“Today will be my final gig with Iron Maiden.” Iron Maiden drummer Nicko McBrain retires from band after 42 years

Nicko McBrain behind a drum kit

(Image credit: Getty Images)

Nicko McBrain, the beloved longtime drummer of Iron Maiden, has announced he is officially taking a step back from the band, retiring from live duties following the final show of their current Future Past tour, which takes place tonight in Sao Paulo, Brazil.

A statement from McBrain on the band’s official website reads: “After much consideration, it is with both sorrow and joy, I announce my decision to take a step back from the grind of the extensive touring lifestyle. Today, Sat, Dec 7th, Sao Paulo will be my final gig with Iron Maiden. I wish the band much success moving forward.

“I will, however, remain firmly part of the Iron Maiden family working on a variety of projects, my long time managers, Rod Smallwood and Andy Taylor, have in mind for me. I’ll also be working on a variety of different personal projects and focusing on my existing businesses and ventures, including The British Drum Company, Nicko McBrain’s Drum One, Titanium Tart, and of course, Rock-N-Roll Ribs!

“What can I say? Touring with Maiden the last 42 years has been an incredible journey! To my devoted fan base, you made it all worthwhile and I love you! To my devoted wife, Rebecca, you made it infinitely easier and I love you! To my kids, Justin and Nicholas, thank you for understanding the absences and I love you! To my friends that are always there for me, I love you! To my bandmates, you made it a dream come true and I love you!

“I look into the future with much excitement and great hope! I’ll be seeing you soon, may God bless you all, and, of course, ‘Up the Irons!'”

“Thank you for being an irrepressible force behind the drum kit for Maiden for 42 years and my friend for even longer,” says Iron Maiden manager Rod Smallwood in an additional statement. “I speak on behalf of all the band when I say we will miss you immensely!

“Ever since Rock in Rio in 1985 we have had a special relationship with Brazil so to bow out of touring in front of 90,000 fans here in Sao Paulo over 2 nights is poetic and you are deserving of all the accolades I am sure these marvellous fans will give you on this last show.

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“Phantom look forward to many more years of working with you on the projects you mentioned and I am sure we can find a few more special ones around the Maiden family and FC!

T”he band and I all have a thousand great memories of the past 42 years, great gigs, copious platinum and gold discs and awards, love from the fans and one beer too many on too many occasions! Such a bond is forever! And, as Steve Harris says, ‘Nicko is and will always be part of the Maiden family’.

“Rod, Andy, Steve, Bruce, Davey, Adrian & Jan.”

McBrain, who joined Iron Maiden in 1982 to replace outgoing drummer Clive Burr, had continued to play with the band despite suffering a stroke in January of last year that initially left him paralysed on his right side. As of yet, it has not been confirmed who will replace McBrain in the band’s live shows, with their epic Run For Your Lives world tour set to kick off next year.

McBrain joining Maiden helped to complete what many consider to be the band’s definitive early lineup, performing on 14 studio albums starting with 1983’s Piece Of Mind and appearing on every album and world tour since up to and including Maiden’s most recent full-length, 2021’s Senjutsu. Prior to Maiden he had drummed for a number of other bands including French rockers Trust, and has since worked in numerous side projects including the aforementioned Titanium Tart.

Iron Maiden Run For Your Lives 2025 world tour dates

May 27: Budapest Aréna, Hungary *
May 28: Budapest Aréna, Hungary *
May 31: Prague Letnany Airport, Czech Republic *
Jun 01: Bratislava TIPOS Arena, Slovakia *
Jun 05: Trondheim Rocks, Norway ≠
Jun 07: Stavanger SR-Bank Arena, Norway *
Jun 09: Copenhagen Royal Arena, Denmark *
Jun 12: Stockholm 3Arena, Sweden *
Jun 13: Stockholm 3Arena, Sweden *
Jun 16: Helsinki Olympic Stadium, Finland *
Jun 21: Birmingham Utilita Arena, UK ^
Jun 22: Manchester Co-op Live, UK ^
Jun 25: Dublin Malahide Castle, Ireland *^
Jun 28: London Stadium, UK *^
Jun 30: Glasgow OVO Hydro, UK ^
Jul 03: Belfort Eurockéennes, France ≠
Jul 05: Madrid Estadio Cívitas Metropolitano, Spain **
Jul 06: Lisbon MEO Arena, Portugal **
Jul 09: Zurich Hallenstadion, Switzerland **
Jul 11: Gelsenkirchen Veltins-Arena, Germany **
Jul 13: Padova Stadio Euganeo, Italy **
Jul 15: Bremen Bürgerweide, Germany **
Jul 17: Vienna Ernst Happel Stadium, Austria **
Jul 19: Paris Paris La Défense Arena, France **
Jul 23: Arnhem GelreDome, Netherlands **
Jul 25: Frankfurt Deutsche Bank Park, Germany **
Jul 26: Stuttgart Cannstatter Wasen, Germany **
Jul 29: Berlin Waldbühne, Germany **
Aug 02: Warsaw PGE Narodowy, Poland **

* = Halestorm support
^ = The Raven Age support
** = Avatar support
≠ = Festival date

Merlin moved into his role as Executive Editor of Louder in early 2022, following over ten years working at Metal Hammer. While there, he served as Online Editor and Deputy Editor, before being promoted to Editor in 2016. Before joining Metal Hammer, Merlin worked as Associate Editor at Terrorizer Magazine and has previously written for the likes of Classic Rock, Rock Sound, eFestivals and others. Across his career he has interviewed legends including Ozzy Osbourne, Lemmy, Metallica, Iron Maiden (including getting a trip on Ed Force One courtesy of Bruce Dickinson), Guns N’ Roses, KISS, Slipknot, System Of A Down and Meat Loaf. He has also presented and produced the Metal Hammer Podcast, presented the Metal Hammer Radio Show and is probably responsible for 90% of all nu metal-related content making it onto the site. 

“I’m told that I introduced Ozzy to cocaine when Black Sabbath opened for Mountain on their first American tour”: Leslie West’s wild tales of Ozzy Osbourne, Mick Jagger, Jimi Hendrix and Tom Hanks

“I’m told that I introduced Ozzy to cocaine when Black Sabbath opened for Mountain on their first American tour”: Leslie West’s wild tales of Ozzy Osbourne, Mick Jagger, Jimi Hendrix and Tom Hanks

Mountain singer and guitarist Leslie West posing for a photograph with a guitar in 2009

(Image credit: Paul Natkin/Getty Images)

Whether it was appearing at Woodstock, playing with The Who, partying with Ozzy Osbourne, Mick Jagger or David Bowie or being asked to audition for The Rolling Stones,, Mountain singer and guitarist Leslie West was a larger than life character in every respect. In 2009, Classic Rock sat down with West – who died in 2020 – for the magazine’s Ever Met Hendrix? feature, in which musicians looked back at some of their most memorable encounters with the great and good of rock’n’roll and beyond. He may have slimmed down by that point, but his contact book remained as hefty as ever.

Lightning bolt page divider

Jack Bruce

Jack Bruce is my favourite bass player and singer in the world and I got to form a band [West, Bruce & Laing] with him. At a Mountain show at the Fillmore, the Jack Bruce Band were our opening act. Felix [Pappalardi, Mountain bassist/co-vocalist] – who’d produced Cream – introduced me to Jack, who I think was pissed that he wasn’t headlining.

