Author: Logan Rocker

Nothing ignites a rock fan’s imagination quite like the words “original lineup reunion.” While death, drama, and decades of separation have made many classic reunions impossible, a surprising number of influential bands still have all their key members walking the planet—even if they’re no longer sharing stages. This article celebrates those legendary groups whose defining lineups remain intact in the biological sense, contemplating what it might mean for each to recapture their chemistry in today’s world.

The Police could once again blend punk energy with reggae rhythms and jazz sophistication if Sting, Andy Summers, and Stewart Copeland decided to reunite their power trio. Talking Heads might bring their art-school funk back to life if David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison could overcome decades of creative differences. R.E.M.’s jangly guitar rock could fill arenas once more if Michael Stipe, Peter Buck, Mike Mills, and Bill Berry decided to step back into the spotlight together. The prog-rock innovation of Genesis could be revisited if Peter Gabriel, Tony Banks, Mike Rutherford, Steve Hackett, and Phil Collins managed to align their busy schedules.

The quintessentially British storytelling of The Kinks might find new relevance if the Davies brothers could set aside their legendary tensions and reunite with Mick Avory and John Dalton. Supertramp’s jazz-tinged progressive pop could soar again if Roger Hodgson and Rick Davies found common ground alongside John Helliwell, Bob Siebenberg, and Dougie Thomson. Journey’s arena rock anthems could reach new emotional heights if Steve Perry’s unmistakable voice joined Neal Schon, Jonathan Cain, Ross Valory, and Steve Smith once more.

While time marches on and the likelihood of these reunions diminishes with each passing year, the magic these musicians created remains timeless. Their records continue to inspire new generations, and the chemistry they shared can never truly be replicated. Perhaps that’s why the prospect of these reunions remains so tantalizing—a chance to experience, even briefly, the recapturing of lightning in a bottle. Though many of these musicians have moved on to different creative pursuits or simply enjoy their well-earned retirement, rock fans worldwide continue to hold onto the possibility, however remote, of seeing these classic lineups take the stage one more time. After all, in rock and roll, you should never say never.

# 10 – KISS

Few bands defined spectacle quite like KISS. From their explosive stage shows to their larger-than-life personas, they set the gold standard for rock and roll theatrics. While the band has undergone numerous lineup changes over the decades, the four original members—Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss—are all still alive, making a reunion not just possible but a dream scenario for longtime fans.

Formed in New York City in 1973, KISS quickly became one of the most recognizable bands in rock history. Their early lineup solidified when Paul Stanley (rhythm guitar, vocals) and Gene Simmons (bass, vocals) joined forces with Ace Frehley (lead guitar, vocals) and Peter Criss (drums, vocals). By combining hard rock anthems with outrageous makeup, fire-breathing, and platform boots, they built an empire that went far beyond music. Their 1975 album Alive! turned them into superstars, and hits like Rock and Roll All Nite, Detroit Rock City, and Beth made them household names.

Despite their success, internal conflicts and creative differences led to Criss departing in 1980 and Frehley following in 1982. While both rejoined for the massively successful 1996-2000 reunion tour, tensions eventually resurfaced, and they exited once again. Over the years, KISS continued with different lineups, but Stanley and Simmons remained the driving force behind the band.

The idea of a full reunion with the original four members is something fans have speculated about for years. The recent End of the Road farewell tour, which wrapped in 2023, seemed to signal the band’s final bow, but given KISS’s history, anything is possible.

Read More: Complete List Of Kiss Band Members

# 9 – Black Sabbath

Black Sabbath’s original lineup—Ozzy Osbourne (vocals), Tony Iommi (guitar), Geezer Butler (bass), and Bill Ward (drums)—formed in Birmingham, England in 1968. They pioneered heavy metal with their dark, thunderous sound and remain one of the most influential bands in rock history.

The classic lineup last performed together at their hometown of Birmingham in 2017 as part of their farewell tour, minus Bill Ward who had departed over contractual disputes in 2012. However, all four original members are still alive in 2024, with Ozzy at 75, Iommi at 76, Butler at 74, and Ward at 75.

While Ozzy has faced some health challenges in recent years due to Parkinson’s disease and various injuries, he’s expressed interest in performing again. A reunion of these metal pioneers would be particularly meaningful now, as it would give fans one last chance to see the complete original lineup together. The chemistry between Ozzy’s haunting vocals, Iommi’s legendary riffs, Butler’s thundering bass, and Ward’s powerful drumming created metal magic that newer generations of fans have never witnessed firsthand.

Read More: Complete List Of Black Sabbath Band Members

# 8 – Grand Funk

Grand Funk Railroad, formed in Flint, Michigan in 1969, was one of the most commercially successful American rock bands of the 1970s. Their classic lineup featured Mark Farner (vocals/guitar), Don Brewer (drums/vocals), and Mel Schacher (bass), who created their signature energetic blend of blues rock and hard rock that earned them the nickname “The American Band.”

This power trio last performed together in 1998 during a reunion tour. Encouragingly, all three original members are still alive and active in music: Farner (75), Brewer (75), and Schacher (73). While Brewer continues to tour with a different version of Grand Funk Railroad (alongside longtime member Bruce Kulick), and Farner performs as a solo artist, the original trio hasn’t shared a stage in over two decades.

A reunion would be particularly exciting because their raw, high-energy sound defined American arena rock in the early ’70s. The combination of Farner’s soulful vocals and guitar work, Brewer’s powerful drumming (and lead vocals on hits like “We’re an American Band”), and Schacher’s distinctive bass lines created some of rock’s most memorable anthems. Their return would give younger fans a chance to experience classics like “I’m Your Captain (Closer to Home)” and “Some Kind of Wonderful” performed by the lineup that made them famous.

Read More: Complete List Of Grand Funk Railroad Band Members

# 7 – Talking Heads

Talking Heads emerged from the New York punk scene in 1975, founded by the core trio of David Byrne (vocals/guitar), Chris Frantz (drums), and Tina Weymouth (bass). Jerry Harrison (keyboards/guitar) joined in 1977, completing the classic lineup that would pioneer art-punk and new wave music. A Talking Heads reunion would be a momentous cultural event. Their innovative blend of punk, funk, world music, and avant-garde pop created landmarks like “Psycho Killer,” “Once in a Lifetime,” and “Burning Down the House.” The band’s evolution from nervy minimalists to expansive funk-rock pioneers showcased their remarkable musical versatility.

All four members remain active and creative. David Byrne (72) continues his eclectic solo career and Broadway success with “American Utopia.” Tina Weymouth (74) and Chris Frantz (73), still married, performed with Tom Tom Club and various projects. Jerry Harrison (75) works as a respected producer and occasional performer. Though they haven’t performed together since their 2002 Rock & Roll Hall of Fame induction, the creative tension between Byrne’s distinctive vision and the rhythm section’s funkier instincts could still produce fascinating results. Their influence on alternative music remains immeasurable, and audiences would eagerly welcome these art-rock innovators back to the stage.

