SPREAD EAGLE Celebrates 35 Years Of Debut Album With Anniversary Tour + Exclusive Releases

SPREAD EAGLE Celebrates 35 Years Of Debut Album With Anniversary Tour + Exclusive Releases

Iconic streetmetal pioneers, Spread Eagle, are turning up the volume to celebrate the 35th anniversary of their electrifying debut album. In true rock ‘n’ roll style, the band has planned a series of can’t-miss events for fans worldwide, including an anniversary tour, the highly anticipated release of their original 1989 demos, and exclusive commemorative merchandise.

Relive the raw energy of The 1989 Demos:

Fans can now get their hands on The 1989 Demos, a limited-edition CD showcasing six tracks from the band’s earliest days that secured them their major label recording deal. The collection features raw, unfiltered versions of five songs that later rocked the world on their debut album, along with an unreleased gem “Gun Shy”— a must-hear for any Spread Eagle devotee. Produced by Charlie Gambetta, these demos capture the essence of the band’s New York City roots and their unrelenting streetmetal spirit.

Pre-order the CD here.

The 1989 Demos tracklsiting:

“Scratch Like A Cat”
“Switchblade Serenade”
“Hot Sex”
“Thru These Eyes”
“Gun Shy”
“Spread Eagle”

Merchandise for the true fans:

Celebrate the legacy in style with Spread Eagle’s exclusive debut album t-shirt. Featuring the iconic album artwork on the front and the tracklist on the back, this collector’s item is available now at the band’s official webstore here.

Hit the road for the anniversary tour:

Spread Eagle is bringing their high-octane live energy to fans in the US with their 35th Anniversary Tour, kicking off January 30 in Tucson, AZ. With stops in the US and more dates to be announced globally, this tour promises to be a celebration of their debut album plus other fan favorites. Catch them 100% live and experience the unrelenting energy that only Spread Eagle delivers. Don’t miss this chance to see a band at the height of their powers, still carrying the flag for authentic, unfiltered rock ‘n’ roll.

2025 tour dates:

January
30 – Tucson, AZ – The Rock
31 – Phoenix, AZ – Rhythm Room

February
1 – Hollywood, CA – Whisky a Go-Go
21 – Denison, TX – RedRock Saloon
22 – Chickasha, OK – Legends Pub House

March
29 – Norton, WV – The Rim
30 – Marion Center, PA – Rayne Drop Inn

April
5 – Gastonia, NC – The Rooster
6 – Buford, GA – 37 Main
25 – Lake Worth, FL – Mathews Brewing Co.
26 – Sarasota, FL – Big Top Brewing
27 – Sanford, FL – The Barn

May
16 – Portsmouth, OH – Columbia Theatre
17 – Dresden, OH – Killing Tree Winery

June
6 – Riverhead, NY – Suffolk Theater
7 – Clifton, NJ – Dingbatz

More dates to be announced soon.

35 years of rock legacy:

Formed in the gritty streets of New York City, Spread Eagle quickly made their mark with their explosive debut album, earning critical acclaim for its unfiltered sound and unforgettable single “Switchblade Serenade,” which lit up MTV and solidified their place in rock history. Their legacy continued with the release of Open To The Public and the modern classic Subway To The Stars. Now, 35 years later, Spread Eagle remains a force to be reckoned with, bringing their signature brand of “streetmetal” to a global audience.

(Photo – Shannon Wilk)


KERRY KING Launches North American Tour In San Fransisco With Solo Tracks, SLAYER Songs, And IRON MAIDEN Classics; 4K Video Streaming

KERRY KING Launches North American Tour In San Fransisco With Solo Tracks, SLAYER Songs, And IRON MAIDEN Classics; 4K Video Streaming

Slayer guitar hero Kerry King and his solo band – drummer Paul Bostaph (Slayer), bassist Kyle Sanders (Hellyeah), guitarist Phil Demmel (Machine Head), and vocalist Mark Osegueda (Death Angel) – launched their twenty-eight date North American tour at The Regency Ballroom in San Francisco, CA last night, January 15.

Capital Chaos TV has released 4K video shot at the show. Watch King and band perform “Everything I Hate About You”, “At Dawn They Sleep”, and “From Hell I Rise” below.

Setlist:

“Where I Reign”
“Rage”
“Trophies of the Tyrant”
“Residue”
“Two Fists”
“Idle Hands”
“Repentless” (Slayer song)
“Toxic”
“Tension”
“Everything I Hate About You”
“Disciple” (Slayer song)
“Purgatory” (Iron Maiden cover)
“Killers” (Iron Maiden cover)
“At Dawn They Sleep” (Slayer song)
“Crucifixation”
“Shrapnel”
“Raining Blood” (Slayer song)
“Black Magic” (Slayer song)
“From Hell I Rise”

Watch fan-filmed video of King and band performing the Iron Maiden songs “Purgatory” and “Killers” below:

With Municipal Waste as Special Guest and Alien Weaponry supporting, Kerry King’s North American tour is set to wrap up at House of Blues in Las Vegas on February 22. Tickets can be purchased here.

