Ballad of a Twitter Man: Bob Dylan’s 2024 Tweets Ranked

The social media platform X, formerly known as Twitter, has had a bumpy year.

And by bumpy, we mean users have been leaving it in droves over the course of the last month or so, primarily in protest of the owner Elon Musk’s misinformation-soaked approach to operating the site during an election season rife with hostilities and disagreements over basic facts. Long story short: Twitter is not what it used to be.

It was strangely fitting and epical then about this also being the moment that Bob Dylan, a notoriously cloaked figure, decided to start posting earnestly on what seemed to be his own accord, not that of an assistant or social media intern. At the time of this writing in mid-December of 2024, Dylan has tweeted a total of 11 times, an astounding number considering he’s the same person who almost never gives interviews and says close to nothing outside of lyrics during his concerts.

These posts have brought a tremendous amount of joy to Dylan’s fanbase, as well as the broader musical community — there is something comforting about knowing Dylan is not unlike the rest of us: bored on his phone. To be clear, we have no way of proving that these posts were crafted and sent by Dylan himself, or that the content in them is true, but neither of those things are really our concern here.

Each of Dylan’s tweets are memorable in their own way, but below we’ve taken it upon ourselves to rank them in order of, well, intrigue.

11. Happy Birthday Paul Butterfield

Quite literally about 10 minutes after the completion of this article, just as this writer was putting in finishing touches, Dylan tweeted for the 11th time in 2024. This one was a birthday shoutout to his late friend Paul Butterfield who passed away in 1987 at the age of 44. (Perhaps, if UCR is lucky, Dylan will see this article and tweet about it.)

10. Bob Newhart: Gone

The actor Bob Newhart died on July 18 of this year. Over two months later, Dylan finally found out about it and expressed his condolences online. (For the record: very jarring to see a post from Bob Dylan with the words “Rest in peace Bob.”)

9. Happy Birthday Mary Jo!

This was Dylan’s first tweet, the one that re-introduced him to the platform and confused just about everyone. To this day, no one is sure who Mary Jo is, or why Dylan would allegedly be seeing her in Frankfort, spelled like the capital of Kentucky even though he was scheduled to perform in Frankfurt, Germany a few weeks later.

8. Try ‘The Unknown’ With Lon Chaney

Dylan knows his movies. He also apparently is looking at the replies people post under his tweets. In this instance, he did not tag Nick Newman, managing editor of The Film Stage, a publication that covers all things cinema, but he acknowledged Newman’s request for movie recommendations. To Newman’s profound surprise, Dylan publicly suggested 1927’s The Unknown starring Lon Chaney. This prompted another request from Newman: “Does anybody have recommendations for frame stores in New York.”

7. Parts Unknown With Bob Dylan: New Orleans Edition

On the menu at Dooky Chase’s Restaurant in New Orleans are things like shrimp creole, fried catfish, stewed okra and peach cobbler — southern comfort food classics. But don’t take our word for it, take Dylan’s, who even noted the exact cross section of streets the establishment is located on.

6.  The Great Frankfurt Publishing Convention

This particular post is funny when one imagines Dylan, probably dressed inconspicuously in his usual baggy hoodie, meandering around a book publishing convention in Germany (this time spelled correctly) unnoticed. It’s also funny to think that the book Dylan is referring to in this post came out in 1894, many years before anyone who works at Crystal Lake Publishing was born. “This has truly been a blessing and A LOT of fun,” the company later posted themselves, thrilled over the shoutout Dylan had provided. “I also hope this gets more folks picking up books.”

5. Now It the Time for Joy

Now ain’t the time for your tears, now it the time for joy. Believe it or not, Dylan also goes to concerts, just like us regular people, and earlier this year he evidently went to see Nick Cave perform in Paris and found it a moving experience. Plus, it’s comforting to know even a wordsmith like Dylan sometimes makes typos. Cave’s response: “I hadn’t known Bob was at the concert and his tweet was a lovely pulse of joy that penetrated my exhausted, zombied state. … I was happy to see Bob on X, just as many on the Left had performed a Twitterectomy and headed for Bluesky [another social media platform similar to X]. It felt admirably perverse, in a Bob Dylan kind of way.”

4. Apologies to Vlad

This post marked the first time in 2024 that Dylan actually replied to someone else’s post. Whether or not this person’s real name is Vlad or not doesn’t really matter – Dylan addressed him as such anyway and apologized to him for not seeing his Prague restaurant recommendation in time. Vlad is now possibly the only person in existence to have been publicly apologized to by Bob Dylan online.

3.  Bob Dylan Meets a Buffalo Sabre 

Full disclosure: this tweet ranks as high as it does because this writer hails from Buffalo and is a Sabres supporter. So you can imagine her delight in seeing that Dylan apparently bumped into one of the team members in a European hotel elevator, who invited him to their hockey game. Sadly, Dylan had a scheduling conflict. (Further research by this writer has led her to strongly believe the team member in question was center and alternate captain Tage Thompson, who dabbles in guitar playing.)

2. ‘There’s a Movie About Me Opening Soon’

This is possibly the one and only time Dylan will acknowledge the 2024 biopic about himself, A Complete Unknown, starring Timothee Chalamet. Here, Dylan explains the origins of the film and praises Chalamet, whose response frankly sums up all of our feelings about Dylan’s Twitter odyssey: “Floored. I am so grateful. Thank you Bob.”

1. Please, Make Eye Contact With Bob Dylan

Social media has many downsides but one thing it can do in the right circumstances is set the record straight. Dylan has never been the overly friendly type, but he simply could not go one more day with fans believing that Rule No. 1 in Dylan World is don’t look him in the eyes. “That is just ridiculous.” Case closed.

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Gallery Credit: Michael Gallucci

Michael Brewer of Brewer and Shipley Dead at 80

Michael Brewer of Brewer and Shipley Dead at 80

Michael Brewer of Brewer & Shipley passed away on Tuesday at the age of 80.

The news was confirmed in a press release, noting that Brewer had been battling multiple illnesses for the last three years.