Read More:

# 6 – R.E.M

R.E.M. formed in Athens, Georgia in 1980 when University of Georgia students Michael Stipe (vocals), Peter Buck (guitar), Mike Mills (bass/keyboards), and Bill Berry (drums) began making music together. This lineup remained intact until Berry’s departure in 1997, producing some of alternative rock’s most influential albums.

An R.E.M. reunion would be particularly meaningful since the classic lineup hasn’t performed together since Berry left the band due to health concerns. Their distinctive sound—jangly guitars, cryptic lyrics, and vocal harmonies—created timeless songs like “Losing My Religion,” “Man on the Moon,” and “Everybody Hurts.” The chemistry between these four musicians defined college rock and helped alternative music cross into the mainstream.

All four members are still active in various capacities. Michael Stipe (64) pursues photography and occasional solo work. Peter Buck (67) plays with various bands including The Baseball Project and Filthy Friends. Mike Mills (65) collaborates on classical projects and session work. Bill Berry (66) returned to farming after leaving the band but has made rare appearances with his former bandmates.

Though R.E.M. officially disbanded in 2011, the respect and friendship among all four members suggests a reunion remains possible. The prospect of hearing Berry’s distinctive drumming on classics like “The One I Love” or “Orange Crush” again would make this one of rock’s most anticipated reunions.

Read More: Complete List Of R.E.M. Band Members

# 5 – Genesis

Genesis began in 1967 as a group of students at Charterhouse School in England. The classic progressive rock lineup solidified by 1971 with Peter Gabriel (vocals), Tony Banks (keyboards), Mike Rutherford (guitar/bass), Steve Hackett (guitar), and Phil Collins (drums). This configuration created the band’s most ambitious and theatrical work before Gabriel’s departure in 1975.

A reunion of the Gabriel-era Genesis would be extraordinary for progressive rock enthusiasts. Their elaborate compositions, imaginative lyrics, and theatrical performances yielded masterpieces like “Supper’s Ready,” “The Musical Box,” and “Firth of Fifth.” Gabriel’s flamboyant costumes and Collins’ intricate drumming defined this era, while Banks’ orchestral keyboards, Rutherford’s versatility, and Hackett’s atmospheric guitar work created their distinctive sound.

All five musicians remain active and respected. Peter Gabriel (74) continues his solo career and humanitarian work. Phil Collins (73), despite health challenges limiting his drumming, toured until recently. Tony Banks (74) composes classical pieces and film scores. Mike Rutherford (73) still performs with Mike + The Mechanics. Steve Hackett (74) actively tours, performing classic Genesis material.

The lineup briefly reunited for a 1982 one-off concert, and various partial reunions have occurred, but the full classic lineup hasn’t performed a complete show in nearly 50 years. Given Collins’ health issues and Gabriel’s selective performing schedule, a full reunion seems challenging but would represent an unparalleled opportunity to experience one of progressive rock’s most innovative bands in their original formation.

Read More: Complete List Of Genesis Band Members

# 4 – Supertramp

Supertramp formed in London in 1969, but it was the classic lineup that solidified in 1973 that created their most successful and enduring work. This configuration featured Roger Hodgson (vocals/keyboards/guitar), Rick Davies (vocals/keyboards), John Helliwell (saxophones/keyboards), Bob Siebenberg (drums), and Dougie Thomson (bass).

A reunion of this classic Supertramp lineup would be particularly significant given their decades-long separation. Their distinctive blend of progressive rock, pop sensibilities, and jazz influences created timeless albums like “Crime of the Century,” “Crisis? What Crisis?” and the blockbuster “Breakfast in America.” The complementary songwriting styles of Hodgson and Davies gave Supertramp a unique dual personality, with Hodgson’s ethereal compositions like “Dreamer” and “The Logical Song” balancing Davies’ more grounded approach on songs like “Bloody Well Right.”

All five members are indeed still alive and active to varying degrees. Roger Hodgson (74) continues to tour as a solo artist performing Supertramp classics. Rick Davies (79) has led various incarnations of Supertramp without Hodgson since their 1983 split. John Helliwell (79) still occasionally performs with Davies’ version of the band. Bob Siebenberg (75) has also remained with Davies’ Supertramp lineup. Dougie Thomson (73) has largely stayed out of the spotlight since leaving the band in 1982.

The prospects for a reunion have been complicated by the sometimes tense relationship between Hodgson and Davies. However, the musical magic this lineup created—characterized by distinctive keyboard sounds, Helliwell’s melodic saxophone, and the rock-solid rhythm section of Siebenberg and Thomson—remains beloved by fans worldwide. A reunion would allow audiences to experience the full spectrum of Supertramp’s catalog performed by the musicians who defined their classic sound.

Read More: Complete List Of Supertramp Band Members

# 3 – Journey

Journey formed in San Francisco in 1973, but the band’s commercial peak came after Steve Perry joined as lead vocalist in 1977. The classic lineup that created their most successful albums solidified in 1981 with Perry (vocals), Neal Schon (guitar), Jonathan Cain (keyboards), Ross Valory (bass), and Steve Smith (drums).

A reunion of this specific Journey lineup would be momentous for rock fans worldwide. Their distinctive arena rock sound—characterized by Perry’s soaring tenor vocals, Schon’s melodic guitar work, and Cain’s keyboard arrangements—created some of rock’s most enduring anthems, including “Don’t Stop Believin’,” “Open Arms,” and “Separate Ways (Worlds Apart).” This lineup crafted the perfect blend of hard rock muscle and pop sensibility.

All five members remain alive and musically active, though on separate paths. Steve Perry (75) emerged from decades of near-seclusion with a 2018 solo album. Neal Schon (70) continues to lead the current version of Journey. Jonathan Cain (74) performs with Journey and as a solo artist. Ross Valory (75) was with Journey until 2020. Steve Smith (70), a respected jazz drummer, has played with various acts including occasional Journey reunions without Perry.

Relations between Perry and his former bandmates have been complicated since his 1998 departure. Perry’s health concerns and reluctance to tour have made a reunion seem unlikely, despite the unmistakable chemistry these five musicians shared. Yet the continuing popularity of Journey’s catalog with new generations of fans suggests that should these five musicians ever share a stage again, the response would be nothing short of phenomenal.