North American dates:

January
17 – Spokane Live Casino – Spokane, WA
18 – Showbox SoDo – Seattle, WA
19 – Roseland Theater – Portland, OR
20 – Commodore Ballroom – Vancouver, BC (Canada)
22 – The Palace Theatre – Calgary, AB (Canada)
23 – Midway Music Hall – Edmonton, AB (Canada)
25 – Burton Cummings Theatre – Winnipeg, MB (Canada)
26 – The Fillmore – Minneapolis, MN
28 – The Rave – Milwaukee, WI
30 – The Majestic Theater – Detroit, MI
31 – House of Blues – Cleveland, OH

February
1 – Danforth Music Hall – Toronto, ON (Canada)
2 – L’Olympia – Montreal, QC (Canada)
4 – Royale – Boston, MA
5 – Theatre of the Living Arts – Philadelphia, PA
7 – Irving Plaza – New York, NY
8 – Baltimore Soundstage – Baltimore, MD
10 – Buckhead Theatre – Atlanta, GA
11 – Jannus Live – St. Petersburg, FL
13 – House of Blues – Houston, TX
14 – Emo’s –  Austin, TX
15 – The Studio at the Factory – Dallas, TX
17 – Ogden Theatre – Denver, CO
18 – Sunshine Theater – Albuquerque, NM
19 – The Nile Theater – Phoenix, AZ
 21 – House of Blues – Las Vegas, NV
 22 – The Fonda Theatre – Los Angeles, CA

King and his band also announced their “European Tour 2025”. The dates kick off on July 29 in Frankfurt, Germany, and are currently scheduled to wrap up on August 19 in Krakow, Poland.

European dates:

July
29 – Zoom Saal – Frankfurt, Germany *
30 – Simm City – Wien, Austria *

August
1 – Rockstadt Extreme – Transylvania, Romania *
4 – Komplex 457 – Zürich, Switzerland *
6-9 – Brutal Assault Festival – Jaromer, Czech Republic
7 – FZW – Dortmund, Germany *
8-10 – Alcatraz Festival – Kortrijk, Belgium
12 – Academy 2 – Manchester, UK *
13 – SWX – Bristol, UK *
14-17 – Motocultor Festival – Carhaix, France
17 – Dynamo Festival – Eindhoven, Netherlands
19 – Tauron Arena – Krakow, Poland *#

* Newly announced shows
# Supporting Gojira


“Dance, drink, and be merry!” Green Day’s “glorified karaoke” side-project The Coverups host a joyously messy party in London

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Green Day frontman Billie Joe Armstrong and his bandmates in The Coverups have made a habit of announcing their sporadic shows at the last-minute. Tonight’s gig might come with more advance notice and a larger venue capacity (800, so hardly Wembley Stadium, which Armstrong graced with Green Day last June), but there’s a pleasing spontaneity, and an air of mystery, about tonight’s setlist, as they take audience requests and play songs on the spot.

Formed in 2018 out of boredom, The Coverups traditionally find Armstrong flanked by Green Day bandmate Mike Dirnt and their touring guitarist Jason White (guitar), alongside Bill Schneider (bass) and Chris Dugan (drums). Minus Dirnt tonight, they pay homage to their musical influences with a high-energy 90-minutes-plus set of unrehearsed, scrappy, and fun cover versions. Armstrong describes the collective as “a glorified karaoke band” and asks that we “dance, drink, and be merry.” Done.

I must have missed the memo insisting upon the T-shirts and blazers dress code tonight, as everyone else in chatty audience seems to have liaised beforehand on their attire. But you know what? Everyone looks great, and the party atmosphere is contagious.

We get blasts through classic tracks from The Damned (Neat Neat Neat), Ramones (Rockaway Beach, I Wanna Be Sedated), The Undertones (Teenage Kicks) and many more, with the highlight being a rendition of Mott The Hoople’s David Bowie-penned anthem All The Young Dudes, an influence upon Green Day’s 21 Guns. Billie Joe also slips in a track from his other side project, The Longshot (Love Is For Losers) amid songs that continue to inspire our generation’s punk king. And while most of the set features male-fronted tracks, the frontman also teases a snippet of Chappell Roan’s HOT TO GO!, stating “That is a good song” as the crowd erupts in agreement.

Towards the end of the show, the band delivers a heartfelt speech about the current LA wildfires, urging fans to support relief efforts and stay critical of media coverage. This serious moment aside, Billie Joe’s trademark humour shines through the rest of the set as he jokes with an audience member about not doing cocaine, then adds that he’ll happily sell it to them anyway.

Delivering a set as scrappy as any cover band you’d catch down your local, The Coverups make no claims to be anything other than what it says on the tin. But watching a group of friends celebrate the music that shaped them- especially when it’s one of your favourite artists – is a pretty unique experience, and their messy energy and sense of fun makes for a night to remember.