Later, when Mountain weren’t doing so well drug-wise and Felix had decided he was going to leave, Corky [Laing, Mountain drummer] had a few choices of bassist that we were considering approaching. With my heart in my mouth, I called Jack and we got together to play some Cream and Mountain songs at Island Studios in London. The funny thing was that Paul Rodgers and Overend Watts [Mott The Hoople bassist] were there too. Corky and I recorded with them. It wasn’t until later that I realised maybe we came close to becoming Bad Company.


Ahmet Ertegun

Ahmet was a mad Turk. For a while we lived next door to one another in this ritzy area between Park Avenue and Lexington in Manhattan. Working for Atlantic Records, Ahmet knew everyone. One day my English housekeeper scolded one of Ahmet’s friends who’d dropped a candy wrapper or something in my stoop. The guy was Mick Jagger; that’s how we met. Ahmet once brought John Lennon to a birthday party of mine. I opened the door and John used the line from the song: “They say it’s your birthday”. It was quite a night.

Keith Moon

I hung out with Keith Moon a lot. He invited Jack [Bruce], Corky [Laing] and I to his house, which was surrounded by a huge wall. As we got closer we heard this gigantic noise. It was 1am and he was driving a hovercraft around the garden. The guy was completely nuts.

Corky once thought that I’d killed Keith. Moon had been at my house and gone over to Corky’s. Corky rings and asks accusingly: “What did you give Keith? He’s on the floor and turned blue.” I hadn’t given him anything, but to this day Corky doesn’t believe me. Turns out he’d been rooting around my bathroom for pills – who knows what was in there. They had to rush him to the hospital and pump out his stomach. He was a fucking lunatic. Nobody crazier in the world.

Once when I went into Track Records a journalist had been waiting for him for two hours for an interview. Finally Keith walked in covered from head to toe in bandages, looking like a mummy and claiming to have been hit by a bus. It wasn’t true, of course. Knowing he was late, he’d gone into Boots and taped himself up to make the writer feel sorry for him.

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Kit Lambert (The Who manager)

Keith Moon introduced me to Kit, who always had the best dope on the face of the earth. The heroin we had in New York was crap compared to Kit’s stuff. One day Kit called and asked if I was interested in playing on an album called Who’s Next. I asked if he was kidding but he was serious; Pete Townshend only wanted to play rhythm, with me playing lead.

So I was there at the Record Plant on Behind Blue Eyes, Won’t Get Fooled Again and the rest, with [producer] Jack Douglas behind the board. Unfortunately they re-did the album with Glynn Johns, but when the re-mastered edition came out you can hear me in the left speaker playing lead and Townshend on the right. What a thrill.

Mountain singer and guitarist Leslie West performing onstage in 1973

Mountain’s Leslie West onstage in 1973 (Image credit: Fin Costello/Redferns)

Jimi Hendrix

He was in the other studio making Band Of Gypsys when we were doing Mountain Climbing! [1970] at the Record Plant in New York. Felix [Pappalardi, Mountain bassist] told me to go and ask Jimi whether he’d like to listen to our album. Jimi heard Never In My Life and said: “Nice rhythm, man.”

The cover of Classic Rock magazine issue 119 (April 2008)

This feature originally appeared in Classic Rock magazine issue (Image credit: Future)

I went to see Steve Miller at a club called Ungano’s, and Hendrix asked whether I wanted to jam, but I had no gear. So we went back to my 36th Street loft, put some Marshall heads and Felix’s bass – because for some reason Jimi wanted to play bass – into the limo and went back to the club. We played some blues. There’s a photograph in which I look like I know what I’m doing; believe me, I was a nervous, punk-ass kid from Queens. But Jimi was a great guy, the opposite of his stage persona. He was very quiet and modest. I still don’t know why he wanted to play bass, and I never will.


Noel Redding

Noel played on some tracks for a Mountain boxed set. I always say he’s the most well-balanced guy in rock because he has a chip on both shoulders. Maybe he was different earlier on, but by the time we met… Jesus, he was always complaining about Jimi [Hendrix] having ripped him off.


Mick Jagger

Mick and I started hanging out – boy, I was glad I bought that house. I knew everybody used to ask Mick to sing on their albums, so when it came to my solo record, The Great Fatsby [1975], I asked if he’d like to play some guitar, as I knew Keith had taught him. Thrilled, he agreed to play on a song called High Roller, which is like Brown Sugar played backwards. Mick got a credit for writing it, but because he has a deal with Keith that they split everything 50-50, Keith is credited as well. That’s why the Stones are still together.

I was a bad boy back then and had some great dope. On one occasion, Mick told me he would come by later that night. I waited around and nothing happened. Then at 2am the doorbell rings, it’s Mick and David Bowie. David has orange hair and a green coat and they look pale as ghosts. They’d got my address wrong and gone all the way to Harlem – which ain’t a great walk back with a look like that.

At around that time, Mick suggested I audition for the Stones as they needed a guitar player. He advised me to fly over to Marseille where Keith was hanging out, knock on his door and tell him that I wanted to try out. I told Mick he had to be kidding, but he was serious. Anyway, I never did it and they got Ronnie Wood, who turned out to be a perfect fit.


Michael Schenker

I love Michael, but he’s definitely a strange one. We worked together [on the Schenker-Pattison Summit’s 2004 album The Endless Jam] and someday I’d like to do so again. But he has so many problems. We couldn’t tour together because he wasn’t allowed into America, and there were child-support payment issues. He was writing all this completely nuts stuff on the web. I’m hearing that he’s cleaned his act up and I hope that’s true, as last thing I knew he was fighting with his brother [Rudolf Schenker of the Scorpions] and involved in all these disastrous videos on YouTube. It would be great if he was sober again.


Tom Hanks

In 1986 I did a movie called The Money Pit. Tom helped me a lot. I had to dress up in a skirt and play a trans-dresser, he played my manager. The director, Richard Benjamin, kept shouting at me because he wanted me to get this certain look of dismay on my face. Tom yelled back at the director for yelling at me, and offered me some advice: to look at a certain part of the wall that was ahead of me and roll my eyes. Sure enough it worked. I’m so glad that he went on to become one of the biggest actors in the world.


Ozzy Osbourne

I’m told that I introduced Ozzy to cocaine when Black Sabbath opened for Mountain on their first American tour, but his road manager was the one that gave it to me. I remember Ozzy being so out of it that he took a dump in a Rolls-Royce owned by his manager Patrick Meehan, then tried to throw it out the window – not realising that it was still wound up. The mess went everywhere. Not too long ago we were on each other’s records [West appeared on Ozzy’s version of Mountain’s Mississippi Queen, Ozzy sang on Masters Of War, a tribute album to Bob Dylan]. No matter what’s written or said about him, Ozzy’s a real gentleman and one of the nicest people I’ve met in this business.

Masters Of War Ozzy version – YouTube Masters Of War Ozzy version - YouTube

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Joe Bonamassa

What a great guitar player and singer, man. Gregg Allman and I did a cut with him called If Heartaches Were Nickels, the three of us singing together. He was only about 16 years old but it was fantastic. Joe’s a very young guy but he plays like someone who’s been around for much, much longer.