Read More: Complete List of All Current and Former Journey Band Members

# 2 –  The Police

Formed in London in 1977, The Police quickly established themselves as one of the most innovative bands of the new wave era. The classic lineup of Sting (bass/vocals), Andy Summers (guitar), and Stewart Copeland (drums) created a distinctive sound blending punk, reggae, and jazz influences. A reunion of The Police would be electrifying for music fans worldwide. Their remarkable chemistry produced timeless hits like “Roxanne,” “Message in a Bottle,” and “Every Breath You Take.” Each member brings extraordinary talent: Sting’s unmistakable vocals and melodic basslines, Summers’ textured guitar work, and Copeland’s dynamic, jazz-influenced drumming.

All three members remain active musicians. Sting (Gordon Sumner, 72) continues his successful solo career, Andy Summers (81) pursues photography and jazz projects, and Stewart Copeland (72) composes for film and orchestras. Their brief 2007-2008 reunion tour demonstrated they can still deliver their catalog with precision and energy. The tension that fueled their creativity—and eventually led to their 1986 breakup—might actually make a new reunion even more compelling. These three musicians who changed rock history still have the capability to recapture the magic that made them legends.

Read More: Complete List Of The Police Band Members

# 1 – The Kinks

The Kinks formed in North London in 1963, with brothers Ray Davies (vocals/rhythm guitar) and Dave Davies (lead guitar) as the creative core. Drummer Mick Avory joined shortly after, and while Pete Quaife was the original bassist, John Dalton became the longtime bassist in 1969, completing the classic lineup that created some of the band’s most beloved albums.

A reunion of The Kinks would be particularly meaningful given the legendary tension between the Davies brothers. Their distinctively British sound—combining hard-edged guitar riffs, music hall influences, and Ray’s observational storytelling—produced timeless classics like “You Really Got Me,” “Waterloo Sunset,” and “Lola.” The band’s influence spans multiple genres, from garage rock to Britpop to power pop.

All four members are still active to varying degrees. Ray Davies (80) continues occasional solo work and writing. Dave Davies (77) performs solo and has expressed openness to reuniting. Mick Avory (80) has participated in Kinks-related projects over the years. John Dalton (81) has played with various Kinks tribute bands featuring former members.

The fractious relationship between the Davies brothers has prevented a full reunion since the band’s dissolution in 1996, though they’ve occasionally appeared together. Recent years have shown warming relations between Ray and Dave, raising hopes among fans. A reunion of these British Invasion pioneers would be a triumphant capstone to one of rock’s most distinctive catalogs.

Read More: Complete List Of The Kinks Band Members

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

10 Iconic Rock Bands Whose Classic Lineups Could Still Reunite article published on Classic RockHistory.com© 2025

presents an in-depth history of these songs from various bands across all musical genres

Welcome to this week’s Tracks Of The Week. Six brand-new and diverse slices of progressively inclined music for you to enjoy.

So perhaps unsurprisingly the band of the moment, Solstice, won last week’s Tracks Of The Week with their new single Firefly, but the folk proggers were pushed all the way by John Lodge’s reflective Whispering Angels with Dim Gray in third.

The premise for Tracks Of The Week is simple – we’ve collated a batch of new releases by bands falling under the progressive umbrella, and collated them together in one post for you – makes it so much easier than having to dip in and out of various individual posts, doesn’t it?

The idea is to watch the videos (or listen if it’s a stream), enjoy (or not) and also to vote for your favourite in the voting form at the bottom of this post. Couldn’t be easier, could it?

We’ll be bringing you Tracks Of The Week, as the title implies, each week. Next week we’ll update you with this week’s winner, and present a host of new prog music for you to enjoy.

If you’re a band and you want to be featured in Prog‘s Tracks Of The Week, send your video (as a YouTube link) or track embed, band photo and biog to us here.

KARMAKANIC – COSMIC LOVE

Swedish prog outfit Karmakanic return with their first new album for nine years when they release Transmutation, through Jonas Reingold’s own label, Reingold Records on March 7. The melodic prog of Cosmic Love is the first music from the new album, featuring the unmistakable strains of John Mitchell on vocals and Randy McStine on guitar. The star-studded album also features guest spots from Steve Hackett, Simon Phillips, Craig Blundell and more…

“How do you choose a single for a prog album,” laughs Rengold. “You don’t. Some things aren’t meant to be overthought – just felt. I love writing uplifting tracks celebrating the forces that truly unite us. So get on board, get started – join me in the Cosmic Love.”

“It was an absolute pleasure to work with Jonas,” adds Mirchell. “We’ve discussed collaborating a few times over the years and we’ve become good friends. So it was great to finally fly to Vienna and make it happen. I’m so happy with how it’s all turned out.”

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ANDRE DRAGE – IN BETWEEN IS ALWAYS FORWARD

You may know drummer Andre Drage from Norwegian metal trio Draken, but he’s creating a far different sound on his new solo album Journeyman, which is released through his own Drage Records on March 14. Here he draws inspiration from prog, ambient music, Norwegian folk and the music of Malawi, creating a sound that will delight fans of Frank Zappa, Mahavishnu Orchestra, Soft Machine and Gong.

“I wrote In Between Is Always Forward at a time where I had to make many compromises in my life to reach new musical goals and personally develop,” says Drage. “The song itself is a prog, jazz, and funk hybrid about finding a way to balance life’s obligations with the pursuit of music and art.”

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EARTHSIDE – FROZEN HEART – BURNING WORLD

US prog quartet Earthside celebrate the start of their very first US headline tour with a standalone release of Frozen Heart – Burning World. Typically epic and cinematic in scope, the track is the only one from sessions for their recent acclaimed second album Let The Truth Speak, accompanied, as ever, with atypically eye-catching video.

“Not for any lack of quality—if anything, it may even be among our individual favourites from the full batch of material,” the band explain. “We really wanted a Closest I’ve Come – vibe track on LTTS, but nothing we were generating like that was gripping us—at least until Frank’s entrancing, icy intro came out of the ether one day in practice, and the rest of the song just poured from it. Unfortunately, the track just came together too late in the writing process for us to feel ready to record it with the others—and on a record that didn’t have much room for another odyssey track. But in celebration of Earthside’s long-awaited headline tour, we wanted to give the song the proper recording it deserved.”

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DAVE FRANCIS – KITTENS & RAINBOWS

You may know prog bassist Dave Francis by his other name and other band – Dave Rowe from The Mighty Ra! Francis released his debut solo album Beautiful Insanity back in 2023 and will be releasing a second later this year. The playful Kittens & Rainbows is the first taster form that album.

“This tongue-in-cheek prog anthem, and its accompanying video, makes an affectionate but humorous dig at some of the genre’s more pompous traits, whilst retaining musical respect for the classic prog rock format,” says Francis. “Fans of The Mighty Ra should enjoy this tasteful teaser, which serves as a suitable appetiser for things to come!”