The Cover-Ups live @Islington Academy 15.01.25 – YouTube The Cover-Ups live @Islington Academy 15.01.25 - YouTube

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“I’d rather be remembered for our legacy than returning as the top Rush tribute band”: Alex Lifeson and Geddy Lee are jamming together – but they have no plans to resurrect Rush with a new drummer

The cover of Classic Rock 336, featuring Rush's 'Starman' logo

(Image credit: Future)

Rush guitarist Alex Lifeson has revealed he and longtime bandmate Geddy Lee jam on a weekly basis – but they have no plans to resurrect the Canadian prog icons with a new drummer to replace the late Neil Peart.

Speaking exclusively in the brand new issue of Classic Rock in an interview to celebrate 50 years of Rush, Lifeson said that he and bassist/vocalist Lee still play together and even record their jams.

“It’s good to jam with friends as you get older,” says the guitarist. “I need to play. Once a week I go to Ged’s – it’s in the calendar – keep my fingers moving, play Rush stuff, new jams. We do record it, but I couldn’t even begin to tell you where it’ll go.”

Rush played their final show on August 1, 2015 at the of the R40 tour, and Neil Peart died in 2020. Lee and Lifeson reunited in 2022 to play at a pair of shows in London and LA in honour of late Foo Fighrers drummer and Rush fan Taylor Hawkins. They peformed three Rush songs: the Overture part of 2112 plus Working Man and YYZ, with various drummers sitting in, including Foo Fighters’ Dave Grohl, Chad Smith of the Red Hot Chilli Peppers, Tool’s Danny Carey and former David Bowie drummer Omar Hakim.

“The energy was fantastic around that show, I know, and some days I wake up wanting to go out and tour again and some days I don’t,” says Lifeson. “For forty years Rush included Neil, and I don’t think putting some new version together would have the same magic.

“After those two gigs and the months of prep Ged and I went through, I was excited by the response and to be in the dressing room again with so many fellow artists in Wembley and LA I respected and felt a kinship towards. But after a few weeks that wore off and it occurred to me that despite all the pain of loss, Rush went out on a high note playing as well as ever with one of our best stage shows on R40. I guess I’d rather be remembered for that legacy than returning as the top Rush tribute band.”

Rush: Distant Early Warning (R40 LIVE) | Cinema Strangiato 2019 – YouTube Rush: Distant Early Warning (R40 LIVE) | Cinema Strangiato 2019 - YouTube

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While he effectively rules out a Rush reunion, Lifeson reveals how his involvement with a new band, Envy Of None, has inspired him to keep playing and stay connected to music.

“The Envy of None project has been very important to me,” he tells Classic Rock. ‘Since the last Rush tour, it has provided me with purpose. I love writing and working with other very talented musicians. I love how it has forced me to think in different terms about the role guitar has in modern music. It has inspired me to play daily and investigate uncommon tones and colours.”

Envy Of None were formed by Andy Curran, formerly bassist with Canadian rockers Coney Hatch, and mixer/engineer Alfio ‘Alf’ Annibalini. They recruited Lifeson in 2016, and singer/multi-instrumentalist Maiah Wynne in 2018, releasing their self-titled debut album in 2022. A follow-up, Stygian Wavz, is out on March 14.

“I love music and its power,” he tells Classic Rock. “Being that guy from Rush who plays like some guy not from Rush is liberating and allows me to share my love of the instrument that has been vital to my existence.”

Read the full interview with Rush’s Alex Lifeson and Geddy Lee in the brand new issue of Classic Rock, onsale now. Order it online and have it delivered straight to your door.

The cover of Classic Rock 336, featuring Rush's 'Starman' symbol

(Image credit: Future)

“He couldn’t understand amidst the noise that I was the other singer! I almost enjoyed it better that way”: The underwhelming moment when Yes’ Jon Davison met predecessor Jon Anderson

Yes have a certain reputation for interpersonal issues over the years. So when current vocalist Jon Davison met original singer Jon Anderson one night, fireworks could have flown. Instead, as both men told Prog, it was more of a damp squib . Still, an interesting idea arose from it…


In 2015 Jon Davison was three years into his role as lead vocalist with Yes, having taken over from Benoît David before appearing on 2014’s Heaven And Earth, the first Yes album to feature his voice.

As he discussed his experiences with Prog, the almost inevitable topic of original singer Jon Anderson came up, leading Davison to reveal that the pair hadn’t met.

Asked if it would feel a bit like seeing one’s own double, Davison said: “I hope it wouldn’t be weird, because he’s been a hero of mine for so many years. He’s kind of a father figure.”

He added: “Someone told me, who has known him for decades: ‘Jon would really like you. If the two of you were able to be together, you guys would get along.’ I’ve seen him speak favourably of Benoît David… So I hope he would be equally sympathetic with my situation.”

On the night of April 7, 2017, theory gave way to practice when Davison and Anderson met in a hotel ahead of Yes’ induction into the Rock And Roll Hall Of Fame. But it wasn’t the encounter than anyone might have predicted.

“I’m not sure he knew who I was!” Davison told Prog later that year. “It was really noisy. I just approached him as a fan and wanted to thank him. Because I don’t feel any rivalry or intimidation.

