Author: uylrjp

As a music student and aspiring classical guitarist, Balaam And The Angel’s Jim Morris discovered Emerson, Lake And Palmer’s Pictures At An Exhibition and never looked back – although, as he told Prog, his band’s attempt at emulating ELP resulted in an unforgettable Spinal Tap moment.

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“ELP’s Pictures At An Exhibition was an important album in my teenage years. My brothers and I used to club our pocket money to buy albums and this record came in as a result of [drummer sibling] Des’ interest in it.

It’s a fantastic piece of music; it was that combination of being a rock band making a noise while doing an interpretation of classical music. That virtuosity was a fantastic thing for me to see and to aspire to at the time. I started out studying classical guitar and I went to the London College Of Music to do a classical music degree.

The importance of the album came back later. Balaam were doing a gig at the Hammersmith Clarendon Ballroom around 1984, and because we’d been using some brass on The Greatest Story Ever Told album, we got a four-piece brass section to play with us.

They’re playing at the level of virtuosity and memory it requires

They were placed on this supplementary stage at the side of the venue. They also played the walking-in music, which was Promenade from Pictures At An Exhibition, and that was brilliant.

Fast forward about six months. We were playing ULU and we said, ‘Let’s do it again!’ There wasn’t a separate stage so the quartet was at the back of the stage. What we failed to recognise was that they needed some lighting to actually read their music and that they didn’t know the material beyond Promenade.

The lights go down and they fire up – but then it just fell apart. We had to rush on to cover up this complete muddle and cacophony of four brass players who couldn’t see what they were doing, having a go at playing it, and failing miserably!

I was familiar with Mussorgsky’s original; it was interesting how ELP took it on. It’s a real interpretation with all of the key tunes in there. And then you looked at the other stuff that they’d released like Brain Salad Surgery; then a little later Fanfare For The Common Man came out. They were a band I kept my eye on.

What also makes Pictures At An Exhibition so interesting is that they’re playing it live at the high level of virtuosity and memory that it requires. It’s ridiculously good.”

This Complete List Of Joan Jett Albums And Songs presents the full discography of Joan Jett studio albums. Joan Jett was born on  She hails from the area of  This complete Joan Jett discography also includes every single live album. All these Joan Jett albums have been presented below in chronological order. We have also included all original release dates with each  Joan Jett album as well as all original album covers. Every Joan Jett album listed below showcases the entire album tracklisting.

JOAN JETT STUDIO ALBUMS

Bad Reputation

Released January 23, 1981

Joan Jett’s debut solo album, Bad Reputation, released on January 23, 1981, marked the start of her iconic solo career following her tenure with The Runaways. Originally self-released as Joan Jett in 1980, the album faced initial rejection from multiple major labels. However, with the help of producer Kenny Laguna and independent distribution, Jett reclaimed her career and re-released the album under its new title, Bad Reputation. The album set the stage for Jett’s rise as a pioneer of female rock, blending punk energy with raw rock ‘n’ roll.

The album was recorded between March and April 1979 at The Who’s Ramport Studios in London and included a mix of Jett’s original songs and covers that highlighted her wide-ranging influences. Backing Jett on the album were members of the Sex Pistols—Steve Jones and Paul Cook—alongside Kenny Laguna, who also co-produced the record. Songs like “Bad Reputation” and “Do You Wanna Touch Me (Oh Yeah)” demonstrated Jett’s bold attitude and distinctive voice, while her cover of “Shout” showcased her ability to reinterpret classics with a punk-rock edge.

Critically, the album was initially overlooked but later gained recognition as a seminal record in Jett’s discography. The title track, “Bad Reputation,” became one of her signature songs and cemented her legacy in rock history. Over time, the album achieved significant success, going gold in the United States and helping to establish Jett as one of the most influential figures in rock music.

Track Listing:

1. “Bad Reputation” – 2:48
2. “Make Believe” – 3:06
3. “You Don’t Know What You’ve Got” – 3:31
4. “You Don’t Own Me” – 3:27
5. “Too Bad on Your Birthday” – 2:57
6. “Do You Wanna Touch Me (Oh Yeah)” – 3:45
7. “Let Me Go” – 2:42
8. “Doing Alright with the Boys” – 3:39
9. “Shout” – 2:48
10. “Jezebel” – 3:28
11. “Don’t Abuse Me” – 3:40
12. “Wooly Bully” – 2:20

I Love Rock ‘n Roll

Released November 18, 1981

Joan Jett’s second studio album, I Love Rock ‘n Roll, released on November 18, 1981, catapulted her into global stardom and solidified her status as a rock icon. Backed by her band, The Blackhearts, the album’s title track became an anthem for rebellious youth and one of the most recognizable songs in rock history. This record marked a turning point for Jett, showcasing her gritty, no-nonsense approach to rock ‘n’ roll.

