Complete List Of The Cranberries Songs From A to Z

Complete List Of The Cranberries Songs From A to Z

Feature Photo: Poudou99, CC BY 3.0 , via Wikimedia Commons

The Cranberries emerged as a defining voice of 1990s alternative rock, hailing from Limerick, Ireland. The band was originally formed in 1989 by brothers Noel Hogan (guitar) and Mike Hogan (bass), along with drummer Fergal Lawler and vocalist Niall Quinn. However, it was Dolores O’Riordan, who replaced Quinn in 1990, whose distinctive voice and poetic lyricism propelled the group into global prominence. Her raw yet ethereal vocals became the band’s signature sound, intertwining seamlessly with their melodic, guitar-driven compositions.

The Cranberries began their ascent in the early 1990s after signing with Island Records. Their debut album, Everybody Else Is Doing It, So Why Can’t We?, released in 1993, featured the breakout hits “Linger” and “Dreams,” both of which showcased O’Riordan’s emotive vocal delivery and the band’s knack for crafting memorable melodies. The album achieved massive commercial success, reaching multi-platinum status and marking the start of the band’s global impact.

Their second album, No Need to Argue (1994), cemented their place in rock history with the iconic protest anthem “Zombie,” a visceral response to the violence of the Troubles in Northern Ireland. The song’s haunting lyrics and grungy intensity contrasted with their earlier work, demonstrating the band’s versatility. No Need to Argue became their best-selling album, achieving platinum and multi-platinum certifications worldwide.

Over their career, The Cranberries released eight studio albums, including To the Faithful Departed (1996), which explored themes of mortality and social issues, and Bury the Hatchet (1999), which marked a return to their melodic roots after the more experimental tone of its predecessor. Following their hiatus in 2003, the band reunited in 2009 and released additional albums such as Roses (2012) and In the End (2019), the latter serving as a poignant farewell following O’Riordan’s untimely death in 2018.

The Cranberries’ contributions to music were widely celebrated. They received several international accolades, including nominations for MTV Europe Music Awards and recognition for their artistic and cultural impact. Their ability to merge deeply personal themes with universal resonance endeared them to fans worldwide. Tracks like “Ode to My Family,” “When You’re Gone,” and “Animal Instinct” remain beloved for their emotional depth and timeless appeal.

Beyond their music, The Cranberries, particularly Dolores O’Riordan, were active in philanthropy and social causes. O’Riordan often used her platform to advocate for peace and address societal issues, amplifying the band’s influence beyond the charts. Their music became a voice for a generation grappling with political turmoil and personal introspection.

The Cranberries’ legacy is marked by over 50 million records sold worldwide and a discography that continues to inspire new listeners. Their ability to balance introspective ballads with powerful rock anthems ensured their place as one of the most significant bands of their era. Even after O’Riordan’s passing, their music remains a testament to their enduring artistry and the profound emotional connection they forged with audiences.

(A-D)

“7 Years” – CD-R test pressing of Wake Up and Smell the Coffee (2001)
“A Fast One”Water Circle (1990, as The Cranberry Saw Us)
“A Place I Know”In the End (2019)
“All Over Now” † – In the End (2019)
“Always” – Bonus track on the iTunes release of Roses (2012)
“Analyse” † – Wake Up and Smell the Coffee (2001)
“Animal Instinct” † – Bury the Hatchet (1999)
“Astral Projections”Roses (2012)
“Away” – B-side of “Zombie” (1994)
“Baby Blues” – B-side of “Animal Instinct” (1999)
“Bosnia”To the Faithful Departed (1996)
“Cape Town” – Bonus track on Wake Up and Smell the Coffee (2001)
“Carry On”Wake Up and Smell the Coffee (2001)
“Catch Me If You Can”In the End (2019)
“Chocolate Brown”Wake Up and Smell the Coffee (2001)
“Chrome Paint”Water Circle (1990, as The Cranberry Saw Us)
“(They Long to Be) Close to You” (Carpenters cover) – If I Were a Carpenter (1994)
“The Concept”Wake Up and Smell the Coffee (2001)
“Conduct”Roses (2012)
“Copycat” ‡ – Bury the Hatchet (1999)
“Cordell”To the Faithful Departed (1996)
“Crazy Heart”In the End (2019)
“Daffodil Lament”No Need to Argue (1994)
“Delilah”Bury the Hatchet (1999)
“Desperate Andy”Bury the Hatchet (1999)
“Disappointment”No Need to Argue (1994)
“Do You Know”Wake Up and Smell the Coffee (2001)
“Dreaming My Dreams” ‡ – No Need to Argue (1994)
“Dreams” † – Everybody Else Is Doing It, So Why Can’t We? (1992)
“Dying In The Sun”Bury the Hatchet (1999)
“Dying Inside”Wake Up and Smell the Coffee (2001)

(E-H)

