Today In Metal History 🤘 January 12th, 2025 🤘LED ZEPPELIN, ROB ZOMBIE, SWORD, APRIL WINE, DEEP PURPLE

Today In Metal History 🤘 January 12th, 2025 🤘LED ZEPPELIN, ROB ZOMBIE, SWORD, APRIL WINE, DEEP PURPLE

HEAVY BIRTHDAYS

Happy 62nd 
Rick Hughes (SWORD) – January 12th, 1963

Happy 60th 
Robert Bartleh Cummings (real name ROB ZOMBIE, WHITE ZOMBIE) – January 12th, 1965

Happy 55th
Zack De La Rocha (RAGE AGAINST THE MACHINE) – January 12th, 1970

HEAVY RELEASES

Happy 56th 
LED ZEPPELIN’s Led Zeppelin – January 12th, 1969

Happy 44th 
APRIL WINE’s The Nature Of The Beast – January 12th, 1981

Happy 38th 
DEEP PURPLE’s The House Of Blue Light – January 12th, 1987

Happy 27th 
MERCENARY’s First Breath – January 12th, 1998

Happy 25th 
THE BLACK CROWES’ By Your Side – January 12th, 1999
 
Happy 21st 
ICED EARTH’s The Glorious Burden – January 12th, 2004

Happy 18th
GRAVE DIGGER’s Liberty Or Death – January 12th, 2007
THERION’s Gothic Kabbalah – January 12th, 2007 

Happy 14th 
STRATOVARIUS’ Elysium – January 12th, 2011
MYGRAIN’s myGRAIN – January 12th, 2011

Happy 12th Birthday
MORS PRINCIPIUM EST’s …And Death Said Live – January 12th, 2013
MUTINY WITHIN’s Synchronicity – January 12th, 2013

Happy 10th 
WEDNESDAY 13’s Monsters Of The Universe: Come Out And Plague – January 12th, 2015

Happy 7th 
AVATAR’s Avatar Country – January 12th, 2018
BLACK VEIL BRIDES’ Vale – January 12th, 2018
CORROSION OF CONFORMITY’s No Cross No Crown – January 12th, 2018
LEAVES’ EYES’ Sign Of The Dragonhead – January 12th, 2018
WHITE WIZZARD’s Infernal Overdrive – January 12th, 2018
HAMFERD – Támsins likam – January 12th, 2018
HEIDEVOLK – Vuur Van Verzet – January 12th, 2018
MYSTIC PROPHECY – Monuments Uncovered (covers album) – January 12th, 2018
TRESPASS – Footprints in the Rock – January 12th, 2018
TY TABOR – Alien Beans – January 12th, 2018


ROBERT FRIPP & TOYAH Perform FOO FIGHTERS Hit “Everlong” For Sunday Lunch (Video)

ROBERT FRIPP & TOYAH Perform FOO FIGHTERS Hit

King Crimson founder Robert Fripp and his wife, Toyah Willcox, have served up a performance of the Foo Fighters hit, “Everlong” for Sunday Lunch.

Fender Musical Instruments Corporation (FMIC) recently announced the Chris Shiflett Cleaver Telecaster® Deluxe, the new American-made signature model from Chris Shiflett – lead guitarist for the Foo Fighters, solo artist, and host of the podcast, Shred With Shifty.

Night after night, Shiflett carves his way through a full brigade of guitar tones on the biggest, loudest stages in the world, and this tour-tested guitar is named “The Cleaver” for a reason – it positively slashes through the mix with a voice that snarls dirty as well as it sings clean. Previously available only as a Fender Custom Shop Masterbuilt Artist offering, the new Chris Shiflett Cleaver Telecaster® Deluxe is a stripped-down rock machine built for high-octane live performance.

With more than 25 years in the music industry, Chris Shiflett is a true punk rock veteran and Rock & Roll Hall of Famer. As a pivotal member of the Foo Fighters, Shiflett has played a crucial role in shaping modern rock, contributing to highly praised albums like One by One, Wasting Light, and Concrete and Gold, while earning multiple Grammy Awards along the way. His musical journey also includes stints with prominent California punk bands like No Use For a Name and Me First and the Gimme Gimmes, alongside his Country Rock solo work. Known for his love of Fender Telecaster® guitars, particularly his cherished 1972 Tele® Deluxe, Shiflett is a versatile artist, whether making records and touring the world with Foo Fighters or exploring a range of musical directions with his solo band.

“We put a lot of love and research into creating the American made version of my signature model, The Cleaver,” said Shiflett on his new Signature guitar. “It’s been road-tested, dropped on its head, kicked around, x-rayed, strummed, chicken-picked, and arpeggio swept! I’m excited to announce we’ve made a great guitar that’s adaptable to all situations. Can’t wait to get this into the hands of players everywhere!”

Available in Dakota Red or Charcoal Frost Metallic finishes, the Chris Shiflett Cleaver Telecaster® Deluxe’s resonant alder body lays the perfect foundation for bone-rattling, stadium-ready tones. Dressed up in a nitrocellulose lacquer finish, this alder body also has a “belly cut” for superior comfort during the longest sets. Built for speed, the 25.5” scale maple neck features a 12” radius rosewood fingerboard with 21 medium jumbo frets for fiery leads and silky bends. Pearloid block inlays add a touch of unexpected class, whilst two Custom Chris Shiflett “Cleaver” Noiseless™ CS-90 pickups pair powerful output with the throaty midrange punch and singing highs of a vintage single coil, all without hum. The “F”-stamped tuning machines, bone nut and wing string tree with nylon spacer keep things in tune through marathon sets, while the string-through body hardtail bridge enhances resonance and sustain.

“Collaborating with Chris Shiflett on his signature Telecaster® Deluxe has been an incredible journey,” said Justin Norvell, EVP of Product, FMIC. “Chris has a lot of guitars, plays a lot of styles and demands versatility, and our goal was to capture that spirit in the design. This guitar is not just an instrument; it’s an extension of his musical identity and tone that both he and his fans demand. Fun Fact- we didn’t nickname it the ‘The Cleaver’- his Front-of-house person did the first night he played it live- because ‘it cut through the mix like a cleaver!!’, which speaks for itself!”

In true tradition, the Fender Artist Signature Series honours iconic musicians through product progression and storytelling, creating instruments and gear inspired by the unique specifications of the world’s greatest guitarists and bassists. Watch Chris Shiflett demo his Signature Cleaver Telecaster Deluxe below.

For technical specs, additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.


What If KORN Wrote Tetris Videogame Theme Music? (Video)

January 12, 2025, 2 hours ago

news moonic productions korn tetris heavy metal

What If KORN Wrote Tetris Videogame Theme Music? (Video)

Finnish musician / producer Otu, who works under the banner Moonic Productions, has shared his take on what would happen if Korn wrote the theme music for the videogame, Tetris. Check it out below, get the full version via Otu’s Patreon page here.

Previously, Otu shared his take on what would happen if Iron Maiden wrote the Queen classic, “Don’t Stop Me Now”.


