” revitalized Kiss during a time when they were adapting to a new era of rock. The song reached number 11 on the Billboard Hot Mainstream Rock Tracks chart and became a staple of the band’s live performances. Its music video, featuring the band in full glam-metal flair, emphasized their larger-than-life stage personas and complemented the song’s high-energy vibe. Compared to the sultry tones of INXS’s “Heaven Sent,” this track channels its theme of heavenly passion into a loud, unapologetic celebration of physical connection, demonstrating the versatility of how “heaven” can be interpreted in rock music.

Read More: Tommy Thayer of Kiss: The ClassicRockHistory.com Interview

# 6 –  Jackie Wilson Said (I’m in Heaven When You Smile) – Van Morrison

Van Morrison’s “Jackie Wilson Said (I’m in Heaven When You Smile)” radiates joy and energy, a testament to the artist’s admiration for the music of Jackie Wilson and the emotional transcendence of love. Recorded in spring 1972 at Wally Heider Studios in San Francisco, the track is part of Morrison’s Saint Dominic’s Preview album, released on July 21, 1972. Produced by Morrison, the song features his signature blend of soul, jazz, and R&B, with a lively arrangement that underscores the upbeat, celebratory tone of the lyrics. Key contributors to the track include Jules Broussard on saxophone, John McFee on guitar, and Morrison himself on vocals and rhythm guitar. While the song does not feature a trumpet solo, the brass elements, including Broussard’s saxophone, play a vital role in creating its buoyant sound.

The lyrics of “Jackie Wilson Said” are a vibrant homage to the spirit of Jackie Wilson’s music, capturing the sheer elation and vitality of love. The line “I’m in heaven when you smile” serves as the heart of the song, weaving the theme of heavenly joy directly into its lyrical narrative. Morrison’s energetic vocal delivery, punctuated by playful scatting and phrases like “let it all hang out,” adds an infectious rhythm that mirrors the excitement and spontaneity of the emotions described. This effusive expression of love contrasts with the more fiery passion in “Heaven’s On Fire” by Kiss, showcasing the thematic diversity of the list.

Critically, “Jackie Wilson Said” has been celebrated for its effervescence and unique blend of styles, demonstrating Morrison’s ability to channel inspiration into something uniquely his own. The song did not chart in the United States but became a fan favorite and a staple of Morrison’s live performances. Its exuberance is mirrored in the vibrant interplay of instruments, particularly the brass and piano, which lend the track a kinetic energy. Unlike the sultry introspection of INXS’s “Heaven Sent,” this song revels in the jubilant highs of life and love, providing a lighter and more joyous perspective on the theme of heaven.

With its infectious rhythm, celebratory lyrics, and dynamic arrangement, “Jackie Wilson Said (I’m in Heaven When You Smile)” is a shining example of Van Morrison’s musical genius. Its connection to the theme of heaven is heartfelt and uplifting, making it a vibrant addition to this collection of songs.

Read More: Our 10 Favorite Van Morrison Songs

# 5 – Heaven Can Wait – Meat Loaf

“Heaven Can Wait,” a hauntingly beautiful ballad from Meat Loaf’s iconic album Bat Out of Hell, stands as a testament to the theatricality and emotional depth that defined the collaboration between Meat Loaf and songwriter Jim Steinman. Released on October 21, 1977, Bat Out of Hell was produced by Todd Rundgren and recorded at Bearsville Studios in Woodstock, New York. The album featured an ensemble of highly skilled musicians, including Roy Bittan on piano and Max Weinberg on drums—both members of Bruce Springsteen’s E Street Band—along with Todd Rundgren on guitar. The soaring orchestral arrangement, including contributions from the New York Philharmonic, elevates the song to celestial heights. Notably, “Heaven Can Wait” does not include a trumpet solo, instead relying on piano, strings, and Meat Loaf’s powerful vocal performance to convey its emotional intensity.

