Ratt’s Pearcy and DeMartini, David Lee Roth Lead M3 Festival

Ratt’s Pearcy and DeMartini, David Lee Roth Lead M3 Festival
Larry Marano / Jeffrey Katz, Getty Images

Two principal members of Ratt will reunite and David Lee Roth will emerge from retirement to headline this year’s M3 festival.

Ratt singer Stephen Pearcy and guitarist Warren DeMartini will team up to serve as the headline act at Columbia, Maryland’s Merriweather Post Pavilion on Sunday, May 4. It will be the first time they’ve performed together since 2018. The two other surviving classic-era members of the band, bassist Juan Croucier and drummer Bobby Blotzer, were not mentioned in the announcement.

“Never say never, right? There was no question when the idea was brought up doing something with Warren again,” Pearcy explained in a statement announcing the festival on X. “It wasn’t even a thought, it’s time, let’s do this. Pearcy and DeMartini back in the cellar, let’s go! Let’s break the ice, with the utmost respect and do what we do best together, play Ratt music. It’ll seem like yesterday instead of years when we’re back onstage regardless. It’s time to Ratt n’ Roll again, even if it’s a double shot. It’s about the band’s legacy. I know what we can do as a team, and that’s writing great songs and kickin’ some ass onstage. It’s only appropriate that the first show in years be at M3 2025. It’s a great event. You’re getting all the Ratt hits and more, let the ‘Invasion Celebration’ begin.”

Ace Frehley, Warrant, Great White, Lita Ford and Vixen will also appear on Sunday.

Read More: Stephen Pearcy Explains Warren DeMartini’s 2018 Ratt Departure

Roth will headline the festival on Saturday, May 3. This will be the first official show he has played in over five years, as his last performance was opening for Kiss on March 10, 2020, at the United Supermarkets Arena in Lubbock, Texas.

The former Van Halen singer was due to launch a farewell residency in Las Vegas in early 2022, but instead announced his immediate retirement from the road when those shows were postponed due to the COVID-19 pandemic, adding “it’s not about me anymore.”

Roth has reportedly played a handful of private events since then, and he’s posted numerous new songs and re-recorded covers of Van Halen tracks on his YouTube page.

Accept, Winger, Slaughter and Steven Adler will also perform on Saturday. Sebastian Bach will perform on Friday, May 2. Ticket presales begin on Wednesday, Jan. 29 at noon EST via Ticketmaster. They go on sale to the general public on Friday, Jan. 31.

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Even as the genre hurtled toward irrelevance, several bands eked out terrific, underappreciated music.

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Warren Haynes Plots Extensive ‘Million Voices Whisper’ Tour

The Warren Haynes Band’s Million Voices Whisper Spring Tour kicks off Feb. 7 with a sold-out show in Knoxville, Tenn., as the former Allman Brothers Band member supports his latest solo album. Key stops along the way include Buffalo, Los Angeles, Portland, Toledo, San Francisco, Tempe and San Diego, among others.

The Fan Club presale through Tickets Today for West Coast shows in April and May begins at 1PM ET on Tuesday, Jan. 28, with Citicard/AMEX presale following at noon local time on Wednesday, Jan. 29. Local, promoter and Ticketmaster presales are set for 10AM local time on Thursday, Jan. 30 then general on-sale gets underway at 10AM local time on Friday, Jan. 31.

Limited-edition fan packages are also available through www.warrenhaynes.net. See below for all upcoming tour dates and details.

READ MORE: Top 10 Warren Haynes Songs

Haynes took time away from Gov’t Mule to release Million Voices Whisper in November, and the 11-song LP debuted at No. 1 on Billboard’s Blues Albums Chart. The marks his fourth chart-topping solo album, and the first in nearly a decade. Haynes’ Allman Brothers Band bandmate Derek Trucks appeared on several tracks, including “Real Real Love,” a song with lyrics that were initially begun by Gregg Allman.

The Warren Haynes Band also includes longtime drummer Terence Higgins of the Dirty Dozen Brass Band, Govt Mule bassist Kevin Scott, Matt Slocum on keys and Greg Osby on sax. A portion of the proceeds from each ticket sold on the Warren Haynes Band tour will continue to be donated to assist in hurricane relief.

Listen to Warren Haynes’ ‘Real Real Love’

Warren Haynes Band, Million Voices Whisper Tour
2/7 – Knoxville, TN @ Bijou Theatre (sold out)
2/8 – Huntsville, AL @ Mars Music Hall
2/11 – Toledo, OH @ Stranahan Theater
2/13 – Northfield, OH @ MGM Northfield Park – Center Stage
2/14 – Carmel, IN @ The Palladium
2/15 – West Des Moines, IA @ Val Air Ballroom
2/16 – Peoria, IL @ Peoria Civic Center
2/18 – Rockford, IL @ Coronado Theatre
2/20 – Burlington, VT @ The Flynn
2/21 – Concord, NH @ Chubb Theatre
2/22 – Buffalo, NY @ Town Ballroom (sold out)
2/28 – Macon, GA @ Macon City Auditorium (Dickey Betts tribute show)
3/6-8 – Live Oak, FL @ Suwannee Amp Jam #1 (Gov’t Mule festival appearance)
4/4 – Savannah, GA @ Lucas Theatre at 2025 Savannah Music Festival
4/5 – Columbia, SC @ Township Auditorium (rescheduled from 9/28)
4/24 – Seattle, WA @ Neptune Theatre
4/25 – Eugene, OR @ McDonald Theatre
4/26 – Medford, OR @ Holly Theatre (on sale 2/19)
4/27 – Portland, OR @ Roseland Theater
4/29 – Stateline, NV @ Harrah’s Lake Tahoe – South Shore Room
5/1 – Redding, CA @ Cascade Theatre
5/2 – Rocklin, CA @ Quarry Park Amphitheater
5/3 – San Francisco, CA @ The Fillmore
5/4 – Santa Rosa, CA @ Luther Burbank Center for the Arts – Ruth Finley Person Theater
5/6 – Monterey, CA @ Golden State Theatre
5/9 – San Luis Obispo, CA @ Fremont Theater
5/10 – Ventura, CA @ Majestic Ventura Theater
5/11 – Los Angeles, CA @ The Belasco
5/14 – San Diego, CA @ Humphrey’s Concerts by the Bay
5/15 – Tempe, AZ @ Marquee Theatre
5/16 – Tucson, AZ @ Fox Theatre Tucson
5/23-25 – Thornville, OH @ Dark Star Jubilee
6/8 – Morrison, CO @ Red Rocks Amphitheatre (supporting Big Head Todd and the Monsters)
6/26-28 – Eau Claire, WI @ Blue Ox Music Festival
7/3 – Bonn, Germany @ KUNSTRASEN GmbH
7/4 – Milan, Italy @ Villa Casati Stampa
7/6 – Sperken, Austria @ Castle Clam
7/11-13 – Weert, Netherlands @ Bospop
7/23-27 – Floyd County, VA @ FloydFest 25~Aurora (Gov’t Mule festival appearance)
9/3 – Toronto, ON @ Budweiser Stage (co-headlining shows with Tedeschi Trucks Band)
9/5 – Saratoga Springs, NY @ SPAC (co-headlining shows with Tedeschi Trucks Band)
9/6 – Mansfield, MA @ Xfinity Center (co-headlining shows with Tedeschi Trucks Band)
9/9 – Chicago, IL @ Huntington Bank Pavilion (co-headlining shows with Tedeschi Trucks Band)
9/10 – Clarkston, MI @ Pine Knob Music Theater (co-headlining shows with Tedeschi Trucks Band)

Allman Brothers Albums Ranked

Their long, complicated history isn’t always an easy one to navigate.