Glenn Hughes

Glenn is living proof that you can beat your demons. I first knew him when he was in Trapeze, before he joined Deep Purple, and he’d be flying around trying to score cocaine from everyone. We hung out with our partners not too long ago at the Rock And Roll Fantasy Camp in New York. When you consider everything that Glenn put his body through down the years it’s amazing he’s still alive, let alone singing the way he does.


Edward Van Halen

That guy was such a big influence on me. In 1978, when I was going through withdrawal [from heroin] I moved to Milwaukee to escape all my temptations. I’d even stopped playing guitar. Seeing Edward was what rejuvenated my interest in the instrument. Van Halen were on a bill with Journey and Montrose. Ronnie Montrose said: “You must see this guy.” I was blown away. And we became great friends.

Eddie Van Halen x Mountain Unreleased Interview + Performance – YouTube Eddie Van Halen x Mountain Unreleased Interview + Performance - YouTube

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Years later Mountain were playing the House Of Blues in LA. In the afternoon we had an American Idol-style audition for a fan to sit in on guitar with me during the show. Eddie turned up. So I go on stage and tell the audience: “Some guys came down with their guitars this afternoon and we’ve picked a winner. And his name is… Edward Van Halen.” The place went into shock. It’s there on Mountain’s live DVD.

Originally published in Classic Rock 119, April 2008

Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Dave’s life was shaped in 1974 through the purchase of a copy of Sweet’s album ‘Sweet Fanny Adams’, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word ‘Br***ton’.

Nicko McBrain Says Tonight Will Be His Final Iron Maiden Concert

Nicko McBrain is about to play his last show with Iron Maiden.

The band’s longtime drummer, who suffered a stroke in January 2023 but returned to the road four months later, announced the news on the band’s official website: “After much consideration, it is with both sorrow and joy, I announce my decision to take a step back from the grind of the extensive touring lifestyle. Today, Sat, Dec 7th, Sao Paulo will be my final gig with Iron Maiden. I wish the band much success moving forward.”

McBrain joined Iron Maiden in 1982, first appearing on their 1983 album Piece of Mind. When he announced the news of his stroke, McBrain revealed that he wasn’t fully recovered yet, and was struggling with some of the band’s more complex material: “I unfortunately haven’t been able to give you lot 100% of my performance.”

A year later, in July 2024, McBrain explained how his bandmates had supported him and changed their set lists to accommodate him: “It ain’t the old Nicko – it’s not the old one by a long shot. But at least it’s part of me. And my band, bless their hearts, Steve Harris and the rest of the guys turn around and say, ‘If you can’t do something in a song, we just won’t do that song.’”

Read More: Iron Maiden Lineup Changes: A Complete Guide

In his statement, McBrain vows to “remain firmly part of the Iron Maiden family,” and to continue work on a variety of projects and existing businesses. “Touring with Maiden the last 42 years has been an incredible journey,” he concludes. “To my bandmates, you made it a dream come true and I love you! I look into the future with much excitement and great hope! I’ll be seeing you soon, may God bless you all, and, of course, ‘Up the Irons!'”

Iron Maiden manager Rod Smallwood offered his own statement on behalf of the band: “Thank you for being an irrepressible force behind the drum kit for Maiden for 42 years and my friend for even longer. I speak on behalf of all the band when I say we will miss you immensely! The band and I all have a thousand great memories of the past 42 years, great gigs, copious platinum and gold discs and awards, love from the fans and one beer too many on too many occasions! Such a bond is forever! And, as Steve Harris says, ‘Nicko is and will always be part of the Maiden family’.”

Tonight’s show marks the conclusion of Iron Maiden’s 2024 The Future Past tour. The band is scheduled to return to the road in May 2025 for the Run For Your Lives tour. Their statement notes that a replacement for McBrain is already lined up: “Maiden always get their man and our already chosen new drummer will be announced very shortly.”

Iron Maiden Live Albums Ranked Worst to Best

Gallery Credit: Bryan Rolli

BABYLON A.D. Release “Face Of God” Single And Music Video

BABYLON A.D. Release

“Face Of God”, the fourth single from the new studio album by Babylon A.D., is being released to radio. The previous singles saw support from the likes of Alice Cooper on his nationally syndicated radio show “Alice’s Attic” and Eddie Trunk on SiriusXM’s “Hair Nation” with the lead single “Wrecking Machine” hitting #2 on the Mediabase Daily Classic Rock chart and #36 on the Mediabase 7 day Classic Rock chart, and the title track, “Rome Wasn’t Built In A Day”, reaching #3 on the Mediabase Daily Classic Rock chart and #33 on the Media-base 7 day Classic Rock chart.

Stream “Face Of God” here, and watch a music video for the song below.

Lead singer Derek Davis talks about the song, “‘Face Of God’ is the most inspirational song I have ever written. The band and I are Christians and as the lyricist for Babylon A.D., I have sometimes referenced my faith in my lyrical content but this song is more direct in nature. The song is about faith, hope and redemption. Sometimes a spiritual awakening is needed to help people better understand just who they are and what they are placed on this earth to do, and I hope that when people hear the song or watch the video they find peace in their hearts. I am fortunate in that aspect that I believe God gave me my talent and has lead me on my way to the truth! And I am thankful everyday for the blessings I have received. I have found that the face of God is in everyone if they look for him!”

To celebrate their brand new album, Rome Wasn’t Built In A Day, Babylon A.D. and BraveWords are giving away an autographed guitar. Entering is easy, just head here and enter your email address. Good luck!

Rome Wasn’t Built In A Day is available now via Perris Records. Order/purchase the album here.

Tracklisting:

“Wrecking Machine”
“Pain”
“Sometimes Love Is Hell”
“Rome Wasn’t Built In A Day”
“Looking For A Heartbeat”
“I Will Never Break Again”
“White Hot Bullet”
“Crashed Into The Sun”
“Face Of GOD”
“Shut Up”
“Super Beast”

“Sometimes Love Is Hell” video:

“Rome Wasn’t Built In A Day” video:

“Wrecking Machine”:

Album details:

Produced, Mixed, Engineered by Derek Davis @ The BADMOFO’s Recording Studio, Pleasanton, CA.
Drums recorded by Gabriel Shepard @ 25th Studios Oakland CA.
Mastered By David Donnelly, DNA Mastering Los Angeles CA.
Photos – Angela Probst – Studio A
Vintage Artwork Concept Design – Derek Davis

Band Members:

Derek Davis – Vocals, Keyboard, Guitar
Ron Freschi – Lead Guitar, Background vocals
John Mattews – Lead Guitar
Craig Pepe – Bass, Background vocals
Dylan Soto – Drums / Background vocals

Background vocals on “I Will Never Break Again” – Lane Borchard

Tour dates:

January
11 – Grand Theatre Center for the Arts – Tracy, CA

September
5-8 – Hard Rock Hell Sleaze Festival at O2 Academy – Leicester, England


RITCHIE BLACKMORE Discusses His Passion For Music, Says It’s Hard To Relate To TAYLOR SWIFT – “I Think The Crap That They’re Playing On The Radio Today Is Bloody Awful”; Video

RITCHIE BLACKMORE Discusses His Passion For Music, Says It's Hard To Relate To TAYLOR SWIFT -

In the new video below, shared via Ritchie Blackmore’s official YouTube channel, Blackmore (Deep Purple, Rainbow, Blackmore’s Night) discusses his passion for music and what excites him musically. He also tells us, as you would expect, what he doesn’t like.

