Zakk Sabbath, the Black Sabbath tribute band led by vocalist / guitarist Zakk Wylde (Black Label Society, Ozzy Osbourne, Pantera), postponed its concerts in Little Rock, Arkansas on December 14 at The Hall, and New Orleans, Louisiana on December 15 at The Fillmore.
According to a social media post from Zakk Sabbath: “Unfortunately, Zakk has lost his voice and, under medical advice, cannot perform. We want to ensure you experience the best possible show, and performing under these conditions would not meet the standards you deserve. We understand how disappointing this news is and sincerely apologize for any inconvenience caused. Thank you for your understanding and patience. We love and appreciate you all and we will see you soon!”
The Little Rock show will now take place on January 15, and the New Orleans show will be held on January 14. All tickets for the two concerts will remain valid for the rescheduled dates, so please hold on to them. For those unable to attend the new dates, refunds will be available at the point of purchase.
Remaining dates on Zakk Sabbath’s King Of The Monstrous US Tour 2024/25 (with Zoso, The Iron Maidens) are as listed:
December 17 – Chattanooga, TN – The Signal 18 – Cincinnati, OH – Bogart’s 19 – Indianapolis, IN – The Egyptian Room 20 – Nashville, TN – Brooklyn Bowl 27 – Charlotte, NC – The Fillmore 28 – Norfolk, VA – The NorVa 29 – Wilmington, DE – The Queen 30 – Albany, NY – Empire Live 31 – Silver Spring, MD – The Fillmore
January 2 – Portland, ME – State Theatre 3 – Providence, RI – The Strand 4 – Huntington, NY – The Paramount 5 – Buffalo, NY – Buffalo River Works 7 – Grand Rapids, MI – The Intersection 9 – Milwaukee, WI – The Rave 10 – East Moline, IN – The Rust Belt 11 – Sauget, IL – Pop’s 12 – Oklahoma City, OK – Diamond Ballroom 14 – New Orleans, LA – The Fillmore 15 – Little Rock, AR – The Hall
This past September, Zakk Sabbath went digital! The preeminent Black Sabbath tribute band on the planet featuring guitarist and singer Zakk Wylde (Black Label Society, Ozzy Osbourne, Pantera), bassist Blasko (Rob Zombie, Ozzy Osbourne), and drummer Joey “C” Castillo (Danzig, Queens Of The Stone Age) heard their fans clamouring for an official digital release, and now the wait is over: Greatest Riffs is online.
Greatest Riffs features select songs from the chart-storming Zakk Sabbath albums Vertigo (2020) and Doomed Forever Forever Doomed (2024). Originally, the tribute band elected to release these albums in physical formats only to hearken back to the originals. Yet their fans kept asking for an official digital release, so at long last the band has agreed to publish a hand-picked collection assembled in homage to one of Black Sabbath’s most ubiquitous releases, We Sold Our Soul For Rock ‘N Roll, the ultimate greatest hits album!
Greatest Riffs tracklisting:
“The Wizard” “N.I.B.” “Iron Man” “Fairies Wear Boots” “War Pigs” “Sweet Leaf” “Into The Void” “Solitude”
Boz Scaggs’ name might be synonymous with smooth grooves and soulful ballads, but his rock and roll credentials are nothing short of extraordinary. Known for his ability to weave genres seamlessly, Scaggs has delivered some of the most electrifying tracks in rock history—songs that pulse with energy, grit, and undeniable swagger. This article explores the 10 most rocking moments of his illustrious career.
# 10 – I’m Easy – Boz Scaggs
“I’m Easy” is a swaggering, blues-infused track from Boz Scaggs’ self-titled 1969 album, Boz Scaggs. Recorded at Muscle Shoals Sound Studio in Sheffield, Alabama, the album was produced by Jann Wenner and featured an impressive lineup of session musicians, including Duane Allman on guitar, Barry Beckett on keyboards, David Hood on bass, Roger Hawkins on drums, and Jimmy Johnson on rhythm guitar. This powerhouse collaboration brought an undeniable energy and authenticity to Scaggs’ music, blending elements of rock, blues, and soul into a sound that defied easy categorization.