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He performs the songs and lyrics I wrote, and he does a good job

Jon Anderson

“I consider him in a whole different class than myself, and he’s a hero of mine. So I just thanked him for all the inspiration and for being so instrumental in bringing me to what I do today.”

Davison described his predecessor as “very warm” but continued: “I don’t sense that he could understand amidst the noise that I was the other singer! I almost enjoyed it better that way; it was a fan having a moment to thank his hero.”

Anderson – who was then fronting Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman – said his own memory of the moment was similar. “I honestly had no idea!” he told Prog. “He never introduced himself. It was only when he went away that I thought, ‘There’s something about that guy that’s kind of strange.’ Then I said to my wife, ‘I think that guy’s the singer with the other band!’

Inductees Yes Perform “Roundabout” Rock & Roll Hall of Fame 2017 – YouTube Inductees Yes Perform

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“I thought, ‘Why didn’t he tell me who he was?’ Then I could have said, ‘Well done,’ because he performs the songs and lyrics I wrote, and he does a good job.”

Yes, of course, are no strangers to interpersonal issues; and to some extent a small number of fans have become embroiled in those disputes. In 2015 Davison had reflected: “For the most part there’s a mutual respect. … there’s a history of discord, but there’s also a way of knowing when to compromise and express feelings of concern. They’re well versed in the Yes dynamic.”

I’d like to create a really unifying message – a bridge between the two camps and all the fanbases

Jon Davison

So he was delighted to report that his meeting with Anderson hadn’t been a negative one – and in fact, it spurred him on to a creative concept. “When I looked in his eyes, there was harmony, and I could relate to him soul for soul,” the younger singer recalled.

“I felt inspired. There’s so much discord; people get so heated online and fans get so ugly – which is so unfortunate when you consider the all-embracing message in Yes’ music and lyrics.”

After the brief encounter Davison expressed the desire to record an album with Anderson. “That statement was meant to be the antithesis of the general mindset of these people who get so nasty,” he explained.

“That’s what I’d like to happen. To create a really unifying message – a bridge between the two camps and all the fanbases. If Jon and I could do an album together, we could rise above all the pettiness.”

Top 15 Hair Metal Singers

Hair metal — that dreaded colloquialism for the commercial, party-hearty hard rock that dominated the airwaves in the ’80s — is known for its hotshot guitar players and over-the-top showmanship. But many of the era’s biggest and best bands also had great singers to match their six-string wizards.

We’re giving a nod to those golden-throated frontmen in our list of the Top 15 Hair Metal Singers. As always, our ranking comes with qualifications. Some of the vocalists on this list did not perfectly fit the glam metal mold, but they were such massive talents and pivotal players in the scene that it would be disingenuous not to include them. On the flip side, we’ve excluded some singers who preceded the hair metal zeitgeist even if they also took part in it. That means no Steven Tyler or Paul Stanley — though we did bend this rule as needed.

Got all that? Good. Now read on to see our picks for the Top 15 Hair Metal Singers.

READ MORE: Top 40 Glam Metal Songs

15. Michael Sweet (Stryper)

Imagine Dennis DeYoung fronting a Christian glam metal band and you’ll have a good approximation of Michael Sweet’s vocal prowess. The frontman’s soaring tenor and ironclad vibrato gave spiritual exhortations like “To Hell With the Devil” the heft they deserved. Sweet’s power-metal proclivities served Stryper well in their later years, especially on 2011’s The Covering, which features covers of Iron Maiden, Judas Priest and Deep Purple. Sweet even served a stint in Boston from 2007-2011 following the death of Brad Delp.

Key performance: “To Hell With the Devil”

14. Tom Keifer (Cinderella)

There are plenty of moments throughout Cinderella’s catalog where lead singer Tom Keifer forces the listener to ask, “What the hell is this guy doing?” If that’s not the mark of a one-of-a-kind vocalist, then what is? Keifer’s raspy, skyscraping vocals sound like the result of gargling motor oil before hitting the vocal booth, lending to Cinderella’s rootsy, bluesy take on glam metal. He could also dial down the intensity on the band’s plaintive, heartfelt ballads.

Key performance: “Nobody’s Fool”

13. John Sykes (Blue Murder)

The odds were stacked against Whitesnake guitarist John Sykes after David Coverdale fired him. But not only did Sykes form a new band that allowed him to flex his guitar chops, he also took over lead vocals and nearly matched his former bandmate in that department. Blue Murder’s 1989 self-titled debut is a technical tour de force, with bassist Tony Franklin and drummer Carmine Appice flanking Sykes as he pulls double duty. His bluesy crooning and searing high notes are the sound of sweet revenge.

Key performance: “Blue Murder”

12. Jack Russell (Great White)

While some glam metal vocalists prioritized grit and rasp, Great White’s Jack Russell flaunted a voice that was buttery-smooth and could scale octaves with ease. Russell brought plenty of power to bluesy, straight-ahead rockers like “Once Bitten Twice Shy” and “Lady Red Light,” but he could also caress and unfurl notes with expert precision on slow-burning tracks like “House of Broken Love.”

