Complete List Of The Grateful Dead Songs From A to Z

The Grateful Dead began their journey in Palo Alto, California, in 1965, initially playing as the Warlocks before adopting their iconic name later that year. Founding members Jerry Garcia, Bob Weir, Ron “Pigpen” McKernan, Phil Lesh, and Bill Kreutzmann fused folk, blues, jazz, and rock into a uniquely improvisational style that quickly distinguished the band in San Francisco’s vibrant counterculture scene. They gained prominence through their performances at Ken Kesey’s Acid Tests—psychedelic gatherings where music and LSD intertwined, shaping their lasting association with 1960s counterculture.

ZZ Top Announces Massive 2025 North American ‘Elevation’ Tour

ZZ Top will launch the 51-date North American Elevation tour on June 1 in Victoria, British Columbia, with the fun currently set to conclude on Oct. 10 in Terre Haute, Indiana.

The Texas trio were the most active classic rock band in terms of touring last year, beating out fellow road warriors such as Judas Priest, Styx and Journey with 99 shows in 2024.

It looks like Billy Gibbons is determined to break into triple digits this year. The guitar legend began 2025 with a 25-date tour with his side band the BFGs, then immediately followed that up with 23 North American ZZ Top dates. On April 26 the group will begin a 12-date, three-week tour of Australia and New Zealand, then it’s off to Canada for the start of this latest North American tour, which will include the newly added dates.

Read More: ZZ Top Lineup Changes: A Complete Guide

In mid-March, longtime ZZ Top drummer Frank Beard announced that he would be taking some time off from the tour to focus on an unspecified health issues. John Douglas, a longtime member of the band’s tech crew and, most importantly a “fellow Texan,” has been filling in since that time. He joins Gibbons and bassist Elwood Francis, who took over for the late Dusty Hill in 2021. A timeline for Beard’s return has not been announced.

You can see ZZ Top’s complete tour itinerary below. Ticket information can be found at their official website.

ZZ Top 2025 North American Tour Dates

June 1: Victoria, BC – Save-On-Foods Memorial Centre
June 3: Kelowna, BC – Prospera Place
June 4: Tsuut’ina, AB – Grey Eagle Resort and Casino
June 6: Enoch, Alberta – River Cree Resort & Casino
June 7: Saskatoon, SK – SaskTel Centre
June 8: Winnipeg, MB – Canada Life Centre
June 10: Moorhead, MN – Bluestone Amphitheater
June 12: Wait Park, MN – The Ledge – Waite Park Amphitheater
June 13: Carlton, MN – Black Bear Casino Resort
June 14: Davenport, IA – Rhythm City Casino Event Center
June 18: Windsor, ON – Caesars Windsor
June 20: Pickering, ON – Pickering Casino Resort
June 21: Great Canadian Tornoto, ON – The Theatre
June 22: Hamilton, ON – FirstOntario Centre
June 25: Laval, QC – Place Bell
June 26: Quebec, QC – Agora Du Port Du Quebec
June 27: Moncton, NB – Casino New Brunswick
Aug. 2: Sioux City, IA – Hard Rock Sioux City
Aug. 4: Morrison, CO – Red Rocks Amphitheatre
Aug. 6: Salina, KS – Stiefel Theatre for the Performing Arts
Aug. 7: Washington, MO – Town & Country Fair
Aug. 8: Arcadia, WI – Ashley for the Arts
Aug. 10: Lincoln, NE – Pinewood Bowl Amphitheater
Aug. 13: Salt Lake City, UT – Red Butte Concert Series
Aug. 14: Pocattello, ID – Portneuf Health Trust Amphitheater
Aug. 17: Eugene, OR – The Cuthbert Amphitheater
Aug. 22: Coquitlam, BC – Great Canadian Casino Vancouver
Aug. 23: Richmond, BC – River Rock Casino
Aug. 24: Auburn, WA – Muckleshoot Casino Resort
Aug. 26: Troutdale, OR – Edgefield Amphitheater
Aug. 28: Saratoga, CA – Mountain Winery
Aug. 29: Murphys, CA – Ironstone Amphitheater
Aug. 30: Costa Mesa, CA – OC Fair & Event Center
Sept. 3: Midland, TX – Wagner Noel Performing Arts Center
Sept. 7: Tuscaloosa, AL – Mercedes-Benz Amphitheater
Sept. 11: Selbyville, DE – Freeman Arts Pavilion
Sept. 13: Asbury Park, NJ – Sea Hear Now Festival
Sept. 17: New York, NY: Beacon Theater
Sept. 19: Danville, VA – The Pantheon at Caesars Virginia
Sept. 21: Bethlehem, PA – Wind Creek Event Center
Sept. 23: Binghamton, NY – Visions Memorial Arena
Sept. 24: Albany, NY – Palace Theatre
Sept. 26: Providence, RI – Veteran’s Memorial Auditorium
Sept. 27: Hampton, NH – Hampton Beach Casino Ballroom
Sept. 28: West Springfield, MA – The Big E Arena
Oct. 2: Barco, NC – Morris Farm
Oct. 3: Winnsboro, SC – Field and Stream Music Fest
Oct. 5: Athens, GA – The Classic Center
Oct. 7: Knoxville, TN – The Tennessee Theatre
Oct. 9: Northfield, OH – MGM Northfield Park
Oct. 10: Terra Haute, IN – The Mill

2025 Summer Rock Tour Preview

The Bon Jovi Conversation That ‘Shook’ Richie Sambora

The Bon Jovi Conversation That ‘Shook’ Richie Sambora
Jesse Grant, Getty Images

Richie Sambora has detailed a conversation late in his Bon Jovi tenure that “shook” the guitarist.

During a recent appearance on the Magnificent Others podcast, hosted by Smashing PumpkinsBilly Corgan, Sambora – who departed Bon Jovi in 2013 – reflected on his final days in the band, noting how he and frontman Jon Bon Jovi seemed to be drifting apart..

“I felt like Jon was changing his focus and he often wanted to be a solo artist,” the guitarist noted. “And I go, ‘Go make a solo [album]’… He was definitely changing directions.”

READ MORE: All 359 Bon Jovi Songs Ranked Worst to Best

Solo albums weren’t foreign to the musicians. In fact, Sambora himself had just come back from touring in support of his 2012 solo LP Aftermath of the Lowdown. When the guitarist reconnected with Bon Jovi to work on the band’s next album, he assumed he and the singer would handle the bulk of the songwriting duties, as they’d done for the majority of their successful career. However, Sambora soon realized something had changed.