Says Blackmore: “I retain my passion for music by listening to old music from the 15-1400s, listening to a few bands that I’ve become friends with in Germany, Czech, Finland, and Sweden – they’re still playing the music that really excites me. I’m obsessed with that stuff. It was so organic. That music just grabs me.

“I obviously don’t listen to the radio in America, where they’re playing the latest, whatever it is. I suppose, as we progress and change generations, I cannot relate to what they would play on the radio here. And I don’t listen to rock ’n’ roll so much anymore. I listen to the old rock from the 50s, when it was fresh. Elvis Presley, Scotty Moore playing, James Burton with Ricky Nelson, the Everly Brothers, love all that stuff, Buddy Holly being my favourite at the time, of course.

“I feel like an old Granddad, you know, complaining about the music they’re playing on the radio at the moment. I feel that back in the 70s, when Eric Clapton was playing Cream and that stuff, it was thoughtful music. You would listen to ‘White Room’ or something, you didn’t need that [imitates a repetitive kick drum], you could actually go, ‘Wow, that’s a great song. ‘White Room’, fantastic. Love Cream. Eric, of course, he started the whole thing.

“There are so many types of music that I like, but very rarely do I hear it on the radio. I’d rather hear talk radio about who’s the latest president and stuff like that, that bores people to death. I don’t hear good music from my point of view. It might be good music, but it’s not something I want to hear.”

“When the family all get into the truck and we go on a bit of a holiday, which probably is like 20 miles down the road, because I don’t like to travel, all I hear is maybe Taylor Swift or something. I find it hard to relate to that, but it’s not wrong, it’s the new generation wanting to hear that. That’s probably as great to them as The Beatles and Cream was, and Jimi Hendrix was for me. So I can’t really complain, but I do like to complain, and I will complain, and I think the crap that they’re playing on the radio today is bloody awful.”


TREMONTI Release Official Music Video For “The End Will Show Us How”

TREMONTI Release Official Music Video For

With their sixth studio album, The End Will Show Us How, slated for release in five weeks, Tremonti is back with the fourth track available in advance of the album. The title track, “The End Will Show Us How”, kicks off with the signature finger picking that has been a facet of Mark’s entire career. Singing about the moment of clarity that comes from the decisions made throughout life, Tremonti paints a reflective portrait that becomes instantly relatable to every listener. Backed by Eric Friedman (guitars), Tanner Keegan (bass) and Ryan Bennett (drums), world-renowned guitarist/vocalist/songwriter Mark Tremonti delivers another mid-tempo classic to the Tremonti catalog. The song is now available via all digital service providers.

With a musical catalog that includes 18 previously released full length albums from his work with Creed, Alter Bridge and various solo endeavors, the new album entitled The End Will Show Us How is scheduled for global release on January 10 via longtime partner, Napalm Records. Mark Tremonti is back with a collection of 12 original compositions that continue his musical evolution while showcasing his ability to write memorable songs – something he has done for nearly three decades.

Check out the music video for “The End Will Show Us How”:

Tremonti’s musicianship and songwriting is on full display on each song on The End Will Show Us How. Tracks like the opener “The Mother, The Earth and I,” the thought provoking “It’s Not Over” and the epic closer “All The Wicked Things” show that Mark continues to create compositions that continue to engage audiences – both old and new fans alike. “Nails” is a musical idea that Mark has had for years and finally found the inspiration to complete. “Tomorrow We Will Fail” is an inspirational piece that talks about not putting off until tomorrow something you can conquer today. “Now That I’ve Made It” is a message for anyone who has ever had anyone doubt them and try to hold them back from following their dreams.

The album opener “The Mother, The Earth and I” is a personal favorite of Mark’s and sets the tone for what fans can expect from the rest of the album. The song talks about the connection that all people have to the planet Earth regardless of personal differences. The visually captivating music video depicts the message of the song with cinematic visuals created by director J.T. Ibanez (Sevendust, Hawthorne Heights, Loveless) and can be seen below. The debut single “Just Too Much” is currently in the Top 35 at Active Rock radio and moving up the charts with a bullet. An official music video for the single, also directed by J.T. Ibanez, can be seen below.

The End Will Show Us How will be available in the following formats:

– Deluxe Vinyl Box incl. 2-LP Gatefold Yellow-Gold, Red Splatter, Metal Plate, Handysticker, Cloth bag, Slipmat, 12inch Booklet (Napalm mail order only – limited to 300)
– 2 LP Gatefold Cristallo Glitter (North American indies only – limited to 600)
– 2 LP Gatefold Solid Aquamarine (Napalm mail order only – limited to 200)
– 2 LP Gatefold Splattered Red, Black (Band store only – limited to 300)
– 2 LP Gatefold Splattered Royal Blue, White (Band store only – limited to 300)
– 2 LP Gatefold Marbled Orange Red Black (Band store only – limited to 300)
– 2 LP Gatefold Black
– 1 CD Digisleeve
– Digital Album

Pre-order here.

The End Will Show Us How tracklisting:

“The Mother, The Earth And I”
“One More Time”
“Just Too Much”
“Nails”
“It’s Not Over”
“The End Will Show Us How”
“Tomorrow We Will Fail”
“I’ll Take My Chances”
“The Bottom “
“Live In Fear”
“Now That I’ve Made It”
“All The Wicked Things”

“One More Time” lyric video:

“The Mother, The Earth And I” video:

“Just Too Much” video:

Mark Tremonti is currently on tour across the United States with the recently reunited Creed. Tremonti will tour around the globe in support of The End Will Show Us How in 2025. Dates for Europe are recently announced and more information on additional tour dates will be available in the near future. Go to MarkTremonti.com for more details.  

(Photo – Chuck Brueckmann)


“Pure alchemy – and rendered in Vangelis’ Atmos mix, it makes Armageddon sound surprisingly inviting”: Aphrodite’s Child witness the end of the world again with a repackaged 666

The concept album to end all concept albums has come again. Fifty-two years after its initial release, 666 by Aphrodite’s Child – a sprawlingly ambitious and bombastic sonic interpretation of The Book Of Revelation – gets the kind of reissue treatment reserved only for the most revered of cult classics.

As well as a double album and four-CD set, there’s also an exhaustive box set featuring the remastered original album, a 1974 Greek release mix, a 5.1 mix and an Atmos Up-Mix overseen by Vangelis before his death. And if that weren’t enough, there’s a Blu-ray interview with Vangelis from 1972 taken from the French TV show Discorama to get stuck into as well.

As its subtitle, The Apocalypse Of John, suggests, the album concept is essentially the Biblical end of the world, with Aphrodite’s Child performing in a big top as the Rapture kicks off beyond the conical roof. The godfathers of eschatological prog can foresee Judgment Day with an audacious clarity – even if they didn’t anticipate the internecine studio bickering or the protracted dispute with Mercury Records that was to follow.

