Author: wamdines

George Harrison was born in Liverpool, England, on February 23, 1943. As a teenager, he became close friends with Paul McCartney, who introduced him to John Lennon. Though younger than the other members, Harrison joined Lennon’s group, the Quarrymen, which soon evolved into The Beatles. While Lennon and McCartney handled the majority of songwriting in the early years, Harrison’s guitar work became an essential part of the band’s sound. He began contributing more creatively by the mid-1960s, eventually writing some of The Beatles’ most critically acclaimed songs, including “While My Guitar Gently Weeps,” “Something,” and “Here Comes the Sun.”

During his time with The Beatles, Harrison also developed a deep interest in Indian music and spirituality, heavily influenced by his relationship with sitar virtuoso Ravi Shankar. This cultural exploration led to his introduction of the sitar into Western pop music on tracks like “Norwegian Wood,” and eventually brought Eastern philosophy into mainstream consciousness. His spiritual beliefs became central to his personal identity and were reflected in his songwriting, particularly on later Beatles records such as Abbey Road and Let It Be. Despite the challenges of being the third songwriter in a group dominated by Lennon and McCartney, Harrison’s influence grew steadily during the final years of the band.

After The Beatles disbanded in 1970, Harrison was the first member to release a major solo project. All Things Must Pass was a triple LP that showcased Harrison’s backlog of previously shelved material and new compositions. Produced by Phil Spector, the album included the number-one hit “My Sweet Lord,” which became the first solo single by a Beatle to top the charts. The album was a massive commercial and critical success, hailed for its ambition, emotional range, and spiritual depth. It established Harrison as a formidable solo artist in his own right, no longer overshadowed by his former bandmates.

In 1971, Harrison organized the Concert for Bangladesh, one of the first large-scale benefit concerts in music history. Featuring appearances by Bob Dylan, Eric Clapton, Ringo Starr, and Ravi Shankar, the event raised global awareness and significant funds for refugees of the Bangladesh Liberation War. The concert and its accompanying live album and film received widespread acclaim and earned Harrison a Grammy Award for Album of the Year. This pioneering act of musical activism became a blueprint for future benefit concerts such as Live Aid and Farm Aid.

Harrison continued to release solo albums throughout the 1970s, including Living in the Material World (1973), Dark Horse (1974), and Thirty Three & 1/3 (1976). While these albums received mixed reviews compared to All Things Must Pass, they included standout tracks like “Give Me Love (Give Me Peace on Earth),” which reached number one in the U.S., and “Crackerbox Palace.” His work during this era reflected his deepening spiritualism, commentary on fame, and love of slide guitar. Harrison also launched his own label, Dark Horse Records, which released not only his own albums but those of artists like Ravi Shankar and Splinter.

The 1980s marked a period of relative quiet for Harrison as he withdrew from public life and focused on film production. He co-founded HandMade Films in 1978, a company that would go on to finance and produce several notable British films, including Monty Python’s Life of Brian, Time Bandits, and Withnail and I. His work in cinema contributed significantly to the resurgence of the British film industry at a time when it was facing a commercial crisis. During this time, Harrison also released Somewhere in England (1981) and Gone Troppo (1982), though neither achieved major commercial success.

After a brief hiatus from music, Harrison returned in 1987 with the critically acclaimed album Cloud Nine, produced by Jeff Lynne. The album included the hit single “Got My Mind Set on You,” which reached number one in the U.S., and the beloved track “When We Was Fab,” a nostalgic nod to his Beatles past. The album’s success revitalized his musical career and led to the formation of the Traveling Wilburys, a supergroup featuring Bob Dylan, Roy Orbison, Tom Petty, and Jeff Lynne. Their debut album, Traveling Wilburys Vol. 1 (1988), was widely praised and commercially successful, adding another remarkable chapter to Harrison’s career.

Though he slowed down musically in the 1990s, Harrison remained involved in various creative and charitable efforts. In 1991, he toured Japan with Eric Clapton, and in 1992 he released Live in Japan, a live album showcasing his enduring musicianship. He continued to advocate for peace, environmental causes, and humanitarian work, using his fame to quietly support various charitable endeavors. He also contributed to the Beatles Anthology project in the mid-1990s, collaborating with Paul McCartney and Ringo Starr on the production of two new Beatles tracks based on John Lennon demos.

In 1997, Harrison was diagnosed with throat cancer, and though he underwent treatment, the disease resurfaced in 2001. He passed away in November of that year at the age of 58. His final album, Brainwashed, was released posthumously in 2002, completed by his son Dhani Harrison and Jeff Lynne. The album received critical praise for its introspective lyrics and musical precision, serving as a fitting farewell from an artist who had always placed sincerity and depth above commercial trends.

Throughout his career, Harrison released twelve studio albums, two live albums, and many singles that charted across the world. He won multiple Grammy Awards and was twice inducted into the Rock and Roll Hall of Fame—first as a member of The Beatles in 1988 and again as a solo artist in 2004. His contributions to music, film, and humanitarian work have cemented his legacy as a deeply influential and beloved figure across multiple generations.

Outside of his professional life, Harrison was known for his devotion to gardening, meditation, and privacy. His estate, Friar Park, became a sanctuary for him and was a reflection of his spiritual values. His humility, gentle demeanor, and philosophical outlook stood in stark contrast to the excesses often associated with rock stardom. He built a career not around spectacle but around introspection, creative exploration, and a desire to make the world a more compassionate place.

Whether through the quiet beauty of his melodies or the searching nature of his lyrics, he offered something different than his more flamboyant peers—a kind of soulful sincerity that continues to resonate. His role in shaping modern music and culture remains immeasurable, and his legacy continues to inspire both fans and fellow musicians around the world.

