The Grateful Dead began their journey in Palo Alto, California, in 1965, initially playing as the Warlocks before adopting their iconic name later that year. Founding members Jerry Garcia, Bob Weir, Ron “Pigpen” McKernan, Phil Lesh, and Bill Kreutzmann fused folk, blues, jazz, and rock into a uniquely improvisational style that quickly distinguished the band in San Francisco’s vibrant counterculture scene. They gained prominence through their performances at Ken Kesey’s Acid Tests—psychedelic gatherings where music and LSD intertwined, shaping their lasting association with 1960s counterculture.
Author: Logan Rocker
ZZ Top Announces Massive 2025 North American ‘Elevation’ Tour
ZZ Top will launch the 51-date North American Elevation tour on June 1 in Victoria, British Columbia, with the fun currently set to conclude on Oct. 10 in Terre Haute, Indiana.
The Texas trio were the most active classic rock band in terms of touring last year, beating out fellow road warriors such as Judas Priest, Styx and Journey with 99 shows in 2024.
It looks like Billy Gibbons is determined to break into triple digits this year. The guitar legend began 2025 with a 25-date tour with his side band the BFGs, then immediately followed that up with 23 North American ZZ Top dates. On April 26 the group will begin a 12-date, three-week tour of Australia and New Zealand, then it’s off to Canada for the start of this latest North American tour, which will include the newly added dates.
Read More: ZZ Top Lineup Changes: A Complete Guide
In mid-March, longtime ZZ Top drummer Frank Beard announced that he would be taking some time off from the tour to focus on an unspecified health issues. John Douglas, a longtime member of the band’s tech crew and, most importantly a “fellow Texan,” has been filling in since that time. He joins Gibbons and bassist Elwood Francis, who took over for the late Dusty Hill in 2021. A timeline for Beard’s return has not been announced.
You can see ZZ Top’s complete tour itinerary below. Ticket information can be found at their official website.
ZZ Top 2025 North American Tour Dates
June 1: Victoria, BC – Save-On-Foods Memorial Centre
June 3: Kelowna, BC – Prospera Place
June 4: Tsuut’ina, AB – Grey Eagle Resort and Casino
June 6: Enoch, Alberta – River Cree Resort & Casino
June 7: Saskatoon, SK – SaskTel Centre
June 8: Winnipeg, MB – Canada Life Centre
June 10: Moorhead, MN – Bluestone Amphitheater
June 12: Wait Park, MN – The Ledge – Waite Park Amphitheater
June 13: Carlton, MN – Black Bear Casino Resort
June 14: Davenport, IA – Rhythm City Casino Event Center
June 18: Windsor, ON – Caesars Windsor
June 20: Pickering, ON – Pickering Casino Resort
June 21: Great Canadian Tornoto, ON – The Theatre
June 22: Hamilton, ON – FirstOntario Centre
June 25: Laval, QC – Place Bell
June 26: Quebec, QC – Agora Du Port Du Quebec
June 27: Moncton, NB – Casino New Brunswick
Aug. 2: Sioux City, IA – Hard Rock Sioux City
Aug. 4: Morrison, CO – Red Rocks Amphitheatre
Aug. 6: Salina, KS – Stiefel Theatre for the Performing Arts
Aug. 7: Washington, MO – Town & Country Fair
Aug. 8: Arcadia, WI – Ashley for the Arts
Aug. 10: Lincoln, NE – Pinewood Bowl Amphitheater
Aug. 13: Salt Lake City, UT – Red Butte Concert Series
Aug. 14: Pocattello, ID – Portneuf Health Trust Amphitheater
Aug. 17: Eugene, OR – The Cuthbert Amphitheater
Aug. 22: Coquitlam, BC – Great Canadian Casino Vancouver
Aug. 23: Richmond, BC – River Rock Casino
Aug. 24: Auburn, WA – Muckleshoot Casino Resort
Aug. 26: Troutdale, OR – Edgefield Amphitheater
Aug. 28: Saratoga, CA – Mountain Winery
Aug. 29: Murphys, CA – Ironstone Amphitheater
Aug. 30: Costa Mesa, CA – OC Fair & Event Center
Sept. 3: Midland, TX – Wagner Noel Performing Arts Center
Sept. 7: Tuscaloosa, AL – Mercedes-Benz Amphitheater
Sept. 11: Selbyville, DE – Freeman Arts Pavilion
Sept. 13: Asbury Park, NJ – Sea Hear Now Festival
Sept. 17: New York, NY: Beacon Theater
Sept. 19: Danville, VA – The Pantheon at Caesars Virginia
Sept. 21: Bethlehem, PA – Wind Creek Event Center
Sept. 23: Binghamton, NY – Visions Memorial Arena
Sept. 24: Albany, NY – Palace Theatre
Sept. 26: Providence, RI – Veteran’s Memorial Auditorium
Sept. 27: Hampton, NH – Hampton Beach Casino Ballroom
Sept. 28: West Springfield, MA – The Big E Arena
Oct. 2: Barco, NC – Morris Farm
Oct. 3: Winnsboro, SC – Field and Stream Music Fest
Oct. 5: Athens, GA – The Classic Center
Oct. 7: Knoxville, TN – The Tennessee Theatre
Oct. 9: Northfield, OH – MGM Northfield Park
Oct. 10: Terra Haute, IN – The Mill
2025 Summer Rock Tour Preview
The Bon Jovi Conversation That ‘Shook’ Richie Sambora

Richie Sambora has detailed a conversation late in his Bon Jovi tenure that “shook” the guitarist.
During a recent appearance on the Magnificent Others podcast, hosted by Smashing Pumpkins’ Billy Corgan, Sambora – who departed Bon Jovi in 2013 – reflected on his final days in the band, noting how he and frontman Jon Bon Jovi seemed to be drifting apart..
“I felt like Jon was changing his focus and he often wanted to be a solo artist,” the guitarist noted. “And I go, ‘Go make a solo [album]’… He was definitely changing directions.”
