Author: Logan Rocker

In 2011, Osibisa vocalist Teddy Osei – who died in January 2025, aged 88 – told Prog how the band came to make their self-titled debut album, which pioneered world music in 1971.

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Before the term ‘world music’ became trendy, Osibisa were pioneering exactly that style of work – and taking prog rock into fresh new waters in the process.

“It started when I moved from Ghana to London in 1962,” says saxophonist Teddy Osei. “Two years later I formed a band called Cat’s Paw, and we became Osibisa in 1969.”

A deal with MCA was struck after one of the label’s US executives saw them playing in London. Osei, guitarist Wendell Richardson, keyboardist Robert Bailey, trumpeter Mac Tontoh, bassist Spartacus R, percussionist/tenor saxophonist Lasisi Amao and drummer Sol Amarfio teamed up with producer Tony Visconti for their self-titled debut album, released in 1971.

“We were very lucky because we already had all the music prepared for the first album,” Osei recalls. “So we were able to record it very quickly. We set up in the studio was as if it was a live show. Every track you hear is a complete performance – not a collection of bits from different takes. So if we made any mistake in a song, we’d just go and do the whole thing again.”

Osei gives Visconti credit for helping to mould the sound in the studio, although his musical input was minimal. “He saw his job as capturing our creativity and energy, and he did help a lot in that way. Because he was already experienced in the studio, he knew how to make sure we got the maximum out of the three weeks it took to record.”

Ahead of forging his creative partnership with Yes, artist Roger Dean not only designed the cover, but came up with the band’s memorable logo as well. “I met Roger after our label suggested him for the artwork,” Osei explains. “What we wanted was something to represent Africa, and I came up with the idea for an elephant. Roger went away and worked this image into a more futuristic setting. It’s a very striking sleeve.”

The album got to Number 11 on the UK chart and made it to Number 55 in the US – Osibisa’s best-ever chart position on both sides of the Atlantic. And Osei is proud of what they achieved.

“We didn’t know that we were creating a new style. But I think what’s on there is very African in influence. We took sounds from anywhere and everywhere – jazz, rock, blues, Caribbean music – and fused them into something new, exciting and fresh.”

Rising London rockers The Dust Coda have lost their founding lead singer, John Drake – who has moved back to his native Australia – and replaced him with former Trident Waters frontman Andrew Knightly. Knightly is also the leader of AK & The Red Kites.

“I first met Andrew many, many years ago when The Dust Coda shared the same stage with one of Andrew’s old bands at North London’s legendary Big Red bar,” says Dust Coda founder and guitarist Adam Mackie. “We hit it off and stayed in touch ever since, following each other’s careers and different music releases.

“From that first meeting I knew Andrew was a great singer, player and all-round musician with an effortlessly cool persona that matches his great personality. He has rock‘n’roll pumping through his veins and when this recent crossroads for the band occurred I knew he’d be a great fit.

“Myself and the rest of the guys are pumped to be working with Andrew and really excited about the TDC future at the start of this new chapter.”

“I am honoured and really excited to be joining The Dust Coda,” says Knightly. “This is a band I’ve always followed from afar and felt would achieve great things. This is one of the UK’s top upcoming rock bands, make no mistake!

“John is a great singer that I have great respect for and to follow in his footsteps is no easy task. But after talking to the band and sitting down with the songs I realised I was the right person to fill those shoes. The band agreed with that summation and we’ve been working really hard behind the scenes. I just can’t wait to get out on the road with these guys and deliver the best version of TDC.”

The Dust Coda’s last two albums, 2021’s Mojo Skyline and 2023’s Loco Paradise, both hit the UK Top 40. The band are now working on a new album, and will hit the road in March with fellow NWOCR travellers Bad Touch. Full dates below.

Posting on his Facebook page earlier this month, the departed Drake wrote, “2024 was pretty epic. Left London after 20 years. Left my band of 13 years. Made a solo record with my long-time collaborator Chass Guthrie.”

The first fruits of the collaboration were the acoustic Descending Love, released in November, and another stripped-back song, Different This Time, which came out last month. Both are from the upcoming Trial Separations EP. Drake’s debut solo album will also be released this year.

The Dust Coda / Bad Touch: 2025 co-headline tour

Mar 06: Norwich Waterfront
Mar 07: Nottingham Rescue Rooms
Mar 08: Newcastle Northumbria University
Mar 09: Glasgow Cathouse Rock Club
Mar 10: Manchester Club Academy
Mar 12: Birmingham O2 Academy2
Mar 13: Cardiff The Globe
Mar 14: London O2 Academy Islington

Tickets are on sale now.

The 7th Guild has released a visualizer video for “La Promessa Cremisi”, second single taken from the debut album Triumviro to be released on February 21 by Scarlet Records – a song that will guide the listeners to the majesty of operatic music through the lyrics written in Italian, expressing true passion and resolute will. A bittersweet reminder of how life and death could be perceived by someone cursed by an endless punishment.

The 7th Guild saw the light in 2021 as side-project of Skeletoon’s frontman and songwriter Tomi Fooler. The idea at its base was to put together a powerful trio of singers in the vein of the legendary Three Tenors (Luciano Pavarotti, Plácido Domingo & José Carreras).

Rhapsody Of Fire’s Giacomo Voli and Vision Divine/Derdian’s Ivan Giannini joined Tomi Fooler to create this magic trio. The band has been completed with a strong line-up that includes the blazing drumming of Michael Ehré (Gamma Ray, The Unity), who forms a granitic rhythm section with Francesco Ferraro (Freedom Call, Bloodorn) on bass. 