Complete List Of George Harrison Songs From A to Z

1. 7 Deadly Sins – Traveling Wilburys Vol. 3 – 1990
2. Absolutely Sweet Marie (live) – Bob Dylan – The 30th Anniversary Concert Celebration – 1993
3. All Things Must Pass – All Things Must Pass – 1970
4. All Those Years Ago – Somewhere in England – 1981
5. Almost 12 Bar Honky Tonk – All Things Must Pass (50th anniversary deluxe edition) – 2021
6. Almost Shankara – Wonderwall Music (2014 remaster) – 2014
7. The Answer’s at the End – Extra Texture (Read All About It) – 1975
8. Any Road – Brainwashed – 2002
9. Apple Scruffs – All Things Must Pass – 1970
10. Art of Dying – All Things Must Pass – 1970
11. Awaiting on You All – All Things Must Pass – 1970
12. Baby Don’t Run Away – Gone Troppo – 1982
13. Ballad of Sir Frankie Crisp (Let It Roll) – All Things Must Pass – 1970
14. Baltimore Oriole – Somewhere in England – 1981
15. Bangla Desh – Non-album single – 1971
16. Be Here Now – Living in the Material World – 1973
17. Beautiful Girl – Thirty Three & 1/3 – 1976
18. Behind That Locked Door – All Things Must Pass – 1970
19. Between the Devil and the Deep Blue Sea – Brainwashed – 2002
20. Beware of Darkness – All Things Must Pass – 1970
21. A Bit More of You – Extra Texture (Read All About It) – 1975
22. Blood from a Clone – Somewhere in England – 1981
23. Blow Away – George Harrison – 1979
24. Blue Jay Way – Magical Mystery Tour (The Beatles) – 1967
25. Brainwashed – Brainwashed – 2002
26. Breath Away from Heaven – Cloud Nine – 1987
27. Bye Bye, Love – Dark Horse – 1974
28. Can’t Stop Thinking About You – Extra Texture (Read All About It) – 1975
29. Cheer Down – Lethal Weapon 2 (soundtrack) – 1989
30. Circles – Gone Troppo – 1982
31. Cloud 9 – Cloud Nine – 1987
32. Cockamamie Business – Best of Dark Horse 1976–1989 – 1989
33. Congratulations – Traveling Wilburys Vol. 3 – 1990
34. Cool Dry Place – Traveling Wilburys Vol. 3 – 1990
35. Cosmic Empire (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
36. Cowboy Music – Wonderwall Music – 1968
37. Crackerbox Palace – Thirty Three & 1/3 – 1976
38. Cry for a Shadow – The Beatles with Tony Sheridan – 1961
39. Crying – Wonderwall Music – 1968
40. Dark Horse – Dark Horse – 1974
41. Dark Sweet Lady – George Harrison – 1979
42. The Day the World Gets ‘Round – Living in the Material World – 1973
43. Dear One – Thirty Three & 1/3 – 1976
44. Deep Blue – Non-album single B-side of “Bangla Desh” – 1971
45. Dehra Dun (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
46. Devil’s Radio – Cloud Nine – 1987
47. Ding Dong, Ding Dong – Dark Horse – 1974
48. Dirty World – Traveling Wilburys Vol. 1 – 1988
49. Don’t Bother Me – With The Beatles – 1963
50. Don’t Let Me Wait Too Long – Living in the Material World – 1973
51. Down To The River (Rocking Chair Blues) – All Things Must Pass (50th anniversary deluxe edition) – 2021
52. Dream Away – Gone Troppo – 1982
53. Dream Scene – Wonderwall Music – 1968
54. Drilling a Home – Wonderwall Music – 1968
55. End of the Line – Traveling Wilburys Vol. 1 – 1988
56. Everybody-Nobody (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
57. Fantasy Sequins – Wonderwall Music – 1968
58. Far East Man – Dark Horse – 1974
59. Faster – George Harrison – 1979
60. Fish on the Sand – Cloud Nine – 1987
61. Flying – Magical Mystery Tour (The Beatles) – 1967
62. Flying Hour (remix) – Songs by George Harrison – 1988
63. For You Blue – Let It Be (The Beatles) – 1970
64. For You Blue (live) – Songs by George Harrison – 1988
65. Gat Kirwani – Wonderwall Music – 1968
66. Get Back – All Things Must Pass (50th anniversary deluxe edition) – 2021
67. Give Me Love (Give Me Peace on Earth) – Living in the Material World – 1973
68. Glass Box – Wonderwall Music – 1968
69. Going Down To Golders Green (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
70. Gone Troppo – Gone Troppo – 1982
71. Got My Mind Set on You – Cloud Nine – 1987
72. Greasy Legs – Wonderwall Music – 1968
73. Greece – Gone Troppo – 1982
74. Grey Cloudy Lies – Extra Texture (Read All About It) – 1975
75. Guru Vandana – Wonderwall Music – 1968
76. Handle with Care – Traveling Wilburys Vol. 1 – 1988
77. Hari’s on Tour (Express) – Dark Horse – 1974
78. Heading for the Light – Traveling Wilburys Vol. 1 – 1988
79. Hear Me Lord – All Things Must Pass – 1970
80. Here Comes the Moon – George Harrison – 1979
81. Here Comes the Sun – Abbey Road (The Beatles) – 1969
82. Here Comes the Sun (live) – The Concert for Bangladesh – 1971
83. His Name Is Legs (Ladies and Gentlemen) – Extra Texture (Read All About It) – 1975
84. Hong Kong Blues – Somewhere in England – 1981
85. Horse to the Water – Small World Big Band – 2001
86. Hottest Gong in Town – Songs by George Harrison 2 – 1992
87. I Dig Love – All Things Must Pass – 1970
88. I Don’t Care Anymore – Non-album single B-side – 1974
89. I Don’t Want to Do It – Porky’s Revenge! (soundtrack) – 1985
90. I Live for You – All Things Must Pass (2001 remaster) – 2001
91. I Me Mine – Let It Be (The Beatles) – 1970
92. I Need You – Help! (The Beatles) – 1965
93. I Really Love You – Gone Troppo – 1982
94. I Remember Jeep – All Things Must Pass – 1970
95. I Want to Tell You – Revolver (The Beatles) – 1966
96. I Want to Tell You (live) – Live in Japan – 1992
97. If I Needed Someone – Rubber Soul (The Beatles) – 1965
98. If I Needed Someone (live) – Live in Japan – 1992
99. If Not for You – All Things Must Pass – 1970
100. If You Believe – George Harrison – 1979
101. In the Park – Wonderwall Music – 1968
102. Inside Out – Traveling Wilburys Vol. 3 – 1990
103. Isn’t It a Pity – All Things Must Pass – 1970
104. It Is ‘He’ (Jai Sri Krishna) – Dark Horse – 1974
105. It’s All Too Much – Yellow Submarine (The Beatles) – 1969
106. It’s Johnny’s Birthday – All Things Must Pass – 1970
107. It’s What You Value – Thirty Three & 1/3 – 1976
108. I’d Have You Anytime – All Things Must Pass – 1970
109. Just for Today – Cloud Nine – 1987
110. Last Night – Traveling Wilburys Vol. 1 – 1988
111. Lay His Head – Non-album single B-side of “Got My Mind Set on You” – 1987
112. Learning How to Love You – Thirty Three & 1/3 – 1976
113. Let It Be Me (demo) – Early Takes: Volume 1 – 2012