“[Jon Bon Jovi] said, all of a sudden, ‘Nah, you don’t gotta worry about [songwriting],” Sambora recalled. “'[Session guitarist] John Shanks and I wrote like 30 songs.’”

Sambora Said the New Material ‘Sounded Like Every Song That I Didn’t Want to Write’

As Sambora noted, his songwriting partnership with Bon Jovi had proven incredibly fruitful up to that point. Across more than 30 years, the bandmates collaborated on such timeless tracks as “You Give Love a Bad Name,” “Livin’ on a Prayer,” “Wanted Dead or Alive” and “I’ll Be There for You.” Having that dynamic changed was startling to the guitarist.

READ MORE: Richie Sambora Regrets That He Didn’t Quit Bon Jovi Earlier

“It shook me a little bit,” Sambora admitted. “But I said, ‘Alright. What do you got?”

In an attempt to keep an open mind, Sambora listened to the songs Bon Jovi and Shanks had worked on. “And it didn’t sound like Bon Jovi. It didn’t sound like the band,” the rocker explained. “It sounded like every song that I didn’t want to write.”

Sambora left Bon Jovi soon afterward, opting to focus on his family life. Bon Jovi’s next album, 2015’s Burning Bridges, was made up largely of material written with Shanks and producer Billy Falcon. Sambora received one songwriting credit on the LP for “Saturday Night Gave Me Sunday Morning,” a tune that was started prior to his departure. 2016’s This House Is Not for Sale marked the first Bon Jovi album without a Sambora songwriting credit.

Bon Jovi Albums Ranked Worst to Best

A ranking of every Bon Jovi studio album.

Gallery Credit: Anthony Kuzminski

More From Ultimate Classic Rock

“Axl wants to be in control of everything”: Former Guns N’ Roses manager claims Axl Rose now takes 50% of the band’s income

Axl Rose at the F1 Grand Prix of Las Vegas at Las Vegas Strip Circuit on November 23, 2024 in Las Vegas, Nevada.
(Image credit: Rudy Carezzevoli/Getty Images)

Former Guns N’ Roses manager Alan Niven has claimed that frontman Axl Rose now collects 50% of the band’s income. Niven was speaking with Appetite For Distortion, the Guns N’ Roses-themed podcast hosted by Brando Weissle.

“It’s a control thing with Axl,” says Niven. “Here’s another little snapshot that is illuminating and goes to forming a correct perception. Axl takes 50% of the income of Guns N’ Roses now. 50%, okay? That, to me, is anathema. He is not Guns N’ Roses.

“They were five individuals. It was a chemistry. It was a moment. But Axl wants to be in control of everything all the time. And look what that gets you. A boring solo record and a shitty thing of punk covers. And that’s it.”

Niven is presumably referring to the last two Guns N’ Roses albums, 1993’s covers album, “The Spaghetti Incident?”, and 2008’s famously long-awaited Chinese Democracy.

This isn’t the first time Nivenwho managed Guns N’ Roses from 1986 to 1991 and oversaw their chaotic rise to prominence – has criticised Axl Rose.

“I have no hope of, or interest in, a new Guns N’ Roses album,” he told Classic Rock in 2022. “The tantrums of youth look absurd on a 60-year-old. It’s a shame they have been creatively impotent since 1991.”

Alan Niven’s book Sound N’ Fury: Rock N’ Roll Stories is published on June 24 and can be pre-ordered now.

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Guns N’ Roses’ Because What You Want & What You Get Are Two Completely Different Things Tour kicks off at Songdo Moonlight Park in Incheon, South Korea, on May 1. Full dates below.

Guns N’ Roses Because What You Want & What You Get Are Two Completely Different Things Tour 2025

May 01: Incheon Songdo Moonlight Park, South Korea
May 05: Yokohama K Arena, Japan
May 10: Taoyuan Sunlight Arena, Taiwan
May 13: Bangkok Thunderdome Stadium, Thailand
May 17: Mumbai Mahalaxmi Racecourse, India
May 23: Riyadh Kingdom Arena, Saudi Arabia
May 27: Abu Dhabi Etihad Arena, UAE
May 30: Shekvetili Parka, Georgia^
Jun 02: Istanbul Tüpraş Stadyumu, Turkey^
Jun 06: Coimbra Estádio Cidade de Coimbra, Portugal^
Jun 09: Barcelona Estadi Olímpic Lluís Companys, Spain
Jun 12: Florence Firenze Rocks, Italy*^
Jun 15: Hradec Kralove Rock For People, Czech Republic*^
Jun 18: Dusseldorf Merkur Spiel-Arena, Germany^
Jun 20: Munich Allianz Arena, Germany^
Jun 23: Birmingham Villa Park, UK
Jun 26: London Wembley Stadium, UK
Jun 29: Aarhus Eskelunden, Denmark+
Jul 02: Trondheim Granåsen Ski Centre, Norway+
Jul 04: Stockholm Strawberry Aren, Sweden+
Jul 07: Tampere Ratina Stadium, Finland+
Jul 10: Kaunas Darius and Girėnas Stadium, Lithuania+
Jul 12: Warsaw PGE Nardowy, Poland+
Jul 15: Budapest Puskás Aréna, Hungary+
Jul 18: Belgrade Ušće Park, Serbia+
Jul 21: Sofia Vasil Levski Stadium, Bulgaria+
Jul 24: Vienna Ernst Happel Stadion, Austria#
Jul 28: Luxembourg Open Air, Luxembourg#
Jul 31: Wacken Festival, Germany*

* = Festival appearance
+ = with Public Enemy
^ = with Rival Sons
# = with Sex Pistols featuring Frank Carter

Tickets are on sale now.

Online Editor at Louder/Classic Rock magazine since 2014. 39 years in music industry, online for 26. Also bylines for: Metal Hammer, Prog Magazine, The Word Magazine, The Guardian, The New Statesman, Saga, Music365. Former Head of Music at Xfm Radio, A&R at Fiction Records, early blogger, ex-roadie, published author. Once appeared in a Cure video dressed as a cowboy, and thinks any situation can be improved by the introduction of cats. Favourite Serbian trumpeter: Dejan Petrović.

Fleetwood Mac legend Stevie Nicks announces 2025 tour dates

Stevie Nicks has announced a run of 2025 tour dates. The new schedule will begin at the TD Garden in Boston, MA, on August 8, and wrap up on October 15 at the Paycom Center in Oklahoma City, OK.