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BJØRN RIIS – GONE

Prolific Airbag guitarist Bjørn Riis will release his latest solo album, his fifth, through Karisma Records on April 11. It’s called Fimbulvinter, a title that refers to Norse mythology and the tale of the long winter that leads up to Ragnarok – the end of the world and a new beginning. Riis plays all instruments and sings the vocals, although the album also features contributions from Airbag’s Henrik Bergan Fossum (drums), Arild Brøter from Pymlico (drums) and Kai Christoffersen. New single Gone is the first music to be taken from the album.

“Gone was the first track I wrote for the album,” says Riis. “It’s one of those songs you just want to play loud in your car going fast on the highway! I wanted it to have that pop and monumental feel to it, while dealing with a somewhat serious matter. It’s about the fear of not being enough, of being rejected and dealing with that by wanting to escape and flee. I’m playing all of the instruments, with Kai Christoffersen on drums and my long-time collaborator, Vegard Kleftås Sleipnes, mixing and co-producing.”

DEREV – CYCLONE

Toronto prog quintet Derev will release their debut full-length album, Troubled Mind, on March 26. The yearning, epic tones of Cyclone is the second single to be taken from the upcoming album, and Derev will be touring throughout Ontario and Quebec over the coming months to support the new album.

“Building on the narrative, this song revolves around the negative thoughts that plague our minds, constantly reminding us of our perceived unworthiness and shortcomings,” the band state. “This mental state, “Imposter Syndrome” makes us doubt our skills and successes, leaving us feeling unworthy, ashamed, and fearful of being exposed.”

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Tim Henson of Polyphia claims that Machine Gun Kelly made the guitar “cool” again.

Talking to Guitar World, the virtuoso player extends a shout-out to the rapper-turned-pop-punk-musician, whose 2020 album Ticket To My Downfall topped charts after he switched genres following a feud with Eminem.

“I’d say guitar music got cool [after the pandemic],” Henson says (via Guitar.com). “You know, maybe we had a little bit to do with that, maybe we didn’t.

“Around that time, Eminem did the thing with MGK, and kind of made him switch genres. And then MGK got a number-one record with a guitar on the cover, which is really cool. So, shout out MGK for making guitar cool again!”

Later in the interview, Henson is asked which new guitar players have caught his eye lately, and he names viral sensation Spiro Dussias. “Dude, there’s that guy, Spiro – you know what I’m talking about. I don’t know how to say his last name. I just recognise the Instagram handle, but that guy is fucking crazy. And there’s definitely a few others that are escaping me.”

He adds that he hopes to get Dussias for a feature on the next Polyphia album, which will follow 2022’s Remember That You Will Die. “But as we start to book these sessions this year, to bring in all the incredible talent that is out there, to vibe them out on the new music, I’m definitely going to be hitting up Spiro just to see what kind of insanity he can bring,” he declares.

Earlier this month, Henson told Guitar World that the next Polyphia album will feature Babymetal, plus Serj Tankian of System Of A Down. He also described their upcoming music as “heavy”.

“I think last year was really eye-opening for us in terms of how we should start composing for the live performance,” he explained. “Playing a nylon-string to 80,000 people is a little like… when you think of a nylon-string, you think of a dude in a coffee shop, right? So, it’s a little disconnect there. We’re excited to really hone that in and really make the music bigger for that kind of audience now.”

Machine Gun Kelly released his latest album, Mainstream Sellout, in 2022. Last year, he unveiled a signature guitar shaped like a razorblade, which received a divided response. He subsequently defended the design on X (formerly Twitter), writing: “I’ll never explain my art, because true art is conversational and always up for interpretation.

“But I will say, most of you constantly interpret it wrong. And then blame me for your version of what you think my art is. Ultimately I’m sad at how people perceive me in general. Peace.”

Genesis have announced that the deluxe box set reissue of their 1974 double album The Lamb Lies Down On Broadway, originally slated for release in March, will now be on sale on June 13 throiugh Rhino/Warner.

However the band have shared the brand new 2025 remaster of the iconic opening title track across all streaming platforms and you can listen to it below too.

The 50th Anniversary Super Deluxe Edition sees The Lamb… spread across five vinyl LPs and a Blu-ray, four CDs + Blu-ray and as a digital release including a Dolby ATMOS mix done by Bob Mackenzie and overseen by Peter Gabriel and Tony Banks at Real World Studios.

The new box set features, for the first time the full live show The Lamb Lies Down On Broadway Live At The Shrine Auditorium from January 24, 1975, including the encore tracks, is released in its entirety. It is remastered and includes two encore tracks Watcher Of The Skies and The Musical Box. This is the first time the full live show, including the encore tracks, has been released in its entirety. There are also three never-before-released demos from the legendary Headley Grange Session, included as part of a digital download card with the full audio from the set.

“The strongest moments of The Lamb… for me are like the whole of humanity on the march under the lash. I feel this music sounds even stronger with the passing of time.” recalls guitarist Steve Hackett. “I feel this album is a Genesis classic.”

The Lamb Lies Down On Broadway 50th Anniversary Super Deluxe Edition includes the original album mix, remastered at Abbey Road Studios by Miles Showell from the 1974 analogue tapes while a Blu-ray audio disc includes the remastered 96kHz/24-bit high-resolution audio and Dolby ATMOS mixes of the studio album.

It also includes 60-page coffee table-style book with liner notes, images from Armando Gallo, Richard Haines and other noted photographers, and the set also includes a replica 1975 tour programme, ticket and poster.

Pre-order The Lamb Lies Down On Broadway 50th Anniversary Super Deluxe Edition.

Unlike previous films about Lennon, Borrowed Time focuses on the critical period after The Beatles, chronicling his personal and professional transformation throughout the 1970s. With a mix of rare archival footage, firsthand accounts, and never-before-seen interviews, the documentary examines Lennon’s struggles with fame, his pursuit of peace, and his retreat from public life before his tragic murder in 1980.

One of the film’s most compelling elements is a fresh take on how John Lennon and Yoko Ono met, revealing previously unknown details about their relationship. The documentary also revisits his abandoned 1981 tour plans, a project that was cut short by his untimely death. Through commentary from musicians, journalists, and those closest to Lennon, the film aims to clarify the myths and truths surrounding his final years.

For director Alan G. Parker, the project is deeply personal. Reflecting on Lennon’s impact, he described the musician as a guiding figure throughout his life, despite never meeting him. His approach in Borrowed Time is not just about retelling history but about understanding Lennon’s state of mind during a decade of artistic reinvention and introspection.

With its theatrical release and extended Director’s Cut, Borrowed Time: Lennon’s Last Decade promises to be an essential watch for Beatles fans and music historians alike. By delving into the last phase of one of rock’s most celebrated figures, the film ensures that Lennon’s legacy continues to be explored, understood, and appreciated by new generations.