“Electric Blue”To the Faithful Departed (1996)
“Empty”No Need to Argue (1994)
“Every Morning”Wake Up and Smell the Coffee (2001)
“Everything I Said”No Need to Argue (1994)
“Fee Fi Fo”Bury the Hatchet (1999)
“Fire & Soul” ‡ – Roses (2012)
“Forever Yellow Skies”To the Faithful Departed (1996)
“Free to Decide” † – To the Faithful Departed (1996)
“The Glory”Something Else (2017)
“Go Your Own Way” (Fleetwood Mac cover) – Legacy: A Tribute to Fleetwood Mac’s Rumours (1998)
“God Be With You”The Devil’s Own (Original Soundtrack) (1997, credited to O’Riordan)
“Good Morning God”Anything (1990, as The Cranberry Saw Us)
“Got It”In the End (2019)
“Hollywood” † – To the Faithful Departed (1996)
“How”Everybody Else Is Doing It, So Why Can’t We? (1993)
“How’s It Going To Bleed”Anything (1990, as The Cranberry Saw Us)

(I-J)

“I Can’t Be with You” † – No Need to Argue (1994)
“I Don’t Need” – B-side of “Zombie” (1994)
“I Just Shot John Lennon”To the Faithful Departed (1996)
“I Really Hope”Wake Up and Smell the Coffee (2001)
“I Still Do”Everybody Else Is Doing It, So Why Can’t We? (1993)
“I Will Always”Everybody Else Is Doing It, So Why Can’t We? (1993)
“The Icicle Melts”No Need to Argue (1994)
“I’m Still Remembering” ‡ – To the Faithful Departed (1996)
“Illusion”In the End (2019)
“In It Together” – Bonus track on Roses (2012)
“In The End”In the End (2019)
“In the Ghetto” (Elvis Presley cover) – Bonus track on Wake Up and Smell the Coffee (2001)
“Intermission”To the Faithful Departed (1996)
“Íosa”Everybody Else Is Doing It, So Why Can’t We? (25th Anniversary Edition) (2018)
“Joe”To the Faithful Departed (1996)
“Just My Imagination” † – Bury the Hatchet (1999)

(L)

“Liar” ‡ – B-side of “Linger” (1993)
“Linger” † – Everybody Else Is Doing It, So Why Can’t We? (1993)
“Losing My Mind”Roses (2012)
“Lost”In the End (2019)
“Loud and Clear”Bury the Hatchet (1999)

(M-N)

“Many Days” – Asian Tour Edition of Wake Up and Smell the Coffee (2001)
“Never Grow Old”Wake Up and Smell the Coffee (2001)
“New New York”Stars: The Best of 1992–2002 (2002)
“No Need to Argue”No Need to Argue (1994)
“Not Sorry”Everybody Else Is Doing It, So Why Can’t We? (1993)
“Nothing Left at All”Uncertain (1991)

(O-P)

“Ode to My Family” † – No Need to Argue (1994)
“Paparazzi on Mopeds” – B-side of “Animal Instinct” (1999)
“Pathetic Senses”Uncertain (1991)
“Perfect World” – Bonus track on Roses (Extended Version) (2012)
“The Picture I View” – B-side of “Free to Decide” (1996)
“Pretty”Everybody Else Is Doing It, So Why Can’t We? (1993)
“Pretty Eyes”Wake Up and Smell the Coffee (2001)
“The Pressure”In the End (2019)
“Promises” † – Bury the Hatchet (1999)
“Put Me Down”Everybody Else Is Doing It, So Why Can’t We? (1993)

(R)

“Raining in My Heart” ‡ – Roses (2012)
“Reason” – B-side of “Linger” (1993)
“The Rebels”To the Faithful Departed (1996)
“Ridiculous Thoughts” † – No Need to Argue (1994)
“Roses”Roses (2012)
“Rupture”Something Else (2017)

(S)

“Salvation” † – To the Faithful Departed (1996)
“Saving Grace”Bury the Hatchet (1999)
“Schizophrenic Playboys”Roses (2012)
“Serendipity” – Bonus track on Roses (2012)
“Shattered”Bury the Hatchet (1999)
“Shine Down”Nothing Left at All (1990, as The Cranberry Saw Us)
“Show Me” ‡ – Roses (2012)
“So Cold in Ireland” – B-side of “Ode to My Family” (1994)
“So Good”Roses (2012)
“Someday” – Bonus track on the Japanese release of Roses (2012)
“Sorry Son”Bury the Hatchet (1999)
“Stars” † – Stars: The Best of 1992–2002 (2002)
“Still Can’t…” ‡ – Everybody Else Is Doing It, So Why Can’t We? (1993)
“Stop Me” – Bonus track on the iTunes Canada release of Roses (2012)
“Storm in a Teacup”Anything (1990, as The Cranberry Saw Us)
“Such a Shame”Bury the Hatchet (The Complete Sessions) (2000)
“Such a Waste” – Bonus track on “This Is the Day” (2002)
“Summer Song”In the End (2019)
“Sunday” ‡ – Everybody Else Is Doing It, So Why Can’t We? (1993)

(T-Z)

“The Sweetest Thing” – B-side of “Promises” (1999)
“Them”Uncertain (1991)
“This Is The Day” † – Wake Up and Smell the Coffee (2001)
“Throw Me Down a Big Stairs”Anything (1990, as The Cranberry Saw Us)
“Time is Ticking Out” † – Wake Up and Smell the Coffee (2001)
“Tomorrow” † – Roses (2012)
“Twenty One”No Need to Argue (1994)
“Uncertain”Uncertain (1991)
“Waiting in Walthamstow” ‡ – Roses (2012)
“Wake Me When It’s Over” † – In the End (2019)
“Wake Up And Smell The Coffee”Wake Up and Smell the Coffee (2001)
“Waltzing Back”Everybody Else Is Doing It, So Why Can’t We? (1993)
“Wanted”Everybody Else Is Doing It, So Why Can’t We? (1993)
“War Child”To the Faithful Departed (1996)
“What You Were” – B-side of “Dreams” (1992)
“What’s On My Mind”Bury the Hatchet (1999)
“When You’re Gone” † – To the Faithful Departed (1996)
“Why?” † – Something Else (2017)
“Will You Remember?”To the Faithful Departed (1996)
“Woman Without Pride”Bury the Hatchet (The Complete Sessions) (2000)
“Yeats’ Grave”No Need to Argue (1994)
“You and Me” † – Bury the Hatchet (1999)
“Zombie” † – No Need to Argue (1994)