Gallery Credit: Michael Gallucci

Warren Haynes Remembers the Allman Brothers Band

Complete List Of Tool Songs From A to Z

Complete List Of Tool Songs From A to Z

Feature Photo: Lugnuts, CC BY-SA 4.0 , via Wikimedia Commons

When Tool first emerged from the underground Los Angeles music scene in the early 1990s, they were a band shrouded in mystery, yet their sound was anything but subtle. Formed by vocalist Maynard James Keenan, guitarist Adam Jones, bassist Paul D’Amour, and drummer Danny Carey, the band’s unique blend of progressive metal, alternative rock, and artistic visuals captured audiences in a way that few bands could. With a focus on challenging musical norms and exploring complex themes, Tool quickly became synonymous with intellectual and experimental approaches to rock music.

The band’s journey began in 1990, with members coming from diverse artistic and professional backgrounds. Adam Jones, a skilled visual effects artist, brought a cinematic quality to Tool’s imagery, while Keenan’s haunting voice and enigmatic stage presence added an otherworldly depth. Their first official release, the Opiate EP in 1992, introduced their aggressive and raw energy, paving the way for their groundbreaking debut album, Undertow (1993). This album featured singles like “Sober” and “Prison Sex,” which drew attention for their dark, introspective lyrics and heavy instrumentation. Both the songs and their visually striking music videos began to solidify Tool’s reputation as a band unafraid to tackle uncomfortable topics.

In 1995, bassist Paul D’Amour left the group, citing creative differences, and was replaced by Justin Chancellor, whose intricate bass lines brought new dimensions to Tool’s sound. This lineup proved crucial for their second album, Ænima (1996), a record that marked their rise to mainstream prominence. Produced by David Bottrill, Ænima delivered hits like “Stinkfist” and “Forty Six & 2,” and earned the band their first Grammy Award for Best Metal Performance. The album was a commercial and critical success, showcasing their ability to blend intense heaviness with philosophical depth.

Tool’s third album, Lateralus (2001), cemented their place as one of the most innovative rock bands of the era. A masterpiece of progressive metal, the album explored themes of human consciousness, spiritual growth, and the infinite. Tracks like “Schism” and the title song “Lateralus” exemplified their intricate compositions, with shifting time signatures and deeply layered instrumentation. Lateralus debuted at number one on the Billboard 200 and earned Tool another Grammy Award for Best Metal Performance.

In 2006, they followed with 10,000 Days, an album filled with personal and emotional storytelling. Songs like “Vicarious” and “The Pot” delved into themes of mortality and societal disconnection. Despite their success, Tool maintained an air of mystique, rarely engaging in media appearances and allowing their music and visuals to speak for themselves. The album further showcased their dedication to artistic integrity, with elaborate packaging designed by Adam Jones himself.

After a 13-year hiatus, Tool returned with Fear Inoculum (2019), a highly anticipated album that pushed the boundaries of their signature style. The title track, which exceeded ten minutes in length, became the longest song ever to chart on the Billboard Hot 100. The album received widespread acclaim for its ambitious compositions, intricate musicianship, and philosophical themes, solidifying Tool’s status as legends of progressive metal.

Tool’s impact extends far beyond their music. Their live performances, featuring immersive visuals and intricate lighting, have become legendary. The band has earned numerous accolades, including four Grammy Awards, and their albums have sold millions of copies worldwide. Their refusal to conform to industry norms and their commitment to artistic exploration have endeared them to a fiercely loyal fan base.

Outside of music, members of Tool have pursued various creative endeavors. Adam Jones’s work in visual effects has contributed to films like Jurassic Park and Terminator 2: Judgment Day. Maynard James Keenan has developed a successful career as a winemaker, founding Caduceus Cellars, and has also ventured into acting and writing. These pursuits reflect the band’s ethos of pushing boundaries in all aspects of life.

Tool’s ability to merge technical mastery with profound emotional depth has earned them a place in the pantheon of great rock bands. Their unwavering dedication to innovation and authenticity ensures that their legacy will endure, inspiring generations of musicians and fans alike.

“(-) Ions”Ænima (1996)
“10,000 Days (Wings Pt 2)”10,000 Days (2006)
“4°”Undertow (1993)
ҮnemaӮnima (1996)
“Bottom”Undertow (1993)
“Cesaro Summability”Ænima (1996)
“Chocolate Chip Trip”Fear Inoculum (2019)
“Cold and Ugly”72826 (1991)
“Crawl Away”Undertow (1993)
“Culling Voices”Fear Inoculum (2019)
“Descending”Fear Inoculum (2019)
“Die Eier von Satan”Ænima (1996)
“Disgustipated”Undertow (1993)
“Disposition”Lateralus (2001)
“Eon Blue Apocalypse”Lateralus (2001)
“Eulogy”Ænima (1996)
“Faaip de Oiad”Lateralus (2001)
“Fear Inoculum”Fear Inoculum (2019)
“Flood”Undertow (1993)
“Forty Six & 2”Ænima (1996)
“H.”Ænima (1996)
“Hooker with a Penis”Ænima (1996)
“Hush”72826 (1991)
“Intension”10,000 Days (2006)
“Intermission”Ænima (1996)
“Intolerance”Undertow (1993)
“Invincible”Fear Inoculum (2019)

“Jambi”10,000 Days (2006)
“Jerk-Off”72826 (1991)
“Jimmy”Ænima (1996)
“LAMC”Salival (2000)
“Lateralus”Lateralus (2001)
“Legion Inoculant”Fear Inoculum (2019)
“Lipan Conjuring”10,000 Days (2006)
“Litanie contre la Peur”Fear Inoculum (2019)
“Lost Keys (Blame Hofmann)”10,000 Days (2006)
“Mantra”Lateralus (2001)
“Maynard’s Dick”Salival (2000)
“Message to Harry Manback”Ænima (1996)
“Message to Harry Manback II”Salival (2000)
“Mockingbeat”Fear Inoculum (2019)

“No Quarter”Salival (2000)
“Opiate”Opiate (1992)
“Parabol”Lateralus (2001)
“Parabola”Lateralus (2001)
“Part of Me”72826 (1991)
“Pneuma”Fear Inoculum (2019)
“Prison Sex”Undertow (1993)
“Pushit”Ænima (1996)
“Reflection”Lateralus (2001)
“Right in Two”10,000 Days (2006)
“Rosetta Stoned”10,000 Days (2006)

“Schism”Lateralus (2001)
“Sober”Undertow (1993)
“Stinkfist”Ænima (1996)
“Swamp Song”Undertow (1993)
“Sweat”Opiate (1992)
“The Gaping Lotus Experience”Opiate (1992)
“The Grudge”Lateralus (2001)
“The Patient”Lateralus (2001)
“The Pot”10,000 Days (2006)
“Third Eye”Ænima (1996)
“Ticks & Leeches”Lateralus (2001)
“Triad”Lateralus (2001)
“Undertow”Undertow (1993)
“Useful Idiot”Ænima (1996)
“Vicarious”10,000 Days (2006)
“Viginti Tres”10,000 Days (2006)
“Wings for Marie (Pt 1)”10,000 Days (2006)
“7empest”Fear Inoculum (2019)

Check out our fantastic and entertaining Tool articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Complete List Of Tool Band Members

Complete List Of Tool Albums And Discography

Top 10 Tool Songs

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

Complete List Of Tool Songs From A to Z article published on Classic RockHistory.com© 2025

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Wardruna fans! Order this exclusive 2LP Birna vinyl and signed art card bundle, only through the Metal Hammer store

Metal Hammer has teamed with Norwegian neofolk masters Wardruna to release a 2LP version of new album Birna that comes with an art card signed by the band.

