Lars Ulrich embarrassed Biohazard’s Billy Graziadei in front of his friends –but quickly made up for it in style

Billy Graziadei of Biohazard performs at Alcatraz Metal Fest on August 12, 2023 in Kortrijk, Belgium.

(Image credit: Elsie Roymans/Getty Images)

Biohazard’s Billy Graziadei has recalled the time Lars Ulrich’s cold shoulder resulted in an awkward encounter – but ended with a dream-come-true support slot on a Metallica tour.

Graziadei says he was with friends at a New York club when they spotted the Metallica drummer. The Biohazard man wanted to introduce his friends to Ulrich, but it didn’t quite go to plan.

He tells 96.7 KCAL-FM: “Some friends of mine had some spot in Manhattan. And it was a pretty happening spot.

“I’m outside talking to the security dudes and the owners, and we’re all young kids; they’re buddies of mine. So, Lars walks up. He’s got maybe an entourage of 10 people.

“One of the owners says, ‘Hey, you know Lars. Can you introduce us?’ I’m, like, ‘Yeah, no problem.’ So Lars walks by, and I’m, like, ‘Yo, what’s up, bro?’ And he looks at me, kind of nods his head and says, ‘Yeah, hi,’ and walks right past me.

“So as New Yorkers, my buddies were busting my balls. They’re, like, ‘You don’t know him.’ I’m, like, ‘I do know. And he fucking knows me.’

“So I rushed. I walk in the club. I walk up the stairs, VIP. And I pushed through to him and his people. And I sit right down next to him. I’m, like, ‘Yo. What the fuck? You know who I am.’I said, ‘You made me like an idiot in front of my buddies. You know me. Billy from Biohazard.’

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“He goes, ‘Oh, I didn’t recognize your hair.’ I’m, like, ‘It’s always blonde, dude. That’s my thing.’ It’s like Dimebag with his red beard.

“The next morning I get a call from my manager, Scott Koenig, rest in peace. He said to me, ‘Hey, I heard you bumped into Lars last night.’

“And I’m, like, ‘Oh, here he goes. He’s gonna bust my balls.’ And so I started telling the story. He interrupts me and he said, ‘Well, I don’t know what happened or what you said or how you handled it, but they wanna take you on tour.’

“And I pretty much dropped the phone, and I was, like, ‘Yo, what?’ I picked the phone up. ‘They wanna take us on tour? Fucking Metallica?'”

Graziadei says the fact he was respectful in calling Lars out paid off in a big way.

He adds: “I was cool with Lars. I just basically stood up to him and said, ‘Hey, you know me. Don’t act like you don’t know me, especially in front of my friends in New York. They’re gonna bust my balls.’

“If you meet somebody in a band and that’s your ideal band that you wanna tour with, you go out of your way to say hello, be cool, be cordial, you pay for their beer, whatever.

“I’m not saying kiss their ass, but there’s the right way to handle it and the wrong way to handle it.

“So, word to the wise, you wanna treat people always with respect, no matter who you are. I don’t care if you’re the garbage man or the president, you’re cool with me, you get my respect, and that’s it.

“But you’ve always gotta stand up for yourself. And I think Lars just respected the fact that I wasn’t afraid to tell him, ‘Yo…’ I had to put him in check, in a respectful way.”

Powerflo Billy Graziadei – YouTube Powerflo Billy Graziadei - YouTube

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Stef wrote close to 5,000 stories during his time as assistant online news editor and later as online news editor between 2014-2016. An accomplished reporter and journalist, Stef has written extensively for a number of UK newspapers and also played bass with UK rock favourites Logan. His favourite bands are Pixies and Clap Your Hands Say Yeah. Stef left the world of rock’n’roll news behind when he moved to his beloved Canada in 2016, but he started on his next 5000 stories in 2022. 

TOQUE Releases Music Video For New Single “Broken”, Co-Written With HONEYMOON SUITE Guitarist DERRY GREHAN

TOQUE Releases Music Video For New Single

All-Canadian rock band Toque, featuring Todd Kerns and Brent Fitz – both of whom play in Slash Featuring Myles Kennedy And The Conspirators – along with Cory Churko (Shania Twain) and Shane Gaalaas (Michael Schneker Group), have just released the official video for their new, original song “Broken”. 