Steeleye Span announce Spring tour and update on new studio album

Steeleye Span have announced a run of live dates for April and May, as well as offering an update on their latest studio album.

Founding member and singer Maddy Piro heads a line-up that includes Liam Genockey (drums), Julian Littman (guitar and keyboards), Roger Carey (bass), Andrew “Spud” Sinclair (guitar) and latest addition, violinist Athena Octavia (who also plays in indie folk act Iris & Steel) for an 18-date run around England, kicking off at Alnwick Playhouse on April 25 and running through to Dorchester’s Hardye Theatre on May 17.

The band’s new studio album, titled Conflict, is currently at the mixing and mastering stage. Said to encompass the rockier side of the band Conflict is slated for a general release later this year, in time for the band’s traditional November and December run of live dates, although there remains a chance that, if completed, it may make the merch stand on the Spring run of dates,

You can see the full run of live dates and ticket details below.

Steeleye Span Spring tour dates

Apr 25: Alnwick Playhouse
Apr 26: Harrogate Theatre
Apr 27: Scunthorpe Plowright Theatre
Apr 29: Southport Atkinson Arts
Apr 30: Rhyl Pavilion Theatre
May 1: Kendal Brewery Arts
May 2: Pocklington Arts Centre
May 4: Middlesbrough Theatre
May 6: Hereford The Courtyard
May 7: Newport Riverfront
May 8: Walsall Arena
May 10: Hunstanton Princess Theatre
May 11: Newark Palace Theatre
May 12: Leamington Spa Royal Spa Centre
May 14: Milton Keynes The Stables
May 15: Salisbury Arts Centre
May 16: East Grinstead Chequer Mead Theatre
May 17: Dorchester Hardye Theatre

Get tickets.

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This nu metal band want YOUR ideas for song titles and lyrics: “If we pick yours we’ll give you a shoutout on the album credits”

Nu metal band Nonpoint have turned to their fans for help writing their next album.

On Wednesday (February 19), the Florida five-piece, best-known for 2005 single Bullet With A Name and their metallic take on Phil CollinsIn The Air Tonight, took to social media, asking for their following to suggest potential song titles and lyrical themes in exchange for a shout-out in their next record’s liner notes.

“Want some new music from the Nonpoint squad?” the band asked. “We just so happen to be writing. Give us some ideas for titles and subject matter you’d love to hear in the comments. If we pick yours we’ll give you a shoutout on the album credits thanking you for the inspiration!”

So far, responses to the request have varied wildly, with one fan asking for lyrics about sleep paralysis while another suggests covering Chicago by Michael Jackson. Have your say by commenting on the embedded Instagram post below.

Nonpoint were formed in Fort Lauderdale in 1997 by vocalist Elias Soriono and drummer Robb Riviera. They debuted with 2000 album Statement, which reached number 166 on the US Billboard 200 charts. 2002 follow-up Development is currently their highest-charting record, having reached number 52 on the Billboard 200.

In 2004, Nonpoint’s version of In The Air Tonight cover reached number 3 on the US Bubbling Under Hot 100 singles chart. Bullet With A Name later found crossover appeal when it appeared on the soundtrack for WWE SmackDown vs. Raw 2007.

The band’s latest album, X, came out in 2018. Soriano declared his intention to start writing their next release last year. “We’re creators, and we’re constantly creating, so we’re sitting on a ton of music,” he told DJ Force X (via Blabbermouth). “It’s just about which ones kind of work together and kind of fit together and we wanna finally put together into a body of work.”

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Bloodstock festival announces one-day Winter Gathering event headlined by doom legends Candlemass

Bloodstock Open Air has announced a Winter Gathering offshoot for December.

The Derbyshire-based festival will take over KK’s Steel Mill down the road in Wolverhampton for a one-day, two-stage event on December 6. Headliners Candlemass have been confirmed and tickets are on sale now.

Joining Candlemass on the lineup’s main stage will be Venom Inc. playing their 2018 album Ave in full, plus Raised By Owls, Hellripper, Tortured Demon and King Kraken. Acts confirmed for the second stage are Red Method, Thuum and Hellripper.

Also at the event will be signing sessions, DJs and more activities still to be announced.

Candlemass comment: “Candlemass are proud to be a part of the Bloodstock Winter Gathering! We have always felt welcome on British soil and we’re excited to be there once again and deliver our special brand of Swedish doom metal! See ya all soon… Love you!!!”

The Winter Gathering will follow the 2025 edition of Bloodstock Open Air, set to be held at Catton Hall from August 7 to 10. Headlining the four-day outdoor weekender will be Trivium, Machine Head and Gojira. Weekend tickets have already sold out, as have day tickets for the Sunday with Gojira. Day tickets for Friday (featuring Trivium) and Saturday (featuring Machine Head) are still available.

