Germany’s WDR Rockpalast has shared archive footage of former Accept frontman, Udo Dirkschneider, perform the bans’s classic “Princess Of The Dawn” at Summer Breeze 2018. Check out the pro-shot video below.-
Reigning Phoenix Music recetly announced that Udo Dirkschneider is celebrating 40 years of Accept’s iconic album, Balls To The Wall, by releasing a reimagining of the album, including illustrious guests, on February 28.
“Re-recording Balls To The Wall was a big challenge for me. The album is a milestone of my career, of course, that’s why it was even more important to me to make the original songs shine in a new light without losing their initial essence. All guests have put their individual stamps on these classic tracks, and collaborating with such outstanding vocalists has moved them into a fresh and exciting dimension. The result is a powerful homage to all fans but also an invitation to the next generation to experience the songs not minorly passionate than I was when I recorded them back in the day. It’s a never-ending personal journey for me – Balls To The Wall will always be a part of me,” states Udo.
Now, the reloaded version of “Balls To The Wall”, featuring Sabaton vocalistJoakim Brodén, has been released. Check out the official lyric video below.
“Balls To The Wal”l [feat. Joakim Brodén of Sabaton] “London Leatherboys” [feat. Biff Byford of Saxon] “Fight It Back” [feat. Mille Petrozza of Kreator] “Head Over Heels” [feat. Nils Molin of Dynazty / Amaranthe] “Losing More Than You’ve Ever Had” [feat. Michael Kiske of Helloween] “Love Child” [feat. Ylva Eriksson of Brothers Of Metal] “Turn Me On” [feat. Danko Jones] “Losers And Winners” [feat. Dee Snider of Twisted Sister] “Guardian Of The Night” [feat. Tim “Ripper” Owens of KK’s Priest / formerly of Judas Priest] “Winter Dreams” [feat. Doro Pesch]
Producer / songwriter / educator Rick Beato has shared a new interview video along with the following introduction:
“In this episode, I sit down for a second time with Maynard James Keenan, the iconic singer of Tool, A Perfect Circle, and Puscifer. Maynard announces new music to be released in 2025. For those that have not seen the original video with Maynard in 2022, here is the link:
Tool have added two additional Mexican performances to their 2025 itinerary: March 12 at Explanada del Estadio Mobil Super in Monterrey and March 18 at Calle 2 in Guadalajara.
Tool has also confirmed performances at three Lollapalooza festivals: Argentina (March 22), Chile (March 23) and Brazil (March 30), along with a headlining spot at the Estéreo Picnic festival in Bogotá on March 28.
Festication and Tool recently announced the first-ever Tool Live in the Sand, a destination festival taking place at the all-inclusive luxury, 5-star resort – Hard Rock Hotel & Casino & Royalton Resort in Punta Cana, Dominican Republic, from March 7th-9th, 2025. Tool Live in the Sand will bring Tool diehards together from around the world for an island escape.
Headlined by Tool, this once-in-a-lifetime event will also feature two Tool sets and performances by some of the most iconic and influential rock bands in the world, including Primus, Mastodon, Eagles of Death Metal, and Coheed and Cambria. Also on the lineup, King’s X, Fishbone, Wheel, CKY, Moonwalker and joining them as special guests are longtime Tool visual collaborators Alex Grey and Allyson Grey.
Tool, known for their genre-defying sound and unmatched live performances, will treat fans to an intimate and immersive concert experience on the beach. This is Tool’s first-ever Caribbean performance, set against the stunning backdrop of Punta Cana’s white sands and crystal-clear waters.
In a statement from the band, Justin Chancellor shared, “We couldn’t be more thrilled to share the news that Primus, Mastodon, and Coheed and Cambria will be joining us for our first-ever Caribbean performance at ‘Tool in the Sand.’ 2025 is shaping up nicely. See you all there for what should be an unforgettable weekend of music!”
Guests will stay at Punta Cana’s most luxurious five star resorts: Hard Rock Hotel and Casino or The Royalton Resort, offering an unparalleled vacation experience. From gourmet dining to expansive pools and world-class entertainment, attendees will enjoy relaxation and rock music at its finest. Packages include a luxury resort room, unlimited food & drinks for each guest & 3-days of music. Off-site excursions will be available, including snorkeling, catamaran expeditions, rappelling, visits to eco-parks and other activities.