Featured Video

KINGDOM IN FLAMES – “Black Widow”

KINGDOM IN FLAMES – “Black Widow”

Latest Reviews



45 Movie Sequels That Will Rule the Box Office in 2025

Only one of the Top 14 money-making movies of 2024 wasn’t a sequel. And that lone holdout was Wicked, the long-awaited big-screen adaptation of a hugely successful Broadway musical, which, guess what, is getting its own movie sequel in 2025.

So yeah, sequels are where the money is at in Hollywood. Over 40 sequels, prequels, reboots or franchise films are scheduled to be released in 2025. Here’s the ones you should line up for:

Star Trek: Section 31 (Jan. 24th on Paramount+)

Michelle Yeoh stars in the first made-for-TV Star Trek movie, a spin-off from the Star Trek: Discovery series that exists in a timeline between the original William Shatner / Leonard Nimoy Star Trek movies and the Patrick Stewart Star Trek: The Next Generation series. Looks like a blast, and we’re also still hoping they get a fourth “Chris Pine as Kirk” movie together one of these days.

Captain America: Brave New World (Feb. 14)

Anthony Mackie’s Sam Wilson, previously known as the Falcon, has taken over for Steve Rogers as Captain America in the 35th (!!) Marvel Cinematic Universe movie. Judging by the trailer, he’s about to become embroiled in a high-stakes political mystery involving Harrison Ford as the President of the United States of America, who’s also an extremely pissed off Red Hulk?

Paddington in Peru (Feb. 14)

Paddington 2 is incredible.” “I cried through the entire thing, it made me want to be a better man.” “I f—ing told you.” Nicolas Cage and Pedro Pascal know what’s up. If the third movie in this series is half as good as the second it’ll be well worth your time.

The Accountant 2 (April 25)

Nine years after the first installment, Ben Affleck is back as autistic accountant / killing machine Christian Wolff, with support from Jon Bernthal and J.K. Simmons.

Thunderbolts* (May 2)

The misfit toys of the Marvel Universe – including Florence Pugh’s Yelena Belova and David Harbour’s Red Guardian, the scene-stealing stars of 2021’s Black Widow – are forced to work together to battle… Julia Louis-Dreyfus?

Mission: Impossible – The Final Reckoning (May 23)

“I need you to trust me – one last time.” We’re not sure if that’s Tom Cruise or Ethan Hunt talking at the end of this trailer, but 2023’s Mission Impossible: Dead Reckoning Part One was an unexpected misfire, so here’s hoping the eighth film in the Mission Impossible series marks a return to form.

Read More: 50 Movies Turning 50 in 2025

Karate Kids: Legends (May 30)

The Karate Kid worlds will converge in 2025, with Ralph Macchio from the original series teaming up with Jackie Chan from the kung fu-themed 2010 reboot in a brand new adventure set three years after the conclusion of Macchio’s popular Cobra Kai series.

From the World of John Wick: Ballerina (June 6)

After delivering the most exciting 10 minutes of 2021’s James Bond movie No Time to Die, Ana de Armas takes the lead role in the first big screen spin-off of the John Wick franchise, which will feature an appearance from the Baba Yaga himself, Keanu Reeves.

28 Years Later (June 20)

18 years after the last installment, director Danny Boyle returns to the post-apocalyptic 28 Days Later franchise, along with writer Alex Garland, for 28 Years Later, the first of a newly promised trilogy from the innovative zombie franchise.

M3GAN 2.0 (June 27)

You can’t keep a good AI-powered doll down, and you can’t resist a sequel to a horror movie that grossed $181 million in 2022. So M3GAN is back to torment the human beings who (rightfully) rejected her in the first movie. A spin-off, SOULM8TE, is already lined up for 2026.

Jurassic World: Rebirth (July 2)

This is such an abusive relationship. Can we be honest and admit that even the first Jurassic Park movie was only great until the last five minutes, and that every successive sequel has been more preposterous and less exciting? And yet, the idea of a fresh start remains undeniably appealing, and the recruitment of Gareth “Monsters / Rogue One” Edwards offers real hope.

Superman (July 11)

Realizing they were being badly outclassed by Marvel, DC hired Guardians of the Galaxy mastermind James Gunn to re-boot their movie franchise. He’s starting right at the top, writing and directing a new Superman movie. If the whole thing’s as good as the trailer we’re in good hands, but we’ll still die on the “Superman Returns was great and they should have kept that story going” hill.

The Fantastic Four: First Steps (July 25)

Will the fourth time be the charm? After the first three failed attempts to bring the popular comic book series to the big screen, Marvel has their first shot at the Fantastic Four. The ’60s’-set movie is also expected to mark the debut of Robert “Iron Man” Downey Jr. in a new role as Doctor Doom.

The Naked Gun (Aug. 1)

Three decades after Leslie Nielsen last appeared as clueless detective Frank Deblin, Liam Neeson is set to take over the role in a reboot of the Naked Gun series. Pamela Anderson, fresh off her acclaimed comeback performance in The Last Showgirl, and WWE Champion Cody Rhodes are also in the cast.

Freakier Friday (Aug. 8)

22 years after their beloved 2003 reboot of the Freaky Friday franchise, Jamie Lee Curtis and Lindsey Lohan will again swap bodies and stressful lives in Freakier Friday. “We couldn’t have made this movie until now,” Curtis told People, “because Lindsey had to be old enough to have a 15 year old.”

Nobody 2 (Aug. 15)

Bob Odenkirk was flat-out amazing in 2021’s Nobody, starring as a retired but only partially domesticated assassin forced back into action against a coked-up Russian mobster. Christopher Lloyd, RZA, Connie Nielsen and Michael Ironside are all back from the original, along with new co-stars Sharon Stone and Chris Pine.

Tron: Ares (Oct. 10)

The third film in the comet-like Tron series flips the tables on its predecessors. Instead of. humans entering the computer world, a humanoid AI-powered computer program (played by Jared Leo) who is sent into the real world on a dangerous mission.

Predator: Badlands (Nov. 7) and Untitled Sequel (TBA)

The Predator franchise has produced two rather underappreciated gems in the past 20 years. 2010’s Predators is well worth your time, as is 2022’s 1719-set Prey. (Oddly enough, the only bum note in that streak came from the usually reliable Shane Black, with his 2018 The Predator.) Prey director Dan Trachtenberg returns with Predator: Badlands AND another secretly shot Predator movie, which is expected to be released before Badlands.

The Running Man (Nov. 7)

Glenn Powell takes over for Arnold Schwarzenegger in director Edgar “Hot Fuzz / Baby Driver” Wright’s remake of The Running Man. Seeing as how the life or death game show at the center of the story is at most a year away from happening in real life, his timing is good.

Wicked: For Good (Nov. 21)

Can’t say we fully understand how the already bloated three-hour musical version of Wicked had to be divided into two movies, the first half of which ran 160 minutes, but our kids would have sat still for another five hours during the first one so the filmmakers must know something we don’t.