The album was recorded at Kingdom Sound Studios in Long Island, New York, with Kenny Laguna co-producing alongside Ritchie Cordell. Featuring Jett on lead vocals and guitar, The Blackhearts’ lineup included Gary Ryan on bass, Lee Crystal on drums, and Eric Ambel on guitar. The record mixed Jett’s originals with covers of classic rock and R&B tunes, demonstrating her ability to infuse new life into well-known tracks. The title track, a cover of the Arrows’ 1975 song, dominated charts worldwide, reaching number one on the Billboard Hot 100 and becoming a multi-platinum single. Other highlights included “Crimson and Clover,” a reimagining of the Tommy James & the Shondells classic, and the rebellious “Victim of Circumstance.”

Critically acclaimed and commercially successful, the album reached number two on the Billboard 200 chart and earned multi-platinum certification in the United States. Its unapologetic energy and infectious hooks made it a defining release of the 1980s and cemented Jett’s reputation as one of rock’s leading figures.

Track Listing:

1. “I Love Rock ‘n Roll” – 2:55
2. “(I’m Gonna) Run Away” – 2:27
3. “Love Is Pain” – 3:07
4. “Nag” – 2:45
5. “Crimson and Clover” – 3:16
6. “Victim of Circumstance” – 2:54
7. “Bits and Pieces” – 2:09
8. “Be Straight” – 2:40
9. “You’re Too Possessive” – 3:35
10. “Little Drummer Boy” – 4:15

Album

Released July 6, 1983

By 1983, Joan Jett and the Blackhearts had firmly established themselves as rock icons, and Album marked a moment of artistic resilience and experimentation for the group. Released on July 6, 1983, this record showcased Jett’s unyielding spirit as she expanded her sonic palette beyond the chart-topping success of I Love Rock ‘n Roll. With a mix of raw punk energy and classic rock sensibilities, Album became a testament to Jett’s determination to stay true to her musical roots while exploring new territory.

Recorded at Kingdom Sound Studios in Long Island, New York, the album brought together Jett and her trusted collaborators, including producers Kenny Laguna and Ritchie Cordell. Backed by The Blackhearts—Ricky Byrd on guitar, Gary Ryan on bass, and Lee Crystal on drums—Jett delivered a dynamic collection of songs that highlighted both her fiery confidence and her ability to reinvent classics. Tracks like “Fake Friends” tackled themes of betrayal with a biting edge, while “Everyday People,” a reimagining of Sly and the Family Stone’s hit, demonstrated her versatility.

Though it didn’t replicate the blockbuster success of her previous album, Album still resonated with fans and critics alike. It peaked at number twenty on the Billboard 200 and solidified its place in Jett’s discography as a bold statement of artistic integrity, featuring enduring live staples like “The French Song” and “Tossin’ & Turnin’.”

Track Listing:

1. “Fake Friends” – 3:12
2. “Handyman” – 3:23
3. “Everyday People” – 2:38
4. “A Hundred Feet Away” – 2:54
5. “Secret Love” – 4:03
6. “Star Star” – 3:50
7. “The French Song” – 3:34
8. “Tossin’ & Turnin’” – 2:25
9. “Why Can’t We Be Happy” – 3:40
10. “I Love Playin’ with Fire” – 3:01
11. “Coney Island Whitefish” – 3:33
12. “Had Enough” – 2:22

Glorious Results of a Misspent Youth

Released October 1984

By 1984, Joan Jett had already cemented her place as a pioneering figure in rock music, and Glorious Results of a Misspent Youth served as a bold statement of artistic defiance and evolution. Released in October 1984, the album captured Jett’s rebellious spirit, blending her signature punk-rock edge with a broader exploration of musical styles. This record saw her reflecting on her musical journey while doubling down on the raw, energetic sound that had become her trademark.

Recorded at Kingdom Sound Studios in Long Island, New York, the album was produced by Jett’s longtime collaborator Kenny Laguna, with co-production from Ritchie Cordell. The Blackhearts—Ricky Byrd on guitar, Gary Ryan on bass, and Lee Crystal on drums—provided the tight-knit backing that complemented Jett’s distinctive voice and driving guitar work. Glorious Results of a Misspent Youth featured a mix of originals and covers, including the fiery anthem “Cherry Bomb,” a nod to Jett’s Runaways days, and the soulful “I Need Someone,” which showcased her ability to channel vulnerability into power.

Critically, the album garnered praise for its energy and conviction, though it didn’t achieve the same commercial heights as her earlier releases. Nevertheless, tracks like “Frustrated” and “I Love You Love Me Love” became fan favorites, and the album reinforced Jett’s reputation as a trailblazer unafraid to take risks.