Babylon (Remastered 2022) – YouTube Babylon (Remastered 2022) - YouTube

Watch On

The record begins with a crowd chanting ‘Fuck the system!’ and that’s where any semblance of order dissipates. The unexpected comes in many forms, be it the rolling toms and clarion trumpets of Babylon, the musique concrète of Seven Bowls, the tin whistle and bodhran merry dance of The Wedding Of The Lamb, the interjections of spoken word on tracks like The Capture Of The Beast, the wild jazz horns of Tribulation, the proto-ambience of Aegian Sea or the jazz-rock dadaism of Do It.

If that doesn’t provide enough variety, there’s also Infinity, where Greek actress Irene Papas chants for five minutes while simulating an orgasm. It’s certainly not a record for the faint-hearted, or for Mercury, as it goes, who stalled the release for a year thanks to that offending track.

Nevertheless, for all the lunacy, there’s also Four Horsemen, an irresistibly original melange of ethereal chimes and pitch-bending drones and Demis Roussos’ inspired, vertiginous singing, with the whole track lifting off from the introduction of Lucas Sideras’s unerring breakbeat. It’s pure alchemy, and rendered in Vangelis’s Atmos mix, it makes Armageddon sound surprisingly inviting.

By the time 666 eventually made it into the world, Aphrodite’s Child had already broken up; though in a way there was really nowhere left to go after such an insane record. With that in mind, Roussos’ subsequent schmaltzy, unchallenging balladry can almost be viewed as therapy.

666 is on sale now via UMR.

KERRY KING On SLAYER Classic “Black Magic” – “I Still Think It’s A Good Riff… It’s Still Fun To Play, And The Fans Go Off, Which Makes My Job Easier”; Audio

KERRY KING On SLAYER Classic

Pantheon Media and Metal Blade Records, two pioneering forces in music and media, recently joined forces to create “100 Songs That Define Heavy Metal,” a new podcast series for fans of heavy metal and hard rock.

Hosted by Brian Slagel, CEO of Metal Blade Records, each episode of the series will spotlight one of the most defining songs in metal, blending artist interviews, expert analysis, and behind-the-scenes insights. Listeners can expect a deep dive into the production, cultural impact, and legacy of each track, with insights from prominent voices like music historian Martin Popoff and producer Jay Ruston.

In the latest episode (listen below), Brian Slagel discusses Slayer’s “Black Magic” with producer Bill Matoyer and Slayer guitarist, Kerry King. Plus, as with every episode, some facts and figures about the song from author Martin Popoff.

In regards to the writing of “Black Magic”, Kerry reveals, “I know Jeff [Hanneman] and I were both responsible for the music, but picking out who did what… you know, if I sat down and listened to it and started picking it apart, I could probably figure out 70-80% of it, but I’m sure there’d be a grey area where like, ‘uh, I don’t remember.’ I think I did all the lyrics, but maybe I didn’t. I would have to look at the writing credits, I don’t even know.”

Asked what he thinks of “Black Magic” today when he hears or plays the song, King states: “I still think it’s a good riff, it’s got good riffs in it, for sure. Fun to play, which a lot of things aren’t, 40 years later. But it’s still fun to play, and the fans go off, which makes my job easier because, you know, we’re just having a good time between the fans and ourselves on stage. The energy is killer, so you know, it’s fun to play live.”


AXL ROSE Settles Sexual Assault Lawsuit – “As I Have From The Beginning, I Deny The Allegations,” Says GUNS N’ ROSES Frontman

AXL ROSE Settles Sexual Assault Lawsuit -

Axl Rose and the former model who sued him last year for sexual assault have reached a private settlement, Rolling Stone has learned. In a statement, Rose maintained he did not violently attack and rape plaintiff Sheila Kennedy in a Manhattan hotel room in 1989, as she alleged.

“As I have from the beginning, I deny the allegations. There was no assault,” the Guns N’ Roses frontman tells Rolling Stone. The terms of the private pact were not disclosed.

“Mr. Rose has suffered greatly from this lawsuit, and I am pleased that he will now be able to move on with his life,” Rose’s lawyer, E. Danya Perry, said in a separate statement.

The parties recently filed paperwork in New York stating they had agreed to discontinue the case with prejudice, meaning it can’t be filed again at a later date. They further agreed to cover their own legal costs, the filing obtained by Rolling Stone said. Attempts to reach Kennedy and her lawyer were not immediately successful.

In her lawsuit filed last November — just a day before the deadline to file otherwise expired claims under New York’s Adult Survivors Act — Kennedy claimed that Rose assaulted her in February 1989 after they met at a nightclub. An actress and model who was Penthouse magazine’s 1983 “Pet of the Year” and who appeared on the publication’s cover four times, Kennedy said she ended up in Rose’s luxury hotel suite on Central Park West a short time later because he was hosting an afterparty there.

Read more at RollingStone.com.


Top 10 MTV Unplugged Albums

Top 10 MTV Unplugged Albums

Feature Photo: MPH Photos / Shutterstock.com

The concept of MTV Unplugged emerged as a groundbreaking series in the world of music television, offering a unique stage for artists to reimagine their songs in stripped-down, acoustic performances. Launched in 1989, this series became a defining platform for showcasing musicians’ raw talent, often revealing new depths to their artistry. At its heart, Unplugged presented a simple but transformative idea: to remove the studio polish and electrified embellishments of modern music, leaving only the core of the song and the power of the performance. This approach resonated deeply with audiences, creating some of the most iconic moments in music history.

The show quickly became a cultural phenomenon, hosting a diverse range of artists, from legends like Eric Clapton, whose Unplugged session revitalized his career and earned him six Grammy Awards, to emerging talents who used the platform to cement their place in the industry. Nirvana’s 1993 Unplugged in New York set became one of the most celebrated live albums of all time, blending haunting renditions of their own hits with covers that showcased their influences. Similarly, artists like Tony Bennett and 10,000 Maniacs used their Unplugged sessions to reconnect with existing fans and reach new audiences, proving the series’ versatility across genres.

What made Unplugged so impactful was its ability to bridge generations and musical tastes, inviting both rock stars and pop icons to embrace a more intimate and vulnerable style of performance. This format often highlighted their lyrical depth and musical craftsmanship in ways that electrified productions couldn’t. Whether reviving careers, creating new classics, or redefining how live performances could be experienced, Unplugged became a defining chapter in the evolution of modern music, solidifying its legacy as a timeless showcase of artistry.

# 10 – MTV Unplugged – 10,000 Maniacs

Released 1993

10,000 Maniacs’ MTV Unplugged captures the band at a significant crossroads in their career, presenting a raw and intimate acoustic set that would mark lead vocalist Natalie Merchant’s final performance with the group before embarking on her solo career. Recorded live on April 21, 1993, at the Sony Music Studios in New York City, the album showcases the band’s ability to strip down their lush, alternative rock arrangements while retaining the emotional resonance of their music. Produced by Paul Fox, the session highlighted the band’s dynamic interplay and Merchant’s poignant vocal delivery.

The album includes reimagined versions of fan favorites like “These Are Days” and “Because the Night,” the latter of which was originally co-written by Patti Smith and Bruce Springsteen. The acoustic setting breathes new life into these tracks, revealing the subtle complexities of their arrangements. Alongside Merchant, the band lineup featured Rob Buck on guitar, Dennis Drew on keyboards, Steve Gustafson on bass, and Jerome Augustyniak on drums, with guest musicians adding depth to the acoustic palette.

