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“We wanted to look like something never before seen in heavy metal. What would be wilder than denim and leather? Animal fur!” How Manowar helped invent power metal with Hail To England

Posted on December 22, 2024 by wamdines

“We wanted to look like something never before seen in heavy metal. What would be wilder than denim and leather? Animal fur!” How Manowar helped invent power metal with Hail To England

Manowar posing for a photograph in the 80s

(Image credit: Fin Costello/Redferns)

Manorwar guitarist Ross ‘The Boss’ Friedman and bassist Joey DeMaio met in 1980, at a Black Sabbath show at Newcastle City Hall. They were both native New Yorkers, both enthralled by tales of epic fantasy, and both invigorated by the New Wave Of British Heavy Metal at the height of its powers. They resolved to create the ultimate heavy metal band.

“We wanted to look like something never before seen in heavy metal,” Ross affirms, audibly beaming down the line from the States. “We wanted to be wilder than just denim and leather. What would be wilder? Animal fur!”

Debuting with 1982’s Battle Hymns, followed by 1983’s Into Glory Ride, the loincloth-clad quartet’s first years were marred by label hassles and indifference in their native US. Other European countries later took the band to their hearts, but it was us lot who first heeded Manowar’s call to arms, inspiring the title of 1984’s Hail To England.

“Our first shows were in England!” enthuses Ross, explaining the bonds of affection Manowar feel for our rainy homeland. “There were all these bands from England, the NWOBHM – Saxon, Diamond Head, Samson – a lot of bands were underground, then suddenly they weren’t underground anymore. Judas Priest always flew the flag of heavy metal high, and still do. Metal just became the language of that generation. It exploded, and it was a great thing.”

Even the UK rock media were on Manowar’s side at this early stage, although not everyone was convinced by these beefcake Yanks in catskin pants. “A lot of the English critics ripped the shit out of us,” stresses Ross. “They thought we were…” he drops his upbeat New York patter to perfectly channel a downbeat British sneer: “‘Fookin’ bollocks and fookin’ shite!’ But the great ones like [future Hammer writer] Malcolm Dome and others championed the band. That’s why we named the album Hail To England.”

Reaching No.83 in the UK album chart, Manowar resolved to hit this territory hard with 1984’s Spectacle Of Might tour, playing scattered shows on the continent before storming 11 dates across England, blowing the roofs off such unlikely true metal hotspots as Bournemouth, Middlesbrough and St. Albans.

One bizarre rumour claims that Manowar began the tour as support band for Mercyful Fate, but the billing switched when Manowar garnered the best audience reaction. Ross is happy to shoot this down in flames, with garrulous New York intensity.

The cover of Metal Hammer issue 332 featuring 80s bands — This feature originally appeared in Metal Hammer magazine issue 332 (February 2020) (Image credit: Future)

“We were always gonna be the headliner,” he says. “What happened was, Mercyful Fate were our special guests. We got to England, and we had all of our brand new equipment – we called it the Wall Of Voodoo. It was so huge, and so new, it was gleaming like a brand spanking new battleship! And they walk into the venue and go, ‘Can we play through that?’ and we go, ‘Er, can we fuck your wife?’”

Ross falls silent and waits for Hammer to stop laughing. “I mean… no! Y’know? We bust our asses the last few years to get to this point, we’ve spent record advances and expenses and stress, and we’re just gonna turn over our Wall of Voodoo? Joey said, ‘Go get every piece of gear you got, and play through that.’”

After playing one show with scaled- down production, Ross says, Mercyful Fate never turned up again. “They never called us to say they were quitting, they never told the agents or promoters, they just fucked off the tour after that first night. This is the damn truth. And they said – they said,” emphasises Ross, still sounding genuinely astonished, 36 years on, “we denied them lights and sound. That was a bad thing to say, because every writer in England was at that first show, and they said ‘That’s bullshit! We were there! You had full lights and full sound, they just didn’t hand you the accolades of their audience.’ Which was none of their business. You gotta earn it.”

Drawing breath, Ross’s tone softens. “I have nothing against them, I love that band,” he says. “I’m friends with the two guitar players, [ex-band member] Mike Denner and Hank Shermann, they’re great guys. I asked them ‘What happened to you that night?’ They’re like, ‘Oh, I dunno…’ Yeah I know. That’s OK, we know…!”