Tyler Fey, co-founder of Festication, shares: “Feyline is thrilled to curate Tool’s first-ever destination festival, delivering an unforgettable, once-in-a-lifetime experience for their dedicated fans. This event will fuse world-class music with the luxury of the Dominican Republic, creating an immersive rock adventure like no other.”
Festication Co-founder Donnie Estopinal reflects on his history with Tool, sharing a memorable moment from 1996: “I had a sold-out rave at the State Palace with The Crystal Method and Keoki, and the venue booked Tool on the same night. It was a mess flipping the room. There were so many people outside that the cops were going to shut us down, so we just opened the doors at the end of the Tool concert. Anyone who wanted to stay did—and a lot of them stayed. It’s still part of NOLA lore today, and I still see people talking about it on message boards.”
Reflecting on this upcoming festival, Donnie adds: “Booking Tool nearly 30 years later feels like my career has come full circle. It’s incredible to go from that unforgettable night in New Orleans to now curating their first destination festival. This is the kind of experience I’ve always dreamed of bringing to fans—something immersive, intimate, and legendary.”
Feature Photo: Bruce Alan Bennett / Shutterstock.com
Journey’s career has been defined by its remarkable evolution, dynamic lineup changes, and anthemic music. The band was formed in San Francisco in 1973 by guitarist Neal Schon, a prodigy who had played with Santana at just 17 years old. Alongside Schon were keyboardist and vocalist Gregg Rolie, also a Santana alum, bassist Ross Valory, guitarist George Tickner, and drummer Prairie Prince. Initially envisioned as a progressive rock band blending jazz and fusion elements, the group’s early direction set them apart but did not achieve significant commercial success.
Prairie Prince left Journey early on to rejoin The Tubes, leading to the addition of Aynsley Dunbar, a drummer with a rich history of playing with John Mayall and Frank Zappa. This marked the first of many lineup changes that would shape the band’s trajectory. In 1977, the addition of vocalist Steve Perry transformed Journey’s sound and appeal. Perry’s soulful voice and charisma steered the group toward a more melodic, radio-friendly rock style. When Rolie departed in 1980, Jonathan Cain from The Babys stepped in, completing what is now considered Journey’s classic lineup.
Journey’s discography spans 15 studio albums, beginning with their self-titled debut in 1975. While their early albums like Look into the Future (1976) and Next (1977) showcased intricate musicianship, it was not until the release of Infinity (1978) that they achieved major success. This triple-platinum album introduced hits such as “Wheel in the Sky” and “Lights.” The band’s commercial peak came with Escape (1981), which reached number one on the Billboard 200 and spawned enduring classics like “Don’t Stop Believin’” and “Open Arms.” To date, Escape has been certified diamond, signifying over 10 million copies sold in the United States. Other successful albums include Frontiers (1983), Raised on Radio (1986), and Trial by Fire (1996).
Among Journey’s biggest hits, “Don’t Stop Believin’” has become a cultural phenomenon. Released in 1981, it peaked at number nine on the Billboard Hot 100 but gained new life decades later, becoming one of the best-selling digital tracks of the 20th century. Other chart-topping singles include “Open Arms,” “Faithfully,” “Separate Ways (Worlds Apart),” and “Any Way You Want It.” These songs showcase the band’s ability to blend soaring melodies with deeply relatable lyrics, cementing their place as one of rock’s most enduring acts.
Journey has received numerous accolades throughout their career. They were inducted into the Rock and Roll Hall of Fame in 2017, recognizing their profound impact on the music industry. Their songs have earned multiple BMI awards for songwriting, highlighting their enduring presence on radio and streaming platforms. The band’s performances have consistently drawn critical acclaim, and their albums have collectively sold over 100 million copies worldwide.
Beyond their music, Journey’s members have contributed to various charitable endeavors. Neal Schon has participated in multiple benefit concerts, including fundraisers for victims of natural disasters. One notable event was the 2017 “Journey for Our Soldiers” benefit concert, which raised funds for military veterans and their families. Jonathan Cain has also made contributions outside of music, engaging in educational initiatives and mentoring young musicians through songwriting workshops. These efforts reflect the band’s commitment to using their platform to make a positive impact.