Critically acclaimed, MTV Unplugged became one of the band’s most successful releases, peaking at number thirteen on the Billboard 200 chart. The album’s rendition of “Because the Night” achieved widespread acclaim, bringing a new audience to the band’s work. This release cemented 10,000 Maniacs’ legacy as one of the most innovative and emotionally compelling bands of the era.

CD Track Listings:

  1. “These Are Days” – 4:21
  2. “Eat for Two” – 4:12
  3. “Candy Everybody Wants” – 3:19
  4. “I’m Not the Man” – 3:46
  5. “Don’t Talk” – 4:23
  6. “Hey Jack Kerouac” – 3:27
  7. “What’s the Matter Here?” – 4:50
  8. “Gold Rush Brides” – 4:14
  9. “Like the Weather” – 4:15
  10. “Trouble Me” – 4:45
  11. “Jezebel” – 4:12
  12. “Because the Night” – 3:44

Read More: 10 Best 10,000 Maniacs Songs

# 9 – MTV Unplugged – Alanis Morissette

Released 1999

Alanis Morissette’s MTV Unplugged captures the emotional depth and raw vulnerability that catapulted her into the limelight during the 1990s. Recorded on September 18, 1999, at the Brooklyn Academy of Music in New York City, this album strips away the electric guitar crunch and polished production of her earlier work, revealing the core of her artistry. Produced by Morissette and Scott Welch, the album features acoustic reinterpretations of her most iconic hits alongside a few surprises that showcase her versatility as a performer and songwriter.

The album presents a mix of her well-loved tracks such as “You Learn” and “Ironic,” alongside lesser-known songs like “No Pressure Over Cappuccino” and “Princes Familiar,” which highlight her introspective lyricism. The arrangements are enriched by a talented band, including Joel Shearer on guitar, Deron Johnson on keyboards, and Gary Novak on drums, with a string section adding lush textures to several tracks. Notably, Morissette’s poignant vocal delivery shines throughout the performance, further enhancing the emotional resonance of her lyrics.

Critically, MTV Unplugged was praised for its intimate atmosphere and artistic reinterpretations, though some fans yearned for more of her signature angsty edge. The album performed well commercially, reaching the top ten on several international charts and further cementing Morissette’s reputation as one of her generation’s most compelling singer-songwriters.

CD Track Listings:

  1. “You Learn” – 4:22
  2. “Joining You” – 5:08
  3. “No Pressure Over Cappuccino” – 4:41
  4. “That I Would Be Good” – 4:14
  5. “Head Over Feet” – 4:24
  6. “Princes Familiar” – 4:37
  7. “Ironic” – 4:38
  8. “These R the Thoughts” – 3:25
  9. “King of Pain” – 4:05
  10. “You Oughta Know” – 4:59
  11. “Uninvited” – 4:37

Read More: Top 10 Alanis Morissette Cover Songs

# 8 -In Concert/MTV Plugged – Bruce Springsteen

Released 1993

Bruce Springsteen’s In Concert/MTV Plugged stands out as one of the most rebellious entries in the MTV Unplugged series. Defying the series’ acoustic concept, Springsteen performed nearly the entire set with his electric guitar plugged in, an approach acknowledged right in the album’s title. Recorded on September 22, 1992, at the Warner Hollywood Studios in Los Angeles, the album captures Springsteen’s fiery passion as he reimagines his catalog with a raw, electrified intensity. Produced by Springsteen himself along with Chuck Plotkin, In Concert/MTV Plugged showcases the artist’s ability to command attention with or without the trappings of acoustic convention.

This album marks a unique period in Springsteen’s career, as he performed with a new backing band rather than the legendary E Street Band. The lineup included Shane Fontayne on guitar, Tommy Sims on bass, Zachary Alford on drums, and Roy Bittan on keyboards, among others. The setlist leaned heavily on material from his Human Touch and Lucky Town albums, with electrifying performances of tracks like “Better Days” and “Lucky Town.” However, it also featured a gripping rendition of “Atlantic City,” which harked back to his earlier Nebraska era, reminding listeners of his storytelling prowess.

Critically, the album received a mixed reception, with some praising its energetic reinterpretations and others lamenting the deviation from the Unplugged ethos. Despite this, In Concert/MTV Plugged resonated with fans, charting at number 4 on the UK Albums Chart and making a notable impact worldwide. It remains one of two unconventional Unplugged entries on this list, the other being Paul McCartney’s Unplugged (The Official Bootleg), which also bent the rules by featuring amplified instruments.

CD Track Listings:

  1. “Red Headed Woman” – 2:51
  2. “Better Days” – 4:29
  3. “Atlantic City” – 5:38
  4. “Darkness on the Edge of Town” – 4:40
  5. “Man’s Job” – 5:43
  6. “Human Touch” – 7:30
  7. “Lucky Town” – 5:08
  8. “I Wish I Were Blind” – 5:14
  9. “Thunder Road” – 5:28
  10. “Light of Day” – 8:16
  11. “If I Should Fall Behind” – 4:44
  12. “Living Proof” – 6:05
  13. “My Beautiful Reward” – 5:57

Read More: Top 10 Bruce Springsteen Albums

# 7 – Unplugged – Alice In Chains

Released 1996

Alice In Chains’ Unplugged captures the raw vulnerability and intensity of one of grunge’s most iconic bands as they stripped down their sound for an acoustic setting. Recorded on April 10, 1996, at the Brooklyn Academy of Music in New York, the performance was part of MTV’s renowned Unplugged series. The album features the band’s core members—Layne Staley on vocals, Jerry Cantrell on guitar and vocals, Mike Inez on bass, and Sean Kinney on drums. Additionally, Scott Olson provided rhythm guitar, adding depth to the acoustic arrangements. Produced by Toby Wright and the band, Unplugged offers a hauntingly beautiful rendition of Alice In Chains’ most beloved songs.

This album serves as a poignant snapshot of the band’s career, particularly as it marks one of Layne Staley’s last major public performances before his untimely death in 2002. Songs like “Nutshell,” “Down in a Hole,” and “Would?” take on a new dimension in this stripped-down format, highlighting the emotional depth of the lyrics and the band’s intricate musicality. The performance also includes a stirring version of “Got Me Wrong,” which had gained popularity from its inclusion in the Clerks soundtrack, as well as the rare live debut of “Killer Is Me.” The interplay between Cantrell’s masterful guitar work and Staley’s soulful voice creates an atmosphere both intimate and powerful.

Critically acclaimed upon its release, Unplugged debuted at number three on the Billboard 200 and earned widespread praise for its authenticity and emotional resonance. The album was certified platinum and continues to be celebrated as one of the finest entries in the Unplugged series, often compared favorably to Nirvana’s equally iconic acoustic session.

