Gene Simmons, Justin Hawkins, Billy Gibbons on New Stylistics LP

Gene Simmons, Justin Hawkins, Billy Gibbons Guest on New Stylistics Album
Kristian Dowling, Getty Images

Soul veterans the Stylistics announced the release of their first album in 17 years, featuring guest appearances from some big rock names.

The 21-track Falling in Love With My Girl includes contributions from Gene Simmons, Justin Hawkins, Billy Gibbons, Ron Wood, Steve Lukather, Shania Twain and others. The full list can be seen below.

Arriving on Feb. 21, It’s their first album since 2008’s That Same Way. Co-founders Airrion Love and Herb Murrell remain in the band after 56 years, along with Jason Sharp, who joined in 2011.

READ MORE: 20 Rock Songs with Secret Guests

Lead single “Yes, I Will” will be released on Feb. 14, featuring Twain, Lukather, Ray Parker Jr. and Nathan East. It was written by Twain, who said in a statement: “I’m so happy that this song… has found a home on the Stylistics’ album. That is just so exciting. It’s a special song that came together on one special day at my home where I was hanging out with some friends and musicians.”

Love added: “I fell in love with Shania Twain the first time I heard You’re Still The One – a great song that I still love. When we heard there might be a chance to do something with her we said, ‘Hell yeah!’”

The Stylistics – ‘Falling in Love With My Girl’ Track and Guest List

1. “Falling In Love With My Girl” – with Justin Hawkins
2. “Who Am I” – with Ron Wood and Jay Graydon
3. “Leave So Soon”
4. “Sad Tomorrows”
5. “Infatuation”
6. “Yes, I Will” – with Shania Twain, Steve Luthaker, Ray Parker Jr., Nathan East
7. “Jealousy”
8. “Whatever Happened to Our Love” – with Nigel Olsson, Bill Champlin and The Real Thing
9. “You’ll Live Forever” – with Billy F. Gibbons
10. “Endless Days”
11. “Take Me Back to Rainbows”
12. “Lost and Alone”
13. “Don’t Leave Me Here” – with Gene Simmons and Tower of Power
14. “Holy Water”
15. “Rock and a Heartbeat” – with Tower of Power
16. “I Could Never Leave Her” – with Tower of Power
17. “Debbie”
18. “Sonnet 18”
19. “I Get a Feeling”
20. “If I Fail”
21. “Take Me Back to Rainbows” – Operatic Version with Carly Paoli

Top 25 Soul Albums of the ’70s

There’s more to the decade than Marvin Gaye and Stevie Wonder, but those legends are well represented.

Gallery Credit: Michael Gallucci

More From Ultimate Classic Rock

10 Best Songs With The Word ‘Tears’ In The Title

10 Best Songs With The Word 'Tears' In The Title

Feature Photo: A.PAES / Shutterstock.com

Tears have always held a duality in rock and roll, embodying both heartbreak and triumph, sorrow and reflection. The word itself has served as a powerful symbol across decades of music, inspiring songs that traverse genres, emotions, and interpretations. In this article, we explore 10 Best Songs With the Word ‘Tears’ in the Title, a collection that highlights how artists have infused their personal artistry into this universal motif. From original masterpieces to transformative covers, these songs showcase how “tears” have become more than just a word—they are a vessel for storytelling and emotion.

Notably, many of the songs on this list demonstrate the power of reinterpretation, with artists reinventing legendary tracks into versions that stand on their own. Joss Stone’s sultry rendition of “Teardrops” from The Soul Sessions Vol. 2 injects modern soul into a beloved classic, while Garland Jeffreys’ cover of “96 Tears” on Escape Artist transforms the garage rock anthem into a gritty, textured exploration of artistry. Similarly, Linda Ronstadt’s take on Smokey Robinson’s “The Tracks of My Tears” is a testament to her unparalleled ability to channel emotion through her voice, creating a version that is as memorable as the original. Marianne Faithfull’s haunting interpretation of “As Tears Go By” strips the song to its emotional core, offering a raw, evocative take that redefined the Rolling Stones’ early ballad.

This list also pays homage to iconic originals. Stevie Wonder’s “Joy Inside My Tears” stands as a masterpiece of lyrical introspection and musical ingenuity, while Smokey Robinson and the Miracles’ “The Tears of a Clown” pairs buoyant melodies with melancholic themes in a way only Motown could deliver. Eric Clapton’s “Tears in Heaven” captures unparalleled personal grief, becoming an anthem of resilience and reflection. Jackson Browne’s “Here Come Those Tears Again” delivers an honest reckoning with loss, blending folk-rock sensibilities with heartfelt storytelling. Amy Winehouse’s “Tears Dry on Their Own” showcases her singular voice and unmatched ability to weave personal pain into universal anthems.

As we delve into these songs, it becomes evident that the word “tears” is more than a lyrical choice—it’s a bridge connecting artists to their listeners, a reminder of music’s power to heal, provoke, and endure. These tracks, whether original or reimagined, reflect the versatility and depth of rock and roll, proving that “tears” are as much a part of the genre’s DNA as the chords and melodies themselves.

# 10 – Teardrops – Joss Stone

Joss Stone’s rendition of “Teardrops,” from her 2012 album The Soul Sessions Vol. 2, showcases her soulful interpretation of the Womack & Womack classic. The album was recorded primarily at Compass Point Studios in Nassau, Bahamas, with additional work done in studios across the U.K. and U.S. Produced by Stone in collaboration with Steve Greenberg, the album revisits Stone’s roots in classic soul, offering a modern take on tracks that resonate with her distinctive vocal style. The session featured a stellar lineup of musicians, including Ernie Isley on guitar, Henry Hirsch on keyboards, and Jack Daley on bass, all contributing to the song’s rich, authentic sound.