114. Let It Down – All Things Must Pass – 1970
115. Life Itself – Somewhere in England – 1981
116. The Light That Has Lighted the World – Living in the Material World – 1973
117. Living in the Material World – Living in the Material World – 1973
118. Long, Long, Long – The Beatles (White Album) – 1968
119. Looking for My Life – Brainwashed – 2002
120. The Lord Loves the One (That Loves the Lord) – Living in the Material World – 1973
121. Love Comes to Everyone – George Harrison – 1979
122. Love Scene – Wonderwall Music – 1968
123. Love You To – Revolver (The Beatles) – 1966
124. Mama You’ve Been on My Mind (demo) – Early Takes: Volume 1 – 2012
125. Margarita – Traveling Wilburys Vol. 1 – 1988
126. Marwa Blues – Brainwashed – 2002
127. Māya Love – Dark Horse – 1974
128. Microbes – Wonderwall Music – 1968
129. Miss O’Dell – Non-album single B-side of “Give Me Love (Give Me Peace on Earth)” – 1973
130. Mo – Mo’s Songs – 1994
131. Mother Divine (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
132. My Sweet Lord – All Things Must Pass – 1970
133. Mystical One – Gone Troppo – 1982
134. Never Get Over You – Brainwashed – 2002
135. New Blue Moon – Traveling Wilburys Vol. 3 – 1990
136. No Time or Space – Electronic Sound – 1969
137. Not Alone Any More – Traveling Wilburys Vol. 1 – 1988
138. Not Guilty – George Harrison – 1979
139. Nowhere To Go (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
140. Old Brown Shoe – Non-album B-side (The Beatles) – 1969
141. Old Brown Shoe (live) – Live in Japan – 1992
142. Om Hare Om (Gopala Krishna) (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
143. On the Bed – Wonderwall Music – 1968
144. Only a Northern Song – Yellow Submarine (The Beatles) – 1969
145. Ooh Baby (You Know That I Love You) – Extra Texture (Read All About It) – 1975
146. Out of the Blue – All Things Must Pass – 1970
147. P2 Vatican Blues (Last Saturday Night) – Brainwashed – 2002
148. Party Seacombe – Wonderwall Music – 1968
149. Piggies – The Beatles (White Album) – 1968
150. Piggies (live) – Live in Japan – 1992
151. Pisces Fish – Brainwashed – 2002
152. Plug Me In – All Things Must Pass – 1970
153. Poor Little Girl – Best of Dark Horse 1976–1989 – 1989
154. Pure Smokey – Thirty Three & 1/3 – 1976
155. Rattled – Traveling Wilburys Vol. 1 – 1988
156. Red Lady Too – Wonderwall Music – 1968
157. Ride Rajbun – The Bunbury Tails – 1992
158. Rising Sun – Brainwashed – 2002
159. Rocking Chair in Hawaii – Brainwashed – 2002
160. Roll Over Beethoven (live) – Live in Japan – 1992
161. Run of the Mill – All Things Must Pass – 1970
162. Run So Far – Brainwashed – 2002
163. Sat Singing (remix) – Songs by George Harrison – 1988
164. Save the World – Somewhere in England – 1981
165. Savoy Truffle – The Beatles (White Album) – 1968
166. See Yourself – Thirty Three & 1/3 – 1976
167. Shanghai Surprise – Non-album promotional single – 1986
168. She’s My Baby – Traveling Wilburys Vol. 3 – 1990
169. Simply Shady – Dark Horse – 1974
170. Singing Om – Wonderwall Music – 1968
171. Ski-ing – Wonderwall Music – 1968
172. So Sad – Dark Horse – 1974
173. Soft-Hearted Hana – George Harrison – 1979
174. Soft Touch – George Harrison – 1979
175. Someplace Else – Cloud Nine – 1987
176. Something – Abbey Road (The Beatles) – 1969
177. Something (live) – The Concert for Bangladesh – 1971
178. Sour Milk Sea – Non-album single – 1968
179. Stuck Inside a Cloud – Brainwashed – 2002
180. Sue Me, Sue You Blues – Living in the Material World – 1973
181. Sunshine Life for Me (Sail Away Raymond) – Living in the Material World (50th anniversary deluxe edition) – 2023
182. Tabla and Pakavaj – Wonderwall Music – 1968
183. Taxman – Revolver (The Beatles) – 1966
184. Taxman (live) – Live in Japan – 1992
185. Teardrops – Somewhere in England – 1981
186. Tears of the World – Songs by George Harrison 2 – 1992
187. Tell Me What Has Happened To You (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
188. Thanks for the Pepperoni – All Things Must Pass – 1970
189. That Is All – Living in the Material World – 1973
190. That Which I Have Lost – Somewhere in England – 1981
191. That’s the Way It Goes – Gone Troppo – 1982
192. That’s What It Takes – Cloud Nine – 1987
193. Think for Yourself – Rubber Soul (The Beatles) – 1965
194. This Guitar (Can’t Keep from Crying) – Extra Texture (Read All About It) – 1975
195. This Is Love – Cloud Nine – 1987
196. This Song – Thirty Three & 1/3 – 1976
197. Tired of Midnight Blue – Extra Texture (Read All About It) – 1975
198. True Love – Thirty Three & 1/3 – 1976
199. Try Some, Buy Some – Living in the Material World – 1971
200. Tweeter and the Monkey Man – Traveling Wilburys Vol. 1 – 1988
201. Unconsciousness Rules – Somewhere in England – 1981
202. Under the Mersey Wall – Electronic Sound – 1969
203. Unknown Delight – Gone Troppo – 1982
204. Wah-Wah – All Things Must Pass – 1970
205. Wake Up My Love – Gone Troppo – 1982
206. Wedding Bells (Are Breaking Up That Old Gang Of Mine) – All Things Must Pass (50th anniversary deluxe edition) – 2021
207. What Is Life – All Things Must Pass – 1970
208. When We Was Fab – Cloud Nine – 1987
209. Where Were You Last Night? – Traveling Wilburys Vol. 3 – 1990
210. While My Guitar Gently Weeps – The Beatles (White Album) – 1968
211. While My Guitar Gently Weeps (live) – The Concert for Bangladesh – 1971
212. Who Can See It – Living in the Material World – 1973
213. Wilbury Twist – Traveling Wilburys Vol. 3 – 1990
214. Window Window (demo) – All Things Must Pass (50th anniversary deluxe edition) – 2021
215. Within You Without You – Sgt. Pepper’s Lonely Hearts Club Band (The Beatles) – 1967
216. Woman Don’t You Cry for Me – Thirty Three & 1/3 – 1976
217. Wonderwall to Be Here – Wonderwall Music – 1968
218. World of Stone – Extra Texture (Read All About It) – 1975
219. Wreck of the Hesperus – Cloud Nine – 1987
220. Writing’s on the Wall – Somewhere in England – 1981
221. You – Extra Texture (Read All About It) – 1975
222. You Like Me Too Much – Help! (The Beatles) – 1965
223. You Took My Breath Away – Traveling Wilburys Vol. 1 – 1988
224. Your Love Is Forever – George Harrison – 1979
225. Zig Zag – Non-album single B-side of “When We Was Fab” – 1988

