Why Bon Jovi’s Classic Songs Require a Certain ‘Respect’

In the years since Richie Sambora left Bon Jovi unexpectedly in 2013, it’s been guitarist Phil X, his replacement, who has had the duty of replicating some of the band’s most famous riffs.

After more than a decade, the philosophy to his approach remains a simple one. “There isn’t anything that’s really technically difficult as far as the guitar playing, but there’s an intended emotion that could be a challenge to capture,” he shares in an upcoming episode of the UCR Podcast. “A perfect example is the beginning of ‘Bed of Roses.’ Anybody can play those notes, but to play those notes right before Jon [Bon Jovi’s] voice [comes in with] that lyric, to capture that emotion [is important].”

“I knew I had to do it [that way]. It wasn’t like, ‘Oh, I can just learn it and play it.’ I thought, ‘No, I can’t just learn and play this part,” he explains. “This part means so much. It’s just the piano and a soaring guitar and it’s got to be the right tone and it’s got to be the right feel, kind of laid back in the beat. That kind of thing is a challenge sometimes, for sure. Some of the parts, singing and playing at the same time, that could be a little difficult.”

The guitarist says it’s important to be in the right zone. “You have to get into the music and you have to become a part of it. I always say that if Richie is on this side of the scope and Phil X is on the other side of the scope, there’s a guy in the middle that shows up and delivers every night,” he says. “Because I can’t do exactly what Richie does — and there’s an element [also] of too much Phil X. So they’re that way and this guy, he’s the one.”

Now that he’s spent so many years in the group, he’s very comfortable with the route he chose. “I think I made the correct decision and it’s all about respect,” he notes. “You have to respect the band. I respected Richie [with my choices]. You have to respect the songs — and the fans, man, of course! You can’t do a different solo in ‘Livin on a Prayer‘ or ‘Wanted Dead or Alive.’ You can’t change that. I do what the record did. Even later on, I’d listen to live versions and studio versions, the solo in ‘Born to Be My Baby‘ is amazing. Somehow, playing it for 30 years, when Richie was still around, he was changing the solo and he can do that, because he’s the original guy. But I was like, I’m not doing that, I’m doing the record! Because the record just spoke to me.”

Watch Bon Jovi Perform ‘Wanted Dead or Alive’

“I do get to spread my wings with songs like ‘Keep the Faith‘ live. There’s newer stuff like ‘This House is Not for Sale,’ we do a coda on stage and that’s a moment for me to just do what I do and be Phil X, which is really exciting,” he adds.” I get a lot of comments about it. You know, it’s really cool. They’re like, ‘Hey, it’s really cool to hear you stretch out.’ But still, when it’s time to do the job, you do the job.”

READ MORE: All 359 Bon Jovi Songs Ranked

He’s celebrating the pending arrival of POW! Right in the Kisser, the latest album from Phil X and the Drills, which will be released on March 28. The explosive set of songs will be pleasing to fans who love hard rock, but there’s also material with more of a power pop vibe. The 11 tracks feature contributions from a variety of guest drummers, including legendary former Billy Joel drummer Liberty DeVitto, who came in to play on “Broken Arrow,” a song that the guitarist wrote while processing the news of the death of his friend, Soundgarden’s Chris Cornell. Longtime collaborator and friend Tommy Lee of Motley Crue also makes an appearance on the new album and Phil is quick to praise his cohort, calling him “underrated.”

“The songs kept coming,” he says. “There are so many songs on this record that I wrote a long time ago that never got recorded. Then, I just kept writing.” His frequent travel and touring commitments with Bon Jovi, found him tapping different drummers to play on the songs as time progressed — including his bandmate, Tico Torres, who added his signature sound to “Find a Way” during an off day in Las Vegas.

Bon Jovi Tour Plans Will Affect His Solo Show Schedule

Time will reveal what his prospective touring plans might look like. Currently, Phil X and the Drills are set to play some dates in Texas once the record is released — and he hints that any possible commitments to Bon Jovi in 2025 will dictate the way the rest of his year unfolds. “I’m waiting for the the ‘other schedule’ to be [confirmed] anytime soon. Then, I’ll totally fill the gaps.”

Listen to Phil X & the Drills’ ‘Moving to California’

Totally ’80s: The Pictures That Take You Back

Take a nostalgic journey through the ’80s with these iconic photos—capturing the fashion, toys, and unforgettable news events that left a lasting impact on a generation. Keep scrolling to relive the moments that defined the decade.