The package is only available through the Louder webstore, so pick yours up now while stocks last!

Wardruna released the mystical Birna on January 24 via Music For Nations. The band’s sixth album, following 2021’s Kvitravn, takes its title from the Old Norse word for she-bear and celebrates the creature as a “warden of the forest”.

“Slowly driven out of her habitat by modern-day societies, she has entered a stage of permanent hibernation,” the band say. “As a result, the forest is gradually dying, longing for its pulse and heart – its shepherd. Birna calls for her return.”

When it came out, the album instantly won critical acclaim, including a glowing four-star review from Metal Hammer.

“More than 20 years after their inception, the band remain a genuine force of – and for – nature,” wrote journalist Alex Deller. “And Birna is a perfect, powerful statement whether you want to hibernate and hide from the terrors of the world or wake hungrily to face it anew.”

To promote Birna, Wardruna are currently touring Oceania, with future dates in the UK, Ireland and Norway set for the spring. See all of the band’s upcoming dates below.

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Wardruna architect Einar Selvik is interviewed in an upcoming issue of Metal Hammer. He gives the magazine his Life Lessons, learned not just during his two decades with Wardruna, but his early life in nature and brief career as a black metal musician.

“In Wardruna, we use something old to create something new,” he tells us. “That has always been the focus. We use instruments from the Stone Age, the Bronze Age, the migration period, the Viking Age and mediaeval times in a modern soundscape. It has always been about giving voice to parts of history that still carry relevance: learning from our past, rather than copying it.”

Wardruna vinyl with an art card

(Image credit: Future)

Wardruna 2025 tour dates:

Jan 27: Brisbane Fortitude Music Hall, Australia
Jan 30: Auckland Kiri Te Kanawa Theatre, New Zealand

Mar 17: Liverpool Philharmonic, UK
Mar 18: Birmingham Symphony Hall, UK
Mar 19: London Royal Albert Hall, UK
Mar 21: Bristol Beacon, UK
Mar 22: York Barbican, UK
Mar 23: Dublin 3Olympia Theatre, Ireland
Mar 25: Glasgow SEC Armadillo, UK

Apr 26: Oslo Operaen, Norway
Apr 27: Oslo Operaen, Norway
Apr 29: Trondheim Olavshallen, Norway
Mar 02: Kristiansand Kilden, Norway
May 03: Stavanger Konserthuset, Norway
May 04: Bergen Grieghallen, Norway

David Bowie’s Berlin Trilogy musicians reunite for European tour

David Bowie guitarist Carlos Alomar and bassist George Murray, who both played on Bowie’s celebrated ‘Beriln’ trilogy’ of albums, and formed two-thirds of the D.A.M. trio (drummer Dennis Davies sadly died from cancer in 2016), are to tour together for the first time since 1979 in celebration of those three iconic albums, Low, “Heroes” and Lodger.

The Carlos Alomar presents The D.A.M. Trilogy – Back To Berlin Tour 2025 kicks off in the German capital’s Metropol venue on November 7, just around the corner from the legendary West Berlin Hansa Studio where Bowie recorded the classic trilogy, before moving through Scandinavia, the Netherlands, France, Switzerland, Belgium the UK ending at Dublin’s Vicar Street on December 1.

“Where other bands have toured Bowie’s songs extensively since his passing, these songs haven’t been performed the way they were meant to be. Until now,” says Alomar. “The Spiders From Mars are well known, but the D.A.M. Trio remains rock and roll’s best-kept secret. It’s time to honour our legacy, including Dennis’s.

“The fans we’ve met along the way are the ones who have driven this. We feel obliged to do it because they’ve waited so long for us to return to these songs. This could very well be our last spin of Europe.”

The pair, who will be joined by Tin Machine and Bowie’s Live Aid guitarist, Kevin Armstrong, New York-based singer, Cunio, Tal Bergman (Chaka Khan, Joe Bonamassa, LL Cool J) on drums, Axel Tosca (George Clinton, Robert Glasper, Louie Vega) on keys and synths and Lea Lorien (Scissor Sisters, David Morales) providing backing vocals.

Tickets go on general sale on January 31 at 10am (GMT). You can see the full list of dates and ticket details below.

DAM Trio

(Image credit: Press)

Carlos Alomar presents The D.A.M. Trilogy Back to Berlin Tour 2025

Nov 7: GER Berlin Metropol
Nov 9: NOR Oslo Santrum Scene
Nov 11: SWE Gothenburg Lorensbergsteatern
Nov 12: SWE Malmo Slagthusets Teater
Nov 13: DEN Veji, Vejle Musikteater
Nov 15: NED Eindhoven Muziekgebouw
Nov 16: NED Utrecht Tivoli Vredenburg
Nov 18: SWI Zurich Volkshaus
Nov 19: FRA Pari, Casino De Paris
Nov 21: BEL Antwerp Stadsschouwburg
Nov 23: UK Sheffield Octagon
Nov 24: UK Liverpool Philharmonic
Nov 26: UK Glasgow The Old Fruitmarket City Halls
Nov 28: UK London Barbican
Nov 29: UK Bristol Beacon Hall
Decx 1: IRE Dublin Vicar St

Get tickets.

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“Two years ago, I was robbed in São Paulo. Two guys on motorcycles put a gun to my head”: Slipknot’s Eloy Casagrande explains the hidden meanings in his mask – including that gruesome bullet hole

Slipknot drummer Eloy Casagrande has explained the meanings behind the design of his mask.

Talking to the Modern Drummer podcast, the 33-year-old, who joined the nu metal nine-piece last spring, says that he designed his mask with founding percussionist Shawn ‘Clown’ Crahan.

The colour and linework jointly references Casagrande’s Brazilian heritage and Slipknot’s original drummer Joey Jordison, who was dismissed from the band in 2013 and died of undisclosed causes in 2021, age 46.

“The first thing [Clown] asked me at the beginning is like, ‘Can we have a white mask for you?’” says Casagrande (via Kerrang!). “The first thing to bring back Joey’s memory. Respect his legacy.

“And I made the suggestion to have, like, these black lines to remember the Brazilian indigenous people. You know, so it brings with me the Brazilian people, the Brazilian culture. But my expression, my face expression, this was designed by Clown. He was watching me playing without the mask and he said, like, ‘That’s the way you look when you’re playing Slipknot music. So we’re going to put that in your mask.’”

Casagrande goes on to explain arguably his mask’s most notable feature: that black bullet hole in the centre of his forehead. He reveals that it harks back to when he was mugged on the streets of his hometown São Paulo “two years ago”.

“I came with the idea of the bullet hole,” he explains. “Two years ago, I was robbed in São Paulo. I was walking in my neighbourhood, it was 9am, I was going to the gym, and two guys on motorcycles stopped me and they put a gun to my head and they asked me to give them my phone and my backpack. That was something that somehow changed a lot inside me. And he decided to not shoot. So I was lucky.”

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The drummer adds, “It’s also from the philosophy that… gives like the feeling of, you’re going to like me, you’re going to love what I do, you’re going to hate what I do, but I have nothing to lose. I’m already dead. That’s a way of feeling that gives me some kind of freedom when I go on stage. It’s very inspirational as well.”

Casagrande was named as Slipknot’s new drummer in April 2024, following months of speculation. The drummer’s predecessor, Jay Weinberg, was dismissed in November 2023 in what the band have described as a creative decision.

Shortly before his unveiling as Slipknot’s drummer, news broke that Casagrande had abruptly quit Brazilian extreme metal act Sepultura. He’d manned the kit for the four-piece for 13 years, before leaving just days ahead of the band starting rehearsals for their ongoing farewell tour. Greyson Nekrutman replaced him.