Brewer & Shipley were best known for their Top 10 hit, “One Toke Over the Line,” released as their debut single in 1971.

“Who would have guessed they [the duo’s record label] would release it as a single, it would go shooting up the charts, and the Nixon administration would try to ban it?” Brewer said to UCR in 2016. “We made Nixon’s ‘hate list,’ which we held as a badge of honor and still do to this day, and the Vice President, Spiro Agnew, named us personally on national TV one night as ‘subversives to America’s youth.’ I mean, you can’t buy that kind of publicity.”

They also enjoyed chart success with “Tarkio Road” and “Shake Off the Demon.” Over the years, their songs were covered by the likes of the Byrds, John Denver, Stephen Stills, the Nitty Gritty Dirt Band, David Lee Roth and more. “One Toke Over the Line” was also mentioned in the first chapter of Hunter S. Thompson’s famous gonzo journalism novel Fear and Loathing in Las Vegas. The duo, which first formed in 1968, continued performing live up until 2020 when the COVID-19 pandemic hit.

READ MORE: Who Are the ‘Big 4’ of Folk Rock?

Brewer also contributed harmony vocals to Dan Fogelberg‘s 1981 release The Innocent Age. Two years later, Fogelberg produced Brewer’s solo album Beauty Lies and released it on his own record label.

Tom Shipley’s Reaction

“Michael Brewer, my friend of 65 years and music partner for over 60, had to go,” Tom Shipley said in a statement. “I saw him on Saturday and he told me he wanted to go home. I will raise a glass to Michael and drink to all those years, all those miles, all those songs, and all the heavenly audiences we played for. Go with God my friend. I’ll see you on the other side.”

Listen to ‘One Toke Over the Line’

In Memoriam: 2024 Deaths

A look at those we’ve lost in 2024.

Gallery Credit: Allison Rapp

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Ringo Starr Says the Beatles Are a ‘Bit Afraid’ of AI

Ringo Starr Says the Beatles Are a ‘Bit Afraid’ of AI
Central Press, Getty Images

Ringo Starr says the Beatles organization remains wary of AI, despite having harnessed the technology to deliver “the last Beatles song” in 2023.

“Now and Then” was built out of recovered elements of John Lennon’s 1977 demo, with 1995 recordings of George Harrison’s guitar added. Paul McCartney and Starr then recorded new parts to complete the song.

The AI system involved was developed by Peter Jackson for his 2021 documentary series The Beatles: Get Back – meaning the band were well aware of machine learning’s abilities.

READ MORE: Peter Jackson Says More Beatles Music is ‘Conceivable’

“We tried it in the ’90s when we got ‘Free As A Bird’ out,” Starr told Music Week in a new interview. “[B]ut we didn’t take much interest because it didn’t sound like John, and George got a bit fed up.

“He didn’t want to do a third [1995 single] and so we just put it to bed – but now they’ve got better equipment. They lifted John’s voice off a cassette, for God’s sake; off a cassette! And it was like John was suddenly in town.”

He hailed McCartney for overseeing the project. “I put the drums on and sang on the chorus… He put the strings on and the lead guitar that gave the track its emotion. It worked out really great.”

Ringo Starr: AI Can Hear Five Songs and Have My Voice

Starr then turned to the controversies surrounding AI, which includes the possibilities of computer-generated songs based on unpaid artists’ work and the replication of voices being used to sell tracks which the singer has no control over.

“We’re all a bit afraid of it, because it can steal you,” the drummer said. “Anyone who knows how to use it can steal you. If they just play any five of my songs into the computer, AI gets all of it and knows my every vocal move. They can have me sing anything and it will sound like me, because it’s taken from my personality.”

He continued: “But the good side is the way we used it on ‘Now And Then.’ God knows where it’s going to go. We’re all worrying about it; but nobody’s really stolen anything yet.”

Watch The Beatles in ‘Now And Then’

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Gene Simmons Adds More 2025 Solo Band Tour Dates

Gene Simmons has updated his solo band’s tour schedule, detailing a total of 16 shows to take place across the U.S. in 2025.

The Kiss icon’s road trip is currently set to begin on Apr. 5 at the Graton Resort in Rohnert Park, CA, and end on May 24 at the House of Blues in Houston, TX.

The full schedule can be seen below. Some tickets are already on general sale while others are under presale. Visit Simmons’ site for details.

Read More: Kiss Band Member Power Rankings

In a recent interview Simmons said he was personally making more money per show with his solo band than he did with Kiss at the top of their game – despite having just repeated his regular claim that rock is dead.

“The local promoters provide the back line, and we just get up there and play,” he told Billboard. He added that the entire entourage consisted of himself, three band members and two crew.

“[N]o managers, no private jets, no 20 tractor trailers, no 60-man crew, no huge shows… [T]he pyro alone for every Kiss show [was $10,000, sometimes $50,000 if you go outdoors. Enormous, enormous costs for doing that.”

His solo shows had a completely different vibe, he explained. “It’s almost as if you decided to rent some amps in a garage and plug in, and then everybody from the neighborhood comes in… It’s very informal and a lot of fun.”

Gene Simmons Band Tour Dates 2025

4/05 – The Event at Graton Resort & Casino – Rohnert Park, CA
4/25 – Ruth Eckerd Hall – Clearwater, FL
4/26 – Fillmore – Miami Beach, FL
4/28 – The Moon – Tallahassee, FL
4/29 – Florida Theater – Jacksonville, FL
4/30 – Hard Rock Live – Orlando, FL
5/03 – Beaver Dam Amphitheater – Beaver Dam, KY
5/05 – Basie – Red Bank, NJ
5/06 – Wellmont – Montclair, NJ
5/08 – Wind Creek Casino – Bethlehem, PA
5/09 – Paramount – Huntington, NY
5/15 – Fallsview Casino – Niagara Falls, ON
5/20 – Brown County Music Center – Nashville, IN
5/22 – House of Blues – Dallas, TX
5/23 – Tobin Center – San Antonio, TX
5/24 – House of Blues – Houston, TX

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Counting down solo albums released by various members of Kiss.