Albums

With The Beatles (The Beatles) (1963): 1 song

Help! (The Beatles) (1965): 2 songs

Rubber Soul (The Beatles) (1965): 2 songs

Revolver (The Beatles) (1966): 3 songs

Sgt. Pepper’s Lonely Hearts Club Band (The Beatles) (1967): 1 song

Magical Mystery Tour (The Beatles) (1967): 2 songs

Wonderwall Music (1968): 18 songs

The Beatles (White Album) (1968): 4 songs

Yellow Submarine (The Beatles) (1969): 1 song

Electronic Sound (1969): 2 songs

Abbey Road (The Beatles) (1969): 2 songs

Let It Be (The Beatles) (1970): 2 songs

All Things Must Pass (1970): 18 songs

All Things Must Pass (2001 remaster) (2001): 1 song

All Things Must Pass (50th anniversary deluxe edition) (2021): 11 songs

Living in the Material World (1973): 10 songs

Living in the Material World (50th anniversary deluxe edition) (2023): 1 song

Dark Horse (1974): 9 songs

Extra Texture (Read All About It) (1975): 9 songs

Thirty Three & 1/3 (1976): 10 songs

George Harrison (1979): 10 songs

Somewhere in England (1981): 10 songs

Gone Troppo (1982): 10 songs

Cloud Nine (1987): 11 songs

Traveling Wilburys Vol. 1 (1988): 10 songs

Songs by George Harrison (1988): 2 songs

Best of Dark Horse 1976–1989 (1989): 2 songs

Traveling Wilburys Vol. 3 (1990): 8 songs

Songs by George Harrison 2 (1992): 2 songs

Live in Japan (1992): 6 songs

The Bunbury Tails (1992): 1 song

Mo’s Songs (1994): 1 song

Early Takes: Volume 1 (2012): 2 songs

Wonderwall Music (2014 remaster) (2014): 1 song

Brainwashed (2002): 11 songs

Non-album singles, B-sides, and other appearances: 17 songs

Check out our fantastic and entertaining George Harrison articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

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Complete List Of George Harrison Songs From A to Z article published on ClassicRockHistory.com© 2025

Black Sabbath‘s 1979 split with Ozzy Osbourne was the rare breakup that resulted in two excellent new bands.

The original Sabbath lineup’s last album together, 1978’s Never Say Die!, betrayed a burned-out and fractured band with a diminished creative spark. But the addition of Ronnie James Dio as their new singer completely revitalized the group. His soaring, operatic vocal style inspired fresh new ideas from guitarist and riff lord Tony Iommi, resulting in the excellent 1980 album Heaven and Hell.

Meanwhile, Osbourne’s substance abuse issues had worsened to the point that he was considered a lost cause. But after recruiting and creatively unleashing unheralded guitar wizard Randy Rhoads from a pre-fame Quiet Riot, Osbourne stunned the world with 1980’s sublime Blizzard of Ozz.

The next step for each camp was to take the show on the road. Black Sabbath launched the Heaven and Hell tour on April 17, 1980 in Aurich, West Germany, while Osbourne’s Blizzard of Ozz tour kicked off Sept. 12 in Glasgow.

As you can see below, there were both similarities and differences in how Osbourne and his former bandmates approached their respective set lists:

Ozzy Osbourne’s First Solo Tour’s Set Lists Were Dominated by New Songs

Making a clean break from his past, Osbourne played the majority of Blizzard of Ozz at the start of every concert, adding a couple of tracks from his as-yet unreleased second album (1981’s Diary of a Madman) most nights as well. He then closed out the shows with a trio of Sabbath classics including “Iron Man,” “Paranoid” and “Children of the Grave.”