Slipknot have just finished a world tour celebrating the 25th anniversary of their self-titled debut album, where they performed the release in full every night. According to Clown, the band are now focussing on new music and the release of their long-anticipated “experimental” album Look Outside Your Window.

10 Best Musical Artists That Combine Rap And Rock

10 Best Musical Artists That Combine Rap And Rock

Feature Photo: ANSPressSocietyNews, CC BY-SA 2.0 , via Wikimedia Commons

The explosive collision of rap and rock has redefined music over the decades, producing a genre that thrives on rebellion, innovation, and unbridled energy. This fusion emerged not as a single movement but as a bold experiment by artists who dared to blend the storytelling grit of hip-hop with the ferocious instrumentation of rock. From the raw, unfiltered angst of nu-metal pioneers like Papa Roach to the genre-defying brilliance of the Red Hot Chili Peppers, rap-rock has created a musical space where boundaries dissolve, and creativity reigns supreme.

Combining the aggressive pulse of rock with the lyrical dexterity of hip-hop has birthed a genre that defies categorization and reshapes musical boundaries. Far from being confined to a single style, rap-rock emerged as a collision of cultural forces, bringing together artists from vastly different worlds to create something entirely unique. Bands like Run-D.M.C., Papa Roach, and the Beastie Boys illustrate this genre’s diversity and its capacity to connect with listeners across generations.

In the late 1980s, groups like Run-D.M.C. laid the groundwork for rap-rock’s rise by seamlessly blending the rhythmic beats of hip-hop with the driving guitar riffs of rock. Their iconic collaboration with Aerosmith on “Walk This Way” shattered barriers, paving the way for future artists to experiment with hybrid sounds. This early era of rap-rock served as an introduction to a powerful partnership that resonated on both sides of the musical spectrum, highlighting the shared energy and storytelling power of these genres.

By the 1990s, bands such as Rage Against the Machine took the foundation of rap-rock and transformed it into a platform for political and social commentary. Zack de la Rocha’s incendiary lyrics combined with Tom Morello’s innovative guitar work to create a visceral sound that rallied listeners against oppression and injustice. Rage Against the Machine’s music was not only a sonic revolution but also a call to action, showcasing the genre’s potential as a tool for empowerment and resistance.

Meanwhile, the nu-metal explosion brought acts like Papa Roach and Limp Bizkit to the forefront. These bands embraced a more emotionally charged and aggressive sound, channeling themes of alienation, mental health, and defiance. Tracks like “Last Resort” by Papa Roach and “Break Stuff” by Limp Bizkit captured the angst of a generation, turning rap-rock into anthems for those seeking an outlet for their frustrations. Their commercial success demonstrated the genre’s ability to dominate mainstream airwaves while remaining raw and unapologetic.

On the other end of the spectrum, the Beastie Boys introduced a playful, genre-blurring approach to rap-rock that celebrated its versatility. With their groundbreaking album Licensed to Ill and the genre-defining single “(You Gotta) Fight for Your Right (To Party!),” the Beastie Boys became pioneers, infusing humor and creativity into their music. Their career evolution, marked by innovative sampling and live instrumentation, reflected the endless possibilities of rap-rock as a constantly evolving art form.

Hollywood Undead brought a contemporary edge to the genre by combining rap, rock, and electronic influences. Their masked personas and theatrical performances made them stand out, while their lyrics addressed themes of resilience and self-expression. Similarly, Kid Rock carved his own path by infusing rap-rock with country and Southern rock elements, creating a distinctly American take on the genre. Tracks like “Bawitdaba” and “Cowboy” exemplify his ability to merge contrasting styles while maintaining a rebellious spirit.

The Red Hot Chili Peppers and Linkin Park further expanded the genre’s boundaries by incorporating funk, alternative rock, and electronic music. Linkin Park’s Hybrid Theory became a defining album of the 2000s, blending Chester Bennington’s raw vocals with Mike Shinoda’s rap verses to create a sound that resonated universally. The Chili Peppers, with their funk-infused anthems, added a layer of groove and soul to rap-rock, proving that the genre could be as diverse as the artists who embraced it.

Ultimately, rap-rock is a testament to music’s ability to transcend cultural and stylistic divides. These bands have redefined what it means to create art that is both confrontational and inclusive, uniting fans from all walks of life. With a rich history of innovation and collaboration, rap-rock continues to thrive as a genre that refuses to be pigeonholed, instead standing as a bold and ever-evolving force in music history.

# 10 – Papa Roach

Read More: Top 10 Papa Roach Songs

# 9 – Run D.M.C.

Read More: Top 10 Run-D.M.C. Songs

# 8 – Hollywood Undead

Read More: Johnny 3 Tears Of The Hollywood Undead: The ClassicRockHistory.com Interview

# 7 –  Crazy Town

Co-founded by vocalists Shifty Shellshock (Seth Binzer) and Bret “Epic” Mazur, in Los Angeles, California, in 1995, the band carved out a distinctive niche with their innovative blend of genres, combining hip-hop beats with heavy guitar riffs. Crazy Town’s origins were steeped in the energy of the 1990s alternative music explosion, and their diverse influences created a sound that stood out in the era of genre-bending experimentation.

The original lineup of Crazy Town featured Binzer and Mazur alongside a rotating cast of musicians, including DJ AM (Adam Goldstein) on turntables, Rust Epique on guitar, Doug “Faydoe Deelay” Miller on bass, and James Bradley Jr. on drums. Over the years, the band experienced numerous lineup changes, reflecting the challenges of maintaining a cohesive group amid the fast-paced music industry. Despite these shifts, the creative partnership between Binzer and Mazur remained the driving force behind the band’s vision and success.

Crazy Town’s breakthrough came with their debut album, The Gift of Game, released in 1999. The album’s standout track, “Butterfly,” became a global phenomenon in 2001, soaring to the top of the Billboard Hot 100 and securing international acclaim. Built around a sample of the Red Hot Chili Peppers’ “Pretty Little Ditty,” the song’s infectious melody and romantic lyrics captured the zeitgeist of the early 2000s, earning the band widespread recognition. While “Butterfly” remains their most iconic hit, other tracks from the album, such as “Toxic” and “Darkside,” showcased the band’s dynamic range and established their presence in the rap-rock scene.

The band’s follow-up album, Darkhorse (2002), sought to build on their initial success with a heavier and darker sound. Produced by Howard Benson, the album included tracks like “Drowning” and “Hurt You So Bad,” which received moderate success but failed to replicate the commercial impact of “Butterfly.” Despite its underwhelming sales, Darkhorse demonstrated the band’s commitment to evolving their sound and pushing creative boundaries.

Crazy Town released a third album, The Brimstone Sluggers, in 2015, following a lengthy hiatus. This record marked a return to their hip-hop roots and featured collaborations with artists like Tom Dumont of No Doubt and Bishop Lamont. Although it did not achieve significant commercial success, the album was well-received by fans and showcased the group’s resilience and adaptability.

Beyond their music, Crazy Town’s journey has been marked by both triumphs and challenges. Members have openly discussed personal struggles, including battles with addiction, which have shaped their music and connected them to fans on a deeply personal level. The tragic passing of DJ AM in 2009 was a profound loss for the band and the music community at large, underscoring the fragility of life in the entertainment industry.

While Crazy Town has not amassed a long list of awards, their influence on the rap-rock genre and their ability to create a cultural touchstone with “Butterfly” have secured their legacy. Their music remains a nostalgic reminder of an era defined by experimentation and genre crossovers, and their story serves as a testament to perseverance and artistic reinvention.