“I’m Easy” showcases Scaggs’ ability to deliver raw, emotive vocals while backed by a groove-heavy rhythm section. The song’s confident lyrics, with lines like “I’m easy, I’ll go anywhere you take me,” capture the essence of a carefree and assured spirit. Duane Allman’s searing slide guitar solo adds a layer of intensity, complementing Scaggs’ dynamic vocal delivery and anchoring the track as one of the album’s most electrifying moments. The combination of Allman’s virtuosity and Scaggs’ vocal prowess makes “I’m Easy” a standout in Scaggs’ early discography.
As the opening entry on this list, “I’m Easy” sets the tone for exploring the most rocking Boz Scaggs songs. Its gritty energy and bluesy swagger contrast with more polished tracks in Scaggs’ later work, highlighting his versatility and range as an artist. With its fusion of soulful instrumentation and commanding vocal performance, “I’m Easy” is a vivid reminder of Scaggs’ roots in the Muscle Shoals sound and his ability to channel raw emotion into unforgettable music.
# 9 – Rock and Stick – Out of the Blues
“Rock and Stick” is a refined blues masterpiece from Boz Scaggs’ 2018 album Out of the Blues. Recorded at Sunset Sound Studios in Los Angeles and produced by Scaggs himself alongside Michael Rodriguez, the track exemplifies the artist’s seamless ability to blend blues authenticity with modern production. The album features a lineup of exceptional musicians, including Doyle Bramhall II on guitar, Jim Keltner on drums, Willie Weeks on bass, and Jack Walroth, who contributed to the album’s songwriting. Released as part of a trilogy of records revisiting Scaggs’ musical roots, Out of the Blues earned critical acclaim and reached No. 1 on the Billboard Blues Albums chart.
“Rock and Stick” unfolds with a smooth, understated groove that highlights Scaggs’ velvety vocals and lyrical finesse. Lines such as “I want to rock you, baby, I want to stick around” carry a sensual charm, emphasizing themes of commitment and enduring passion. The guitar work, particularly Doyle Bramhall II’s nuanced solos, provides a rich texture that complements Scaggs’ vocal delivery. The track’s polished arrangement is a testament to Scaggs’ mastery of balancing intricate musicianship with a laid-back, soulful vibe.
Compared to “I’m Easy,” which embodies raw blues energy, “Rock and Stick” leans into a smoother, more contemporary sound that showcases Scaggs’ evolution as an artist. Its inclusion on this list highlights the breadth of Scaggs’ musical range, moving from the grit of Muscle Shoals to the sophisticated blues of Out of the Blues. “Rock and Stick” not only stands as a highlight of the album but also reinforces Scaggs’ enduring ability to craft songs that resonate across generations.
# 8 – Payday – Dig
“Payday” is a compelling blend of funk and blues, featured on Boz Scaggs’ 2001 album Dig. Recorded in Los Angeles, Dig was co-produced by Scaggs and David Paich, who is best known for his work with Toto. The album marked Scaggs’ return to recording after a six-year hiatus, showcasing a reinvigorated sound that drew from a variety of genres. Key contributors to “Payday” include David Paich on keyboards, Steve Jordan on drums, and session guitarists such as Ray Parker Jr. and Dean Parks, whose precise yet soulful performances elevate the track’s groove.
“Payday” stands out for its sharp, incisive lyrics, exploring themes of ambition, struggle, and the fleeting nature of success. Lines like “I’ll take what’s mine when the deal goes down” capture the track’s wry, self-assured tone. Scaggs’ vocal delivery is rich with character, moving effortlessly between laid-back cool and biting intensity. The arrangement, driven by a tight rhythm section and punctuated by crisp guitar lines, underscores the song’s narrative of perseverance and street-smart savvy.
In the context of this list, “Payday” offers a modern counterpoint to the raw energy of “I’m Easy” and the polished finesse of “Rock and Stick.” Its funky edge and confident storytelling highlight Scaggs’ ability to adapt his signature style to contemporary sounds without losing the essence of what makes his music so enduring. “Payday” is a reminder of Scaggs’ knack for crafting songs that resonate deeply while still getting listeners to move.
# 7 – Cadillac Walk – Memphis
With its raw energy and sultry swagger, “Cadillac Walk” from Boz Scaggs’ 2013 album Memphis commands attention as a blues-infused rocker that redefines a classic. Originally penned by Moon Martin and made famous by Willy DeVille, Scaggs’ rendition was recorded at the legendary Royal Studios in Memphis, Tennessee, under the expert production of Steve Jordan. The song benefits from an impressive lineup of musicians, including Ray Parker Jr. on guitar, Willie Weeks on bass, Steve Jordan on drums, and Spooner Oldham on keyboards, who together bring a rich and authentic groove to this electrifying track.