“Broken” was written by Toque, along with their good friend and guitarist of Honeymoon Suite, Derry Grehan. Stream / download the single now at this location.

In live news, Toque will resume their Frozen Not Broken Tour after Christmas. Remaining dates are as follows:

December 
27 – Regina, SK – Casino Regina
28 – Winnipeg, MB – Club Regent Event Centre
30 – Taber, AB – Taber Community Centre
31 – Calgary, AB – Deerfoot Inn & Casino

Tickets are on sale now at this location.

For further details, visit Toque on Facebook.


SIGHT OF EMPTINESS Releases “Soul Ascension” Visualizer

SIGHT OF EMPTINESS Releases “Soul Ascension” Visualizer

Sight of Emptiness has been slowly working towards the release of Above The Noise, their fifth studio release. The album’s first single, “Mandates of Hate,” dropped back in October. There’s no holding back when it comes to Sight of Emptiness, and these first two singles emphasize that to the highest of degrees. 

As a song, “Soul Ascension”  “dives deeply into the depths of the human soul. It scrapes at the bowels of where darkness, light, and the pursuit of redemption lay. The song itself is a battle between the light and the dark, a fight that is relatable to anyone who has felt lost or is crying out for meaning and purpose.”

Discussing the video, Concept Designer and CG Visuals Designer Fibonacho (Ignacio Bolaños) states: “The ‘Soul Ascension’ visualizer represents the overwhelming experiences and turbulent processes that push us to grow and transcend our limitations. It captures a transformative phase in the human journey, where what defines us can sometimes hold us back from reaching our highest potential. This visualizer explores the inherent balance in life: to gain something, you must be willing to let go. The central character is shown undergoing a transformation, shaped by mental processes of surrender, trusting intuition, and navigating challenging environments.

“In today’s world, marked by widespread substance abuse, intergenerational trauma, and the repercussions of wars and mass migrations, this piece resonates deeply. My hope is that this visualizer speaks to populations at risk and offers a connection to these shared struggles.

“Visually, the inspiration came from modern glitch art, ’90s computer graphics, odd patterns, extraterrestrial phenomena, and various forms of noise. The dominant green hues and interplay of black and white were intentional choices, helping to establish the toxic and uncertain context of the visualizer while maintaining consistency with the single’s cover artwork.”

“Soul Ascension”:

“Mandates Of Hate”:


Finland’s AWAKE AGAIN Releases New Single “river”

Finland’s AWAKE AGAIN Releases New Single “river”

Turku-based metal band Awake Again, known for their bold and distinctive style, has released their new single “river.” The track highlights the band’s rockier and more melodic side while retaining their signature head-nodding riffs. With a big, singable chorus and infectious verse rhythms, “river” is sure to become an earworm for all who hear it.

The band submitted river to this year’s Finnish Eurovision selection contest (UMK), though it didn’t secure a spot in the finals. Nevertheless, the song has been warmly received by fans during the band’s fall performances, and its studio release has been widely anticipated.

“After our gigs, we’ve heard countless comments from fans saying they can’t wait for ‘river’ to drop,” says guitarist Maron Lahdenperä.

The track also features a full-fledged guitar solo, a rarity for Awake Again. The solo has earned Lahdenperä plenty of admiration: “As someone who looks up to old-school guitar heroes, the praise for the solo has really meant a lot to me,” Lahdenperä shares.

Beneath its catchy hooks, “river” carries a deeper meaning.

“In ‘river’, the river represents the universe. Through my meditation practice, I’ve explored non-dualistic philosophies, especially Zen Buddhism, which teaches that everything is fundamentally one and the same—this moment. A constantly changing, flowing river felt like the perfect metaphor for this concept. I firmly believe that understanding and embracing these fundamental principles of existence could eliminate much hatred, violence, pain, and suffering in the world,” explains bassist Ville Loukola.

The song was entirely written, composed, and produced by the band, with vocalist Matti Österman serving as producer. It was mixed and mastered by Rami Nykänen, one of the leading names in Finnish metal production (One Morning Left, Crownshift). The band previously collaborated with Nykänen on their A Promise of Better Days EP earlier this year.

In 2025, fans can look forward to new music and adrenaline-fueled live performances from Awake Again.