Simone Mularoni (DGM), who also produced the album at his Domination Studio, is the genius man behind the guitars, while the cinematic orchestration are vividly painted by Daniele Mazza (Ancient Bards) and Alessio Lucatti (Vision Divine, Deathless Legacy) is the majestic chief keyboard wizard.

Catchy power metal melodies are melted with a symphonic music style, giving the perception of an operatic composing process. Emerging sound passes through classic orchestral arrangements with bombastic cinematic patterns, resulting in a wonderful choral result. References to the sounds of early Rhapsody Of Fire, Andre Matos and latest Helloween appear here and there among the unique style developed by Tomi Fooler & Co.

Produced by Tomi Fooler and Simone Mularoni, and featuring the regal artwork of Thomas Ewerhard (Avantasia, Amon Amarth, Therion), “Triumviro” will be released in the following formats:

– digipack CD
– digital

Preorder here.

Artwork by Thomas Everhard:

Tracklisting:

“Holy Land”
“The 7th Guild”
“Glorious”
“La Promessa Cremisi”
“In Nomine Patris”
“Time”
“Guardians Of Eternity”
“The Metal Charade”
“Fairy Tale” (Shaman cover)

“La Promessa Cremisi” video:

(Photo: Mattia Antonelli)

Croatia’s folk metal juggernauts, Manntra, return with a thunderous new anthem, “Teuta”, a powerful ode to strength, legacy, and rebellion. Originally scheduled for February, their 8th studio album, Titans, will now be unleashed on March 14, 2025, via Napalm Records, due to production-related delays.

Renowned for their unique fusion of ancient Balkan musical heritage with raw metal power, Manntra continues to build on a legacy that includes seven explosive albums and unforgettable performances at iconic festivals like Wacken Open Air. From headlining stages to sharing the spotlight with legends like In Extremo, the band has cemented their place as a force to be reckoned with in the global metal scene.

“Teuta” showcases Manntra at their best, blending lyrical storytelling with relentless energy. The song draws inspiration from the legendary Illyrian queen Teuta, evoking the fearless spirit of her seafaring warriors. The track is both a rousing battle cry and a tribute to the unity and freedom of her people, who ruled the Adriatic waters. Thunderous riffs, majestic melodies, and anthemic chants mirror the courage and determination of those who dared to tempt fate and conquer the unknown.

Prepare for the storm – Manntra is here to remind the world why they are the vanguard of Folk Metal, ready to unleash Titans upon the world in 2025.

Manntra on the new single “Teuta”:

“‘Teuta’ is the second single from Titans. Imagine a stormy open sea with armies leaping from ship to ship in an epic battle. The song, its mood, and the history behind the lyrics create a perfect combination to immerse everyone in this war!”

Formed in 2012 around mastermind Marko Matijević Sekul, the band has proven to be extremely productive as Titans is already their eighth studio album. Over the years the quintet developed their trademark sound by combining raw metal riffs and hard-hitting industrial sounds with traditional folk instruments, unleashing a relentless storm of catchy metal hymns. Manntra’s high energy soundscape is skillfully built by supposed opposites: authentic folk instruments like pipes and mandolins interwoven with raspy male vocals and an uplifting industrial metal sound.

With their newest masterpiece they clearly take no prisoners as the album sets off with the title track “Titans” delivering forceful rhythms and powerful drumming. This continues on tracks like “Higher” or “Riders In The Dawn” kicking off with strong intros. Like no other, Manntra manage effortlessly to transport the ancient tunes into modern times by combining its folk elements with synths like on “My Sandman” or the album closer “Nav” delivering massive melodies.

But Manntra also stay true to their roots with “Teuta” telling the story of a legendary Illyrian queen who reigned in Croatia around 200 BC and “Unholy Water (Voda)” containing a catchy chorus and intense female folk vocals delivering a hymn like melody with lyrics partly in Croatian. The same can be witnessed on the extremely groovy and catchy “Heart Of The Storm”, while uplifting “Skal” is a song to get every folk party started. A clear highlight are the combined songs “Forgotten Pt.1” and “Forgotten Pt.2” which are true industrial metal masterpieces that seamlessly cross genres, heavily leaning towards electronic elements, while maintaining their very own soundscape.

Overall Titans convinces with an enormous hit-density and sets a clear mark, delivering proud hymns and in-your-face metal songs that are undeniable, proving that Manntra are on the very top of their game, ready to enter the next level of their promising journey!

Titans will be available in the following formats:

– 1 Vinyl Bundle (Tote Bag, Autograph Card, Drinking horn, Patch, Invitation Card “Online Meet & Greet” – Napalm Records mail order only – strictly limited to 300)
– 1 CD Bundle (Tote Bag, Autograph Card, Drinking horn, Patch, Invitation Card “Online Meet & Greet” – Napalm Records mail order only – strictly limited to 300)
– 1 LP Marbled Orange / Black – Napalm Records mail order only – strictly limited to 200
– 1 LP Black Vinyl
– 6p Digipak + Booklet

Pre-order here.

Titans tracklisting:

“Ceremony”
“Titans”
“Teuta”
“The Heart Of The Storm”
“Unholy Water (Voda)”
“Skal” (Miracle Of Sound Cover)
“Higher”
“My Sandman”
“Riders In The Dawn”
“Forgotten Pt.1”
“Forgotten Pt.2 – The Ritual”
“Nav”

“Teuta”:

“Skal” video:

Experience Manntra live.

Manntra are:

Marko Matijević Sekul – Vocal / Synth / Guitar / Pipes
Andrea Kert – Drums
Zoltan Lečei – Bass
Zlatko Štefančić – Guitar / Mandolina / Pipes
Dorian Pavlović – Guitar / Acoustic

(Photo – Franz Schepers / Marko Ristić)

Following their recent signing with ROAR, Australia’s Valhalore has released a first track taken off their new studio epos entitled Beyond The Stars, which will be out on April 11, along with the reissue of their self-released debut album Voyage To Eternity.