Gallery Credit: Stephen Lenz

Alice Cooper Plays First Show with Gilby Clarke: Video, Set List

Alice Cooper Plays First Show with Gilby Clarke: Video, Set List

Alice Cooper played his first show of 2025 Friday night, and welcomed a new guitarist to his band.

Former Guns N’ Roses star Gilby Clarke joined Cooper at the show. The shock rock legend’s longtime guitarist Nita Strauss is currently on a solo tour and taking a temporary break from the band. Former Cooper guitarist Orianthi was originally set to fill in for Strauss, but had to back out due to a series of injuries.

So Clarke stepped in to complete Cooper’s typical three-guitar attack, which also features longtime vets Ryan Roxie and Tommy Henriksen.

You can see the complete set list and fan-shot video from the show below.

The show opened with a brief version of “Lock Me Up” from 1987’s Raise Your Fist and Yell, followed by “Welcome to the Show” from 2023’s Road. He then quickly brought out the big guns, peeling off “No More Mr. Nice Guy,” “I’m Eighteen” and “Under My Wheels.”

Watch the Opening of Alice Cooper’s First 2025 Concert

Clarke later joined Roxie and Henricksen on an instrumental version of “Black Widow,” before the show concluded with the one-two punch of “School’s Out” and “Feed My Frankenstein.”

Read More: Which Rock Star Played the Most Concerts in 2024?

Watch Gilby Clarke, Ryan Roxie and Tommy Henricksen Play ‘Black Widow’

Alice Cooper Jan. 31, 2025 Augusta, Georgia Set List

“Lock Me Up”
“Welcome to the Show”
“No More Mr. Nice Guy”
“I’m Eighteen”
“Under My Wheels”
“Bed of Nails”
“Billion Dollar Babies”
“Snakebite”
“Be My Lover”
“Lost in America”
“He’s Back (The Man Behind the Mask)”
“Hey Stoopid”
“Welcome to My Nightmare”
“Cold Ethyl”
“Go to Hell”
“Poison”
“Black Widow” (instrumental)
“Ballad of Dwight Fry”
“Killer”
“I Love the Dead”
“School’s Out”
“Feed My Frankenstein”

Alice Cooper Albums Ranked

You can’t kill Alice Cooper.

Gallery Credit: Ultimate Classic Rock Staff

More From Ultimate Classic Rock

Def Leppard release version of Ben E. King’s soul classic Stand By Me for FireAid

Def Leppard have released a cover version of Stand By Me, the soul classic that was originally a hit for Ben E. King in 1961. Proceeds from sales of the song will be donated to FireAid, the charity dedicated to rebuilding communities devastated by the Californian wildfires.

“Los Angeles and its surrounding area has always played a central role in Def Leppard’s career,” says frontman Joe Elliott, “from it being where some of us are based and it being our US hub for rehearsals, to being the city where we played our first-ever American gig.

“We feel blessed to be able to dedicate this song and give all the royalties to the amazing heroes in LA helping those affected by the fires. No better song.”

The release of the song comes a day after the much-heralded FireAid concerts in Inglewood, California, which included a four-song set from the Red Hot Chili Peppers, pop star Pink nailing a version of a Led Zeppelin classic, and a surprise reunion of the surviving members of Nirvana.

The concert also featured performances from a reunited No Doubt, Stevie Nicks, Green Day, Olivia Rodrigo, Sting, Lady Gaga and more.

The worst of the ongoing wildfires is the Palisades fire, which broke out on January 7 west of downtown Los Angeles, and is the third most destructive in Californian history. It has burned more than 23,400 acres but is now 98% contained. Overall, the fires are known to have killed 29 people and forced more than 200,000 to evacuate.

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Adrian Belew’s ‘80s King Crimson Tribute May Record New Music

Adrian Belew’s all-star touring celebration of his ’80s work with King Crimson was a runaway success from the moment it was announced last April. Now, guitarist Steve Vai says that Beat, the collective which also features Tool drummer Danny Carey and bassist Tony Levin, may end up working on new music together.

“We touch on it, of course,” he told the UCR Podcast during a recent interview. “Right now, the goal is to honor this King Crimson music the best we can and play anywhere that’ll take us. But that has a shelf life, obviously. Because once you’ve toured the world with it, I wouldn’t want to go back out and tour the whole world again doing the same thing. Because there’s way too many things to do.”