READ MORE: All 359 Bon Jovi Songs Ranked Worst to Best
Solo albums weren’t foreign to the musicians. In fact, Sambora himself had just come back from touring in support of his 2012 solo LP Aftermath of the Lowdown. When the guitarist reconnected with Bon Jovi to work on the band’s next album, he assumed he and the singer would handle the bulk of the songwriting duties, as they’d done for the majority of their successful career. However, Sambora soon realized something had changed.
“[Jon Bon Jovi] said, all of a sudden, ‘Nah, you don’t gotta worry about [songwriting],” Sambora recalled. “'[Session guitarist] John Shanks and I wrote like 30 songs.’”
Sambora Said the New Material ‘Sounded Like Every Song That I Didn’t Want to Write’
As Sambora noted, his songwriting partnership with Bon Jovi had proven incredibly fruitful up to that point. Across more than 30 years, the bandmates collaborated on such timeless tracks as “You Give Love a Bad Name,” “Livin’ on a Prayer,” “Wanted Dead or Alive” and “I’ll Be There for You.” Having that dynamic changed was startling to the guitarist.
READ MORE: Richie Sambora Regrets That He Didn’t Quit Bon Jovi Earlier
“It shook me a little bit,” Sambora admitted. “But I said, ‘Alright. What do you got?”
In an attempt to keep an open mind, Sambora listened to the songs Bon Jovi and Shanks had worked on. “And it didn’t sound like Bon Jovi. It didn’t sound like the band,” the rocker explained. “It sounded like every song that I didn’t want to write.”
Sambora left Bon Jovi soon afterward, opting to focus on his family life. Bon Jovi’s next album, 2015’s Burning Bridges, was made up largely of material written with Shanks and producer Billy Falcon. Sambora received one songwriting credit on the LP for “Saturday Night Gave Me Sunday Morning,” a tune that was started prior to his departure. 2016’s This House Is Not for Sale marked the first Bon Jovi album without a Sambora songwriting credit.
Bon Jovi Albums Ranked Worst to Best
A ranking of every Bon Jovi studio album.
Gallery Credit: Anthony Kuzminski
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“Axl wants to be in control of everything”: Former Guns N’ Roses manager claims Axl Rose now takes 50% of the band’s income

Former Guns N’ Roses manager Alan Niven has claimed that frontman Axl Rose now collects 50% of the band’s income. Niven was speaking with Appetite For Distortion, the Guns N’ Roses-themed podcast hosted by Brando Weissle.
“It’s a control thing with Axl,” says Niven. “Here’s another little snapshot that is illuminating and goes to forming a correct perception. Axl takes 50% of the income of Guns N’ Roses now. 50%, okay? That, to me, is anathema. He is not Guns N’ Roses.
“They were five individuals. It was a chemistry. It was a moment. But Axl wants to be in control of everything all the time. And look what that gets you. A boring solo record and a shitty thing of punk covers. And that’s it.”
Niven is presumably referring to the last two Guns N’ Roses albums, 1993’s covers album, “The Spaghetti Incident?”, and 2008’s famously long-awaited Chinese Democracy.
This isn’t the first time Niven – who managed Guns N’ Roses from 1986 to 1991 and oversaw their chaotic rise to prominence – has criticised Axl Rose.
“I have no hope of, or interest in, a new Guns N’ Roses album,” he told Classic Rock in 2022. “The tantrums of youth look absurd on a 60-year-old. It’s a shame they have been creatively impotent since 1991.”
Alan Niven’s book Sound N’ Fury: Rock N’ Roll Stories is published on June 24 and can be pre-ordered now.
Guns N’ Roses’ Because What You Want & What You Get Are Two Completely Different Things Tour kicks off at Songdo Moonlight Park in Incheon, South Korea, on May 1. Full dates below.
Guns N’ Roses Because What You Want & What You Get Are Two Completely Different Things Tour 2025
May 01: Incheon Songdo Moonlight Park, South Korea
May 05: Yokohama K Arena, Japan
May 10: Taoyuan Sunlight Arena, Taiwan
May 13: Bangkok Thunderdome Stadium, Thailand
May 17: Mumbai Mahalaxmi Racecourse, India
May 23: Riyadh Kingdom Arena, Saudi Arabia
May 27: Abu Dhabi Etihad Arena, UAE
May 30: Shekvetili Parka, Georgia^
Jun 02: Istanbul Tüpraş Stadyumu, Turkey^
Jun 06: Coimbra Estádio Cidade de Coimbra, Portugal^
Jun 09: Barcelona Estadi Olímpic Lluís Companys, Spain
Jun 12: Florence Firenze Rocks, Italy*^
Jun 15: Hradec Kralove Rock For People, Czech Republic*^
Jun 18: Dusseldorf Merkur Spiel-Arena, Germany^
Jun 20: Munich Allianz Arena, Germany^
Jun 23: Birmingham Villa Park, UK
Jun 26: London Wembley Stadium, UK
Jun 29: Aarhus Eskelunden, Denmark+
Jul 02: Trondheim Granåsen Ski Centre, Norway+
Jul 04: Stockholm Strawberry Aren, Sweden+
Jul 07: Tampere Ratina Stadium, Finland+
Jul 10: Kaunas Darius and Girėnas Stadium, Lithuania+
Jul 12: Warsaw PGE Nardowy, Poland+
Jul 15: Budapest Puskás Aréna, Hungary+
Jul 18: Belgrade Ušće Park, Serbia+
Jul 21: Sofia Vasil Levski Stadium, Bulgaria+
Jul 24: Vienna Ernst Happel Stadion, Austria#
Jul 28: Luxembourg Open Air, Luxembourg#
Jul 31: Wacken Festival, Germany*
* = Festival appearance
+ = with Public Enemy
^ = with Rival Sons
# = with Sex Pistols featuring Frank Carter
Fleetwood Mac legend Stevie Nicks announces 2025 tour dates
Stevie Nicks has announced a run of 2025 tour dates. The new schedule will begin at the TD Garden in Boston, MA, on August 8, and wrap up on October 15 at the Paycom Center in Oklahoma City, OK.
“More solo shows are on the way in 2025,” says Nicks. “I can’t wait to share these nights with you.”
