RIVERSIDE Announce Live Release Chronicling ID. Entity Tour; “Landmine Blast” Streaming

RIVERSIDE Announce Live Release Chronicling ID. Entity Tour;

Poland’s pioneering and leading progressive rock band Riverside are proud to announce their definitive line album release, Live ID.. Recorded on June 1st, 2024 at COS Torwar in Warsaw, Live ID. culminates the ID.Entity album cycle with a massive live rendition of 12 songs across over 110 minutes playing time and will be released worldwide via InsideOutMusic on January 24th, 2025.

Riverside’s vocalist/bass-player and main songwriter Mariusz Duda comments about the upcoming live release as follows:

“I would argue that Riverside always come across better in concerts than on studio albums. In fact, it’s only during live performances that our songs gain their full potential. What’s more, some song arrangements are much better in live versions than in studio recordings. There are a lot of nuances, quirks, and, above all, explanations of what Riverside’s music is all about. That’s why Live ID. is not just an ordinary live album. It’s an album that reveals the band’s true identity.”

Live ID. not only contains thrilling performances of songs off Riverside’s latest and much acclaimed 2023 studio album ID.Entity, but also re-visits catalogue favourites in a compelling way, once more stressing the band’s unique stance and relevance within the current progressive music scene.

For a first taste of Live ID., feel free to check out the release’s first single “Landmine Blast (Live ID.)” out now across all digital platforms, or check out the live-clip taken from the live Blu-ray, directed by Paul Green below.

Live ID. will be made available as Ltd. 2CD+Blu-ray Digipak (With 24page booklet and the Blu-ray comes with stereo and 5.1 audio options for the live-show, plus a special “Behind the Scenes” feature), Gatefold 3LP on 180g vinyl with 8page LP-Booklet or as Digital album.

Preorder here.

Tracklisting:

CD1
“#Addicted”
“Panic Room”
“Landmine Blast”
“Big Tech Brother”
“Lost”
“Left Out”

CD2
“Post-Truth”
“The Place Where I Belong”
“Egoist Hedonist”
“Friend Or Foe?”
“Self-Aware”
“Conceiving You”

Blu-ray
“#Addicted”
“Panic Room”
“Landmine Blast”
“Big Tech Brother”
“Lost”
“Left Out”
“Post-Truth”
“The Place Where I Belong”
“Egoist Hedonist”
“Friend Or Foe?”
“Self-Aware”
“Conceiving You”
Behind the scenes documentary

Live ID. will also be available as Gatefold 3LP on 180g vinyl with 8page LP-Booklet in the following variants:
– Gatefold black 3LP / Unlimited
– Gatefold lilac 3LP / Limited to 400x copies, available from JPC & Burning Shed
– Gatefold blue 3LP / Limited to 500x copies, available from insideoutshop.de & various other retailers

Side A
“#Addicted”
“Panic Room”
“Landmine Blast”

Side B
“Big Tech Brother”
“Lost”

Side C
“Left Out”
“Post-Truth”

Side D
“The Place Where I Belong”

Side E
“Egoist Hedonist”
“Friend Or Foe?”

Side F
“Self-Aware”
“Conceiving You”

“Landmine Blast”:


Frontiers Music Srl Announces The Return Of The Frontiers Rock Festival; WINGER To Headline

Frontiers Music Srl Announces The Return Of The Frontiers Rock Festival; WINGER To Headline

After a six-year hiatus, Frontiers Music Srl have announced the return of the Frontiers Rock Festival, set to take place on April 25, 26, and 27, 2025, at the Live Club in Trezzo sull’Adda (Milan).

The festival will feature a total of 21 bands in three days – an unmissable experience for all Melodic Rock/Hard Rock fans and will offer VIP experience packages and many other surprises that will be unveiled soon.

The first seven bands have been announced including Winger and their original lineup and will be the band’s last show in Italy. Other bands confirmed: Pride Of Lions, Bonfire, Ronnie Romero, Chez Kane, Girish And The Chronicles, and Fans Of The Dark.

Tickets go on sale on November 25, 2025, at 12.00 CET

Presale prices:
Single-Day Ticket: €75.00 (+ presale fees)
3-Day Ticket: €215.00 (+ presale fees)

Following the festival’s tradition in the past years, Frontiers Rock Festival will offer once again a special VIP Experience Package (limited to 100 available), priced at €399.00.