Check out more John Lennon articles on ClassicRockHistory.com Just click on any of the links below……

Complete List Of John Lennon Studio Albums And Songs
John Lennon’s 5 Most Poignant Solo Tracks
John Lennon – Mind Games: Lennon’s Most Conflicted Album
5 Essential John Lennon Albums
Sadly, Remembering The Night John Lennon Was Murdered
Top 10 John Lennon Songs From His Solo Albums

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

Read More: Classic Rock Bands List And Directory

New John Lennon Documentary Explores Final Chapter of His Life article published on Classic RockHistory.com© 2025

# 10 -You Don’t Love Me When I Cry – Laura Nyro

The opening song on this list of the 10 Best Rock Songs About Depression is Laura Nyro’s haunting and deeply emotional track, “You Don’t Love Me When I Cry,” from her 1969 album New York Tendaberry. Known for her distinctive, soulful voice and her ability to convey raw emotion through her music, Nyro was one of the most revered songwriters of her era, with other artists like the 5th Dimension and Blood, Sweat & Tears covering her songs. This track, though, is intensely personal and dives deep into the feelings of heartbreak, abandonment, and the isolating weight of depression, themes that Nyro explores with brutal honesty throughout the album.

Recorded at Columbia Records in New York with Roy Halee as producer and engineer, the song features Nyro’s striking piano and her anguished vocals, which fluctuate between tender whispers and impassioned wails. The starkness of the production heightens the emotional intensity, making the listener feel as though they are inside Nyro’s most vulnerable moments. New York Tendaberry marked the peak of Nyro’s creative and commercial success, and this song, in particular, stands as a powerful expression of the inner turmoil that can accompany both love and loss.

The lyrics to “You Don’t Love Me When I Cry” encapsulate the pain of unreciprocated love and the feelings of worthlessness that can come with depression. Nyro sings of being rejected at her lowest, with the line “You don’t love me when I cry” becoming a piercing refrain. The bluesy undertones of the song are laced with grief, as Nyro explores how love promised and love lost intertwine, leaving her in emotional ruin. Her use of vivid imagery—“rubies and smoke rings” and the cry “I want to die”—connects directly to the overwhelming sense of despair often associated with depression.

As the first song on this list, “You Don’t Love Me When I Cry” sets the stage for an exploration of how rock music can give voice to the most painful human emotions. With its poignant mix of vulnerability and stark musicality, this song exemplifies how depression often comes with feelings of abandonment, loneliness, and the desire for escape—recurring themes that will resonate throughout the rest of the tracks in this collection.

Read More: Top 10 Laura Nyro Songs

# 9 – Runaway Train – Soul Asylum

“Runaway Train” by Soul Asylum is an emotionally charged track that vividly captures the helplessness and confusion that often accompany depression. Released in June 1993, this power ballad from the Grave Dancers Union album became one of the band’s biggest hits, peaking at number five on the Billboard Hot 100 and earning the band a Grammy Award for Best Rock Song in 1994. The song resonated with audiences worldwide due to its raw portrayal of depression, a theme that struck a universal chord.

Recorded with producer Michael Beinhorn and featuring Booker T. on keyboards, the song’s powerful instrumentation elevates the despair in Dave Pirner’s lyrics. The recording process was grueling, with Pirner stating that Beinhorn had him record the vocals numerous times to capture the right emotional depth. Drummer Sterling Campbell replaced Grant Young during the session, and his tight drumming punctuates the song’s melancholic atmosphere. The song’s haunting lyrics, such as “So tired that I couldn’t even sleep, so many secrets I couldn’t keep,” echo the relentless struggle of feeling trapped by depression. The metaphor of the runaway train illustrates how life spirals out of control, which is something that Pirner himself had struggled with during his battle with a nervous breakdown.

Thematically, this song shares a connection with You Don’t Love Me When I Cry by Laura Nyro, which also grapples with overwhelming emotional pain. Both songs explore the depths of despair, with Nyro’s track focusing on the feelings of rejection and sorrow when love and support are absent, while Soul Asylum delves into the internal chaos of depression. The isolation and helplessness Pirner conveys are reminiscent of Nyro’s portrayal of emotional turmoil, making these two songs fitting companions in this exploration of the darker side of human emotion.

The accompanying music video for “Runaway Train” is also notable, as it prominently features images of missing children, giving the song an additional layer of emotional weight and connecting its metaphor of being lost to real-life tragedies. While Nyro’s song is more introspective, Pirner’s lyrics express a desire for escape—“Runaway train never going back, wrong way on a one-way track”—showing how both artists used music to process and express their internal struggles with mental health and the human condition.

In comparing these two songs, Runaway Train continues the exploration of deep emotional pain set by You Don’t Love Me When I Cry, giving the list a cohesive thread that ties together the experiences of feeling abandoned, lost, and struggling with depression.

Read More: Top 10 Soul Asylum Songs

# 8 – Lonesome Town – Ricky Nelson

Released in 1958, Lonesome Town is a haunting ballad by Ricky Nelson, written by Baker Knight. It became a major hit in the United States, reaching number seven on the Billboard Hot 100 and number 15 on the R&B chart. Featured on his 1959 album Ricky Sings Again, the song showcases Nelson’s smooth vocals, accompanied by the renowned vocal quartet The Jordanaires, who added a rich depth to the melancholy track. The song was recorded at United Western Recorders in Hollywood, California, with producers Jimmie Haskell and Ozzie Nelson, Ricky’s father, overseeing the production.

Thematically, Lonesome Town delves into the despair and heartache of broken relationships. Nelson croons about a metaphorical town where people go to grieve lost love, hoping to escape the pain and loneliness that has taken over their lives. The lyrics, such as “In the town of broken dreams, the streets are filled with regret,” evoke a vivid image of emotional desolation, making this song an early example of the dark, reflective style that would later define many rock ballads about depression. The simple arrangement, combined with Nelson’s soft and vulnerable delivery, makes it a timeless and relatable exploration of heartache.

Compared to other songs on this list, such as Runaway Train by Soul Asylum, which portrays depression as an uncontrollable force pulling the protagonist off course, Lonesome Town takes a more introspective approach, presenting heartbreak and sorrow as a place of self-exile where the brokenhearted go to process their pain. Both songs convey deep emotional struggles, but while Runaway Train leans heavily on metaphors of losing control, Lonesome Town suggests a more passive acceptance of sorrow. The subtle instrumentation and Nelson’s gentle voice give the song a softer, more nostalgic feel, making it a contrasting yet complementary addition to the list of rock songs about depression.