In “Cadillac Walk,” Scaggs delivers a vocal performance that balances smooth sophistication with fiery intensity, perfectly matching the evocative imagery of the lyrics. Lines like “When the moon comes up the sun goes down / Rita starts to creep around” paint a vivid scene of intrigue and allure. The interplay of the pulsating rhythm section with intricate guitar riffs adds layers of depth, creating a track that feels both timeless and refreshingly modern.
# 6 – Jump Street – Silk Degrees
“Jump Street” from Boz Scaggs’ Silk Degrees album is a dynamic blend of rock, funk, and soul, offering a gritty narrative and an infectious groove. Recorded at Davlen Sound Studios in Los Angeles in 1976, Silk Degrees was produced by Joe Wissert and features an exceptional lineup of musicians, including David Paich on keyboards, Jeff Porcaro on drums, Louis Shelton on guitar, and David Hungate on bass. The album, which became a massive commercial success, reached No. 2 on the Billboard 200 and earned Scaggs a Grammy Award for “Lowdown.” While “Jump Street” wasn’t released as a single, it remains a cornerstone of the album’s diverse soundscape.
The lyrics of “Jump Street” paint a vivid picture of urban life, blending intrigue and grit with a sense of swagger. Lines like “She’s got the moves, she’s got the lines / And you’ve got the feeling that you’re running out of time” evoke a sense of urgency and allure, capturing the essence of a fast-paced cityscape. Scaggs’ vocal performance is both smooth and commanding, perfectly complemented by Paich’s layered keyboard arrangements and Shelton’s sharp guitar riffs. The rhythmic interplay between Porcaro and Hungate creates a tight foundation that propels the song forward with undeniable energy.
Within the framework of this list, “Jump Street” offers a striking contrast to the sultry groove of “Cadillac Walk” and the funky storytelling of “Payday.” It stands out for its raw narrative edge and its ability to transport listeners to the streets it describes. As a deeper cut from Silk Degrees, “Jump Street” exemplifies Scaggs’ mastery of blending storytelling with diverse musical influences, reaffirming his place as a versatile and innovative artist in rock and soul.
# 5 – You Got My Letter – Some Change
“You Got My Letter” finds Boz Scaggs channeling raw emotion into a blues-infused tale of anticipation and longing, making it a standout moment on his 1994 album Some Change. The album marked a pivotal return for Scaggs, who took on production duties alongside a team of seasoned musicians, including Robben Ford on guitar and Ricky Fataar on drums. Recorded in studios across Los Angeles and San Francisco, Some Change blends elements of blues, rock, and soul, showcasing Scaggs’ deep connection to the genres that shaped his artistry.
The lyrics, rich with urgency and introspection, explore themes of communication and vulnerability. Lines like “You got my letter / Do you hear what I’m saying to you?” resonate with heartfelt intensity, while the arrangement, built around a steady rhythm and Ford’s expressive guitar lines, creates a moody yet captivating soundscape. Scaggs’ vocal delivery, filled with subtle inflections, captures both the tension and resolve of the song’s narrative.
In the broader context of this list, “You Got My Letter” complements the grit of “Jump Street” and the sensual groove of “Cadillac Walk.” While those tracks lean into bold storytelling and vibrant instrumentation, “You Got My Letter” offers a more introspective take, focusing on personal connections and the emotional weight of unspoken words.
# 4 – 1993 – Down Two Then Left
“1993” from Boz Scaggs’ 1977 album Down Two Then Left captures the smooth sophistication and emotional depth that defined his late 1970s output. Recorded at Hollywood Sound Recorders and Studio 55 in Los Angeles, the album was produced by Joe Wissert, who previously collaborated with Scaggs on the massively successful Silk Degrees. Featuring a stellar cast of musicians, including Jeff Porcaro on drums, David Paich on keyboards, and Ray Parker Jr. on guitar, the album showcases a seamless blend of rock, funk, and blue-eyed soul. While “1993” wasn’t released as a single, it remains a fan-favorite for its atmospheric production and contemplative lyrics.