This exclusive package includes:
-Two exclusive acoustic shows with three artists playing on the second and third day, held in a special VIP lounge at the venue – inclusive of a welcome aperitif – from 12.30 pm to 2 pm
-Privileged access to the island(s) front stage, with availability of armchairs + early entry to the venue before the rest of the audience
-Photo, signing, meet & greet and interactive experiences with artists
-Bag with exclusive merch, CDs, and gadgets
-Food coupon for one warm meal + drink for each day of the festival

Find additional information at frontiersrockfestival.com.


THREE DAYS GRACE Release “Mayday” Single And Video Featuring Both ADAM GONTIER & MATT WALST On Vocals

THREE DAYS GRACE Release

After surprising Three Days Grace fans with the return of the band’s original singer Adam Gontier, the esteemed rock veterans have released the first new single, an anthemic rock track, “Mayday”, with both Gontier and Matt Walst on vocals, available across all digital streaming platforms today via RCA Records. Stream/download here, and watch a music video below.

“Mayday” was produced by Zakk Cervini and Dan Lancaster with vocal production by Howard Benson. The video was directed by CiRCUS HEaD.

Amid the first single since the reunion, Three Days Grace shares, “This song is a reflection of the current state of the world, an unsettling mix of disillusionment, exhaustion, and denial. The sense that we’re all on the brink—emotionally, socially, and environmentally, yet we refuse to admit defeat. So even though we feel like we are barely surviving we keep on moving forward, one foot in front of the other.”

Since 2003, Three Days Grace has staked a spot amongst the hard rock vanguard, breaking records, toppling charts, and moving millions of units worldwide. Overall the band has eighteen #1 records at US Mediabase Active Rock and seventeen #1s at Billboard/US BDS Active Rock. The band has been nominated  multiple times for “Best Rock Album” at the Juno Awards in addition to multiple nominations for “Rock Song of the Year” and “Rock Artist of the Year” at iHeartRadio Music Awards. Moreover, the band consistently averaged a staggering 13 million monthly listeners on Spotify—remaining one of the most listened to rock bands in the world. With over 5 Billion combined streams, top tracks include hard rock anthems “I Hate Everything About You”, “Riot”, “Time of Dying”,  among others.

To date, their veritable arsenal of number one includes “Home”, “Just Like You”, “Pain”, “Animal I Have Become”, “Never Too Late”, “Break”, “Good Life”, “World So Cold”, “Misery Loves My Company”, “The High Road”, “Chalk Outline”, “I am Machine, “Painkiller”, “The Mountain”, “Infra-Red”, “Right Left Wrong”, “So Called Life”, and “Lifetime”.

Catch Three Days Grace on the road with Disturbed in February and March 2025. The first leg of the Disturbed tour will mark Adam’s return to the stage with Three Days Grace. The band has also been confirmed for Sonic Temple, Welcome To Rockville and Inkcarceration festivals.

Dates:

February
25 – Nampa, ID – Ford Idaho Center Arena *
27 – Denver, CO – Ball Arena *

March
2 – St. Louis, MO – Enterprise Center *
4 – Milwaukee, WI – Fiserv Forum *
6 – Minneapolis, MN – Target Center *
8 – Chicago, IL – United Center *
10 – Detroit, MI – Little Caesars Arena *
12 – Louisville, KY – KFC Yum! Center *
14 – Boston, MA – TD Garden *
17 – Washington, DC – Capital One Arena *
19 – Montreal, QC – Centre Bell *
21 – New York, NY – Madison Square Garden *

May
8 – Columbus, OH @ Sonic Temple festival

* with Disturbed

Three Days Grace is:

Adam Gontier (vocals)
Matt Walst (vocals)
Barry Stock (guitar)
Brad Walst (bass, backing vocals)
Neil Sanderson (drums, keyboards, backing vocals)

(Photo – Matt Barnes)


Pete Townshend Admits He Has Suicidal Thoughts Every Day

Pete Townshend Admits He Has Suicidal Thoughts Every Day

Pete Townshend has shared his personal struggles to maintain mental health.

During a recent conversation with The Sunday Times, the Who rocker admitted he suffered from “chemical depression.” As a result, he finds his mind going to dark places on a daily basis.

“When I first wake up I’m suicidal, actually suicidal,” Townshend confessed, adding that waking up extra early — between 2 and 5AM — helps slightly, as he’s “still in the state that I was the day before”.

Most mornings it takes the musician about 30 minutes to climb out of his dark mindset. Townshend further revealed that having a morning routine and regularly journaling has helped him immensely.