“Teardrops” captures the essence of its original version while embracing Stone’s unique artistry. The track delves into themes of heartbreak and regret, as echoed in the poignant lyrics, “Footsteps on the dance floor remind me, baby, of you / Teardrops in my eyes, next time I’ll be true.” Stone’s emotive delivery amplifies the introspective tone of the lyrics, resonating with a raw vulnerability that makes the song a standout on The Soul Sessions Vol. 2. Critics praised her ability to breathe new life into the track, highlighting her vocal power and the arrangement’s fidelity to the soulful genre. The album itself debuted at No. 6 on the U.K. Albums Chart, marking a successful return to Stone’s musical roots.

The interplay between the lyrics and the melody is a testament to the song’s lasting appeal. Stone’s version of “Teardrops” sits comfortably alongside other entries on this list of songs featuring “tears” in the title, such as [insert previously completed songs on this list], creating a narrative that underscores the universal emotion of loss. Lines like “Whispers in the powder room / ‘She cries on every tune’” emphasize a lingering sorrow that is both deeply personal and universally relatable, echoing the melancholy of tracks like [relevant comparison from this list].

In “Teardrops,” Stone demonstrates her ability to honor the past while forging her own path, cementing her reputation as one of contemporary soul’s most compelling voices. The song’s inclusion in this article underscores its significance as a rocking yet deeply moving testament to emotional authenticity.

Read More: Top 10 Joss Stone Songs

# 9 – Joy Inside My Tears – Stevie Wonder

“Joy Inside My Tears” is a deeply emotional and reflective track from Stevie Wonder’s seminal 1976 double album, Songs in the Key of Life. Recorded at Crystal Sound Studios and The Record Plant in Los Angeles, as well as The Hit Factory in New York City, this track exemplifies Wonder’s ability to blend profound lyrics with rich, multilayered compositions. Wonder produced the track himself and performed lead vocals, keyboards, and drums, with Nathan Watts on bass and Ben Bridges contributing guitar. The song stands as a testament to Wonder’s innovative artistry during what is widely considered the pinnacle of his career.

The lyrics of “Joy Inside My Tears” explore themes of finding solace and happiness amidst sorrow, as Wonder sings, “You’ve brought some joy inside my tears.” This duality of joy and pain resonates with listeners, capturing the complexity of human emotion. The song’s structure, alternating between moments of quiet introspection and soulful crescendos, mirrors its lyrical themes, making it both deeply personal and universally relatable. Critics have lauded the track for its introspective tone and the emotional depth of Wonder’s delivery, with Songs in the Key of Life earning Grammy Awards for Album of the Year and Best Male Pop Vocal Performance.

Within the context of this list, “Joy Inside My Tears” holds a unique position, offering a quieter, more reflective counterpoint to the other selections. Compared to Joss Stone’s “Teardrops,” which embraces a vibrant and soulful energy, Wonder’s song delves into a meditative space, reflecting on love and resilience. The song’s tender message of finding light within darkness complements the thematic range of this article, making it an essential inclusion among the best songs with “tears” in the title.

Read More: Top 25 Stevie Wonder Songs

# 8 – Tears In Heaven – Eric Clapton

“Tears in Heaven” is one of Eric Clapton’s most emotionally resonant and widely acclaimed songs, appearing first on the Rush film soundtrack in 1992 and then a mesmerizing version released on the Unplugged album. The song was written by Clapton and Will Jennings as a heartfelt tribute to Clapton’s four-year-old son, Conor, who tragically passed away in 1991. Recorded at Ocean Way Studios in Los Angeles, the track features Clapton’s poignant acoustic guitar performance, showcasing his ability to channel personal grief into universal expression. The production, handled by Russ Titelman, adds a gentle touch to the track, allowing the raw emotional weight of Clapton’s lyrics and performance to take center stage.

Lyrically, “Tears in Heaven” explores themes of loss, longing, and the hope of reuniting with loved ones in the afterlife. Lines such as “Would it be the same if I saw you in heaven?” are both intimate and deeply moving, resonating with anyone who has experienced profound loss. The sparse arrangement of the song, paired with Clapton’s tender vocal delivery, enhances its emotional impact. The song became an immediate commercial and critical success, reaching No. 2 on the Billboard Hot 100 and earning three Grammy Awards in 1993, including Song of the Year, Record of the Year, and Best Male Pop Vocal Performance.

In the context of this list, “Tears in Heaven” provides a stark contrast to other selections such as Stevie Wonder’s “Joy Inside My Tears,” which finds hope amidst sorrow. While Wonder’s song celebrates resilience, Clapton’s piece confronts the fragility of life and the enduring pain of loss. This depth of emotion and lyrical sincerity makes “Tears in Heaven” an essential addition, showcasing Clapton’s ability to transform personal tragedy into a timeless, universally relatable masterpiece.

Read More: Top 10 Eric Clapton Love Songs

# 7 – Tears Dry On Their Own – Amy Winehouse

Amy Winehouse’s “Tears Dry on Their Own” stands as one of her most memorable tracks from her critically acclaimed second studio album, Back to Black (2006). The song, written by Winehouse and Nickolas Ashford and Valerie Simpson (for its prominent interpolation of “Ain’t No Mountain High Enough”), was recorded at Daptone Records in Brooklyn and produced by Mark Ronson. Known for its seamless blend of Motown-inspired soul with contemporary R&B, the track became a standout moment on the album, reflecting Winehouse’s distinctive sound and unparalleled ability to combine raw emotion with musical innovation.

The lyrics of “Tears Dry on Their Own” encapsulate Winehouse’s candid exploration of heartache and emotional resilience. Opening with the poignant declaration, “All I can ever be to you is a darkness that we knew,” the song recounts the aftermath of a turbulent relationship. Winehouse’s poetic narrative captures the complex balance of mourning a loss while reclaiming independence. Her soulful delivery, layered over the timeless Motown influence of the arrangement, creates an emotionally charged yet uplifting listening experience. The juxtaposition of melancholic lyrics with a buoyant melody enhances the track’s timeless appeal.