Rounding out the Bloodstock bill will be Emperor, Lacuna Coil, Lord Of The Lost, Mastodon, Ministry and many more.

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Earlier this week, Machine Head announced details of their new album. Unatoned will be released on April 25 via Nuclear Blast and Imperium, and the singles These Scars Won’t Define Us and Unbound are currently streaming.

During an exclusive interview with Metal Hammer last year, Trivium frontman Matt Heafy revealed the band will play their 2005 breakthrough album Ascendancy in full during their slot. They are currently performing the record in its entirety on a European tour with Bullet For My Valentine.

“We’ve discussed adding in the special-edition original songs as well,” Heafy also told us, referencing Ascendancy’s bonus tracks Blinding Tears Will Break The Skies and Washing Away Me In The Tides.

A mysterious new band has been added to Download 2025 and the internet is convinced it’s Sleep Token-related

The internet is convinced that a mysterious new band added to the Download 2025 lineup have something to do with Sleep Token.

On Tuesday (February 18), the Leicestershire festival added 22 new names to this year’s bill, with one of them being an as-yet-unheard act called President. Little is known about the project, whose members are thus far unnamed. Their profile on the Download app reads, “No names. No past. No distractions. Only the mission ahead.”

On Instagram, President have posted several enigmatic images with captions that include “Join the campaign” and “The campaign commences soon”. The band’s website is currently hosting a countdown set to expire at midnight UK time on Friday, May 16.

The mystery has inherently led to some internet sleuths drawing parallels between this new outfit and similarly faceless superstars Sleep Token, who are headlining Download for the very first time in 2025.

In a Reddit thread with the title “Who/what are President (band)?”, one fan comments: “Could potentially be related to Sleep Token in some way. Download is a massive moment for them, could potentially be a way to signal a ‘new era’ for them?”

It’s understandable for the British progressive metal figureheads’ following to be in a puzzle-solving mood, as Sleep Token have been putting out some teasers of their own lately.

On Tuesday, a new TikTok account linked to the band began directing people to the website showmehowtodanceforever.com. The site hosts a cryptic word game that, when solved, asks the user to sign up to a mailing list. Many sources report that fans then receive an email sorting them into one of two ‘houses’.

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It seems that new Sleep Token music is on the horizon, given the band inked a deal with major label RCA last year and have been teasing a ‘new era’ for quite some time.

Download 2025 will take place at Donington Park from June 13 to 15. Korn and Green Day will headline along with Sleep Token. Weezer, the Sex Pistols, Bullet For My Valentine, Spiritbox and more will also appear across the weekend.

25 Under the Radar Albums From 1975

25 Under the Radar Albums From 1975

1975 wasn’t so much pivotal in the history of popular music as it was a direct representation of where things had come from and were heading at the decade’s midpoint.

Records by Bruce Springsteen, Bob Dylan (two of them!), Patti Smith and Led Zeppelin have been lauded time and time again. And rightfully so – these records continue to matter decades after their initial impact.

But beneath the levels of the Pink Floyd and Queen albums that often show up at the top of the “best of” rankings for 1975 lurks smaller records with impacts slightly less gigantic, as UCR details in the below list of 25 Under the Radar Albums From 1975.

READ MORE: Top 40 Songs of 1975

While it may seem odd to tag some of these albums as “under the radar” – particularly ones made by a former member of the biggest and most influential group of the 20th century and No. 1 Billboard hits – decades removed from their release, these LPs have rarely entered serious discussions when it comes to the year’s or artists’ best work.

The below albums cover several genres: pop, country, jazz and soft rock, in addition to the ubiquitous FM rock of the era. They also span big names and one-hit wonders to a few regrettably forgotten acts who never caught their big break. The one thing they have in common is that they deserve to be better known and talked about with Born to RunBlood on the Tracks and Horses. Now’s the time to catch up on what you may have missed.

25 Under the Radar Albums From 1975

You already know the Dylan, Springsteen and Zeppelin classics that came out that year. Now it’s time to go deeper.

Gallery Credit: Michael Gallucci

More From Ultimate Classic Rock

Tom Hamilton of Aerosmith: The ClassicRockHistory.com Interview

Tom Hamilton of Aerosmith Interview

Feature Photo by Aaron Perry

For more than 50 years, bassist Tom Hamilton anchored Aerosmith as both its founding member and one and only bassist. Hamilton co-wrote classics, like “Sick as a Dog” from 1976’s Rocks and “Janie’s Got a Gun” from 1989’s Pump, even if he does refer to the latter as a “Steven track.”

To that end, the only thing that rivals Hamilton’s monstrous presence on bass is his humility. And it’s that and more that he carries into his first post-Aerosmith project, Close Enemies. “This was something I wanted to do while waiting to see what was going to happen with Aerosmith,” Hamilton says.

Adding: “When Aerosmith had to tragically cancel our tour and retire from future touring, it was awesome to have something so promising to be involved with.”

Speaking of Aerosmith, which halted its Peace Out Tour in September of 2023 after vocalist Steven Tyler fractured his larynx during a performance on Long Island and then shuttered its doors for good in August of 2024 when Tyler’s recovery didn’t go as planned, Hamilton is tight-lipped.