The song explores themes of nostalgia and reflection, with Scaggs’ vocals delivering a sense of wistful yearning. Lines such as “Feels like a long time ago / When the road stretched out ahead” evoke a deep sense of longing for the past, while the lush arrangement, anchored by Paich’s layered keyboards and Porcaro’s impeccable drumming, creates an immersive sonic landscape. The track’s balance of introspection and musical elegance elevates it beyond a standard ballad, showcasing Scaggs’ mastery of emotional storytelling.
# 3 – Loan Me A Dime – Boz Scaggs
This may be slow, but it rocks as hard as anything else you’re going to hear. “Loan Me a Dime,” an epic blues-infused masterpiece from Boz Scaggs’ 1969 self-titled album, stands as one of his most iconic and emotionally charged recordings. The track was recorded at the renowned Muscle Shoals Sound Studio in Sheffield, Alabama, with producer Jann Wenner at the helm. Backed by an all-star lineup of session musicians, including Duane Allman on guitar, Barry Beckett on keyboards, David Hood on bass, Roger Hawkins on drums, and Jimmy Johnson on rhythm guitar, the song benefits from the unparalleled chemistry of these legendary players.
The nearly thirteen-minute track is a poignant plea for solace and support, capturing the essence of blues storytelling. Scaggs’ soulful vocal delivery, coupled with Allman’s searing slide guitar solos, creates an atmosphere of raw emotion and unrelenting power. Lines like “Somebody loan me a dime / I need to call my old-time used-to-be” underscore the song’s themes of loss and desperation. The instrumental interplay, particularly during the extended jam sections, elevates the song beyond a standard blues number, turning it into a transcendent musical experience.
# 2 – Lido Shuffle – Silk Degrees
“Lido Shuffle,” from Boz Scaggs’ landmark 1976 album Silk Degrees, is a quintessential rock anthem that captures the exuberance and energy of its era. Recorded at Davlen Sound Studios in Los Angeles, the album was produced by Joe Wissert and featured an exceptional lineup of musicians, including Jeff Porcaro on drums, David Paich on keyboards, and David Hungate on bass. Silk Degrees was a commercial and critical triumph, peaking at No. 2 on the Billboard 200 and earning Scaggs a Grammy Award. Among its standout tracks, “Lido Shuffle” achieved its own success, reaching No. 11 on the Billboard Hot 100 and cementing its place as a fan favorite.
The lyrics of “Lido Shuffle” chronicle the adventures of a charismatic drifter, adding a cinematic quality to the song. Lines like “Lido, whoa-oh-oh-oh, he’s for the money, he’s for the show” paint a vivid portrait of a character living on the edge. Scaggs’ dynamic vocal delivery, paired with Paich’s driving piano riff and Porcaro’s crisp drumming, creates an infectious energy that propels the track. The song’s catchy hook and seamless blend of rock, pop, and blues elements have ensured its enduring appeal.
“Breakdown Straight Ahead” is a high-energy track from Boz Scaggs’ 1980 album Middle Man, showcasing his knack for blending rock, blues, and pop into a seamless and captivating sound. Recorded at Davlen Sound Studios and Hollywood Sound Recorders, the album was produced by Bill Schnee, who had previously worked with Scaggs on his Silk Degrees and Down Two Then Left records. Middle Man features a roster of exceptional musicians, including Jeff Porcaro on drums, Steve Lukather on guitar, and David Paich on keyboards, further solidifying Scaggs’ reputation for collaborating with top-tier talent. The album reached No. 8 on the Billboard 200, underscoring its commercial success.
“Breakdown Straight Ahead” is driven by a propulsive rhythm and Scaggs’ commanding vocal delivery. The lyrics, with lines like “Breakdown straight ahead / I’ve got nothing to lose,” capture a sense of urgency and determination, reflecting themes of resilience and forward motion. Steve Lukather’s fiery guitar work and Jeff Porcaro’s impeccable drumming create an electrifying backdrop, while Paich’s keyboards add layers of texture and depth. The song’s dynamic arrangement ensures it remains engaging from start to finish.
Japanese power metallers have returned with a new single and music video “Start Our Journey”. Hagane means “steel” in Japanese and the new track is a soaring power metal tune showcasing Japanese lyrics with some lines in English during the chorus.
Six-time JUNO-nominated Canadian hardcore punk heavyweights, Cancer Bats, are set to embark on an exciting and intimate tour across Ontario. Kicking off with a handful of dates in January and followed by additional shows in March, this tour offers fans a rare chance to experience the band live while also playing a pivotal role in shaping their upcoming album. For Cancer Bats, the decision to take this more personal approach comes from the belief that true inspiration is often sparked by the energy and connection shared with their audience.