“I’d be talking out of my arse if I said I didn’t feel like I was in competition with Black Sabbath when we made Blizzard of Ozz,” Osbourne admitted in his 2009 book I Am Ozzy. “I wished them well, I suppose, but part of me was shitting myself that they were going to be more successful without me. … [But] I knew we had a cracking album of our own. And it was magic to be in control – like I’d finally pulled something off. …Everywhere we went, the venues were full, and there were more people queuing up outside.”

Ozzy Osbourne, Average ‘Blizzard of Ozz’ Tour Set List

1. “I Don’t Know” (from 1980’s Blizzard of Ozz)
2. “Crazy Train” (from Blizzard of Ozz)
3. “Believer” (later released on 1981’s Diary of a Madman)
4. “Mr. Crowley” (from Blizzard of Ozz)
5. “Flying High Again” (later released on 1981’s Diary of a Madman)
6. “Revelation (Mother Earth)” (from Blizzard of Ozz)
7. “Steal Away (The Night)” (from Blizzard of Ozz)
8. “Suicide Solution” (from Blizzard of Ozz)
9. Guitar Solo
10. “Iron Man” (from Black Sabbath’s Paranoid)
11. “Children of the Grave” (from Black Sabbath’s Master of Reality)
12. “Paranoid” (from Black Sabbath’s Paranoid)

via SetList.fm

 Watch Ozzy Osbourne Perform ‘I Don’t Know’

Black Sabbath Mixed New and Old Songs on the Heaven and Hell Tour

The new-look Black Sabbath were equally pleased with their new material. “Tony would tell me how overjoyed he was to finally be able to take Sabbath to the next level,” Dio recalled in his posthumous 2021 biography Rainbow in the Dark. “Full of light and shade, tracks like ‘Heaven and Hell,’ he said, belonged in the same pantheon as Sabbath classics like ‘War Pigs’ and ‘Iron Man,’ only now there was a real sense of melody involved.”

Still, the band seems to have felt more of a responsibility to perform their old songs than Osbourne did. The band nearly completely flipped Osbourne’s set list ratio, performing eight Ozzy-era songs and only four from Heaven and Hell. In addition to playing the same three songs Osbourne played at his concerts, Sabbath added a show-opening “War Pigs” as well as classics such as “N.I.B.” and “Sweet Leaf.”

Dio admitted to being nervous about how Sabbath fans would take to him.”Tony and the guys acted cool, reassuring me there would be no problem at all. But I knew in my bones that things are never quite that simple. I knew it wouldn’t just be a case of whether I could sing the songs – that was the least of my worries. It would all come down to how relatable I was to the fans.”

“Ronnie had to put up with people in the front, like ‘Where’s Ozzy?’ signs and all this ‘Where’s Ozzy?’ stuff, and he had to do that, recalled drummer Vinny Appice, who took over for Bill Ward on Sabbath’s 1981 Mob Rules tour. “And he hated singing those songs. He hated singing ‘Iron Man’and ‘Sweet Leaf’ and the Ozzy ongs.”

Despite Dio’s displeasure, Appice says the singer did an excellent job tackling the Osbourne-era material.  “It was totally different. It was just a powerful voice singing the melody and the whole thing. So it was incredible.”

Dio himself credits the introduction of his now-famous “horned hands” gesture for helping him connect with the fans. “The fans picked up on it and began flashing them back. Just a few dozen at first, but more each night as word of mouth spread—and the music press reviews began to mention it. Soon, I began to feel like I really belonged up there on the stage with Sabbath.”

Black Sabbath, Average ‘Heaven and Hell’ Tour Set List

1. “War Pigs” (from 1970’s Paranoid)
2. “Neon Knights” (from 1980’s Heaven and Hell)
3. “N.I.B.” (from 1970’s Black Sabbath)
4. “Sweet Leaf” (from 1971’s Master of Reality)
5. “Children of the Sea” (from Heaven and Hell)
6. Drum Solo
7. “Black Sabbath” (from Black Sabbath)
8. “Heaven and Hell” (from Heaven and Hell)
9. “Iron Man” (from Paranoid)
10. Guitar Solo
11. “Orchid” (from Master of Reality)
12. “Die Young” (from Heaven and Hell)
13. “Paranoid” (from Paranoid)
14. “Children of the Grave” (from Masters of Reality)

via SetList.fm

Watch Black Sabbath Perform in 1980

Feature Photo: BABYGIRLTOS on YouTube, CC BY 3.0 , via Wikimedia Commons

Megan Thee Stallion, born Megan Jovon Ruth Pete, launched her career from Houston, Texas, where her freestyle videos began attracting attention while she was still a student at Texas Southern University. Her rise began with the 2016 mixtape Rich Ratchet and the viral 2017 single “Stalli (Freestyle).” By 2018, she had signed with 1501 Certified Entertainment and released her breakthrough EP Tina Snow, which included the fan-favorite “Big Ole Freak.” That single marked her first entry on the Billboard Hot 100 and foreshadowed her future as one of hip-hop’s most dynamic voices.

Her ascent accelerated in 2019 with the release of the Fever mixtape and its hit “Cash Shit” featuring DaBaby. But it was her 2020 single “Savage,” especially the remix with Beyoncé, that became a cultural and commercial phenomenon, earning her two Grammy Awards. That same year, she collaborated with Cardi B on the global smash “WAP,” which debuted at number one on the Billboard Hot 100 and broke streaming records. These releases helped establish Megan not just as a Southern rapper with lyrical prowess, but as a pop culture force with the charisma to dominate multiple charts.

Her debut studio album Good News arrived in November 2020 and solidified her staying power, with tracks like “Body” and “Cry Baby” (featuring DaBaby) showcasing both her versatility and her ability to deliver hits. In 2022, she followed up with Traumazine, a deeply personal and sonically diverse project that expanded her artistry and touched on themes of grief, betrayal, and self-healing. Songs like “Plan B” and “Anxiety” offered insight into the emotional landscape behind her bold public persona.