Journey’s enduring legacy lies in their ability to connect with audiences through universal themes of love, resilience, and hope. Their iconic songs have become soundtracks to personal and collective milestones, resonating with listeners across generations. Their willingness to adapt while staying true to their roots has ensured their relevance in an ever-changing music industry, making them one of the most beloved bands in rock history.
Journey Songs (Alphabetical Order)
(A – E)
A Few Coins – Dream After Dream (1980) A Better Life – Generations (2005) After All These Years – Revelation (2008) After Glow – Freedom (2022) After The Fall – Frontiers (1983) All Day and All Night – Freedom (2022) All the Things – Arrival (2001) All That Really Matters – Time3 (1992) All The Way – Arrival (2001) Anytime – Infinity (1978) Anyway – Look Into The Future (1976) Any Way You Want It – Departure (1980) Anything Is Possible – Eclipse (2011) Ask the Lonely – Two of a Kind (1983) Baby I’m a Leavin’ You – Trial By Fire (1996) Back Talk – Frontiers (1983) Be Good to Yourself – Raised on Radio (1986) Beautiful as You Are Believe – Generations (2005) Better Together – Generations (2005) Beyond the Clouds – Generations (2005) Butterfly (She Flies Alone) – Generations (2005) Can Do – Infinity (1978) Can’t Tame the Lion – Trial By Fire (1996) Castles Burning – Trial By Fire (1996) Chain Reaction – Frontiers (1983) Chain of Love – Eclipse (2011) Change for the Better – Revelation (2008) City of Hope – Eclipse (2011) City of the Angels – Evolution (1979) Colors Of The Spirit – Trial By Fire (1996) Come Away with Me – Freedom (2022) Cookie Duster – Time3 (1992) Daydream – Evolution (1979) Dead or Alive – Escape (1981) Departure – Departure (1980) Destiny – Dream After Dream (1980) Dixie Highway – Captured (1981) Do You Recall – Evolution (1979) Don’t Be Down on Me Baby – Trial By Fire (1996) Don’t Give Up on Us – Freedom (2022) Don’t Go – Freedom (2022) Don’t Stop Believin’ – Escape (1981) Dream After Dream – Dream After Dream (1980) Easy to Fall – Trial By Fire (1996) Edge of the Blade – Frontiers (1983) Edge of the Moment – Eclipse (2011) Escape – Escape (1981) Every Generation – Generations (2005)
The latest episode of Troy Story: A Podcast For The Collar City features an interview with Jason Bittner (Shadows Fall, Category 7) looking back at Slayer’s 1991 tour with Testament, specifically the stop in Troy, New York on February 11, 1991. In the episode, Jason recalls his chance backstage encounter with then-Slayer drummer Dave Lombardo that began a more than three-decade friendship between the two metal drummers.
Episode description:
“On February 11, 1991, the legendary Slayer performed most of their new album, Seasons In The Abyss, along with other career-spanning tracks during an 80-minute set at the RPI Houston Field House in Troy, New York, with support from Testament, and local Capital Region band Attica.
“We’re joined again by Jason Bittner, lifelong Capital Region resident and world-renowned drummer, plus Mike Valente, founding member of national touring act Brick By Brick and owner of Black N Blue Productions, to recount their unique metal memories of that night in the Collar City. Both Jason and Mike were part of the burgeoning 518 heavy music scene as members of different bands, Perpetual Motion for Jason, and Attica for Mike, who were gunning for an opening slot for Slayer’s Troy show, something that would be decided by a Battle of the Bands at Saratoga Winners the night before.
“Mike and Jason wade into the friendly dispute over the results of the battle, Mike shares his memories of opening for Slayer with Attica and the hostile reception they received from fans, and Jason recalls his chance backstage encounter with then-Slayer drummer Dave Lombardo that began more than three-decade friendship between the two metal legends.
“Jason’s interview was recorded in September 2024, and Mike’s in November 2024.
“Another heads up to anyone listening with kids in earshot: there’s a fair bit of profanity in this episode. Consider yourself warned.
“For those interested in seeing some incredible photos of Slayer from that night in Troy taken by photographer Mark Kurtzner, check out the video version of this episode on our official YouTube channel.”
In the aftermath of the horrific wildfires that have ravaged Los Angeles, guitarists Dave Navarro (Jane’s Addiction) and Billy Morrison (Billy Idol) have postponed the January 25 “Above Ground” benefit concert at The Fonda Theatre in Hollywood, CA. The fourth iteration of the event was again set to raise awareness and funds for mental health and suicide prevention.