Key performance: “Rock Me”

11. Joe Elliott (Def Leppard)

By the time Def Leppard released the blockbuster Hysteria, they had begun to decenter Joe Elliott’s lead vocals in favor of their signature multipart vocal harmonies. But listen to any of the band’s first three albums — particularly High ‘N Dry and Pyromania — and it becomes instantly clear what a monster vocalist he is. Elliott’s voice is charismatic and powerful, capable of carrying tender ballads or full-throttle rockers. He can summon the grit on command and hit daunting high notes with ease, but his ability to blend with his bandmates turned Def Leppard into one of the biggest bands of the glam metal era and beyond.

Key performance: “Photograph”

10. John Corabi (The Scream, Motley Crue)

John Corabi didn’t become a well-known commodity until hair metal was long dead and gone, replacing Motley Crue’s Vince Neil for the band’s 1994 self-titled album. But his work on that album and on the Scream’s 1991 debut Let It Scream demand recognition. Corabi is a powerhouse vocalist who graduated with honors from the Steven Tyler School of Rasp, and his bluesy, blistering screams turned Motley Crue into legitimate metal heavyweights. Of course, nobody cared to listen, and Corabi quickly got the boot, but the journeyman rocker has continued to do great work in Union, the Dead Daisies and more.

Key performance: “Smoke the Sky”

9. Jani Lane (Warrant)

Warrant excelled at horndog party-metal anthems, but even these had more substance than many of the band’s peers thanks to lead singer and songwriter Jani Lane. The frontman’s thoughtful lyrics and melodies and powerful pipes elevated frothy rockers like “Down Boys” and the menacing, metallic “Uncle Tom’s Cabin,” but his soaring high notes turned ballads like “I Saw Red” and “Heaven” into genuinely moving declarations of love and heartache.

Key performance: “I Saw Red”

8. Jason McMaster (Dangerous Toys) 

Deep in the heart of Texas, Dangerous Toys kicked up a metallic, southern-fried ruckus that defied the typical hair metal conventions. The Austin-based rockers wore their metal influences on their sleeves, and singer Jason McMaster led the band with an ear-splitting wail that produced some otherworldly high notes. McMaster’s powerhouse vocals and the band’s savvy blend of melody and muscle made Dangerous Toys a no-brainer opening act for Judas Priest in 1991.

Key performance: “Queen of the Nile”

7. Jon Bon Jovi (Bon Jovi)

Bon Jovi scored approximately 100 billion hits during their golden 1986-1995 run, and they owe much of that success to Jon Bon Jovi’s megawatt vocals. The titular frontman’s unbridled passion and charisma radiate through songs like “Wanted Dead or Alive” and “Livin’ on a Prayer,” turning them into stadium-filling, lighter-waving anthems. As the band matured, so did Bon Jovi’s vocals, and he continued to reach new heights on 1992’s Keep the Faith and 1995’s These Days.

Key performance: “In These Arms”

6. Ray Gillen (Badlands)

Following a short-lived stint in Black Sabbath, Ray Gillen teamed up with ex-Ozzy Osbourne guitarist Jake E. Lee in the bluesy hard rock outfit Badlands. Based on their self-titled 1989 debut, it proved to be both musicians’ true calling. Gillen matched Lee’s bluesy shredding pound-for-pound with his soulful howl, stunning high notes and brilliant vibrato. Gillen’s life and career were cut short when he died from an AIDS-related disease in 1993 at age 34, but the first two Badlands album remain underrated gems largely thanks to his contributions.

Key performance: “High Wire”

5. Axl Rose (Guns N’ Roses)

Guns N’ Roses owed a greater debt to Aerosmith and the Rolling Stones than Ratt and Poison, but still, it would be a disservice not to include one of the era’s most unique and charismatic singers on this list. Axl Rose’s superpower was his versatility — the mercurial frontman could channel myriad emotions through one of his several voices, from his feral alleycat screech to his plaintive, heartsick baritone. When he combined these disparate voices on the same track, the results were transcendent.

Key performance: “Sweet Child O’ Mine”

4. David Coverdale (Whitesnake)

David Coverdale was burning up the charts in Deep Purple when most of the singers on this list were still in grade school, which makes his hair-metal reinvention with Whitesnake 15 years into his career even more impressive. The band’s self-titled 1987 album was a critical and commercial smash, making great use of Coverdale’s bluesy growl (“Crying in the Rain”) and stratospheric high notes (“Here I Go Again”). He utilized both on “Still of the Night,” a bonafide glam metal epic and the definitive Whitesnake song.

Key performance: “Still of the Night”

3. Miljenko Matijevic (Steelheart)

Steelheart scored their first and only Top 40 single with 1991’s “I’ll Never Let You Go,” powered by Miljenko Matijevic’s jaw-dropping vocal acrobatics. Matijevic’s “easy mode” tenor would make mincemeat of most singers, and just when it seems like he can’t possibly push his voice any further, he screams another intergalactic high note with piercing clarity. Matijevic also voices Steel Dragon frontman Izzy Cole (played by Mark Wahlberg) in the 2001 movie Rock Star, leading a remake of Steelheart’s “We All Die Young” that trumps the original.