Vai’s schedule alone speaks to just how much there is on their collective plate. Beat will reconvene in May for a short run of dates in Argentina, Chile and Brazil. As we spoke with him, he was reviewing video of the livestream the group did in Los Angeles this past October. “I’m listening through and working on [that] right now,” he shares. “We’re working to make [it] a video [for future release].”

He’s also celebrating the arrival of G3 Reunion Live, the new concert recordings that commemorate the 2024 tour dates which brought him back together with his longtime friends Joe Satriani and Eric Johnson to replicate the original lineup of G3 that first toured in 1996. The most recent live dates segued into further road work for Satriani and Vai, who revealed a new single last year, “The Sea of Emotion, Pt. 1” and plans for their first-ever collaborative album (a milestone, considering they had worked together for 50 years without ever teaming up in the studio).

But he was openly enthusiastic, talking about the perspective he’d gained looking at the livestream footage of the Los Angeles performance. “Adrian Belew is a totally unique artist,” Vai explains. “He has really great ears and intonation, but his ability to create unique sounds from a guitar and make them musical and appropriately fit them into a piece of music is quite amazing. I’d just marvel at him every night, you know, because he’s so different than anybody or anything I’ve ever co-created or worked with. Nobody’s like anybody else, really. But there’s nobody even in Adrian Belew’s playground. There’s nobody even trying.”

READ MORE: How Adrian Belew Put Together His ’80s King Crimson Celebration

He has kudos for his other bandmates as well. “Tony, you’ve got to hear those parts. You have to listen to them in solo in order to realize that he’s playing what he’s playing. It’s just fantastic,” he says. “There’s so much personality [the way he plays the Chapman] Stick. All of the phrases, they have an attitude to them. And what a wonderful man, my goodness.  It’s the same thing with Danny. I knew Tool and I was aware. I loved the music. There’s something very rich and deep in it. But Danny is a marvel. I mean, he can play all of the complex stuff. But the most remarkable things I would see him do was when he would solo. This is a guy that he just never repeated himself.”

The Challenges of Creating New Music as Beat

Vai is looking forward to what the future might hold, even if it takes a few moments to play out. “Going out there and playing this music was an evolution for us in the first place. So if we do it again, it would be nice to do something additional. So we talk about it. The challenge in my mind is the foundation of the band is a King Crimson kind of attitude,” he explains. “There’s all these accouterments that go into a King Crimson song. Now we’re not King Crimson because, you know, I’m not Robert Fripp and my musical mind works very differently. But I’m a fan. I understand and I know certain parameters of what might work in something that could work for Beat, but also not be too far removed from King Crimson.”

“So it’s a fun challenge. You know, way back years ago when Adrian first asked me [about joining the band], it created an idea in my head. It created an overview of the kind of music I might contribute to something like Beat,” he continues. “I immediately just started playing this riff, grabbed my iPhone and recorded it. It just sat on the shelf until Adrian got here, years later. I picked up my guitar and started playing it and he goes, “Alright, that’s it. Let’s keep that on the shelf.” So things like that work best when they happen organically. We’re hoping that will organically develop — and that’s just one riff that I’m talking about. You know, once you open the can of worms, everything’s going to start flowing. But right now, it’s just flowing in a different direction.”

Listen to Steve Vai on the ‘UCR Podcast’

Top 50 Progressive Rock Artists

From Kansas and Can to King Crimson and Curved Air. 

Gallery Credit: Ryan Reed

Complete List Of Survivor Band Members

Survivor Band Members

Feature Photo: Staffan Vilcans, CC BY-SA 2.0 , via Wikimedia Commons

Survivor is an American rock band formed in Chicago in 1978. With a career spanning several decades, the band has undergone various lineup changes while maintaining its signature sound. Their most well-known songs, such as “Eye of the Tiger,” became anthems of the 1980s, cementing their place in rock history. Over the years, Survivor has released multiple albums, with Eye of the Tiger (1982) being their most commercially successful release, thanks to its title track which gained worldwide recognition, especially after being featured in Rocky III. The band’s musical contributions go beyond their chart successes, influencing rock’s landscape in the ’80s. Survivor has seen both breakups and reunions, but despite these changes, they have continued to release music and perform for fans.