Hamilton also declined to comment on Steven Tyler’s recent live appearance alongside Nuno Bettencourt (and others)—which seemed to potentially crack the Aerosmith-relate door open again—while raising funds to aid those impacted by the tragic fires that decimated communities across California.

But the veteran bassist beams when reflecting on his recent work with Close Enemies. “Obviously, I’m proud of the song that I brought in and grateful for the ideas that everyone contributed to help finish it and give the song its atmosphere.”

“Overall,” he says. “I’m happy with my playing on this record. It’s been great to have the time to try out whatever ideas came into my head and have the support of the other guys.”

Tell us how Close Enemies formed.

Trace Foster, Peter Stroud, and Tony Brock came up to Boston about three years ago and offered to help me develop some song ideas.  We worked for a few days and then it was time for me to get back into Aerosmith mode and get ready for what would eventually be our Peace Out Tour.

While I was doing that, they went back to Atlanta and started writing songs. When the Aerosmith tour had to be canceled, Trace called and asked if I would be interested in joining them. I heard the songs they had written, and I was blown away.

I headed down to Peter’s house in Atlanta. The first day I was there, we worked up a track that eventually became a song called “Wink and a Feather.” I should also mention that Gary Stier was there as well and had been involved in writing the songs they had developed.

The next day, I played them a demo of a song I was working on that I was calling “More Than I Could Ever Need.” I only had to play it for everybody once, and by the end of that afternoon, we had a track.  It felt amazing to be with a group of people who were so responsive to my ideas. I loved it and was hooked.

What’s your songwriting process like for this now that you’re in the forefront rather than off to the side?

I’ve never considered myself to be at the forefront. I was joining something that was already most of the way established. I’m happy if my name and history help things along, but this isn’t “my band.” When I’m with Close Enemies, I don’t feel like I’m at the “forefront” any more than with Aerosmith; I feel like I’m “off to the side.” I’m happy to be an integral part of both bands. I look forward to bringing more song ideas to Close Enemies when the time comes.

You co-wrote Aerosmith’s “Sick as a Dog” and “Janie’s Got a Gun.” Tell us about that and how those experiences lend themselves to your approach with Close Enemies.

Those two songs came along during times when I was simply spending time having fun playing my guitar. In his book, Alex Van Halen talks about song ideas already being out there in the ether, and it’s just a matter of finding them.

I wrote the guitar parts to “Sick as a Dog” when we were working on the Rocks album, and thanks to the support of our producer, Jack Douglas, it made it onto the record. Years later, I came into the studio with a song idea when we were writing for the Pump album. Steven Tyler took a chord progression from it and used it for the intro to “Janie’s Got a Gun.” From there, he wrote the song. I consider that one a Steven song.

How do Close Enemies differ from what you’re known for, if at all? Does this feel like a fresh start?

Close Enemies is a more relaxed situation. There’s still the element of striving to be a great band with great songs but the overall atmosphere is a little more chill. As far as the material goes, it feels totally natural. I’ve never felt like I had to adjust to a new style. I think when the fans become more familiar with our songs, they’ll feel the same way.

What are the advantages of coming from a huge band to a smaller act? Is it almost like your early days?

I’ve never felt like I was coming from something huge to something small. I’m happy to let the outside world decide about hugeness and smallness. I’m more oriented towards the quality of the songs and the musicianship of these guys. It feels like we all went to the same school.

What gear are you using and why? What’s the secret to your bass tone?

Gear-wise, I’m using my beloved G&L ASAT and a Duesenberg Starplayer. I added my bass tracks at home using Logic and a Universal Audio Apollo Twin. I’m using the UAD SVT plug-in and a little compression right in Logic. Simple and effective.

I love to use the UAD Precision Maximizer as well and sometimes the Waves R Bass. The cool thing is that when it’s time to mix, we can use any combination of the above or whatever else comes along.  Live I’m using an SVT with a single Gallien Krueger 4×10 cabinet.

For the icing on the cake, I’m using an Original Effects Bass Rig pedal that sounds amazing! It’s easily the best pedal I’ve ever used. I get the crunch and drive I want with no loss in the bottom end.

What songs stand out most here and why? What are you most proud of with this project?

I’m really excited and proud of my track on the song we have out now, which is called “Sound of a Train.” In the original demo, there was a bass track by a great bass player named Robert Kearns. It was a challenge to cover the priorities of what the song wanted yet in my own way.

Artists’ Interviews Directory At ClassicRockHistory.com

Tom Hamilton of Aerosmith: The ClassicRockHistory.com Interview article published on Classic RockHistory.com© 2025

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Complete List Of Amy Winehouse Songs From A to Z

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Complete List Of Amy Winehouse Songs From A to Z

Feature Photo:Rama, CC BY-SA 2.0 FR , via Wikimedia Commons

Amy Winehouse was not just a singer but a voice that redefined modern soul music, blending raw emotion with classic jazz and R&B influences. Born on September 14, 1983, in Southgate, London, she grew up in a family deeply connected to music, with a father who adored Frank Sinatra and a mother who supported her creative pursuits. Winehouse’s unique talent emerged early, as she attended the Sylvia Young Theatre School, where her voice began to set her apart as a future icon.