Zootopia 2 (Nov. 26)

It’s been nine years since the clever and funny Zootopia first hit movie theaters. Jason Bateman and Ginnifer Goodwin return as the fox and rabbit buddy cops, this time trying to track down a snake played by Ke Huy “Short Round” Quan. Safe assumption: the sloth steals every scene he’s in.

Avatar: Fire and Ash (Dec. 19)

Three years after James Cameron rather boringly reheated the first Avatar movie and Titanic with Avatar: The Way of Water, the world’s most successful director returns to Pandora with Avatar: Fire and Ash. Much like Jurassic World: Rebirth, we’ll be seeing this one in spite of our better judgment.

Anaconda (Dec. 25)

17 years after Ice Cube and Jennifer Lopez tangled with a giant snake in the original Anaconda, Jack Black and Paul Rudd take the reigns of the franchise just in time for Christmas 2025. We’re gonna go out on a limb and guess that this chapter will play up the humor a bit more deliberately.

Happy Gilmore 2 (TBA)

Adam Sandler makes his long-awaited return to the role of Happy Gilmore, a failed hockey player turned golf champion who seems destined to conflict with Christopher McDonald’s Shooter McGavin yet again. The film is going to be filled with golf pro and celebrity cameos, and we’re betting that AEW’s Maxwell Jacob Friedman leaves them all in his dust. Because he’s better than you, and you know it.

The Old Guard 2 (TBA)

Casting Charlize Theron in any kind of role that involves ass-kicking is a foolproof plan to happily separate us from our money and time. She’s back as the (formerly?) immortal leader of a group of mercenaries in The Old Guard 2, which will also star Uma Thurman.

Wake Up Dead Man: A Knives Out Mystery (TBA)

Daniel Craig is set to return as the highly idiosyncratic private investigator Benoit Blanc in the third Knives Out movie, which features yet another star-studded cast. This time around, he’ll match wits with Mila Kunis, Josh Brolin, Jeremy Renner and Glenn Close. (Bold prediction: Glenn did it.)

Other Sequels and Franchise Films Arriving in 2025:
Den of Thieves 2 (Jan. 10)
Wolf Man (Jan. 17)
The Witcher: Sirens of the Deep (Feb. 11)
Bridget Jones: Mad About the Boy (Feb. 13)
Snow White (March 21)
Final Destination: Blood Lines (May 16)
Lilo & Stitch (May 23)
How to Train Your Dragon (June 13)
The Smurfs Movie (July 18)
Untitled I Know What You Did Last Summer sequel (July 18)
The Conjuring: Last Rites (Sept. 5)
Untitled Downton Abbey: A New Era sequel (Sept. 12)
Saw XI (Sept. 26)
The Black Phone 2 (Oct. 17)
Mortal Kombat 2 (Oct. 24)
Now You See Me 3 (Nov. 14)
Five Nights at Freddy’s 2 (Dec. 5)
The Spongebob Movie: Search for Squarepants (Dec. 19)

The Best Rock Movie From Every Year

A look at the greatest biopics, documentaries, concert films and movies with awesome soundtracks.

Gallery Credit: Ultimate Classic Rock Staff

Complete List Of Cinderella Band Members

Cinderella Band Members

Feature Photo: Adrián Pérez from Helsinki, Finland, CC BY-SA 2.0 , via Wikimedia Commons

The band originally consisted of Tom Keifer, Eric Brittingham, Jeff LaBar, and Fred Coury, who collectively shaped the band’s signature sound. Throughout their career, Cinderella sold over 20 million albums worldwide and were a staple of the glam metal movement, which dominated the 1980s. Although the band faced several breaks and lineup shifts, they continued to enjoy significant success through touring and their enduring influence. The band’s albums were frequently well-received, with Long Cold Winter reaching platinum status and Heartbreak Station charting highly. The band’s legacy is often discussed alongside other hard rock legends of the era.

Over the years, the members of Cinderella have pursued various solo projects, but the band’s music remains a significant part of rock and glam metal history. Here’s a closer look at the key members of the band, starting with the lead vocalist and guitarist, Tom Keifer, who was the driving force behind the band’s sound.

Tom Keifer

Tom Keifer is the lead vocalist, guitarist, and primary songwriter for Cinderella. He was the founding member of the band in 1983 and remained with them throughout their entire career. Keifer’s distinctive raspy voice and his ability to blend blues influences with rock music were central to Cinderella’s sound, particularly on tracks like “Nobody’s Fool” and “Don’t Know What You Got (Till It’s Gone).” He was not only the voice of the band but also played guitar, keyboards, saxophone, harmonica, steel guitar, mandolin, and dobro, showcasing his versatility as a musician. Keifer’s contributions to Cinderella’s albums, including Night Songs (1986), Long Cold Winter (1988), and Heartbreak Station (1990), were vital to their success.

After Cinderella went on hiatus, Keifer pursued a solo career, releasing his debut solo album The Way Life Goes in 2013. He continued to tour and perform songs from his time with Cinderella, as well as his solo work, bringing his powerful voice to new audiences. Keifer’s musical career has been marked by his tenacity and ability to create music that resonates with rock fans, making him one of the most respected figures in the genre.

Eric Brittingham

Eric Brittingham was the bassist and backing vocalist for Cinderella, joining the band in 1983. Brittingham was an integral part of the band’s rhythm section, contributing not only bass lines but also providing backing vocals, which helped define the band’s harmonic sound. His bass work can be heard on tracks like “Somebody Save Me” and “Gypsy Road.” Brittingham’s musical influence extended beyond just his technical skill, as he was also involved in the band’s songwriting and the overall direction of their sound.

Brittingham continued to perform and tour with Cinderella throughout the band’s career. After the band went on hiatus, he participated in various musical projects, including playing with the band Devil City Angels. Despite changes in the music scene, Brittingham’s steady presence as a bassist has ensured his place as one of rock’s respected bass players. His contributions to Cinderella’s catalog continue to be celebrated by fans and critics alike.

Jeff LaBar

Jeff LaBar joined Cinderella in 1985 as the band’s guitarist and backing vocalist, a position he held until 2014. LaBar’s guitar playing was a vital part of Cinderella’s sound, bringing a combination of heavy riffs and melodic solos to the band’s tracks. He played a major role in defining the band’s hard rock aesthetic, and his slide guitar work on “Coming Home” became one of Cinderella’s signature sounds. LaBar contributed to all of Cinderella’s albums, including Night Songs, Long Cold Winter, and Heartbreak Station, helping shape their musical identity.

After his time with Cinderella, LaBar continued his music career by pursuing solo projects, and he was involved in various collaborations. He remained a key figure in the glam metal scene until his untimely death in 2021. LaBar’s contributions to Cinderella are still remembered, and his musical legacy remains influential in the hard rock community.

Fred Coury

Fred Coury was the drummer and percussionist for Cinderella, joining the band in 1986. Coury’s drumming was a fundamental part of the band’s rhythm section, providing a powerful and driving force behind the music. His work on songs like “Shake Me” and “Don’t Know What You Got (Till It’s Gone)” showcased his ability to craft beats that complemented the band’s hard rock and blues elements. Coury was known for his solid drumming style and his ability to adapt to different musical genres within rock.