Awake Again is:  
Matti Österman – Vocals  
Petteri Horn – Drums  
Maron Lahdenperä – Guitar 
Ville Loukola – Bass


SHORES OF NULL Shares “Darkness Won’t Take Me” Live From Hellfest 2024

SHORES OF NULL Shares “Darkness Won’t Take Me” Live From Hellfest 2024

This past summer, Italian melodic death-doom force Shores Of Null performed a somber and poetic set at one of Europe’s largest metal festivals Hellfest Open Air (Temple Stage) in Clisson, France. They captured the full set and have partnered up with Thunderflix to showcase the performance in its entirety.

Today, they unveil their third clip from the festival for fans to watch for the track “Darkness Won’t Take Me” off their latest and fourth record The Loss Of Beauty released on Spikerot Records during March 2023.

Vocalist Davide Straccione adds:

“This is the third and last excerpt made available on our YouTube Channel from one of the coolest experiences we had as a band so far. Hellfest was a blast, and we’re happy to relive those moments sharing them with our fans.”

The full set can be viewed on Thunderflix, the world’s premier on-demand video streaming service dedicated exclusively to heavy metal music.

Live Video Credits:
Live Sound Tech: Nikos Giagkoudakis
Video Recording: Sombrero & Co

Shores Of Null’s delivered a powerful performance at Hellfest in France this past summer as part of the band’s extensive touring in support of their new album The Loss Of Beauty. This fourth album follows the acclaimed Beyond The Shores (On Death And Dying), unanimously considered by fans and critics as one of the doom-metal gems of recent years. Both albums were recorded between 2019 and early 2020, and although The Loss Of Beauty was initially conceived as the band’s third album, Beyond The Shores took its place as it better reflected the doom and gloom sentiment of the ‘annus horribilis’ 2020.


CANNIBAL CORPSE Drummer PAUL MAZURKIEWICZ – “SLAYER’s DAVE LOMBARDO Is My Biggest Influence”

CANNIBAL CORPSE Drummer PAUL MAZURKIEWICZ – “SLAYER’s DAVE LOMBARDO Is My Biggest Influence”

Cannibal Corpse drummer Paul Mazurkiewicz was a guest on Pod Scum and during the course of the chat, he talked about his biggest musical influences.

“Slayer’s Dave Lombardo is my biggest influence, of course. If it wasn’t for him, I probably wouldn’t be doing what I’m doing,” responded Mazurkiewicz. “He’s the king of thrash, double bass and all that, so as a teenager, hearing him play in the mid-’80s, obviously I wasn’t playing at that point yet, I [was] just starting out, so that really solidified me wanting to play the way I play today, what he was doing and still is doing. But all those bands and all those influences we had in the mid-to-late ’80s, going from, I guess, any of the heavy metal like Iron Maiden, as it progressed, into bands like Metallica, Slayer and then the thrash bands of… Kreator and things like that, Dark Angel, that really, really were the forerunners of death metal and what we do in Cannibal Corpse. So, I mean, so many, so many influential bands and drummers back then, but, yeah, Lombardo would be my biggest one.”

Get ready for one of the most highly anticipated tours of 2025. Swedish metal juggernauts, Meshuggah, will make their triumphant return to North American stages, bringing their genre-defying, mind-bending sound to fans across the US and Canada.

Joining them on this monumental trek, produced by Live Nation, are the fellow legendary acts Cannibal Corpse and Carcass, making this THE tour of the year for metal fans.

Tickets will be available starting with Citi and Artist presales beginning today, December 3 at 12 PM, ET / 9 AM, PT. Additional presales will run throughout the week ahead of the general on sale beginning Friday,  December 6 at 10 AM, local time at LiveNation.com.

Citi is the official card of the Meshuggah tour. Citi cardmembers will have access to presale tickets beginning today at 12 PM, ET through the Citi Entertainment program. For complete presale details visit citientertainment.com. The artist presale will also begin today at 2 PM, ET.