Crazy Town’s enduring appeal lies in their fearless approach to blending disparate musical elements and their willingness to confront personal and professional challenges head-on. With a career spanning decades, they continue to hold a unique place in the annals of alternative music history, remembered for their infectious energy and groundbreaking sound.

Read More: Complete List Of Crazy Town Band Members

# 6 – Kid Rock

Read More: Top 10 Kid Rock Songs

# 5 – Beastie Boys

What began as a scrappy New York City punk band in the early 1980s quickly transformed into a cultural phenomenon when the Beastie Boys, led by Michael “Mike D” Diamond, Adam “MCA” Yauch, and Adam “Ad-Rock” Horovitz, pioneered a genre-blending approach to hip-hop that defied convention and resonated across generations.

Originally formed in 1981 as a hardcore punk band, the group included Michael “Mike D” Diamond, Adam “MCA” Yauch, John Berry, and Kate Schellenbach. By 1983, Berry and Schellenbach had departed, and the lineup solidified with Adam “Ad-Rock” Horovitz joining Mike D and MCA. This trio became the iconic lineup that would propel the Beastie Boys to global fame.

The transition from punk to hip-hop began with their single “Cooky Puss,” which hinted at the fusion of genres that would define their career. Their big break came in 1985 when they signed with Def Jam Recordings, co-founded by Russell Simmons and Rick Rubin. Rubin’s production on their debut album, Licensed to Ill (1986), played a significant role in its monumental success. Featuring the groundbreaking single “(You Gotta) Fight for Your Right (To Party!),” the album became the first rap record to top the Billboard 200, cementing the Beastie Boys as pioneers in the genre.

Over the course of their career, the Beastie Boys released eight studio albums, each showcasing their evolving artistry. Their second album, Paul’s Boutique (1989), marked a dramatic shift in style, incorporating intricate sampling and eclectic influences. Though initially met with mixed reviews, it has since been hailed as a masterpiece of hip-hop production. Subsequent albums like Check Your Head (1992) and Ill Communication (1994) highlighted their ability to seamlessly blend live instrumentation with rap, delivering hits such as “So What’cha Want” and “Sabotage.” The latter, accompanied by an iconic Spike Jonze-directed music video, showcased their playful yet rebellious spirit.

The Beastie Boys’ influence extended beyond music charts. They received numerous accolades, including three Grammy Awards, and their albums Licensed to Ill and Paul’s Boutique were inducted into the Grammy Hall of Fame. They also earned critical acclaim for their ability to experiment with various genres while remaining true to their roots. Tracks like “Intergalactic” from Hello Nasty (1998) displayed their continued relevance and creativity, earning them a Grammy for Best Rap Performance.

In addition to their musical achievements, the Beastie Boys were known for their activism and philanthropy. Adam Yauch, in particular, was a passionate advocate for Tibetan independence, organizing the Tibetan Freedom Concert series in the late 1990s. The group also contributed to social and environmental causes, leveraging their platform to raise awareness and funds.

Tragically, Yauch passed away in 2012 after a battle with cancer, marking the end of the Beastie Boys as a performing group. Their legacy, however, remains unparalleled, with their influence evident in the work of countless artists across genres. In 2014, they were inducted into the Rock and Roll Hall of Fame, a testament to their groundbreaking contributions to music.

Read More: Top 10 Beastie Boys Songs

# 4 – Rage Against The Machine

Read More: Top 10 Rage Against the Machine Songs

# 3 – Limp Bizkit

Limp Bizkit stormed out of Jacksonville, Florida, in the mid-1990s with a blend of rap, rock, and an unapologetically brash attitude that catapulted them to the forefront of the nu-metal movement. The band was founded in 1994 by Fred Durst (vocals), Sam Rivers (bass), and John Otto (drums), later joined by guitarist Wes Borland and turntablist DJ Lethal. This lineup quickly established their reputation for high-energy performances and a sound that fused heavy guitar riffs with hip-hop beats. Limp Bizkit’s emergence on the music scene coincided with the rise of alternative rock, creating fertile ground for their aggressive yet infectious sound.

The group’s debut album, Three Dollar Bill, Y’all, released in 1997, introduced their audacious style to the world. Produced by Ross Robinson, the album included tracks like “Counterfeit” and a cover of George Michael’s “Faith,” which became an unexpected hit and showcased their knack for reimagining familiar songs with an edgy twist. Although their first album laid the groundwork, it was the 1999 follow-up, Significant Other, that propelled them into the mainstream. Featuring chart-topping singles like “Nookie,” “Re-Arranged,” and “Break Stuff,” the album debuted at number one on the Billboard 200 and solidified Limp Bizkit as one of the defining bands of the late 1990s.

Building on their momentum, Limp Bizkit released Chocolate Starfish and the Hotdog Flavored Water in 2000, an album that became a cultural phenomenon. Hits like “My Way,” “Rollin’ (Air Raid Vehicle),” and “My Generation” dominated radio airwaves and music video channels, with the album selling over one million copies in its first week. This period saw the band at the peak of their fame, headlining massive tours and festivals, including a controversial performance at Woodstock ‘99, which cemented their reputation as provocateurs.

As the 2000s progressed, the band experienced turbulence. Wes Borland left the group in 2001, citing creative differences, but later returned in 2004. Albums like Results May Vary (2003) and The Unquestionable Truth (Part 1) (2005) received mixed critical responses and marked a departure from their earlier commercial success. Despite these challenges, Limp Bizkit’s dedicated fanbase kept them relevant, and they maintained a strong presence in the rock world.

After a hiatus, Limp Bizkit returned with Gold Cobra in 2011, a project that reunited the original lineup. The album demonstrated their ability to evolve while staying true to their roots, with tracks like “Shotgun” reviving their signature sound. In 2021, they released Still Sucks, an album that showcased their willingness to embrace humor and self-awareness, while experimenting with their music to appeal to both loyal fans and new audiences.

Limp Bizkit’s influence extends beyond their discography. The band played a pivotal role in popularizing nu-metal, paving the way for countless artists who sought to blend genres. Their larger-than-life persona and outspoken frontman Fred Durst became emblematic of late-1990s rock culture, with their music often serving as a soundtrack for a rebellious generation.

Beyond music, members of Limp Bizkit have contributed to film, philanthropy, and other creative endeavors. Fred Durst ventured into directing, helming films such as The Education of Charlie Banks and The Fanatic, further showcasing his artistic range. The band also made headlines for their charitable efforts, including performances to support disaster relief and community initiatives.

Read More: Our 10 Favorite Limp Bizkit Songs

# 2 –  Linkin Park

Linkin Park, a trailblazing band that emerged from Agoura Hills, California, in 1996, forged a unique identity by merging alternative rock, nu-metal, and electronic music into a genre-defying sound. Founded by Mike Shinoda, Brad Delson, and Rob Bourdon during their high school years, the group later solidified its lineup with the addition of Dave “Phoenix” Farrell, Joe Hahn, and iconic vocalist Chester Bennington in 1999. Bennington’s arrival proved pivotal, with his emotionally charged voice complementing Shinoda’s rap-infused delivery, setting the stage for the band’s meteoric rise. This eclectic synergy became the backbone of Linkin Park’s distinct musical identity.

The band’s breakthrough came with their debut album, Hybrid Theory (2000), an era-defining record that captured the angst and alienation of a generation. Produced by Don Gilmore and recorded in NRG Recording Studios in North Hollywood, the album featured colossal hits like “In the End,” “Crawling,” and “One Step Closer.” Hybrid Theory sold over 27 million copies globally, earning diamond certification in the United States and multiple Grammy nominations. Their Grammy win for Best Hard Rock Performance for “Crawling” further cemented their status as a transformative force in modern music.