Outside of music, Megan has earned accolades and respect for her work in television, fashion, and philanthropy. She appeared in shows like P-Valley and She-Hulk: Attorney at Law, and hosted Saturday Night Live in 2022. She’s also been recognized for her activism and support for women’s rights and education. In 2021, she graduated with a bachelor’s degree in health administration from Texas Southern University, fulfilling a personal goal and honoring her late mother’s encouragement to pursue education.

Megan’s career hasn’t been without conflict. Legal battles with her original label 1501 Certified Entertainment and the widely publicized shooting incident involving rapper Tory Lanez brought intense scrutiny and public debate. Despite these challenges, she has remained a commanding presence in the industry, using both her music and her public platform to advocate for resilience, autonomy, and empowerment.

Her impact has been recognized by multiple awards: three Grammy Awards, multiple BET Awards, MTV Video Music Awards, and recognition from publications like Time, which included her on its list of the 100 most influential people in the world in 2020. With chart-topping singles, viral influence, and a fiercely loyal fanbase, Megan Thee Stallion has reshaped the mainstream perception of women in hip-hop.

Beyond the accolades and streaming numbers, what has made Megan so beloved is her authenticity, confidence, and ability to connect through both triumph and trauma. Whether she’s commanding a festival stage or speaking openly about personal struggles, she remains unapologetically herself — a testament to the power of individuality in a genre too often defined by conformity.

Just over 30 years ago, guitarist Chris Herin formed US prog rockers Tiles, who recorded six well-received albums prior to going on hiatus after 2018 the release of Pretending 2 Run. Herin has kept a low profile since then – but he’s now returned with his first solo album, Hiding In Plain Sight. It includes guest appearances from more than 30 musicians, including Peter Frampton, Alex Lifeson and Jethro Tull alumni Martin Barre, John O’Hara and Doane Perry.

Herin was aided in the creation of the album by famed Rush producer Terry Brown, who helped shape its sound and introduced some of those musicians. Lyrically it explores Alzheimer’s disease, influenced by Herin watching his father’s challenges with the condition. With talk of Tiles reuniting, Herin reflects on the extensive creative process that led to the release of this most personal of albums.

The Tiles project had a certain momentum, so what prompted you to consider writing a solo album?

Tiles went on hiatus in 2018 when all the vocalists retired. We haven’t disbanded or anything like that, but obviously it’s been a lengthy hiatus. I didn’t really set out to do a solo album. All through that time, I’d do little demos with Terry Brown just to have him catalogue them.

I was a little worried at first that the collection of music strayed a little bit from what maybe people expect from the progressive rock umbrella. But then I thought that most progressive rock fans have a pretty diverse palate, so I just went ahead – and it became this album.

It isn’t a classic solo album in that you’ve recruited so many other musicians to perform on it.

Towards the end of recording, the record label said, “This all sounds great, but we don’t recognise any of your lead guitar playing.” So, finally, I did solos on a track called A Wrinkle In Time. When the Peter Frampton idea came up, I certainly didn’t say, “Well, we can’t have Peter play because I want to play that solo.”

Then we stumbled on some of Terry’s connections. He’s responsible for Michael Sadler from Saga, Peter Frampton, Alex Lifeson and Kim Mitchell. He was the conduit through which they were invited to participate, and thankfully agreed. We took care to match the musicians’ style with what we were looking for with the song, especially vocalists and drummers.

When you’ve got musicians like that, you give them completely free rein to do whatever they want, don’t you?

Yeah – a good case in point is that I’d asked Martin Barre to contribute a guitar solo. He was intrigued because Doane Perry had already laid the drum track, so it was kind of fun for him to play again with Doane, virtually.

When we got his tracks, he’d done so much more than just the solo; he played the flute, mandolin and additional rhythm guitar. He did it all, even though that wasn’t really what I was expecting, but I certainly didn’t complain because it turned out so well.”

Have you always admired Alex Lifeson’s work?

For a very long time. He plays on a song called Second Ending, a very moody and atmospheric-type piece. I’m sure all us Rush fans know that Alex has moved away from a lot of soloing and likes to work with different textures. In fact, you probably wouldn’t know it was him unless you were told. It’s not a lot of flashy rhythm guitar playing or soloing.

We got multiple takes from everyone, and it was so much fun listening to how Alex came up with those textures and how they interlocked. I’d almost like to do an alternate mix of it, where it’s all stripped back, and let Alex’s art carry the arrangement. I think people would really be interested in hearing that.

I had to make sure the lyrics didn’t get too depressing… If you didn’t know it’s the theme of the album, they can be interpreted in other ways

Did you find writing the about your father difficult, or was it cathartic?

It wasn’t something I set out to do at the inception of the project. The first lyrics tended to reflect on the experiences my family and I had with my dad’s Alzheimer’s condition. Even though he passed away in 2011, I’m always writing lyrics, so I had all of these sentences from that time that I could draw upon.

Once the first two songs were heading in that direction, I thought it was a good opportunity to make that the theme of the album, and donate the proceeds to Alzheimer’s charities. I had to make sure the lyrics didn’t drift into too depressing a territory, as it wouldn’t be a fun listening experience for people. If you didn’t know it’s the theme of the album, the lyrics can be interpreted in other ways.

Writing them definitely had an element of struggle to it. In fact, after I got them finished I thought, “If I don’t ever write lyrics again, I’m not sure if I’d be too bothered.”

What are your thoughts on taking this project forward?

The problem with playing live would not be the performance, but preparing and staying rehearsed. I could get Matthew Parmenter, who sings on a bunch of the songs and who’s in the band Discipline, and Jeff Whittle, the Tiles bass player, and come up with some acoustic versions. We could maybe do some sponsored events with the local Alzheimer’s Association. That seems pretty feasible, because all the songs were written on acoustic guitar.

But I’ve already started writing some new stuff that would be earmarked for Tiles. That would be a fun thing to kick back into gear. I think there’s about half an hour’s material written for a new Tiles album.