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10 Most Rocking Phil Collins Songs

Most Rocking Phil Collins Songs

Feature Photo: Jimmie48 Photography / Shutterstock.com

Phil Collins has always been a musical chameleon, able to transition effortlessly between rock powerhouse and soulful storyteller. His solo career, much like his tenure with Genesis, features a dynamic range of songs that are brimming with rhythm, emotion, and undeniable energy. Whether unleashing thunderous drum beats, crafting irresistible melodies, or pouring raw honesty into his lyrics, Collins has carved out a unique place in rock history, blending sophistication with visceral power.

From the spine-tingling tension of “In the Air Tonight” to the jubilant funk of “Sussudio,” Collins proves his ability to move seamlessly across sonic landscapes. His reinterpretation of “You Can’t Hurry Love” brings nostalgic charm with his signature flair, while “Something Happened on the Way to Heaven” bursts with brass-driven exuberance. The intensity of “I Don’t Care Anymore” and the infectious hooks of “Don’t Lose My Number” capture the harder-edged side of his music. Songs like “Easy Lover,” a collaboration with Philip Bailey, showcase electrifying chemistry, while tracks like “Hang in Long Enough” and “I Cannot Believe It’s True” highlight Collins’s masterful blend of rock grooves and melodic finesse.

This list celebrates Phil Collins’s ability to deliver music that pulses with life, energy, and timeless appeal. His songs invite listeners to experience a mix of rhythm and raw emotion—proof that rock and roll, in his hands, is as dynamic and powerful as ever.

# 10 – Don’t Lose My Number – No Jacket Required

“Don’t Lose My Number” from No Jacket Required captures Phil Collins’ unmistakable energy and storytelling flair, becoming one of the standout tracks from his 1985 chart-topping album. Written and produced by Collins himself, with additional production assistance from Hugh Padgham, the song was recorded during sessions at Townhouse Studios in London. It showcases Collins’ signature blend of rock and pop, driven by punchy drum programming and infectious hooks. Though the song was never officially released as a single in the UK, it made waves internationally, reaching number four on the Billboard Hot 100 in the United States, cementing Collins’ dominance in the mid-1980s music scene.

The track features Collins’ impeccable vocal delivery alongside dynamic instrumentation. Daryl Stuermer contributes guitar work that adds a sharp, driving edge to the composition, while bassist Lee Sklar provides a solid rhythmic backbone. Collins’ signature drum machine patterns and layered production create a polished, radio-ready anthem. Lyrically, “Don’t Lose My Number” tells the ambiguous story of a character named Billy who is on the run, though Collins has admitted the lyrics were largely improvised and lack a definitive narrative. Despite this, its cryptic nature and catchy chorus resonate, adding to the song’s playful, mysterious charm.

The music video for “Don’t Lose My Number” reflects Collins’ sense of humor and creative versatility. Directed by Jim Yukich, the video parodies various film genres and iconic scenes, including Westerns, science fiction, and kung fu movies, as Collins humorously tries to decide on a concept. This lighthearted approach adds another layer to the song’s appeal, showcasing Collins’ ability to balance serious musicianship with a tongue-in-cheek attitude. Compared to other songs on this list, “Don’t Lose My Number” stands out for its upbeat energy and Collins’ willingness to embrace fun, both musically and visually. As part of No Jacket Required, an album that earned Grammy Awards and topped charts worldwide, this track remains a testament to Phil Collins’ remarkable ability to craft songs that are as memorable as they are musically compelling.

Read More: Phil Collins’ Best Song From Each Of His Solo Albums

# 9 – I Don’t Care Anymore – Hello, I Must Be Going!

With a thunderous drumbeat and raw intensity, Phil Collins delivers one of his most defiant tracks in “I Don’t Care Anymore,” featured on his second solo album Hello, I Must Be Going! Released in 1982, the song was recorded at Townhouse Studios in London and produced by Collins alongside frequent collaborator Hugh Padgham. The track epitomizes Collins’ ability to merge emotional catharsis with hard-hitting musicianship, driven by its iconic gated reverb drum sound—a technique Collins helped pioneer. The song peaked at number thirty-nine on the Billboard Hot 100, demonstrating its widespread appeal and establishing itself as a staple of Collins’ solo catalog.

Musically, “I Don’t Care Anymore” is fueled by Collins’ unmistakable drum work, layered with atmospheric keyboards and moody guitar contributions from Daryl Stuermer. Collins’ vocals carry a visceral edge, expressing frustration and disillusionment as he repeats the titular phrase, “I don’t care anymore,” with escalating intensity. The relentless drum pattern, combined with the song’s sparse yet powerful arrangement, creates a sense of emotional release that resonates deeply with listeners. Compared to more polished, pop-oriented tracks like “Don’t Lose My Number,” this song leans heavily into Collins’ rock roots, showcasing a darker, more aggressive side of his artistry.

Lyrically, “I Don’t Care Anymore” reflects Collins’ personal turmoil during a challenging period in his life, particularly in the wake of his divorce. The repeated refrain emphasizes a sense of finality and defiance, as he declares emotional detachment from a toxic situation. Lines like “You can tell everyone I’m a damn disgrace” underline the confrontational tone, adding to the song’s raw power. Its thematic boldness sets it apart from more sentimental tracks, making it one of the most emotionally charged entries on this list. The song’s blend of primal energy and polished production solidifies its place as a defining moment in Collins’ career, delivering both musical innovation and an unfiltered glimpse into his personal struggles.

Read More: Complete List Of Phil Collins Albums And Discography

# 8 – I Missed Again – Face Value

Released in 1981 as part of Phil Collins’ debut solo album Face Value, “I Missed Again” showcases Collins’ unique fusion of pop, jazz, and soul influences, solidifying his reputation as a solo artist beyond his Genesis roots. Recorded at Townhouse Studios in London, the track was produced by Collins alongside Hugh Padgham, who played a key role in refining the album’s sound. The song marked one of Collins’ early solo successes, reaching number nineteen on the Billboard Hot 100 in the United States and cementing Face Value as a standout release of the early 1980s.