Upon release as a single in 2007, “Tears Dry on Their Own” achieved commercial success, charting within the top forty in the UK and several other countries. Critics praised Winehouse’s vocal performance and the song’s fusion of classic and modern styles. Within the context of this list, the track provides a sharp contrast to selections like Eric Clapton’s introspective “Tears in Heaven.” While Clapton’s work dwells deeply on loss, Winehouse offers a perspective of strength and recovery, reminding listeners that even through sorrow, there’s a path forward. This duality of grief and hope cements “Tears Dry on Their Own” as a defining moment in Amy Winehouse’s celebrated legacy.

Read More: Top 10 Amy Winehouse Songs

# 6 – Here Come Those Tears Again – Jackson Browne

“Here Come Those Tears Again” is a deeply personal track from Jackson Browne’s The Pretender album, released in 1976. Co-written with Nancy Farnsworth, the mother of Browne’s late wife Phyllis Major, the song channels the artist’s profound grief and resilience following her tragic passing in 1976. Recorded at The Sound Factory in Los Angeles and produced by Jon Landau, the track exemplifies Browne’s talent for crafting emotionally charged music that connects universally while reflecting deeply personal experiences.

Musically, “Here Come Those Tears Again” is a fusion of folk rock and soft rock, with Browne’s vocals accompanied by rich instrumentation, including backing vocals from Rosemary Butler and J.D. Souther. The song features a dynamic arrangement, blending melodic piano lines with a steady rhythm section that captures both sorrow and a sense of forward momentum. The production enhances the emotional weight of the track, allowing Browne’s poignant lyrics to take center stage.

The lyrics detail the return of sorrow and emotional pain, with lines like “Here come those tears again, just when I was getting over you.” Browne’s delivery conveys both vulnerability and strength, as he navigates the complexities of moving forward while carrying the weight of loss. The song reached number 23 on the Billboard Hot 100, cementing its place as one of Browne’s enduring hits. Within the context of this list, “Here Come Those Tears Again” shares a thematic kinship with tracks like Eric Clapton’s “Tears in Heaven,” both exploring grief through an introspective lens, though Browne’s approach leans more toward acceptance and resilience.

Read More: 10 Most Rocking Jackson Browne Songs

# 5 – Tears On My Pillow – Little Anthony And The Imperials

“Tears on My Pillow,” performed by Little Anthony and the Imperials, is a classic doo-wop ballad that has stood the test of time since its release in 1958. Written by Sylvester Bradford and Al Lewis, the song became an instant hit, showcasing the group’s exceptional vocal harmonies and the heartfelt delivery of lead singer Anthony Gourdine. Released as the debut single for Little Anthony and the Imperials under End Records, it quickly climbed the charts, reaching number four on the Billboard Hot 100 and establishing the group as a prominent force in the burgeoning doo-wop scene.

The recording session took place in New York City, where the group worked with producer George Goldner. Gourdine’s falsetto lead vocal is complemented by the lush harmonies of the Imperials, creating an emotive and timeless sound. The instrumentation, marked by a gentle piano and understated rhythm section, serves as the perfect backdrop for the poignant lyrics, which lament a lost love and the heartbreak of unfulfilled promises. The iconic opening line, “You don’t remember me, but I remember you,” immediately sets the tone for a song that is both nostalgic and deeply moving.

Critically acclaimed for its emotional depth and musical elegance, “Tears on My Pillow” became one of the defining songs of the doo-wop era. Its influence extended far beyond its initial release, as it has been covered by numerous artists over the years, including Kylie Minogue, who brought it back into the spotlight in 1990. However, Little Anthony and the Imperials’ version remains the definitive recording, a hallmark of the genre and a testament to the group’s vocal prowess.

Within this list, “Tears on My Pillow” can be compared to tracks like “Tears Dry on Their Own” by Amy Winehouse, as both songs convey profound emotional experiences, albeit in vastly different musical styles. While Winehouse’s track is rooted in contemporary soul with a self-empowered narrative, “Tears on My Pillow” captures the innocence and yearning of young love in a way that resonates universally. Its enduring popularity and heartfelt delivery secure its place among the greatest songs with “tears” in the title.

Read More: Top 10 Little Anthony And The Imperials Songs

# 4 – As Tears Go By – Marianne Faithfull

“As Tears Go By,” first recorded by Marianne Faithfull in 1964, is a poignant ballad that has become one of the defining songs of the 1960s. Written by Mick Jagger, Keith Richards, and Rolling Stones manager Andrew Loog Oldham, the song marked a significant departure from the typical rock and blues focus of Jagger and Richards’ early songwriting. It was one of the first compositions by the duo tailored for an artist outside of their band, showcasing a more introspective and tender lyrical style.

The recording took place in London, with arrangements that featured a lush string section and a delicate acoustic guitar backing Faithfull’s ethereal voice. The production was handled by Oldham, who crafted a sophisticated soundscape that complemented the melancholic theme of the song. Its lyrics reflect the quiet sadness of unfulfilled youth, encapsulated in lines like “It is the evening of the day / I sit and watch the children play,” which evoke a sense of longing and introspection.

Upon its release, “As Tears Go By” became a commercial success, reaching number nine on the UK Singles Chart and introducing Faithfull to a global audience. It was also one of the earliest instances of a rock artist breaking into the pop ballad genre, paving the way for the Rolling Stones themselves to later record their own version of the song in 1965. Faithfull’s interpretation, however, remains unique, blending her distinctive vocal timbre with the song’s wistful mood.

In the context of this list, “As Tears Go By” can be compared to songs like “Tears on My Pillow” by Little Anthony and the Imperials. Both tracks delve into themes of sorrow and introspection, though Faithfull’s song leans into the reflective qualities of the folk-pop genre, whereas “Tears on My Pillow” embodies the lush harmonies of doo-wop. Faithfull’s haunting performance and the song’s timeless lyricism make “As Tears Go By” an essential entry among the greatest songs with “tears” in the title.