The new dates are in addition to the Fleetwood Mac legend’s previously announced stadium shows with Billy Joel, and tickets will go on sale this Friday at 10am local. A Live Nation/Ticketmaster sale will begin 24 hours earlier. Full dates below.
In related news, last month it was revealed that former Fleetwood Mac guitarist Lindsey Buckingham, who was fired by the band in 2018, is working with Mick Fleetwood again.
In 2018 it was reported that Buckingham had left Fleetwood Mac over a disagreement related to the band’s final tour, but it was later revealed that Buckingham’s tumultuous relationship with Nicks was at the root of the split.
Fleetwood has urged Nicks and Buckingham to take steps to repair their relationship, telling US Weekly, “I always have a fantasy that [Stevie] and Lindsay would pal up a bit more and just say everything’s OK for them both.”
Stevie Nicks: 2025 Tour Dates
Aug 08: East Rutherford MetLife Stadium, NJ *
Aug 12: Boston TD Garden, MA
Aug 15: Toronto Scotiabank Arena, ON
Aug 19: Saint Paul Xcel Energy Center, MN
Aug 23: Cincinnati Heritage Bank Center, OH
Aug 27: Columbia Colonial Life Arena, SC
Aug 30: Tampa Amalie Arena, FL
Oct 04: Santa Clara Levi’s Stadium, CA *
Oct 07: Phoenix PHX Arena, AZ
Oct 11: Las Vegas T-Mobile Arena, NV
Oct 15: Oklahoma City Paycom Center, OK
Oct 18: New Orleans Caesars Superdome, LA *
Nov 15: Detroit Ford Field, MI *
* Previously announced stadium show with Billy Joel
Jed the Fish, Influential Los Angeles Radio DJ, Dead at 69
Los Angeles radio legend Edwin Gould III, better known by his on-air name “Jed the Fish,” has died at the age of 69.
“At 6AM on April 14, the world lost one of its most unique and brilliant personalities,” noted a post on the DJ’s official Instagram account. “Jed the Fish passed away in his beloved home, and the world will never be the same.” Variety noted that the cause of death was lung cancer, “of which he had only recently been diagnosed.”
Gould started at KROQ in 1978 when the small FM station was largely unknown and struggling to survive. However, over the next two decades, KROQ emerged as a hugely influential station for new wave, punk and alt rock. A long list of now-famous artists – including Depeche Mode, the Smiths, Duran Duran and the Pretenders – got their first major radio airtime on KROQ, and Jed the Fish was leading the charge. A long proponent of rising artists, the host’s “Catch of the Day” segment became a must-listen for any LA music fan desperate to hear the coolest new tunes.
READ MORE: 20 Greatest New Wave Bands
Known for his eccentric personality, wry sense of humor and irrepressible laugh, Gould stood out among the sea of radio voices. As KROQ emerged as the national tastemaker for alternative radio, he became one of the station’s biggest stars. Gould was named Billboard’s Modern Rock Personality of the Year in 1997 and 1999, and the Major Market Alternative Radio Personality of the year in 1998 and 2000. He also graced the cover of ska band Reel Big Fish’s 1996 album Turn the Radio Off.
Gould launched the nationally syndicated countdown show Out of Order in 1995 and stayed with it until the torch was passed to current host Ted Stryker in 2013. After decades as the KROQ afternoon drive jock, Gould departed the station in 2012.
On a personal note, this writer’s career was hugely influenced by Gould, with whom I worked for over a decade. We spent many hours debating music, from Devo to Pearl Jam, Nine Inch Nails to David Bowie, and everything in between. He was a distinctive figure in rock history and his impact won’t be forgotten.
Rock Stars Pay Tribute to Jed the Fish
In the wake of Gould’s death, KROQ invited fans and musicians alike to pay their respects on Instagram.
“RIP JED! Thank you for everything,” commented Papa Roach, while Red Hot Chili Peppers bassist Flea shared a series of heart emojis alongside the words “bless his heart.” Filter frontman Richard Patrick wrote: “He was awesome. I’m so sorry to hear of his passing. He will be missed,” while reggae rockers Pepper added, “Rest in paradise, brother! Your legacy will be carried in our hearts forever.”
“This is such sad news. We were fans of Jed and his shows on KROQ long before we ever met him,” wrote the Offspring in a separate post, noting Gould was the first person to spin their song “Come Out and Play.” “Jed was very smart and funny with a very unique way of looking at the world. His sense of humor was insane in all the best ways. He is forever a local hero who will be greatly missed.”
Late night host Jimmy Kimmel – who got his start on the KROQ morning show Kevin and Bean – shared a touching tribute to Gould. “After my first time on the air – this man, who was already a legend, pulled me aside to reassure me and tell me I was doing great. His world meant the world to me then and they still do. There was no one like him, no matter how hard they tried.”
Likewise, Carson Daly, who also started at KROQ, described Gould as “the maniacal magician of the alternative airwaves.” “I remember as the new guy at KROQ I had to work on Thanksgiving once and I missed my family greatly,” Daly shared. “When all of a sudden, the studio doors burst open and there was Jed with a full homemade Thanksgiving dinner. He had driven from Pasadena and brought me leftovers and shared that he too had worked holidays when he was starting out in radio and remembered how it sucked. He hung out for an hour and it’s an hour I’ll never forget.”
In Memoriam: 2025 Deaths
A look at those we’ve lost.
Gallery Credit: Ultimate Classic Rock Staff
“I tried to write songs with Paul McCartney, but it was impossible, because every idea I had sparked him off and every idea he had sparked me off”: Donovan’s transcendental tales of The Beatles, Dylan, Hendrix and David Lynch
“I tried to write songs with Paul McCartney, but it was impossible, because every idea I had sparked him off and every idea he had sparked me off”: Donovan’s transcendental tales of The Beatles, Dylan, Hendrix and David Lynch

The first British folk singer to crack the UK pop charts, Donovan made the Top 5 with his first single, Catch The Wind, early in 1965. By the end of that year the ‘British Bob Dylan’ had scored two more hit singles, two hit albums and a hit EP. As flower-power blossomed, so did Donovan as songs like Mellow Yellow, Sunshine Superman, Hurdy Gurdy Man and Barabajagal soaked up rock and jazz embellishments.