“It takes hundreds of hours from dozens of musicians, technicians and partners to produce Above Ground,” says manager Rick Canny, who co-founded the organization in 2018 with Navarro and Morrison. “Dave, Billy and I know that at this time there is a much greater use of the team’s collective energy, time, and attention. We will have Above Ground 4 later this year. But right now, the focus is on the immediate needs of friends, our extended families, and the community at large. We would like to thank our partners MusiCares, Goldenvoice, CenterStaging, and Capital Funding Group for supporting us in this decision.”
This year’s event was set to highlight the groundbreaking self-titled debuts by the New York Dolls (1973) and The Cars (1978) and was scheduled so that performers coming in for the Grammy Awards could participate. Tickets for the rescheduled show (date TBA) will be honored; for those who prefer a refund, please request from your point of purchase.
Iconic streetmetal pioneers, Spread Eagle, are turning up the volume to celebrate the 35th anniversary of their electrifying debut album. In true rock ‘n’ roll style, the band has planned a series of can’t-miss events for fans worldwide, including an anniversary tour, the highly anticipated release of their original 1989 demos, and exclusive commemorative merchandise.
Relive the raw energy of The 1989 Demos:
Fans can now get their hands on The 1989 Demos, a limited-edition CD showcasing six tracks from the band’s earliest days that secured them their major label recording deal. The collection features raw, unfiltered versions of five songs that later rocked the world on their debut album, along with an unreleased gem “Gun Shy”— a must-hear for any Spread Eagle devotee. Produced by Charlie Gambetta, these demos capture the essence of the band’s New York City roots and their unrelenting streetmetal spirit.
“Scratch Like A Cat” “Switchblade Serenade” “Hot Sex” “Thru These Eyes” “Gun Shy” “Spread Eagle”
Merchandise for the true fans:
Celebrate the legacy in style with Spread Eagle’s exclusive debut album t-shirt. Featuring the iconic album artwork on the front and the tracklist on the back, this collector’s item is available now at the band’s official webstore here.
Hit the road for the anniversary tour:
Spread Eagle is bringing their high-octane live energy to fans in the US with their 35th Anniversary Tour, kicking off January 30 in Tucson, AZ. With stops in the US and more dates to be announced globally, this tour promises to be a celebration of their debut album plus other fan favorites. Catch them 100% live and experience the unrelenting energy that only Spread Eagle delivers. Don’t miss this chance to see a band at the height of their powers, still carrying the flag for authentic, unfiltered rock ‘n’ roll.
2025 tour dates:
January 30 – Tucson, AZ – The Rock 31 – Phoenix, AZ – Rhythm Room
February 1 – Hollywood, CA – Whisky a Go-Go 21 – Denison, TX – RedRock Saloon 22 – Chickasha, OK – Legends Pub House
March 29 – Norton, WV – The Rim 30 – Marion Center, PA – Rayne Drop Inn
April 5 – Gastonia, NC – The Rooster 6 – Buford, GA – 37 Main 25 – Lake Worth, FL – Mathews Brewing Co. 26 – Sarasota, FL – Big Top Brewing 27 – Sanford, FL – The Barn
May 16 – Portsmouth, OH – Columbia Theatre 17 – Dresden, OH – Killing Tree Winery
June 6 – Riverhead, NY – Suffolk Theater 7 – Clifton, NJ – Dingbatz
More dates to be announced soon.
35 years of rock legacy:
Formed in the gritty streets of New York City, Spread Eagle quickly made their mark with their explosive debut album, earning critical acclaim for its unfiltered sound and unforgettable single “Switchblade Serenade,” which lit up MTV and solidified their place in rock history. Their legacy continued with the release of Open To The Public and the modern classic Subway To The Stars. Now, 35 years later, Spread Eagle remains a force to be reckoned with, bringing their signature brand of “streetmetal” to a global audience.
Slayer guitar hero Kerry King and his solo band – drummer Paul Bostaph (Slayer), bassist Kyle Sanders (Hellyeah), guitarist Phil Demmel (Machine Head), and vocalist Mark Osegueda (Death Angel) – launched their twenty-eight date North American tour at The Regency Ballroom in San Francisco, CA last night, January 15.