This ‘Wall Of Voodoo’ was clearly very special; this was the superpowered stack that saw the band enter the 1984 Guinness Book Of World Records for the world’s loudest performance, superseding The Who’s 1976 record. “Right!” exclaims Ross. “Our onstage cruising volume was something like 135 decibels. We called the sound that we produced ‘Divine Wind’. But it’s very clean and clear, unlike the Motörhead sound; theirs was very distorted, everything’s in the monitors. The only thing in our monitor system was vocals and drums. No guitars or bass, they were too frickin’ loud!”

One of the most important songs on Hail To England, Army Of The Immortals was Ross’s ode to Manowar’s growing legion of fans, already developing the sort of passionate commitment that would later manifest as the cult of the Manowarrior. There was a richly motivational, unifying fervour to the tune, exemplifying Manowar’s philosophy of making a disparate and scattered fanbase feel part of a worldwide brotherhood.

“We said no matter what country you’re from, whatever colour or race, if you’re into Manowar, we are united in blood, united in metal,” he explains. “The whole genre is like that now. There are bands in Africa, there’s Mongolian metal, we’re all brothers and sisters, and we preached that at our concerts. Metal is the thing that binds us all together; Manowar definitely was the first to say that.”

Although the band’s first two albums were no slouches, Hail To England was the breakthrough, finding the band at their manliest and heaviest. Ross is keenly aware of how influential this album has proved over the years. “We invented this thing and they called it power metal,” he observes. “All those musicians that followed Manowar from the beginning, they all became successful. Amon Amarth, Hammerfall, Blind Guardian, Sabaton – Sabaton, my God, they worship us, I mean worship!”

Sabaton’s Joakim Brodén bought Hail To England based on its cover, and it didn’t let him down. “I had never heard the band before, but damn, how heavy and mighty it seemed to me,” he says.

There’s a pride and gratitude in Ross’s voice as he fondly recalls the potency of this unit (rounded out by singer Eric Adams and drummer Scott Columbus). Now touring in his eponymous solo band, Ross just got back from touring Australasia, playing Hail To England in its entirety.

“People really love it,” he emphasises. “It’s a top metal album, one of the top metal albums ever,” he enthuses. “Those first six records are untouchable; I don’t think a metal band will ever do it like that again.”

Originally published in Metal Hammer 332, February 2020

Chris has been writing about heavy metal since 2000, specialising in true/cult/epic/power/trad/NWOBHM and doom metal at now-defunct extreme music magazine Terrorizer. Since joining the Metal Hammer famileh in 2010 he developed a parallel career in kids’ TV, winning a Writer’s Guild of Great Britain Award for BBC1 series Little Howard’s Big Question as well as writing episodes of Danger Mouse, Horrible Histories, Dennis & Gnasher Unleashed and The Furchester Hotel. His hobbies include drumming (slowly), exploring ancient woodland and watching ancient sitcoms.

Chic Singer Alfa Anderson Dead at 78

Posted on December 22, 2024 by wamdines

Alfa Anderson, former co-lead singer with Chic, died at the age of 78, band leader Nile Rodgers confirmed.

He provided no details in his social media post, which read: “#restinpoweralfaanderson #chic #loveyou #original #truth #soul #memories #wearefamily #always #music #peace #wedidit #together.”

Anderson was heard as backing vocalist on some of Chic’s biggest hits including “Le Freak,” “Good Times” and “My Forbidden Love.” She went on to track lead vocals for “I Want Your Love” and “At Last I Am Free.” She’d joined the band in 1977 and remained until its initial breakup in 1983.

Before Chic, Anderson had been a backing vocalist for a number of recording artists including Dione Warwick. In the ‘80s she toured with Luther Vandross and recorded with Mick Jagger, Bryan Adams, Billy Squier and others.

She later became principal of a New York high school, while continuing to make music. She reunited with Rodgers for the Chic track “I’ll Be There” in 2015 and released her debut solo album, Music From My Heart, in 2017.