Coury played with Cinderella throughout their active years, contributing to all of their major albums and touring extensively. After the band’s hiatus, Coury continued his career in music, performing with various artists and maintaining his presence in the rock scene. He rejoined Cinderella during their later tours, solidifying his place as a key member of the band until its official end in 2014. Coury’s drumming remains an essential part of Cinderella’s musical legacy.

Other Musicians Associated with the band through touring and studio recordings

Rick Criniti

Rick Criniti was the keyboardist, pianist, organist, synthesizer player, and backing vocalist for Cinderella during their 1986–1995 touring years. Criniti played a key role in helping the band shape its sound during their live shows, bringing an extra layer of depth to the band’s music with his keyboard and synthesizer work. His contributions were felt especially in the band’s later years, as they incorporated more keyboards and atmospheric sounds into their live performances. Criniti also provided backing vocals, adding texture to Cinderella’s harmonies. After his tenure with the band, Criniti continued to perform and work as a session musician.

Garry Nutt

Garry Nutt was a bassist for Cinderella during a few brief periods: in 1989, 2000, and 2008. His time with the band was intermittent, and he was mainly involved in touring and supporting the band during those years. Nutt’s bass playing complemented the band’s hard rock and glam metal style, though he did not appear on any of their studio albums. After his time with Cinderella, Nutt played with various other musical acts, contributing to his career as a touring bassist.

Gary Corbett

Gary Corbett was the keyboardist and backing vocalist for Cinderella from 1990 to 1995 and again from 1998 to 2014. Corbett’s keyboard work was an important part of the band’s sound during the early ’90s, especially during their tours for Heartbreak Station (1990) and Still Climbing (1994). His experience as a session musician and live performer helped elevate Cinderella’s live shows, adding layers of texture to their hard rock sound. Corbett remained an integral member of the band during their later reunion tours. After his passing in 2021, Corbett’s contributions to the band’s music and live performances continued to be remembered by fans.

Kevin Valentine

Kevin Valentine was the drummer and percussionist for Cinderella during the 1991–1993 period. Valentine’s drumming helped define the band’s live sound during the early ’90s, providing a solid rhythm foundation for their music. Although Valentine’s time with the band was relatively short, his drumming appeared during a transitional period for Cinderella as they toured and performed their hits from Heartbreak Station and Still Climbing. After leaving the band, Valentine continued to work in music, performing with various other acts as a session musician and live performer.

Roberta Freeman

Roberta Freeman was a backing vocalist for Cinderella from 1990 to 1991. Freeman contributed to the band’s live performances, adding depth and harmony to the band’s sound during their tours in support of Heartbreak Station. Her backing vocals helped enhance the band’s sound, particularly during songs that required rich vocal harmonies. After her brief time with Cinderella, Freeman continued to work as a backing vocalist and performer, contributing to a variety of musical projects.

Dianne Jones

Dianne Jones was a backing vocalist for Cinderella during the band’s 1990–1991 tours. Jones’ vocals were a key component of the band’s live sound during this period, where she helped complement the band’s music with her harmonies. Like Freeman, Jones was part of the band’s efforts to bolster their vocal sound during their live performances. After leaving Cinderella, Jones continued to pursue a career as a backing vocalist for other musical projects.

Charles Lawrence

Charles Lawrence was a keyboardist and backing vocalist for Cinderella during the 1991 tour. His contributions to the band’s live performances helped support the band’s evolving sound, which began to incorporate more keyboard-driven elements. Though his time with Cinderella was brief, Lawrence’s work provided a rich layer to the band’s sound. After his time with Cinderella, Lawrence continued working as a session musician and performer in various music projects.

Ray Brinker

Ray Brinker was the drummer and percussionist for Cinderella during their 1994–1995 tours. Brinker contributed to the band’s live performances, adding a solid and dynamic rhythm section to the band’s sound during this time. His drumming supported the tracks from Still Climbing (1994) and helped the band bring an energetic performance to their live shows. After leaving Cinderella, Brinker worked with various other artists and continued his career in music.

Phillip Calfy

Phillip Calfy played drums and percussion for Cinderella during their 2006 tour. His brief involvement with the band came during a time of transition as Cinderella was reconnecting with their audience and reestablishing their live presence. Calfy’s drumming style contributed to the band’s hard rock sound during the period, adding energy to their shows. After his time with the band, Calfy continued to perform in the music industry.

John Rogers

John Rogers played drums and percussion for Cinderella from 2009 to 2010. His time with the band occurred during their reunion phase, where they played select shows and celebrated their past successes. Rogers’ drumming helped solidify the rhythm section during these performances. After his brief tenure with Cinderella, Rogers continued to work as a drummer for various live performances and session work.

Paul Taylor

Paul Taylor was a keyboardist and backing vocalist for Cinderella during their 2012 and 2014 tours. Taylor’s keyboard work complemented the band’s live sound, providing a richer, more layered musical experience for audiences. His backing vocals added depth to the band’s harmonies, particularly in songs that required vocal layering. After his involvement with Cinderella, Taylor continued to work in the music industry, contributing to various musical projects as a session musician and live performer.

Michael Schermick

Michael Schermick was a guitarist and backing vocalist for Cinderella during their early years, from 1983 to 1985. Schermick contributed to the band’s initial sound, playing guitar on some of their formative tracks and providing backing vocals. His involvement was integral to the band’s live performances during this period, helping to shape their sound before the lineup solidified with the more recognizable members of the group. After leaving Cinderella, Schermick pursued other musical ventures but did not achieve the same level of fame he had during his time with the band.

Sam Smith

Sam Smith was the bassist and backing vocalist for Cinderella from 1983 to 1984. He was part of the band’s early lineup, contributing to their early live performances and recordings. Smith’s bass playing provided the foundational groove to Cinderella’s music during the initial stages of their career. However, his time with the band was brief, as he left in 1984. After his departure, Smith did not maintain a significant public presence in the music industry.

Tony Destra

Tony Destra was the drummer and percussionist for Cinderella from 1983 to 1985. Destra played an important role in the band’s early sound, helping to define their rhythm section during their formative years. His energetic drumming was featured in their early live shows and recordings. Tragically, Tony Destra passed away in 1987, but his contributions to Cinderella’s early years remain a part of the band’s history. His death was a sad moment for the band and the rock community, as Destra had been a vital part of their live performances.

Jim Drnec

Jim Drnec played drums and percussion for Cinderella from 1985 to 1986. He replaced Tony Destra during the band’s early years and played on some of their live performances and recordings during this transitional period. Drnec’s drumming style added a new dynamic to Cinderella’s rhythm section, but his time with the band was relatively short. After leaving Cinderella in 1986, Drnec continued to pursue his career in music, though he did not remain a prominent figure in the public eye.