Musically, “I Missed Again” stands out for its vibrant brass arrangements, performed by the renowned Earth, Wind & Fire horn section, which gives the track a dynamic, jazz-infused energy. The groove-driven rhythm, anchored by Collins’ signature drum work, complements the punchy horns and rhythmic bassline. Collins’ vocal delivery is soulful and expressive, adding emotional weight to a song that masks its heartache with an upbeat, almost playful arrangement. Compared to the raw defiance of “I Don’t Care Anymore” or the hard-hitting production of “Don’t Lose My Number,” “I Missed Again” highlights a more groove-oriented, jazz-inspired side of Collins’ solo work.

Lyrically, the song reflects Collins’ personal struggles during the breakdown of his first marriage, a recurring theme throughout Face Value. The title phrase, “I missed again,” serves as a metaphor for missed connections and unfulfilled emotional efforts, underscored by lines such as, “So I missed again, oh, I think I missed again.” While the lyrics carry a sense of disappointment, the lively instrumentation provides an unexpected contrast, offering a balance between melancholy and musical optimism. “I Missed Again” is a testament to Collins’ ability to craft emotionally resonant songs that remain musically engaging, further establishing him as one of the most versatile and innovative artists of his era.

Read More: Top 10 Phil Collins Songs

# 7 – Easy Lover

“Easy Lover,” released in 1984, is a collaborative powerhouse between Phil Collins and Philip Bailey, serving as a standout track on Bailey’s album Chinese Wall. Produced by Collins, the song was recorded at The Townhouse Studios in London, showcasing Collins’ deft production skills alongside Bailey’s soaring falsetto vocals. The single became an instant classic, peaking at number two on the Billboard Hot 100 in the United States and topping the charts in the United Kingdom, cementing its place as one of the most iconic duets of the 1980s.

The song’s infectious energy stems from the seamless interplay between Collins’ rhythmic pop-rock sensibilities and Bailey’s roots in R&B as the lead vocalist of Earth, Wind & Fire. Nathan East’s driving bassline lays the foundation for the track, complemented by Collins’ crisp drum work and sharp guitar riffs provided by Daryl Stuermer. The combination of pop hooks, rock edge, and soulful vocal delivery creates a timeless anthem that remains instantly recognizable decades after its release. Compared to the tension and introspection of songs like “I Don’t Care Anymore,” “Easy Lover” is a celebration of musical synergy and infectious groove.

Lyrically, “Easy Lover” tells the story of a captivating yet elusive woman who leaves a trail of heartbreak. The harmonized refrain, “She’s an easy lover / She’ll take your heart but you won’t feel it,” reinforces the song’s cautionary narrative while keeping its tone light and spirited. The accompanying music video, featuring behind-the-scenes footage of Collins and Bailey enjoying the recording process, perfectly captures the camaraderie and fun that defines the track. “Easy Lover” is a testament to both artists’ versatility and their ability to create a hit that bridges pop, rock, and R&B with remarkable ease, solidifying its place as a highlight in both Collins’ and Bailey’s storied careers.

Read More: Top 10 Phil Collins Albums

# 6 – I Cannot Believe It’s True – Hello, I Must Be Going

Read More: Top 10 Genesis Songs

# 5 – Something Happened On The Way To Heaven – …But Seriously

“Something Happened on the Way to Heaven” is a driving and infectious track from Phil Collins’ 1989 album …But Seriously, released as a single in 1990. Recorded at The Farm in Surrey, England, the song was produced by Collins alongside long-time collaborator Hugh Padgham, who helped shape Collins’ signature sound during the late 1980s. The track stands out for its upbeat tempo and vibrant instrumentation, despite its lyrical themes of regret and reconciliation. It was written by Collins and Daryl Stuermer, marking one of their many fruitful songwriting collaborations.

Musically, the song is defined by its energetic blend of pop-rock and horn-driven funk, with Collins’ dynamic drumming at its core. The Phenix Horns, once again, play a prominent role, delivering punchy brass arrangements that elevate the track’s vibrant rhythm. Collins’ soulful vocal delivery captures a sense of urgency as he reflects on a broken relationship, singing lines like “Something happened on the way to heaven, but it got me so I can’t complain” with a mixture of remorse and resilience. The contrast between the lively, almost celebratory music and the introspective lyrics gives the song a compelling duality.

The track’s accompanying music video features a playful behind-the-scenes narrative involving a mischievous dog on a film set, adding an entertaining visual element to the song’s release. Chart-wise, “Something Happened on the Way to Heaven” performed strongly, reaching number four on the Billboard Hot 100 in the United States and solidifying Collins’ commercial success during this era.

Compared to other songs in Collins’ catalog, such as “I Cannot Believe It’s True” and “Don’t Lose My Number,” this track similarly showcases his ability to marry emotionally reflective lyrics with infectious grooves. While those earlier works hinted at heartbreak or frustration, “Something Happened on the Way to Heaven” pairs its theme of a failed relationship with a more optimistic sonic palette, underlining Collins’ versatility as a songwriter.

As one of the standout singles from …But Seriously, the song represents Collins at the peak of his solo career, blending precision production, stellar musicianship, and his unmatched ability to turn personal experiences into universally relatable hits.

Read More: Complete List Of Genesis Band Members

# 4 – Hang In Long Enough – …But Seriously

“Hang in Long Enough” is the energetic closing track and final single from Phil Collins’ 1989 album …But Seriously. Released in 1990, the song reflects Collins’ seamless ability to blend polished pop-rock with funk-infused rhythms, delivering a vibrant message of persistence and determination. Recorded at The Farm in Surrey, England, the track was produced by Collins alongside his long-time collaborator Hugh Padgham, who played a crucial role in shaping his signature sound during the late 1980s.