“More solo shows are on the way in 2025,” says Nicks. “I can’t wait to share these nights with you.”

The new dates are in addition to the Fleetwood Mac legend’s previously announced stadium shows with Billy Joel, and tickets will go on sale this Friday at 10am local. A Live Nation/Ticketmaster sale will begin 24 hours earlier. Full dates below.

In related news, last month it was revealed that former Fleetwood Mac guitarist Lindsey Buckingham, who was fired by the band in 2018, is working with Mick Fleetwood again.

In 2018 it was reported that Buckingham had left Fleetwood Mac over a disagreement related to the band’s final tour, but it was later revealed that Buckingham’s tumultuous relationship with Nicks was at the root of the split.

Fleetwood has urged Nicks and Buckingham to take steps to repair their relationship, telling US Weekly, “I always have a fantasy that [Stevie] and Lindsay would pal up a bit more and just say everything’s OK for them both.”

Stevie Nicks: 2025 Tour Dates

Aug 08: East Rutherford MetLife Stadium, NJ *
Aug 12: Boston TD Garden, MA
Aug 15: Toronto Scotiabank Arena, ON
Aug 19: Saint Paul Xcel Energy Center, MN
Aug 23: Cincinnati Heritage Bank Center, OH
Aug 27: Columbia Colonial Life Arena, SC
Aug 30: Tampa Amalie Arena, FL
Oct 04: Santa Clara Levi’s Stadium, CA *
Oct 07: Phoenix PHX Arena, AZ
Oct 11: Las Vegas T-Mobile Arena, NV
Oct 15: Oklahoma City Paycom Center, OK
Oct 18: New Orleans Caesars Superdome, LA *
Nov 15: Detroit Ford Field, MI *

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* Previously announced stadium show with Billy Joel

Jed the Fish, Influential Los Angeles Radio DJ, Dead at 69

Los Angeles radio legend Edwin Gould III, better known by his on-air name “Jed the Fish,” has died at the age of 69.

“At 6AM on April 14, the world lost one of its most unique and brilliant personalities,” noted a post on the DJ’s official Instagram account. “Jed the Fish passed away in his beloved home, and the world will never be the same.” Variety noted that the cause of death was lung cancer, “of which he had only recently been diagnosed.”

Gould started at KROQ in 1978 when the small FM station was largely unknown and struggling to survive. However, over the next two decades, KROQ emerged as a hugely influential station for new wave, punk and alt rock. A long list of now-famous artists – including Depeche Mode, the Smiths, Duran Duran and the Pretenders – got their first major radio airtime on KROQ, and Jed the Fish was leading the charge. A long proponent of rising artists, the host’s “Catch of the Day” segment became a must-listen for any LA music fan desperate to hear the coolest new tunes.

READ MORE: 20 Greatest New Wave Bands

Known for his eccentric personality, wry sense of humor and irrepressible laugh, Gould stood out among the sea of radio voices. As KROQ emerged as the national tastemaker for alternative radio, he became one of the station’s biggest stars. Gould was named Billboard’s Modern Rock Personality of the Year in 1997 and 1999, and the Major Market Alternative Radio Personality of the year in 1998 and 2000. He also graced the cover of ska band Reel Big Fish’s 1996 album Turn the Radio Off.

Gould launched the nationally syndicated countdown show Out of Order in 1995 and stayed with it until the torch was passed to current host Ted Stryker in 2013. After decades as the KROQ afternoon drive jock, Gould departed the station in 2012.

On a personal note, this writer’s career was hugely influenced by Gould, with whom I worked for over a decade. We spent many hours debating music, from Devo to Pearl Jam, Nine Inch Nails to David Bowie, and everything in between. He was a distinctive figure in rock history and his impact won’t be forgotten.

Rock Stars Pay Tribute to Jed the Fish

In the wake of Gould’s death, KROQ invited fans and musicians alike to pay their respects on Instagram.

“RIP JED! Thank you for everything,” commented Papa Roach, while Red Hot Chili Peppers bassist Flea shared a series of heart emojis alongside the words “bless his heart.” Filter frontman Richard Patrick wrote: “He was awesome. I’m so sorry to hear of his passing. He will be missed,” while reggae rockers Pepper added, “Rest in paradise, brother! Your legacy will be carried in our hearts forever.”

“This is such sad news. We were fans of Jed and his shows on KROQ long before we ever met him,” wrote the Offspring in a separate post, noting Gould was the first person to spin their song “Come Out and Play.” “Jed was very smart and funny with a very unique way of looking at the world. His sense of humor was insane in all the best ways. He is forever a local hero who will be greatly missed.”

Late night host Jimmy Kimmel – who got his start on the KROQ morning show Kevin and Bean – shared a touching tribute to Gould. “After my first time on the air – this man, who was already a legend, pulled me aside to reassure me and tell me I was doing great. His world meant the world to me then and they still do. There was no one like him, no matter how hard they tried.”

Likewise, Carson Daly, who also started at KROQ, described Gould as “the maniacal magician of the alternative airwaves.” “I remember as the new guy at KROQ I had to work on Thanksgiving once and I missed my family greatly,” Daly shared. “When all of a sudden, the studio doors burst open and there was Jed with a full homemade Thanksgiving dinner. He had driven from Pasadena and brought me leftovers and shared that he too had worked holidays when he was starting out in radio and remembered how it sucked. He hung out for an hour and it’s an hour I’ll never forget.”

In Memoriam: 2025 Deaths

A look at those we’ve lost.

Gallery Credit: Ultimate Classic Rock Staff

“I tried to write songs with Paul McCartney, but it was impossible, because every idea I had sparked him off and every idea he had sparked me off”: Donovan’s transcendental tales of The Beatles, Dylan, Hendrix and David Lynch

“I tried to write songs with Paul McCartney, but it was impossible, because every idea I had sparked him off and every idea he had sparked me off”: Donovan’s transcendental tales of The Beatles, Dylan, Hendrix and David Lynch

Donovan posing for a photograph in the 60s
(Image credit: Michael Ochs Archives/Getty Images)

The first British folk singer to crack the UK pop charts, Donovan made the Top 5 with his first single, Catch The Wind, early in 1965. By the end of that year the ‘British Bob Dylan’ had scored two more hit singles, two hit albums and a hit EP. As flower-power blossomed, so did Donovan as songs like Mellow Yellow, Sunshine Superman, Hurdy Gurdy Man and Barabajagal soaked up rock and jazz embellishments.