He stepped off the merry-go-round in the early 70s before it turned into a treadmill, and recorded and toured intermittently. After the Happy Mondays sponsored his revival in the early 90s with a track on their Pills ’N’ Thrills & Bellyaches album, Donovan recorded Sutras with producer Rick Rubin in 1994. In 2008, he sat down with Classic Rock to look back over his cosmic journey and some of the larger-than-life characters he met along the way.
Brian Jones
One day in 1964 Brian Jones walked into a basement studio in Denmark Street. He had heard about this new kid on the block. He came in and saw what I was doing.
He had a word with Elkan Allen at [TV pop show] Ready Steady Go. I went on for three weeks – completely live, no pre-recording. And that set me up. Afterwards I met a girl, Linda Lawrence, who would become my muse and wife. She’d had a child with Brian. I didn’t even know this when I met her. There was a very interesting karmic triangle going on. And next year we’ll be celebrating that triangle – the 40th anniversary of Brian’s death.
Bob Dylan
It wasn’t like you see in the Don’t Look Back film. We had met before, briefly. Folk met rock when Dylan, Joan Baez and myself were together that May in 1965. I’d already had a hit with Catch The Wind, and Bob and Joan, who were both album artists, released singles – Joan had There But For Fortune and Dylan’s was The Times They Are A Changing. It was clear that Bob was going to go electric and I was going to go electric folk jazz. It was also clear what we were going to do with it, too, because a few days later Bob introduced me to The Beatles.
The Beatles
Martin Lewis, the legendary Beatleographer, told me: “You don’t know this, Don, but you had more social, musical and spiritual contact with these four guys than anyone of your generation.” At the time, of course, we were young and crazy and we didn’t know how long it was going to last.
George and I were closest because of our spiritual paths and the books we were both reading. John was fascinating to be around; he didn’t suffer fools gladly. Paul was full of light and energy and jokes and we would constantly be jiving each other. We tried to write songs together but it was impossible, because every idea I had sparked him off and every idea he had sparked me off.
But the real deal happened in India. George said later that you can hear me all over the White album. We only had the acoustic guitars, and that’s when we really got to know each other.
Marc Bolan
Marc asked if he could open for me when I played the Royal Albert Hall. That was with T. Rex and they sat crossed-legged on the floor, much like me. But sleeping inside Marc Bolan was a little rock’n’roll guy. We met again on his rise to fame in a funky little flat near Marble Arch. He’d brought two little metal dinosaur toys back from Tokyo and said: “Do you want a battle?”’ We got these two tin T. Rex’s going at each other, and they made all the roaring sounds and out of their mouths came little puffs of talcum powder.
I made a recording with him in Munich about a year before he died, a rock version of Lalena, but it’s lost. I asked his son Roland if it had been found but there’s no sign of it.
Mickie Most
Mickie Most was the Phil Spector of Britain. He was very experimental. We were introduced by Allen Klein as part of a deal. Allen said: “Here’s your producer.” Mickie said: “I’ll pick the singles and you do what you want on the albums.” And that opened a whole world for me.
The studio became a bohemian painter’s studio for me. And Mickie would say: “I’ll have that one” – Mellow Yellow, Sunshine Superman, Hurdy Gurdy Man. I didn’t know whether they were popular songs or not; Mickie knew. And he had this instinctive sense: “Take that out, put that in.” And it worked. I wish he was still here. I’d like to make another record with him.
NEW 📀 Hurdy Gurdy Man – Donovan {Stereo} Summer 1968 – YouTube
John Paul Jones
Our initial meeting was a little strained. He’d come in to arrange Mellow Yellow and it had this great New Orleans thump to it. But when I listened to the playback something sounded wrong. I didn’t know what it was. So I’m frowning, and John is glaring at me because he thought he’d done something wrong. I said: “No, it’s just that there’s something… not mellow.” And Mickie Most is going: “Well for fuck’s sake find out what it is.” And then one of the horn players says: “I know what Don means. We gotta put the hats on.” And Mickie goes: “For Christ’s sake, what’s an ’at?” And the main horn player says: “The mutes, Mickie, the mutes.” So they did it again with the mutes and everyone went: “Wow.” Now it was mellow.
Jeff Beck
When Mickie Most first heard Barabajagal he couldn’t make head nor tail of it. He was working on [Jeff Beck’s album] Beck-Ola at the time and suggested that he bring the band in to see what they could do. So one morning the band troop in, except for Jeff, and I played them the chords. Eventually Jeff ambles in, sits down and doesn’t say a word. Mickie Most says: “Okay Jeff, get your guitar out.” Jeff looks around and says: “Where is it?” The roadies had dropped off the other instruments but not Jeff’s guitar. It was locked up in a van in Manchester. Jeff says: “I suppose we could rent one.” So the call went out: Jeff Beck needs a great Fender Stratocaster. One showed up and we did the session.
Nigel Kennedy
He played at the Proms, and Jeff Beck made an appearance and they were going to play a song dedicated to me that opens his new album but they ran out of time. Linda and I have been friends with Nigel and his wife, Agnieszka, for years. Whenever I go to his concerts we play an acoustic version of Hurdy Gurdy Man and he plays his wild violin.
Jimi Hendrix
I saw him at [London club] the Bag O’Nails. Everyone was there: the Stones, The Beatles, The Who, the Kinks. Chas [Chandler, Hendrix’s manager] had invited everyone. He’d put this thing together. He told me: “I’ve got a jazz drummer and a bass player who’s a guitar player.” And it was quite incredible. Such a superb blend of musicians.
I didn’t see him much after that because we all went on the road and we all got famous and our paths only crossed occasionally. But when I wrote Hurdy Gurdy Man I thought of Jimi. I said to Mickie Most: “This is for Hendrix.” And he said: “No it isn’t, it’s for you.”So I said: “Let’s get Hendrix to play on it.” Mickie phoned Chas who said: “Jimi’s playing shows back-to-back.” So we got Jimmy Page. And aren’t we happy about that. Because what came out of that, thanks to Jimmy, Mickie Most and John Paul Jones, was something that was pagan Celtic rock’n’roll, not a copy of American rock’n’roll.