Linkin Park’s sophomore effort, Meteora (2003), expanded their sonic horizons, blending orchestral elements with their signature aggressive style. Hits like “Numb,” “Somewhere I Belong,” and “Breaking the Habit” dominated the airwaves and charts, with Meteora debuting at number one in several countries. The band toured extensively, becoming a global phenomenon while also organizing the annual Projekt Revolution tour, which brought diverse artists together in a celebration of genre-crossing music.

In 2007, Linkin Park reinvented themselves with Minutes to Midnight, an album co-produced with Rick Rubin. This record marked a stylistic departure, emphasizing a more melodic and introspective approach. Tracks like “What I’ve Done” and “Shadow of the Day” demonstrated their versatility and won over new audiences. Subsequent albums like A Thousand Suns (2010) and Living Things (2012) showcased their fearless experimentation with electronic textures and political themes, further solidifying their reputation for reinvention.

Linkin Park’s relevance extended beyond music. They actively engaged in philanthropy through their nonprofit organization, Music for Relief, founded in response to the 2004 Indian Ocean tsunami. The initiative raised millions for disaster relief and environmental causes, highlighting the band’s commitment to global humanitarian efforts.

The band’s 2017 album, One More Light, displayed a poignant shift toward pop-oriented melodies, with tracks like “Heavy” addressing themes of vulnerability and resilience. Tragically, this album became Chester Bennington’s swan song, as the beloved frontman passed away later that year, leaving an irreplaceable void in the music world. Linkin Park subsequently entered a period of reflection, with the surviving members honoring Bennington’s legacy through tributes and their ongoing charitable work.

Over their career, Linkin Park amassed an impressive array of accolades, including two Grammy Awards, six American Music Awards, and five MTV Europe Music Awards, among many others. Their influence transcended genres, inspiring countless artists across rock, rap, and electronic music. Their ability to blend raw emotion with cutting-edge production and thought-provoking lyrics has made Linkin Park one of the most enduring and beloved bands of the 21st century.

Outside of music, members like Mike Shinoda pursued creative endeavors, with Shinoda releasing solo music and engaging in visual arts. The band’s commitment to pushing boundaries, both musically and culturally, ensured their place not only as rock icons but as artists who connected deeply with fans across the globe.

Read More: Top 10 Linkin Park Songs

# 1 – Red Hot Chili Peppers

The Red Hot Chili Peppers emerged from the vibrant Los Angeles music scene in the early 1980s, bringing a unique blend of funk, punk, and rock that would redefine the sound of alternative music. The band was formed in 1982 by Anthony Kiedis (vocals), Flea (bass), Hillel Slovak (guitar), and Jack Irons (drums), with all four members initially bonding over their shared love of experimental sounds and high-energy performances. Early on, the Chili Peppers became known for their raw stage presence, which often included eccentric antics and improvisational musical arrangements, setting them apart from other bands of the era.

The group’s self-titled debut album, The Red Hot Chili Peppers (1984), produced by Gang of Four’s Andy Gill, introduced their infectious fusion of funk and punk. However, it was their later collaborations with producer George Clinton on Freaky Styley (1985) that began to cement their signature sound. Following the tragic death of Slovak in 1988, the band underwent significant lineup changes, with John Frusciante taking over as guitarist and Chad Smith joining as drummer—a combination that would help define their most commercially successful era.

The release of Mother’s Milk (1989) marked the band’s first significant breakthrough, featuring hits like “Knock Me Down” and a cover of Stevie Wonder’s “Higher Ground.” However, it was the 1991 album Blood Sugar Sex Magik, produced by Rick Rubin, that catapulted the Red Hot Chili Peppers to global fame. The album’s chart-topping singles, including “Under the Bridge” and “Give It Away,” showcased the band’s ability to combine emotionally resonant lyrics with infectious grooves. The album sold over 13 million copies worldwide and earned them their first Grammy Award for Best Hard Rock Performance with Vocal for “Give It Away.”

Despite their success, the band faced internal challenges, with Frusciante departing in 1992 due to struggles with addiction. After experimenting with different guitarists, including Dave Navarro on One Hot Minute (1995), Frusciante returned in 1998, reigniting the band’s creative chemistry. This reunion resulted in Californication (1999), a critical and commercial triumph that included iconic tracks such as “Scar Tissue,” “Otherside,” and the title track. The album further solidified their status as one of the most influential bands in modern rock, winning multiple Grammy Awards, including Best Rock Song for “Scar Tissue.”

The 2000s brought continued success with albums like By the Way (2002) and Stadium Arcadium (2006), the latter earning the band four Grammy Awards, including Best Rock Album. Their ability to evolve musically while maintaining their core identity resonated with fans across generations. Hits like “Can’t Stop,” “Dani California,” and “Snow (Hey Oh)” demonstrated their enduring relevance in an ever-changing music industry.

Beyond their chart dominance, the Red Hot Chili Peppers have left an indelible mark on music culture. They were inducted into the Rock and Roll Hall of Fame in 2012, a testament to their decades-long influence. Their activism, including support for environmental causes and music education initiatives, highlights their commitment to giving back to their community. Flea, in particular, has been an outspoken advocate for music programs in schools, reflecting the band’s belief in the transformative power of the arts.

With their 12th studio album, Unlimited Love (2022), and its follow-up, Return of the Dream Canteen (2022), the Chili Peppers have shown no signs of slowing down. These albums saw the return of Frusciante after another hiatus, rekindling the magic of their classic lineup. Decades into their career, the Red Hot Chili Peppers remain beloved not just for their music, but for their resilience, creativity, and willingness to push boundaries.

Read More: Top 10 Red Hot Chili Peppers Songs

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Complete List Of The Killers Songs From A to Z

10 minutes ago

Complete List Of The Killers Songs From A to Z

Feature Photo: Raph_PH, CC BY 2.0 , via Wikimedia Commons

Formed in Las Vegas, Nevada, in 2001, The Killers have become one of the most iconic bands of the 21st century. Comprised of lead vocalist and keyboardist Brandon Flowers, guitarist Dave Keuning, bassist Mark Stoermer, and drummer Ronnie Vannucci Jr., the band burst onto the scene with their debut album, Hot Fuss, in 2004. Known for their genre-blending sound that incorporates rock, pop, and synth-driven elements, The Killers have released seven studio albums to date: Hot Fuss (2004), Sam’s Town (2006), Day & Age (2008), Battle Born (2012), Wonderful Wonderful (2017), Imploding the Mirage (2020), and Pressure Machine (2021).

The Killers’ commercial success is matched by critical acclaim. They have sold over 28 million records worldwide and achieved chart-topping singles such as “Mr. Brightside” and “When You Were Young.” The band’s awards include multiple Grammy nominations, an American Music Award, and several BRIT Awards. Their anthems have become staples of modern rock, cementing their place as one of the defining bands of their generation. With a catalog of hits and deep cuts that explore themes of love, ambition, loss, and resilience, The Killers continue to captivate audiences worldwide.