Track Listing:

1. “Cherry Bomb” – 2:37
2. “I Love You Love Me Love” – 3:18
3. “Frustrated” – 3:12
4. “Hold Me” – 3:14
5. “Long Time” – 2:24
6. “Talkin’ Bout My Baby” – 3:35
7. “I Need Someone” – 3:21
8. “Love Like Mine” – 4:12
9. “New Orleans” – 2:57
10. “Someday” – 3:26
11. “Push and Stomp” – 2:53
12. “I Got No Answers” – 2:27

Good Music

Released December 9, 1986

In December 1986, Joan Jett and the Blackhearts delivered Good Music, an album that blended rock ‘n’ roll nostalgia with bold experimentation. By this point in their career, Jett and her band were known for their ability to reinvent classics while staying fiercely authentic, and Good Music was no exception. Featuring a mix of original tracks and ambitious covers, the album demonstrated Jett’s ongoing quest to push boundaries without losing the rebellious energy that had made her a household name.

Recorded at Kingdom Sound Studios in Long Island, New York, and produced by Kenny Laguna and Richie Cordell, Good Music showcased The Blackhearts’ tight instrumentation and versatility. The lineup—Ricky Byrd on guitar, Gary Ryan on bass, and Lee Crystal on drums—provided the foundation for a dynamic set of songs. The title track, “Good Music,” served as an anthem for the band’s love of rock history, while their take on “Fun, Fun, Fun” by The Beach Boys brought a fresh punk-infused energy to the classic tune. Other highlights included “Roadrunner,” which paid homage to Jonathan Richman’s proto-punk legacy, and the sultry groove of “Black Leather.”

While Good Music did not achieve the blockbuster success of earlier releases, it was celebrated for its diversity and adventurous spirit. Tracks like “If Ya Want My Luv” and “Contact” underscored Jett’s ability to seamlessly blend raw emotion with infectious hooks, proving once again that her passion for music was as vibrant as ever.

Track Listing:

1. “Good Music” – 4:27
2. “This Means War” – 3:37
3. “Roadrunner” – 3:32
4. “If Ya Want My Luv” – 4:22
5. “Fun, Fun, Fun” – 2:29
6. “Black Leather” – 4:08
7. “Outlaw” – 3:17
8. “Just Lust” – 3:10
9. “You Got Me Floatin’” – 2:53
10. “Contact” – 3:52

Up Your Alley

Released May 23, 1988

By the late 1980s, Joan Jett was no longer just a rock star—she was a cultural force who had defied industry expectations and proved her staying power. Up Your Alley, released on May 23, 1988, marked her triumphant return to mainstream success and a reaffirmation of her place in the rock ‘n’ roll canon. Bolstered by the Grammy-nominated single “I Hate Myself for Loving You,” the album showcased Jett’s ability to blend raw punk energy with arena-ready anthems, capturing a broader audience without compromising her rebellious spirit.

Recorded at Atlantic Studios in New York City and produced by longtime collaborator Kenny Laguna and Desmond Child, the album reflected a confident and revitalized Joan Jett and The Blackhearts. Ricky Byrd on guitar, Gary Ryan on bass, and Thommy Price on drums delivered a cohesive, high-energy performance that complemented Jett’s commanding vocals. Tracks like “Little Liar” and “I Wanna Be Your Dog” (a Stooges cover) demonstrated her knack for reinterpreting rock classics while crafting deeply personal and provocative new material.

Commercially, Up Your Alley was a major success, peaking at number 19 on the Billboard 200 and earning platinum certification in the United States. Critically, it was celebrated as one of her strongest efforts, praised for its polished production and infectious energy. Songs like “Ridin’ with James Dean” and “I Still Dream About You” became fan favorites, further cementing Jett’s legacy as the Queen of Rock ‘n’ Roll.

Track Listing:

1. “I Hate Myself for Loving You” – 4:11
2. “Ridin’ with James Dean” – 3:17
3. “Little Liar” – 4:01
4. “Tulane” – 2:56
5. “I Wanna Be Your Dog” – 5:12
6. “I Still Dream About You” – 3:24
7. “You Want In, I Want Out” – 4:14
8. “Just Like in the Movies” – 3:05
9. “Desire” – 3:54
10. “Back It Up” – 3:31
11. “Play That Song Again” – 3:42

Notorious

Released August 20, 1991

When Joan Jett released Notorious on August 20, 1991, it marked a striking shift in her sound, blending raw rock energy with darker, introspective themes that reflected her place in an evolving music industry. The album was a deliberate effort to reconnect with her punk roots while exploring a more experimental and mature approach to songwriting, showcasing her adaptability in a rapidly changing musical landscape.

Recorded at Abbey Road Studios in London and additional studios in New York City, Notorious was co-produced by Jett, Kenny Laguna, and Thom Panunzio. The Blackhearts—featuring Ricky Byrd on guitar, Thommy Price on drums, and Kenny Aaronson on bass—provided the driving force behind the album’s dynamic sound. Tracks like “Backlash,” co-written with Paul Westerberg of The Replacements, infused punk grit with sharp hooks, while “Treadin’ Water” displayed a deeper emotional resonance.