Shaun Ryder
I was doing a gig in Manchester when my son Julian, Brian Jones’s boy, said: “There’s five guys in a van out the back and they say they’ve come to take you to the Hacienda.” I said: “I remember Manchester but I don’t remember a hacienda there. So not this time, boys.”
I got to know Shaun and his brother Paul later and when I listened to the Happy Mondays. Linda and I realised they were the Rolling Stones of the 80s. You could hear that they were going to be the ones to lead the way. And then Shaun and Paul fell in love with our two daughters. Which was rather frightening at first because we didn’t know how they would take to Manchester madness. But Linda wasn’t scared. Oriole and Shaun fell in love and fell out of love but they produced a beautiful girl called Coco.
Rick Rubin
He called me up in 1994 and said: “Do you want to make a record?” And I wondered who he was. Then I found out that he was meditating, just like David Lynch and I. And when I went to his house I found that his bookshelves were full of books on spiritual paths and meditation. He is a major talent. He said very little but we made beautiful music and created the Sutras album. It was a pivotal time in my career because I realised that I wanted to continue to make records on this level. I had kind of dropped out a little but I came back with Rick. I’d rank Rick with Mickie Most, George Martin and Phil Spector. Because he listens to the song. He knows the song is everything. He also knows what he wants, but he also wants the artist to come forward and he knows that he mustn’t get in the way.
Donovan “Please Don’t Bend” Live From The Belfast Nashville Songwriters Festival – YouTube
David Lynch
David and I are both outsiders within our own art. He’s an outsider in the film world, and nobody can put their finger on what I actually do. That’s given us quite a bond, and we have teamed up to promote transcendental meditation.
Originally published in Classic Rock issue 128, January 2009
Brian May Joins Benson Boone for ‘Bohemian Rhapsody’ at Coachella

Queen guitarist Brian May made a surprise appearance at Coachella 2025, performing “Bohemian Rhapsody” with singer Benson Boone.
As a choir sang the song’s opening lines, Boone — wearing a regal cape over one of his distinctive sequined spandex ensembles — approached a grand piano. There, he began to play the classic tune, before flipping off of the instrument (another of his trademark moves) midway through the song. While singing the iconic lyrics made famous by Freddie Mercury, Boone approached “Bohemian Rhapsody”’s climactic guitar solo centerpoint. As he did, May rose from underneath the stage, arriving amid a flurry of riffs and blinding lights.
“Brian May, everybody!” Boone proudly declared as the 77 year-old rocker emphatically tore through the song’s soaring guitar part. May continued through the rest of the track, adding his powerful notes to the rendition. Footage from the performance can be watched below.
May stayed for Boone’s closing song, the chart-topping hit “Beautiful Things.” “It has changed my life this year and I hope you enjoy it,” Boone said of the track, which was accompanied by pyrotechnics and (yes) more flips.
Brian May Teased His Coachella Appearance
Earlier in the day, May teased that something special could be in the works. “Look who I bumped into on the way to the fabled Palm Springs. Maybe something will happen?!” the guitarist wrote on social media, his caption accompanying a picture of himself seated on an airplane across from Boone (the Palm Springs airport is approximately 20 miles from the Indo Polo Grounds, where Coachella is held).
In a separate post, May described Boone as “a truly golden 22 year old prodigy” adding that he was “proud and happy to say we are now officially pals.”
Queen Albums Ranked
Gallery Credit: Eduardo Rivadavia
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A Look Back At The Band ‘Betts, Hall, Leavell & Trucks’
Brian Kachejian 30 minutes ago
Feature Photo: SImone berna, CC BY 2.0
In the early 1980s, a band quietly came together that included some of the most accomplished names in Southern rock—yet despite the caliber of its lineup and the strength of its live performances, the group never released an album. Betts, Hall, Leavell and Trucks, often shortened to BHLT, existed between 1982 and 1984 and featured key members of the Allman Brothers Band and Wet Willie. Guitarist and vocalist Dickey Betts, keyboardist Chuck Leavell, drummer Butch Trucks, and singer/saxophonist Jimmy Hall brought their collective experience to a project that had serious momentum and musical chemistry but never secured a recording contract. Although often overlooked in Southern rock histories, BHLT was a serious band with a defined sound, a solid touring schedule, and a clear creative identity.
The Allman Brothers Band had already experienced a turbulent rise and fall by the time BHLT formed. The group had survived the tragic loss of Duane Allman and found commercial success in the mid-1970s, only to disband in 1976 due to internal conflict. A 1979 reunion proved short-lived, with Arista Records pressuring the band into a more commercially viable direction that ultimately alienated both the band and its audience. By 1982, the Allmans had broken up once again, leaving Betts and Trucks looking for a new outlet. Wet Willie, another Southern band with roots in Capricorn Records, had also dissolved by 1980, freeing up Jimmy Hall for new opportunities. With Chuck Leavell newly off the road from touring with the Rolling Stones, and bassist David “Rook” Goldflies and guitarist/violinist Danny Parks brought into the fold, the stage was set for something unique.
The group’s rehearsal base in Sarasota, Florida, gave way to a series of energetic and well-received live performances. Their first concert took place in Fort Worth, Texas, in December 1982, followed by club shows at venues such as the Agora Ballroom in Atlanta and The Bottom Line in New York City. BHLT even shared stages with The Marshall Tucker Band and Johnny Winter, further proving their range and reputation. At their peak, they played Volunteer Jam IX in Nashville and several high-profile East Coast venues. Their sound, while rooted in the Southern rock tradition, branched off in fresh directions. Betts’ influence brought in blues, country, and Western swing elements, while Hall’s R&B style and Leavell’s jazz-inflected piano lines pushed the band’s arrangements beyond genre expectations.