Albie “Al” Barker

Albie “Al” Barker was the drummer and percussionist for Cinderella in 1986. His time with the band was brief, and he played during a transitional phase in the band’s lineup. Though Barker’s involvement in Cinderella was short-lived, his drumming helped complete the rhythm section during this period. After his time with the band, Barker continued his career in music but did not achieve widespread recognition outside of his brief period with Cinderella.

Jody Cortez

Jody Cortez was the drummer and percussionist for Cinderella in 1986. His involvement with the band was during a transitional period when the band was evolving and refining their sound. Cortez played a role in their live performances and helped define the band’s rhythm section during this time. Although his time with Cinderella was brief, his drumming style contributed to their energetic performances in 1986. After his departure from the band, Cortez continued his career as a session musician and live performer, contributing to various musical projects.

Barry Benedetta

Barry Benedetta was a guitarist for Cinderella in 1986. His time with the band was short, but his guitar work played a role in shaping the sound of the band during that era. Benedetta’s contributions were particularly felt during the live shows, where his guitar playing added depth to the band’s hard rock and glam metal sound. After his brief tenure with Cinderella, Benedetta continued to perform and work with other bands. He passed away in 2022, leaving behind a legacy in the rock world.

Jeff Paris

Jeff Paris was the keyboardist for Cinderella in 1986, contributing to the band’s sound during their live performances that year. Paris’ keyboard work added a layer of melody and texture to Cinderella’s music, helping to expand the band’s sound. His contributions were particularly evident during their live shows, where his keyboard playing complemented the band’s hard rock style. After his time with Cinderella, Paris continued his career in music as a solo artist and songwriter, working on various musical projects over the years.

Cozy Powell

Cozy Powell was a renowned drummer who briefly played for Cinderella in 1988. Known for his exceptional drumming abilities, Powell played drums on some of the band’s tracks during this period. Powell’s extensive experience as a session musician and performer with other rock legends, including Rainbow and Black Sabbath, brought a distinctive energy to Cinderella’s sound. His time with the band was short-lived, but Powell’s drumming made a strong impact during his tenure. Powell passed away in 1998, but his legacy as one of rock’s greatest drummers remains significant.

Denny Carmassi

Denny Carmassi was the drummer for Cinderella in 1988, following Cozy Powell’s brief stint with the band. Carmassi brought his experience to the band’s rhythm section, contributing to their sound during this period. Known for his solid and precise drumming style, Carmassi played an important role during a transitional phase for the band. After his time with Cinderella, Carmassi continued his career in music, performing with various artists, including Montrose, and establishing himself as a respected figure in rock drumming.

Kevin Conway

Kevin Conway played drums and percussion for Cinderella from 1990 to 1991. His drumming during this period helped support the band’s evolving sound as they worked on new material. Conway’s rhythmic skills were vital during the band’s performances, providing a steady foundation for their hard rock and glam metal elements. After his time with Cinderella, Conway continued to work in music, but his involvement in other projects was limited. His time with the band remains a small but notable part of Cinderella’s rhythm section history.

Kenny Aronoff

Kenny Aronoff, a highly respected session drummer, joined Cinderella in 1994, playing drums and percussion for the band during their live performances. Aronoff’s drumming style, known for its powerful and precise execution, added energy and depth to Cinderella’s shows. He has worked with numerous artists in the rock world, including John Mellencamp, and his reputation as a world-class drummer enhanced Cinderella’s live performances during his tenure. After his time with Cinderella, Aronoff continued to enjoy a successful career as a session drummer, contributing to various high-profile projects.

Ken Hensley

Ken Hensley, a prominent keyboardist, was part of Cinderella’s lineup in 1990, contributing his keyboard skills to the band’s sound during this period. Hensley’s expertise in rock music, particularly his work with Uriah Heep, brought a layer of sophistication to Cinderella’s sound. His time with the band was brief, but his contributions to the band’s live performances and musical direction were valuable. After his time with Cinderella, Hensley continued his career in music, working on solo projects and collaborating with other artists. He passed away in 2020, leaving behind a lasting legacy in rock music.

Rod Roddy

Rod Roddy was the pianist for Cinderella in 1990, playing a key role in their live performances during this period. His contributions on the piano added an additional texture to the band’s music, particularly in the more melodic and balladic moments of their performances. Though Roddy’s time with Cinderella was short-lived, his musical input helped enhance the band’s live shows during the early 1990s. After his brief tenure with the band, Roddy continued to work in the music industry, although his work outside of Cinderella is less documented.

Complete List of Oasis Songs From A to Z

Complete List of Oasis Songs From A to Z

Feature Photo: freschwill, CC BY-SA 2.0 , via Wikimedia Commons

Oasis, one of the most influential British rock bands of the 1990s and 2000s, was formed in Manchester, England, in 1991. Originally called The Rain, the group was renamed after Liam Gallagher joined as lead vocalist. His brother Noel Gallagher became the band’s primary songwriter and lead guitarist, solidifying their lineup with Paul “Bonehead” Arthurs on rhythm guitar, Paul “Guigsy” McGuigan on bass, and Tony McCarroll on drums.

The band’s debut album, Definitely Maybe (1994), became the fastest-selling debut album in the UK at the time, spearheaded by iconic tracks like “Live Forever” and “Supersonic.” Their follow-up, (What’s the Story) Morning Glory? (1995), catapulted them to global stardom, featuring anthems like “Wonderwall” and “Don’t Look Back in Anger.” Oasis released seven studio albums in total, including Be Here Now (1997), Standing on the Shoulder of Giants (2000), Heathen Chemistry (2002), Don’t Believe the Truth (2005), and Dig Out Your Soul (2008).

The band won numerous awards, including Brit Awards and NME Awards, and was known for their rivalry with Blur, which marked the “Britpop” era. Despite internal tensions and public feuds, Oasis sold over 70 million records worldwide. They disbanded in 2009 following Noel Gallagher’s departure. Their influence endures through their timeless music and the continued solo careers of both Noel and Liam Gallagher.

Complete List of Oasis Songs

(A-F)