Her professional career began in earnest with the release of her debut album, Frank, in 2003. A critically acclaimed record with a heavy jazz influence, it featured original compositions co-written by Winehouse and demonstrated her lyrical depth and vocal range. Tracks like “Stronger Than Me” showcased her distinct ability to merge modern themes with a vintage musical sensibility, earning her nominations for the Mercury Prize and Brit Awards.

Winehouse’s second album, Back to Black (2006), propelled her to global superstardom. Featuring collaborations with producer Mark Ronson, the album drew on Motown-inspired melodies and 1960s girl-group harmonies. Its standout tracks, including “Rehab,” “You Know I’m No Good,” and the haunting title track “Back to Black,” resonated with audiences worldwide. The album’s critical and commercial success earned Winehouse five Grammy Awards in 2008, including Record of the Year and Song of the Year for “Rehab,” making her the first British woman to win five Grammys in a single night.

Winehouse’s live performances were as unforgettable as her records, with her soulful contralto voice captivating audiences. Her band included accomplished musicians who complemented her raw talent, making each show an intimate, powerful experience. However, her struggles with substance abuse and publicized personal challenges often overshadowed her artistic accomplishments, adding a tragic dimension to her story.

Amy Winehouse’s influence extended far beyond her music. Her signature beehive hairstyle and retro fashion choices became cultural hallmarks, inspiring trends in fashion and music. More importantly, her success helped pave the way for a new wave of female artists, such as Adele, who cited Winehouse as a key influence on their careers.

Tragically, Winehouse’s life was cut short when she passed away from alcohol poisoning on July 23, 2011, at the age of 27. Despite her untimely death, her legacy lives on through her groundbreaking albums and the Amy Winehouse Foundation, established by her family to support young people struggling with addiction and mental health challenges.

Amy Winehouse remains a symbol of unfiltered artistry, vulnerability, and resilience. Her ability to channel personal pain into universal truths, combined with her unparalleled voice, ensures that her music will continue to resonate with generations to come.

(A-K)

“A Song for You”Lioness: Hidden Treasures (2011)
“Addicted”Back to Black (2006)
“Amy Amy Amy”/”Outro”/”Brother”/”Mr. Magic (Through the Smoke)”Frank (2003)
“Back to Black”Back to Black (2006)
“Best Friends, Right?”Lioness: Hidden Treasures (2011)
“Best Friends, Right?” (Leicester Summer Sundae 2004)Amy Winehouse at the BBC (2012)
“Between the Cheats”Lioness: Hidden Treasures (2011)
“Body and Soul” (with Tony Bennett) – Lioness: Hidden Treasures (2011)
“Close to the Front”Back to Black (2006)
“Cupid”Back to Black (2006)
“Fu*k Me Pumps”Frank (2003)
“Fu*k Me Pumps” (T in the Park 2004) Amy Winehouse at the BBC (2012)
“Half Time”Lioness: Hidden Treasures (2011)
“He Can Only Hold Her”Back to Black (2006)
“Help Yourself”Frank (2003)
“Hey Little Rich Girl” (with Zalon and Ade) – Back to Black (2006)
“I Heard Love Is Blind”Frank (2003)
“In My Bed”Frank (2003)
“In My Bed” (T in the Park 2004) Amy Winehouse at the BBC (2012)
“I Should Care” (The Stables 2004)
Amy Winehouse at the BBC (2012)
“Just Friends”Back to Black (2006)
“Just Friends” (Big Band Special 2009) Amy Winehouse at the BBC (2012)
“Know You Now”Frank (2003)
“Know You Now” (Leicester Summer Sundae 2004)Amy Winehouse at the BBC (2012)

(L-Z)

“Love Is a Losing Game”Back to Black (2006)
“Love Is a Losing Game” (Jools Holland 2009) Amy Winehouse at the BBC (2012)
“Like Smoke” (featuring Nas) – Lioness: Hidden Treasures (2011)
“Lullaby of Birdland” (The Stables 2004) Amy Winehouse at the BBC (2012)
“Me & Mr Jones”Back to Black (2006)
“Monkey Man”Back to Black (2006)
“Moody’s Mood for Love”/”Teo Licks”Frank (2003)
“October Song”Frank (2003)
“October Song” (T in the Park 2004)
“Our Day Will Come”Lioness: Hidden Treasures (2011)
“Rehab”Back to Black (2006)
“Rehab” (Pete Mitchell 2006)
“Some Unholy War”Back to Black (2006)
“Stronger Than Me [Jazz Intro]”Frank (2003)
“Take the Box”Frank (2003)
“Tears Dry on Their Own”Back to Black (2006)
“Tears Dry on Their Own” (Jo Whiley Live Lounge 2007) Amy Winehouse at the BBC (2012)
“The Girl from Ipanema”Lioness: Hidden Treasures (2011)
“(There Is) No Greater Love”Frank (2003)
“To Know Him Is to Love Him”Back to Black (2006)
“To Know Him Is to Love Him” (Pete Mitchell 2006) Amy Winehouse at the BBC (2012)
“Valerie”Version (album by Mark Ronson) (2006)
“Valerie” (Jo Whiley Live Lounge 2007)Amy Winehouse at the BBC (2012)
“Wake Up Alone”Back to Black (2006)
“What Is It About Men”Frank (2003)
“Will You Still Love Me Tomorrow?”Lioness: Hidden Treasures (2011)
“You Know I’m No Good”Back to Black (2006)
“You Know I’m No Good” (Jo Whiley Live Lounge 2007)Amy Winehouse at the BBC (2012)
“You Sent Me Flying”/”Cherry”Frank (2003)
“You’re Wondering Now”Back to Black (2006)