READ MORE: Pete Townshend Confirms the Who’s Return in 2025

“I have a couple of cups of tea, two digestive biscuits — apparently equal to 17 sugar lumps — and I feel happy,” he explained. “If I start my journals before I have my cup of tea, I’ll paint a very bleak picture of my life. Despite the fact that I have everything that I want and everything that I need … And I have had a really extraordinary life.”

Why Pete Townshend Quit Therapy

At one point, Townshend tried therapy, but he found the experience unfulfilling.

“After the third year, I realized that the woman counseling me had only said about three words. I was just listening to myself,” the rocker noted. “So now I just write journals. Every morning I rebuild myself in a sense with tea and coffee, and a few vitamin pills.”

READ MORE: Pete Townshend Albums Ranked Worst to Best

Despite his experience, Townshend recognizes that therapy helps many people with their struggles. He also noted that it was not his place to tell people how to manage their own well being.

“I think because of social media in particular, the way that we carelessly share not only our anxieties but also perhaps our solutions,” the Rock & Roll Hall of Famer explained. “We’re a bit careless about that because what works for me won’t necessarily work for you.”

The Who Albums Ranked

Half of the Who’s studio albums are all classics, essential records from rock’s golden age. But where should you start?

Gallery Credit: Michael Gallucci

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Bruce Kulick Says He Lost His Kiss Job for the ‘Right Reasons’

Bruce Kulick has reflected upon his tenure in Kiss, noting that the band’s decision to not bring him back was ultimately “the right way to go.”

For more than a decade, Kulick was Kiss’ guitarist, playing on five studio albums: Asylum (1985), Crazy Nights (1987), Hot in the Shade (1989), Revenge (1992) and Carnival of Souls (1997). His era coincided with Kiss’ unmasked period, so Kulick never donned makeup or an onstage persona.

It was somewhat surprising that Kiss didn’t invite Kulick back into the band after Ace Frehley quit for a second (and final) time in 2002, instead opting to bring in Tommy Thayer. In a recent conversation with Loaded Radio (transcribed by Blabbermouth), Kulick said he understood the band’s decision making.

READ MORE: The Day Ace Frehley Played His Last Kiss Show

“Not everyone’s aware of some of the backstory,” the guitarist noted. “I would hear things about them having problems with Ace and Ace was getting erratic or difficult. And Tommy Thayer was actually tour managing with them; he was on the road with them. Because even during my era, he was involved with the band, helping with Kisstory and doing things for the group. He wrote some songs with Gene [Simmons] and was always part of the inner circle, shall I say.”

According to Kulick, Thayer secretly filled in for Frehley on two different occasions prior to the guitarist’s exit.

“There was one or two things that Kiss did — not a concert, even though once Ace was almost not gonna make it and they made Tommy get the outfit on. [He had a] similar build — tall and thin — and Ace made it to the show. But there were a couple of other things they needed to do. I believe That ’70s Show, when they were taping, Ace didn’t show up. ‘Tommy, get the outfit on.’ And then I think there was a private gig, too, that no one would really know about — one of those things where you go to an island and play for some rich people. And Ace wouldn’t go.”

“If they ever had a thought of me, I think they would have known that that probably would have been a lot harder,” Kulick continued. “Tommy was younger, there already, if you know what I mean, working with them. And Tommy, not everybody knows that he was in a tribute band for fun at times called Cold Gin as Ace Frehley.”

‘I Never Felt Like They Made the Wrong Choice’

While Kulick admitted he may have accepted the job if he was offered it, he ultimately recognized that taking on Frehley’s Spaceman persona wouldn’t have been a good fit.

READ MORE: Kiss Band Member Power Rankings

“I miss being in Kiss,” the rocker confessed. “I do realize it would have kind of pooped on my era because then I’d have to kind of play the role of the ‘Spaceman’ and shoot rockets and play more like Ace. I was never given that direction from Gene and Paul [Stanley], where Tommy knew that it actually was more comfortable with his natural style of guitar playing… So I never felt like they made the wrong choice — ever. I always felt that was the right way to go because then Tommy could assume the role of the Spaceman in the group.”

“I actually kind of lost the big gig on many levels for the right reasons though,” Kulick surmised. “And I was never fired the first time. It was simply, ‘Well, we’re making all this money. Now we’re selling out from arenas to stadiums in makeup.’ So my era ran its course.”

Kiss Lineup Changes: A Complete Guide

An in-depth guide to all of the personnel changes undergone by the “hottest band in the land,” Kiss.