Key performance: “I’ll Never Let You Go”

2. C.J. Snare (Firehouse)

Firehouse is best known for mega-ballads “Love of a Lifetime” and “When I Look Into Your Eyes,” two songs that are virtually identical to one another and would be indistinguishable from the glut of late-period hair metal ballads if not for C.J. Snare’s evocative, supercharged vocals. Snare was no one-trick pony either; his flawless articulation, well-placed grit and multi-octave range elevated pop-metal stompers like “Don’t Treat Me Bad” and gave a sense of theatrical danger to the outlaw anthem “Reach for the Sky.”

Key performance: “Don’t Treat Me Bad” 

1. Sebastian Bach (Skid Row)

From 1989 to 1995, there was nothing Sebastian Bach couldn’t do vocally. The Skid Row frontman transformed the band’s pop-metal hits and power ballads into epic, stadium-sized anthems, and he gave their metallic tracks the muscle and menace they deserved. Bach flexed his enormous vocal range in the melismatic runs of “18 and Life” and “I Remember You,” but his tender, nuanced performances on “Quicksand Jesus” and “In a Darkened Room” proved he was one of the most gifted vocal interpreters of all time.

Key performance: “Wasted Time”

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Gallery Credit: Bryan Rolli

Key Piece of Rock History Has Somehow Survived the LA Fires

Malibu is in ruins. But the legendary Shangri-La studio somehow still stands amid the apocalyptic fury and ashen remains of the Los Angeles fires.

Now owned by producer Rick Rubin, the studio was built in the hills above Zuma Beach to the precise specifications of the Band and Bob Dylan. Its name traces back to the original owner, an actress named Margo Albert who once appeared in the film adaptation of James Hilton’s Lost Horizon – where the utopia of “Shangri-La” was first mentioned.

For the Band, and then many others, this studio became just that. The Band’s Levon Helm once described Shangri-La as “a clubhouse and studio where we and our friends could record albums and cross-pollinate one another’s music.”

READ MORE: Top 10 Bob Dylan Songs

Dylan and the Band had just returned from a heralded 1974 reunion tour that would produce the live album Before the Flood. The Band’s often-overlooked late-period classic Northern Lights-Southern Cross was recorded at Shangri-La. Eric Clapton slept there while completing No Reason to Cry. Dylan did too – in a tent out in the garden.

The four-bedroom, three-bathroom ocean-view complex had mirrored walls and a Naugahyde bar, befitting its whispered past as a bordello. “Every now and then [Dylan] would appear and have a drink,” Clapton wrote in his autobiography, “and then disappear just as quickly.”

The Band’s Garth Hudson recorded keyboard overdubs for Van Morrison‘s Wavelength at Shangri-La. Bonnie Raitt made Green Light. Hudson’s bandmate Richard Manuel called it home for about a year, staying in a bungalow that was once the stable for TV’s Mister Ed when the show was filmed there. “It’s almost like an Abbey Road – an Abbey Road with a house around it,” former listing agent Shen Schulz told the Telegraph.

Watch a Trailer for Showtime’s ‘Shangri-La’ Documentary

Which Rock Stars Recorded at the Shangri-La?

Director Martin Scorsese and the Band’s Robbie Robertson used Shangri-La as a rehearsal space for 1978’s The Last Waltz, which included interviews filmed at the studio. The cover art for Clapton’s No Reason to Cry was taken inside. At times, however, the place itself could become a distraction.

“This was a drunk and disorderly sort of album and we didn’t really know where we were going,” Clapton later admitted. “We had no producer to begin with, other than our engineer Ralph Moss, and we just lost direction. Part of the problem was that the setting of the studios and the situation were so idyllic that I, for one, couldn’t get myself together sufficiently to write any songs.”

Dylan helped out, giving Clapton the previously unreleased song “Sign Language.”

Band engineer Rob Fabroni, who oversaw the space’s conversion into a studio, eventually bought Shangri-La. Among the others who recorded there over the years: Crosby Stills and Nash, Jackson Browne, Mark Knopfler and Keith Richards, who called Fraboni “a genius” in his autobiography Life. Fabroni left for a label job in the mid-’80s, however, and the studio fell silent.

A rebound began in the 2000s, first with the ownership of Beej Chaney of the Suburbs and then with Rubin. A string of well-known acts began stopping by again: Santana and Metallica did sessions there. Adele did, too. By 2019, the resurgent studio was the subject of a four-part documentary series on Showtime, simply titled Shangri-La.

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Counting down the worst things that ever happened in classic rock.

Gallery Credit: Nick DeRiso

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‘The Goonies 2‘ in the Works With Original Writer

A new Goonies movie is reportedly in the works at Warner Bros.

According to Deadline, the studio is looking to shift its strategy to proven franchises, and so have put a sequel to the late Richard Donner’s 1985 adventure film into development.

The follow-up flick will bring back The Goonies co-scribe Chris Columbus, who wrote the original film with Steven Spielberg, to pen the story of the upcoming movie.