He stepped off the merry-go-round in the early 70s before it turned into a treadmill, and recorded and toured intermittently. After the Happy Mondays sponsored his revival in the early 90s with a track on their Pills ’N’ Thrills & Bellyaches album, Donovan recorded Sutras with producer Rick Rubin in 1994. In 2008, he sat down with Classic Rock to look back over his cosmic journey and some of the larger-than-life characters he met along the way.

Classic Rock divider

Brian Jones

One day in 1964 Brian Jones walked into a basement studio in Denmark Street. He had heard about this new kid on the block. He came in and saw what I was doing.

He had a word with Elkan Allen at [TV pop show] Ready Steady Go. I went on for three weeks – completely live, no pre-recording. And that set me up. Afterwards I met a girl, Linda Lawrence, who would become my muse and wife. She’d had a child with Brian. I didn’t even know this when I met her. There was a very interesting karmic triangle going on. And next year we’ll be celebrating that triangle – the 40th anniversary of Brian’s death.


Bob Dylan

It wasn’t like you see in the Don’t Look Back film. We had met before, briefly. Folk met rock when Dylan, Joan Baez and myself were together that May in 1965. I’d already had a hit with Catch The Wind, and Bob and Joan, who were both album artists, released singles – Joan had There But For Fortune and Dylan’s was The Times They Are A Changing. It was clear that Bob was going to go electric and I was going to go electric folk jazz. It was also clear what we were going to do with it, too, because a few days later Bob introduced me to The Beatles.


Donovan with the Maharishi Mahesh Yogi, The Beatles and their entourage in India in 1968

Donovan with the Maharishi Mahesh Yogi, The Beatles and their entourage in India in 1968 (Image credit: Keystone Features/Hulton Archive/Getty Images)

The Beatles

Martin Lewis, the legendary Beatleographer, told me: “You don’t know this, Don, but you had more social, musical and spiritual contact with these four guys than anyone of your generation.” At the time, of course, we were young and crazy and we didn’t know how long it was going to last.

The cover of Classic Rock magazine issue 128 featuring Deep Purple

This feature originally appeared in Classic Rock issue 128 (January 2009) (Image credit: Future)

George and I were closest because of our spiritual paths and the books we were both reading. John was fascinating to be around; he didn’t suffer fools gladly. Paul was full of light and energy and jokes and we would constantly be jiving each other. We tried to write songs together but it was impossible, because every idea I had sparked him off and every idea he had sparked me off.

But the real deal happened in India. George said later that you can hear me all over the White album. We only had the acoustic guitars, and that’s when we really got to know each other.


Marc Bolan

Marc asked if he could open for me when I played the Royal Albert Hall. That was with T. Rex and they sat crossed-legged on the floor, much like me. But sleeping inside Marc Bolan was a little rock’n’roll guy. We met again on his rise to fame in a funky little flat near Marble Arch. He’d brought two little metal dinosaur toys back from Tokyo and said: “Do you want a battle?”’ We got these two tin T. Rex’s going at each other, and they made all the roaring sounds and out of their mouths came little puffs of talcum powder.

I made a recording with him in Munich about a year before he died, a rock version of Lalena, but it’s lost. I asked his son Roland if it had been found but there’s no sign of it.


Mickie Most

Mickie Most was the Phil Spector of Britain. He was very experimental. We were introduced by Allen Klein as part of a deal. Allen said: “Here’s your producer.” Mickie said: “I’ll pick the singles and you do what you want on the albums.” And that opened a whole world for me.

The studio became a bohemian painter’s studio for me. And Mickie would say: “I’ll have that one” – Mellow Yellow, Sunshine Superman, Hurdy Gurdy Man. I didn’t know whether they were popular songs or not; Mickie knew. And he had this instinctive sense: “Take that out, put that in.” And it worked. I wish he was still here. I’d like to make another record with him.

NEW 📀 Hurdy Gurdy Man – Donovan {Stereo} Summer 1968 – YouTube NEW 📀 Hurdy Gurdy Man - Donovan {Stereo} Summer 1968 - YouTube

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John Paul Jones

Our initial meeting was a little strained. He’d come in to arrange Mellow Yellow and it had this great New Orleans thump to it. But when I listened to the playback something sounded wrong. I didn’t know what it was. So I’m frowning, and John is glaring at me because he thought he’d done something wrong. I said: “No, it’s just that there’s something… not mellow.” And Mickie Most is going: “Well for fuck’s sake find out what it is.” And then one of the horn players says: “I know what Don means. We gotta put the hats on.” And Mickie goes: “For Christ’s sake, what’s an ’at?” And the main horn player says: “The mutes, Mickie, the mutes.” So they did it again with the mutes and everyone went: “Wow.” Now it was mellow.


Jeff Beck

When Mickie Most first heard Barabajagal he couldn’t make head nor tail of it. He was working on [Jeff Beck’s album] Beck-Ola at the time and suggested that he bring the band in to see what they could do. So one morning the band troop in, except for Jeff, and I played them the chords. Eventually Jeff ambles in, sits down and doesn’t say a word. Mickie Most says: “Okay Jeff, get your guitar out.” Jeff looks around and says: “Where is it?” The roadies had dropped off the other instruments but not Jeff’s guitar. It was locked up in a van in Manchester. Jeff says: “I suppose we could rent one.” So the call went out: Jeff Beck needs a great Fender Stratocaster. One showed up and we did the session.


Nigel Kennedy

He played at the Proms, and Jeff Beck made an appearance and they were going to play a song dedicated to me that opens his new album but they ran out of time. Linda and I have been friends with Nigel and his wife, Agnieszka, for years. Whenever I go to his concerts we play an acoustic version of Hurdy Gurdy Man and he plays his wild violin.


Jimi Hendrix performing onstage in 1967

Jimi Hendrix onstage in 1967 (Image credit: Bob Baker/Redferns))

Jimi Hendrix

I saw him at [London club] the Bag O’Nails. Everyone was there: the Stones, The Beatles, The Who, the Kinks. Chas [Chandler, Hendrix’s manager] had invited everyone. He’d put this thing together. He told me: “I’ve got a jazz drummer and a bass player who’s a guitar player.” And it was quite incredible. Such a superb blend of musicians.

I didn’t see him much after that because we all went on the road and we all got famous and our paths only crossed occasionally. But when I wrote Hurdy Gurdy Man I thought of Jimi. I said to Mickie Most: “This is for Hendrix.” And he said: “No it isn’t, it’s for you.”So I said: “Let’s get Hendrix to play on it.” Mickie phoned Chas who said: “Jimi’s playing shows back-to-back.” So we got Jimmy Page. And aren’t we happy about that. Because what came out of that, thanks to Jimmy, Mickie Most and John Paul Jones, was something that was pagan Celtic rock’n’roll, not a copy of American rock’n’roll.