Driven by an infectious groove, “Hang in Long Enough” is underpinned by Collins’ dynamic drumming and the commanding brass section provided by the Phenix Horns. This partnership—familiar to fans of Collins’ work both solo and with Genesis—adds a layer of punch and urgency to the song’s relentless rhythm. Lyrically, the track offers an uplifting and resilient theme, urging listeners to persevere with lines such as “If you hang in long enough, you’ll do it”. Collins’ vocal delivery is forceful and passionate, matching the song’s upbeat energy. The message resonates deeply, particularly within the album’s broader exploration of societal and personal struggles.

The accompanying music video introduces a playful, satirical take on Wall Street excess, reflecting themes of greed and ambition. Collins portrays a stockbroker embroiled in a chaotic corporate environment, underscoring the song’s lyrical undertones about staying strong in the face of adversity. It highlights Collins’ knack for infusing humor into his visual storytelling while still addressing weighty subjects—a quality seen elsewhere in tracks like “Don’t Lose My Number.”

In comparison to the introspective and socially conscious tone of other …But Seriously singles, such as “Something Happened on the Way to Heaven,” “Hang in Long Enough” stands out for its relentless optimism and high-energy arrangement. The song’s bold, brassy instrumentation and infectious rhythm make it one of Collins’ most vibrant tracks from the late ’80s, providing a fitting close to an album that solidified his status as a dominant force in rock and pop. Its enduring message of perseverance and self-belief ensures it remains a standout in Collins’ extensive

Read More: Complete List Of Genesis Albums And Discography

# 3 – You Can’t Hurry Love – Hello, I Must Be Going!

Phil Collins’ rendition of “You Can’t Hurry Love” brought a classic Motown anthem into the 1980s with polished production and a respectful nod to its roots. Released as a single in 1982, the track appears on his second solo album, Hello, I Must Be Going!. Collins’ decision to cover The Supremes’ 1966 hit showcases his appreciation for the original’s timeless melody while infusing it with his distinctive sound. The recording took place at The Townhouse Studios in London, with Collins handling both vocals and drums, alongside producer Hugh Padgham, who helped refine the crisp, dynamic production that defined the artist’s early solo work.

The song pays faithful homage to the iconic Motown sound, particularly in its rhythmic structure and backing harmonies, which mirror the energy of the original version. Collins’ trademark drum work gives the track a modern edge, while his clean, confident vocals channel the joy and optimism of the lyrics: “You can’t hurry love / No, you just have to wait.” Unlike the introspective or emotionally heavy themes explored in other songs on Hello, I Must Be Going!, such as “I Don’t Care Anymore”, this track offers a lighter, upbeat contrast, making it an accessible highlight of the album.

Critically and commercially, Collins’ version was a resounding success, earning him his first number one single in the UK, where it topped the charts for two weeks in January 1983. It also performed well internationally, reaching the top ten in the United States, Canada, and several other countries. This success solidified Collins’ ability to bridge generations, introducing younger audiences to a beloved Motown classic while staying true to his evolving pop-rock style.

With its infectious rhythm, tight instrumentation, and universal message of patience in love, “You Can’t Hurry Love” became a defining moment in Collins’ early solo career. It demonstrated his versatility as both a songwriter and interpreter, reinforcing his ability to balance reverence for musical history with a fresh, contemporary approach. As one of Collins’ most joyful recordings, the song remains a staple in his catalog and a shining example of his enduring connection to classic soul and pop influences.

Read More: Top 10 Genesis Albums

# 2 –  Sussudio – No Jacket Required

Phil Collins’ “Sussudio,” the opening track and lead single from his 1985 album No Jacket Required, is a prime example of his mastery in blending infectious pop hooks with bold, synth-driven production. Released on January 14, 1985, the song was recorded at the Townhouse and Old Croft studios in London, with Collins and producer Hugh Padgham crafting the now-iconic sound. The track features Collins on vocals and drums, supported by a blend of programmed synthesizers and horn sections that capture the energy of the mid-1980s pop scene.

The creation of “Sussudio” began with an improvised riff, with Collins singing the nonsensical word “Sussudio” as a placeholder. The phrase stuck, and the track evolved into a polished, funky pop anthem with heavy influence from Prince’s 1999-era sound, which Collins later acknowledged. The tight, pulsating rhythm is complemented by the Phenix Horns, longtime collaborators with Earth, Wind & Fire, who add a brassy dynamism to the track. This fusion of punchy horns, shimmering synthesizers, and Collins’ energetic vocal delivery gives “Sussudio” its unmistakable groove.

Upon its release, “Sussudio” became a massive commercial success, reaching number one on the Billboard Hot 100 in the United States and charting highly across multiple countries, including the UK, Canada, and Australia. Its upbeat, danceable vibe and radio-friendly appeal made it a defining hit for No Jacket Required, one of the best-selling albums of the decade. Despite some critical backlash, with commentators poking fun at the song’s invented title, its staying power as a pop classic is undeniable.

Lyrically, “Sussudio” reflects a lighthearted take on infatuation, with Collins singing about an unrequited crush. The upbeat tone and lively instrumentation mask the subtle melancholy of longing captured in lines like, “Now she don’t even know my name, but I think she likes me just the same.” Compared to other tracks on No Jacket Required, like the introspective “One More Night” or the driving energy of “Don’t Lose My Number”, “Sussudio” stands out as a celebratory, unabashedly fun moment that captures Collins’ pop sensibilities at their peak.

Accompanied by a colorful, upbeat music video featuring Collins performing with a full band in a club setting, the song further cemented its place in 1980s pop culture. Despite being polarizing among critics, “Sussudio” remains one of Collins’ signature tracks, encapsulating the spirit of an era and showcasing his undeniable ability to create music that resonates with wide audiences.

Read More: Top 10 Genesis Album Covers

# 1 – In The Air Tonight – Face Value

“In the Air Tonight,” one of Phil Collins’s most iconic tracks, appeared on his debut solo album Face Value, released on February 13, 1981. Collins wrote and produced the song, and it was recorded at The Town House and Old Croft in Surrey, England, during sessions between 1979 and 1980. The recording sessions were particularly significant as they marked a shift for Collins, who was processing his emotions after a painful divorce. Musically, Collins performed drums, keyboards, and vocals, with additional production by renowned engineer Hugh Padgham, who helped shape its groundbreaking sound.