Read More: Top 10 Ricky Nelson Songs

# 7 – From The Edge Of The Deep Green Sea – The Cure

From The Edge of the Deep Green Sea is one of the standout tracks from The Cure’s 1992 album Wish, an album that both embraced their gothic rock roots and ventured into broader alternative rock territory. Written by Robert Smith, this track is a sprawling, emotionally charged exploration of unreciprocated love, longing, and despair, themes that resonate strongly with the feelings of depression and helplessness. The song was recorded during sessions for Wish at The Manor and Hook End Studios, with David M. Allen co-producing alongside the band.

Clocking in at over seven minutes, From The Edge of the Deep Green Sea is musically expansive, characterized by swirling guitars and the heavy use of effects like detuning and phasing, which add to the track’s atmospheric and melancholic feel. Perry Bamonte, who played both guitar and keyboards on the track, helped shape its layered sound, while Boris Williams’ drumming gave it a dynamic pulse that added to the emotional urgency of the song. The extensive use of guitar feedback and subliminal overdubs only deepens the sense of emotional tension, making the song feel almost claustrophobic at times.

Lyrically, From The Edge of the Deep Green Sea captures the painful cyclical nature of a toxic relationship, where love seems to be forever slipping away despite the desperate attempts to hold on. The repetition of phrases like “Too many tears, too many times, too many years I’ve cried for you” reflects the sense of futility and exhaustion that often accompanies emotional depression. The song’s imagery—of watching the sun rise while grappling with heartache and the feeling of being miles away from home, both emotionally and physically—creates a haunting depiction of isolation and inner turmoil. As the first song on the list, it sets a powerful tone, drawing listeners into the depths of despair and emotional conflict, much like Lonesome Town by Ricky Nelson does, though in a more atmospheric and modern way.

Read More: 10 Essential Songs By The Cure

# 6 –  Fade To Black – Metallica

“Fade to Black” is one of Metallica’s most iconic songs, recognized as the band’s first power ballad, which marked a significant shift in their musical style. Released as the first promotional single from Ride the Lightning in 1984, the song showcases the band’s ability to merge heavy metal with deeply introspective and emotional themes. The track was recorded at Sweet Silence Studios in Copenhagen, Denmark, under the production of Metallica and Flemming Rasmussen. James Hetfield’s haunting lyrics and Kirk Hammett’s soaring guitar solo have earned the song a place in metal history, even being ranked by Guitar World readers as having the 24th best guitar solo of all time.

Musically, “Fade to Black” begins with an acoustic intro that builds into a crushingly heavy riff, reflecting the song’s themes of despair and hopelessness. Hetfield’s vocals are restrained and somber, mirroring the lyrical content, which deals with the narrator’s contemplation of death and longing for an escape from unbearable emotional pain. The song resonates with themes of isolation and mental torment, much like Runaway Train by Soul Asylum, as both songs deal with the feeling of losing control and searching for a way out of the darkness. However, while “Runaway Train” speaks more to the spiraling nature of depression, “Fade to Black” delves into the numbness and finality that come with contemplating suicide.

Lyrically, the song reflects a deep sense of loss and disconnection from life. Lines such as “I have lost the will to live / Simply nothing more to give” and “Emptiness is filling me / To the point of agony” portray the crushing weight of depression, capturing the feeling of being consumed by darkness. The song’s final verse, where Hetfield sings, “Now I can’t think / Think why I should even try,” evokes the bleakness of depression, where even the idea of hope seems out of reach. Much like From The Edge of the Deep Green Sea by The Cure, the emotional intensity in “Fade to Black” leaves listeners feeling the heaviness of despair and the desire for release from the overwhelming burden of life.

As a pivotal track on Ride the Lightning, “Fade to Black” is not just one of Metallica’s defining songs, but also a powerful statement on the darker aspects of the human experience, making it an essential inclusion on this list of rock songs about depression. The song’s combination of emotional vulnerability and aggressive instrumentation make it a timeless exploration of mental anguish.

Read More: Complete List Of Metallica Albums And Songs Discography

# 5 – Stolen Car – Bruce Springsteen

“Stolen Car” from Bruce Springsteen’s 1980 album The River is a stark meditation on loneliness, identity, and the emotional devastation of a failing marriage. The song’s narrative centers around a man who finds himself disconnected from the life he built. Recorded in January 1980 at The Power Station in New York, the minimal instrumental arrangement of soft piano, synthesizer, and restrained percussion reflects the haunting isolation at the heart of the song. Springsteen’s vocals are subdued, allowing the story’s emotional weight to shine through.

Lyrically, the song opens with the protagonist reflecting on his once hopeful marriage: “We got married and promised never to part / Then little by little we drifted from each other’s hearts.” This sets the stage for the deep sense of despair that follows. The stolen car serves as a metaphor for the protagonist’s internal turmoil—he’s not literally stealing a car, but rather, he’s lost control of his own life, directionless and yearning for something to anchor him. “Now I’m driving a stolen car on a pitch-black night / And I’m doing my best to make it through,” he sings, capturing the feeling of navigating through a life that has lost its meaning.

The second verse further emphasizes this theme of hopelessness, with the protagonist realizing that his attempts to rekindle his marriage were futile. “At first I thought it was just restlessness / That would fade as time went by and our love grew deep / But in the end it was something more, I guess / That tore us apart and made us weep.” This realization is a painful one, reflecting the common experience of depression—where initial optimism fades into deep sorrow and regret. The narrator’s fear of fading away and “disappearing” into the night is echoed throughout the song, especially when he says, “I ride by night and I travel in fear / That in this darkness I might just disappear.”

The final verse paints a poignant image of a man disconnected not only from his wife but from the world itself. “She asked if I remembered the letters I wrote / When our love was young and we were bold / She said last night she read those letters / And they made her feel a hundred years old.” This reference to their past—the time when love felt strong and new—contrasts sharply with their present, where love has become a distant memory. This sense of emotional aging, of love withering away, ties directly into the feelings of regret and helplessness that permeate the song. The lyrics convey a haunting, almost existential crisis, with the stolen car acting as both a literal and symbolic vehicle for the narrator’s inner journey of loss.

In comparison to Runaway Train by Soul Asylum, both songs delve into the concept of being lost, but Stolen Car is more introspective, focusing on emotional disintegration rather than outward chaos. Springsteen’s protagonist seems resigned to his fate, traveling through the night in search of something he knows he may never find—a sense of belonging or salvation. This feeling of fading away, of becoming invisible, makes Stolen Car a powerful reflection of depression, and its inclusion on this list is essential for understanding how rock music has explored these themes.