The members of Survivor have each contributed to the band’s evolution, with key individuals playing essential roles in the shaping of their sound and success. These musicians have diverse experiences, both within and outside of Survivor, and their work has helped define the band’s identity in rock music.

Frankie Sullivan

Frankie Sullivan is the founding member of Survivor, having joined the band in 1978 as the lead guitarist and backing vocalist. He was instrumental in the creation of the band’s sound, particularly through his songwriting, and his contributions are heavily featured in their biggest hits, such as “Eye of the Tiger.” Sullivan’s long tenure with the band spans from its inception until his departure in 1988, and his return in 1993 marked his continued involvement in Survivor’s musical direction until 2019. He played on every Survivor album, contributing to their signature hard rock sound, and his work on Eye of the Tiger was pivotal in defining the band’s success during the 1980s. Beyond Survivor, Sullivan has worked with various artists in the rock and pop scenes, producing and songwriting for several projects, but his most notable contribution remains his work with Survivor, which remains a lasting legacy.

Jim Peterik

Jim Peterik co-founded Survivor in 1978, contributing to the band’s distinctive sound with his roles as a keyboardist, rhythm guitarist, and backing vocalist. His collaboration with Frankie Sullivan in songwriting was a key factor in the band’s success, particularly with the iconic “Eye of the Tiger,” which he co-wrote. Peterik was a member of Survivor from its inception until 1988, and he briefly returned to the band in 1993, staying until 1996. He played a key role in the band’s albums Survivor (1980), Premonition (1981), and Eye of the Tiger (1982), bringing a mix of pop and rock sensibilities to their sound. After leaving Survivor, Peterik went on to achieve success with other projects, most notably the Ides of March and writing for bands like .38 Special, as well as a solo career that expanded his influence in the music industry.

Dave Bickler

Dave Bickler joined Survivor in 1978 as the lead vocalist and was a key part of the band’s early sound. His distinctive voice helped shape the band’s rock anthems, and his most memorable contribution was on the Eye of the Tiger album, where he provided the powerful lead vocals for the iconic title track. Bickler remained with the band until 1983, before leaving to pursue other musical endeavors. He returned to Survivor in 1993, where he remained a member until 2000, and later made a brief appearance in 2014 and 2015-2016, where he again provided co-lead vocals on select tracks. Bickler also enjoyed a successful solo career and worked with various artists, though his legacy remains most strongly tied to his work with Survivor, particularly his contribution to their defining hits.

Dennis Keith Johnson

Dennis Keith Johnson was the original bassist for Survivor, joining the band in 1978. He played a significant role in the band’s early years, contributing to their debut album Survivor (1980) and their follow-up Premonition (1981). Johnson’s bass playing helped to anchor the band’s rhythm section, providing the foundation for their hard rock sound. He was part of the lineup during the band’s rise to prominence with Eye of the Tiger, but left the band in 1981. After his time with Survivor, Johnson continued to work in various musical capacities but did not find the same level of commercial success that he enjoyed with Survivor. His early contributions remain an integral part of the band’s legacy.

Gary Smith

Gary Smith was the original drummer for Survivor, playing with the band from 1978 to 1981. He was part of the band during their formative years, contributing to the rhythm section of their debut album Survivor (1980) and Premonition (1981). Smith’s drumming helped define the band’s early sound, laying the groundwork for their later success with albums like Eye of the Tiger. After leaving Survivor in 1981, Smith’s drumming career continued, though he did not achieve the same level of fame that he did during his time with the band. His contributions during the band’s early years remain a significant part of Survivor’s development, and his time with the group helped shape their early musical identity.

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

Complete List Of Survivor Band Members article published on Classic RockHistory.com© 2024

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Brian Kachejian

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

“Thank you for showing up LA.” Watch Red Hot Chili Peppers’ four-song set at star-studded FireAid benefit show in Los Angeles

RHCP at FireAid
(Image credit:  John Shearer/Getty Images for FIREAID)

Red Hot Chili Peppers played a four-song set at last night’s FireAid fundraising concert at the KIA Forum in Los Angeles, making their first appearance onstage together since their performance at the closing ceremony of the Olympic games last August.

Introduced by Stevie Nicks, the LA funk-rock superstars opened their mini-set with Dani California, and also performed hit singles Californication and Black Summer, before wrapping up their 22 minutes onstage with Blood Sugar Sex Magik-era ballad Under The Bridge.