Since their formation in 2013, Valhalore conquer the world with their unique blend of melodic death, power, and symphonic metal, infused with epic folk influences. A first album appetizer, the single “Horizon”, is available for streaming/download here. Watch a video below.

The band comments: “Inspired by a particularly beautiful sunset during the Covid-19 lockdowns, ‘Horizon’ is a song about hope for a brighter future. It explores the feelings of isolation we all felt during this time, and watching precious moments pass us by, yet somehow still wanting to create a life that is memorable beyond our time on earth.”

Starting January 17, the band will support the Swedish heavy metal templars of HammerFall as a special guest on tour:

January
17 – Melbourne, Australia – Northcote Theatre
18 – Sydney, Australia – Manning Bar
19 – Brisbane, Australia – The Triffid

Founded by guitarist Anthony Willis and vocalist Lachlan Neate, Valhalore swiftly became an unstoppable force in the Australian metal scene. Since their inaugural live performance in late 2015, the band’s unique sound has resonated with audiences both domestically and abroad.

The year 2017 marked a pivotal moment for Valhalore with the release of their debut album, Voyage Into Eternity. The band celebrated this opus with a sold-out launch show in Brisbane and two successful national tours, “Voyage Across Australia” and “Viktoberfest”.

Breaking international ground in 2018, Valhalore toured Japan alongside world-renowned acts Ensiferum, Trollfest, and Wind Rose. Upon their return, the band showcased their versatility with the release of the acoustic EP Solace & Solitude, and their 2019 single “Legacy”. Between releases, Valhalore continued to conquer Australian stages, touring with Kamelot and Trollfest in 2018, and Kalmah in 2019. Two European tours, including an eagerly-anticipated appearance at Wacken Open Air 2020, were regrettably cancelled by the Covid-19 pandemic.

However, undeterred by the global turmoil and prevailing uncertainties, Valhalore spent the end of 2020 and beginning of 2021 recording their second studio album. In November 2022 Valhalore took their live show to new heights, performing sold-out shows across Australia with UK’s Alestorm and with Arch Enemy later in February 2023. In February 2024, the band hit the road with Germany’s Blind Guardian and will support HammerFall in early 2025 in Australia, while making final preparations for their long-awaited sophomore album Beyond The Stars.

With each performance and release, Valhalore continues to carve a unique path through the metal landscape, leaving an indelible mark on fans worldwide. The saga unfolds, and Valhalore’s journey is poised to reach even greater heights in the years to come.

Brazilian progressive metallers Maestrick have shared their new single and accompanying video “Lunar Vortex”, featuring Roy Khan, out now via Frontiers Music Srl.

After the symphonic synthwave of “Ethereal” and the prog-meets-Tim Burton vibes of “Upside Down”, Maestrick is embracing modern metal in their new single “Lunar Vortex”. Influenced by artists like Architects, Caligula’s Horse and Skrillex, the track features downtuned riffs contrasting with electronic tones, clean and screamed vocals (a first for Maestrick), and brings a very special guest in Roy Khan (Conception, ex-Kamelot) in a beautiful duet with Fabio Caldeira. This is the first time Roy appears in a video that’s not of his own band.

Vocalist Fábio Caldeira comments: “Roy was a big influence on how I wrote the melodies for this song, so when the opportunity to have him in the album became a reality, we knew it would work very well. He delivered an emotional and energetic performance, both vocally and in the video. We couldn’t be happier with the result.”

“While I was in Brazil, last year, I hooked up with my friends from Maestrick to record “Lunar Vortex” with them. Wonderful people and awesome song. I hope everyone enjoys it!” adds Roy Khan.

Founded in São José do Rio Preto/SP by three friends, Maestrick have been active since 2006 and bring in their sound elements of rock and progressive heavy metal, Brazilian regional music, world music and classical music.

The band have released two albums in Brazil, Europe, United States and Japan, and are recognized for drinking from different artistic aspects – cinema, plastic arts, visual arts and literature – for their compositions, which results in a unique and, according to specialized critics, innovative style.

Not surprisingly, Maestrick captivates movie fans, notably those of Tim Burton, George Méliès, Guillermo del Toro, and Christopher Nolan. In music, it attracts listeners of both modern rock/metal, such as Muse, and also of more niche styles within metal, such as Dream Theater, Haken, Jinjer, Spirit Box, and classics like Queen, Yes, and Gentle Giant.

“Lunar Vortex” featuring Roy Khan:

“Upside Down”:

Lineup:

Fábio Caldeira – Lead Vocal/Piano, Synths and Orchestrations
Guilherme Carvalho – Guitars/Vocal
Renato “Montanha” Somera – Bass/Vocal
Heitor Matos – Drums and Percussion/Vocal

Modern thrash titans, Warbringer, recently announced their new album, Wrath And Ruin, out March 14 via Napalm Records, with the release of cataclysmic single, “A Better World”.

Today, the band returns to sound the beacon, announcing their upcoming North American co-headline tour with death metal stalwarts Allegaeon. Featuring support from Skeletal Remains and Summoning The Lich, “The Vortex of Violence Tour” kicks off March 18 in San Diego, CA, pillaging through several major cities including Montreal, QC, Toronto, ON, Chicago, IL and Denver, CO before concluding the campaign of carnage in Los Angeles, CA on April 12.