Tour dates:

March
28 – Quebec City, QC – Videotron Centre
29 – Toronto, ON – Great Canadian Resort Toronto
30 – Detroit, MI – The Fillmore Detroit

April
1 – Chicago, IL – Byline Bank Aragon Ballroom
2 – St. Louis, MO – The Pageant
4 – Denver, CO – Fillmore Auditorium
5 – Salt Lake City, UT – The Complex
6 – Boise, ID – Revolution Concert House and Event Center
8 – San Francisco, CA – The Masonic
9 – Los Angeles, CA – The Kia Forum
10 – Reno, NV – Grand Theatre at The Grand Sierra Resort
11 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas
13 – Phoenix, AZ – Arizona Financial Theatre
15 – Austin, TX – ACL Live – Moody Theater
16 – Dallas, TX – South Side Ballroom
18 – Atlanta, GA – Coca-Cola Roxy
19 – Tampa, FL – Yuengling Center
22 – Pittsburgh, PA – Stage AE *
23 – National Harbor, MD – The Theater at MGM National Harbor
24 – New York, NY – The Theater at Madison Square Garden

* Non-Live Nation Date


Former Replacements guitarist Bob “Slim” Dunlap dead at 73

Former Replacements guitarist Bob “Slim” Dunlap has died at the age of 73, 12 years after suffering a stroke that left him left him largely bedridden. The news was confirmed in a statement released by his family.

“Bob passed at home today at 12:48 p.m. surrounded by family,” read the statement. “We played him his Live at the Turf Club, (Thank You Dancers!) CD, and he left us shortly after listening to his version of Hillbilly Heaven – quite poignant. It was a natural decline over the past week. Overall it was due to complications from his stroke.”

Dunlap was invited to join The Replacements in 1987 by frontman Paul Westerberg. He took over from founding guitarist Bob Stinson, who’d left the band after failing to come to terms with his drug and alcohol problems, and went on to appear on the band’s final two albums, 1989’s Don’t Tell a Soul and the following year’s All Shook Down.

After the band split up in 1991, Dunlap released two solo albums, the first on Twin/Tone, the Minneapolis label responsible for the early Replacements albums. Thank You Dancers!, the live album recorded in 2002 at the 350-capacity Turf Club in St. Paul, MN, was finally released in 2020.

In the wake of Dunlap’s stroke, The Replacements recorded a four-track EP featuring Dunlap’s Busted Up alongside Everything’s Coming Up Roses from the Broadway musical Gypsy, Gordon Lightfoot’s I’m Not Sayin’, and Hank Willliams’ Lost Highway. The 10″ vinyl release was limited to just 250 copies, which were auctioned to raise funds for Dunlap’s medical treatment.

“He’s in rough shape,” said Paul Westerberg at the time. “He’s sort of paralysed, he can move his leg a little bit. When I mentioned this, it seemed like something he really wanted to happen. ‘You guys get together,’ he said in a whisper. ‘Go play a song.'”

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“It’s finally hitting me that it’s coming to an end.” Sum 41’s Deryck Whibley reflects as band bids farewell

Sum 41 frontman Deryck Whibley says the realisation that the band will call time on their career in a little over a month is finally starting to hit home.

The pop punk giants’ last ever shows will take place in their native Canada in January 2025.

And while Whibley isn’t usually one to look back, he admits the looming farewell is playing on his mind.

He tells HeartRadio Canada: “The weird thing for me is I don’t ever really look at particular shows or single dates. For the first time, this is actually hitting me that the Canadian run is gonna be the last run.

“So I look at it as a whole rather than just certain dates. And everything up until this tour has felt like, ‘Well, we’ve got so many more tours still ahead, so many more legs of the tour to do, so many more shows.’

“Whereas now there’s only four more weeks left, and this is the final run. So it’s finally hitting me that it’s coming to an end.”

The band announced their intention to draw the curtain on their career back in 2023 and have been on a lengthy farewell world tour.

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Their last show will take place at Toronto’s Scotiabank Arena on January 30.

Whibley has been sober on the tour, as he has been since almost dying from alcohol-related organ failure in 2014.

This year, doctors were worried about his heart’s ability to cope after he was diagnosed with pneumonia.

But he has been able to play most of the scheduled dates.

Asked how he feels about touring sober, Whibley says: “I prefer being sober now. The things that you enjoy, you actually feel more, whereas when you were drinking, yeah, there are a lot of wild stories and there’s a lot of crazy nights, but there were so many nights that we were just drinking for no reason, too.

“There were so many boring nights that you just spent drinking a bottle of Jack or whatever that we all stayed up till six in the morning, just driving on the bus, talking about dumb stuff that is just kind of pointless.

“But they’re just different lifestyles. I don’t regret any of those years, but I’m glad I don’t do it anymore.”