Capital Chaos TV has released 4K video shot at the show. Watch King and band perform “Everything I Hate About You”, “At Dawn They Sleep”, and “From Hell I Rise” below.
Setlist:
“Where I Reign” “Rage” “Trophies of the Tyrant” “Residue” “Two Fists” “Idle Hands” “Repentless” (Slayer song) “Toxic” “Tension” “Everything I Hate About You” “Disciple” (Slayer song) “Purgatory” (Iron Maiden cover) “Killers” (Iron Maiden cover) “At Dawn They Sleep” (Slayer song) “Crucifixation” “Shrapnel” “Raining Blood” (Slayer song) “Black Magic” (Slayer song) “From Hell I Rise”
Watch fan-filmed video of King and band performing the Iron Maiden songs “Purgatory” and “Killers” below:
With Municipal Waste as Special Guest and Alien Weaponry supporting, Kerry King’s North American tour is set to wrap up at House of Blues in Las Vegas on February 22. Tickets can be purchased here.
North American dates:
January 17 – Spokane Live Casino – Spokane, WA 18 – Showbox SoDo – Seattle, WA 19 – Roseland Theater – Portland, OR 20 – Commodore Ballroom – Vancouver, BC (Canada) 22 – The Palace Theatre – Calgary, AB (Canada) 23 – Midway Music Hall – Edmonton, AB (Canada) 25 – Burton Cummings Theatre – Winnipeg, MB (Canada) 26 – The Fillmore – Minneapolis, MN 28 – The Rave – Milwaukee, WI 30 – The Majestic Theater – Detroit, MI 31 – House of Blues – Cleveland, OH
February 1 – Danforth Music Hall – Toronto, ON (Canada) 2 – L’Olympia – Montreal, QC (Canada) 4 – Royale – Boston, MA 5 – Theatre of the Living Arts – Philadelphia, PA 7 – Irving Plaza – New York, NY 8 – Baltimore Soundstage – Baltimore, MD 10 – Buckhead Theatre – Atlanta, GA 11 – Jannus Live – St. Petersburg, FL 13 – House of Blues – Houston, TX 14 – Emo’s – Austin, TX 15 – The Studio at the Factory – Dallas, TX 17 – Ogden Theatre – Denver, CO 18 – Sunshine Theater – Albuquerque, NM 19 – The Nile Theater – Phoenix, AZ 21 – House of Blues – Las Vegas, NV 22 – The Fonda Theatre – Los Angeles, CA
King and his band also announced their “European Tour 2025”. The dates kick off on July 29 in Frankfurt, Germany, and are currently scheduled to wrap up on August 19 in Krakow, Poland.
European dates:
July 29 – Zoom Saal – Frankfurt, Germany * 30 – Simm City – Wien, Austria *
August 1 – Rockstadt Extreme – Transylvania, Romania * 4 – Komplex 457 – Zürich, Switzerland * 6-9 – Brutal Assault Festival – Jaromer, Czech Republic 7 – FZW – Dortmund, Germany * 8-10 – Alcatraz Festival – Kortrijk, Belgium 12 – Academy 2 – Manchester, UK * 13 – SWX – Bristol, UK * 14-17 – Motocultor Festival – Carhaix, France 17 – Dynamo Festival – Eindhoven, Netherlands 19 – Tauron Arena – Krakow, Poland *#
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Green Day frontman Billie Joe Armstrong and his bandmates in The Coverups have made a habit of announcing their sporadic shows at the last-minute. Tonight’s gig might come with more advance notice and a larger venue capacity (800, so hardly Wembley Stadium, which Armstrong graced with Green Day last June), but there’s a pleasing spontaneity, and an air of mystery, about tonight’s setlist, as they take audience requests and play songs on the spot.
Formed in 2018 out of boredom, The Coverups traditionally find Armstrong flanked by Green Day bandmate Mike Dirnt and their touring guitarist Jason White (guitar), alongside Bill Schneider (bass) and Chris Dugan (drums). Minus Dirnt tonight, they pay homage to their musical influences with a high-energy 90-minutes-plus set of unrehearsed, scrappy, and fun cover versions. Armstrong describes the collective as “a glorified karaoke band” and asks that we “dance, drink, and be merry.” Done.
I must have missed the memo insisting upon the T-shirts and blazers dress code tonight, as everyone else in chatty audience seems to have liaised beforehand on their attire. But you know what? Everyone looks great, and the party atmosphere is contagious.