“Acquiesce” – B-side of Some Might Say (1995)
“Ain’t Got Nothin’”Dig Out Your Soul (2008)
“Alive” – B-side of Shakermaker (1994)
“All Around the World”Be Here Now (1997)
“All Around the World (Reprise)”Be Here Now (1997)
“Angel Child” – B-side of D’You Know What I Mean? (1997)
“(As Long as They’ve Got) Cigarettes in Hell” – B-side of Go Let It Out (2000)
“Bag It Up”Dig Out Your Soul (2008)
“Be Here Now”Be Here Now (1997)
“A Bell Will Ring”Don’t Believe the Truth (2005)
“Better Man”Heathen Chemistry (2002)
“Bonehead’s Bank Holiday”(What’s the Story) Morning Glory? (Vinyl Edition) (1995)
“Born on a Different Cloud”Heathen Chemistry (2002)
“Boy with the Blues”Dig Out Your Soul (Box Set Bonus CD) (2008)
“Bring It on Down”Definitely Maybe (1994)
“The Cage” (Hidden Track) – Heathen Chemistry (2002)
“Can Y’See It Now? (I Can See It Now!!)”Don’t Believe the Truth (Japanese Edition) (2005)
“Carry Us All” – B-side of Sunday Morning Call (2000)
“Cast No Shadow”(What’s the Story) Morning Glory? (1995)
“Champagne Supernova”(What’s the Story) Morning Glory? (1995)
“Cigarettes & Alcohol”Definitely Maybe (1994)
“Cloudburst” – B-side of Live Forever (1994)
“Columbia”Definitely Maybe (1994)
“Cum On Feel the Noize” (Slade Cover) – B-side of Don’t Look Back in Anger (1996)
“D’Yer Wanna Be a Spaceman?” – B-side of Shakermaker (1994)
“D’You Know What I Mean?”Be Here Now (1997)
“Digsy’s Dinner”Definitely Maybe (1994)
“Don’t Go Away”Be Here Now (1997)
“Don’t Look Back in Anger”(What’s the Story) Morning Glory? (1995)
“Don’t Stop…” – Non-album Single (2020)
“Eyeball Tickler” – B-side of Lyla (2005)
“Fade Away” – B-side of Cigarettes & Alcohol (1994)
“Fade In-Out”Be Here Now (1997)
“Falling Down”Dig Out Your Soul (2008)
“The Fame” – B-side of All Around the World (1998)
“Flashbax” – B-side of All Around the World (1998)
“Force of Nature”Heathen Chemistry (2002)
“Fuckin’ in the Bushes”Standing on the Shoulder of Giants (2000)
“Full On” – B-side of Sunday Morning Call (2000)

(G-N)

“Gas Panic!”Standing on the Shoulder of Giants (2000)
“(Get Off Your) High Horse Lady”Dig Out Your Soul (2008)
“The Girl in the Dirty Shirt”Be Here Now (1997)
“Go Let It Out”Standing on the Shoulder of Giants (2000)
“Going Nowhere” – B-side of Stand by Me (1997)
“Guess God Thinks I’m Abel”Don’t Believe the Truth (2005)
“Half the World Away” – B-side of Whatever (1994)
“Headshrinker” – B-side of Some Might Say (1995)
“Hello”(What’s the Story) Morning Glory? (1995)
“Helter Skelter” (The Beatles Cover) – B-side of Who Feels Love? (2000)
“Heroes” (David Bowie Cover) – B-side of D’You Know What I Mean? (1997)
“Hey Now!”(What’s the Story) Morning Glory? (1995)
“The Hindu Times”Heathen Chemistry (2002)
“Hung in a Bad Place”Heathen Chemistry (2002)
“I Believe in All”Dig Out Your Soul (Japanese Edition) (2008)
“I Can See a Liar”Standing on the Shoulder of Giants (2000)
“(I Got) The Fever” – B-side of Stand by Me (1997)
“I Hope, I Think, I Know”Be Here Now (1997)
“I’m Outta Time”Dig Out Your Soul (2008)
“Idler’s Dream” – B-side of The Hindu Times (2002)
“If We Shadows”Be Here Now (Reissue) (2016)
“The Importance of Being Idle”Don’t Believe the Truth (2005)
“It’s Better People” – B-side of Roll with It (1995)
“It’s Gettin’ Better (Man!!)”Be Here Now (1997)
“(It’s Good) To Be Free” – B-side of Whatever (1994)
“Just Getting Older” – B-side of The Hindu Times (2002)
“Keep the Dream Alive”Don’t Believe the Truth (2005)
“Let There Be Love”Don’t Believe the Truth (2005)
“Let’s All Make Believe” – B-side of Go Let It Out (2000)
“Listen Up” – B-side of Cigarettes & Alcohol (1994)
“Little by Little”Heathen Chemistry (2002)
“Little James”Standing on the Shoulder of Giants (2000)
“Live Forever”Definitely Maybe (1994)
“Lord Don’t Slow Me Down” – Non-album Single (2007)
“Love Like a Bomb”Don’t Believe the Truth (2005)
“Lyla”Don’t Believe the Truth (2005)
“Magic Pie”Be Here Now (1997)
“Married with Children”Definitely Maybe (1994)
“The Masterplan” – B-side of Wonderwall (1995)
“The Meaning of Soul”Don’t Believe the Truth (2005)
“Merry Xmas Everybody” (Slade Cover) – NME Presents: 1 Love (2003)
“Morning Glory”(What’s the Story) Morning Glory? (1995)
“Mucky Fingers”Don’t Believe the Truth (2005)
“My Big Mouth”Be Here Now (1997)
“My Generation” (The Who Cover) – Little by Little/She Is Love (2002)
“My Sister Lover” – B-side of Stand by Me (1997)
“The Nature of Reality”Dig Out Your Soul (2008)

(O-Z)

“One Way Road” – B-side of Who Feels Love? (2000)
“Part of the Queue”Don’t Believe the Truth (2005)
“Pass Me Down the Wine” – B-side of The Importance of Being Idle (2005)
“(Probably) All in the Mind”Heathen Chemistry (2002)
“Put Yer Money Where Yer Mouth Is”Standing on the Shoulder of Giants (2000)
“A Quick Peep”Heathen Chemistry (2002)
“The Quiet Ones” – B-side of The Importance of Being Idle (2005)
“Rock ‘n’ Roll Star”Definitely Maybe (1994)
“Rockin’ Chair” – B-side of Roll with It (1995)
“Roll It Over”Standing on the Shoulder of Giants (2000)
“Roll with It”(What’s the Story) Morning Glory? (1995)
“Round Are Way” – B-side of Wonderwall (1995)
“Sad Song”Definitely Maybe (Vinyl and Japanese Editions) (1994)
“Shakermaker”Definitely Maybe (1994)
“She Is Love”Heathen Chemistry (2002)
“She’s Electric”(What’s the Story) Morning Glory? (1995)
“The Shock of the Lightning”Dig Out Your Soul (2008)
“Shout It Out Loud” – B-side of Stop Crying Your Heart Out (2002)
“Sittin’ Here in Silence (On My Own)” – B-side of Let There Be Love (2005)
“Slide Away”Definitely Maybe (1994)
“Soldier On”Dig Out Your Soul (2008)
“Some Might Say”(What’s the Story) Morning Glory? (1995)
“Songbird”Heathen Chemistry (2002)
“Stand by Me”Be Here Now (1997)
“Stay Young” – B-side of D’You Know What I Mean? (1997)
“Step Out” – B-side of Don’t Look Back in Anger (1996)
“Stop Crying Your Heart Out”Heathen Chemistry (2002)
“Strange Thing”Definitely Maybe (Reissue) (2014)
“Street Fighting Man” (The Rolling Stones Cover) – B-side of All Around the World (1998)
“Sunday Morning Call”Standing on the Shoulder of Giants (2000)
“Supersonic”Definitely Maybe (1994)
“The Swamp Song” – B-side of Wonderwall (1995)
“Take Me Away” – B-side of Supersonic (1994)
“Talk Tonight” – B-side of Some Might Say (1995)
“Thank You for the Good Times” – B-side of Stop Crying Your Heart Out (2002)
“Those Swollen Hand Blues” – B-side of Falling Down (2009)
“To Be Where There’s Life”Dig Out Your Soul (2008)
“Turn Up the Sun”Don’t Believe the Truth (2005)
“The Turning”Dig Out Your Soul (2008)
“Underneath the Sky” – B-side of Don’t Look Back in Anger (1996)
“Up in the Sky”Definitely Maybe (1994)
“Waiting for the Rapture”Dig Out Your Soul (2008)
“Whatever” – Non-album Single (1994)
“Where Did It All Go Wrong?”Standing on the Shoulder of Giants (2000)
“Who Feels Love?”Standing on the Shoulder of Giants (2000)
“Who Put the Weight of the World on My Shoulders?”Goal! (2005)
“Within You Without You” (The Beatles Cover) – Performed for Sgt. Pepper’s Lonely Hearts Club Band 40th Anniversary (2007)
“Won’t Let You Down” – B-side of Lyla (2005)
“Wonderwall”(What’s the Story) Morning Glory? (1995)
“You’ve Got the Heart of a Star” – B-side of Songbird (2003)
“You’ve Got to Hide Your Love Away” (The Beatles Cover) – B-side of Some Might Say (1995)