The group never settled on an official name, which led to ongoing jokes about their acronym sounding like a sandwich or a law firm. Within the band, the name “Sandwich Band” stuck, and their music was sometimes described by Hall as “barbecue music”—a laid-back blend of rock, soul, and groove that avoided falling into formulaic Southern rock tropes. The band’s setlists included new songs such as “Whole Lot of Memories,” Betts’ “Pick a Little Boogie,” Hall’s “Need Somebody Bad,” and Leavell’s version of Betts’ older track “Rain.” While they did perform familiar Allman Brothers songs like “Jessica” and “Ramblin’ Man,” the goal was never to rehash the past. Their music pushed forward with a fresh, genre-blending sound that reflected the experience and evolving interests of its members.
Despite positive reception and a tight musical identity, BHLT never secured a recording deal. The band did enter the studio to record about a dozen demos, including the song “No One to Run With,” which would later be revived by the Allman Brothers for their 1994 album Where It All Begins. Industry obstacles, particularly Dickey Betts and Butch Trucks’ contractual ties to Arista Records and label head Clive Davis’ lack of interest in the project, prevented BHLT from moving forward in the studio. Still, for fans and critics who saw them live, there was little doubt that this was a band capable of greatness.
By mid-1984, with no label support and growing logistical challenges—including Leavell’s continuing commitments with the Rolling Stones—the members of BHLT began to move on. The band quietly dissolved, but not without leaving a lasting impression on those who witnessed them live. For years, only bootlegs and word-of-mouth kept the memory alive, until a 1983 live recording surfaced and was released in 2016 as Betts, Hall, Leavell and Trucks – Live at The Coffee Pot 1983.
While their time together was brief and largely undocumented in terms of studio recordings, the legacy of BHLT remains intact through the careers of its members and the live material that finally found daylight. Chuck Leavell once said, “We had a strong band, and it cooked. In fact, I’ve always said in the years since that BHLT was the best band you’ve never heard of.” Their story is a reminder that not all legendary bands need a long discography—sometimes, it’s the music you didn’t get to hear that leaves the biggest impression.
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A Look Back At The Band ‘Betts, Hall, Leavell & Trucks’ article published on ClassicRockHistory.com© 2025
presents an in-depth history of these songs from various bands across all musical genres
About The Author
Brian Kachejian
Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.
Complete List Of Judas Priest Songs From A to Z
Feature Photo: Debby Wong / Shutterstock.com
Judas Priest formed in Birmingham, England, in 1969, emerging as an integral force within the heavy metal genre. Their powerful blend of intense guitar riffs, soaring vocals, and striking stage presence quickly positioned them as pioneers within their field. The original lineup evolved significantly in the early years, ultimately solidifying with Rob Halford as the iconic lead vocalist, accompanied by guitarists Glenn Tipton and K.K. Downing.
The band’s debut album, “Rocka Rolla,” arrived in 1974, showcasing their early blues-infused hard rock style. However, their subsequent releases “Sad Wings of Destiny” (1976) and “Sin After Sin” (1977) crystallized their signature metal sound, setting a new standard within the genre. Albums like “Stained Class” (1978) and “Killing Machine” (1978, released as “Hell Bent for Leather” in the US) further cemented their reputation for sonic innovation and heavy, driving rhythms.
Judas Priest’s mainstream breakthrough occurred with their 1980 album “British Steel,” featuring hit singles “Breaking the Law” and “Living After Midnight,” which became anthems for metal enthusiasts. The album’s commercial success significantly elevated their international profile, firmly establishing them as a household name within the metal community. Their subsequent albums, including “Screaming for Vengeance” (1982) and “Defenders of the Faith” (1984), maintained this momentum, delivering powerful hits like “You’ve Got Another Thing Comin’” that expanded their fanbase worldwide.
Throughout their enduring career, Judas Priest has released eighteen studio albums, achieving global sales exceeding 50 million records. The band’s contributions have been recognized by numerous accolades, including a Grammy Award for Best Metal Performance in 2010 for “Dissident Aggressor” and nominations for albums like “Painkiller” (1990), which many consider a hallmark of their intense, technical proficiency.
Judas Priest is revered by fans for their energetic and theatrical live performances, marked by their distinctive leather-and-studs image popularized by Rob Halford, influencing countless metal bands that followed. Their ability to consistently deliver both musical complexity and sheer entertainment has solidified their status as heavy metal legends. The band’s authentic connection with their audience and relentless commitment to their craft continue to attract generations of devoted fans.
Beyond their musical accomplishments, members of Judas Priest have actively engaged in various social causes and charitable events, including supporting cancer research and disaster relief initiatives. Their willingness to lend their platform to these critical issues further highlights their broader cultural significance and their genuine concern for societal well-being.