The track is celebrated for its haunting atmosphere, minimalist arrangement, and the dramatic drum fill that arrives near the song’s climax, now one of the most recognizable drum breaks in rock history. Its unique production featured Collins experimenting with the gated reverb drum sound, a revolutionary technique at the time that became a staple of ’80s rock and pop. Lyrically, “In the Air Tonight” is shrouded in mystery and often misinterpreted; Collins has repeatedly denied urban legends about its backstory. The raw emotion in lines like, “Well, if you told me you were drowning, I would not lend a hand,” reflects his personal anguish and lends the song its enduring intensity.

Critically and commercially, the song was a massive success, reaching number two on the UK Singles Chart and breaking into the Top 20 in the U.S. Its music video, featuring stark, moody visuals and close-ups of Collins’s face, enhanced the song’s mystique and helped propel Collins’s solo career. Over the years, “In the Air Tonight” has maintained cultural relevance, appearing in films, television, and commercials, including its iconic use in Miami Vice. Its influence can also be felt on the list’s other tracks, as Collins’s innovative drum techniques and emotional vulnerability set a high standard for rock music.

“In the Air Tonight” remains a cornerstone of Phil Collins’s legacy, embodying both his personal struggles and his trailblazing contributions to music production. The song’s brooding energy and unforgettable drum break ensure its place among the most electrifying tracks in rock history.

Read More: Steve Hackett: The ClassicRockHistory.com Interview

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

10 Most Rocking Phil Collins Songs article published on Classic RockHistory.com© 2024

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W.A.S.P. – Watch Video Of Entire VIP Q&A With BLACKIE LAWLESS From San Francisco

W.A.S.P. - Watch Video Of Entire VIP Q&A With BLACKIE LAWLESS From San Francisco

W.A.S.P. have released video for the entire VIP Q&A with Blackie Lawless, filmed in San Francisco, CA on December 13. Watch below:

“Album ONE Alive” marks the 40th anniversary of the release of W.A.S.P.’s first album. To celebrate this classic metal album, W.A.S.P. will, for the first time in 40 years, play the entire album from top to bottom, start to finish at headline shows across Europe. In addition, W.A.S.P. will be appearing at a number of European festivals, performing their greatest hits.

Tickets are available at WASPnation.com.

Formed in 1982, W.A.S.P. is set to bring this universally acclaimed “classic” album to life. Lead vocalist Blackie Lawless says, “It was an angry record made by an angry band. It was a record that not only reflected the attitude of the band members who made it, but also a record that reflected its time.” This record became a central piece of the 80s metal scene and remains one of the best metal debut albums of all time.

Along with bassist Mike Duda and lead guitarist Doug Blair, whose tenures in the band are 29 and 26 years respectively, W.A.S.P. is joined by long-time drummer extraordinaire Aquiles Priester.

Lawless and company will deliver the ultimate incredible spectacle, bringing W.A.S.P.’s most colorful history to life by performing this revered album in its entirety… ONE more time… ONE last time… Album ONE Alive!

W.A.S.P. will be again offering fans VIP tickets at select shows that give fans a chance to meet Blackie Lawless, get a personal photo with Blackie, autographs and take part in a very personal Q&A with Blackie. VIP tickets can be purchased here.

Headline Shows Performing Album ONE Alive:

June
7 – Berlin, Germany
10 – Vaureal, France
11 – Eindhoven, Netherlands
12 – Luxembourg, Luxembourg
13 – Wiesbaden, Germany

July
11 – Belgrade, Serbia
16 – Milan, Italy
29 – Riddes, Switzerland
30 – Zurich, Switzerland

August
3 – Munich, Germany

Festival Shows Performing Greatest Hits:

June
6 – Mystic Festival – Poland
8 – Rock Hard Festival – Germany
14 – Into The Grave – Netherlands

July
10 – Area 53 Festival – Austria
12 – Midalidare Open Air – Bulgaria
14 – Rockwave Festival – Greece
18 – Sun And Thunder Festival – Spain
26 – Steelhouse Festival – Wales

August
1 – Skogsröjet Festival – Sweden
6 – Leyendas del Rock Festival – Spain
8 – Alcatraz Festival – Belgium

The W.A.S.P. 7 Savage CD Boxset is set for release on January 17, and is available for pre-order here.

About W.A.S.P.:

Few bands in the history of rock n’ roll have ever incited the love, the hate, the raw emotional effect this band has had on the world. From the very beginning, in the small venues of Los Angeles California, and later to the numerous countries worldwide that banned these Winged Assassins from performing live, the band’s unique style of shock and rock caused religious organizations, local city councils, parliaments, and the Washington D.C. senate to hold hearings in an effort to bar this group from selling records and trashing stages everywhere they played.

The band’s founding member, frontman Blackie Lawless, has led the group as its lead vocalist and primary songwriter since its beginning. His unique brand of visual, social and political comment took the group to worldwide heights and sold millions of records alongside a legacy of sold out shows across the globe for 4 decades.


AC/DC Share Alternate HD Video For “Nervous Shakedown”

AC/DC Share Alternate HD Video For

AC/DC have released an alternate HD video for “Nervous Shakedown”, the third single released from the band’s 1983 album, Flick Of The Switch. Watch below:

AC/DC return to the road in North America for the first time in nine years on the 2025 Power Up North American Tour.

Much to the delight of millions of fans across North America, the legendary Grammy Award-winning Rock And Roll Hall Of Fame-inducted band will perform in 13 stadiums coast-to-coast next spring. This run kicks off on April 10 in Minneapolis, MN at US Bank Stadium, canvases the continent, and concludes on May 28 in Cleveland, OH at Huntington Bank Field. Along the way, they will play some of the most iconic and historic stadiums in the world, including the Rose Bowl in Pasadena, CA on April 18 and Soldier Field in Chicago, IL on May 24.