Though it did not achieve major commercial success, Notorious earned critical recognition for its fearless experimentation and authentic energy. Songs like “Ashes in the Wind” and “Don’t Surrender” highlighted Jett’s ability to blend vulnerability with defiance, ensuring the album’s lasting appeal among fans and solidifying its place as a unique entry in her catalog.

Track Listing:

1. “Backlash” – 3:29
2. “Ashes in the Wind” – 3:57
3. “The Only Good Thing (You Ever Said Was Goodbye)” – 3:53
4. “Treadin’ Water” – 4:18
5. “Wait for Me” – 4:06
6. “Misunderstood” – 3:15
7. “Wonderin’” – 3:33
8. “I Want You” – 3:44
9. “Don’t Surrender” – 3:35
10. “Machismo” – 5:00

Pure and Simple

Released June 14, 1994

Pure and Simple stands as one of Joan Jett’s most socially charged and collaborative albums, embodying the fiery ethos of the Riot Grrrl movement that heavily influenced its creation. Released on June 14, 1994, the album emerged as a response to a shifting musical landscape, blending punk energy with feminist undertones and addressing personal and societal themes. Tracks like “Go Home,” co-written with Kathleen Hanna, directly respond to the tragic murder of Mia Zapata, while other songs reflect Jett’s refusal to conform to the music industry’s expectations.

The album marked a new chapter for Jett and The Blackhearts, with a restructured lineup featuring bassist Kenny Aaronson and lead guitarist Tony “Bruno” Rey, following the departure of longtime members Ricky Byrd and Kasim Sulton. Produced by Jett alongside Kenny Laguna, Thom Panunzio, and other collaborators, the album was recorded across multiple studios, including New York’s Power Station and Los Angeles’ A&M Studios. It also featured contributions from Riot Grrrl icons such as Kathleen Hanna (Bikini Kill) and Kat Bjelland (Babes in Toyland), reinforcing its feminist punk foundation. Musicians like Blake Brocksmith on harmonica and Chuck Kentis on keyboards added further layers to the album’s dynamic sound.

With tracks such as “Spinster,” “Activity Grrrl,” and the vinyl-exclusive “Here to Stay,” Pure and Simple was praised for its unapologetic approach and authenticity. Although it did not achieve mainstream commercial success, the album’s significance lies in its ability to merge activism with music, leaving a lasting legacy as an album that stayed true to its principles while inspiring a new wave of fans.

Track Listing

1. “Go Home” – 2:42
2. “Eye to Eye” – 3:30
3. “Spinster” – 2:44
4. “Torture” – 3:35
5. “Rubber & Glue” – 3:19
6. “As I Am” – 4:35
7. “Activity Grrrl” – 3:45
8. “Insecure” – 3:11
9. “Wonderin’” – 4:53
10. “Consumed” – 4:40
11. “You Got a Problem” – 3:57
12. “Brighter Day” – 6:06

Vinyl Release Alternative Track

11. “Here to Stay” – 3:57

Japanese Edition Bonus Tracks

7. “Hostility” – 3:37
8. “World of Denial” – 4:14

Naked

Released April 27, 2004

Joan Jett and the Blackhearts’ Naked offers an intriguing mix of hard rock and alternative influences, marking Jett’s return to raw, provocative themes and experimental sounds. Exclusively released in Japan on April 27, 2004, the album features bold explorations of identity, rebellion, and the complexities of relationships, evident in its eclectic tracklist. The record was crafted across an array of notable studios, including Armoury Studios and Vancouver Studios in Canada, as well as Studio 900 and The Hit Factory in New York City, among others.

The production roster for Naked reads like a hall of fame, with industry giants such as Kenny Laguna, Ted Templeman, Bob Rock, Joey Levine, and Joan Jett herself contributing to the album’s unique sonic textures. Each producer brought their distinctive style to the project, giving the album its multi-faceted identity. With tracks like the introspective “Naked,” co-written with Rudy Yuly, and “Baby Blue,” written alongside Kathleen Hanna, Jett infuses the album with a personal and collaborative spirit. Cover songs such as The Replacements’ “Androgynous” and Donovan’s “Season of the Witch” showcase Jett’s ability to reinterpret classic tracks while retaining her signature edge.

Naked also features an impressive lineup of musicians, with Jett leading the charge on rhythm guitar and vocals, backed by Doug Cangialosi on lead guitar, Sami Yaffa on bass, and Thommy Price on drums. Kathleen Hanna’s backing vocals add depth and feminist punk authenticity, particularly on tracks like “Tube Talkin’” and “Watersign.” The album is further enhanced by orchestral arrangements from Chris Palmero and production finesse from Tony “Bruno” Rey and others.