The lyrics of “Heaven Can Wait” weave a poignant narrative of yearning and transcendence, as the protagonist reflects on life, love, and an almost spiritual connection to paradise. The line “I’ve got a taste of paradise, I’m never gonna let it slip away” anchors the song in the theme of this list, emphasizing the pull of heaven while choosing to remain grounded in the beauty of earthly existence. The imagery of angels, gods, and melodies reinforces the celestial motif, creating an ethereal yet deeply personal meditation on mortality and fulfillment. This reflective tone contrasts with the fiery passion of Kiss’s “Heaven’s On Fire,” demonstrating the broad emotional spectrum tied to the concept of heaven in rock music.

Critically, Bat Out of Hell received mixed initial reviews but went on to become one of the best-selling albums of all time, with over 40 million copies sold worldwide. “Heaven Can Wait,” though not released as a single, was praised for its tender and introspective quality, serving as a counterpoint to the album’s more bombastic tracks like “Bat Out of Hell” and “Paradise by the Dashboard Light.” Meat Loaf’s evocative vocal delivery, combined with Steinman’s poetic lyrics and Bittan’s masterful piano accompaniment, has made the song a fan favorite. Its quiet, contemplative nature distinguishes it from the exuberance of Van Morrison’s “Jackie Wilson Said (I’m in Heaven When You Smile),” showing yet another facet of how heaven can be interpreted musically.

“Heaven Can Wait” is a deeply moving composition that captures the longing and grace inherent in the human experience. Its timeless quality and thematic resonance make it an essential addition to this list, offering a poignant reminder of the power of music to explore life’s most profound emotions.

Read More: Top 10 Meat Loaf Songs

# 4 – Rockin’ Heaven Down – Heart

“Rockin’ Heaven Down” channels the raw energy and unbridled emotion that defined Heart’s evolution in the late 1970s and early 1980s. Featured on their Bébé le Strange album, released on February 14, 1980, the track was recorded at Kaye-Smith Studios in Seattle, Washington. Produced by Mike Flicker, the song showcases the power of the band’s lineup at the time, with Ann Wilson’s soaring vocals driving the emotional core and Nancy Wilson’s masterful guitar work providing a robust foundation. Howard Leese on guitar and keyboards, Steve Fossen on bass, and Michael Derosier on drums round out the arrangement, which captures the relentless intensity that Heart brought to their recordings.

The lyrics of “Rockin’ Heaven Down” evoke the euphoria and unity that music can inspire. Lines like “Roll out the soul, you get that feel, and everybody knows” emphasize the collective connection between the performer and the audience, while the refrain “Rockin’ heaven down” conveys an almost spiritual transcendence through sound. The metaphor of “a band of wild angels” further elevates the experience, tying the song’s imagery to the broader theme of heaven as something we create together in moments of pure passion and freedom. Unlike the reflective tone of Meat Loaf’s “Heaven Can Wait,” which focuses on personal introspection, Heart’s contribution to this list celebrates the communal and ecstatic nature of heavenly experiences.

Critically, while Bébé le Strange represented a transitional period for Heart, “Rockin’ Heaven Down” became a standout track for its sheer energy and unapologetic embrace of rock and roll’s transformative power. The album, which followed the departure of founding member Roger Fisher, saw the Wilson sisters stepping further into the creative forefront, and this song exemplifies their ability to lead with both vulnerability and strength. The track’s unrelenting pace and bold delivery make it an unforgettable addition to this list, capturing the power of music to unite and uplift in ways that feel downright heavenly.

Read More: 10 Most Rocking Heart Songs

# 3 – Show Me Heaven – Maria McKee

Maria McKee’s “Show Me Heaven” is an evocative ballad that melds emotional vulnerability with cinematic grandeur. Released in 1990 as part of the soundtrack for Days of Thunder, the song was produced by Peter Asher and recorded at The Complex in Los Angeles, California. Written by McKee, Eric Rackin, and Jay Rifkin, it showcases McKee’s breathtaking vocal delivery, which balances raw emotion with exquisite control. The lush instrumentation includes strings arranged to heighten the song’s sweeping, almost ethereal quality. While there is no trumpet solo in the track, the orchestral arrangement and McKee’s impassioned performance ensure its emotional resonance is undeniable.