Gallery Credit: Jeff Giles

Watch Paul McCartney Jam With Jack White and St. Vincent

Watch Paul McCartney Jam With Jack White and St. Vincent

Paul McCartney got a little help from his friends on Sunday when he closed his headlining performance at the Corona Capital festival with an all-star rendition of “The End” featuring Jack White and St. Vincent.

All three artists performed separately at the weekend-long festival, which took place at Mexico City’s Autodromo Hermanos Rodriguez. St. Vincent — who previously collaborated with McCartney on his 2021 remix album McCartney III Imagined — joined the former Beatle earlier in his 29-song set for a rousing rendition of “Get Back,” then returned to the stage for “The End.” The show-closing performance featured a five-way guitar jam between McCartney, White, St. Vincent and McCartney’s touring guitarists Rusty Anderson and Brian Ray, with McCartney pointing at each musician to signal their turn to take a solo.

You can watch performances of “The End” and “Get Back” below.

READ MORE: Top 40 Paul McCartney ’70s Songs

Paul McCartney, St. Vincent and Jack White’s Current Album and Tour Plans

McCartney is in the middle of his globe-trotting Got Back tour, which launched its 2024 leg on Oct. 1 in Montevideo, Uruguay. He’ll head to Europe in early December and play shows in France, Spain and the United Kingdom.

St. Vincent, meanwhile, just released Todos Nacen Gritando, a Spanish-language version of her most recent album, All Born Screaming. The Texas-raised musician called the project a “tribute” to the fans she encountered while touring Latin America and Spain. “These crowds were united in their passion — singing every word to every song in perfect English,” she told Variety. “It was truly inspiring. Eventually, I asked myself: If they can sing along in a second or third language, why can’t I meet them halfway?”

White is also just a few months removed from the guerilla-style release of his latest album, No Name, which he quietly slipped into Third Man Records shoppers’ bags back in July. The rock giant has been playing last-minute club shows across the United States in support of the album, and he’ll embark on a proper world tour next month, beginning in Hong Kong.

Watch Paul McCartney, Jack White and St. Vincent Play ‘The End’ in Mexico City

Watch Paul McCartney and St. Vincent Play ‘Get Back’ in Mexico City

Paul McCartney Albums Ranked

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Gallery Credit: Nick DeRiso

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16 Rock Stars Who Put Out New Albums in Both 1974 and 2024

16 Rock Stars Who Put Out New Albums in Both 1974 and 2024

Imagine being so good at your job that you get to do it for 50 years. The 16 rock stars on this list can all put that claim on their resumes, having released new studio albums in both 1974 and 2024.

Of course, a lot can change in five decades. None of the bands on this list feature the same lineups on both their 1974 and 2024 releases. At least half the albums included here are by artists who were part of a band in 1974, but have since moved on to solo careers. For example, Ace Frehley released two albums as a member of Kiss in 1974, but hasn’t performed with the group since 2001. He released a new solo album entitled 10,000 Volts in 2024.

Read More: 15 Artists Who Put Out New Albums in Both 1973 and 2023

After their recent acrimonious breakup, Darryl Hall and John Oates each released solo albums in 2024, fifty years after the release of their highly experimental joint effort War Babies. Two members of Yes‘ most famous lineups also released solo albums this year – Steve Howe with the instrumental Guitarscape and Jon Anderson with True.

A couple of major classic rock legends just missed a spot on this list. David Gilmour released a highly acclaimed album named Luck and Strange this year, but there isn’t a 1974 Pink Floyd album to pair it with, as The Dark Side of the Moon came out in 1973 and Wish You Were Here followed in 1975.

Ringo Starr is missing out by less than two weeks. He released Goodnight Vienna in 1974, but his country-themed Look Up hits stores January 10th, 2025. (Starr’s 12-minute long 2024 EP Crooked Boy doesn’t count as a full album.)

16 Rock Stars Who Put Out New Albums in Both 1974 and 2024

Let’s hear it for longevity!

Gallery Credit: Matthew Wilkening

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Watch Blackie Lawless Praise Donald Trump at W.A.S.P. Show

W.A.S.P. turned their Saturday show at New York’s Hammerstein Ballroom into a makeshift Donald Trump rally, with bandleader Blackie Lawless delivering an impassioned speech in defense of the president-elect and hanging banners emblazoned with his name.

You can read the full text of Lawless’ speech and watch video of the moment below.