Check out our fantastic and entertaining Amy Winehouse articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com

Complete List Of Amy Winehouse Albums And Discography

Top 10 Amy Winehouse Songs

Read More: Artists’ Interviews Directory At ClassicRockHistory.com

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Complete List Of Amy Winehouse Songs From A to Z article published on Classic RockHistory.com© 2024

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About The Author

Janey Roberts

Janey Roberts

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Janey Roberts lives in Chelsea, London. She has worked for various British musical publications writing album and concert reviews. Originally from Balboa Park, San Diego, Janey brings an international cross cultural perspective to rock journalism.

“I hate that I had to write the previous album. It became dangerous to play the music and stab myself in the heart”: Swallow The Sun had to escape from Juha Raivio’s personal hell. The solution was new album Shining

As they head towards their 25th anniversary, Finnish prog-doom merchants Swallow The Sun are bringing a touch of hope to their more melancholic output with the transformative new album, Shining. Bandleader Juha Raivio discusses their brighter sound, Marillion’s influence and why the record is going big with Queen-style choruses.


Swallow The Sun’s new album, Shining, is aptly named. It isn’t exactly bursting with joy – the Finnish quintet are far too steeped in melancholia for that – but it does provide glimmers of hope that shine like distant stars in the darkness. It’s also an album that guitarist, keyboard player, founder member and main songwriter Juha Raivio felt that he had to make at this point in the band’s career.

“I needed it to feel different to our last album for my own sake, because Moonflowers was so dark,” he explains. “It was so painful. Anyone who knows us knows the music has a lot of weight from my own personal life. It started to be quite dangerous for myself, to play the music and go on tour and stab myself in the heart. A voice inside myself said that maybe you could have a little bit of mercy with yourself if there’s ever going to be new music.”

For those who aren’t familiar with Swallow The Sun’s recent history, their last two albums – 2019’s When A Shadow Is Forced Into The Light and 2021’s Moonflowers – dealt directly with the death of Raivio’s partner and artistic collaborator, Aleah Stanbridge, and the guitarist’s own difficult journey in its aftermath.

When A Shadow Is Forced Into The Light was made from love, pure love. I love that album. But I fucking hate Moonflowers. I hate that I had to write that album,” he says.“Aleah told me, ‘You have to face the darkness. Don’t have any fear – just go straight into the darkness because the light is on the other side.’ But I got so deep that I kind of passed the point where the light was; I was going even deeper into that direction. I was hoping with this new album that I would feel some kind of power rather than lying in that coffin.”

SWALLOW THE SUN – MelancHoly (OFFICIAL VIDEO) – YouTube SWALLOW THE SUN - MelancHoly (OFFICIAL VIDEO) - YouTube

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Shining does take a different tack. If the lyrics aren’t exactly suffused in light, they at least question and start to arrest that descent into darkness. Album opener Innocence Was Long Forgotten looks backwards with a darkly romantic lustre. What I Have Become takes a long, hard look into an unforgiving mirror, while MelancHoly warns of the dangers, as Raivio puts it, of “making melancholy your god.”

“People think I’m some kind of goth, weeping in a forest and drinking red wine,” he says. “That’s part of how I express myself through the music – but there has always been a hope in me, and both light and darkness. It’s very powerful in me. I sound like a fucking Jedi, but we all have that duality.”

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There are themes of rebirth, or at least a vigorous reassessment, that go beyond the lyrics too. Even the album artwork provides a marked contrast, with gleaming jewelled hands forming a transformative moth shape. It’s a far cry from Moonflowers, which saw the guitarist pour his pain – quite literally – into the minimalist aesthetic.

“I painted the Moonflowers cover with my own blood,” he nods. “I cut myself up just to paint the album. With the new one, you’re the first one who got it, but it’s the moth from our logo. It’s also two swans, and there’s a brightness with the diamonds and the whiteness of the image. It feels powerful: the kind of change I was hoping for.”

SWALLOW THE SUN – What I Have Become (OFFICIAL VISUALIZER VIDEO) – YouTube SWALLOW THE SUN - What I Have Become (OFFICIAL VISUALIZER VIDEO) - YouTube

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Along with these thematic and aesthetic changes, the band decided to take a different musical approach to their ninth full-length studio album. Bassist Matti Honkonen has described Shining as the Finns’ own Black Album, and while his tongue was at least partially in his cheek, the comparison might still be alarming for fans of their more progressive leanings.

Metallica’s self-titled record was, after all, a far more streamlined take on their sound that became a huge mainstream hit, even as it alienated sections of their fanbase. Even more alarm bells might have sounded on the announcement of producer Dan Lancaster, whose production and mixing credits include Blink-182, Don Broco and Bring Me The Horizon.

I wanted Shining to have more power – and the mix feels like someone punching you in the face

“Matti was joking in part, but in a way it’s true, because the genre can be very… protective,” Raivio chuckles. “Like with the Black Album, lots of ‘true’ Metallica fans thought, ‘I want my Metallica to be exactly like this.’ We’re not into labels. People call us doom metal, and there is some of that in there; but we have melody and growling and slow tempos and long songs and short songs. People never know what to expect from us.