Watch Chic’s Video for ‘I Want Your Love’

Alfa Anderson’s Doubts Over Joining Chic

In a 2018 interview, Anderson told R&B Junkie that her friend Vandross had connected her with Rodgers and his musical partner Bernard Edwards, leading to an audition with Chic. “I was excited about the possibility until [Vandross] said, ‘It’s disco music.’ I thought I was losing my hearing.

“‘Disco! Are you for real? We aren’t disco artists, we are R&B artists.’ ‘Come on,’ he urged. ‘It’ll be fun.’ Not only was it fun, it was the turning point in my career. I went to the studio expecting to hear a very formulaic four-on-the-floor track. What I heard was ‘Dance, Dance, Dance’ and it was perfection.”

She reported that the highlight of her career was the fact that “many of the classic songs on which I sang are still being played somewhere in the world every day.

“Who knew that ‘Le Freak’ or ‘Good Times’ would stand the test of time? These songs continue to be introduced to a new generation of fans in movie soundtracks and television commercials. That’s pretty awesome!”

In Memoriam: 2024 Deaths

A look at those we’ve lost in 2024.

Gallery Credit: Allison Rapp

10 Songs That Champion a Better Tomorrow

Posted on December 22, 2024 by wamdines

10 Songs That Champion a Better Tomorrow

Feature Photo: Photo by Matheus Bertelli:

This list of 10 songs explores how artists across decades have championed hope, change, and the belief that a brighter future is possible through their art.John Lennon’s “Imagine” invites listeners to envision a world free from barriers, setting a timeless standard for songs that call for unity and peace. Bob Marley’s “One Love/People Get Ready” blends reggae and gospel influences to deliver a spiritual plea for togetherness. Peter Frampton’s “Something’s Happening” captures the energy of collective momentum through the lens of live rock. Ten Years After’s “I’d Love to Change the World” confronts social challenges with a mix of realism and optimism. Jackie DeShannon’s “Put a Little Love in Your Heart” urges small acts of kindness as a starting point for global change.

The O’Jays’ “Love Train” transforms the call for unity into a jubilant celebration, while Harold Melvin & The Blue Notes’ “Wake Up Everybody” delivers a soulful and urgent message for action. Utopia’s “Love Is the Answer” blends introspection with hope, offering a meditative take on the power of love. The Rascals’ “People Got to Be Free” exudes confidence in the potential for unity amidst a turbulent era. Finally, Jackie DeShannon’s “What the World Needs Now Is Love” bookends this list with a timeless reminder of love’s central role in creating a better future.

Together, these songs showcase the enduring capacity of music to inspire and motivate change. They remind us that whether through intimate ballads or soaring anthems, the message of hope and the vision for a brighter world remain as vital today as ever.

# 10 – Imagine – John Lennon

“Imagine,” written and performed by John Lennon, is widely regarded as one of the most profound anthems for peace and unity in modern music. Released as the title track of his 1971 album Imagine, the song was recorded in May 1971 at Lennon’s Ascot Sound Studios in Tittenhurst Park, England, and Record Plant Studios in New York City. The track was produced by Lennon, Yoko Ono, and Phil Spector, with Lennon on vocals and piano, Klaus Voormann on bass, Alan White on drums, and a delicate string arrangement enhancing its simplicity. Upon release, the song achieved widespread acclaim, reaching No. 3 on the Billboard Hot 100 in the United States and becoming a timeless symbol of hope.

The lyrics of “Imagine” call for a world free from barriers and divisions, envisioning a global community united by shared humanity. Opening with the iconic line, “Imagine there’s no heaven,” Lennon’s words challenge listeners to think beyond traditional constructs of religion, politics, and possessions. The minimalist arrangement—anchored by Lennon’s plaintive piano melody—emphasizes the universal appeal of the message. Its hopeful tone, tempered by an underlying sense of urgency, has resonated across generations, solidifying the song’s place in both music and cultural history.

As the opening entry on this list, “Imagine” sets the stage for exploring songs that champion a better tomorrow. Unlike other tracks that may convey change through energetic instrumentation or dynamic arrangements, “Imagine” opts for quiet power, proving that simplicity can often amplify a message’s impact. Its enduring relevance reminds us that the vision of a better world begins with individual and collective imagination, making it a cornerstone of this exploration.