Lyrically, “Show Me Heaven” explores themes of longing and surrender, with lines like “Cry out to heaven if it will help me” and “Open up your heart and show me heaven” presenting heaven as both a metaphor for ultimate love and an emotional sanctuary. McKee’s voice imbues the lyrics with a profound intensity, her delivery shifting effortlessly between vulnerability and strength. This spiritual yearning resonates deeply, offering a sharp contrast to the celebratory energy of Heart’s “Rockin’ Heaven Down,” which focuses on communal euphoria. Instead, McKee delves into the introspection of love as a personal, transformative force.

Commercially, “Show Me Heaven” was a major success, reaching number one on the UK Singles Chart and charting highly across Europe and Australasia. Critics praised McKee’s performance for its emotional depth, with many highlighting the song’s ability to transcend its film soundtrack origins and stand alone as a timeless ballad. The song’s lush production and soaring vocals make it a natural fit for this list, aligning thematically with Meat Loaf’s “Heaven Can Wait” in its exploration of heaven as a deeply personal, almost mystical state of being.

Read More: 10 Maria McKee Songs That Will Leave You Mesmerized

# 2 – Knocking On Heaven’s Door – Bob Dylan

Bob Dylan’s “Knockin’ on Heaven’s Door” stands as one of the most poignant and enduring songs of his career. Written and recorded for the 1973 film Pat Garrett & Billy the Kid, the song was produced by Gordon Carroll and recorded at Burbank Studios in California. The minimalist arrangement features Dylan on vocals, guitar, and harmonica, with Booker T. Jones on bass, Roger McGuinn on guitar, and Jim Keltner on drums. The recording captures an intimate and somber atmosphere, perfectly complementing the song’s themes of mortality and resignation. While the track does not feature a trumpet solo, the simplicity of the instrumentation allows Dylan’s voice and lyrics to remain the focus.

Lyrically, “Knockin’ on Heaven’s Door” reflects the perspective of a dying lawman, underscoring the fragility of life. Lines like “Mama, take this badge from me, I can’t use it anymore” and “That cold black cloud is comin’ down” evoke the inevitability of death, framed in a deeply personal and reflective narrative. The repetitive refrain, “Knock-knock-knockin’ on Heaven’s door,” reinforces the proximity to the afterlife, presenting heaven as both an endpoint and a passageway. Compared to Heart’s “Rockin’ Heaven Down,” which celebrates the communal euphoria of music, Dylan’s song is introspective, meditative, and imbued with quiet power.

The song achieved critical and commercial success, peaking at number 12 on the Billboard Hot 100. Its universal themes and timeless melody have inspired countless covers, with interpretations spanning genres from rock to reggae. Dylan’s original version, however, remains unmatched in its emotional depth and simplicity. Unlike Maria McKee’s “Show Me Heaven,” which explores the longing for love and connection, Dylan’s “Knockin’ on Heaven’s Door” is an acceptance of life’s impermanence, a stark yet beautiful meditation on what lies beyond.

“Knockin’ on Heaven’s Door” is a masterclass in lyrical and musical restraint, demonstrating Dylan’s ability to convey profound emotions with few words. Its enduring legacy and thematic resonance make it a cornerstone of this collection, offering a stark yet poetic perspective on the idea of heaven.