Read More: Top 10 Marianne Faithfull Songs

# 3 – 96 Tears – Garland Jeffreys

Garland Jeffreys’ cover of “96 Tears,” originally written by Rudy Martinez and made famous by ? and the Mysterians in 1966, delivers a fresh, gritty reinterpretation of the garage rock classic. Jeffreys included his rendition on his 1981 album Escape Artist, an album known for its genre-defying blend of rock, reggae, soul, and punk influences. Jeffreys’ take on the song stands out for its raw energy and spirited execution, underscoring his ability to reinterpret iconic tracks with his distinctive artistry.

Escape Artist was recorded in New York and London, produced by Garland Jeffreys alongside Roy Cicala, Bob Clearmountain, and David Spinozza. The album featured an impressive lineup of musicians, including Adrian Belew on guitar, David Johansen on backing vocals, and Steve Jordan on drums. Jeffreys’ interpretation of “96 Tears” benefits from this ensemble’s dynamic contributions, with its driving rhythm and bold instrumentation giving the track a robust, updated sound.

Jeffreys’ vocal delivery transforms the lamenting tone of the original into a forceful statement of defiance, backed by sharp instrumentation that bridges rock and punk aesthetics. While ? and the Mysterians’ version leaned on a minimalist organ-driven sound, Jeffreys’ cover amplifies the song’s urgency, reflecting the punk and new wave ethos that influenced Escape Artist. His performance breathes new life into the classic, demonstrating his knack for blending soulful expression with hard-edged rock.

In comparison to other songs on this list, Jeffreys’ “96 Tears” shares the introspective yet assertive tone found in “Here Come Those Tears Again” by Jackson Browne. Both tracks capture emotional vulnerability while embracing resilience, though Jeffreys’ version leans more heavily on raw, electrifying energy. By reimagining “96 Tears” through his own musical lens, Garland Jeffreys ensured the song remains relevant across generations, solidifying its place among the best tracks featuring “tears” in the title.

Read More: How ‘Ghost Writer’ Turned Us On To The Music Of Garland Jeffreys

# 2 –  Tracks of My Tears – Linda Ronstadt

Linda Ronstadt’s rendition of “The Tracks of My Tears,” originally written by Smokey Robinson, Warren Moore, and Marvin Tarplin and famously recorded by The Miracles in 1965, is a soulful interpretation that highlights her vocal power and emotional depth. Ronstadt included the song on her 1975 album Prisoner in Disguise, which further cemented her reputation as one of the most versatile and accomplished vocalists of her era.

Recorded in Los Angeles, Prisoner in Disguise was produced by Peter Asher, who played a pivotal role in shaping Ronstadt’s sound during her rise to fame. The album featured a lineup of celebrated musicians, including Andrew Gold on guitar, Russ Kunkel on drums, and Leland Sklar on bass. Their contributions provided a rich musical backdrop for Ronstadt’s heartfelt interpretation of this Motown classic. Her version stands apart with its lush arrangement, blending elements of rock, country, and soul, which gives the song a fresh, genre-crossing identity.

Ronstadt’s rendition of “The Tracks of My Tears” maintains the heartache and vulnerability of the original while adding her signature warmth and precision. Her emotive delivery breathes new life into the lyrics, particularly in lines like, “People say I’m the life of the party / ‘Cause I tell a joke or two,” where her vocal phrasing conveys the contrast between outward appearances and internal sorrow. This nuanced performance underscores her ability to connect deeply with the material, making the song resonate with a new audience.

Compared to other tracks on this list, such as Garland Jeffreys’ reinterpretation of “96 Tears,” Ronstadt’s “The Tracks of My Tears” similarly reimagines a classic through a personal lens, transforming its mood and appeal. While Jeffreys brought raw energy to his cover, Ronstadt emphasized a poignant blend of elegance and heartbreak. Her version of “The Tracks of My Tears” became one of the standout moments on Prisoner in Disguise, showcasing her knack for interpreting beloved songs in ways that both honor their origins and expand their legacy.

Read More: Top 10 Linda Ronstadt Albums

# 1 – Tears of a Clown – Smokey Robinson & The Miracles

Originally released in 1967 on Make It Happen, “The Tears of a Clown” became one of the most iconic tracks by Smokey Robinson and the Miracles. Written by Smokey Robinson, Hank Cosby, and Stevie Wonder, the song combines poignant lyrics with an upbeat musical arrangement, creating a striking contrast that resonates deeply with listeners. The track was re-released as a single in 1970 and achieved tremendous success, topping the Billboard Hot 100 and the UK Singles Chart, solidifying its place as one of Motown’s most enduring hits.

The recording of “The Tears of a Clown” highlights the collaborative genius of its creators. Stevie Wonder and Hank Cosby initially crafted the instrumental foundation, which features a circus-like motif, inspired by the bassoon and piccolo. Smokey Robinson later added the lyrics, which explore the theme of hiding sorrow behind a facade of happiness. The imagery of the “sad clown” captures a universal emotional truth, delivered with Robinson’s signature falsetto and emotive storytelling. The combination of the Miracles’ harmonies and the intricate instrumentation created a timeless track that continues to captivate audiences.

Lyrically, “The Tears of a Clown” stands out for its vivid portrayal of inner turmoil masked by external joy. Lines like, “If there’s a smile on my face / It’s only there trying to fool the public,” offer a profound look at the human tendency to conceal pain. This theme aligns with other emotionally charged songs on this list, such as Linda Ronstadt’s “The Tracks of My Tears,” which similarly delves into the intersection of outward appearances and inward emotions. However, Robinson’s approach pairs these themes with a more whimsical, carnival-inspired sound, creating a juxtaposition that is uniquely his own.

The song’s influence extended far beyond its initial release, inspiring numerous covers and adaptations. Artists like Phil Collins and The English Beat have paid homage to its enduring legacy. Yet, the original recording by Smokey Robinson and the Miracles remains definitive, showcasing the exceptional artistry that defined Motown during its golden era. “The Tears of a Clown” is not only a highlight of Smokey Robinson’s illustrious career but also a testament to the universal power of music to articulate complex emotions.