Queen legend Brian May made a surprise appearance at the weekend’s Coachella festival in Indio, CA, playing guitar on a version of Bohemian Rhapsody alongside pop star Benson Boone, and while the Beautiful Things hitmaker was clearly delighted by this turn of events, he was less impressed with the crowd’s reaction.

Taking to TikTok after the performance, the former American Idol star filmed himself lip-synching Bohemian Rhapsody into a banana while looking utterly baffled by the lack of audience response, and added the caption, “Me trying to get the crowd at Coachella to understand what an absolute legend Brian May is and the cultural impact he has on music and THE WORLD.”

@bensonboone

Mystical Magical.

♬ Bohemian Rhapsody – Remastered 2011 – Queen

For his part, May was eager to tell his followers what a lovely time he’d had, taking to Instagram to say, “I’m still reeling from last night at Coachella. Thanks to all of you folks who made it feel so special – you know who you are! And this particular way of concluding Bohemian Rhapsody will be hard to beat in the years to come! Thanks. And for Benson and his entire team, I have no words. I’m awestruck.”

The mutual admiration continued on Boone’s Instagram page, where he wrote, “I have no words. You are easily one of the most legendary musicians of all time and I cannot thank you enough for coming out.”

The official footage of Boone’s version of Bohemian Rhapsody is embedded below.

May followed his appearance at Coachella by visiting Sphere in Las Vegas to watch Eagles perform their 32nd residency show at the revolutionary venue. He was pictured backstage with the band’s Timothy B. Schmit and Joe Walsh, as well as guitarist Bobby Weir from Dead & Company, who are also currently performing at the venue.

Feature Photo: Frank Schwichtenberg, CC BY-SA 3.0 , via Wikimedia Commons

Twisted Sister formed in Ho-Ho-Kus, New Jersey, in 1972, quickly becoming one of the defining bands of the heavy metal and glam rock genres. Initially gaining momentum by performing in the vibrant club scenes around New York City, they carved out a dedicated local following. Their striking visual style, marked by extravagant makeup and wild stage outfits, complemented their energetic live shows and helped them stand apart from other bands of their era.

The band released their debut album, Under the Blade, in 1982, showcasing their raw heavy metal sound. The following year, their second album, You Can’t Stop Rock ‘n’ Roll, solidified their growing reputation in the metal community. However, their breakthrough into mainstream success arrived with their 1984 album Stay Hungry, featuring the iconic hits “We’re Not Gonna Take It” and “I Wanna Rock.” These songs not only climbed the charts but also became cultural anthems of rebellion and individualism, significantly boosting the band’s international profile.

Twisted Sister continued to build their discography, ultimately releasing a total of seven studio albums. Their subsequent releases, Come Out and Play (1985) and Love Is for Suckers (1987), although not replicating the commercial success of Stay Hungry, further exemplified their ability to consistently deliver compelling music with enduring appeal. The band’s discography was characterized by their strong thematic content, often celebrating resilience and nonconformity.

Throughout their career, Twisted Sister received notable recognition within the heavy metal community. Although they didn’t accumulate numerous mainstream awards, their influential role in shaping the glam metal scene has been widely acknowledged. Their dynamic stage presence, combined with frontman Dee Snider’s charismatic persona, endeared them to legions of devoted fans, solidifying their legacy as cultural icons of the 1980s rock scene.

Beyond their music, the members of Twisted Sister, particularly Dee Snider, became prominent advocates for artistic freedom and expression. Snider notably testified before the United States Senate in 1985 against proposed censorship of music, passionately defending musicians’ rights and becoming a respected figure in the broader discussion about free speech and artistic integrity.

In addition to their advocacy work, Twisted Sister engaged in numerous charitable efforts. The band notably supported fundraising events for organizations dedicated to cancer research and military veteran assistance, illustrating their commitment to leveraging their public platform for meaningful social impact. These initiatives further cemented their positive reputation beyond their musical accomplishments.