Shaun Ryder

I was doing a gig in Manchester when my son Julian, Brian Jones’s boy, said: “There’s five guys in a van out the back and they say they’ve come to take you to the Hacienda.” I said: “I remember Manchester but I don’t remember a hacienda there. So not this time, boys.”

I got to know Shaun and his brother Paul later and when I listened to the Happy Mondays. Linda and I realised they were the Rolling Stones of the 80s. You could hear that they were going to be the ones to lead the way. And then Shaun and Paul fell in love with our two daughters. Which was rather frightening at first because we didn’t know how they would take to Manchester madness. But Linda wasn’t scared. Oriole and Shaun fell in love and fell out of love but they produced a beautiful girl called Coco.


Rick Rubin

He called me up in 1994 and said: “Do you want to make a record?” And I wondered who he was. Then I found out that he was meditating, just like David Lynch and I. And when I went to his house I found that his bookshelves were full of books on spiritual paths and meditation. He is a major talent. He said very little but we made beautiful music and created the Sutras album. It was a pivotal time in my career because I realised that I wanted to continue to make records on this level. I had kind of dropped out a little but I came back with Rick. I’d rank Rick with Mickie Most, George Martin and Phil Spector. Because he listens to the song. He knows the song is everything. He also knows what he wants, but he also wants the artist to come forward and he knows that he mustn’t get in the way.

Donovan “Please Don’t Bend” Live From The Belfast Nashville Songwriters Festival – YouTube Donovan “Please Don't Bend” Live From The Belfast Nashville Songwriters Festival - YouTube

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David Lynch

David and I are both outsiders within our own art. He’s an outsider in the film world, and nobody can put their finger on what I actually do. That’s given us quite a bond, and we have teamed up to promote transcendental meditation.

Originally published in Classic Rock issue 128, January 2009

Hugh Fielder has been writing about music for 50 years. Actually 61 if you include the essay he wrote about the Rolling Stones in exchange for taking time off school to see them at the Ipswich Gaumont in 1964. He was news editor of Sounds magazine from 1975 to 1992 and editor of Tower Records Top magazine from 1992 to 2001. Since then he has been freelance. He has interviewed the great, the good and the not so good and written books about some of them. His favourite possession is a piece of columnar basalt he brought back from Iceland.

Brian May Joins Benson Boone for ‘Bohemian Rhapsody’ at Coachella

Brian May Joins Benson Boone for ‘Bohemian Rhapsody’ at Coachella

Queen guitarist Brian May made a surprise appearance at Coachella 2025, performing “Bohemian Rhapsody” with singer Benson Boone.

As a choir sang the song’s opening lines, Boone — wearing a regal cape over one of his distinctive sequined spandex ensembles — approached a grand piano. There, he began to play the classic tune, before flipping off of the instrument (another of his trademark moves) midway through the song. While singing the iconic lyrics made famous by Freddie Mercury, Boone approached “Bohemian Rhapsody”’s climactic guitar solo centerpoint. As he did, May rose from underneath the stage, arriving amid a flurry of riffs and blinding lights.

“Brian May, everybody!” Boone proudly declared as the 77 year-old rocker emphatically tore through the song’s soaring guitar part. May continued through the rest of the track, adding his powerful notes to the rendition. Footage from the performance can be watched below.

May stayed for Boone’s closing song, the chart-topping hit “Beautiful Things.” “It has changed my life this year and I hope you enjoy it,” Boone said of the track, which was accompanied by pyrotechnics and (yes) more flips.

Brian May Teased His Coachella Appearance

Earlier in the day, May teased that something special could be in the works. “Look who I bumped into on the way to the fabled Palm Springs. Maybe something will happen?!” the guitarist wrote on social media, his caption accompanying a picture of himself seated on an airplane across from Boone (the Palm Springs airport is approximately 20 miles from the Indo Polo Grounds, where Coachella is held).

In a separate post, May described Boone as “a truly golden 22 year old prodigy” adding that he was “proud and happy to say we are now officially pals.”

Queen Albums Ranked

Gallery Credit: Eduardo Rivadavia

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A Look Back At The Band 'Betts, Hall, Leavell & Trucks'

Feature Photo: SImone berna, CC BY 2.0 , via Wikimedia Commons

In the early 1980s, a band quietly came together that included some of the most accomplished names in Southern rock—yet despite the caliber of its lineup and the strength of its live performances, the group never released an album. Betts, Hall, Leavell and Trucks, often shortened to BHLT, existed between 1982 and 1984 and featured key members of the Allman Brothers Band and Wet Willie. Guitarist and vocalist Dickey Betts, keyboardist Chuck Leavell, drummer Butch Trucks, and singer/saxophonist Jimmy Hall brought their collective experience to a project that had serious momentum and musical chemistry but never secured a recording contract. Although often overlooked in Southern rock histories, BHLT was a serious band with a defined sound, a solid touring schedule, and a clear creative identity.

The Allman Brothers Band had already experienced a turbulent rise and fall by the time BHLT formed. The group had survived the tragic loss of Duane Allman and found commercial success in the mid-1970s, only to disband in 1976 due to internal conflict. A 1979 reunion proved short-lived, with Arista Records pressuring the band into a more commercially viable direction that ultimately alienated both the band and its audience. By 1982, the Allmans had broken up once again, leaving Betts and Trucks looking for a new outlet. Wet Willie, another Southern band with roots in Capricorn Records, had also dissolved by 1980, freeing up Jimmy Hall for new opportunities. With Chuck Leavell newly off the road from touring with the Rolling Stones, and bassist David “Rook” Goldflies and guitarist/violinist Danny Parks brought into the fold, the stage was set for something unique.

The group’s rehearsal base in Sarasota, Florida, gave way to a series of energetic and well-received live performances. Their first concert took place in Fort Worth, Texas, in December 1982, followed by club shows at venues such as the Agora Ballroom in Atlanta and The Bottom Line in New York City. BHLT even shared stages with The Marshall Tucker Band and Johnny Winter, further proving their range and reputation. At their peak, they played Volunteer Jam IX in Nashville and several high-profile East Coast venues. Their sound, while rooted in the Southern rock tradition, branched off in fresh directions. Betts’ influence brought in blues, country, and Western swing elements, while Hall’s R&B style and Leavell’s jazz-inflected piano lines pushed the band’s arrangements beyond genre expectations.