Judas Priest’s continued relevance in the heavy metal genre is a testament to their uncompromising dedication and artistic integrity. Their ongoing influence on emerging artists and enduring popularity with fans underscore their pivotal role in shaping metal music history. Judas Priest remains a vital and celebrated force, embodying the essence of heavy metal’s relentless spirit and innovation
Complete List Of Judas Priest Songs From A to Z
- (Take These) Chains – Screaming for Vengeance – 1982
- A Touch of Evil – Painkiller – 1990
- Abductors – Jugulator – 1997
- Alone – Nostradamus – 2008
- All Fired Up – Turbo – 1986 (2001 bonus track)
- All Guns Blazing – Painkiller – 1990
- All the Way – Point of Entry – 1981
- Angel – Angel of Retribution – 2005
- As God Is My Witness – Invincible Shield – 2024
- Awakening – Nostradamus – 2008
- Battle Cry – Redeemer of Souls – 2014
- Battle Hymn – Painkiller – 1990
- Before the Dawn – Killing Machine – 1978
- Beginning of the End – Redeemer of Souls – 2014
- Better by You, Better than Me – Stained Class – 1978
- Better by You, Better than Me (Live) – Stained Class – 1978 (2001 bonus track)
- Between the Hammer & the Anvil – Painkiller – 1990
- Beyond the Realms of Death – Stained Class – 1978
- Blood Red Skies – Ram It Down – 1988
- Blood Stained – Jugulator – 1997
- Bloodstone – Screaming for Vengeance – 1982
- Bloodstone (Live) – Ram It Down – 1988 (2001 bonus track)
- Bloodsuckers – Demolition – 2001
- Brain Dead – Jugulator – 1997
- Breaking the Law – British Steel – 1980
- Bring It On – Redeemer of Souls – 2014 (Deluxe/EP bonus track)
- Bullet Train – Jugulator – 1997
- Burn in Hell – Jugulator – 1997
- Burnin’ Up – Killing Machine – 1978
- Calm Before the Storm – Nostradamus – 2008
- Cathedral Spires – Jugulator – 1997
- Caviar and Meths – Rocka Rolla – 1974
- Cheater – Rocka Rolla – 1974
- Children of the Sun – Firepower – 2018
- Close to You – Demolition – 2001
- Cold Blooded – Redeemer of Souls – 2014
- Come and Get It – Ram It Down – 1988
- Conquest – Nostradamus – 2008
- Creatures – Redeemer of Souls – 2014 (Deluxe/EP bonus track)
- Crown of Horns – Invincible Shield – 2024
- Crossfire – Redeemer of Souls – 2014
- Cyberface – Demolition – 2001
- Dawn of Creation – Nostradamus – 2008
- Dead Meat – Jugulator – 1997
- Deal with the Devil – Angel of Retribution – 2005
- Death – Nostradamus – 2008
- Death Row – Jugulator – 1997
- Decapitate – Jugulator – 1997
- Deceiver – Sad Wings of Destiny – 1976
- Deep Freeze – Rocka Rolla – 1974
- Defenders of the Faith – Defenders of the Faith – 1984
- Delivering the Goods – Killing Machine – 1978
- Demonizer – Angel of Retribution – 2005
- Desert Plains – Point of Entry – 1981
- Desert Plains (Live) – Point of Entry – 1981 (2001 bonus track)
- Devil Digger – Demolition – 2001
- Devil in Disguise – Invincible Shield – 2024
- Devil’s Child – Screaming for Vengeance – 1982
- Devil’s Child (Live) – Screaming for Vengeance – 1982 (2001 bonus track)
- Diamonds and Rust – Rocka Rolla – 1974 (1987 remaster bonus track)
- Diamonds and Rust – Sin After Sin – 1977
- Dissident Aggressor – Sin After Sin – 1977
- Don’t Go – Point of Entry – 1981
- Down in Flames – Redeemer of Souls – 2014
- Dragonaut – Redeemer of Souls – 2014
- Dreamer Deceiver – Sad Wings of Destiny – 1976
- Dying to Meet You/Hero, Hero – Rocka Rolla – 1974
- Eat Me Alive – Defenders of the Faith – 1984
- Electric Eye – Screaming for Vengeance – 1982
- Epitaph – Sad Wings of Destiny – 1976
- Escape from Reality – Invincible Shield – 2024
- Eulogy – Angel of Retribution – 2005
- Evening Star – Killing Machine – 1978
- Evil Fantasies – Killing Machine – 1978
- Evil Never Dies – Firepower – 2018
- Exciter – Stained Class – 1978
- Exiled – Nostradamus – 2008
- Feed on Me – Demolition – 2001
- Fever – Screaming for Vengeance – 1982
- Fight for Your Life – Killing Machine – 1978 (2001 bonus track)
- Fight of Your Life – Invincible Shield – 2024 (Deluxe edition bonus track)
- Fire Burns Below – Stained Class – 1978 (2001 bonus track)
- Firepower – Firepower – 2018
- Flame Thrower – Firepower – 2018
- Freewheel Burning – Defenders of the Faith – 1984
- Future of Mankind – Nostradamus – 2008
- Gates of Hell – Invincible Shield – 2024
- Genocide – Sad Wings of Destiny – 1976
- Giants in the Sky – Invincible Shield – 2024
- Grinder – British Steel – 1980
- Guardians – Firepower – 2018
- Halls of Valhalla – Redeemer of Souls – 2014
- Hard as Iron – Ram It Down – 1988
- Heading Out to the Highway – Point of Entry – 1981
- Heavy Duty – Defenders of the Faith – 1984
- Heavy Duty/Defenders of the Faith (Live) – Defenders of the Faith – 1984 (2001 bonus track)
- Heavy Metal – Ram It Down – 1988
- Hell & Back – Redeemer of Souls – 2014
- Hell Bent for Leather – Killing Machine – 1978
- Hell Is Home – Demolition – 2001
- Hell Patrol – Painkiller – 1990
- Hellrider – Angel of Retribution – 2005
- Here Come the Tears – Sin After Sin – 1977
- Heroes End – Stained Class – 1978
- Hope – Nostradamus – 2008
- Hot for Love – Turbo – 1986
- Hot Rockin’ – Point of Entry – 1981
- I’m a Rocker – Ram It Down – 1988
- In Between – Demolition – 2001
- Invader – Stained Class – 1978
- Invincible Shield – Invincible Shield – 2024
- Island of Domination – Sad Wings of Destiny – 1976
- Jawbreaker – Defenders of the Faith – 1984
- Jawbreaker (Live) – Sin After Sin – 1977 (2001 bonus track)
- Jekyll and Hyde – Demolition – 2001
- Johnny B. Goode – Ram It Down – 1988
- Judas Rising – Angel of Retribution – 2005
- Jugulator – Jugulator – 1997
- Killing Machine – Killing Machine – 1978
- Last Rose of Summer – Sin After Sin – 1977
- Leather Rebel – Painkiller – 1990