# 9 – One Love / People Get Ready – Bob Marley & The Wailers

“One Love/People Get Ready” by Bob Marley and the Wailers is a timeless anthem that unites themes of peace, unity, and spiritual reflection. Originally recorded in 1965 and later reimagined for the 1977 album Exodus, this track combines Marley’s original composition with elements of Curtis Mayfield’s “People Get Ready,” seamlessly blending reggae rhythms with gospel influences. Recorded at Harry J. Studios and Island Studios in Kingston, Jamaica, and produced by Bob Marley and the Wailers, the track showcases Marley’s unparalleled ability to convey profound messages through accessible and uplifting music.

The lyrics of “One Love/People Get Ready” emphasize the importance of togetherness and forgiveness, with lines like “One love, one heart, let’s get together and feel all right” offering a call to unity that transcends cultural and generational boundaries. Marley’s soulful delivery, paired with the Wailers’ rich harmonies and the track’s syncopated grooves, creates a sense of communal celebration and hope. The interpolation of Mayfield’s “People Get Ready” enhances the song’s spiritual dimension, adding layers of depth to its already powerful message.

This track’s enduring appeal lies in its ability to inspire a sense of collective purpose and optimism. Compared to other songs on this list, “One Love/People Get Ready” stands out for its seamless fusion of reggae and gospel elements, reflecting Marley’s commitment to using music as a vehicle for social change. Its hopeful vision resonates as a blueprint for a better tomorrow, making it an essential inclusion in this collection of songs that champion unity and progress.

# 8 – Love Is the Answer – Utopia / England Dan & John Ford Coley

“Love Is the Answer” is a heartfelt ballad written by Todd Rundgren and originally performed by his band Utopia for their 1977 album Oops! Wrong Planet. The song was later covered by the soft rock duo England Dan & John Ford Coley, whose version became a significant hit in 1979. Recorded at Bearsville Studios in Woodstock, New York, the Utopia version carries a progressive rock edge, with Rundgren’s soulful vocals and intricate guitar work accompanied by Roger Powell on keyboards, Kasim Sulton on bass, and Willie Wilcox on drums. Produced by Rundgren, the original recording showcases the band’s ability to blend thought-provoking lyrics with complex instrumentation.

England Dan & John Ford Coley’s rendition, featured on their album Dr. Heckle and Mr. Jive, offers a softer, more radio-friendly interpretation. Produced by Kyle Lehning, their version reached No. 10 on the Billboard Hot 100, bringing the song’s message of hope and unity to a broader audience. The arrangement leans heavily on lush harmonies and a more polished production style, emphasizing the universal appeal of its message.

The lyrics, with lines like “Light of the world, shine on me, love is the answer,” present an uplifting call for love and compassion as solutions to the world’s challenges. The enduring power of “Love Is the Answer” lies in its dual ability to inspire both introspection and collective action. Compared to other songs on this list, it offers a poignant and spiritual perspective, complementing the themes of unity and progress found in tracks like Bob Marley’s “One Love/People Get Ready.” Its legacy endures as a reminder of the transformative power of love in fostering a better tomorrow.

Read More: Top 10 Utopia Songs

# 7 – I’d Love to Change the World -Ten Years After

“I’d Love to Change the World” is one of the most iconic protest songs of the 1970s, written by Alvin Lee and performed by Ten Years After. Released in 1971 as the lead single from their album A Space in Time, the track was recorded at Olympic Studios in London and produced by Chris Wright. The song became the band’s most commercially successful single, reaching No. 40 on the Billboard Hot 100 and resonating as an anthem of social commentary during a period of political and cultural upheaval.

The lyrics tackle pressing issues of the era, addressing themes of inequality, war, and environmental degradation with lines like “Tax the rich, feed the poor, ’til there are no rich no more.” Lee’s introspective and somewhat cynical tone reflects the frustration of a generation grappling with societal challenges while questioning the efficacy of individual efforts to enact change. Musically, the track juxtaposes gentle acoustic verses with a powerful electric guitar-driven chorus, showcasing Lee’s versatility as both a songwriter and a guitarist.