“I wanted a producer with a fresh perspective who’s never done this kind of music. Dan didn’t change the songs, but I wanted Shining to have more power – and the mix feels like someone punching you in the fucking face. He helped pull the melody out more than ever before and he also sings a lot, adding backing vocals and harmonies. You might want to hang me by my balls for saying this, but he brought a lot of Queen to the band with the big vocal choruses.”

SWALLOW THE SUN – Innocence Was Long Forgotten (OFFICIAL VIDEO) – YouTube SWALLOW THE SUN - Innocence Was Long Forgotten (OFFICIAL VIDEO) - YouTube

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We’ll pass on that, thanks; but there’s a sense of immediacy and even bombast to Shining that certainly wasn’t present on its understandably downbeat predecessors. At the same time it’s recognisably a Swallow The Sun album, and long-term fans needn’t worry that they’ve morphed into a shiny pop-rock outfit. Despite the more optimistic tones, the gloomy melancholia remains. “It’s part of the Finnish people,” says Raivio with a laugh. He’s a man who lives alone in the woods with a beautiful Norwegian forest cat (who makes a scene-stealing appearance on our video call) for company.

I wish I didn’t have to write this music myself; so in that respect, I feel sorry for the people who like my band

The progressive elements are also ingrained, shining through the melodic layers of Under The Moon & Sun and the nine-minute title track which closes the album. “There’s so much Marillion in this band. We had Steve Rothery play with us [on 2009’s New Moon] and he’s my main influence as a guitarist,” Raivio says.

“Some prog fans might be like, ‘What is this asshole talking about?’ but it’s in there. We have a 34-minute song [2008’s Plague Of Butterflies]; and even I played in a progressive band through the 90s. We’d play these underground prog parties in Helsinki.”

It’s now nearly a quarter of a century since he helped put Swallow The Sun together. In that time they’ve become a respected and occasionally revered band, but their continued presence in the prog metal scene is never a given.

SWALLOW THE SUN – Charcoal Sky (OFFICIAL VISUALIZER VIDEO) – YouTube SWALLOW THE SUN - Charcoal Sky (OFFICIAL VISUALIZER VIDEO) - YouTube

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“Every album is the last album for me in a way, because I can never be sure that the inspiration will come again,” Raivio explains. “I live here in my godforsaken forest and I wait. When the music comes, it comes in a flood and I write the whole album in a month. So far it’s always happened – but who knows if it always will?”

And if Shining should become their Black Album, in terms of a surge in popularity, would any of that change? “I still wouldn’t be able to plan music or write to a schedule. It’d certainly be amazing if more people found the band; but in some ways, even with the new album, I think you have to have lived it, to have loved and lost to really resonate with the music.

“I wish I didn’t have to write this music myself; so in that respect, I feel sorry for the people who like my band and I’m happy for the ones who don’t.”

“He’s really, really good, and he’s definitely more melodic than me”: Slayer’s Kerry King names the guitarist who “plays circles” around him

Slayer’s Kerry King has named a metal guitarist who “plays circles” around him.

During an interview with the Talk Louder podcast, the 60-year-old offers the praise to Phil Demmel, formerly of Machine Head and now a member of King’s solo band.

King mentions Demmel when he’s asked about how he divvied up the solos on his 2024 debut solo album, From Hell I Rise, which also features vocalist Mark Osegueda (Death Angel), bassist Kyle Sanders (ex-Hellyeah) and drummer Paul Bostaph (Slayer).

“I probably would have given him more, because Phil Demmel’s a wizard,” King answers (via Ultimate Guitar). “He plays circles around me. He’s really, really fucking good, and he’s definitely more melodic than me. I’m far more archaic. But together, it works.”

He continues: “And in the beginning, when I was trying to decide who would play what, I thought about what fans would expect me to play, because I didn’t want to let fans think I wasn’t thinking about them, or passing the buck because I’m doing something else.”

Elsewhere on the podcast, King talks about the differences between his solo band and his work with Slayer.

“Say, for instance, you’ve got a horse with blinders on – that was me in Slayer,” he explains. “Not completely blind, just looking straight forward. In my band, I’d say [the blinders] open five to seven percent – not a lot, but it’s a different perspective. You know, Slayer was this juggernaut. And people had an established opinion – as well as I – about what the songs should be, how they should sound, things like that.

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“And then, when I did this band, I was just looking to do an 80s tribute punk song. That was Two Fists. I wanted the riffs to be as if they were written by a punk band. There’s a big riff in the middle that I just had to throw in there, because I couldn’t do it without one. But I wanted the vocals to be presented that way too.”

King unveiled his solo band in February 2024 with the announcement of From Hell I Rise and the release of their first single Idle Hands. The news came just days before Slayer, who’d previously retired in 2019, announced their surprise comeback.

Slayer are now active as an occasional live force, and are booked to play Louder Than Life in Kentucky in September, but King spends the majority of his time with his solo project. Since releasing From Hell I Rise, they’ve toured prolifically. They’re currently playing across the Americas and are set to also perform in Europe from July to August. See dates and details via King’s website.

Demmel is best-known for his stint in Machine Head from 2002 to 2018, but he’s also performed with Lamb Of God and Testament as a fill-in guitarist. He played several dates with Slayer during their 2018-to-2019 farewell tour as well, filling in for Gary Holt.