About the tour, frontman Jon Kevill says: “We are announcing our first run of 2025, where we will be raining down Wrath and Ruin across the USA and Canada! We will be joined by a full arsenal of vicious brutality with Allegaeon, Skeletal Remains, and Summoning The Lich providing fire support. We will be playing new songs as well as old live favorites, and we will be going all gas no brakes every night, as you’ve come to expect. Get down to the show, mosh like there’s no tomorrow, and enter the Vortex of Violence!”

Tickets go on sale this Friday, January 17 at 9 AM, PST/12 PM, EST. For more information, visit the band’s official website.

Tour dates:

March
18 – San Diego, CA – Brick by Brick
19 – Phoenix, AZ – Last Exit Live
20 – Albuquerque, NM – Launchpad
21 – Oklahoma City, OK – 89th Street Collective
22 – Haltom City, TX – Haltom Theater
23 – Austin, TX – Come and Take it Live
24 – Corpus Christi, TX – House of Rock
26 – Orlando, FL – Conduit
27 – Jacksonville, NC – Hooligan’s
28 – Bensalem, PA – Broken Goblet
29 – Brooklyn, NY – Woodshop
30 – Montreal, QC – Foufounes Electriques
31 – Toronto, ON – The Garrison

April
1 – Detroit, MI – The Sanctuary
2 – Chicago, IL – Reggies
3 – Lawrence, KS – The Bottleneck
4 – Lincoln, NE – Bourbon Theater
5 – Denver, CO – HQ
6 – Salt Lake City, UT – Metro Music Hall
8 – Seattle, WA – El Corazon
9 – Vancouver, BC – Rickshaw Theatre
10 – Portland, OR – Hawthorne Theater
11 – San Francisco, CA – DNA Lounge
12 – Los Angeles, CA – Teragram Ballroom

On Wrath And Ruin, Warbringer continues their furious assault against the powers that be with eight new explosive rippers lyrically focused on inspiring listeners to recognize strength in numbers and actualize their class power. The bonus CD, included with the 2CD and digital versions of the album, boasts 15 incendiary live versions of fan favorites recorded along their “Ravaging Europe 2023” tour. The album features pristine production by Mark Lewis, famous for his work with Cannibal Corpse, Trivium, and The Black Dahlia Murder, mastering by Justin Shturtz (Testament, Sepultura, Machine Head), and album art by the legendary Andreas Marschall (Kreator, Obituary, and In Flames).

Wrath And Ruin’s destructive opening duo of “The Sword And The Cross” and “A Better World” quickly kick the gates of cataclysm open with broodingly dark guitar work and virtuosic precision. Frontman John Kevill’s passionate proclamations are as potent as ever, mocking those who scoffed at clear harbingers of societal collapse with their misguided optimism. “Neuromancer” rides low and steady with blast master Carlos Cruz putting some serious stank on an irresistible battle vest fist pumper. “The Jackhammer” sees the band explode into a frenzy with chaotic riffage and ear splitting pinch dives. “Through A Glass, Darkly” indulges in deliciously gothic chord work and melodic leads embellishing Kevill’s already hellish vocal fry. “Strike From The Sky” is trademark thrash excellence quickly followed by the atmospheric, true cult epic “Cage Of Air,” with its tensely ornate dueling guitars on full display. Album closer “The Last Of My Kind” continues this dark gothic path with syncopated octave runs dancing around tightly dueling melodeath riffage. Wrath And Ruin sees Warbringer indulging in the darker elements of their sound, for an uncompromising and unflinching exploration of life’s most bitter pills.

Wrath And Ruin will be available in the following formats:

– 2CD Digisleeve
– 1-LP Gatefold Black Vinyl
– 1-LP Gatefold Marbled Vinyl w/ 12inch Booklet + Slipmat (Napalm Records mail order only – limited to 300)
– CD + Shirt Bundle (Napalm Records mail order only)
– Digital Album

Pre-order Wrath And Ruin here.

Wrath And Ruin tracklisting:

CD1:
“The Sword And The Cross”
“A Better World”
“Neuromancer”
“The Jackhammer”
“Through A Glass, Darkly”
“Strike From The Sky”
“Cage Of Air”
“The Last of My Kind”

CD 2:
“Firepower Kills” (Live in Budapest, Hungary – April 7th, 2023)
“The Black Hand Reaches Out” (Live in Budapest, Hungary – April 7th, 2023)
“Crushed Beneath The Tracks” (Live in Nantes, France – April 20th, 2023)
“Living Weapon” (Live in Budapest, Hungary – April 7th, 2023)
“Woe To The Vanquished” (Live in Budapest, Hungary – April 7th, 2023)
“Living In A Whirlwind” (Live in Budapest, Hungary – April 7th, 2023)
Guitar Solo / “Outer Reaches” (Live in Nantes, France – April 20th, 2023)
“Shellfire” (Live in Munich, Germany – April 5th, 2023
“Descending Blade” (Live in Krakow, Poland – April 4th, 2023)
“Hunter-Seeker” (Live in Krakow, Poland – April 4th, 2023)
“Defiance Of Fate” (Live in Budapest, Hungary – April 7th, 2023)
“Silhouettes” (Live in Nantes, France – April 20th, 2023)
“Remain Violent” (Live in Budapest, Hungary – April 7th, 2023)
“Combat Shock” (Live in Budapest, Hungary – April 7th, 2023)
“Total War” (Live in Budapest, Hungary – April 7th, 2023)

“A Better World” video:

Warbringer is:

John Kevill – Vocals
Adam Carroll – Guitar
Carlos Cruz – Drums
Chase Becker – Gui
Chase Bryant – Bass

(Photo – Alex Solca)

Whether it’s an anthem of freedom, a tender confession, or a contemplative journey, these tracks resonate deeply with audiences, often becoming defining moments in the careers of the artists who perform them. In this article, we explore ten remarkable songs that incorporate “away” in their titles, celebrating their lyrical depth, emotional resonance, and lasting impact on music and culture.