“The whole idea with this tour is to be working on new music but not to shut ourselves away in a room and overthink what Bats fans want from a new album,” shares lead vocalist Liam Cormier. “We need to play some packed rowdy shows to be immersed in the creative sweat, spit and grit of why we love playing these songs live and the pure release that we all get, band and fans, when we’re all vibing together screaming our lungs out having a blast in a small club.”
The 8-date tour will revisit key markets that were crucial to the band’s early days, places where fans have been supporting them since their high school years. With each stop, the band guarantees an energetic and dynamic setlist, packed with plenty of fan favourites.
Cormier shares, “These are the true Bats fans that have been in our corner since the start and who we always want to stay connected to. So this tour is a call to all the true Bats fans who love to come and rage with us! HELP US GET STOKED TO WRITE NEW TUNES!!”
Canadian doom metal band Ethereal Tomb and Brampton hardcore unit Mile End will join the Bats on the January leg of the tour. New England extreme metal powerhouse Escuela Grind and Mile End will support for the March run. Tickets for all shows are now available to purchase. Head here for tickets.
Tour dates
January (with Ethereal Tomb & Mile End) 23 – Windsor, ON – Dominion House 24 – Barrie, ON – The Queens 25 – Guelph, ON – Sonic Hall 26 – St. Catharines, ON – The Warehouse *
* with Ethereal Tomb
March (with Escuela Grind & Mile End) 20 – Kingston, ON – The Broom Factory 21 – Toronto, ON – The Velvet Underground 22 – Hamilton, ON – Bridgeworks 23 – London, ON – Rum Runners
With almost 20 years under their belt, including seven acclaimed studio albums, six JUNO Award nominations and countless tours around the globe, Cancer Bats have become an undeniable force within the world of heavy music. One of the hardest working bands in the industry, Cancer Bats have graced the covers and pages of countless tastemaking publications.
Pink Floyd’s The Endless River film, directed by Ian Emes, is made available to view on YouTube to celebrate the 10 year anniversary of The Endless River album.
Ian Emes is a long-time collaborator with Pink Floyd, having first created an animated film called French Windows, set to the music of Pink Floyd’s “One Of These Days”. Ian created original animated films for The Dark Side Of The Moon concert tour visuals (1972-1974), and his work was featured in the major exhibition Pink Floyd: Their Mortal Remains.
The Pink Floyd film, The Endless River, is included in The Later Years box set, an 18-disc collection of material and memorabilia from 1987 onwards, released on December 13, 2019. Watch the film below:
British singer/songwriter Toby Jepson has premiered a new animated video for the lead track from his Look Out! mini-album trilogy. Titled “Alone With You”, it’s the first of 20 brand new songs by the Wayward Sons and former Little Angels frontman that are being released under his solo moniker, Toby And The Whole Truth.
“Alone With You” is an energetic, full-throttle rock anthem that delves into the challenges of men’s mental health, drawing from Toby’s personal experiences. This theme is vividly brought to life in the new psychedelic animated video, which offers a captivating journey through the intricate corridors of his mind. The visuals poignantly depict the vulnerability and fragility one can feel amidst the chaotic and often overwhelming nature of the modern digital world.
“My intention with the videos associated with my new Look Out! song collection was to create something unique that avoided the clichés of standard rock images.
“A few years ago, I met a young animator called Euan Friel shortly after he graduated from university, where he had taken a course in animation and VFX. I was struck by his style, which captures a simplicity shot through with emotion in the very lines he drew. He worked on the videos for the Wayward Sons’ last album and was brilliantly inventive—a dream to work with.
“From the very start, I didn’t want to appear in these videos as such, but I recognised the need for the viewer to understand that the songs are very personal to me and hence should involve my image somehow. I discussed this concept with Euan and suggested he animate me as a line drawing from home-shot video I took of myself performing the song.
“Animation is a fine art; it has the ability to touch a subject with a lightness of touch that somehow gets below the surface. Because it comes across as a two-dimensional art form, it lures the viewer in with its seemingly harmless intentions. I mean, where is the threat or fear in a drawing or model? That is its power: it can represent anything and mean everything in a way that live action cannot.
“I wanted to explore the very real difficulties mental health problems can cause, using imagery that suggested how confusing it is to suffer emotional trauma—how the brain can conjure and trigger.