“I’d Love to Change the World” fits seamlessly into this list of songs championing a better tomorrow, offering a candid exploration of the complexities involved in striving for change. Unlike the idealistic optimism of “Imagine” by John Lennon or the spiritual call to unity in Bob Marley’s “One Love/People Get Ready,” this track conveys a sense of realism that acknowledges both the urgency of action and the weight of societal inertia. Its haunting melody and timeless message ensure its relevance for audiences seeking to navigate the challenges of modern times with an enduring sense of hope.

Read More: Top 10 Ten Years After Songs

# 6 -Wake Up Everybody – Harold Melvin & The Blue Notes

“Wake Up Everybody” by Harold Melvin & The Blue Notes is a stirring call to action that embodies the spirit of social and political awareness in 1970s soul music. Written by John Whitehead, Gene McFadden, and Victor Carstarphen, the track was the title song of the group’s 1975 album Wake Up Everybody, recorded at Sigma Sound Studios in Philadelphia. Produced by the legendary Kenneth Gamble and Leon Huff, the song became a quintessential example of the Philadelphia soul sound, blending lush orchestration with a deeply resonant message.

Released as a single in 1975, “Wake Up Everybody” reached No. 1 on the Billboard Hot Soul Singles chart and peaked at No. 12 on the Billboard Hot 100. The song features Teddy Pendergrass’s impassioned lead vocals, supported by the rich harmonies of Harold Melvin & The Blue Notes and a sweeping arrangement that includes strings and horns. The lyrics urge individuals to take responsibility for improving the world, with lines like “The world won’t get no better if we just let it be” emphasizing the importance of collective action.

“Wake Up Everybody” stands as a beacon of hope and empowerment, perfectly aligning with the theme of this list. Its urgent plea for social change complements the introspective tone of John Lennon’s “Imagine” and the spiritual optimism of Bob Marley’s “One Love/People Get Ready.” By addressing issues such as education, healthcare, and community, the song transcends its era, remaining a powerful anthem for progress and unity. The timeless quality of its message and musical sophistication ensures its enduring impact in the realm of socially conscious music.

# 5 – Love Train – The O’Jays

“Love Train” by The O’Jays is a jubilant anthem of unity and togetherness, emblematic of the Philadelphia soul sound. Released as a single in December 1972 and later included on the album Back Stabbers, the track was written by Kenny Gamble and Leon Huff and recorded at Sigma Sound Studios in Philadelphia. Produced by Gamble and Huff, the song became a defining moment in The O’Jays’ career, reaching No. 1 on both the Billboard Hot 100 and the R&B chart in 1973. It remains one of the most iconic tracks to emerge from the era of socially conscious soul music.

The lyrics invite people from around the globe to join hands and ride the metaphorical “love train,” spreading messages of peace and solidarity. Lines like “People all over the world, join hands, start a love train” resonate as a universal call for harmony, transcending cultural and geographical boundaries. The O’Jays’ powerful vocal performances, combined with the driving rhythm and lush instrumental arrangement, create an uplifting and infectious energy that has made “Love Train” a timeless classic.

As part of this list, “Love Train” serves as a vibrant and celebratory counterpart to tracks like Harold Melvin & The Blue Notes’ “Wake Up Everybody,” offering a more joyous perspective on the potential for collective change. Its enduring appeal lies in its optimistic vision of a united world, delivered with a musical sophistication that continues to inspire listeners. The song’s message of love and togetherness remains as relevant today as it was when it first topped the charts.

Read More: Top 10 O’Jays Songs

# 4 – Hope Of Deliverance – Paul McCartney

# 3 – Put a Little Love in Your Heart – Jackie DeShannon

“Put a Little Love in Your Heart” by Jackie DeShannon is a timeless anthem that calls for kindness and compassion as essential steps toward a better world. Released in 1969, the song was co-written by DeShannon, her brother Randy Myers, and Jimmy Holiday. Recorded at American Sound Studio in Memphis, Tennessee, the track was produced by Chips Moman and recorded with a team of accomplished session musicians. Upon its release, the single climbed to No. 4 on the Billboard Hot 100 and reached No. 2 on the Adult Contemporary chart, cementing its place as one of DeShannon’s most enduring hits.