Check out our fantastic and entertaining Oasis articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Top 10 Oasis Songs

Complete List Of All Oasis Band Members

An Interview With Andy Bell Of Oasis, Beady Eye & Ride

Complete List Of Oasis Albums And Complete Discography

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

Complete List of Oasis Songs From A to Z article published on Classic RockHistory.com© 2024

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Brian Kachejian

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

Former CANNIBAL CORPSE Frontman CHRIS BARNES On Butchered At Birth Album – “That’s What Really Brought Us Out Of The Woodwork; The Band Was Just Hitting On All Cylinders” (Video)

Former CANNIBAL CORPSE Frontman CHRIS BARNES On Butchered At Birth Album -

In a new Cameo clip, Six Feet Under frontman / former Cannibal Corpse vocalist Chris Barnes explains in detail why his vocals changed so drastically on Cannibal Corpse’s The Bleeding (1994) from the more guttural style of Butchered At Birth (1991) and Tomb Of The Mutilated (1992). He also goes into detail of his vocal approach on various Six Feet Under records.

Barnes was a founding member of Cannibal Corpse, and was with the band from 1988 – 1995. He left the band due to “creative differences.” Six Feet Under was launched in 1993 and released their debut album, Haunted, in 1995. 

Barnes: “I kind of tend to really like Butchered At Birth because that’s what really brought us out of the woodwork, so to speak, and caused a lot of controversy, and also gave us really our first real step up. And the music and everything on that… the band was just hitting on all cylinders. There was not too much tension in the band, although there was some. There was always tension on a personal level when I was in the band, and probably mostly my fault (laughs), so I’ll be the first to admit it. But, yeah, those are great albums that you picked there. I’m glad you like those a lot. They’re important, important, important albums to me, too.”

Six Feet Under’s fourteenth studio album, Killing For Revenge, is out now via Metal Blade Records.

A gnarly beast of a record that’s not for the faint-hearted, Killing For Revenge dishes up nightmare-inducing imagery courtesy of legendary frontman Chris Barnes via the vocalist’s trademark guttural vocals. Both the album title and darkly detailed red-hued album cover by artist Vince Locke are perfect containers for the brutality within.

Forged as a side project for Barnes during his final years with the band that he co-founded, Cannibal Corpse, Six Feet Under became the frontman’s sole focus in 1995, coinciding with the release of their debut, Haunted. Only Barnes remains from Six Feet Under’s original incarnation, but the quality has remained remarkably consistent. The current lineup of Barnes, guitarists Jack Owen (ex-Cannibal Corpse) and Ray Suhy, bassist Jeff Hughell, and drummer Marco Pitruzzella make for a devastating unit.

Killing For Revenge marks the second album that Barnes and Owen have created together since reuniting for 2020’s Nightmares Of The Decomposed. Owen also produced the record. The chemistry between the five men is palpable; listening to Killing for Revenge, one could be forgiven for assuming that they hid themselves away for a couple of months and hammered it out in creative seclusion. Not the case. “We all recorded it on our own, in different parts of the country since we’re all spread out,” says Barnes. “I think the most important thing is to put everybody in a comfortable space so that they get a great performance. That’s what you want to capture. It’s really hard nowadays to afford everyone being in the studio recording like we used to back in the ’90s. It can be done just as effectively this way.”

Killing For Revenge, which features a guest appearance by guitarist Jason Suecof on “Neanderthal,” was mixed and mastered by Chaz Najjar at Badlands Recording in Denver, Colorado.

The record is released on CD and digital formats as well as vinyl in the following color variants:

– Clear w/ Red Bloodshot (US)
– 180g Black (EU)
– Crusted Blood Marbled (EU)
– Khaki Brown Marbled (EU – Ltd. 300)
– Blood Red Splatter (EU – Ltd. 300)
– Gold “Black Dust” (EU – Ltd. 200)

Order here.

Killing For Revenge tracklisting:

“Know-Nothing Ingrate”
“Accomplice To Evil Deeds”
“Ascension”
“When The Moon Goes Down In Blood”
“Hostility Against Mankind”
“Compulsive”
“Fit Of Carnage”
“Neanderthal” (Guest Lead Guitar Solo – Jason Suecof)
“Judgement Day”
“Bestial Savagery”
“Mass Casualty Murdercide”
“Spoils Of War”
“Hair Of The Dog” (Nazareth Cover – CD + Digital Only)

“When The Moon Goes Down In Blood” lyric video:

“Ascension” lyric video:

“Know-Nothing Ingrate” lyric video:

Six Feet Under lineup:

Chris Barnes – vocals
Jack Owen – rhythm guitar
Ray Suhy – lead guitar
Jeff Hughell – bass
Marco Pitruzzella – drums


BLIND GUARDIAN Share Video Of “The Bard’s Song” Live At Wacken Open Air 2024

January 12, 2025, 2 hours ago

news blind guardian wacken open air 2024 heavy metal

 BLIND GUARDIAN Share Video Of

German metal legends, Blind Guardian, have shared a new video along with the following message:

“It’s never too late to look back on great moments – like when a crowd of over 80,000 bards sings one of YOUR anthems.”

The band recently shared a video recap of The God Machine Tour 2024. Check it out below. 


Featured Video

KINGDOM IN FLAMES – “Black Widow”

KINGDOM IN FLAMES – “Black Widow”

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“Part of the attraction for Lou Reed was that I had an ample supply of hash”: how a British 70s cult hero became a member of famously grumpy Lou’s crew

As frontman of The Only Ones, Peter Perrett was one of the most captivating singer-songwriters of the mid-to-late 70s. The band only ever released three records, between 1978 and 1980, and Perrett’s career was derailed as addiction took hold. But he has come back roaring creatively in the past few years and released a sprawling double-album titled The Cleansing towards the end of 2024.