Tickets for all shows, featuring support from The Pretty Reckless, are on sale now, here.

The tour shares its name with their 2020 album, Power Up, which bowed at #1 in 21 countries. In 2024, AC/DC completed a European leg of the Power Up Tour, packing the biggest stadiums on the continent in the process. Power Up notably notched their third #1 debut on the Billboard 200 and exploded as one of the best-selling albums of 2020 worldwide. Plus, it garnered Grammy Award nominations in the categories of “Best Rock Album” and “Best Rock Performance” and “Best Music Video” for “Shot In The Dark.” Power Up is available here.

AC/DC played their very first show on the 31st December 1973 at Chequers Nightclub in Sydney, Australia. They are one of the most influential rock bands in history, with over 200 million albums sold worldwide. The band’s Back In Black LP is the “bestselling album by any band ever” and the “third bestselling album by any artist” with global sales of 50 million and counting. AC/DC was inducted into the Rock And Roll Hall Of Fame in 2003. The band continue selling out stadiums on multiple continents, sell millions of albums annually and generate streams in the billions.

To continue their reign as the world’s greatest rock and roll band, AC/DC – Angus Young on lead guitar, vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug and bass player Chris Chaney – are back to play to their legion of dedicated fans, which grows with every passing year.

Tour dates:

April
10 – Minneapolis, MN – US Bank Stadium
14 – Arlington, TX – AT&T Stadium
18 – Pasadena, CA – Rose Bowl
22 – Vancouver, BC – BC Place
26 – Las Vegas, NV – Allegiant Stadium
30 – Detroit, MI – Ford Field

May
4 – Foxborough, MA – Gillette Stadium
8 – Pittsburgh, PA – Acrisure Stadium
12 – Landover, MD – Northwest Stadium
16 – Tampa, FL – Raymond James Stadium
20 – Nashville, TN – Nissan Stadium
24 – Chicago, IL – Soldier Field
28 – Cleveland, OH – Huntington Bank Field


JOE SATRIANI’s “Big Bad Moon” Is The New Single From Upcoming G3 Reunion Live Album; Video Streaming

JOE SATRIANI's

Joe Satriani, Eric Johnson, and Steve Vai returned to the G3 touring concept in 2024 for a sold-out US tour. This was the original G3 lineup that saw the three virtuosos first share a stage back in 1996. Each guitarist plays a full set with their own band and then the three join together for an encore jam.

For those lucky enough to have been at any one of those 2024 shows, “Big Bad Moon” (from Joe Satriani’s Grammy-nominated, certified Gold Flying In A Blue Dream album) is a standout moment to relive and cherish again. For those who weren’t, G3 Reunion Live is the full G3 live experience waiting to be discovered.

“Reuniting with Eric and Steve, commemorating the very first G3 tour of ’96, was nothing short of genius. They were the first two guitarists I called when planning G3’s maiden voyage, so this reunion was a confirmation of our special connection.” – Joe Satriani

Stream the “Big Bad Moon” single here, and watch the visualizer video below:

G3 Reunion Live captures the experience of that tour in full for all fans and marks the first G3 album release in over 20 years.

G3 Reunion Live is much more than “just” a live album. It’s a full album-length set from each artist plus a collaborative supergroup LP. The deluxe edition features a different coloured vinyl for each artist, a special splatter LP for the encore jam, and a 64-page photo book, divided into artist and jam chapters, with the full program also on 2 CDs. It is also available in a 2CD digipak with a 16-page photo booklet, 4 LP gatefold and digital download.

Pre-order / pre-save the album here.

Tracklisting (all formats):

“Gravitas” (Vai)
“Avalancha” (Vai)
“Little Pretty Intro” (Vai)
“Little Pretty” (Vai)
“Tender Surrender” (Vai)
“Zeus In Chains” (Vai)
“Teeth of the Hydra” (Vai)
“For The Love Of God” (Vai)
“Land Of 1000 Dances” (Johnson)
“Righteous” (Johnson)
“Trail Of Tears” (Johnson)
“On-Ramp Improv” (Johnson)
“Freeway Jam” (Johnson)
“Desert Rose” (Johnson)
“Venus Reprise” (Johnson)
“Raspberry Jam Delta-V” (Satriani)
“Surfing With The Alien” (Satriani)
“Satch Boogie” (Satriani)
“Sahara” (Satriani)
“Nineteen Eighty” (Satriani)
“Big Bad Moon” (Satriani)
“Always With Me, Always With You” (Satriani)
“Sumer Song” (Satriani)
Introductions
“Crossroads” (Encore Jam)
“Spanish Castle Magic” (Encore Jam)
“Born To Be Wild” (Encore Jam)

“Crossroads” video:

About Joe Satriani:

For over three decades, the guitar virtuoso has travelled the world, playing to sold-out crowds as both a headliner and as founder of the all-star “G3” guitar extravaganza. Satriani’s studio and live recordings have sold more than 10 million copies worldwide to date and of his many solo albums, two have gone platinum and four others went gold, with 15 Grammy nominations between them. He launched his annual “G4 Experience” in 2014 bringing aspiring guitarists together for four days of workshops, mentor sessions and live performances, providing an exclusive learning platform led by him and his accomplished peers. In 2021, he introduced the “Crystal Planet” comic series, a five-part opus interweaving the realms of music and art. The tour documentary “Beyond the Supernova,” directed by ZZ Satriani and currently available for streaming, offers an intimate behind-the-scenes glimpse that intricately chronicles his life, illuminating the profound dedication that fuels his guitar mastery. His side project, Chickenfoot, featuring former Van Halen frontman Sammy Hagar, former bassist Michael Anthony and Red Hot Chili Peppers’ drummer Chad Smith saw their debut album certified gold and their second studio album debuted at #9. Satriani released his 19th studio album, The Elephants of Mars, in April 2022. In 2024 Satriani embarked on Sammy Hagar’s Best of All Worlds tour.