Read More: Best Bob Dylan Songs Of The 1970s

# 1 – Stairway To Heaven – Frank Zappa Version

Frank Zappa’s reinterpretation of “Stairway to Heaven,” featured on his 1991 live album The Best Band You Never Heard in Your Life, transforms Led Zeppelin’s iconic song into a showcase of Zappa’s unparalleled creativity and wit. Recorded during Zappa’s 1988 world tour, the track retains the structural integrity of the original while injecting his unique blend of satire and technical innovation. This live rendition features Zappa’s expert band, including Mike Keneally on guitar, Ike Willis on vocals, and Ed Mann on percussion, creating a vibrant reinterpretation that pushes the boundaries of the original. The performance’s theatricality, complete with a brass arrangement replicating the famous guitar solo, exemplifies Zappa’s penchant for turning rock classics into something wholly new and provocative.

Lyrically, “Stairway to Heaven” is steeped in spiritual imagery, exploring themes of longing, self-discovery, and the pursuit of transcendence. Robert Plant’s original verses remain intact, but Zappa’s performance adds layers of irony and playfulness, challenging the song’s almost sacred reputation. The dramatic shifts in instrumentation and tone, including brass flourishes and unexpected comedic elements, reframe the song’s celestial quest, offering a tongue-in-cheek interpretation of the idea of heaven. In contrast to Bob Dylan’s “Knockin’ on Heaven’s Door,” which reflects quiet introspection on mortality, Zappa’s “Stairway to Heaven” emphasizes irreverence and the boundless possibilities of musical reinvention.

Critically, Zappa’s rendition has been praised for its audacity and technical brilliance. The Best Band You Never Heard in Your Life captures the spirit of Zappa’s live performances, where even the most revered rock songs were subject to his deconstruction and satire. This reimagining of “Stairway to Heaven” stands out for its orchestral complexity and the band’s ability to recreate and parody Led Zeppelin’s epic with precision and humor. Where Maria McKee’s “Show Me Heaven” offers a deeply emotional exploration of love and connection, Zappa’s version of “Stairway to Heaven” celebrates the joy of breaking conventions and embracing the unexpected.

Frank Zappa’s “Stairway to Heaven” is a bold and ingenious reinterpretation that pays homage to the original while challenging its mystique. Its inclusion in this list highlights how heaven, as a concept, can inspire music that is reverent, irreverent, or somewhere in between, offering an expansive and dynamic perspective on one of rock’s most enduring themes.

Read More: 25 Classic Led Zeppelin Songs Everyone Should Know

Read More: A Method in Exploring the Frank Zappa Album’s Catalog

10 Best Songs With The Word ‘Heaven’ In The Title article published on Classic RockHistory.com© 2024

DMCA.com Protection Status

Today In Metal History 🤘 January 11th, 2024 🤘 SHADOWS FALL, KITTIE, CHIMAIRA, SOILWORK

Today In Metal History 🤘 January 11th, 2024 🤘 SHADOWS FALL, KITTIE, CHIMAIRA, SOILWORK

HEAVY BIRTHDAYS

Happy 55th 
Jason Bittner (far right above: SHADOWS FALL, OVERKILL, FLOTSAM AND JETSAM) − January 11th, 1970

HEAVY RELEASES

Happy 25th
KITTIE’s Spit – January 11, 2000

CHIMAIRA’s This Present Darkness – January 11th, 2000

Happy 17th
KISS’ Gold – January 11th, 2008
BENEDICTUM’s Seasons Of Tragedy – January 11th, 2008

Happy 14th
ANAL C*NT’s Fuckin’ A – January 11th, 2011
KRYOBURN’s Three Years Eclipsed – January 11th, 2011
MEGASUS’ Menace Of The Universe – January 11th, 2011

Happy 13th 
SKYLARK’s Twilights Of Sand – January 11th, 2012

Happy 7th 
Y&T’s Acoustic Classix, Vol. 1 – January 11th, 2018

Happy 6th
BORN OF OSIRIS – The Simulation – January 11th, 2019
JINJER – Micro – January 11th, 2019
SOILWORK – Verkligheten – January 11th, 2019