It featured guest appearances from Johnny Marr, Fontaines D.C. and Bobby Gillespie but Perrett’s rock’n’roll credentials were already cemented decades ago. In an interview with The New Cue last year, for example, he recalled his encounters with Lou Reed in the early 70s, unwittingly becoming his supplier of hash.

“I was a big Velvet Underground fan, but the original incarnation never toured England,” Perrett explained. “In 1972, Lou had a band called The Tots and we went to every gig south of Cambridge. Eventually they started talking to us after the shows. They had a holiday let on the corner of Beaufort Street and the King’s Road in Chelsea, and they invited us back there. We’d just go there after every gig and hang out. A part of the attraction was that I had an ample supply of hash, which they didn’t get in New York. They’d never seen such large lumps of it. That was an icebreaker.”

Perrett stated that Reed, alongside Bob Dylan, was the greatest influence on his work but he was determined to put his own stamp on his music. “For ages in the ‘70s I tried my hardest not to sound like Lou Reed,” he continued. “That’s why we were called The Only Ones: I’m an individual! So, once I’d lost my mid-Atlantic accent people compared me to Syd Barrett. Really, we’re influenced by everything that happens to us every day of our lives from the moment we’re born. I’m hoping that this new double-album goes to places that are unexpected.”

He’s still going his own way. Listen to one of best cuts from The Cleansing below:

Peter Perrett – I Wanna Go With Dignity (Official Video) – YouTube Peter Perrett - I Wanna Go With Dignity (Official Video) - YouTube

Watch On

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“We really weren’t compatible. It was kind of cool, but there was a lot left to be desired”: The singer who briefly replaced Ozzy Osbourne in Black Sabbath in 1977 – and then was forgotten

“We really weren’t compatible. It was kind of cool, but there was a lot left to be desired”: The singer who briefly replaced Ozzy Osbourne in Black Sabbath in 1977 – and then was forgotten

Black Sabbath in the early 1970s with an inset of Dave Walker
(Image credit: Chris Walter/WireImage)

Black Sabbath are rightly enshrined as one of the forefathers of heavy metal. The band’s original line-up – singer Ozzy Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward – were responsible for one of the greatest run of albums in music history, stretching from 1970’s self-titled debut to 1975’s Sabotage.

But following 1976’s Technical Ecstasy, the wheels started to wobble on the Sabbath wagon. The band themselves had just emerged from a costly battle with their ex-manager, tax bills were mounting up, their lifestyles were finally catching up with them and record sales were starting to tail off.

“I’d had enough,” Ozzy wrote in his 2009 autobiography, I Am Ozzy. “There didn’t seem to be any point any more. None of us was getting on. We were spending more time in meetings with lawyers than we were writing songs; we were all exhausted from touring the world pretty much non-stop for six years; and we were out of our minds on booze and drugs.”

In late 1977, Ozzy finally snapped. “One day, I just walked out of a rehearsal and didn’t come back,” he said of his decision to abruptly quit the band he co-founded nearly a decade earlier.

For the rest of Sabbath, it left a huge problem: how do you replace such a charismatic frontman as Ozzy? Rather than go through the chore of sitting through endless auditions, the band decided to tap up someone they knew. Enter Dave Walker.

Born in Walsall, a few miles northwest of Sabbath’s hometown of Birmingham, Walker had been a member of early 60s band The Redcaps, who counted Tony Iommi as one of their fans. Walker subsequently went on to replace future ELO leader Jeff Lynne in his pre-fame band The Idle Race, record an album with choogle-rockers Savoy Brown, and even briefly joined Fleetwood Mac (he sings on two tracks on 1973’s largely forgotten Penguin album). But by 1977, he could see his chances of hitting the big time disappearing in the rear view mirror. And then he got a message asking if he wanted to sing for Black Sabbath.

“I was in California with a band called Mistress that was falling apart,” Walker told Classic Rock in 2014. “I got a call from Sabbath’s road manager, and I flew over to start rehearsals at an old mill near Rockfield Studios in Monmouth.”

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The rest of the band had continued writing songs for the follow-up to Technical Ecstasy despite Ozzy’s departure, which they played for Walker.

“Right away they let me hear the tracks they’d been working on and told me they needed lyrics,” he said. “There wasn’t what I’d call one complete song, just reels of tape with little ideas on them. I wrote a shitload of lyrics, but I had no idea that Geezer was their main lyricist.”

Initially, Black Sabbath seemed committed to making it work with their new singer. On January 6, 1978, the band and Walker appeared on Look! Hear!, a local TV show produced in Birmingham, where they performed Sabbath classic War Pigs and a brand new song titled Junior’s Eyes. No footage exists of the show, though audio of the latter song appears on YouTube, illustrating how different Walker’s bluesy vocals are from Ozzy’s demented howl.

Ozzy himself had tried to launch a new band, an early version of Blizzard Of Ozz featuring members of the band Necromandus, but was struggling to get it together. Sabbath themselves hadn’t completely severed ties with their former singer. Walker told Classic Rock that he even met his predecessor.

“Ozzy came to meet us one day in a pub,” he said. “I felt really sad for him, because he was literally shaking. I’ve been around the block with drugs but when I saw poor Ozzy I thought, ‘God almighty.’ There was no suggestion that he might come back, but I had the feeling he was having second thoughts.”

Walker’s instincts proved right, though it was also becoming apparent that things weren’t working out for him in Sabbath.

“I knew things weren’t going well musically, and it was made worse by the fact that my wife and Bill Ward’s wife clashed,” he recalled.

The end, when it came, was sudden. “One day I turned up where they were rehearsing near Evesham and they were having a meeting, after which Bill told me, ‘We’re in, you’re out,’” Walker recalled. “No warning. I still don’t even know if Ozzy had agreed to come back then.”

Whatever the chronology, Walker’s tenure in the band had lasted just a few months. When Sabbath released their next album, Never Say Die!, in September 1978, it featured the reinstalled Ozzy on vocals. Junior’s Eyes, the song which Walker had sung on that lone TV appearance, made it onto the album, albeit with retooled lyrics.

As for Sabbath, they ploughed on with Ozzy, but the underpowered Never Say Die! had failed to recapture past glories, and the singer’s alcohol and substance problems were becoming an insurmountable issue. In April 1979, he left the band once more – though this time he was fired by his bandmates, who replaced him with Ronnie James Dio and made 1980’s classic Heaven And Hell album.

Dave Walker would continue playing music with his eponymous band and, later, a reunited Savoy Brown. And in his defence, he wasn’t the only singer to have been recruited by Sabbath and then dispensed with shortly afterwards – the same fate befell David Donato, who was briefly a member in 1984. Walker himself was sanguine about his brief stint in Black Sabbath.

“I knew that on the artistic side we really weren’t compatible,” he said. “It was kind of cool, but there was a lot left to be desired.”

Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.