“Thank you for showing up LA,” Anthony Kiedis told his hometown audience as the quartet completed their set.

Earlier in the set, ahead of Black Summer, bassist Flea stated, “Los Angeles is our home. We fucking love you.”

Watch the band’s set below:

Red Hot Chili Peppers | Full Performance | FireAid Benefit Concert 2025 – YouTube Red Hot Chili Peppers | Full Performance | FireAid Benefit Concert 2025 - YouTube

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The surviving members of Nirvana – Dave Grohl, Krist Novoselic and Pat Smear – also made a surprise, unannounced appearance at the benefit concert.

For their four-song set, Dave Grohl’s daughter Violet fronted the trio to perform All Apologies, St. Vincent handled lead vocals for a blast through Breed, from Nevermind, ex-Sonic Youth vocalist/bassist Kim Gordon took the mic for School, from the trio’s debut album Bleach, and Joan Jett helmed the trio onTerritorial Pissings.

The night also saw performances from a reunited No Doubt, Stevie Nicks, Green Day, Olivia Rodrigo, Sting, Lady Gaga and more.

One of the evening’s biggest surprises saw pop superstar Billie Eilish join Green Day for the first song of their set, duetting with Billie Joe Armstrong on Last Night On Earth from 2009’s 21st Century Breakdown album.

The Berkley punk superstars also played Still Breathing, from Revolution Radio, and When I Come Around from Dookie.“This is California and we’re all in this together,” said Billie Joe Armstrong ahead of Still Breathing. “From the bottom of our hearts, we love you Los Angeles, and we got your back, no matter what.”

Green Day feat. Billie Eilish | Full Performance | FireAid Benefit Concert 2025 – YouTube Green Day feat. Billie Eilish | Full Performance | FireAid Benefit Concert 2025 - YouTube

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The latest news, features and interviews direct to your inbox, from the global home of alternative music.

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

“The dynamic twists and thoughtful depths of the mix suggest these pieces aren’t so much produced as dramatised”: Soft Machine’s Softs vinyl remaster

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Originally released in 1976, Softs was something of a make-or-break album in Soft Machine’s career. It came after the band had suffered a serious setback in the abrupt departure of guitarist Allan Holdsworth, who quit to join Tony Williams’ Lifetime in the USA.

He took off just as Bundles, their first album for EMI’s Harvest label, came out in 1975, adding insult to injury. Fortunately, he made amends by suggesting his replacement should be the relatively unknown John Etheridge.

What Softs makes abundantly clear is that, whereas Holdsworth’s fiery legato technique tended to skim over Karl Jenkins’ ornately structured contributions, Etheridge digs deeper into the material. The former Darryl Way’s Wolf and Global Village Trucking Company member’s rockier thrust gives Soft Machine a harder, defined edge.

Newly remastered for vinyl, the band basks in Softs’ pristine sound, both comfortable and in control, with Jenkins now on keyboard duties alone, and veteran sessioneer Alan Wakeman, picking up the sax.

A tangible gravitas haunts the expansive Jenkins-composed suite that comprises side one. Utilising more colours and textures than any previous Soft Machine releases, The Tale Of Taliesen’s stately meandering is interspersed by Etheridge’s breakneck soloing, while the marimba-infused rhythmic undergrowth of Ban-Ban Caliban sets up Wakeman’s euphoric choruses.

Song Of Aeolus ushers in a windswept ending replete with slow-churning strings and woebegone guitar. With all three threaded by crossfades laced with burbling synthscapes – the sole contribution of departing founder Mike Ratledge – the dynamic twists and thoughtful depths of the mix suggest these pieces aren’t so much produced as dramatised.

Etheridge not only continues touring around the world with Soft Machine – he still has fire under his fingertips

Though lacking the same compositional clout, the second side is not without impact. Out Of Season’s solemnly-repeating keyboard phrases possess an austere tension; while the sparring match between Etheridge’s abrasive runs and John Marshall’s surging drums during The Camden Tandem erupts into a frantic sprint – not unlike those between John McLaughlin and Billy Cobham, a similarity that is strikingly reinforced by the Mahavishnu-like chimes of Nexus.

Sometimes unfairly overshadowed by the high watermark achievements of Holdsworth and Bundles, Softs deserves its time in the spotlight. Nearly 50 years after saving the day as the new boy, Etheridge not only continues touring around the world with Soft Machine – he still has fire under his fingertips. Let’s hear it for the underdog.