KILLSWITCH ENGAGE Frontman JESSE LEACH Talks Songwriting For New Album – “It’s Important To Put Something Out That Just Feels Therapeutic And Doesn’t Necessarily Have To Have A Positive Message” (Video)

KILLSWITCH ENGAGE Frontman JESSE LEACH Talks Songwriting For New Album -

Three-time Grammy-nominated hard rock heavyweights and platinum-selling band Killswitch Engage – Jesse Leach, vocals; Adam Dutkiewicz, guitar; Joel Stroetzel, guitar; Mike D’Antonio, bass; and Justin Foley, drums – recently announced their new album, This Consequence, will arrive on  February 21 via Metal Blade. 

Vocalist Jesse Leach spoke with Finland’s Chaoszine about the new album, Check out the interview below, and pre-order This Consequence here.

Leach: “I think there are a couple of songs on this record that do not end on a positive note, and I think that’s important. It’s important to put something out that just feels therapeutic and doesn’t necessarily have to have a positive message. On the flipside,. the song ‘I Believe’ off the (new) record is 100% a positive song, and I was in a good mood when I wrote it. I was in a mood of hopefulness and positivity, and I’m proud of that, too. You need the contrast between the two as an artist; at least for me.”

The band recently shared the video for first single, “Forever Aligned.” Watch below.

“‘Forever Aligned’ is one of those songs that is not just about us as humans, our love, and connection, but that connection to the unknown, the greater power, the universe, or God,” explains Leach. “It feels like a really good first song to release not just sonically, but lyrically, as it is all about connection. The device of the world we live in could use a lot more connectivity.”

Regarding the album, Leach continues, “This Consequence, to me, is the combination of everything the past five years has thrown at us as a band, as humans, and society as a whole. This album is just as much about everybody and their stories as it is for me about my journey personally. Sonically, I love the combination of everybody’s ideas and contributions on this album. It feels more like a collaboration than the past few records have been. When all is said and done, I wouldn’t change anything about this album.”

He finishes, “I think it’s the exact record we needed to make. I’m honoured and proud of what we all were able to create and refine through this music and message.”

This Consequence will be available in the following formats:

– CD: 8-panel digipak with spot gloss and emboss + 20-page booklet
– LP: Single LP – gatefold jacket with spot gloss and emboss + 8-page 8.5″x11″ booklet
– Digital/Streaming

US Vinyl Variants:

– Ancient Stone
– Blood Sunset (Indie Retail Exclusive)
– Engulfing Moss (Revolver Exclusive)
– Cold Dead Eyes (Indiemerch Exclusive)
– Charred Rust (Band Store Exclusive)

EU Vinyl Variants:

– Defused Pink Pollution
– Corrupt Blood Infusion
– Expired Ancient Slate (UK Exclusive – 500 copies)
– Cosmos Adrift (EMP Exclusive 200 copies)
– Decayed Crushed Leaves (Amazon Exclusive – 200 copies)
– Explosive Birch Rot (Impericon Exclusive – 200 copies)

Tracklisting:

“Abandon Us”
“Discordant Nation”
“Aftermath”
“Forever Aligned”
“I Believe”
“Where It Dies”
“Collusion”
“The Fall Of Us”
“Broken Glass”
“Requiem”

“Forever Aligned” video:


MEGADETH Drummer DIRK VERBEUREN Breaks Down “Hangar 18” – “Keeping NICK MENZA’s Legacy Alive” (Video)

January 11, 2025, 2 hours ago

news megadeth dirk verbeuren nick menza hangar 18 heavy metal

MEGADETH Drummer DIRK VERBEUREN Breaks Down

Drumeo has shared a new video along with the following message:

“Join Dirk Verbeuren as he breaks down the legendary drum parts from ‘Hangar 18’ by Megadeth. This is a classic track from the band’s Rust In Peace album which was originally recorded with Nick Menza on drums.