Bob Seger & The Silver Bullet Band’s “Roll Me Away” captures the quintessential spirit of escape and self-reflection, blending Seger’s raspy vocals with a powerful, piano-driven arrangement that has become an anthem for open-road wanderers. The James Gang delivered “Walk Away,” a blistering showcase of Joe Walsh’s fiery guitar work and sharp songwriting, perfectly encapsulating their blend of rock and blues during their peak. Styx’s “Come Sail Away” invites listeners on an imaginative journey, combining Dennis DeYoung’s theatrical vocal delivery with anthemic rock instrumentation to create an enduring classic.

The Rolling Stones brought raw energy to “Not Fade Away,” their early rock hit that merged their blues influences with an infectious rhythm, becoming a staple in their iconic live performances. Dobie Gray’s “Drift Away” stands as a soulful masterpiece, offering a heartfelt ode to the power of music and Gray’s smooth, soothing vocal delivery. Jethro Tull’s “Skating Away on the Thin Ice of the New Day” showcases Ian Anderson’s poetic lyrics and intricate acoustic instrumentation, offering a thought-provoking commentary on societal and personal transformation.

Led Zeppelin’s “Over the Hills and Far Away” serves as a sonic odyssey, seamlessly transitioning between acoustic delicacy and electric ferocity, showcasing the band’s genre-defying versatility. Simon & Garfunkel’s “You’ve Got to Hide Your Love Away” interprets Lennon and McCartney’s poignant ballad with their signature harmonies, emphasizing the song’s vulnerability and introspection. Paul Simon’s “Slip Slidin’ Away” is a bittersweet meditation on life’s fleeting moments, delivered with Simon’s lyrical finesse and understated folk instrumentation. Finally, The Byrds bring their jangly guitars and celestial harmonies to “Farther Along,” a spiritually reflective song that adds depth to their already rich catalog.

# 10 – Away From Home – Bachman-Turner Overdrive

Can’t doesn’t get more fun than opening up with a great and very underrated BTO song. From their 1975 album Head On, Bachman-Turner Overdrive’s “Away From Home” captures a raw, nomadic spirit, blending heartfelt storytelling with the band’s signature blend of rock and roll grit. Produced by Randy Bachman, the song was recorded in Vancouver at Kaye-Smith Studios, a location that had become synonymous with the band’s polished yet powerful sound. The track features Randy Bachman on guitar, C.F. Turner on bass and vocals, Robbie Bachman on drums, and Blair Thornton on rhythm and lead guitar, each contributing to the song’s layered, immersive composition.

Read More: List Of All Bachman-Turner Overdrive Albums In Order Of Our Favorites

# 9 – Skating Away on the Thin Ice of the New Day – Jethro Tull

“Skating Away on the Thin Ice of the New Day,” a track from Jethro Tull’s 1974 album War Child, is a masterful blend of folk and rock. Written by Ian Anderson, the song was initially intended for their previous album, A Passion Play, but found its ideal place within War Child.

The song opens with a delicate acoustic guitar riff, supported by Anderson’s distinctive vocals, which gradually build into a rich tapestry of sound featuring contributions from the entire band, including Martin Barre on electric guitar, Jeffrey Hammond on bass, John Evan on piano, and Barriemore Barlow on drums. Anderson’s flute work, a hallmark of Jethro Tull’s sound, adds an ethereal layer to the composition. Recorded at Morgan Studios in London, the production captures both the intimacy of the acoustic passages and the grandeur of the full-band segments.

“Skating Away on the Thin Ice of the New Day” is a contemplative exploration of individuality, uncertainty, and the shifting dynamics of life in a rapidly changing world. Lines such as “As you cross the circle line, the ice-wall creaks behind / You’re a rabbit on the run” metaphorically describe the fragility of existence and the challenges of forging one’s own path.

Read More: 10 Most Underrated Jethro Tull Songs

# 8 –  Slip Slidin Away – Paul Simon

Paul Simon’s “Slip Slidin’ Away,” released in 1977 as a single from Greatest Hits, Etc., captures the essence of life’s fleeting moments with poetic precision and emotional resonance. Recorded during sessions that also involved contributions to Simon’s 1975 album Still Crazy After All These Years, the song features Simon’s masterful storytelling and introspective lyricism. It was produced by Phil Ramone and Simon.

The musicianship on “Slip Slidin’ Away” is a highlight, with contributions from an impressive lineup of artists. The song’s serene acoustic guitar work complements Simon’s tender vocal delivery, while the soaring harmonies of The Oak Ridge Boys add a rich, gospel-inspired layer to the track.   Lines such as “Slip slidin’ away, the nearer your destination, the more you’re slip slidin’ away” encapsulate the universal struggle of striving for fulfillment while grappling with life’s inevitable uncertainties. The vignettes in the verses—featuring a father, a mother, and a spiritual seeker—create a tapestry of relatable experiences, painting a picture of the delicate balance between ambition and reality.

Despite not appearing on a standard studio album, “Slip Slidin’ Away” achieved significant commercial success, reaching number five on the Billboard Hot 100.

Read More: Top 10 Paul Simon Songs

# 7 – Over The Hills And Far Away – Led Zeppelin

Written by Jimmy Page and Robert Plant, “Over the Hills and Far Away” is a track that exemplifies Led Zeppelin’s musical versatility. Recorded in 1972 at Stargroves, Mick Jagger’s English estate, using the Rolling Stones’ Mobile Studio, the song was included on the 1973 album Houses of the Holy. Jimmy Page produced the track, with contributions from Robert Plant on vocals, John Bonham on drums, and John Paul Jones on bass and keyboards.