Track Listing

1. “Naked” – 4:07
2. “Bad Time” (JJ Mix) – 4:59
3. “Fetish” – 3:22
4. “Androgynous” – 3:08
5. “Science Fiction/Double Feature” – 3:54
6. “Right in the Middle” – 3:48
7. “Turn It Around” – 3:45
8. “Everyone Knows” – 3:10
9. “Baby Blue” – 4:05
10. “Kiss on the Lips” – 3:22
11. “Watersign” – 3:10
12. “Tube Talkin’” – 3:37
13. “Season of the Witch” – 5:03
14. “Bad Time” (Monster Mix) – 5:00
15. “Can’t Live Without You” – 2:34
16. “Five” – 5:16

Sinner

Released June 13, 2006

Joan Jett and the Blackhearts’ Sinner stood as a defiant statement of purpose, combining sharp political commentary with raw, hard-edged rock. Emerging from a twelve-year gap since Jett’s last U.S. album of new material, Pure and Simple, this record channeled frustration and empowerment into a collection of tracks that pushed boundaries while honoring Jett’s rebellious legacy. From the biting lyrics of “Riddles” to the electrifying cover of Sweet’s “A.C.D.C.,” the album reflected Jett’s ability to evolve while staying true to her punk-rock roots. delivering a hard-hitting collection that blended new material with reimagined tracks from their Japan-only release, Naked.

Released on June 13, 2006, by Blackheart Records, the album showcased Jett’s iconic energy while diving into politically charged themes and raw, unapologetic sounds. Notable tracks include the politically driven “Riddles,” Jett’s first overtly political song, and a cover of Sweet’s “A.C.D.C.,” which underscored her knack for reviving classics with her unique edge.

Recorded between 1999 and 2006, Sinner was primarily created at Soundtrack Studios in New York City, with production led by a powerhouse team including Kenny Laguna, Ted Templeman, Bob Rock, Joey Levine, and Jett herself. The album features a mix of new tracks and selections from Naked, offering fresh mixes and updated arrangements. The inclusion of enhanced content, such as a behind-the-scenes video for “A.C.D.C.” and a digital lyric sheet, highlighted the band’s innovative approach to engaging their audience.

The lineup for Sinner includes Joan Jett on rhythm guitar and vocals, Dougie Needles on lead guitar, Enzo Penizzotto on bass, and Thommy Price on drums. Kenny Laguna contributed on keyboards and backing vocals while also leading the production efforts. Tracks like “Change the World” and “Tube Talkin’” demonstrated Jett’s enduring ability to balance rock anthems with introspection, while covers such as The Replacements’ “Androgynous” showcased her reverence for punk influences.

Track Listing

1. “Riddles” – 4:01
2. “A.C.D.C.” – 3:20
3. “Five” – 5:14
4. “Naked” – 3:51
5. “Everyone Knows” – 3:13
6. “Change the World” – 3:07
7. “Androgynous” – 3:08
8. “Fetish” – 3:23
9. “Watersign” – 3:10
10. “Tube Talkin’” – 3:37
11. “Turn It Around” – 3:44
12. “Baby Blue” – 4:06
13. “A Hundred Feet Away” – 2:33
14. “Bad Time” – 5:01

Unvarnished

Released September 30, 2013

Marking a reflective yet assertive chapter in Joan Jett and the Blackhearts’ storied career, Unvarnished stands as a testament to resilience and authenticity. Recorded between 2011 and 2013 at various studios, including Germano Studios in New York City and 606 Studios in Los Angeles, this album offers a hard rock edge while exploring deeply personal themes of loss, aging, and perseverance. Notably, it reached number forty-seven on the US Billboard 200, marking Jett’s highest charting album since The Hit List in 1990.

Produced by Joan Jett herself alongside collaborators such as Dave Grohl, Kenny Laguna, and Thom Panunzio, the album includes standout tracks like “Any Weather” (a Grohl co-write) and “TMI,” both of which showcase the enduring vitality of Jett’s sound. The record also features contributions from Blackhearts members Dougie Needles, Acey Slade, and Thommy Price, as well as orchestral arrangements that provide a lush backdrop on tracks like “Hard to Grow Up.”

The album’s themes of introspection and rebellion resonate strongly, bolstered by live bonus tracks on exclusive editions, including a fiery rendition of “Bad Reputation.” Critics lauded Unvarnished for its raw honesty, with standout reviews from publications like Paste, which awarded it a score of 7.4/10, praising its blend of grit and vulnerability.

Tracklisting:

1. “Any Weather (606 Version)” – 3:24
2. “TMI” – 3:49
3. “Soulmates to Strangers” – 3:12
4. “Make It Back” – 3:17
5. “Hard to Grow Up” – 4:21
6. “Fragile” – 3:39
7. “Reality Mentality” – 3:05
8. “Bad as We Can Be” – 3:53
9. “Different” – 3:36
10. “Everybody Needs a Hero” – 2:34

Changeup

Released March 25, 2022

In 2022, Joan Jett once again demonstrated her ability to redefine her artistry with Changeup, an acoustic reinterpretation of her rock catalog. Released on March 25, 2022, this album showcased Jett’s talent for stripping her music down to its raw, emotive core while maintaining the rebellious spirit that has defined her career. The collection spans decades, revisiting some of her most iconic songs as well as lesser-known gems, all reimagined through the intimacy of an acoustic lens.