Read More: Top 10 Bruce Springsteen Albums

# 4 – Mad World – Tears For Fears

“Mad World,” released by Tears for Fears in 1982, is a quintessential song capturing the emotional weight of depression and disillusionment. Written by Roland Orzabal and sung by bassist Curt Smith, the song was the band’s first chart hit, reaching number three on the UK Singles Chart. It quickly became an international success, offering a haunting reflection on the emptiness of modern life and existential dread. Recorded during the sessions for their debut album, The Hurting (1983), “Mad World” was produced by Ross Cullum and Chris Hughes. The song’s combination of new wave instrumentation and Smith’s plaintive vocals helped cement Tears for Fears as pioneers of emotionally driven synth-pop.

Lyrically, “Mad World” presents a vivid portrayal of despair and alienation. The opening lines, “All around me are familiar faces / Worn out places, worn out faces,” set the tone for a world filled with monotony and hopelessness. The imagery of people going through their daily routines “going nowhere” evokes a sense of emotional paralysis. The protagonist’s detachment is palpable, with lines like, “Hide my head I want to drown my sorrow / No tomorrow, no tomorrow,” revealing his deep sadness and inability to escape the cycle of despair. The chorus, with its famous lines, “The dreams in which I’m dying are the best I’ve ever had,” speaks to a desire for release from the overwhelming pain.

Musically, “Mad World” is carried by its minimalist yet powerful arrangement, using sparse synthesizers and a steady beat to emphasize the lyrics’ emotional depth. Smith’s vocal delivery is hauntingly restrained, allowing the listener to connect more deeply with the protagonist’s sense of isolation. The repetitive nature of the music mirrors the “circles” the song describes, as people navigate life feeling stuck and helpless, making it a fitting anthem for those struggling with depression. As the first song on this list, “Mad World” sets a reflective and poignant tone, examining the darker corners of the human experience, similar in emotional weight to songs like “Stolen Car” by Bruce Springsteen but with its own unique take on melancholy and resignation.

Read More: Top 10 Tears For Fears Songs

# 3 – Lithium – Nirvana

Released as the third single from Nirvana’s 1991 album Nevermind, “Lithium” is one of the band’s most poignant songs about depression. Written by Kurt Cobain, the song narrates the experience of a man on the verge of emotional collapse who turns to religion as a last resort to keep himself from succumbing to suicidal thoughts. Cobain’s raw lyricism explores the psychological ups and downs that accompany depression, while the music alternates between soft verses and loud, cathartic choruses, capturing the emotional volatility of the subject.

Recorded at Sound City Studios in Van Nuys, California, under producer Butch Vig, “Lithium” was one of the most challenging tracks for the band to record, largely because of timing issues during initial takes. Drummer Dave Grohl eventually stabilized the recording with a metronome, and the song was completed as one of the most well-structured pieces on the Nevermind album. With its grunge-infused guitar riffs and dynamic shifts between soft and heavy sections, “Lithium” showcases the band’s ability to channel complex emotions through powerful musical arrangements.

The lyrics to “Lithium” present a juxtaposition of conflicting emotions, reflecting the protagonist’s psychological battle. The opening lines, “I’m so happy ’cause today I found my friends / They’re in my head,” immediately suggest a dissociative state where the protagonist’s ‘friends’ are only imagined, a nod to the isolation he feels despite claiming to be happy. This false sense of happiness continues throughout the song as Cobain contrasts feelings of contentment and deep inner turmoil.

The phrase “I’m so ugly, that’s okay, ’cause so are you” presents a stark admission of low self-worth, yet it’s delivered with a resigned acceptance of his situation. The repetition of “Yeah, yeah, yeah” in the chorus adds a sense of detachment, as if the singer is numbly convincing himself that he’s fine, when in reality, he is struggling to cope.

The chorus brings in one of the song’s most impactful lines, “I’m not gonna crack,” which is repeated like a mantra, almost as if the protagonist is trying to will himself to hold on. Yet, the darker undertones of the song reveal the underlying fear of losing control: “I killed you, I’m not gonna crack.” This could be interpreted as a metaphor for the emotional detachment or destruction that often comes with depression—pushing away or even metaphorically ‘killing’ the people closest to him to protect himself from further pain.

Cobain’s lyrics take the listener on a psychological journey of emotional highs and lows, much like the shifting dynamics in the music. The slow, almost calm verses contrast sharply with the explosive energy of the chorus, symbolizing the volatility of living with depression.

Read More: Top 10 Nirvana Songs

# 2 – Maniac Depression – Jimi Hendrix

“Manic Depression” is a track from The Jimi Hendrix Experience’s iconic 1967 debut album, Are You Experienced. Written by Jimi Hendrix, the song is a raw and electrifying portrayal of emotional turbulence. Although the title references a clinical mental disorder, the song’s lyrics reflect more of a romantic frustration and a feeling of emotional chaos rather than a literal interpretation of manic depression. It captures the essence of feeling stuck between highs and lows, both in love and life, through Hendrix’s unique blend of rock, blues, and psychedelic sound.

Recorded in late 1966 at Olympic Studios in London, the song features Jimi Hendrix on guitar and vocals, Mitch Mitchell on drums, and Noel Redding on bass. Produced by Chas Chandler, the track showcases Hendrix’s signature guitar style, full of raw emotion, and Mitchell’s jazz-inspired drumming in a 3/4 time signature, which is an unusual and striking rhythmic choice for rock music. The triple meter of “Manic Depression” adds a swirling, waltz-like feel to the otherwise aggressive rock sound, a testament to Hendrix’s innovative approach to songwriting and arrangement.

The lyrics of “Manic Depression” are a poetic reflection of a deep emotional struggle, as Hendrix sings, “Manic depression is searching my soul / I know what I want, but I just don’t know / How to go about getting it.” This sense of desire coupled with an inability to attain satisfaction permeates the song, capturing the cyclical nature of feeling stuck between hope and frustration. The line “You make love, you break love, it’s all the same” suggests a pattern of failed romantic endeavors, further reinforcing the song’s themes of emotional highs and lows.

Hendrix’s vocals are filled with intensity as he navigates the tension between passion and despair. The repetition of “Music, sweet music / I wish I could caress, caress, caress” highlights how deeply he longs for solace through music, a form of escape and relief from the mess of emotions he experiences. The phrase “Manic depression is a frustrating mess” sums up the turmoil of feeling overwhelmed by conflicting emotions.

“Manic Depression” is widely regarded as one of Hendrix’s more introspective songs, with critics noting its ability to convey emotional chaos through both lyrics and music. The song didn’t chart as a single but has become a staple in Hendrix’s catalog and is featured on many live recordings, including BBC Sessions and Winterland. Hendrix’s guitar work on this track, coupled with Mitchell’s inventive drumming, has been praised for its complexity and creativity, influencing generations of rock musicians.