The song opens with a delicate acoustic guitar riff, transitioning into a powerful electric arrangement, showcasing Page’s dynamic guitar work and Plant’s expressive vocal delivery. Lyrically, it delves into themes of freedom, self-discovery, and the yearning for adventure, resonating deeply with the band’s ethos during this period. Although not released as a single in the UK, it charted in the U.S., where it solidified its place as a classic rock staple.

Read More: 25 Classic Led Zeppelin Songs Everyone Should Know

# 6 – Drift Away – Dobie Gray

Originally written by Mentor Williams and recorded by Dobie Gray, “Drift Away” was released in 1973 as part of Gray’s album of the same name. The song was recorded at Quadrafonic Sound Studio in Nashville, Tennessee, with Mentor Williams also producing the track. The musicians featured on the recording included legendary session players from the Muscle Shoals Rhythm Section, whose contributions lent the track its soulful and polished sound.

“Drift Away” became a signature hit for Gray, reaching number five on the Billboard Hot 100 chart and earning a Gold certification. Its lyrics encapsulate a longing for musical escapism, with the chorus, “Give me the beat, boys, and free my soul, I wanna get lost in your rock and roll and drift away,” resonating deeply with listeners. The track’s gentle groove, anchored by Gray’s smooth and emotive vocal delivery, helped cement it as a timeless classic.

This enduring anthem has seen numerous covers over the decades, yet Dobie Gray’s version remains definitive. Its blend of soul, pop, and rock elements exemplifies the versatility of early 1970s music and continues to evoke a sense of nostalgia and emotional connection for audiences worldwide.

Read More: Top 10 Dobie Gray Songs

# 5 – Not Fade Away – The Rolling Stones

The Rolling Stones’ version of “Not Fade Away” captures the raw energy and rebellious spirit that would come to define their early career. Originally written by Buddy Holly and Norman Petty and recorded by Holly’s band, The Crickets, in 1957, this classic was reimagined by The Stones for their 1964 debut album in the U.S. and served as their first single released in America. Recorded at Regent Sound Studios in London in early 1964, the track was produced by Andrew Loog Oldham, who was instrumental in shaping the band’s gritty sound.

The Stones infused their rendition of “Not Fade Away” with a distinctive Bo Diddley-inspired beat, driven by Charlie Watts’ rhythmic drumming and Brian Jones’ bluesy harmonica flourishes. Mick Jagger’s charismatic vocal delivery and Keith Richards’ raw guitar riffs further elevated the track, giving it a swagger that set it apart from the original. The single peaked at number 48 on the Billboard Hot 100, marking the band’s first chart entry in the U.S. and a pivotal step toward their international success.

Read More: Complete List Of Rolling Stones Band Members

# 4 – You’ve Got To Hide Your Love Away – The Beatles

“You’ve Got to Hide Your Love Away,” penned by John Lennon and credited to the Lennon-McCartney partnership, stands as a striking example of The Beatles’ exploration of folk influences. Recorded on February 18, 1965, at EMI Studios in London, the song was produced by George Martin and featured on Help!, the band’s fifth studio album. The track marked a distinct shift in Lennon’s songwriting, showcasing his admiration for Bob Dylan’s introspective and acoustic style.

Musically, the song is notable for its stripped-down arrangement, centering on Lennon’s heartfelt vocal performance and acoustic guitar, accompanied by Paul McCartney on bass and George Harrison on classical guitar. Ringo Starr adds percussion with a tambourine, while John Scott contributes a poignant touch with his flute overdub. This minimalist instrumentation underscores the song’s melancholic tone and introspective lyrics.

Read More: Why The Beatles Should Have Never Broken Up

# 3 – Come Sail Away – Styx

“Come Sail Away,” written and sung by Dennis DeYoung, is one of Styx’s most iconic songs, blending progressive rock complexity with a pop ballad’s emotional resonance. Released in 1977 on the band’s The Grand Illusion album, the track stands as a testament to Styx’s ability to craft songs that are both musically intricate and widely accessible. Recorded at Paragon Recording Studios in Chicago and produced by Barry Mraz and Rob Kingsland, The Grand Illusion marked a turning point for the band, propelling them into mainstream success.

The song begins as a tender piano ballad, with DeYoung’s emotive lyrics reflecting themes of hope, ambition, and the yearning for escape. As the track progresses, it transforms into a powerful rock anthem, complete with soaring guitar riffs by James “J.Y.” Young and Tommy Shaw, and a dynamic rhythm section courtesy of Chuck Panozzo on bass and John Panozzo on drums. The shift from the delicate opening to the high-energy crescendo showcases the band’s hallmark fusion of progressive and arena rock styles.

Lyrically, “Come Sail Away” is steeped in metaphor, with the journey by sea representing a quest for self-discovery and transcendence. The narrative’s unexpected twist, hinting at extraterrestrial intervention, adds a layer of mystique and whimsy, elevating the song beyond a typical rock ballad. Charting at number 8 on the Billboard Hot 100, “Come Sail Away” became a defining hit for Styx, cementing their reputation as masters of blending theatricality with heartfelt storytelling. Its enduring appeal has kept it a staple in the band’s live performances and a beloved classic in the rock canon.

Read More: 10 Most Rocking Styx Songs

# 2 – Walk Away – The James Gang

“Walk Away” stands as one of The James Gang’s most recognizable tracks, showcasing Joe Walsh’s dynamic songwriting and guitar prowess. Released in 1971 as part of the album Thirds, the song was recorded at the Record Plant in Los Angeles and produced by Bill Szymczyk. It features Walsh on lead vocals and guitar, Dale Peters on bass and backing vocals, and Jim Fox on drums. This track not only highlights the band’s synergy but also captures the essence of their blues-infused hard rock style that resonated during the early 1970s.