About Eric Johnson:

Among Johnson’s many accolades are a Grammy award for “Cliffs of Dover ” (from his Platinum certified album, Ah Via Musicom), ten more Grammy nominations, lifetime induction into the Guitar Player Gallery of Greats and his listing among the “100 Greatest Guitarists of the 20th Century” by Musician. In his hometown of Austin TX, a city full of guitarists, the readers of the Austin Chronicle have voted Eric Johnson the city’s “Best Electric Guitarist” and “Best Acoustic Guitarist” in their yearly poll year after year. They also named him “Electric Guitarist of the Decade” and one of the top five “Musicians of the Decade”. Eric released two new albums in 2022, The Book of Making and Yesterday Meets Today via his new partnership with Blue Élan Records. Eric is currently on the 2024 Experience Hendrix tour through late October.

About Steve Vai:

Steve Vai is a virtuoso guitarist, composer, and producer, considered by many as one of the greatest guitarists of all time. In over 40 years in the industry, Vai has sold over 15 million records, received three Grammy Awards, and recorded with music legends like Frank Zappa, David Lee Roth, Whitesnake and many more. Vai has also toured extensively and recorded live projects with G3 (collaborating with different touring line-ups including Joe Satriani, John Petrucci, Eric Johnson, Yngwie Malmsteen, and Steve Lukather) and Generation Axe, a supergroup Vai formed with Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt and Tosin Abasi. Vai is the author of Vaideology: Basic Music Theory for Guitar Players (Hal Leonard), his inaugural music theory book designed to help both beginners and veteran guitar players. He toured North America in support of his most recent studio album Inviolate before embarking on the BEAT tour playing the music of 80s King Crimson.


Is FLEETWOOD MAC’s Rumours Really The Biggest Selling “Rock” Album Of 2024?

December 17, 2024, an hour ago

news classic rock rarities fleetwood mac

Is FLEETWOOD MAC's Rumours Really The Biggest Selling

Ultimate Classic Rock is reporting that the best-selling rock album of 2024 is 47 years old.

In a year dominated by pop, country and hip-hop, Fleetwood Mac’s 1977 masterpiece, Rumours, was the highest-charting rock album on Billboard’s 2024 year-end chart, landing at #34, just one spot ahead of Elton John’s 2017 greatest hits collection, Diamonds.

According to the report, just 29 of the Top 200 albums on Billboard’s year-end 2024 chart were from rock artists. Depressingly, none of them were released this year. All but five of the 29 were greatest hits collections. Besides Rumours, the only non-compilation rock albums to make the chart were Nirvana’s Nevermind, AC/DC’s Back In Black, Linkin Park’s [Hybrid Theory] and Sublime’s self-titled 1996 album.

Read the full report at Ultimate Classic Rock.


Poland’s Mystic Festival Announces “Blood Fire Death – A Tribute To QUORTHON And The Music Of BATHORY” Featuring Members Of MAYHEM, EMPEROR, ENSLAVED And More

Poland’s Mystic Festival Announces

Organizers of Poland’s Mystic Festival, which will take place in the Gdańsk Shipyard from June 4 to 7, 2025, have issued the following festival news.

The cult is still alive. The music of Bathory will grace the Mystic Festival stage thanks to a supergroup made up of the crème de la crème of Scandinavian black metal.

They say that no one is irreplaceable. Well, that’s not entirely true… In 2004, the world of metal suffered an irreparable loss – Thomas “Quorthon” Forsberg passed away. The man who, under the sign of Bathory, singlehandedly changed this music and laid the foundations for contemporary black metal, and but a moment later, also for viking metal, forging the path ahead for the next generations of artists who combine the uncompromising nature of metal with their local, traditional culture.

In the summer of 2024, a black metal Quorthon tribute supergroup took the stage of the Norwegian Beyond the Gates Festival, performing the classic Bathory repertoire and proving that this flame is still burning. We are elated to announce that this special project, Blood Fire Death – A Tribute to Quorthon and the Music of Bathory, will come down to Gdańsk in June to let you peek behind the gates of Valhalla.

The band will perform with the following lineup:

Erik Danielsson (Watain) – vocals
Ivar Bjørnson (Enslaved) – guitar
Blasphemer (Vltimas, ex-Mayhem) – guitar
Apollyon (Aura Noir) – bass and vocals
Faust (Djevel, ex-Emperor) – drums

They will be joined on stage by many distinguished guests… Their identities will soon be revealed.

The concept behind the Blood Fire Death – A Tribute to Quorthon and the Music of Bathory performance was conceived in line with Quorthon’s own conceptualisation of how a Bathory concert should be staged if his music were ever to be performed live.

Mystic Festival will take place in the Gdańsk Shipyard from June 4 to 7, 2025.

The festival will feature, among others: King Diamond, Sepultura, In Flames, Bullet For My Valentine, Opeth, W.A.S.P., Apocalyptica, Suicidal Tendencies, Cradle Of Filth, Blood Fire Death – A tribute to Quorthon and the Music of Bathory, Jerry Cantrell, Exodus, Perturbator, Jinjer, Eagles Of Death Metal, I Am Morbid – “Domination” set, The Crazy World of Arthur Brown, Health, Dark Tranquility, Tiamat, Landmvrks, The Kovenant, Cattle Decapitation, Whitechapel, Death Angel, Polaris, Nile, Alcest, Beherit, Oranssi Pazuzu, Eyehategod, Halocene, Green Lung, Pentagram, Combichrist, Skeletal Remains, Signs Of The Swarm, Cobra The Impaler, Archgoat, Defects, John Cxnnor, Møl, Cabal, Katla, Plaguemace and Embla.

More information and tickets available here.

Currently available for purchase:

Early Bird pass – PLN799.
VIP pass – PLN1299.

Passes are also available for purchase via the eBilet platform, which offers instalment sale – buy today, pay later.

The festival is brought to you in partnership with Antyradio.

The festival is organized by Mystic Coalition, an alliance of companies with rich experience in concert, festival and record industries, comprising Knock Out Productions, Mystic Production, and B90.