Below is a complete list of songs by The Killers, presented alphabetically, including the album they appeared on and the album’s release date:

(A-D)

“¡Happy Birthday Guadalupe!”Don’t Waste Your Wishes (2009)
“A Crippling Blow”Human (B-side) (2008)
“A Dustland Fairytale”Day & Age (2008)
“A Great Big Sled”Don’t Waste Your Wishes (2006)
“A Matter of Time”Battle Born (2012)
“A White Demon Love Song”The Twilight Saga: New Moon soundtrack (2009)
“All the Pretty Faces”Sawdust (2006)
“All These Things That I’ve Done”Hot Fuss (2004)
“Andy, You’re a Star”Hot Fuss (2004)
“Battle Born”Battle Born (2012)
“Be Still”Battle Born (2012)
“Believe Me Natalie”Hot Fuss (2004)
“Bling (Confession of a King)”Sam’s Town (2006)
“Blowback”Imploding the Mirage (2020)
“Bones”Sam’s Town (2006)
“Boots”Don’t Waste Your Wishes (2010)
“Boy” – Non-album single (2022)
“Bright Lights” – Non-album single (2024)
“C’est La Vie”Imploding the Mirage (bonus track) (2021)
“Carry Me Home”Battle Born (bonus track) (2012)
“Caution”Imploding the Mirage (2020)
“Change Your Mind”Hot Fuss (2004)
“Christmas in L.A.”Don’t Waste Your Wishes (2013)
“Daddy’s Eyes”Sawdust (2006)
“Deadlines and Commitments”Battle Born (2012)
“Desperate”The Killers demo (2001)
“Dirt Sledding”Don’t Waste Your Wishes (2015)
“Don’t Shoot Me Santa”Don’t Waste Your Wishes (2007)
“Dying Breed”Imploding the Mirage (2020)

(E-I)

“Enterlude”Sam’s Town (2006)
“Everything Will Be Alright”Hot Fuss (2004)
“Exitlude”Sam’s Town (2006)
“Fire In Bone”Imploding the Mirage (2020)
“Flesh and Bone”Battle Born (2012)
“For Reasons Unknown”Sam’s Town (2006)
“Forget About What I Said”A Dustland Fairytale (B-side) (2008)
“From Here on Out”Battle Born (2012)
“Get Trashed”Smile Like You Mean It (B-side) (2005)
“Glamorous Indie Rock & Roll”Hot Fuss / Sawdust (new recording) (2004/2007)
“Goatsucker”Victims Fanclub (2009)
“Goodnight, Travel Well”Day & Age (2008)
“Have All the Songs Been Written?”Wonderful Wonderful (2017)
“Heart of a Girl”Battle Born (2012)
“Here with Me”Battle Born (2012)
“Human”Day & Age (2008)
“I Can’t Stay”Day & Age (2008)
“I Feel It in My Bones”Don’t Waste Your Wishes (2012)
“Imploding the Mirage”Imploding the Mirage (2020)

(J-M)

“Jenny Was a Friend of Mine”Hot Fuss (2004)
“Joel the Lump of Coal”Don’t Waste Your Wishes (2014)
“Joseph, Better You than Me”Don’t Waste Your Wishes (2008)
“Joy Ride”Day & Age (2008)
“Just Another Girl”Direct Hits (2013)
“Land of the Free” – Non-Album Single (2019)
“Leave the Bourbon on the Shelf”Sawdust (2007)
“Life to Come”Wonderful Wonderful (2017)
“Lightning Fields”Imploding the Mirage (2020)
“Losing Touch”Day & Age (2008)
“Midnight Show”Hot Fuss (2004)
“Miss Atomic Bomb”Battle Born (2012)
“Money on Straight”Wonderful Wonderful (Deluxe track) (2017)
“Move Away”Sawdust (2007)
“Mr. Brightside”Hot Fuss (2004)
“My God”Imploding the Mirage (2020)
“My List”Sam’s Town (2006)
“My Own Soul’s Warning”Imploding the Mirage (2020)

(N-S)

“Neon Tiger”Day & Age (2008)
“Oh Yeah, by the Way”Unknown demo (2002)
“On Top”Mr. Brightside EP / Hot Fuss (2003)
“Out of My Mind”Wonderful Wonderful (2017)
“Peace of Mind”Sam’s Town (10th Anniversary Edition) (2016)
“Prize Fighter”Battle Born (Bonus Track) (2012)
“Questions with the Captain”Sawdust (Hidden Track) (2007)
“Read My Mind”Sam’s Town (2006)
“Replaceable”The Killers demo (2001)
“Running Towards A Place”Imploding the Mirage (2020)
“Run for Cover”Wonderful Wonderful (2017)
“Runaways”Battle Born (2012)
“Rut”Wonderful Wonderful (2017)
“Sam’s Town”Sam’s Town (2006)
“Shot at the Night”Direct Hits (2013)
“Show You How”Sawdust (2005)
“Smile Like You Mean It”Mr. Brightside EP / Hot Fuss (2003)
“Some Kind of Love”Wonderful Wonderful (2017)
“Somebody Told Me”Hot Fuss (2004)
“Spaceman”Day & Age (2008)
“Spaceship Adventure”Yo Gabba Gabba! Music Is…AWESOME! Vol. 3 (2011)
“Sweet Talk”Sawdust (2007)

(T-Z)

“The Ballad of Michael Valentine”Sawdust (2004)
“The Calling”Wonderful Wonderful (2017)
“The Cowboys’ Christmas Ball”Don’t Waste Your Wishes (2011)
“The Man”Wonderful Wonderful (2017)
“The Rising Tide”Battle Born (2012)
“The Way It Was”Battle Born (2012)
“The World We Live In”Day & Age (2008)
“This Is Your Life”Day & Age (2008)
“This River Is Wild”Sam’s Town (2006)
“Tidal Wave”Spaceman (B-side) (2008)
“Tranquilize” (featuring Lou Reed) – Sawdust (2007)
“Tyson vs Douglas”Wonderful Wonderful (2017)
“Uncle Jonny”Sam’s Town (2006)
“Under the Gun”The Killers demo / Somebody Told Me (B-side/new recording) / Sawdust (2001/2004/2007)
“Waiting for Love”Unknown demo (2002)
“When the Dreams Run Dry”Imploding the Mirage (2020)
“When You Were Young”Sam’s Town (2006)
“Where the White Boys Dance”Sawdust (2007)
“Who Let You Go?”Mr. Brightside EP / Sawdust (2003)
“Why Do I Keep Counting?”Sam’s Town (2006)
“Wonderful Wonderful”Wonderful Wonderful (2017)
“Zombie Hands”Victims Fanclub (2009)

Check out our fantastic and entertaining The Killers articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Complete List Of The Killers Band Members

10 Best Songs From The Killers

Complete List Of The Killers Albums And Discography

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Read More: Classic Rock Bands List And Directory

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Brian Kachejian

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

It was darker than other bands but. It really got me to let go of the old and embrace the new”: The late 80s alt-metal album that Korn guitarist Head says accidentally invented nu metal

Few bands can legitimately lay claim to pioneering an entire new genre, but Korn are one of them. With their self-titled 1994 debut album, the band from Bakersfield, California single-handedly ushered in the nu metal movement which would go onto dominate the rest of the decade and the start of the next one.

But nothing exists in a vacuum, and even trailblazers need inspiration. For the members of Korn, their sound was shaped by a melting pot of metal, hip hop and funk. But there was one classic late 80s alternative metal album that did more than any other to open up the future Korn members’ minds to different styles and sounds.

Speaking to Metal Hammer in 2019, Korn guitarist Brian ‘Head’ Welch looked back on the late 80s – a time when the burgeoning alternative scene was sneaking up behind the all-pervasive glam metal movement. Head admitted that, a few years before he co-founded Korn in 1993, he was still enamoured with late 80s hard rock.

“I didn’t want to let go of Whitesnake and all these bands that had huge guitar parts, because I was a guitarist too and I loved all that stuff,” he confessed.