Lawless gave his address ahead of W.A.S.P.’s final song, “Blind in Texas.” “We’ll do something a little different tonight. We are in the appropriate city to do this,” he said. “You know, it was Shakespeare that said, ‘Some are born to greatness. Some have greatness thrust upon them.’ It was the Greek historian Herodotus who said that when it comes to tragedy and things like that, that we do not rule circumstances, circumstances rule us.”

The frontman related the centuries-old quote to his 1985 battle with the Parents Music Resource Center, which placed W.A.S.P.’s “Animal (Fuck Like a Beast)” on its “Filthy Fifteen” list of morally objectionable songs. “Frank Zappa and myself stood on a stage just around the corner here and we talked about the evils that would come about them,” Lawless said. “Because censorship is an ugly, ugly thing. And it ain’t just in music. It happens in all forms of life.”

READ MORE: Blackie Lawless to W.A.S.P. Backing Track Critics: ‘Don’t Go’

Lawless noted the importance of the First Amendment, which guarantees the right to free speech, and lamented that “in the last six, eight years, we find censorship again rearing its ugly, ugly head. Now, this time it’s on the Internet, and it’s affecting every single one of us.”

He argued, however, that victims of this so-called censorship had an advocate.

“Tonight, you may not be aware, but right next door to us over here in the [Madison Square] Garden, there is a man who has undergone attempt after attempt, assassinations on his life, and this man has stood up for this country. He’s right next door right now at the Garden,” Lawless said, in reference to Trump, who attended a UFC event at Madison Square Garden that night. (The irony that Trump has referred to the American free press as the “enemy of the people,” banned reporters from press briefings and suggested that purveyors of the so-called “fake news” should be shot was apparently lost on the First Amendment-loving Lawless.)

“Now, I got two things that I’m passionate about the most,” Lawless continued. “One of them is that freedom of speech. And the other one is about being a patriot. Because I’m here to tell you, I don’t care if you’re Republican, Democrat, Independent — you need to be a patriot of this country. I am willing to die for this country. I believe in it that much. And that man next door, he believes in it too.

“I only got one more thing to say before we go,” Lawless concluded. “‘Cause I’m blind in Texas!”

As Lawless finished his address, his crew unveiled “Trump 2024” banners on both sides of the stage, and the screens behind the band displayed images of Trump from the day of his attempted assassination.

W.A.S.P.’s Album One Alive tour continues on Tuesday in Cleveland.

Read the Full Text of Blackie Lawless’ Pro-Trump Speech

We’ll do something a little different tonight. We are in the appropriate city to do this. You know, it was Shakespeare that said, ‘Some are born to greatness. Some have greatness thrust upon them.’ It was the Greek historian Herodotus who said that when it comes to tragedy and things like that, that we do not rule circumstances, circumstances rule us.

Now when I was a little kid, growing up across the bay over here in Staten Island, I never ever imagined that my time would come where I would be thrust into a situation where I had no control over. Now, it will be 40 years next year, there was a situation that happened, and it was called the PMRC. And there were hearings, there were hearings done in Washington, D.C. And two days later, Frank Zappa and myself stood on a stage just around the corner here, and we talked about the evils that would come about them. Because censorship is an ugly, ugly thing. And it ain’t just in music. It happens in all forms of life.

Now, down the street here in lower Manhattan, there’s a chapel down there. It’s called the St. Paul’s Chapel. We now know it as the chapel from 9/11. But before that, when George Washington was elected the first president of the United States, after he was sworn in in the federal building, he walked into that street and he walked down to that chapel and he consecrated the United States of America to God Almighty right there on that spot.

The very first amendment of our constitution guarantees freedom of speech. Our founding fathers were genius enough to know that if you can control speech, you can control thought. And these men knew this. These were great men. Fast forward a couple hundred years, 250 almost — now we have a situation in the last six, eight years, we find censorship again rearing its ugly, ugly head. Now, this time it’s on the Internet, and it’s affecting every single one of us.

Tonight, you may not be aware, but right next door to us over here in the Garden, there is a man who has undergone attempt after attempt, assassinations on his life, and this man has stood up for this country. He’s right next door right now at the Garden. Let him hear ya!

Now, I got two things that I’m passionate about the most. One of them is that freedom of speech. And the other one is about being a patriot. Because I’m here to tell you, I don’t care if you’re Republican, Democrat, Independent — you need to be a patriot of this country. I am willing to die for this country. I believe in it that much. And that man next door, he believes in it too.

I only got one more thing to say before we go. ‘Cause I’m blind in Texas!

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Gallery Credit: Bryan Rolli