The group never settled on an official name, which led to ongoing jokes about their acronym sounding like a sandwich or a law firm. Within the band, the name “Sandwich Band” stuck, and their music was sometimes described by Hall as “barbecue music”—a laid-back blend of rock, soul, and groove that avoided falling into formulaic Southern rock tropes. The band’s setlists included new songs such as “Whole Lot of Memories,” Betts’ “Pick a Little Boogie,” Hall’s “Need Somebody Bad,” and Leavell’s version of Betts’ older track “Rain.” While they did perform familiar Allman Brothers songs like “Jessica” and “Ramblin’ Man,” the goal was never to rehash the past. Their music pushed forward with a fresh, genre-blending sound that reflected the experience and evolving interests of its members.

Despite positive reception and a tight musical identity, BHLT never secured a recording deal. The band did enter the studio to record about a dozen demos, including the song “No One to Run With,” which would later be revived by the Allman Brothers for their 1994 album Where It All Begins. Industry obstacles, particularly Dickey Betts and Butch Trucks’ contractual ties to Arista Records and label head Clive Davis’ lack of interest in the project, prevented BHLT from moving forward in the studio. Still, for fans and critics who saw them live, there was little doubt that this was a band capable of greatness.

By mid-1984, with no label support and growing logistical challenges—including Leavell’s continuing commitments with the Rolling Stones—the members of BHLT began to move on. The band quietly dissolved, but not without leaving a lasting impression on those who witnessed them live. For years, only bootlegs and word-of-mouth kept the memory alive, until a 1983 live recording surfaced and was released in 2016 as Betts, Hall, Leavell and Trucks – Live at The Coffee Pot 1983.

While their time together was brief and largely undocumented in terms of studio recordings, the legacy of BHLT remains intact through the careers of its members and the live material that finally found daylight. Chuck Leavell once said, “We had a strong band, and it cooked. In fact, I’ve always said in the years since that BHLT was the best band you’ve never heard of.” Their story is a reminder that not all legendary bands need a long discography—sometimes, it’s the music you didn’t get to hear that leaves the biggest impression.

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A Look Back At The Band ‘Betts, Hall, Leavell & Trucks’ article published on ClassicRockHistory.com© 2025

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presents an in-depth history of these songs from various bands across all musical genres

About The Author

Brian Kachejian

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

Complete List Of Judas Priest Songs From A to Z

Complete List Of Judas Priest Songs From A to Z

Feature Photo: Debby Wong / Shutterstock.com

Judas Priest formed in Birmingham, England, in 1969, emerging as an integral force within the heavy metal genre. Their powerful blend of intense guitar riffs, soaring vocals, and striking stage presence quickly positioned them as pioneers within their field. The original lineup evolved significantly in the early years, ultimately solidifying with Rob Halford as the iconic lead vocalist, accompanied by guitarists Glenn Tipton and K.K. Downing.

The band’s debut album, “Rocka Rolla,” arrived in 1974, showcasing their early blues-infused hard rock style. However, their subsequent releases “Sad Wings of Destiny” (1976) and “Sin After Sin” (1977) crystallized their signature metal sound, setting a new standard within the genre. Albums like “Stained Class” (1978) and “Killing Machine” (1978, released as “Hell Bent for Leather” in the US) further cemented their reputation for sonic innovation and heavy, driving rhythms.

Judas Priest’s mainstream breakthrough occurred with their 1980 album “British Steel,” featuring hit singles “Breaking the Law” and “Living After Midnight,” which became anthems for metal enthusiasts. The album’s commercial success significantly elevated their international profile, firmly establishing them as a household name within the metal community. Their subsequent albums, including “Screaming for Vengeance” (1982) and “Defenders of the Faith” (1984), maintained this momentum, delivering powerful hits like “You’ve Got Another Thing Comin’” that expanded their fanbase worldwide.

Throughout their enduring career, Judas Priest has released eighteen studio albums, achieving global sales exceeding 50 million records. The band’s contributions have been recognized by numerous accolades, including a Grammy Award for Best Metal Performance in 2010 for “Dissident Aggressor” and nominations for albums like “Painkiller” (1990), which many consider a hallmark of their intense, technical proficiency.

Judas Priest is revered by fans for their energetic and theatrical live performances, marked by their distinctive leather-and-studs image popularized by Rob Halford, influencing countless metal bands that followed. Their ability to consistently deliver both musical complexity and sheer entertainment has solidified their status as heavy metal legends. The band’s authentic connection with their audience and relentless commitment to their craft continue to attract generations of devoted fans.

Beyond their musical accomplishments, members of Judas Priest have actively engaged in various social causes and charitable events, including supporting cancer research and disaster relief initiatives. Their willingness to lend their platform to these critical issues further highlights their broader cultural significance and their genuine concern for societal well-being.

Judas Priest’s continued relevance in the heavy metal genre is a testament to their uncompromising dedication and artistic integrity. Their ongoing influence on emerging artists and enduring popularity with fans underscore their pivotal role in shaping metal music history. Judas Priest remains a vital and celebrated force, embodying the essence of heavy metal’s relentless spirit and innovation