The album was recorded across multiple sessions, reflecting Jett’s commitment to exploring the essence of her music in a stripped-down format. Featuring production from Kenny Laguna and Joan Jett herself, Changeup highlighted her connection to her material and the enduring quality of her songwriting. The acoustic arrangements emphasize the emotional weight and lyrical depth of tracks like “Bad Reputation,” “Cherry Bomb,” and “I Hate Myself for Loving You,” while also introducing a fresh perspective on her music.

Changeup features Jett alongside a minimalistic lineup that includes longtime collaborators such as Kenny Laguna and Dougie Needles. Their cohesive performances allow each track to shine in its acoustic simplicity. With this release, Joan Jett reminded listeners of her versatility and ability to evolve while staying true to her roots.

Track Listings

Disc 1

1. “Long Time” (Acoustic)
2. “Light of Day” (Acoustic)
3. “(I’m Gonna) Run Away” (Acoustic)
4. “You’re Too Possessive” (Acoustic)
5. “Victim of Circumstance” (Acoustic)

Disc 2

1. “Coney Island Whitefish” (Acoustic)
2. “Love Is Pain” (Acoustic)
3. “Crimson and Clover” (Acoustic)
4. “Oh Woe Is Me” (Acoustic)
5. “Frustrated” (Acoustic)

Disc 3

1. “Bad Reputation” (Acoustic)
2. “Fake Friends” (Acoustic)
3. “Soulmates to Strangers” (Acoustic)
4. “Make It Back” (Acoustic)
5. “Fragile” (Acoustic)

Disc 4

1. “I Love Playin’ With Fire” (Acoustic)
2. “Cherry Bomb” (Acoustic)
3. “I Want You” (Acoustic)
4. “A 100 Feet Away” (Acoustic)
5. “Androgynous” (Acoustic)

Check out more Joan Jett articles on ClassicRockHistory.com Just click on any of the links below……

10 Most Rocking Joan Jett Songs

Our 10 Favorite Joan Jett Songs

Joan Jett To Release Her First Acoustic Album

Top 10 Joan Jett Albums

Joan Jett Rocks Jones Beach Theater While High Tide Floods Boston Fans

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Porcupine Tree frontman-turned-solo-artist, Steven Wilson, will release his eighth solo album, The Overview, via Fiction Records on March 14 – and it marks his long-awaited return to prog territory. He recently spoke with Prog about the new record. Following is an excerpt from the interview.

The Overview is a 42-minute concept album features just two epic songs; the 23-minute Objects Outlive Us, and the 18-and-a-half minute title track. 

Wilson: “To pre-empt questions about why I’ve gone back to a more progressive style, it’s because that’s what the theme suggested. Objects Outlive Us is more of a human story. Basically these little soap operas and stories about what we’re doing to the planet, set against what’s going on on the other side of the universe. The Overview is more the story of space – about being lost in space, about being on the other side of the universe, about the sheer size of it all.”

Read more here.

Wilson has announced The Overview Tour for May / June 2025. It will kick off in Stockholm, Sweden on May 1st and wrap up on June 13th in Madrid, Spain. He will be out supporting his forthcoming album, The Overview.

Tour dates: 

May 
1 – Stockholm, Sweden –  Cirkus
2 – Olso, Norway –  Konserthaus
4 – Copenhagen, Denmark –  KB-Hallen
6 – Dusseldorf, Germany – Mitsubishi Electric Hall
7 – Brussels, Belgium – Cirque Royal
9 – Birmingham, UK – Symphony Hall
10 – Bristol, UK – Beacon
12 – London, UK – Palladium
13 – London, UK – Palladium
15 – Newcastle, UK – O2 City Hall
16 – Glasgow, UK – Royal Concert Hall
18 – Manchester, UK – The Lowry
22 – Amsterdam. Netherlands – AFAS Live
24 – Paris Salle, France – Pleyel
25 – Paris Salle, France – Pleyel
28 – Lyon, France – Bourse Du Travail
30 – Stuttgart, Germany – Porshe Arena
31 – Munich, Germany – Zenith

June
2 – Berlin, Germany – Friedrichspalast
3 – Hamburg, Germany – Sporthalle
4 – Warsaw, Poland – Torwar
5 – Gliwice, Poland – Prezero
7 – Milan, Italy – Teatro Degli Archimboldi
8 – Rome, Italy – Auditorium Parco Della Musica
10 – Zurich, Switzerland – The Hall
11 – Marseille, France – Cepax Silo
12 – Barcelona, Spain – Para-Lel 62
13 – Madrid, Spain – Riviera

Wilson recently guested on the Gas Masks & Hand Grenades podcast alongside Tom Bowness to discuss their project, No-Man. During the chat, found below, Wilson offered some information on his next solo album, due out in 2025.