A huge shoutout to Dirk for keeping Nick Menza’s legacy alive and showing us what makes ‘Hangar 18’ one of the greatest songs in metal history.”

Previously, Verbeuren took the challenge of hearing The Killers song, “Mr. Brightside”, for the first time – without drums – and teaching himself how to play the song. Check out the video below.

Drumeo; “Dirk’s incredible drumming skills effortlessly transform ‘Mr. Brightside’ into his own unique masterpiece, showcasing the value of learning songs quickly for session work. He also highlights the importance of having techniques and tricks for memorization and sight-reading, allowing him to effortlessly master the song with ease.”

 


JETHRO TULL Announce March Release Of 24th Studio Album, Curious Ruminant; Title Track Music Video Streaming

JETHRO TULL Announce March Release Of 24th Studio Album, Curious Ruminant; Title Track Music Video Streaming

After two consecutive new Jethro Tull album releases in 2022 and 2023, a new record, Curious Ruminant, is unleashed on Friday, March 7. Consisting of nine new tracks varying in length from two and half minutes to almost seventeen minutes, this is an album of mostly full band music. Amongst the musicians featured are former keyboardist Andrew Giddings and drummer James Duncan, along with the current band members David Goodier, John O’Hara, Scott Hammond and, making his recording debut with the band, guitarist Jack Clark.

To coincide with this announcement, the albums title track has been launched digitally, alongside a video by Costin Chioreanu (who previously created the bands video for “Ginnungagap” from RökFlöte). Watch the clip below.

Curious Ruminant will be available on several different formats, including a Ltd Deluxe Ultra Clear 180g 2LP + 2CD + Blu-ray Artbook & Ltd Deluxe 2CD+Blu-ray Artbook. Both of these feature the main album, alternative stereo mixes & a blu-ray containing Dolby Atmos & 5.1 Surround Sound (once again undertaken by Bruce Soord of The Pineapple Thief), as well as exclusive interview material. The Ltd Deluxe vinyl artbook also includes two exclusive art-prints. The album will also be available as a Special Edition CD Digipak, Gatefold 180g LP + LP-booklet & as Digital Album (in both stereo & Dolby Atmos).

Pre-order here.

Tracklisting:

“Puppet And The Puppet Master”
“Curious Ruminant”
“Dunsinane Hill”
“The Tipu House”
“Savannah Of Paddington Green”
“Stygian Hand”
“Over Jerusalem”
“Drink From The Same Well”
“Interim Sleep”

“Curious Ruminant” video:

Ian Anderson had been saying for months following the release of RökFlöte that he would embark on a new project in late 2023. He waited only a few weeks before the first notions began to solidify into some drafted words of intent and in May 2024, some unfinished music recorded earlier with John O’Hara, David Goodier and James Duncan became the starting point for the new songs as they took shape.

Writing the lyrics and melodies for all the newly written material came very quickly once he began in earnest during June and just seemed to slot right in to the musical feel and styles of the earlier recordings.

Anderson’s writing here is often on a more personal level of lyric content than we are used to hearing. Interspersed with his usual observational descriptions are the slightly more heart-on-sleeve moments of soul-baring – albeit not on the topics more often paraded by the usual I-me lyric merchants of pop and rock.

Some of the songs are developed from unfinished instrumental demos made some years ago although this does not result in a huge stylistic divide to jump out at the listener. Apart from the signature flute solos and melodies, accordion, mandolin, acoustic and tenor guitars feature on several tracks too, so the subtle backdrop of acoustic and folk rock serves to remind of the Tull heritage of the 70s.

The band consists of:

Ian Anderson – Flutes, vocals, acoustic guitar, tenor guitar, mandolin, odds and sods, bits and bobs
David Goodier – Bass guitar
John O’Hara – Piano, keyboards, accordion
Scott Hammond – Drums
Jack Clark – Electric guitar

The album also features:

James Duncan – Drums, cajón, percussion
Andrew Giddings – Piano, keyboards, accordion