We get blasts through classic tracks from The Damned (Neat Neat Neat), Ramones (Rockaway Beach, I Wanna Be Sedated), The Undertones (Teenage Kicks) and many more, with the highlight being a rendition of Mott The Hoople’s David Bowie-penned anthem All The Young Dudes, an influence upon Green Day’s 21 Guns. Billie Joe also slips in a track from his other side project, The Longshot (Love Is For Losers) amid songs that continue to inspire our generation’s punk king. And while most of the set features male-fronted tracks, the frontman also teases a snippet of Chappell Roan’s HOT TO GO!, stating “That is a good song” as the crowd erupts in agreement.
Towards the end of the show, the band delivers a heartfelt speech about the current LA wildfires, urging fans to support relief efforts and stay critical of media coverage. This serious moment aside, Billie Joe’s trademark humour shines through the rest of the set as he jokes with an audience member about not doing cocaine, then adds that he’ll happily sell it to them anyway.
Delivering a set as scrappy as any cover band you’d catch down your local, The Coverups make no claims to be anything other than what it says on the tin. But watching a group of friends celebrate the music that shaped them- especially when it’s one of your favourite artists – is a pretty unique experience, and their messy energy and sense of fun makes for a night to remember.
The Cover-Ups live @Islington Academy 15.01.25 – YouTube
Rush guitarist Alex Lifeson has revealed he and longtime bandmate Geddy Lee jam on a weekly basis – but they have no plans to resurrect the Canadian prog icons with a new drummer to replace the late Neil Peart.
Speaking exclusively in the brand new issue of Classic Rock in an interview to celebrate 50 years of Rush, Lifeson said that he and bassist/vocalist Lee still play together and even record their jams.
“It’s good to jam with friends as you get older,” says the guitarist. “I need to play. Once a week I go to Ged’s – it’s in the calendar – keep my fingers moving, play Rush stuff, new jams. We do record it, but I couldn’t even begin to tell you where it’ll go.”
Rush played their final show on August 1, 2015 at the of the R40 tour, and Neil Peart died in 2020. Lee and Lifeson reunited in 2022 to play at a pair of shows in London and LA in honour of late Foo Fighrers drummer and Rush fan Taylor Hawkins. They peformed three Rush songs: the Overture part of 2112 plus Working Man and YYZ, with various drummers sitting in, including Foo Fighters’ Dave Grohl, Chad Smith of the Red Hot Chilli Peppers, Tool’s Danny Carey and former David Bowie drummer Omar Hakim.
“The energy was fantastic around that show, I know, and some days I wake up wanting to go out and tour again and some days I don’t,” says Lifeson. “For forty years Rush included Neil, and I don’t think putting some new version together would have the same magic.
“After those two gigs and the months of prep Ged and I went through, I was excited by the response and to be in the dressing room again with so many fellow artists in Wembley and LA I respected and felt a kinship towards. But after a few weeks that wore off and it occurred to me that despite all the pain of loss, Rush went out on a high note playing as well as ever with one of our best stage shows on R40. I guess I’d rather be remembered for that legacy than returning as the top Rush tribute band.”
While he effectively rules out a Rush reunion, Lifeson reveals how his involvement with a new band, Envy Of None, has inspired him to keep playing and stay connected to music.
“The Envy of None project has been very important to me,” he tells Classic Rock. ‘Since the last Rush tour, it has provided me with purpose. I love writing and working with other very talented musicians. I love how it has forced me to think in different terms about the role guitar has in modern music. It has inspired me to play daily and investigate uncommon tones and colours.”
Envy Of None were formed by Andy Curran, formerly bassist with Canadian rockers Coney Hatch, and mixer/engineer Alfio ‘Alf’ Annibalini. They recruited Lifeson in 2016, and singer/multi-instrumentalist Maiah Wynne in 2018, releasing their self-titled debut album in 2022. A follow-up, Stygian Wavz, is out on March 14.
“I love music and its power,” he tells Classic Rock. “Being that guy from Rush who plays like some guy not from Rush is liberating and allows me to share my love of the instrument that has been vital to my existence.”
Read the full interview with Rush’s Alex Lifeson and Geddy Lee in the brand new issue of Classic Rock, onsale now. Order it online and have it delivered straight to your door.