The lyrics convey an inspiring message of unity and love, encouraging listeners to make small but meaningful contributions to improve the world. Lines such as “Think of your fellow man, lend him a helping hand” underscore the song’s universal appeal and timeless relevance. DeShannon’s warm, emotive vocal delivery, accompanied by a rich instrumental arrangement featuring strings and a soulful rhythm section, elevates the song’s hopeful message.

“Put a Little Love in Your Heart” adds a poignant note to this list, standing alongside tracks like The O’Jays’ “Love Train” and Harold Melvin & The Blue Notes’ “Wake Up Everybody” as a call to action for a more compassionate world. While its gentle tone differs from the celebratory energy of “Love Train,” its message remains equally powerful, reminding listeners that even small acts of kindness can have a profound impact. Its enduring popularity across generations speaks to the song’s ability to inspire positive change and foster a sense of community.

Read More: Top 10 Jackie DeShannon Songs

# 2 – People Got to Be Free – The Rascals

“People Got to Be Free” by The Rascals is a powerful anthem of liberation and unity that became a defining song of the late 1960s. Released as a single in July 1968, the track was written by band members Felix Cavaliere and Eddie Brigati and produced by Arif Mardin. Recorded at Atlantic Studios in New York City, the song showcases The Rascals’ signature blend of soul, rock, and pop influences. It reached No. 1 on the Billboard Hot 100, holding the top position for five weeks, and also topped the R&B chart, cementing its place as a cross-genre hit.

The lyrics express an urgent plea for freedom and equality, inspired by the civil rights movement and the political unrest of the era. With lines like “All the world over, so easy to see, people everywhere just wanna be free,” the song delivers a message of hope and collective action. Cavaliere’s impassioned lead vocals are complemented by vibrant harmonies and a lively horn section, creating an infectious energy that underscores the song’s optimistic vision.

“People Got to Be Free” aligns perfectly with the themes of this list, offering a celebratory yet meaningful take on the pursuit of a better tomorrow. Unlike the introspective tone of John Lennon’s “Imagine” or the soulful plea of Jackie DeShannon’s “Put a Little Love in Your Heart,” this track exudes an exuberant confidence that reflects the transformative spirit of the 1960s. Its enduring relevance and rousing appeal ensure its place as one of the era’s most significant calls for unity and change.

Read More: Top 10 Young Rascals Songs

# 1 – What the World Needs Now is Love – Jackie DeShannon

“What the World Needs Now Is Love” by Jackie DeShannon is an enduring classic that captures the universal yearning for love and understanding. Written by the iconic songwriting team of Burt Bacharach and Hal David, the song was recorded in 1965 and produced by Bacharach himself. Its lush orchestration, featuring sweeping strings and DeShannon’s emotive vocals, became a hallmark of the pop sound of the era. Released as a single, the track reached No. 7 on the Billboard Hot 100 and became a global anthem for peace and compassion.

The lyrics, with lines like “What the world needs now is love, sweet love, it’s the only thing that there’s just too little of,” emphasize the timeless need for empathy and unity. DeShannon’s heartfelt delivery elevates the song’s message, making it a poignant call to action that resonates across generations. The song’s elegant melody, combined with its lyrical simplicity, ensures its enduring appeal as a beacon of hope.

As the closing song on this list, “What the World Needs Now Is Love” underscores the enduring power of music to inspire change and unity. Its inclusion alongside another Jackie DeShannon track, “Put a Little Love in Your Heart,” highlights the profound influence of her artistry during the 1960s. This list’s emphasis on 1960s songs reflects a time when the spirit of hope and a collective vision for a better world fueled some of the most iconic music ever created. DeShannon’s contributions serve as reminders of how music can transcend time, offering solace and inspiration in every era.

Read More: Top 10 Jackie DeShannon Songs

10 Songs That Champion a Better Tomorrow article published on Classic RockHistory.com© 2024

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ALEX VAN HALEN – “When ED Passed It Was At The Height Of COVID, So I Never Really Got To Say Goodbye” (Video)

Posted on December 22, 2024 by wamdines

ALEX VAN HALEN -

In his only on-camera interview from his home, Alex Van Halen recently spoke with Bringing It Back To The Beatles about his new memoir, “Brothers”. Alex tells the story from the beginning about how, when they first transitioned from piano, it was Alex who played guitar and Ed who took up drums. Also, why David Lee Roth wasn’t a great fit at first, and his last words to Ed.