Complete List Of Judas Priest Songs From A to Z

  1. (Take These) ChainsScreaming for Vengeance – 1982
  2. A Touch of EvilPainkiller – 1990
  3. AbductorsJugulator – 1997
  4. AloneNostradamus – 2008
  5. All Fired UpTurbo – 1986 (2001 bonus track)
  6. All Guns BlazingPainkiller – 1990
  7. All the WayPoint of Entry – 1981
  8. AngelAngel of Retribution – 2005
  9. As God Is My WitnessInvincible Shield – 2024
  10. AwakeningNostradamus – 2008
  11. Battle CryRedeemer of Souls – 2014
  12. Battle HymnPainkiller – 1990
  13. Before the DawnKilling Machine – 1978
  14. Beginning of the EndRedeemer of Souls – 2014
  15. Better by You, Better than MeStained Class – 1978
  16. Better by You, Better than Me (Live) – Stained Class – 1978 (2001 bonus track)
  17. Between the Hammer & the AnvilPainkiller – 1990
  18. Beyond the Realms of DeathStained Class – 1978
  19. Blood Red SkiesRam It Down – 1988
  20. Blood StainedJugulator – 1997
  21. BloodstoneScreaming for Vengeance – 1982
  22. Bloodstone (Live) – Ram It Down – 1988 (2001 bonus track)
  23. BloodsuckersDemolition – 2001
  24. Brain DeadJugulator – 1997
  25. Breaking the LawBritish Steel – 1980
  26. Bring It OnRedeemer of Souls – 2014 (Deluxe/EP bonus track)
  27. Bullet TrainJugulator – 1997
  28. Burn in HellJugulator – 1997
  29. Burnin’ UpKilling Machine – 1978
  30. Calm Before the StormNostradamus – 2008
  31. Cathedral SpiresJugulator – 1997
  32. Caviar and MethsRocka Rolla – 1974
  33. CheaterRocka Rolla – 1974
  34. Children of the SunFirepower – 2018
  35. Close to YouDemolition – 2001
  36. Cold BloodedRedeemer of Souls – 2014
  37. Come and Get ItRam It Down – 1988
  38. ConquestNostradamus – 2008
  39. CreaturesRedeemer of Souls – 2014 (Deluxe/EP bonus track)
  40. Crown of HornsInvincible Shield – 2024
  41. CrossfireRedeemer of Souls – 2014
  42. CyberfaceDemolition – 2001
  43. Dawn of CreationNostradamus – 2008
  44. Dead MeatJugulator – 1997
  45. Deal with the DevilAngel of Retribution – 2005
  46. DeathNostradamus – 2008
  47. Death RowJugulator – 1997
  48. DecapitateJugulator – 1997
  49. DeceiverSad Wings of Destiny – 1976
  50. Deep FreezeRocka Rolla – 1974
  51. Defenders of the FaithDefenders of the Faith – 1984
  52. Delivering the GoodsKilling Machine – 1978
  53. DemonizerAngel of Retribution – 2005
  54. Desert PlainsPoint of Entry – 1981
  55. Desert Plains (Live) – Point of Entry – 1981 (2001 bonus track)
  56. Devil DiggerDemolition – 2001
  57. Devil in DisguiseInvincible Shield – 2024
  58. Devil’s ChildScreaming for Vengeance – 1982
  59. Devil’s Child (Live) – Screaming for Vengeance – 1982 (2001 bonus track)
  60. Diamonds and RustRocka Rolla – 1974 (1987 remaster bonus track)
  61. Diamonds and RustSin After Sin – 1977
  62. Dissident AggressorSin After Sin – 1977
  63. Don’t GoPoint of Entry – 1981
  64. Down in FlamesRedeemer of Souls – 2014
  65. DragonautRedeemer of Souls – 2014
  66. Dreamer DeceiverSad Wings of Destiny – 1976
  67. Dying to Meet You/Hero, HeroRocka Rolla – 1974
  68. Eat Me AliveDefenders of the Faith – 1984
  69. Electric EyeScreaming for Vengeance – 1982
  70. EpitaphSad Wings of Destiny – 1976
  71. Escape from RealityInvincible Shield – 2024
  72. EulogyAngel of Retribution – 2005
  73. Evening StarKilling Machine – 1978
  74. Evil FantasiesKilling Machine – 1978
  75. Evil Never DiesFirepower – 2018
  76. ExciterStained Class – 1978
  77. ExiledNostradamus – 2008
  78. Feed on MeDemolition – 2001
  79. FeverScreaming for Vengeance – 1982
  80. Fight for Your LifeKilling Machine – 1978 (2001 bonus track)
  81. Fight of Your LifeInvincible Shield – 2024 (Deluxe edition bonus track)
  82. Fire Burns BelowStained Class – 1978 (2001 bonus track)
  83. FirepowerFirepower – 2018
  84. Flame ThrowerFirepower – 2018
  85. Freewheel BurningDefenders of the Faith – 1984
  86. Future of MankindNostradamus – 2008
  87. Gates of HellInvincible Shield – 2024
  88. GenocideSad Wings of Destiny – 1976
  89. Giants in the SkyInvincible Shield – 2024
  90. GrinderBritish Steel – 1980
  91. GuardiansFirepower – 2018
  92. Halls of ValhallaRedeemer of Souls – 2014
  93. Hard as IronRam It Down – 1988
  94. Heading Out to the HighwayPoint of Entry – 1981
  95. Heavy DutyDefenders of the Faith – 1984
  96. Heavy Duty/Defenders of the Faith (Live) – Defenders of the Faith – 1984 (2001 bonus track)
  97. Heavy MetalRam It Down – 1988
  98. Hell & BackRedeemer of Souls – 2014
  99. Hell Bent for LeatherKilling Machine – 1978
  100. Hell Is HomeDemolition – 2001
  101. Hell PatrolPainkiller – 1990
  102. HellriderAngel of Retribution – 2005
  103. Here Come the TearsSin After Sin – 1977
  104. Heroes EndStained Class – 1978
  105. HopeNostradamus – 2008
  106. Hot for LoveTurbo – 1986
  107. Hot Rockin’Point of Entry – 1981
  108. I’m a RockerRam It Down – 1988
  109. In BetweenDemolition – 2001
  110. InvaderStained Class – 1978
  111. Invincible ShieldInvincible Shield – 2024
  112. Island of DominationSad Wings of Destiny – 1976
  113. JawbreakerDefenders of the Faith – 1984
  114. Jawbreaker (Live) – Sin After Sin – 1977 (2001 bonus track)
  115. Jekyll and HydeDemolition – 2001
  116. Johnny B. GoodeRam It Down – 1988
  117. Judas RisingAngel of Retribution – 2005
  118. JugulatorJugulator – 1997
  119. Killing MachineKilling Machine – 1978
  120. Last Rose of SummerSin After Sin – 1977
  121. Leather RebelPainkiller – 1990
  122. Let Us Prey/Call for the PriestSin After Sin – 1977
  123. Lightning StrikeFirepower – 2018
  124. Living After MidnightBritish Steel – 1980
  125. LochnessAngel of Retribution – 2005
  126. Locked InTurbo – 1986
  127. Locked In (Live) – Turbo – 1986 (2001 bonus track)
  128. Lone WolfFirepower – 2018
  129. Lost and FoundDemolition – 2001