Softs is on sale now via Esoteric Recordings.

Sid’s feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut. A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.  

A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he’s listening to on Twitter and Facebook.

Andy Summers and Robert Fripp’s Complete Works 1981-1984 to be released in March

King Crimson guitarist Robert Fripp and his Police compatriot Andy Summers are to have their complete recorded works released as The Complete Recordings 1981-1984 through DGM/Panegyric on March 28. You can listen to the previously unreleased track Skyline below.

The three CD and one Blu-ray set will feature both studio albums the pair recorded, 1982’s I Advance Masked and 1984’s Bewitched, along with a third album Mother Hold the Candle Steady which has been compiled from previously unreleased or unheard material, newly mixed and assembled by David Singleton which includes an alternative take of Maquillage and an early slower version of Parade.

Both studio albums and the new disc have been newly mixed in 5.1 DTS-HD MA surround and 24/96 hi-res stereo, and both original albums also feature the original stereo mixes, newly mastered in 24/96 hi-res stereo.

Also included is a ‘fly on the wall’ audio documentary – Can We Record Tony? – taken from Robert Fripp’s own archive cassettes of the two guitarists’ original improvisations and conversations, also in 24/96 hi-res.

The Complete Recordings 1981-1984 is presented in a 10-panel book-sized digi-sleeve with 16-page booklet including photos and sleevenotes from new interviews with Andy Summers and Robert Fripp by King Crimson biographer Sid Smith, as well as a ‘Tale of the Tapes’ page by David Singleton on how/where the previously unreleased material was recently discovered/sourced.

At the same time, I Advance Masked will be released on 200g audiophile vinyl, featuring Singleton’s new 2024 stereo mix and including two previously unreleased tracks Skyline and Entropy Pulse.

Skyline you can listen to below. Entropy Pulse will be available as a digital single on all DSPs from February 28.7

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Pre-order The Complete Recordings 1981-1984.

Pre-order I Advance Masked.

Andy Summers & Robert Fripp

(Image credit: DGM/Panegryic)

Watch Dave Grohl’s daughter Violet front a surprise Nirvana reunion, and Billie Eilish join Green Day, at emotional FireAid concert in Los Angeles

Dave and Violet Grohl
(Image credit: Scott Dudelson/Getty Images for FIREAID)

The surviving members of Nirvana – Dave Grohl, Krist Novoselic and Pat Smear – made a surprise, unannounced appearance at the FireAid benefit concert at the KIA Forum in Los Angeles last night, January 30.

For their four-song set, Dave Grohl’s daughter Violet fronted the band to perform All Apologies from the group’s final album, In Utero, St. Vincent handled lead vocals for a blast through Breed, from Nevermind, ex-Sonic Youth vocalist/bassist Kim Gordon took the mic for School, from the trio’s debut album Bleach, and Joan Jett led the band into a version of Territorial Pissings, also from Nevermind.

St. Vincent, Kim Gordon and Joan Jett previously played alongside Grohl, Novoselic and Smear when Nirvana were inducted into the Rock And Roll Hall Of Fame in 2014.

Watch Nirvana’s set below:

NIRVANA REUNION @Fire Aid LA – Breed – School – Territorial Pissings – All Apologies 2025 – YouTube NIRVANA REUNION @Fire Aid LA - Breed - School - Territorial Pissings - All Apologies 2025 - YouTube

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The concert, staged to help those affected by the devastating wildfires in Los Angeles earlier this month, also featured performances from the Red Hot Chili Peppers, a reunited No Doubt, Stevie Nicks, Green Day, Olivia Rodrigo, Sting, Lady Gaga and more.

Host Billy Crystal, who lost his home in the Palisades during the fires, revealed that U2, who were not present on the night, donated one million dollars to the fundraiser.

Elsewhere during the show, Stevie Nicks dedicated her song Landslide to the firefighters who saved her home in the Palisades.

Along with the Nirvana reunion performance, one of the biggest surprises of the night saw pop superstar Billie Eilish join Green Day for the first song of their set, duetting on Last Night On Earth with Billie Joe Armstrong. The Californian punk kings also played Still Breathing, from Revolution Radio, and When I Come Around from Dookie.“This is California and we’re all in this together,” said Armstrong ahead of Still Breathing. “From the bottom of our hearts, we love you Los Angeles, and we got your back, no matter what.”