Deryck Whibley on SUM 41’s FINAL Run, His Book, Canadian Music Hall of Fame Induction! – YouTube Deryck Whibley on SUM 41's FINAL Run, His Book, Canadian Music Hall of Fame Induction! - YouTube

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“I felt bad about that actually.” The Cure’s Robert Smith on hilarious viral interview clip from Rock Hall induction

The Cure frontman Robert Smith says he feels bad about a viral video clip in which he brings an excitable presenter down a peg or two with a cuttingly deadpan response to her opening question.

Surely all of us have by now seen the clip of Smith’s typically British reaction to the interviewer, which went viral on various social media platforms in the days after it happened and again through the Covid-19 lockdowns.

But was Smith even aware of the reaction to the clip? Yes, he certainly was. And he tells the BBC that he felt bad about the whole thing.

Picture the scene. As The Cure make their way along the red carpet in the minutes before being inducted into the Rock and Roll Hall of Fame in 2019, American presenter Carrie Keagan stops the band for a chat.

Keagan’s high-octane interview style appears to catch Smith off guard.

She says: “Congratulations The Cure! Rock and Roll Hall of Fame inductees 2019. Are you as excited as I am?”

Without so much as cracking a hint of a smile, Smith replies: “By the sound of it, no.”

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Looking back on that moment from more than five years ago, Smith tells the BBC’s Sidetracked: “I felt bad about that, actually.

“If I’m honest, I didn’t realise that I was being filmed. So, that’s probably why. We had just come from quite a serious conversation in our dressing room about what we were doing there.

“And this wave of enthusiasm was just like…”

A short clip of the hilarious interaction can be viewed below, along with the full interview in which, to be fair, Smith does appear to warm up to Keagan’s questions.

The Cure released their long-awaited 14th studio album Songs of a Lost World in November.

this is the funniest start to an interview i have ever seen i love robert smith man pic.twitter.com/7H4okzPX0LMarch 30, 2019

The Cure – Rock and Roll Hall Reunion 2019 – YouTube The Cure - Rock and Roll Hall Reunion 2019 - YouTube

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Former Replacements Guitarist Slim Dunlap Dead at 73

Former Replacements Guitarist Slim Dunlap Dead at 73
Jim Steinfeldt/Michael Ochs Archives, Getty Images

Bob “Slim” Dunlap, the guitarist best-known as a member on the Replacements, has died at the age of 73.

A message from an admin on Dunlap’s Facebook fan page (run by his wife) announced the rocker’s passing.

“Our beloved Slimbob passed away today surrounded by his family,” said the post. “Loved by everyone. He will live on in all our memories. There will be more words, but I don’t have them now, more than thank you, Bob! Love you, always.”

Born in Plainview, Minnesota, Dunlap started playing guitar as a child. He began playing in bands in the ‘70s, including various projects with musician and visual artist Curtiss Almsted. In 1987, while working with Almsted in the band Spooks, Dunlap caught the attention of Paul Westerberg. The singer recruited Dunlap to join his band the Replacements, who were looking for a new guitarist after ousting Bob Stinson. Though he initially rejected the invitation, Dunlap eventually joined the group.

READ MORE: Top 10 Replacements Songs

At the time of Dunlap’s arrival, the Replacements already had five studio albums under their belt. The group had risen from underground darling to major label act, having signed with Sire – a subsidiary of Warner Bros. – in 1985.

Dunlap contributed to a pair of the Replacements albums – 1989’s Don’t Tell a Soul and 1990’s All Shook Down – before the band’s breakup in 1991. His tenure included the band’s biggest commercial radio hit, “I’ll Be You,” which peaked at No. 51 on the Billboard Hot 100 in May of 1989.

Following the Replacements’ disbandment, Dunlap toured with ex-Georgia Satellites singer Dan Baird. The guitarist also released solo material and continued to be active in the Minneapolis music scene. In 2012, Dunlap suffered a major stroke that left him severely debilitated. Surviving members of the Replacements came together to record the EP Songs for Slim in an effort to raise funds for the musician.

Though the Replacements never achieved broad mainstream success, they’ve been hailed as pioneers of alternative rock. They were Rock & Roll Hall of Fame nominees in 2014, but ultimately did not earn induction.

In Memoriam: 2024 Deaths

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Gallery Credit: Allison Rapp

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