CD Track Listings:

  1. “Nutshell” – 4:58
  2. “Brother” – 5:27
  3. “No Excuses” – 4:57
  4. “Sludge Factory” – 4:36
  5. “Down in a Hole” – 5:46
  6. “Angry Chair” – 4:36
  7. “Rooster” – 6:41
  8. “Got Me Wrong” – 4:59
  9. “Heaven Beside You” – 5:38
  10. “Would?” – 3:43
  11. “Frogs” – 7:30
  12. “Over Now” – 7:12
  13. “Killer Is Me” – 5:23

Read More: Alice In Chains Best Song On Each Of Their Studio Albums

# 6 – No Quarter: Jimmy Page and Robert Plant Unledded

Released 1994

No Quarter: Jimmy Page and Robert Plant Unledded is a remarkable reunion album that brought together the iconic Led Zeppelin duo of Jimmy Page and Robert Plant for an adventurous and genre-blending project. Recorded between August and September 1994, the album combines live performances and studio recordings, with sessions taking place in multiple locations, including London, Wales, and Morocco. Produced by Page and Plant alongside Steve Albini, this album showcases the duo’s willingness to experiment, blending rock, folk, world music, and orchestral elements.

The album features reimagined versions of classic Led Zeppelin tracks, such as “Kashmir,” “Gallows Pole,” and “No Quarter,” as well as original compositions like “Yallah” and “City Don’t Cry.” These reinterpretations highlight the pair’s creative chemistry, fusing the raw power of their rock roots with intricate acoustic arrangements and traditional Moroccan instrumentation. The album enlists the talents of an Egyptian orchestra, showcasing Middle Eastern influences, along with a variety of other musicians, including Charlie Jones on bass and Michael Lee on drums.

Critically acclaimed for its innovation and artistic ambition, No Quarter: Jimmy Page and Robert Plant Unledded reached number 4 on the Billboard 200 and received significant airplay on rock radio. The accompanying MTV special was equally praised, offering fans an immersive experience that combined stunning visuals with the duo’s iconic sound. The album stands as a testament to the enduring legacy of Led Zeppelin, proving that Page and Plant could evolve their music while staying true to their roots.

CD Track Listings:

  1. “Nobody’s Fault but Mine” – 4:06
  2. “Thank You” – 5:47
  3. “No Quarter” – 3:45
  4. “Friends” – 4:39
  5. “Kashmir” – 8:49
  6. “Yallah” (also known as “The Truth Explodes”) – 4:59
  7. “The Rain Song” – 7:29
  8. “City Don’t Cry” – 5:41
  9. “Since I’ve Been Loving You” – 7:29
  10. “Battle of Evermore” – 7:41
  11. “Wonderful One” – 4:03
  12. “Wah Wah” – 3:36

Read More: Top 10 Jimmy Page Projects Post Led Zeppelin

# 5 – Unplugged (The Official Bootleg) – Paul McCartney

Released 1991

Unplugged (The Official Bootleg) by Paul McCartney captures the former Beatle in a refreshingly intimate and raw setting. Recorded on January 25, 1991, at Limehouse Studios in Wembley, London, this album was part of MTV’s groundbreaking Unplugged series, which saw artists stripping down their arrangements to emphasize acoustic instrumentation. McCartney’s decision to release this recording as an official bootleg added a charming sense of authenticity to the project. Produced by McCartney himself, the album showcases a mix of Beatles classics, early rock ‘n’ roll covers, and selections from his solo career.

The musicianship on the album is as exceptional as one would expect from McCartney’s band, which included Linda McCartney on keyboards and backing vocals, Hamish Stuart on guitar and bass, Robbie McIntosh on guitar, Paul Wickens on keyboards, and Blair Cunningham on drums. Highlights of the performance include stripped-down renditions of Beatles classics like “We Can Work It Out” and “And I Love Her,” as well as covers of rock ‘n’ roll staples like “Be-Bop-A-Lula” and “Blue Moon of Kentucky.” The warmth of McCartney’s voice and the simplicity of the arrangements lend a timeless quality to the album, reminding listeners of his enduring musical genius.

The album achieved significant success, becoming a collector’s item due to its limited release. Unplugged (The Official Bootleg) marked one of the first mainstream acknowledgments of the Unplugged format’s appeal, paving the way for other artists to explore acoustic reinterpretations of their music. The project serves as a delightful reminder of McCartney’s ability to connect with audiences on a deeply personal level, even in an unplugged setting.

CD Track Listings:

  1. “Be-Bop-A-Lula” – 4:01
  2. “I Lost My Little Girl” – 1:45
  3. “Here, There and Everywhere” – 3:17
  4. “Blue Moon of Kentucky” – 4:21
  5. “We Can Work It Out” – 2:50
  6. “San Francisco Bay Blues” – 3:29
  7. “I’ve Just Seen a Face” – 2:11
  8. “Every Night” – 3:24
  9. “She’s a Woman” – 3:39
  10. “Hi-Heel Sneakers” – 4:08
  11. “And I Love Her” – 4:17
  12. “That Would Be Something” – 4:02
  13. “Blackbird” – 2:09
  14. “Ain’t No Sunshine” – 4:05
  15. “Good Rockin’ Tonight” – 3:42
  16. “Singing the Blues” – 3:46
  17. “Junk” – 2:25

Read More: Complete List Of Paul McCartney Albums In Order

# 4 – Unplugged…and Seated  – Rod Stewart

Released 1993

Rod Stewart’s Unplugged…and Seated captures the legendary rock singer in an intimate and reflective setting that showcases his vocal prowess and charm. Recorded on February 5, 1993, at Universal Studios in Los Angeles, the album was part of MTV’s acclaimed Unplugged series. The performance reunited Stewart with longtime collaborator and former Faces bandmate Ronnie Wood, whose presence added a nostalgic and soulful dimension to the set. Produced by Stewart himself alongside Patrick Leonard, the album revisits some of Stewart’s most iconic songs while blending acoustic arrangements with heartfelt performances.

The musicianship on the album is stellar, with Ronnie Wood on guitar, Charles Kentiss on piano, Carmine Rojas on bass, and David Palmer on drums. Highlights include acoustic renditions of classics like “Maggie May” and “Reason to Believe,” as well as the heartfelt “Have I Told You Lately,” which won Stewart a Grammy Award for Best Pop Vocal Performance, Male. The stripped-down arrangements bring a raw and emotional quality to the tracks, allowing Stewart’s raspy voice to take center stage.

Unplugged…and Seated received critical acclaim for its authenticity and became a commercial success, reaching number two on the Billboard 200 chart and achieving multi-platinum status. The album marked a pivotal moment in Stewart’s career, proving that his talent transcended decades and trends.

CD Track Listings:

  1. “Hot Legs” – 4:25
  2. “Tonight’s the Night (Gonna Be Alright)” – 4:13
  3. “Handbags and Gladrags” – 4:25
  4. “Cut Across Shorty” – 4:58
  5. “Every Picture Tells a Story” – 4:45
  6. “Maggie May” – 5:45
  7. “Reason to Believe” – 4:07
  8. “People Get Ready” – 4:59
  9. “Have I Told You Lately” – 4:05
  10. “Tom Traubert’s Blues (Waltzing Matilda)” – 4:40
  11. “The First Cut Is the Deepest” – 4:15
  12. “Mandolin Wind” – 5:23
  13. “Highgate Shuffle” – 4:00
  14. “Stay with Me” – 5:09
  15. “Having a Party” – 4:46

Read More: Top 10 Rod Stewart 80s Songs

# 3 – Unplugged – Eric Clapton

Released 1992

Eric Clapton’s Unplugged is a landmark album that redefined the power of acoustic performance in rock and blues music. Recorded live on January 16, 1992, at Bray Studios in Windsor, England, as part of the MTV Unplugged series, the album captures Clapton at a vulnerable and introspective moment in his career. Produced by Russ Titelman, this stripped-down performance features a blend of reimagined classics and blues standards, creating an intimate atmosphere that resonated with audiences worldwide. The album showcases Clapton’s masterful guitar work and heartfelt vocals, cementing his legacy as a musician deeply connected to the roots of his craft.