“The video is a trip through my cerebral cortex—a kaleidoscopic journey of colour and texture, contortion and manifestation. Our imaginations are complex and driven by experience and can easily boil over if rational thought falls victim to malevolent external forces. Every aspect of the video deals with an element of how trauma can lodge itself in our everyday lives until it feels ‘normal’ or at least recognisable—from how thinly drawn you can feel to how visceral and confusing the world around us can appear.” – Toby Jepson
Toby And The Whole – Look Out! Vol.1 is available now direct from Toby Jepson’s official website, here.
Look Out! Vol.1 tracklisting:
“Introduction” “Alone With You” “Sweet Smell Of Success” “What Will It Take?” “Throw It Away” “One Track Mind” “The One Turns Out The Light”
“Alone With You” video:
Credits:
Written and produced by Toby Jepson. Arranged by Toby Jepson, Dave Kemp and the band. Engineered by Chris D’adda and Toby Jepson. Mixed by Chris D’adda. Mastered by Simon Francis. Recorded and mixed at Vale Studios, Worcestershire, U.K. Additional recording Strangeplace studios, Somerset U.K. and Bath Spa University, Bath, U.K.
Lineup:
Toby Jepson – guitars, all vocals, Pro Tools programming and percussion Dave Kemp – keys Matthew Eldridge – drums Chris Blanden – bass Jason Barwick – lead electric guitars Sam Wood – additional guitars
– Video produced by Euan Friel Animation – Album artwork by Stuart Dilley – Photography by Scott Diamond
Pollstar, the “Voice of Live” and trusted authority for in-depth concert and live industry data, has announced that Taylor Swift’s “The Eras Tour” and Coldplay’s “Music of the Spheres World Tour” have set new benchmarks in the global concert industry.
Swift’s historic achievement as the first-ever tour to gross more than $2 billion highlights her unparalleled impact, while Coldplay’s tour solidified its place in history with over 10.3 million tickets sold—the most by any artist on a single tour.
Both tours claimed the top two spots on Pollstar’s Top 200 Worldwide Top Touring Artists chart, released by the premier trade publication in its Year End issue published today, with Coldplay also gracing the cover of this milestone edition.
In Pollstar’s highly anticipated annual Year End issue, featuring the charts, in-depth industry insights, Q&As, and more, it is confirmed that Taylor Swift has made history as the first artist to achieve a $2 billion-grossing tour, with a total gross of $2,201,107,485. Swift’s record-breaking 2024 gross of $1.04 billion and more than 5.2 million tickets sold across 80 shows during the reporting period^, cemented “The Eras Tour” as an undeniable cultural phenomenon. Notably, the tour also became the first in history to surpass the $1 billion milestone last year. With 10.05 million tickets sold across the entire tour, Swift now holds the record for the most tickets sold on any tour by a solo artist. The overall record for tickets sold on a single tour is held by Coldplay’s “Music of the Spheres,” which surpassed 10 million tickets with a total of 10.3 million.
“2024 has proven to be a historic year for the live entertainment industry, one we may never see again in our lifetimes,” said Andy Gensler, Pollstar Editor-In-Chief. “While the industry has slowed since 2023, we still saw record-setting revenues, with the top two tours of all time running concurrently. Taylor Swift’s powerhouse ‘The Eras Tour’ shattered the all-time touring record with an estimated $2.2 billion gross. Meanwhile, Coldplay’s ‘Music of the Spheres Tour’ sold over 10.3 million tickets, the most by any artist in live entertainment history. The tour has also grossed over $1.3 billion to date and remains the second highest-grossing tour ever, with 48 more dates scheduled in 2025. We are honored to feature them on the cover of Pollstar’s Year End Special, the largest issue in Pollstar’s 42-year history. I am immensely proud of the work our team has put into creating this monumental edition.”
In addition to Taylor Swift’s top position, the Top 10 rankings on 2024’s Top 200 Worldwide Top Touring Artists chart are Coldplay (No. 2), P!NK (No. 3), Luis Miguel (No. 4), Bruce Springsteen & The E Street Band (No. 5), The Rolling Stones (No. 6), Bad Bunny (No. 7), Zach Bryan (No. 8), Metallica (No. 9), and Madonna (No. 10).