Alex: “When Ed passed, it came at the height of COVID. We didn’t really have the opportunity to get close enough and hold him while we were talking to him. He was behind a (screen) thing, or we were in a hazmat suit, or there had to be some distance because his immunity was down so low, God forbid one of of us should end up spreading something to him. So I never really got to say goodbye (or) Ed, we had a good time. When you have a career as long as us – a lifetime in music – in the back of your head you always think ‘We’re gonna sit on the top of a hill, we’re gonna congratulate each other…’ but we never got to do that.”

Alex Van Halen’s “Brothers” memoir is out now. As an exclusive bonus, fans who order direct from Van Halen Store will receive their exclusive photo print collection of the young Van Halen brothers (four 4″ x 6″ photos, suitable for framing). Order here.

In this intimate and open account – nothing like any rock-and-roll memoir you’ve ever read – Alex Van Halen shares his personal story of family, friendship, music, and brotherly love in a remarkable tribute to his beloved brother and bandmate.

Told with acclaimed New Yorker writer Ariel Levy, Brothers is seventy-year-old drummer Alex Van Halen’s love letter to his younger brother, Edward (Maybe “Ed,” but never “Eddie”), written while still mourning his untimely death.

In his rough yet sweet voice, Alex recounts the brothers’ childhood, first in the Netherlands and then in working-class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother—the kind of mom who admonished her boys to “always wear a suit” no matter how famous they became—a woman who was both proud and practical, nonchalant about taking a doggie bag from a star-studded dinner. He also shares tales of musical politics, infighting, and plenty of bad-boy behavior. But mostly, his is a story of brotherhood, music, and enduring love.

“I was with him from day one,” Alex writes. “We shared the experience of coming to this country and figuring out how to fit in. We shared a record player, an 800-square-foot house, a mom and dad, and a work ethic. Later, we shared the back of a tour bus, alcoholism, the experience of becoming famous, of becoming fathers and uncles, and of spending more hours in the studio than I’ve spent doing anything else in this life. We shared a depth of understanding that most people can only hope to achieve in a lifetime.”

There has never been an accurate account of them or the band, and Alex wants to set the record straight on Edward’s life and death.

“Brothers” includes never-before-seen photos from the author’s private archive.

“A chronicle of family and talent and the passion to create … the definitive take on Edward Van Halen’s life and death from the one who knew and loved him best.” – Brothers editor, Sara Nelson

The full 6-minute version of “Unfinished”, the final song that Edward and Alex Van Halen wrote together is now available for download at Van-Halen.com. The song is featured in the audiobook version of Brothers.

ROBERT FRIPP & TOYAH Share “We Wish You A Merry Christmas” Singalong For Sunday Lunch (Video)

Posted on December 22, 2024 by wamdines

December 22, 2024, 56 minutes ago

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King Crimson founder Robert Fripp and his wife, Toyah Willcox, are back with more Christmas cheer for Sunday Lunch, this time performing “We Wish You A Merry Christmas” Check it out below.

Their previous Christmas 2024 videos can also be viewed below.

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MAJESTICA Frontman TOMMY JOHANSSON Shares Metal Cover Of Swedish Christmas Classic “Julen Är Här” (Video)

Posted on December 22, 2024 by wamdines

December 22, 2024, 2 hours ago

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MAJESTICA Frontman TOMMY JOHANSSON Shares Metal Cover Of Swedish Christmas Classic

Former Sabaton guitarist / Majestica frontman Tommy Johansson has shared his weekly cover, this time performing a metal version of the Swedish Christmas classic released in 1989, “Julen Är Här”.

Johansson: “Video recorded during rehearsal and performance of my Christmas show in Överluleå Kyrka, Boden 11/12/24.”

Last week, Johansson shared a cover of “When Christmas Comes To Town” from the 2004 Christmas movie, The Polar Express. Check it out below.