As well as a second Goonies picture, Columbus is also set to be writing the script for a new Gremlins movie after he penned the treatment for the original 1984 film.

1. One-Eyed Willy

Warner Bros.

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While no details about a potential release date or cast are known, it is possible The Goonies sequel could see the return of actors Josh Brolin, Ke Huy Quan, Sean Austin, Corey Feldman, Jeff Cohen, Martha Plimpton and Kerri Green as the grown-up group of adventurous kids from the first movie.

The Goonies follows a group of children who uncover a treasure map of a long-lost pirate, setting them on a quest to find riches while doing all they can to avoid a ruthless crime family.

Talks of a sequel have been going on for years, though Spielberg said in 2020 that a follow-up was unlikely because he, Columbus, Donner, and his producer/wife Lauren Shuler Donner couldn’t find the right story for a second film.

During a Goonies livestream to celebrate the flick’s 35th anniversary, the Raiders of the Lost Ark filmmaker said: “Chris, Dick and I — and Lauren — have had a lot of conversations about it. Every couple of years we come up with an idea but then it doesn’t hold water.”

The Jurassic Park director added the team had raised the bar on the children’s adventure genre so high with The Goonies that it was difficult to find ideas for a sequel that would live up to the original.

He said: “Until we do, people are just going to have to look at this [livestream] a hundred times!”

In 2023, Ke Huy Quan revealed he was “open” to reprising his Goonies role as Richard ‘Data’ Wang in a sequel, though doubted such a project could move ahead since director Richard Donner passed away two years prior.

Speaking after winning the Best Supporting Actor in a Motion Picture at the Golden Globe Awards for his role in Everything Everywhere All at Once, he said: “First of all, we have the big man here tonight and that would be Steven Spielberg and that’s one thing everyone should ask him. There was not one spec that I felt could live up to what the original was.”

“Sadly, we lost the captain of our ship [Donner], who I love dearly, and I really don’t know if there will be Goonies 2, but I would be open to reliving that character if there is that opportunity.”

A month before Donner’s death in July 2021, Corey Feldman, who portrayed Clark ‘Mouth’ Devereaux in the original movie, also admitted a sequel was unlikely.

He said: “Well, Sean Astin and Josh Brolin want a sequel but you know. It’s one of those powers that be things. Every time I thought, ‘OK, it’s really gonna happen,’ I’ve been let down and had my heartbroken.”

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Gallery Credit: Dennis Perkins

NOTHING MORE Announce US Headlining Dates

NOTHING MORE Announce US Headlining Dates

3X Grammy-nominated and Gold-certified rock act, Nothing More, wrapped 2024 with several milestone achievements including landing two #1 singles – “Angel Song” featuring Disturbed vocalist David Draiman and “If It Doesn’t Hurt” – both of which were featured on their acclaimed album, Carnal, out last June via Better Noise Music. Their next single, “House On Sand” (feat. Eric V. of I Prevail), will be added to radio on January 21. Watch its music video, which currently has over 2.6 million views, below.

Nothing More today announce a handful of headlining shows amidst their upcoming spring tour with multi-platinum rock legends Disturbed, who are celebrating the 25th anniversary of their iconic album The Sickness. Nothing More’s headlining shows, listed below, will alternate support from Texas-based hard rockers Kingdom Collapse and hip-hop/rock artist Mike’s Dead on select dates. Aritst pre-sale starts Wednesday, January 15, at 10 AM, local time with pre-sale code “SAND”, and general admission tickets go on sale Friday, January 17, at 10 AM, local time. VIP meet-and-greet packages are available now. Find all options at Nothing More’s website here.

Tour dates:

January
19-25 – Miami, FL – ShipRocked 2025

March
28 – Chattanooga, TN – The Signal %
29 – Cincinnati, OH – Heritage Bank Center #
31 – Cleveland, OH – Rocket Mortgage FieldHouse #

April
2 – Philadelphia, PA – Wells Fargo Center #
3 – Albany, NY – Empire Live %
4 – Buffalo, NY – KeyBank Center #
5 – Pittsburgh, PA – PPG Paints Arena #
7 – Toronto, ON – Scotiabank Arena #
8 – Flint, MI – The Machine Shop %
9 – Indianapolis, IN – Gainbridge Fieldhouse #
10 – Knoxville, TN – The Mill & Mine %
12 – Charlotte, NC – Spectrum Center #
13 – Norfolk, VA – The NorVa %
14 – Raleigh, NC – Lenovo Center #
16 – Birmingham, AL – Legacy Arena at The BJCC #
17 – Jacksonville, FL – FIVE ^
18 – Sunrise, FL – Amerant Bank Arena #
19 – Destin, FL – Club LA ^
21 – Mobile, AL – Soul Kitchen ^
22 – New Orleans, LA – House of Blues ^
23 – Duluth, GA – Gas South Arena #
25 – San Antonio, TX – Frost Bank Center #
26 – Fort Worth, TX – Dickies Arena #
27 – Fayetteville, AR – JJ’s Live %
28 – Oklahoma City, OK – Paycom Center #