Charting at number 51 on the Billboard Hot 100, “Walk Away” gained substantial airplay and became a staple of classic rock radio. The song’s structure is built around a compelling riff and a driving rhythm, with Walsh’s slide guitar adding a distinctive texture. Lyrically, it touches on themes of disillusionment and resolution, aligning with the introspective yet assertive tone prevalent in rock during that era

Read More: Top 10 James Gang Songs

# 1 – Roll Me Away – Bob Seger

“Roll Me Away,” one of Bob Seger’s most enduring anthems, captures the spirit of freedom and self-discovery. Released in 1983 as part of the album The Distance, the song was recorded at Criteria Studios in Miami, Florida, and produced by Seger himself alongside engineer Jimmy Iovine. Featuring Seger’s unmistakable raspy vocals and evocative storytelling, the track combines heartfelt lyrics with a soaring, piano-driven rock arrangement. The Silver Bullet Band provided their signature support, with Chris Campbell on bass, Craig Frost on keyboards, and a powerful rhythm section that underscores the song’s driving momentum.

The track gained further prominence after being featured in the 1984 film Teachers and later in the 1994 movie Forrest Gump, cementing its place in popular culture. Lyrically, “Roll Me Away” narrates a journey of personal reflection and renewal, beginning with a sense of discontent and evolving into a celebration of independence and exploration. Seger’s vivid imagery of hitting the open road resonates with listeners, capturing the essence of seeking meaning and escape.

Read More: Top 20 Bob Seger Songs

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10 Best Songs With The Word ‘Away’ In The Title article published on Classic RockHistory.com© 2025

Brit Floyd returns to the stage in 2025 with their biggest and most spectacular production to date, celebrating the 50th Anniversary of Pink Floyd’s iconic album, Wish You Were Here, complete with the group’s award-winning laser and light show, massive circular screen, inflatables, and theatrics. In addition, Brit Floyd this summer will collaborate and perform on a massive double-bill run of five shows throughout iconic venues in California and Nevada with musician/producer-icon, Alan Parsons.

Presented by Palladium Entertainment, this year’s celebration of the Wish You Were Here album will kick off with dates in the UK beginning February 19 in Manchester, UK and ending March 9 at Symphony Hall in Birmingham ahead of the group’s US shows. The tour will honor the iconic album (released in 1975) which features four of Pink Floyd’s most beloved songs – “Shine On You Crazy Diamond,” “Welcome To The Machine,” “Have A Cigar” and “Wish You Were Here” – and is widely regarded as one of the greatest albums of all time.

Every night, in a two-and-a-half-hour-plus show, Brit Floyd will perform the music of Wish You Were Here as well as classic tracks from Pink Floyd’s magnificent catalog of albums, including Dark Side of the Moon, The Wall, Animals, The Division Bell, Meddle, and more.

The assembled band of musicians that audiences have come to love and respect worldwide over the years will take to the stage to perform note-for-note renditions of all the classic Pink Floyd tracks. The ensemble includes Brit Floyd’s long-time guitarist/lead vocalist and musical director Damian Darlington, bassist/lead vocalist Ian Cattell, and Canadian Idol Winner vocalist Eva Avila, along with the other expert musicians who have joined the ranks of Brit Floyd over the last decade.

In the past, touring musicians from both Pink Floyd and Roger Waters’ touring band have shared the stage with Brit Floyd in the US, UK, and Europe. They include Pink Floyd bassist/vocalist Guy Pratt, backing vocalists Durga McBroom, and Roberta Freeman; Pink Floyd saxophonist Scott Page; Hammond organist/keyboardist Harry Waters (who will join Brit Floyd for 30 shows: 10 in the UK and 20 in the US); and drummer Graham Broad, who are both from Roger Waters touring band. Expect to see some of these artists making guest appearances on the 2025 dates.

Having performed over 1,200 shows since their launch in Liverpool, England in January 2011, Brit Floyd have circled the world, sold out tours across Europe, North America, South America, Asia, and the Middle East. They have performed concerts at some of the world’s greatest venues, including London’s prestigious Royal Albert Hall, the awe-inspiring Red Rocks Amphitheatre in Denver, Colorado; the historic Greek Theatre in Los Angeles; and ‘The Showplace of the Nation,’ NYC’s Radio City Music Hall in Manhattan. The Brit Floyd show has become a phenomenon, widely regarded by many as the world’s greatest rock tribute experience.

Brit Floyd’s 2025 tour dates are listed below.

February
19 – Manchester, UK – Bridgewater Hall               
20 – Glasgow, UK – Pavillion              
22 – Dunfermline, UK – Alhambra Theatre            
24 – Northampton, UK – The Derngate                 
25 – London, UK – Barbican – (with Harry Waters)
27 – Poole, UK – Lighthouse – (with Harry Waters)
28 – Portsmouth, UK – Guildhall – (with Harry Waters)

March
1 – Cardiff, UK – New Theatre – (with Harry Waters)
3 – Liverpool, UK – Philharmonic Hall – (with Harry Waters)
4 – Leicester, UK – De Montfort Hall – (with Harry Waters)
6 – Basingstoke, UK – The Anvil – (with Harry Waters)
7 – Guildford, UK – G LIve – (with Harry Waters)
8 – Scunthorpe, UK – Baths Hall – (with Harry Waters)
9 – Birmingham, UK – Symphony Hall – (with Harry Waters)