Wilson: “The follow up (to The Harmony Codex) is almost finished, can you believe. Bear in mind The Harmony Codex was finished in December 2022, so it’s been over a year since that, and I’ve almost finished the follow-up. It’s very different again. I work very quickly and I’m still excited by making music. This is just two 20-minute long tracks, so it’s very conceptual, and I think that’ll be finished and ready to come out early next year.”

Spanish true metallers, Sinner Rage, have released a new video, “Fire’s On”. The track is the second to be revealed from the band’s highly anticipated debut album, Powerstrike, set for international release on February 21st via Dying Victims Productions.

Making their public debut with a self-titled demo in early 2024, Sinner Rage thrust themselves into the present with a sound wholly built on the past: pure and total heavy metal during the genre’s ‘80s heyday. Wasting no time defending the faith, the Spaniards return a full year later with their debut album, Powerstrike. 

Truly titled, Powerstrike is an pitch-perfect throwback to the days when heavy metal supremacy were ruled by the likes of Judas Priest, Saxon, Queensrÿche, and Crimson Glory. Moving at a disarmingly relaxed strut, Sinner Rage convey charisma and simple-yet-assured power during every second of this short & sweet tome. The hooks are heavy and headbanging, but the quartet exhibit a keen knack for spacious, almost-atmospheric dynamics; the riffing hits even harder when coming back from those quieter moments, and frontman Aritz Martinez’s pipes likewise sound even silkier. Some would simply qualify that as a further (and seamless) extension of old-days metal values, before speed and energy overload took over, and they’d not be wrong.

Whatever way you approach it, Powerstrike will send shivers of déjà vu through every soul who’s ever bled for metal, but make no mistake: Sinner Rage are absolutely authentic to the bone, no matter the calendar year.

Tracklist:

“Powerstrike”
“Silent Thunder”
“Highway Knights”
“Chained by Night”
“Fire’s On”
“Angel of Combustion”
“Call of the Wind”
“Dangerous Attraction”

“Fire’s On”

KISS Cancer Goodbye III, a fundraiser for the American Cancer Society, took place December 6 – 8, 2024 in Sarasota, Florida.

The Handsome Devils performed the entire Creatures Of The Night album at Kiss Cancer Goodbye III, and benefit organizers are releasing the entire show on their YouTube channel. Every week, a new video will appear on Friday at 8am PST.

The Handsome Devils is comprised of: Todd Kerns (Slash Featuring Myles Kennedy & The Conspirators) – guitar and vocals, Gabriel Connor (Red Devil Vortex) – bass and vocals, Joey Cassata (Ace Frehley) – drums, and Luis Kalil (Red Devil Vortex) – lead guitar. 

Professionally filmed video, courtesy of Undaunted Media, of The Handsome Devils performing “Keep Me Comin'” from Creatures Of The Night, which was released in 1982 via Casablanca Records, can be enjoyed below.

Check out the previously released videos for “Creatures Of The Night”, as well as “Saint And Sinner”:

January 3, 2025, 2 hours ago

news black death relics of humanity

Brutal death metal quartet, Relics Of Humanity, are set to release new album, Absolute Dismal Domain, on January 31, 2025 through Willowtip Records.

The band states:

“Absolute Dismal Domain is a nine-act conceptual record. The story told across these nine tracks is about absolute ubiquitous annihilation of light, both spiritually (god) and physically (sun and stars). This is the most brutal stuff about blackness and ungodliness ever created.”

Absolute Dismal Domain is Relics Of Humanity’s first collection of original material since 2019’s Obscuration EP (Willowtip) and the band’s first full-length album (and third overall) since 2014’s Ominously Reigning upon the Intangible (Amputated Vein).

Artwork by Siarhei:

Tracklisting:

“Omen Apollyon”
“Summoning Of Those Who Absorbed”
“Taking The Shape Of Infinity”
“In The Name Of Ubiquitous Gloom”
“Paralyzing The Light II”
“Absolute Dismal Domain”
“Smoldering Of Seraphim”
“His Creation That No Longer Exists”
“Dominion”

“Smoldering Of Seraphim”:

Celebrity Access is reporting that newly published accounts reveal that Robert Plant received £7 million in dividends from two of his UK music publishing companies in the financial year ending March 31, 2024. These businesses, Sons Of Einion and Trolcharm, are used by Plant to manage his music career and receive income from album sales.

According to accounts filed on December 17, Plant received £4 million from Sons Of Einion and £3 million from Trolcharm during the period. Based on previous filings, this is the first time either business has paid dividends. While Plant isn’t directly named as the recipient, both companies list the payments made to “the director,” a role he shares with his children, Logan, Jesse Lee (Jordan), and Carmen Jones.

Read the full report at Celebrity Access.