  130. Lost LoveNostradamus – 2008
  131. Love BitesDefenders of the Faith – 1984
  132. Love You to DeathRam It Down – 1988
  133. Love ZoneRam It Down – 1988
  134. Machine ManDemolition – 2001
  135. March of the DamnedRedeemer of Souls – 2014
  136. Metal GodsBritish Steel – 1980
  137. Metal MeltdownPainkiller – 1990
  138. Metal MessiahDemolition – 2001
  139. MetalizerRedeemer of Souls – 2014
  140. Monsters of RockRam It Down – 1988
  141. NecromancerFirepower – 2018
  142. Never ForgetRedeemer of Souls – 2014 (Deluxe/EP bonus track)
  143. Never SatisfiedRocka Rolla – 1974
  144. Never the HeroesFirepower – 2018
  145. New BeginningsNostradamus – 2008
  146. Night Comes DownDefenders of the Faith – 1984
  147. Night Comes Down (Live) – Ram It Down – 1988 (2001 bonus track)
  148. Night CrawlerPainkiller – 1990
  149. No SurrenderFirepower – 2018
  150. NostradamusNostradamus – 2008
  151. On the RunPoint of Entry – 1981
  152. One for the RoadRocka Rolla – 1974
  153. One on OneDemolition – 2001
  154. One Shot at GloryPainkiller – 1990
  155. Out in the ColdTurbo – 1986
  156. Pain and PleasureScreaming for Vengeance – 1982
  157. PainkillerPainkiller – 1990
  158. Panic AttackInvincible Shield – 2024
  159. Parental GuidanceTurbo – 1986
  160. PeaceNostradamus – 2008
  161. PersecutionNostradamus – 2008
  162. Pestilence and PlagueNostradamus – 2008
  163. PreludeSad Wings of Destiny – 1976
  164. Prisoner of Your EyesScreaming for Vengeance – 1982 (2001 bonus track)
  165. Private PropertyTurbo – 1986
  166. ProphecyNostradamus – 2008
  167. Race with the DevilSin After Sin – 1977 (2001 bonus track)
  168. Ram It DownRam It Down – 1988
  169. Rapid FireBritish Steel – 1980
  170. Raw DealSin After Sin – 1977
  171. RecklessTurbo – 1986
  172. Redeemer of SoulsRedeemer of Souls – 2014
  173. RevelationsNostradamus – 2008
  174. RevolutionAngel of Retribution – 2005
  175. Riding on the WindScreaming for Vengeance – 1982
  176. Riding on the Wind (Live) – Killing Machine – 1978 (2001 bonus track)
  177. Rising from RuinsFirepower – 2018
  178. Rock ForeverKilling Machine – 1978
  179. Rock Hard Ride FreeDefenders of the Faith – 1984
  180. Rock You All Around the WorldTurbo – 1986
  181. Rocka RollaRocka Rolla – 1974
  182. Run of the MillRocka Rolla – 1974
  183. Running WildKilling Machine – 1978
  184. Saints in HellStained Class – 1978
  185. Sands of TimeNostradamus – 2008
  186. SavageStained Class – 1978
  187. Screaming for VengeanceScreaming for Vengeance – 1982
  188. Sea of RedFirepower – 2018
  189. Secrets of the DeadRedeemer of Souls – 2014
  190. Shadows in the FlameNostradamus – 2008
  191. SinnerSin After Sin – 1977
  192. SnakebiteRedeemer of Souls – 2014 (Deluxe/EP bonus track)
  193. Solar AngelsPoint of Entry – 1981
  194. SolitudeNostradamus – 2008
  195. Some Heads Are Gonna RollDefenders of the Faith – 1984
  196. Sons of ThunderInvincible Shield – 2024
  197. SpectreFirepower – 2018
  198. Stained ClassStained Class – 1978
  199. StarbreakerSin After Sin – 1977
  200. SteelerBritish Steel – 1980
  201. SubterfugeDemolition – 2001
  202. Sword of DamoclesRedeemer of Souls – 2014
  203. Take On the WorldKilling Machine – 1978
  204. Tears of BloodRedeemer of Souls – 2014 (Deluxe/EP bonus track)
  205. The Four HorsemenNostradamus – 2008
  206. The Green Manalishi (With the Two-Pronged Crown)Killing Machine – 1978
  207. The HellionScreaming for Vengeance – 1982
  208. The LodgerInvincible Shield – 2024 (Deluxe edition bonus track)
  209. The RageBritish Steel – 1980
  210. The RipperSad Wings of Destiny – 1976
  211. The SentinelDefenders of the Faith – 1984
  212. The Serpent and the KingInvincible Shield – 2024
  213. Thunder RoadPoint of Entry – 1981 (2001 bonus track)
  214. Traitors GateFirepower – 2018
  215. Trial by FireInvincible Shield – 2024
  216. TroubleshooterPoint of Entry – 1981
  217. Turbo LoverTurbo – 1986
  218. Turn On Your LightDefenders of the Faith – 1984 (2001 bonus track)
  219. Turning CirclesPoint of Entry – 1981
  220. TyrantSad Wings of Destiny – 1976
  221. UnitedBritish Steel – 1980
  222. Victim of ChangesSad Wings of Destiny – 1976
  223. Vicious CircleInvincible Shield – 2024 (Deluxe edition bonus track)
  224. VisionsNostradamus – 2008
  225. WarNostradamus – 2008
  226. Wheels of FireAngel of Retribution – 2005
  227. White Heat, Red HotStained Class – 1978
  228. Wild Nights, Hot & Crazy DaysTurbo – 1986
  229. WinterRocka Rolla – 1974
  230. Winter RetreatRocka Rolla – 1974
  231. Worth Fighting ForAngel of Retribution – 2005
  232. You Don’t Have to Be Old to Be WiseBritish Steel – 1980
  233. You Say YesPoint of Entry – 1981
  234. You’ve Got Another Thing Comin’Screaming for Vengeance – 1982

Albums

Rocka Rolla (1974): 11 songs

Sad Wings of Destiny (1976): 9 songs

Sin After Sin (1977): 10 songs

Stained Class (1978): 11 songs

Killing Machine (1978): 13 songs

British Steel (1980): 9 songs

Point of Entry (1981): 12 songs

Screaming for Vengeance (1982): 12 songs

Defenders of the Faith (1984): 12 songs

Turbo (1986): 11 songs

Ram It Down (1988): 12 songs

Painkiller (1990): 10 songs

Jugulator (1997): 10 songs

Demolition (2001): 13 songs

Angel of Retribution (2005): 10 songs

Nostradamus (2008): 23 songs

Redeemer of Souls (2014): 18 songs

Firepower (2018): 14 songs

Invincible Shield (2024): 14 songs

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Read More: Artists’ Interviews Directory At ClassicRockHistory.com

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Complete List Of Judas Priest Songs From A to Z article published on ClassicRockHistory.com© 2025

DMCA.com Protection Status

About The Author

Brian Kachejian

More from this Author

Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.