The song has been covered by artists such as Ace Frehley and King’s X, both of whom brought their own interpretations to Hendrix’s emotional depth. Despite its more personal and reflective nature, “Manic Depression” fits perfectly within the energetic and experimental world of Are You Experienced, standing as a testimony to Hendrix’s ability to blend vulnerability with groundbreaking musicianship.

Read More: Top 10 Jimi Hendrix Songs

# 1 – Behind Blue Eyes – The Who

“Behind Blue Eyes,” written by Pete Townshend and performed by The Who, is one of rock’s most iconic ballads and a fitting conclusion for a list of songs focused on depression. Released as the second single from the band’s Who’s Next album in 1971, the song delves into feelings of alienation, emotional turmoil, and isolation. Originally conceived as part of Townshend’s abandoned Lifehouse project, the song’s lyrics are written from the perspective of the villain Jumbo, giving a deeply personal view of someone who feels misunderstood, burdened by their role as the “bad man.” It blends folk-like softness with a powerful, hard-hitting climax, making it one of the most emotional songs from the album.

Recorded at Olympic Studios in London, Who’s Next was produced by Glyn Johns and features Roger Daltrey on vocals, Pete Townshend on acoustic and electric guitars, John Entwistle on bass, and Keith Moon on drums. The track begins with soft, acoustic guitar arpeggios and builds into a full band crescendo in the second half, adding intensity to the emotions expressed in the lyrics. The studio’s production expertise is evident in the seamless transition from the intimate, melancholic opening to the explosive release of frustration and anger, one of the most memorable contrasts in the band’s catalog.

The lyrics of “Behind Blue Eyes” are a powerful reflection on the internal struggle of someone who is misunderstood and trapped by societal expectations. Townshend’s protagonist confesses, “No one knows what it’s like / To be the bad man / To be the sad man / Behind blue eyes,” offering a glimpse into the isolation of someone who is perceived as villainous but is battling deep emotional scars. The line “My love is vengeance that’s never free” conveys the complexity of his inner world, where love is intertwined with bitterness and vengeance. His dreams and conscience are not aligned, leaving him isolated and lost in a sea of conflicting emotions.

Townshend’s personal connection to the song comes through in the lyrics inspired by his own struggles, particularly after a tour performance when he resisted temptation and chose solitude. The refrain of “When my fist clenches, crack it open / Before I use it and lose my cool” encapsulates the emotional tension, asking for help before anger consumes him. The juxtaposition between inner vulnerability and outward toughness speaks to the protagonist’s struggle to navigate his feelings of anger and sadness.

“Behind Blue Eyes” stands out in The Who’s discography for its emotional depth and the way it grapples with inner conflict, making it one of the band’s most enduring tracks. While its thematic focus on alienation and unresolved feelings of frustration connects it to other rock songs about depression, the song’s soft-to-heavy structure offers a contrast to many songs on this list. The melancholy tone in the first half mirrors the feelings expressed in “Runaway Train” by Soul Asylum, while the explosive release of anger and frustration in the second half provides a catharsis not found in more consistently somber tracks.

The song’s chart success, reaching No. 34 on the US Billboard Hot 100, as well as its numerous cover versions—including a notable rendition by Limp Bizkit—attest to its lasting influence. Its raw portrayal of emotional conflict resonates deeply with listeners, making “Behind Blue Eyes” a powerful closing track for a list of rock songs that explore the darkest corners of human emotion.

Read More: Complete List Of The Who Studio Albums And Songs

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Steeleye Span have announced a run of live dates for April and May, as well as offering an update on their latest studio album.

Founding member and singer Maddy Piro heads a line-up that includes Liam Genockey (drums), Julian Littman (guitar and keyboards), Roger Carey (bass), Andrew “Spud” Sinclair (guitar) and latest addition, violinist Athena Octavia (who also plays in indie folk act Iris & Steel) for an 18-date run around England, kicking off at Alnwick Playhouse on April 25 and running through to Dorchester’s Hardye Theatre on May 17.

The band’s new studio album, titled Conflict, is currently at the mixing and mastering stage. Said to encompass the rockier side of the band Conflict is slated for a general release later this year, in time for the band’s traditional November and December run of live dates, although there remains a chance that, if completed, it may make the merch stand on the Spring run of dates,

You can see the full run of live dates and ticket details below.

Steeleye Span Spring tour dates

Apr 25: Alnwick Playhouse
Apr 26: Harrogate Theatre
Apr 27: Scunthorpe Plowright Theatre
Apr 29: Southport Atkinson Arts
Apr 30: Rhyl Pavilion Theatre
May 1: Kendal Brewery Arts
May 2: Pocklington Arts Centre
May 4: Middlesbrough Theatre
May 6: Hereford The Courtyard
May 7: Newport Riverfront
May 8: Walsall Arena
May 10: Hunstanton Princess Theatre
May 11: Newark Palace Theatre
May 12: Leamington Spa Royal Spa Centre
May 14: Milton Keynes The Stables
May 15: Salisbury Arts Centre
May 16: East Grinstead Chequer Mead Theatre
May 17: Dorchester Hardye Theatre

Get tickets.

Nu metal band Nonpoint have turned to their fans for help writing their next album.

On Wednesday (February 19), the Florida five-piece, best-known for 2005 single Bullet With A Name and their metallic take on Phil Collins’ In The Air Tonight, took to social media, asking for their following to suggest potential song titles and lyrical themes in exchange for a shout-out in their next record’s liner notes.

“Want some new music from the Nonpoint squad?” the band asked. “We just so happen to be writing. Give us some ideas for titles and subject matter you’d love to hear in the comments. If we pick yours we’ll give you a shoutout on the album credits thanking you for the inspiration!”

So far, responses to the request have varied wildly, with one fan asking for lyrics about sleep paralysis while another suggests covering Chicago by Michael Jackson. Have your say by commenting on the embedded Instagram post below.

Nonpoint were formed in Fort Lauderdale in 1997 by vocalist Elias Soriono and drummer Robb Riviera. They debuted with 2000 album Statement, which reached number 166 on the US Billboard 200 charts. 2002 follow-up Development is currently their highest-charting record, having reached number 52 on the Billboard 200.

In 2004, Nonpoint’s version of In The Air Tonight cover reached number 3 on the US Bubbling Under Hot 100 singles chart. Bullet With A Name later found crossover appeal when it appeared on the soundtrack for WWE SmackDown vs. Raw 2007.

The band’s latest album, X, came out in 2018. Soriano declared his intention to start writing their next release last year. “We’re creators, and we’re constantly creating, so we’re sitting on a ton of music,” he told DJ Force X (via Blabbermouth). “It’s just about which ones kind of work together and kind of fit together and we wanna finally put together into a body of work.”