You can watch Green Day’s full set below:

Green Day feat. Billie Eilish | Full Performance | FireAid Benefit Concert 2025 – YouTube Green Day feat. Billie Eilish | Full Performance | FireAid Benefit Concert 2025 - YouTube

Watch On

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

“This song was love at first harpsichord!” Black Country, New Road return with video for brand new single Besties

London art rockers Black Country, New Road have shared a video for Besties, the first new music from their just-announced third album Forever Howlong, which the band will release through Ninja Tune Records on April 4.

It’s the band’s first studio release since 2022’s Top Five album Ants From Up There, the release of which was somewhat overshadowed by the departure of vocalist Isaac Wood.

Forever Howlong arrives with lead vocal duties now shared between Tyler Hyde, May Kershaw and Georgia Ellery. “It opened up a real through-line in having three girls singing,” says Ellery. “It’s definitely very different to Ants From Up There because of having that different female perspective – and the music we’ve made also really compliments that.”

“Besties came into my world with a dance of feelings, with such an understood concept of exploring the core emotion of taking on the world, and its obstacles to be with her, the bestie, again,” Ellery continues about the band’s new single on which she takes sole lead vocal.

“Building this with the band took me to so many memories, informed by a collective of experiences from my childhood writing letters and maps to my bestie, into formulating our own map and sliding-doors effect narrative – charged with the instinctual punch and intuition of: I need to be with my bestie now. Working with Georgia, May and Tyler was a real treat across their performances especially, and quite literally, running from the more conventional lip-sync world, and injecting cameo moments with Charlie, Lewis and Luke.

“Knee-high in January’s jacket of mud, darkness, fields, street corners and a pack of hounds we found the beating heart of a world made better by chasing love and connection. Shooting in these conditions, and having fun is a real testament to a fantastic team and collective of people! It’s been such a pleasure, this song was love at first harpsichord!

The sextet have also announced live dates for 2025, including festival dates at Primavera Sound, Paredes De Coura, Lowlands and End Of The Road followed by a full UK and EU tour in September and October, ending eith the band’s biggest headline show to date at London’s O2 Brixton Academy. You can see all the dates and ticket details below.

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Forever Howlong will be available as a standard 2LP on recycled black vinyl, a white label 2LP signed by the band, an Indie exclusive negative effect artworked 2LP, and both a Collector’s Edition 2LP with an alternate tracklisting in translucent eco jazz red and a Collector’s Edition Cassette, also featuring the alternate tracklisting.

Pre-order Forever Howlong.

Black Country, New Road

(Image credit: Ninja Tune)

Black Country, New Road 2025 Live Dates

Jun 7: SPA Barcelona Primavera Sound
Aug 5: POR Paredes De Coura
Aug 17: NED Biddinghuizen Lowlands Festival
Aug 28 – 31: UK Dorset End Of The Road
Sep 11: UK Nottingham Rock City
Sep 12: UK Manchester Albert Hall
Sep 15: IRE Dublin Olympia
Sep 18: UK Glasgow Barrowlands
Sep 20: UKL Gateshead The Glasshouse
Sep 22: UK Bristol Beacon
Sep 24: UK Cambridge The Corn Exchange
Oct 9: FRA Paris Casino De Pari
Oct 10: FRA Nantes Stereolux
Oct 12: NED Amsterdam Paradiso
Oct 14: GER Cologne Gloria
Oct 15: GER Berlin Astra
Oct 17: DEN Copenhagen Vega
Oct 18: SWE Stockholm Fallan
Oct 19: NOR Olso Sentrum Scene
Oct 21: GER Hamburg Mojo
Oct 22: CZE Prague Roxy
Oct 23 : SWI Lausanne Les Docks
Oct 25: ITA Milan Magazzini Genera
Oct 26: FRA Lyon Epicerie Moderne
Oct 28: BEL Brussels Ancienne Belgique
Oct 30: UK Brighton Dome
Oct 31: UK London O2 Brixton Academy

Fans can get pre-sale ticket access for the United Kingdom and Ireland dates by pre-ordering any album format of Forever Howlong by 3pm GMT on February 4. Purchasers will be sent a code via their email.

Tickets will then go on general sale Friday 7th February at 10am local time.

Get tickets.