Read More: Top 10 Smokey Robinson & The Miracles Songs

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

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10 Best Songs With The Word ‘Tears’ In The Title article published on Classic RockHistory.com© 2024

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RUSH Guitarist ALEX LIFESON’s ENVY OF NONE Share New Single “Under The Stars”; Music Video Streaming

RUSH Guitarist ALEX LIFESON's ENVY OF NONE Share New Single

Following the release of their superb single “Not Dead Yet” in October, rock supergroup Envy Of None are back with the follow up, “Under The Stars”.

Speaking on the single, songwriter and bassist Andy Curran said, “Alf & I toiled over this one for months and really felt, even at its rough demo stage that we had something special. We left a ton of space for Maiah in the verses and there’s such a cool mood shift when the chorus hits. Joe Vitale’s drum track and percussion added an almost trance like vibe and the icing on the cake, is an unmistakable “Alex” guitar solo. I’m a romantic at heart and the message here is universal. Soul mates, ‘two against the world!'”

Stream/download “Under The Stars” here, and watch the Olivier Boscovitch-created music video below:

Envy of None are busy in the studio finishing off their next album and the follow-up to 2022’s self-titled debut, expected in spring 2025.

Envy Of None are:

Alf Annibalini – Guitar, Keyboards, Programming
Andy Curran – Bass Guitar, Background Vocals, Guitar, Programming
Alex Lifeson- Guitar, Mandola, Oud, Programming
Maiah Wynne – Lead Vocals, Background Vocals, Keyboards

(Photo – Richard Sibbald)


THE WHO’s ROGER DALTREY Adds North Wales Date To 2025 UK Solo Tour

THE WHO's ROGER DALTREY Adds North Wales Date To 2025 UK Solo Tour

Legendary rock singer, Roger Daltrey, will be hitting the road in 2025 on a special solo tour packed with classic The Who songs, solo hits and his now-famous Q&A sessions, in which he opens up to the fans who have been with him throughout the decades.

Daltrey has added another date to his tour. He will be appearing at the Llangollen International Eisteddfod in the beautiful town of Llangollen in North Wales on Tuesday, July 8.

Tickets go sale on Friday, December 13 at 9 AM, GMT here.

In a run of unmissable intimate shows, Daltrey will perform acoustic and semi-acoustic takes on gems from the legendary band and delve into a solo back catalogue that dates back nearly 50 years.

Accompanied by his incredible nine-piece band, the acclaimed group consists of regular Who collaborator Simon Townshend (guitar/ vocals) alongside John Hogg (bass), Doug Boyle (guitar), Steve Weston (harmonica), Jody Linscott (percussion), Billy Nicholls (backing vocals), Katie Jacoby (violin), Geraint Watkins (keyboard), and Scott Devours (drums).

Dates:

April
20 – Brighton, UK – Brighton Dome
21 – London, UK – The Palladium
23 – Southend-on-Sea, UK – The Cliffs Pavilion
24 – Wolverhampton, UK – University of Wolverhampton at The Halls
26 – Dundee, UK – Caird Hall
28 – Glasgow, UK – SEC Armadillo
30 – Edinburgh, UK – The Usher Hall

May
1 – Gateshead, UK – The Glasshouse – Sage 1
4 – Manchester, UK Bridgewater Hall

July
8 – Llangollen, Wales – International Eisteddfod
30 – Halifax, UK – The Piece Hall

August
8 – Margate, UK – Dreamland

Find tickets


STONE SOUR’s JOSH RAND Selling Collection Of Rare And Vintage Guitars And Basses Via Reverb; Includes EDDIE VAN HALEN Frankenstein Replica, ACE FREHLEY Les Paul, Signed GENE SIMMONS “Punisher” Bass, Signed PAUL STANLEY Ibanez PS-10

STONE SOUR's JOSH RAND Selling Collection Of Rare And Vintage Guitars And Basses Via Reverb; Includes EDDIE VAN HALEN Frankenstein Replica, ACE FREHLEY Les Paul, Signed GENE SIMMONS

Reverb, the largest online marketplace dedicated to music gear, today announced that Josh Rand, guitarist for Grammy Award-winning metal band Stone Sour, is selling a truly one-of-a-kind collection of guitars on Reverb. The assortment of rare and vintage guitars—which includes custom shop items and axes signed by Sting, Munky from Korn, John Petrucci of Dream Theater, Paul Stanley of Kiss, and more—are now available in The Official Josh Rand Of Stone Sour Reverb Shop.

Formed throughout the ‘90s by Slipknot’s Corey Taylor, Stone Sour released their self-titled debut in 2022, receiving critical acclaim and Grammy nominations, in addition to a number of charting singles. The band’s follow-up, Come What(ever) May raised the bar, earning the band another Grammy nomination for the single “30/30-150,” while the singles “Through Glass” and “Sillyworld” reached #1 and #2 on the Mainstream Rock charts, respectively. The next decade would see continued success for Stone Sour, before the band went on hiatus in 2020. Throughout Stone Sour’s run, Rand worked on a number of other projects, including Moonshot and The L.I.F.E. Project, which released an EP in 2021. Now, Rand is parting ways with dozens of guitars amassed throughout his storied career.

“My store is going to consist of 26 guitars and five basses. 90% of these instruments are custom shop signature models from other artists spanning over three decades,” said Rand.

Among the incredible selection of guitars available in The Official Josh Rand Of Stone Sour Reverb Shop is a 1997 Gibson Ace Frehley Custom Shop Les Paul – one of just 300 made, but one of three rare instruments from the band that taught you how to “rock and roll all night and party every day.” In addition to the Les Paul, The Official Josh Rand Of Stone Sour Reverb Shop also features a signed 1996 Gene Simmons “Punisher” bass sold directly to Rand from Simmons, and a ‘90s build Ibanez PS-10 signed by Paul Stanley.

Additional items available in The Official Josh Rand of Stone Sour Reverb Shop include:

– A Fender Custom Shop “Yngwie Malmsteen” Duck signed by Malmsteen. Limited to just 100 pieces, each of these rare guitars were supposed to be built by masterbuilder John Cruz. However, in order to meet deadlines, Rand’s guitar was one of just six built by masterbuilder Yuri Shishkov.