- Let Us Prey/Call for the Priest – Sin After Sin – 1977
- Lightning Strike – Firepower – 2018
- Living After Midnight – British Steel – 1980
- Lochness – Angel of Retribution – 2005
- Locked In – Turbo – 1986
- Locked In (Live) – Turbo – 1986 (2001 bonus track)
- Lone Wolf – Firepower – 2018
- Lost and Found – Demolition – 2001
- Lost Love – Nostradamus – 2008
- Love Bites – Defenders of the Faith – 1984
- Love You to Death – Ram It Down – 1988
- Love Zone – Ram It Down – 1988
- Machine Man – Demolition – 2001
- March of the Damned – Redeemer of Souls – 2014
- Metal Gods – British Steel – 1980
- Metal Meltdown – Painkiller – 1990
- Metal Messiah – Demolition – 2001
- Metalizer – Redeemer of Souls – 2014
- Monsters of Rock – Ram It Down – 1988
- Necromancer – Firepower – 2018
- Never Forget – Redeemer of Souls – 2014 (Deluxe/EP bonus track)
- Never Satisfied – Rocka Rolla – 1974
- Never the Heroes – Firepower – 2018
- New Beginnings – Nostradamus – 2008
- Night Comes Down – Defenders of the Faith – 1984
- Night Comes Down (Live) – Ram It Down – 1988 (2001 bonus track)
- Night Crawler – Painkiller – 1990
- No Surrender – Firepower – 2018
- Nostradamus – Nostradamus – 2008
- On the Run – Point of Entry – 1981
- One for the Road – Rocka Rolla – 1974
- One on One – Demolition – 2001
- One Shot at Glory – Painkiller – 1990
- Out in the Cold – Turbo – 1986
- Pain and Pleasure – Screaming for Vengeance – 1982
- Painkiller – Painkiller – 1990
- Panic Attack – Invincible Shield – 2024
- Parental Guidance – Turbo – 1986
- Peace – Nostradamus – 2008
- Persecution – Nostradamus – 2008
- Pestilence and Plague – Nostradamus – 2008
- Prelude – Sad Wings of Destiny – 1976
- Prisoner of Your Eyes – Screaming for Vengeance – 1982 (2001 bonus track)
- Private Property – Turbo – 1986
- Prophecy – Nostradamus – 2008
- Race with the Devil – Sin After Sin – 1977 (2001 bonus track)
- Ram It Down – Ram It Down – 1988
- Rapid Fire – British Steel – 1980
- Raw Deal – Sin After Sin – 1977
- Reckless – Turbo – 1986
- Redeemer of Souls – Redeemer of Souls – 2014
- Revelations – Nostradamus – 2008
- Revolution – Angel of Retribution – 2005
- Riding on the Wind – Screaming for Vengeance – 1982
- Riding on the Wind (Live) – Killing Machine – 1978 (2001 bonus track)
- Rising from Ruins – Firepower – 2018
- Rock Forever – Killing Machine – 1978
- Rock Hard Ride Free – Defenders of the Faith – 1984
- Rock You All Around the World – Turbo – 1986
- Rocka Rolla – Rocka Rolla – 1974
- Run of the Mill – Rocka Rolla – 1974
- Running Wild – Killing Machine – 1978
- Saints in Hell – Stained Class – 1978
- Sands of Time – Nostradamus – 2008
- Savage – Stained Class – 1978
- Screaming for Vengeance – Screaming for Vengeance – 1982
- Sea of Red – Firepower – 2018
- Secrets of the Dead – Redeemer of Souls – 2014
- Shadows in the Flame – Nostradamus – 2008
- Sinner – Sin After Sin – 1977
- Snakebite – Redeemer of Souls – 2014 (Deluxe/EP bonus track)
- Solar Angels – Point of Entry – 1981
- Solitude – Nostradamus – 2008
- Some Heads Are Gonna Roll – Defenders of the Faith – 1984
- Sons of Thunder – Invincible Shield – 2024
- Spectre – Firepower – 2018
- Stained Class – Stained Class – 1978
- Starbreaker – Sin After Sin – 1977
- Steeler – British Steel – 1980
- Subterfuge – Demolition – 2001
- Sword of Damocles – Redeemer of Souls – 2014
- Take On the World – Killing Machine – 1978
- Tears of Blood – Redeemer of Souls – 2014 (Deluxe/EP bonus track)
- The Four Horsemen – Nostradamus – 2008
- The Green Manalishi (With the Two-Pronged Crown) – Killing Machine – 1978
- The Hellion – Screaming for Vengeance – 1982
- The Lodger – Invincible Shield – 2024 (Deluxe edition bonus track)
- The Rage – British Steel – 1980
- The Ripper – Sad Wings of Destiny – 1976
- The Sentinel – Defenders of the Faith – 1984
- The Serpent and the King – Invincible Shield – 2024
- Thunder Road – Point of Entry – 1981 (2001 bonus track)
- Traitors Gate – Firepower – 2018
- Trial by Fire – Invincible Shield – 2024
- Troubleshooter – Point of Entry – 1981
- Turbo Lover – Turbo – 1986
- Turn On Your Light – Defenders of the Faith – 1984 (2001 bonus track)
- Turning Circles – Point of Entry – 1981
- Tyrant – Sad Wings of Destiny – 1976
- United – British Steel – 1980
- Victim of Changes – Sad Wings of Destiny – 1976
- Vicious Circle – Invincible Shield – 2024 (Deluxe edition bonus track)
- Visions – Nostradamus – 2008
- War – Nostradamus – 2008
- Wheels of Fire – Angel of Retribution – 2005
- White Heat, Red Hot – Stained Class – 1978
- Wild Nights, Hot & Crazy Days – Turbo – 1986
- Winter – Rocka Rolla – 1974
- Winter Retreat – Rocka Rolla – 1974
- Worth Fighting For – Angel of Retribution – 2005
- You Don’t Have to Be Old to Be Wise – British Steel – 1980
- You Say Yes – Point of Entry – 1981
- You’ve Got Another Thing Comin’ – Screaming for Vengeance – 1982
Albums
Rocka Rolla (1974): 11 songs
Sad Wings of Destiny (1976): 9 songs
Sin After Sin (1977): 10 songs
Stained Class (1978): 11 songs
Killing Machine (1978): 13 songs
British Steel (1980): 9 songs
Point of Entry (1981): 12 songs
Screaming for Vengeance (1982): 12 songs
Defenders of the Faith (1984): 12 songs
Turbo (1986): 11 songs
Ram It Down (1988): 12 songs
Painkiller (1990): 10 songs
Jugulator (1997): 10 songs
Demolition (2001): 13 songs
Angel of Retribution (2005): 10 songs
Nostradamus (2008): 23 songs
Redeemer of Souls (2014): 18 songs
Firepower (2018): 14 songs
Invincible Shield (2024): 14 songs
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Complete List Of Judas Priest Songs From A to Z article published on ClassicRockHistory.com© 2025
About The Author
Brian Kachejian
Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.