The annual Pollstar rankings, which spotlight top-performing tours globally, also revealed 2024 as another banner year for the concert industry worldwide. Total grosses for the Top 100 Worldwide Top Touring Artists were up to a record-breaking $9.49 billion (2023’s total was $9.2 billion).
The Top 10 of the Top 200 North America Top Touring Artists chart are The Rolling Stones (No. 1), Bad Bunny (No. 2), Zach Bryan (No. 3), Luke Combs (No. 4), Luis Miguel (No. 5), Kenny Chesney (No. 6), P!NK (No. 7), Madonna (No. 8), Aventura (No. 9), and Taylor Swift (No. 10).
Progressive metal titans Sacrosanct have inked a worlwide record deal with powerhouse label ROAR, who will release the band’s forthcoming studio offering, entitled Kidron. Slated for a March 7, 2025 release, the album preorder is available here.
The band comments: “We are thrilled to be part of the new ROAR family! Yes, it took another year to get everything up and running, and yes, we are all sure it was worth it! Thanks to Markus Wosgien for making this possible for us! With him and Lambros at ROAR we have strong partners at our side who support us in taking Kidron out into the world! On CD, vinyl and live! Stay tuned!”
An official music video for the band’s first single, “Avenging Angel”, is now premiering below.
It’s the first track written for Sacrosanct’s fifth, new album Kidron and kind of a signature-song for the record. The song talks about Francis, their mascot and combines Sacrosanct’s distinctive melancholic mood, but at the same time is comprehensible without being commercially appealing. A complex, but catchy progressive metal hymn.
Sacrosanct, established in 1988, are a well-respected name in the metal scene, most known for their three classic albums during the early 1990s: Truth Is – What Is, Recesses For The depraved and Tragic Intense.
The Sacrosanct signature sound gradually progressed from sophisticated thrash metal to a more edgy, melodic and atmospheric aural landscape. The brainchild of founding member and lead guitar player Randy Meinhard (ex-Pestilence) returned in 2018, after a 25-year hiatus, with their fourth album “Necropolis”, which was highly acclaimed and bears all of the hallmarks and intricacies that defines Sacrosanct, with a strong emphasis on melancholic melodies and harmony guitar parts as well as a focus on thought-provoking lyrics. Six years later, Sacrosanct return with the even more powerful, still complex, but catchy Kidron, introducing their new singer Max Morton, who outshines the album with his clear, dynamic and unique voice. “The album combines all our trademarks, has a unique atmosphere due to all the circumstances we had to go through and is accessible and complex at the same time,” comments Randy Meinhard.
The special thing about Sacrosanct is that every album sounds different. “We always write and play songs in our own way. We can’t and won’t deny our roots. Of course, our first albums were more thrash-heavy, but there was a lot more going on in the songs. You just can’t reduce us to that. I personally love metal from Maiden to Priest to Fates Warning, VoiVod or Slayer. When writing songs, I try to find out how heavy or ‘commercial’ a song can be in our own way. But we always want to touch people with the music and if, for example, a blastbeat can be combined with the classic Sacrosanct riff trademarks, then we have arrived at Kidron.”
Tracklisting:
“Marching Days” “Avenging Angel” “Prince Of Clowns” “Coming Of The Scorpion” “Gethesemane” “Doorway Of Dreams” “Still Open Sore” “Before It Ends” “The Pain Still Lasts”
“Avenging Angel”:
Sacrosanct is: Max Morton – Vocals, Bass Randy Meinhard – Guitar Gerrit Knol – Guitar Jonas Schütz – Drums
M-Theory Audio have announced the signing of progressive death metal entity, Fractal Universe. Recognized for their boundary-pushing sound, technical mastery, and captivating live performances, Fractal Universe have carved a unique path in the modern metal scene and M-Theory Audio is pleased to be a part of the French quartet’s next chapter.
This begins today as Fractal Universe unleash “The Seed Of Singularity” on the unsuspecting public via digital single on all streaming/download platforms, as well as an epic music video that showcases their genre-defying creativity.
“‘The Seed Of Singularity’ talks about a dystopian future where our society reaches the technological singularity–a point of no return where technological progress becomes uncontrollable and irreversible In such a future, humans cease to be the ‘dominant’ species and have been surpassed, even in fields we thought were specific to humankind, such as art,” explains singer/guitarist Vince Wilquin. “The music video shows a painter that has become a mere tool, as she’s plugged to a machine that guides her every move.”