Complete List Of Twisted Sister Songs From A to Z

1. Bad Boys (of Rock ‘n’ Roll) – Under the Blade – 1982
2. Be Chrool to Your Scuel – Come Out and Play – 1985
3. Big Gun – Club Daze Volume 1: The Studio Sessions – 1999
4. Blastin’ Fast & Loud – Still Hungry – 2004
5. Burn in Hell – Stay Hungry – 1984
6. Burn in Hell – Still Hungry – 2004
7. Can’t Stand Still – Club Daze Volume 1: The Studio Sessions – 1999
8. Come Back – Club Daze Volume 1: The Studio Sessions – 1999
9. Come Back – Still Hungry – 2004
10. Come Out and Play – Come Out and Play – 1985
11. Day of the Rocker – Under the Blade – 1982
12. Deck the Halls – A Twisted Christmas – 2006
13. Destroyer – Under the Blade – 1982
14. Don’t Let Me Down – Stay Hungry – 1984
15. Don’t Let Me Down – Still Hungry – 2004
16. Feel Appeal – Love Is for Suckers – 1987
17. Feel the Power – You Can’t Stop Rock ‘n’ Roll – 1983
18. Follow Me – Club Daze Volume 1: The Studio Sessions – 1999
19. Four Barrel Heart of Love – You Can’t Stop Rock ‘n’ Roll – 1983
20. Have Yourself a Merry Little Christmas – A Twisted Christmas – 2006
21. Heavy Metal Christmas (The Twelve Days of Christmas) – A Twisted Christmas – 2006
22. Heroes Are Hard to Find – Still Hungry – 2004
23. High Steppin’ – Club Daze Volume 1: The Studio Sessions – 1999
24. Horror-Teria (The Beginning): a) Captain Howdy b) Street Justice – Stay Hungry – 1984
25. Horror-Teria (The Beginning): a) Captain Howdy b) Street Justice – Still Hungry – 2004
26. Hot Love – Love Is for Suckers – 1987
27. I Am (I’m Me) – You Can’t Stop Rock ‘n’ Roll – 1983
28. I Believe in Rock ‘n’ Roll – Come Out and Play – 1985
29. I Believe in You – Come Out and Play – 1985
30. I’ll Be Home for Christmas – A Twisted Christmas – 2006
31. I’ll Never Grow Up, Now – Under the Blade – 1982
32. I’ll Never Grow Up, Now – Club Daze Volume 1: The Studio Sessions – 1999
33. I’ll Take You Alive – You Can’t Stop Rock ‘n’ Roll – 1983
34. I’m So Hot for You – Love Is for Suckers – 1987
35. I Saw Mommy Kissing Santa Claus – A Twisted Christmas – 2006
36. I Want This Night (To Last Forever) – Love Is for Suckers – 1987
37. I Wanna Rock – Stay Hungry – 1984
38. I Wanna Rock – Still Hungry – 2004
39. I Will Win – Love Is for Suckers – 1987
40. I’ve Had Enough – You Can’t Stop Rock ‘n’ Roll – 1983
41. If That’s What You Want – Love Is for Suckers – 1987
42. Kill or Be Killed – Come Out and Play – 1985
43. King of the Fools – Come Out and Play – 1985
44. Lady’s Boy – Club Daze Volume 1: The Studio Sessions – 1999
45. Leader of the Pack – Come Out and Play – 1985
46. Leader of the Pack – Ruff Cutts – 1982
47. Leader of the Pack – Club Daze Volume 1: The Studio Sessions – 1999
48. Let It Snow, Let It Snow, Let It Snow – A Twisted Christmas – 2006
49. Like a Knife in the Back – You Can’t Stop Rock ‘n’ Roll – 1983
50. Lookin’ Out for #1 – Come Out and Play – 1985
51. Love Is for Suckers – Love Is for Suckers – 1987
52. Me and the Boys – Love Is for Suckers – 1987
53. Never Say Never – Still Hungry – 2004
54. Oh Come All Ye Faithful – A Twisted Christmas – 2006
55. One Bad Habit – Love Is for Suckers – 1987
56. One Man Woman – You Can’t Stop Rock ‘n’ Roll – 1983
57. Out on the Streets – Come Out and Play – 1985
58. Pay the Price – Club Daze Volume 1: The Studio Sessions – 1999
59. Plastic Money – Still Hungry – 2004
60. Ride to Live, Live to Ride – You Can’t Stop Rock ‘n’ Roll – 1983
61. Rock ‘n’ Roll Saviors – Club Daze Volume 1: The Studio Sessions – 1999
62. Rock ‘n’ Roll Saviors – Still Hungry – 2004
63. Run for Your Life – Under the Blade – 1982
64. S.M.F. – Stay Hungry – 1984
65. S.M.F. – Still Hungry – 2004
66. Shoot ‘Em Down – Under the Blade – 1982
67. Shoot ‘Em Down – Ruff Cutts – 1982
68. Shoot ‘Em Down – Club Daze Volume 1: The Studio Sessions – 1999
69. Silver Bells – A Twisted Christmas – 2006
70. Sin After Sin – Under the Blade – 1982
71. Statutory Date – Love Is for Suckers – 1987
72. Stay Hungry – Stay Hungry – 1984
73. Stay Hungry – Still Hungry – 2004
74. T.V. Wife – Club Daze Volume 1: The Studio Sessions – 1999
75. Tear It Loose – Under the Blade – 1982
76. The Beast – Stay Hungry – 1984
77. The Beast – Still Hungry – 2004
78. The Christmas Song (Chestnuts Roasting on an Open Fire) – A Twisted Christmas – 2006
79. The Fire Still Burns – Come Out and Play – 1985
80. The Kids Are Back – You Can’t Stop Rock ‘n’ Roll – 1983
81. The Price – Stay Hungry – 1984
82. The Price – Still Hungry – 2004
83. The Power and the Glory – You Can’t Stop Rock ‘n’ Roll – 1983
84. Tonight – Love Is for Suckers – 1987
85. Under the Blade – Under the Blade – 1982
86. Under the Blade – Ruff Cutts – 1982
87. Under the Blade – Club Daze Volume 1: The Studio Sessions – 1999
88. Wake Up (The Sleeping Giant) – Love Is for Suckers – 1987
89. We Wish You a Twisted Christmas – A Twisted Christmas – 2006
90. We’re Gonna Make It – You Can’t Stop Rock ‘n’ Roll – 1983
91. We’re Not Gonna Take It – Stay Hungry – 1984
92. We’re Not Gonna Take It – Still Hungry – 2004
93. What You Don’t Know – Ruff Cutts – 1982
94. What You Don’t Know (Sure Can Hurt You) – Under the Blade – 1982
95. White Christmas – A Twisted Christmas – 2006
96. White Christmas (Eddie Ojeda vocals version) – A Twisted Christmas – 2006
97. Yeah Right – Love Is for Suckers – 1987
98. You Are All That I Need – Love Is for Suckers – 1987
99. You Can’t Stop Rock ‘n’ Roll – You Can’t Stop Rock ‘n’ Roll – 1983
100. You Know I Cry – Still Hungry – 2004
101. You Want What We Got – Come Out and Play – 1985
102. You’re Not Alone (Suzette’s Song) – You Can’t Stop Rock ‘n’ Roll – 1983

Albums

Under the Blade (1982): 10 songs

You Can’t Stop Rock ‘n’ Roll (1983): 13 songs

Stay Hungry (1984): 9 songs

Come Out and Play (1985): 11 songs

Love Is for Suckers (1987): 14 songs

A Twisted Christmas (2006): 12 songs

Ruff Cutts (1982): 4 songs

Club Daze Volume 1: The Studio Sessions (1999): 13 songs

Still Hungry (2004): 16 songs

Check out our fantastic and entertaining Twisted Sister articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Jay Jay French of Twisted Sister: 10 Albums That Changed My Life

Complete List Of Twisted Sister Band Members

Complete List Of Twisted Sister Albums And Discography

Top 10 Twisted Sister Songs

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Complete List Of Twisted Sister Songs From A to Z article published on ClassicRockHistory.com© 2025

About The Author

Brian Kachejian

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.