Piece of Magic Entertainment and Sony Pictures Classics have partnered to announce that Becoming Led Zeppelin will be released in European cinemas in February.

Becoming Led Zeppelin explores the origins of this iconic group and their meteoric rise in just one year against all the odds. Powered by awe-inspiring, psychedelic, never-before-seen footage, performances and music, Bernard MacMahon’s experiential cinematic odyssey explores Led Zeppelin’s creative, musical, and personal origin story. The film is told in Led Zeppelin’s own words and is the first officially sanctioned film on the group.

Fans of the iconic band will be able to see the documentary from February 26 in France, Belgium and Luxembourg, and February 27 in The Netherlands. Poland, Czech Republic & Slovakia will also release in February, with exact dates to follow.        

The hybrid docu-concert film also unveils a huge amount of rare and unseen Led Zeppelin performance footage. The result is a visceral musical experience that will transport audiences into the concert halls of Led Zeppelin’s earliest tours, accompanied by intimate, exclusive commentary from the famously private band.

The exciting documentary will also be available in IMAX in certain territories. Director Bernard MacMahon said: “The cinematic power of IMAX paired with the film’s authentic sound creates an immersive and transportive viewing experience letting audiences feel like they are there, in the venues with the band.”    

Becoming Led Zeppelin is a movie that almost didn’t come to fruition – the filmmakers were up against epic challenges, including the fact that hardly any footage from the band’s early period existed. MacMahon and McGourty embarked on a global detective search for material to illustrate the band’s story.

“We spent five years flying back and forth across the Atlantic scouring attics and basements in pursuit of rare and unseen film footage, photographs and music recordings,” writer/producer Allison McGourty said. “Then we transferred each piece of media with custom techniques, so that in IMAX, these 55-year-old clips and music would look and sound like they came out of the lab yesterday.”

Becoming Led Zeppelin is directed by the award-winning, Emmy® and BAFTA® nominated Bernard MacMahon (American Epic), and written by MacMahon and BAFTA® nominated producer Allison McGourty. It is produced by McGourty and Paradise Pictures in association with Big Beach, alongside executive producers Michael B Clark, Alex Turtletaub, Cynthia Heusing, David Kistenbroker, Duke Erikson, Simon Moran, and Ged Doherty. Editing is by Dan Gitlin, sound supervision is by Nick Bergh, sound restoration is by Grammy® Award winner Peter Henderson, with archival research from Kate Griffiths and Rich Remsberg.

Toys “R” Us Canada says it is closing five Ontario stores and revamping several others as it works to “optimize” its business, reports The Canadian Press.

The toy retailer says the closing locations include a store in Argyle Mall in London along with its shops on Steeles Avenue West in Thornhill, Hurontario Street in Mississauga, Marcus Drive in Sudbury and Centennial Parkway North in Stoney Creek.

The company did not answer questions about how many jobs will be lost because of the closures.

On top of shuttering some locations, the brand says it is also “rationalizing” its inventory levels to make room for other concepts within its stores.

Some locations will see an expanded, stand-alone footprint for entertainment banner HMV, which started appearing in the toy store last year and is also run by Toys “R” Us owner Putman Investments.

Other stores will be remodelled to host a Wonderlab, a concept Toys “R” Us Canada has been testing in Burlington, Ont., that includes an indoor play structure and space for arts and crafts and sensory activities.

Getting an autograph from celebrities or famous figures is a source of pride for some fans, reports Tempo.co. Those signed items hold a special value and are irreplaceable.

However, some autographs are just so valuable that they are worth up to millions of dollars! Read on to discover some of the most expensive autographs in the world, citing Under30CEO, Investopedia, and other sources. What makes these signatures so valuable?

Landing on the list are:

5. John Lennon’s Murderer Signed Album (US$1.5 million)

No one would expect that John Lennon, a member of the world-renowned band The Beatles, died after signing an album for a “fan.” Mark David Chapman obtained the signed Double Fantasy, after which he murdered Lennon in a span of a few hours. This evidence of a tragic incident is now considered one of the most expensive signature items. The autographed long play was auctioned through Goldin Auctions, with the expected highest bid clocking US$1.5 million.

9. Jimmy Page’s Guitar (US$55,000)

The guitarist for Led Zeppelin, Jimmy Page’s guitar from Gibson Guitar Corp.’s Custom, Art & Historic Division, reportedly sold for a hefty amount of dollars. Billboard reported that the signed musical instrument was acquired by an unnamed buyer for US$55,000.

10. Jimi Hendrix’s Signed Contract (US$45,960)

Rounding off our list of the most expensive autographs is Jimi Hendrix’s signed contract. The latter refers to a signed settlement contract between Jimi Hendrix, PPX Records, Michael Jeffries, and Warner Brothers Records dated June 24, 1968, as quoted from Ultimate Classic Rock. The document reportedly sold for more than US$45,000 at an auction listed by Gotta Have Rock and Roll.

Read more at Tempo.co.