April
10 – Johnstown, PA – 1st Summit Arena                 
11 – Pittsburgh, PA – Benedum Center           
12 – Pittsburgh, PA – Benedum Center           
13 – Akron, OH – Akron Civic               
15 – Rochester, NY – Auditorium Theatre                
16 – Montreal, QC – Place Des Artes              
18 – Hamilton, ON – First Ontario Concert Hall               
19 – Rama, ON – Casino Rama             
21 – London, ON – Canada Life Place             
22 – Toledo, OH – Huntington Center             
23 – Buffalo, NY – Shea’s PAC               
25 – Wallingford, CT – Toyota Oakdale Theatre               
26 – Boston, MA – Orpheum Theatre              
27 – Wilkes Barre, PA – F.M Kirby         
28 – Huntington, NY – Paramount Theatre              
30 – Bethlehem, PA – Wind Creek Events Center             

May
1 – Bethlehem, PA – Wind Creek Events Center              
2 – Baltimore, Theatre – Lyric Theatre           
3 – Atlantic City, NJ – Hard Rock Live Etess Arena           
5 – Syracuse – The OnCenter Cruse Hinds              
6 – Morristown, NJ – Mayo Performing Arts Centre          
7 – Providence, RI – The Vets               
9 – Hershey, PA – The Giant Center               
10 – Washington, DC – Warner Theatre          
11 – Durham, NC – DPAC            
13 – Daytona Beach, FL – Peabody Auditorium                
14 – Estero, FL – Hertz Arena               
16 – Clearwater, FL – Ruth Eckhard Hall         
17 – Miami, FL – The Fillmore               
18 – Melbourne, FL – King Center         
20 – Jacksonville, FL – Florida Theatre           
21 – Pensacola, FL – Saenger Theatre            
22 – Atlanta, GA – Cobb Energy PAC              
23 – Louisville, KY – The Louisville Palace               
24 – Huber Heights – The Rose Music Hall               
27 – Grand Rapids, MI – DeVos Music Hall              
29 – Detroit, MI – The Fox Theatre                
30 – Waukegan, IL – Genessee Theatre         
31 – Milwaukee, WI – Riverside Theatre         

June
1 – Milwaukee, WI – Riverside Theatre           
3 – Kansas City, MO – Midlands            
5 – Denver, CO – Red Rocks Amphitheatre (Sold Out)
7 – Colorado Springs, CO – Pikes Peak Center         
9 – Prescott Valley, AZ – Findley Auto Center          

July
10 – Phoenix, AZ – Arizona Financial Theatre          
11 – Los Angeles, CA – Greek Theatre – (with Alan Parsons)
12 – San Diego, CA – Cal Coast Credit Union Amphitheatre – (with Alan Parsons)
13 – Henderson, NV – Lees Family Forum               
15 – Reno, NV – Grand Sierra Resort – (with Alan Parsons)
16 – Reno, NV – Grand Sierra Resort – (with Alan Parsons)
18 – Murphys, CA – Ironstone Amphitheatre – (with Alan Parsons)
19 – San Francisco, CA – Warfield                  
20 – Saratoga, CA – Mountain Winery            
22 – Portland, OR – Keller Auditorium            
23 – Redmond, WA – Marymoor Live              
24 – Vancouver, BC – Queen Elizabeth Theatre                
26 – Spokane, WA – First Interstate Center for the Arts                 
27 – Boise, ID – Egyptian            
29 – Salt Lake City – Maverik Arena               
31 – Alburquerque, NM – Kiva Theatre           

August
1 – Midland, TX – Wagner Noel PAC              
2 – Austin, TX – Austin City Limits – Moody            
3 – Houston, TX – Bayou Music Center           
5 – Grand Prairie, TX – Texas Trust CU Theatre               
6 – Shreveport, LA – Municipal Theatre          
7 – Tulsa, OK – Tulsa Theatre                
9 – Huntsville, AL – Mark C Smith Concert Hall               
10 – Knoxville, TN – Tennessee Theatre         
12 – Indianapolis, IN – Everwise Amphitheatre                
14 – Cincinnati, OH – PNC Pavillion                
15 – Cleveland, OH – Jacobs Pavillion            
16 – Interlochen, OH – Center for the Performing Arts                 
19 – Saratoga Springs – Saratoga Springs Performing Arts Center         
20 – Bridgeport, CT – Hartford Healthcare Amphitheatre               
21 – Bangor, ME – Maine Savings Amphitheatre              
22 – Hampton Beach, NH – Casino Ballroom           
25 – Greensboro, NC – Steven Tanger PAC              
26 – Wilmington, NC – Wilson Center             
27 – Charlotte, NC – Ovens Auditorium          
28 – Columbia, SC – Township Auditorium

(Photo – Andy Robbins)

January 15, 2025, 42 minutes ago

news heavy metal rarities opeth music on vinyl

Music On Vinyl has announced the first repress in years of Opeth’s 2011 progressive rock masterpiece, Heritage.

Says Music On Vinyl, “Swedish masters Opeth really outdid themselves on their 10th album, with fan favourites like ‘The Devil’s Orchard’. Now available on beautiful black & red marbled vinyl. And act fast, only these first 5,000 will have a deluxe 16-page booklet.

Heritage:

• Gatefold sleeve
• First 5,000 copies will contain a 16 page booklet
• Includes insert
• Includes poster (60×30)
• Limited edition of 5,000 individually numbered copies on black & red marbled vinyl

Heritage tracklisting:

“Heritage” (instrumental)
“The Devil’s Orchard”
“I Feel The Dark”
“Slither”
“Nepenthe”
“Häxprocess”
“Famine”
“The Lines In My Hand”
“Folklore”
“Marrow Of The Earth” (instrumental)

For further details, visit musiconvinyl.com.