But there was one album that changed everything for him and his future bandmates. Formed in San Francisco in 1979, Faith No More had cycled through countless members and styles before settling on the post-punk-inspired proto-funk metal style of their self-titled 1985 debut album and 1987’s Introduce Youself. But everything changed when the band replaced singer Chuck Moseley with 20-year-old wunderkind singer Mike Patton in 1989. The first album the new line-up made was 1989’s The Real Thing – a genre-mashing alt-metal classic and the album Head said changed his and his Korn bandmates’ lives.

“All the guys in Korn changed after they heard The Real Thing,” Head told Metal Hammer. “It turned them from being the Mötley Crüe guys into something more alternative. Hearing Faith No More for the first time though, I really felt something. It was darker than other bands you’d hear at the time like Red Hot Chili Peppers, but also had this incredibly cool bass sound that really got me to let go of the old and embrace the new. I caught the vision for where music could go and where we could go later even though it came out long before Korn were a band.

“They didn’t fit in completely with anybody,” he continued. “Sure, they’d got the alternative thing going on, but they’d also got these thrash metal guitars they’d picked up being around the scene with bands like Metallica. That’s what I loved about it – it was guitar focused, but there weren’t too many leads getting in the way.”

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Thanks to singles such as early rap-metal anthem Epic and the keyboard propelled From Out Of Nowhere, The Real Thing got Faith No More onto MTV. Along with fellow mavericks Jane’s Addiction, FNM would crack open the door for what would soon be christened ‘alternative rock’, allowing it a way into the mainstream – something that exploded with the release of Nirvana’s Nevermind in 1991.

Korn themselves never hid the influence The Real Thing had on them, taking Faith No More’s funk-inspired grooves and hip hop swagger and putting a darker, more angsty spin on it.

“Even now, if I had to explain what influences go behind what we do in Korn, I’d pick a song like The Real Thing, 100 per cent.” said Head. ‘The way the song starts, with that opening drumbeat and those keys, really reminds me of Blind. And that vocal line! Its perfection, man. All minor music with this bright vocal – ‘I know the feeling/it is the real thing’ is just perfection to me. I’m sad that I’ve never met those guys – I know James [Munky] and Jonathan [Davis, Korn singer] have. We were supposed to go on tour with them before COVID hit and I really hope we actually get to do that some day.”

“I was shocked when I found out Demis Roussos was in the band. I had to convince a friend that it was really him”: Maxine Peake’s prog adventures with Aphrodite’s Child, Gong, Hawkwind and mushrooms

Maxine Peake made her name in TV shows Dinnerladies, Shameless and Silk. The award-winning actress has also appeared in Black Mirror, See No Evil: The Moors Murders and Say Nothing. In 2012 she told Prog how she’d discovered Aphrodite’s Child, Gong, Hawkwind and others, and what she’d learned from watching prog performances.


In our house, there wasn’t much music. My mum was into Billy Joel and Frank Sinatra and my dad liked Randy Crawford and The Drifters. Then there was the New Romantic scene, which I didn’t really like. So I was always looking for something different.

Me and my mates from school all used to go to a pub in Bolton called The Boar’s Head, and there was a lad there called Gaff. He looked different to the rest of them – dressed all in denim, with long hair, a little goatee beard and desert boots. And on the back of his denim jacket he had a picture of Angel’s Egg by Gong.

I had no idea who Gong were, but I was fascinated by him. One night I went over and he starting telling me about them. So the next day I went down to X-Records in Bolton and bought myself a copy, then went home and put it on. It was like, ‘Bloody hell! What’s this?’ I’d never heard anything like it before.

There was a heavy metal scene at a club we used to go to called Sparrows. And there was a kind of offshoot of that, led by Hippie Darren and Hippie Steve, who shared a flat just outside the town centre. My friend Karen used to knock about with Hippie Darren and we’d go to their flat and take magic mushrooms.

They opened me up to more Gong and Hawkwind, and we used to watch old episodes of Star Trek on VHS. It was summertime as well – I always thought prog was something best listened to in the summer. There was a certain romanticism about it.

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As a kid I’d always been fascinated by folklore and fairies and pixies; that idea of other worlds. And that’s what I think prog did: it opened up a different world. There were elements of English folklore, nature and a sense of spirituality about it too. And there was a great theatrical side to prog, which encouraged you to use your imagination. You can let it run wild – even without taking magic mushrooms!

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I became fascinated with the sound of those records. I’d listen to Hawkwind, but didn’t really get into the whole manifesto side of the band. I last saw them a few years ago at the Green Man Festival. Everyone was flocking to the main stage to see Wilco, but we were off to see Hawkwind do their thing. It was hilarious! The songs went on forever but they were brilliant. They had all the girls in their white outfits and everything. It was very prog, almost on a Spinal Tap level.

Did Irene Papas really have an orgasm on that track? My God, she’s brave!

Aphrodite’s Child’s 666 is one of my favourite records. I discovered it five or six years ago and was shocked when I found out Demis Roussos was in the band. I had to convince a friend of mine that it was really him. One of the songs – I think it’s Ofis – sounds like a Greek version of Mark E Smith. Some of it’s almost too weird, then it suddenly breaks into a great rock song with melodies.

I’ve recently been doing a radio play over in Saddleworth, so I’ve been listening to 666 again while driving over the moors. I nearly ended up crashing a few times! But some of the poetry in it is beautiful and I really admire the actress [Irene Papas] who does her thing on Infinity. Did she really have an orgasm on that track? My God, she’s brave! There’s another one like that on The Pretty ThingsSF Sorrow. Prog quite liked those kinds of songs, with women getting very – well, over-excited!

Yamasuki Singers – Aieaoa – YouTube Yamasuki Singers - Aieaoa - YouTube

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I can’t remember where I heard about this great Yamasuki Singers album, Le Monde Fabuleux Des Yamasuki. It’s from 1971 and happened when two French guys [Daniel Vangarde and Jean Kluger] got a children’s choir together, a bit like the Langley Schools Music Project, but then you have this sumo wrestler shouting on it too. It sounds like it should be a disaster, but it really works. Somebody told me that Bananarama did a cover of one these songs [Aie a Mwana].

They say everyone has some kind of singing voice – not me!

Then there’s Louise Huebner’s Seduction Through Witchcraft [1969]. I suppose this is linked into the Eccentronic Research Council album [1612 Underture, a multimedia piece about the Pendle Witches, featuring Peake, Adrian Flanagan and Dean Honer], because she talks about witchcraft and the power of the female.

A lot of it is spells; there’s one for a full moon rising that includes a splash of olive oil. Some of it’s very strange, but she’s got a very lovely, sexy voice. Which you could never say about mine. They say everyone has some kind of singing voice – not me!

The Isis Full Moon Rising for Magical Protection – YouTube The Isis Full Moon Rising for Magical Protection - YouTube

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Another band was Wicked Lady, who were a three-piece from Northampton. Very big with Hells Angels, apparently. The Axeman Cometh [recordings from 1968 to ’72] is quite heavy and hardcore. One of the band members was called ‘Mad’ Dick Smith and he did end up in an institution. Some of the stuff about them is priceless. Martin Weaver, the singer, says: ‘Yes, I did punch an A&R man, but only because he said my girlfriend had legs like a footballer.’

The best musicians are those who manage to get a bit of their soul over to you

Is there a connection between the theatricality of prog and being an actress? I think so. It’s that same leap of imagination.I saw Bo Ningen recently in Manchester and had an epiphany while I was watching them. Without being pretentious, the best musicians are those who manage to get a bit of their soul over to you. And as an actor, you can learn about theatre from live performance.

Watching Bo Ningen was like watching creatures from a different planet. They had so much presence and it was very theatrical. There’s something about the raw power you get from a band that you can use as an actor – depending on the play, of course. It might not work quite as well with Noël Coward!