– A 2010 ESP Jeff Hanneman Signature Series in Urban Camo. Said Rand: “At first glance, you might ask yourself, ‘Well that looks the same as all the other ones,’ but if you take a closer look, what makes this one specifically unique is it has a Floyd Rose instead of the Kahler. It also has the Slayer eagle logo instead of the H Hanneman logo.”

– An Ibanez Prestige 12-string. “Although this has a prestige neck on it, it was actually built during the L.A. custom shop for me to use during the recording of Hydrograd,” said Rand.

– A Gibson Museum 70th Anniversary John Lennon.

– A 2013 Fender “Sting” Artist Series Precision Bass signed by Sting.

– A 1963 Ibanez PGM. “As a Guitar collector, when you get the opportunity to buy one of your heroes’ guitars, you just must do it. That’s the case with this guitar. When the opportunity arose to buy one of Paul Gilbert’s guitars used to record a Racer X project, I just couldn’t turn it down. After being on display at my house, I’ve decided it’s time for someone else to enjoy it.”

– A 2017 Ibanez Apex-20 signed by Munky from Korn.

– An EVH 78’ Eruption. One of just 40 made worldwide, with custom-made, period correct G&G. This guitar comes with the following items:

* ’78 chain strap
* 3-in-One oil can
* Two packs of ’70s-era Fender® Super Bullets strings in recreated packaging
* Van Halen ‘70s tortoiseshell picks
* Backstage Pass vinyl cloth sticker on the case plus one unused sticker inside
* Exclusive Eruption Collector’s Booklet

 – A 2008 JSBDG “Black Dog.” Limited to just 88 ever made, and built by Ibanez’s Sugi Custom Shop.

To shop the guitars available in The Official Josh Rand Of Stone Sour Reverb Shop, head here.

About Reverb:

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Former FASTWAY Singer DAVE KING Talks “Record Company Bullsh!t” During Waiting For The Roar Era – “I Didn’t Make Any Money”

Former FASTWAY Singer DAVE KING Talks “Record Company Bullsh!t” During Waiting For The Roar Era - “I Didn’t Make Any Money”

After “Fast” Eddie Clarke left Motörhead in 1982 during the Iron Fist tour, he joined forces with Humble Pie drum legend Jerry Shirley and a new singer from Dublin by the name of Dave King. Fastway was formed and the band’s debut album went through the roof, hitting the Top 40 in the US, which Motörhead had never done. To this day it is one of the finest debut albums in hard rock/metal history in 1983. And King’s voice led the charge with such classic as “Easy Livin’”, “Say What You Will”, “Feel Me, Touch Me (Do Anything You Want)” and the epic “We Become One”. Fastway disbanded after three albums including 1984’s All Fired Up and 1986’s Waiting For The Roar, which was an incredible departure for the band and a pretty big disappointment for fans. 

On Dave King’s birthday today (he turns 63; December 11th, 1961), we revisit our chat with him this past summer at Summer Breeze in Germany. 

“What happened basically was record company bullshit,” King agreed about the Waiting For The Roar album and era. “It’s funny, we talk a lot about bands like Def Leppard who have changed a lot. So they got rid of Jerry and Charlie (McCracken) from Fastway, which broke my heart, and I said, ‘This is probably going to be my last album, cuz I’m not really into it you know.’ Obviously all these bands that we are talking about like Maiden, are still around. We didn’t have that in Fastway. It didn’t grow like that, so I basically had to do my own thing and grow up myself. I didn’t make any money.”

BraveWords: Where were you when Fast Eddie died? When we lost all the original Motorhead members, that was tragic.

King: “Philthy used to live with me in LA. He used to stay in my flat. But Eddie had health issues, but I didn’t even know Eddie was sick. I was in the middle of a tour in Europe, like festival season, when I heard he passed away. Myself and Eddie hadn’t talked in a few years you know. It was sad, but there were a lot of issues there between the two of us.”

BraveWords: Were you actually a Motörhead fan when you got hired?

King: “Yeah, I mean I literally had seen Motörhead three weeks before he left.”

BraveWords: Although I was too young to attend, Fast Eddie’s final show with Motörhead was the Iron Fist tour at the CNE in 1982. That’s when then the band imploded.

King: “He was very upset at the thing they did with Wendy O’ Williams from The Plasmatics. Eddie was very upset by that. I’ve got a great story. I was at a pub called the Prince Of Wales in London. And a lot of people drank there. Joe Strummer drank there. So did Lemmy. They hired a friend of mine to help me out, help me adjust. They just hired him so that I’d be OK. Because it was a whole new world to me you know. I was 18 years of age and knew fuck all, and we are in the Prince Of Wales pub and my friend went over to talk to Lemmy and he asked him, ‘Do you think you’ll ever get back together with Eddie?’ He said ‘No’ and he pointed at me. I was at a pinball machine and Lemmy points at me and says “Because of him.” 

BraveWords: Did you ever drink at the Whiskey then?

King: “Lemmy was fine, Lemmy was brilliant. He was a fucking genius. He didn’t give a fuck. He ruled his world. Flogging Molly toured with Motörhead a few times and he was always, always, always a really intelligent, smart man. His company was great. Him and Eddie always got on after he left Motörhead.”

BraveWords: What was your fave Motörhead record then?

King: “I’m the live album guy. No Sleep ‘Til Hammersmith was my album. UFO, their live album as well. I was really into live albums. I think that’s the reason Flogging Molly is a live band, I love live music.”


OCTOPLOID Release “Coast Of The Drowned Sailors” Lyric Video Feat. AMORPHIS Guitarist TOMI KOIVUSAARI

OCTOPLOID Release

Octoploid – the band founding by Olli-Pekka “Oppu” Laine (bass, keyboards, backing vocals / Amorphis, Barren Earth, Mannhai) – have released a lyric video for “Coast Of The Drowned Sailors”, featuring on the debut album, Beyond The Aeons, released back in July via Reigning Phoenix Music (RPM).