The album features a stellar lineup, including Andy Fairweather Low on guitar, Chuck Leavell on keyboards, Nathan East on bass, Steve Ferrone on drums, and Ray Cooper on percussion. Unplugged is perhaps best known for its acoustic rendition of “Layla,” which offered a hauntingly beautiful contrast to the electric original. The deeply personal “Tears in Heaven,” written in memory of Clapton’s son, became a centerpiece of the album, touching millions with its emotional depth and simplicity. This performance also includes a variety of blues standards such as “Nobody Knows You When You’re Down and Out” and “Malted Milk,” paying homage to the genre that shaped Clapton’s artistry.

Unplugged achieved extraordinary success, earning six Grammy Awards, including Album of the Year and Best Male Rock Vocal Performance. The album topped charts globally and has sold over 26 million copies, making it one of Clapton’s most successful releases. Its critical acclaim and commercial success helped solidify the popularity of the MTV Unplugged series and underscored the timeless appeal of acoustic music.

CD Track Listings:

  1. “Signe” – 3:14
  2. “Before You Accuse Me” – 3:44
  3. “Hey Hey” – 3:16
  4. “Tears in Heaven” – 4:36
  5. “Lonely Stranger” – 5:27
  6. “Nobody Knows You When You’re Down and Out” – 3:49
  7. “Layla” – 4:46
  8. “Running on Faith” – 6:30
  9. “Walkin’ Blues” – 3:37
  10. “Alberta” – 3:42
  11. “San Francisco Bay Blues” – 3:23
  12. “Malted Milk” – 3:36
  13. “Old Love” – 7:52
  14. “Rollin’ and Tumblin’” – 4:12

Read More: 11 Incredible Eric Clapton Guitar Solos

# 2 – MTV Unplugged in New York – Nirvana

Released 1994

MTV Unplugged in New York by Nirvana is a hauntingly beautiful testament to the band’s artistry and Kurt Cobain’s raw vulnerability. Recorded on November 18, 1993, at Sony Music Studios in New York City, the performance stands as one of the most memorable installments of the MTV Unplugged series. Produced by Scott Litt and Nirvana, the session showcases the band’s willingness to diverge from their grunge roots and embrace a more subdued, acoustic style. Released on November 1, 1994, nearly a year after the performance and six months after Cobain’s tragic death, the album is both a celebration of Nirvana’s talent and a poignant reminder of what was lost.

The performance featured Kurt Cobain on vocals and guitar, Krist Novoselic on bass and accordion, and Dave Grohl on drums, alongside guest musicians including Pat Smear on guitar and members of the Meat Puppets. Nirvana’s setlist departed from their usual high-energy anthems, focusing instead on rare tracks, deep cuts, and covers. Highlights include their rendition of “The Man Who Sold the World” by David Bowie and covers of three Meat Puppets songs: “Plateau,” “Oh, Me,” and “Lake of Fire.” The album’s centerpiece, “Where Did You Sleep Last Night,” a traditional folk song popularized by Lead Belly, closes the performance with a chilling and unforgettable intensity.

The album received widespread critical acclaim and topped the Billboard 200 chart upon its release. It won the Grammy Award for Best Alternative Music Album in 1996 and has since been regarded as one of the greatest live albums of all time. MTV Unplugged in New York not only highlights Nirvana’s versatility but also cements their legacy as a band capable of transcending genre and expectation.

CD Track Listings:

  1. “About a Girl” – 3:37
  2. “Come as You Are” – 4:14
  3. “Jesus Doesn’t Want Me for a Sunbeam” – 4:37
  4. “The Man Who Sold the World” – 4:20
  5. “Pennyroyal Tea” – 3:40
  6. “Dumb” – 2:52
  7. “Polly” – 3:16
  8. “On a Plain” – 3:44
  9. “Something in the Way” – 4:01
  10. “Plateau” – 3:38
  11. “Oh, Me” – 3:26
  12. “Lake of Fire” – 2:56
  13. “All Apologies” – 4:23
  14. “Where Did You Sleep Last Night” – 5:08

Read More: Top 10 Nirvana Love Songs

# 1 – MTV Unplugged – Tony Bennett

Released 1994

When Tony Bennett says, “Let’s do this without a microphone,” just him and the piano, he defines the whole point of what the MTV Unplugged series was always supposed to be about. 

Tony Bennett’s MTV Unplugged is a timeless masterpiece that bridges generations, blending the elegance of traditional pop with the raw intimacy of live performance. Recorded on April 12, 1994, at Sony Studios in New York City, this album features Bennett performing some of his most beloved classics in an acoustic setting. The performance was part of MTV’s celebrated Unplugged series, and it played a significant role in revitalizing Bennett’s career, introducing his music to a younger audience. The album was produced by David Kahne and featured Bennett’s longtime collaborators Ralph Sharon on piano, Doug Richeson on bass, and Clayton Cameron on drums.

This stripped-down format highlights Bennett’s impeccable vocal artistry and charisma, creating an intimate connection with the audience. Iconic tracks like “I Left My Heart in San Francisco” and “Fly Me to the Moon” are reimagined with a warmth and immediacy that underscore Bennett’s enduring appeal. The setlist also includes charming duets with k.d. lang on “Moonglow” and Elvis Costello on “They Can’t Take That Away from Me,” adding variety and star power to the performance.

The album received widespread critical acclaim and achieved commercial success, earning Bennett two Grammy Awards, including Album of the Year and Best Traditional Pop Vocal Performance. It peaked at number 48 on the Billboard 200, a testament to its cross-generational impact. MTV Unplugged not only cemented Tony Bennett’s legacy but also demonstrated the timeless nature of his music.

CD Track Listings:

  1. “Old Devil Moon” – 2:48
  2. “Speak Low” – 3:10
  3. “It Had to Be You” – 3:13
  4. “I Love a Piano” – 1:35
  5. “It Amazes Me” – 3:12
  6. “The Girl I Love” – 3:54
  7. “Fly Me to the Moon” – 2:54
  8. “You’re All the World to Me” – 2:15
  9. “Rags to Riches” – 2:10
  10. “When Joanna Loved Me” – 3:14
  11. “The Good Life/I Wanna Be Around” – 3:21
  12. “I Left My Heart in San Francisco” – 2:37
  13. “Steppin’ Out with My Baby” – 2:54
  14. “Moonglow” (with k.d. lang) – 3:10
  15. “They Can’t Take That Away from Me” (with Elvis Costello) – 3:05
  16. “A Foggy Day” – 2:18
  17. “All of You” – 1:41
  18. “Body and Soul” – 3:19
  19. “It Don’t Mean a Thing (If It Ain’t Got That Swing)” – 3:10

Read More: Top 10 Tony Bennett Albums

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