May
5 – Seattle, WA – Climate Pledge Arena #
6 – Boise, ID – Knitting Factory %
7 – Portland, OR – Moda Center #
9 – Sacramento, CA – Golden 1 Center #
10 – San Francisco, CA – Chase Center #
13 – Inglewood, CA – Kia Forum #
15 – Phoenix, AZ – Footprint Center #
17 – Las Vegas, NV – MGM Grand Garden Arena #

# with Disturbed and Daughtry
% with Kingdom Collapse
^ with Mike’s Dead

Nothing More – Jonny Hawkins (vocals), Mark Vollelunga (guitar), Daniel Oliver (bass), and Ben Anderson (drums) – were formed in San Antonio, TX and currently are based in Nashville, TN. Nothing More build unapologetically massive anthems from catchy arena-ready hooks with explosive bombast and nuanced storytelling. With over 1 billion streams and 160 million video views throughout their career resulting in three Grammy Award nominations and over a half-dozen Top 10 singles at Active Rock radio. Nothing More have won audiences over across the globe with their immersive and non-stop energetic live performances on tours with rock acts including Godsmack, Shinedown, Five Finger Death Punch, Breaking Benjamin, and Papa Roach in addition to appearances at rock’s largest festivals.


RIVERS OF NIHIL Announce North American Headline Tour With HOLY FAWN, INTER ARMA, GLACIAL TOMB

RIVERS OF NIHIL Announce North American Headline Tour With HOLY FAWN, INTER ARMA, GLACIAL TOMB

Rivers Of Nihil will return to North American stages this spring on a month-long headlining tour. The Aggressive Progressive Tour runs from May 22 in Philadelphia, Pennsylvania through June 22 in Toronto, Ontario. Support will be provided by Holy Fawn, Inter Arma, and Glacial Tomb.

The band comments, “We are stoked to bring The Aggressive Progressive tour to North America. We are also honored to have Holy Fawn, Inter Arma, and Glacial Tomb along with us. Can’t wait to see you all.”

Tickets and VIP packages are available now at: ron.soundrink.com. See all confirmed dates below.

Dates:

May
22 – Underground Arts – Philadelphia, PA
23 – The Palladium (Upstairs) – Worcester, MA
24 – Rec Room – Buffalo, NY
25 – The King Of Clubs – Columbus, OH
27 – Pike Room @ Crofoot – Pontiac, MI
28 – Reggies – Chicago, IL
29 – The Cabooze – Minneapolis, MN
30 – Bourbon Theater – Lincoln, NE
31 – Bluebird Theater – Denver, CO

June
1 – Metro Music Hall – Salt Lake City, UT
3 – Rickshaw Theatre – Vancouver, BC
4 – El Corazon – Seattle, WA
5 – Dante’s – Portland, OR
6 – Goldfield Trading Post – Roseville, CA
7 – Teragram Ballroom – Los Angeles, CA
8 – Brick By Brick – San Diego, CA
10 – Nile – Mesa, AZ
11 – Launchpad – Albuquerque, NM
12 – Jake’s – Lubbock, TX
13 – The Rail – Ft. Worth, TX
14 – Come And Take It Live – Austin, TX
15 – Scout Bar – Houston, TX
17 – Basement East – Nashville, TN
18 – Eulogy – Asheville, NC
19 – The Canal Club – Richmond, VA
20 – The Meadows – Brooklyn, NY
21 – Fairmount Theatre – Montreal, QC
22 – Lee’s Palace – Toronto, ON

And don’t miss Rivers Of Nihil on their previously announced EU/UK tour with Cynic, Beyond Creation and labelmates, Dååth.

Dates:

February
28 – Köln, Germany – Essigfabrik

March
1 – Antwerp, Belgium – Zappa
2 – Paris, France – La Machine
4 – Glasgow, Scotland – Slay
5 – Dublin, Ireland – Academy
6 – Bristol, England – The Fleece
7 – Southampton, England – Engine Rooms
8 – Manchester, England – Club Academy
9 – London, England – Electric Ballroom
10 – Birmingham, England – XOYO
12 – Haarlem, Netherlands – Patronaat
13 – Hamburg, Germany – Gruenspan
14 – Stockholm, Sweden – Fryshuset Klubben
16 – Helsinki, Finland – Tavastia
18 – Oslo, Norway – John Dee
19 – Copenhagen, Denmark – Pumpehuset
21 – Warsaw, Poland – Proxima
22 – Berlin, Germany – Columbia Theater
23 – Nürnberg, Germany – Z-Bau
24 – Wien, Austria – Flex
25 – Budapest, Hungary – Dürer Kert
26 – München, Germany – Backstage
27 – Milan, Italy – Slaughter Club
28 – Aarau, Switzerland – Kiff
29 – Karlsruhe, Germany – Substage

Rivers Of Nihil will release their fifth full-length album later this year. The record will feature two previously released songs – “The Sub-Orbital Blues” (2023) and “Criminals” (2024) – plus eight new tracks. Stay tuned for a new single to be unveiled in the coming weeks.

(Photo – Mike Truehart)