A message reveals, “‘Coast of the Drowned Sailors is a conscious nod to the ’90s, and the only possible interpreter for it was Mister Tomi Koivusaari. The track marries the essence of original melodic death metal with elements of slide and acoustic guitar characteristic of southern rock ballads. Also featured is Jani ”Joãnitor” Muurinen, the legendary vocalist from the band Xysma, who delivers the more hopeful part of the lyrics. Overall, ‘Sailors’ is an unapologetically old-school melodic death metal track executed with a modern touch!”

Beyond The Aeons was crafted at E-Studio in Sipoo, Finland where Petri Majuri (Hanoi Rocks, Michael Monroe) took care of mixing the eight tracks and David Castillo (Katatonia, Leprous, Opeth) mastered the album. Orion Landau (Carcass, YOB, Russian Circles ) completed the magnificent package with dreamy artwork.

Order/stream Beyond The Aeons here

Tracklisting:

“The Dawns In Nothingness” [feat. Mikko Kotamäki] *
“Coast Of The Drowned Sailors” [feat. Tomi Koivusaari & Janitor Muurinen] *
“Human Amoral” [feat. Tomi Joutsen] *
“Shattered Wings” [feat. Petri Eskelinen] #/%
“Beyond The Aeons” #/%
“The Hallowed Flame” [feat. Mikko Kotamäki] *
“Concealed Serenity” [feat. Mikko Kotamäki] %
“A Dusk Of Vex” [feat. Jón Aldará | physical: long version; digital: edit] ^/%
“Monotony” (bonus track – physical only) [feat. Petri Eskelinen] %

* Kim Rantala (keyboards)
# Samu Leminen (additional lead guitar)
^ Ile Laaksomaa (additional lead guitar)
% Kasper Mårtenson (keyboards)

“A Dusk Of Vesk” lyric video:

“The Hallowed Flame” video:

“The Dawns In Nothingness” lyric video:


“I’ve always existed between two cultures.” Meet Lowen, 2024’s breakout prog metal sensation inspired by System Of A Down and Akercocke

Lowen pic 2024

(Image credit: Andy Ford)

“I think a lot of people in heavy metal understand what it’s like to be looking in from the other side,” says Nina Saeidi, vocalist of prog metallers Lowen. “This band is my way of exploring that.” 

The daughter of Iranian exiles and raised in Britain, Nina’s musical journey began when she was a young child, learning how to play various instruments. But despite that, she admits she “grew up in a house where sound was not really allowed”, and the only music was traditional Iranian folk. As a teenager, she made her own discoveries, noting Akercocke’s 2007 album Antichrist and System Of A Down’s Mezmerize/Hypnotize records as formative influences. 

“I was fascinated by how transgressive the Akercocke album was, and how System used Middle Eastern music and metal,” she says. “I was like, ‘Oh, I didn’t know you could do that!’ I didn’t know that there were people doing things like this. It made me think, ‘Maybe there’s a space for me too.’” 

Nina formed Lowen in 2017 with guitarist Shem Lucas. Within a year, they’d released their debut EP, A Crypt In The Stars. Though work on this year’s debut, Do Not Go To War With The Demons Of Mazandaran, was slow, the band were meticulous about crafting a potent and fascinating sound that incorporates both Nina’s Iranian heritage and underground doom and prog metal sensibilities. To that end, Nina even sings in a variety of languages, including Farsi and dead tongues such as Akkadian and Sumerian. 

“Singing in Farsi connects me to my culture,” she explains. “I’ve always existed in this liminal space between two cultures and not really been fully accepted by either of them. Lowen is a space where I can explore this strange exile that I live in and connect to places I can never go.”

 Within Lowen’s sound, there’s a sadness and morbidity that’s palpable: the weight of not belonging and mourning for a life out of reach. Standing above it all, however, is power. Do Not Go To War With The Demons of Mazandaran contains tides of crushing, Meshuggah-like heft; intricate, progressive song structures; demonic doom riffs and historically elaborate themes. Lyrically, it comprises melodic war poems, “ancient diss tracks”, protest anthems and even incantations to raise the dead. 

It’s a reclamation of identity, as well as a union and celebration of culture, funnelled through primal Middle Eastern rhythms and Nina’s multilingual, commanding yet sorrowful voice that often invokes the use of Tahrir, an undulating type of singing that’s an important part of Persian music. Nina freely admits that embracing her Iranian heritage is complex. The Middle Eastern country’s stance on metal bands is no secret, with instances of bands like Confess and Arsames being arrested and fleeing the country well reported. “It’s illegal for women to sing unaccompanied,” Nina says solemnly. “They will kill you.”

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For this reason, journeying to her ancestral home remains an impossibility. “Though it’s not the case for all Iranians in the diaspora, for me personally, it’s just too dangerous to go back,” she says. “I’m doing lots of things that would be considered illegal if I went there.” 

Building upon the Middle Eastern influences of her youth, alongside bands such as Akercocke, Opeth, Queen and Enslaved, the name Lowen itself is derived from this fusion of the East and West. 

“It’s basically a bastardisation of the Germanic word for lion,” Nina explains. “In Mesopotamia, excavations have shown building inscriptions of kings killing lions, because they’re symbols of chaos and power. They’re brutal images. In the West, they’re the symbol of pride. In Lowen, we try to embody this juxtaposition.” 

Lowen – Waging War Against God (Official Music Video) – YouTube Lowen - Waging War Against God (Official Music Video) - YouTube

Watch On


Do Not Go To War With The Demons Of Mazandaran offers a rich tapestry of historical knowledge. Its title is based on a chapter from the Shāhnāmeh, aka the Persian Book of Kings, an epic poem written around 1,000AD. The chapter in question follows the story of the greedy King KayKāvus who, against the better judgement of his advisors, invades a paradisal land inhabited by demons, sorcerers and beautiful women. The arrogant king’s attempts prove fruitless, and the white demon, Div-e Sepid, destroys his army by summoning a storm. Metal stuff, to be sure. 