“The Seed Of Singularity” comes from Fractal Universe’s next opus, The Great Filters, to be released April 4, 2025. It’s the group’s most ambitious, diverse and intricate album to date pushing the boundaries of the band’s unique saxophone-drenched take on progressive metal. Fractal Universe is celebrated for their ability to push the boundaries of metal, combining heavy riffs, melodic elements, and jazz influences.
The Great Filters will be released on limited-edition (500) red with black splatter vinyl, Digipak CD, digital and an exclusive to band/label red and cream marble vinyl limited to 200 copies and bundle options with album t-shirt. Preorder here.
Randy Blythe’s sophomore book, “Just Beyond The Light: Making Peace with The Wars Inside Our Head” arrives February 18 via Grand Central Publishing/Hachette Book Group. In anticipation of its release, the Lamb of God frontman has expanded his North American book tour to 15 dates.
The special “evening with” event includes a spoken word performance, an audience Q&A session, a copy of “Just Beyond the Light,” and an opportunity to have the book signed. Tickets for the newly announced dates go on sale Friday, December 13, at 12 noon local time via randyblythe.net.
“I’m stoked to hit the road in support of my new book, Just Beyond The Light – this will be my first solo tour, and without a band behind me, what can people expect? Well, a little bit of book talk… and a bunch of insane stories from my whacked-out life, obviously. I’ll also be answering some questions and signing stuff after – see ya there, ladies & gents!”
February 19 – Underground Arts – Philadelphia, PA 21 – Harrisonburg, VA – The Golden Pony 23 – Somerville, MA – Arts at the Armory 25 – Montreal, QC – Theatre Fairmount 26 – Toronto, ON – Red Room at The Concert Hall 28 – Lansing, MI – Grewal Hall at 224
March 1 – Joliet, IL – The Forge 3 – Nashville, TN – The Basement East 4 – Dallas, TX – Granada Theater 5 – Austin, TX – Parish 7 – Denver, CO – Meow Wolf 9 – Seattle, WA – El Corazon 12 – San Francisco, CA – The Independent 13 – Los Angeles, CA – El Rey Theatre 14 – San Diego, CA – House Of Blues
Grand Central Publishing (GCP) recently announced the forthcoming publication of “Just Beyond The Light: Making Peace With The Wars Inside Our Head” by D. Randall (Randy) Blythe, which is scheduled for publication on February 18, 2025.
In his gripping, bestselling debut memoir “Dark Days,” the Lamb Of God vocalist unflinchingly wrote about some of the most harrowing episodes of his past.
Now, in his highly anticipated follow-up “Just Beyond the Light,” Blythe shares how he works daily to maintain positivity in a world that feels like it is spinning out of control. In his own words, “Just Beyond the Light” is a “tight, concise roadmap of how I have attempted to maintain what I believe to be a proper perspective in life, even during difficult times.”
Written with a scathing balance of hard-edged reality offset by a knowing humor and a razor-sharp wit, voiced in in his inimitable, conversational, everyman-philosopher style, Blythe clearly breaks down his approach to life, which is a personal and idiosyncratic mix of sobriety, art, and surfing. He writes movingly of his childhood in the South, of fallen friends, of what he’s learned touring the world as the vocalist of a successful heavy metal band, and of the very real ways he is doing what he can to leave the world a better place. Above all, he offers readers hope that balance, real balance, is possible, even (or especially) when things seem hopeless.
Compelling, compassionate, and refreshingly honest, “Just Beyond The Light” ultimately reminds readers that “as long as we keep our feet (and minds) planted firmly on the ground that is reality, the sky isn’t falling – it never has been, and it never will.”
“For me, the single most gratifying aspect of being an artist is learning that your work has been useful to others in some way. I’ve been told by lots of readers that my last book, ‘Dark Days,’ helped them – I hope ‘Just Beyond the Light’ does the same,” says Randy Blythe, about this highly anticipated follow-up memoir.
“In chaotic times, Randy’s outlook is a bulwark against despair. His perspective is hard-earned, and ‘Just Beyond the Light’ reminds us that we can all work daily to achieve balance in our lives and strive to implement it in the world,” says Ben Schafer, Executive Editor, Grand Central Publishing.
D. Randall Blythe is a writer, photographer, actor, and musician best known for fronting the metal band Lamb Of God. He is also the author of “Dark Days.” He lives in Richmond, VA.
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