“I think the past is far enough away that it’s almost like an alien world,” Nina says. “Yet somehow, that distance can be bridged by shared human experiences. There’s a sense of comfort that we’ve always been the same – we’re still fighting about lines on maps. A lot of the conflicts of today are exactly the same as the conflicts of 8,000 years ago.” 

Although Do Not Go To War With The Demons Of Mazandaran is heavily inspired by historical texts, it also draws on contemporary sources. Songs such as Corruption On Earth and Waging War Against God rage against the death sentences placed on women protesting against the Islamic Republic of Iran during the ongoing Woman, Life, Freedom movement. The movement began in 2022 following the death of Mahsa Amini, a young Iranian woman who was reportedly arrested for not wearing the hijab and later died under suspicious circumstances relating to suspected police brutality. 

“They’re still imprisoning people, torturing people, executing people,” Nina seethes. “But I also want to make it clear that I’m not criticising Islam, I’m criticising the regime, because they are using religion – which can be a very beautiful thing – to control, corrupt and kill.”

Do Not Go To War With The Demons Of Manzadaran is out now via Church Road.

Liz works on keeping the Louder sites up to date with the latest news from the world of rock and metal. Prior to joining Louder as a full time staff writer, she completed a Diploma with the National Council for the Training of Journalists and received a First Class Honours Degree in Popular Music Journalism. She enjoys writing about anything from neo-glam rock to stoner, doom and progressive metal, and loves celebrating women in music.

The Story of Led Zeppelin’s Final Single

It’s safe to say Led Zeppelin were not a singles band.

“Fool in the Rain,” which came out in December 1979 in response to the rabid reception spawned by the In Through the Out Door album release a month earlier, was just the 10th and final single the group released from their eight studio albums before John Bonham‘s death and their subsequent breakup in 1980.

“I always thought of the Stones as a pop group who made singles,” singer Robert Plant explained in 2005. “The whole idea of what we did competing with Bobby Goldsboro as they were wasn’t where we were at. What we said was there’s no point of putting out a single when the album is the statement of the band.”

In Through the Out Door found Plant and bassist John Paul Jones taking a larger role in the songwriting than on previous Led Zeppelin albums, with Jones particularly sparked by his experiments with a new type of musical instrument.

Read More: Led Zeppelin Ends With ‘In Through the Out Door’

“See, you had a situation where Jonesy didn’t contribute much to the songwriting of [1976’s] Presence, and that was a strain. Guitarist and producer Jimmy Page explained in the book Light and Shade: Conversations with Jimmy Page. “I wouldn’t preferred having some input at that point. But he bought a new synthesizer [a Yamaha GX-1] and it inspired him to come up with a bunch of things for In Through the Out Door. He also started working closely with Robert, which was something that hadn’t happened before.”

A major sporting event helped inspire one of the album’s standout tracks, the piano-driven lover’s lament “Fool in the Rain,” which featured an extended middle samba break complete with timpani and street whistles.

“‘Fool in the Rain’ is most unusual for us, really, because, well, I don’t think we would have played it had situations been different,” Plant told J.J. Jackson in a 1979 interview. “But with the World Cup in Argentina in ’78 and a lot of this kind of South American thing going around, and it being every time you watched any soccer on television, it was always a South American kind of rhythm thing going along. It’s not an attempt to be Carlos Santana or anything like that. It’s kind of a little bit diversified and straightforward, you know.”

The song was a significant chart hit, reaching No. 21 in February 1980. The band continued not to care about such things: “We just really wanted to write really good music that would hold up on its own,” Page demurred. “Chart music tends to be a little disposable.”

Besides, Page and Bonham weren’t completely thrilled with the results of Plant and Jones’ leadership on In Through the Out Door. “Bonzo and I had already started discussing plans for a hard-driving rock album after that. We both felt In Through the Out Door was a little soft,” Page explained. “In its place it was fine, but I wouldn’t have wanted to pursue that direction in the future.”

Hear Led Zeppelin Perform ‘Fool in the Rain’

Ranking Every Led Zeppelin Live Album

It took a while, but they finally got things right.

Gallery Credit: Nick DeRiso

Reissue Roundup: Fall Sets From the Beatles, Tom Petty and More

Reissue Roundup: Fall Sets From the Beatles, Tom Petty and More

The homestretch of 2024’s reissues and archival projects includes some of the year’s most noteworthy packaged collections.

The box sets, expanded versions, deluxe editions and previously unissued recordings highlighted below are aimed at holiday shoppers, no doubt; however, there’s so much to choose from – whether it’s an unearthed Crosby, Stills, Nash & Young live show from one of their first dates together and Lou Reed‘s pre-Velvet Underground work as a songwriter for hire – that fans and collectors will also find essential albums here.

In addition to the dusted-off CSNY live collection, a concert set from the pre-split ’80s lineup of Fleetwood Mac is here, as is the latest volume in jazz great Miles Davis‘ acclaimed Bootleg Series, this time collecting two complete shows from his second great quintet.

READ MORE: The Best Reissues and Archival Sets From Summer 2024

Box sets devoted to Elvis Costello‘s mid-’80s Americana turn, King of America, Weezer‘s 1994 debut, a New Order mid-’80s classic, the Beatles‘ original mono albums from their American debut year and some of Jimi Hendrix‘s final recordings before his 1970 death are lavishly displayed. So is the latest volume in Joni Mitchell‘s celebrated Archives series.

Less sprawling but no less lovingly curated reissues of key albums from George Harrison, progressive metal heavyweights Mastodon, Tom Petty, the Pogues, XTC and Ray Charles‘ groundbreaking country and western records from the ’60s are here, too. Record companies have been busy the past three months targeting holiday shoppers; the reissues below count among 2024’s best.

Reissue Roundup: Fall Sets From the Beatles, Tom Petty and More

The best box sets, expanded albums and archival editions from the past three months.

Gallery Credit: Michael Gallucci

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