KOBRA AND THE LOTUS Guitarist JASIO KULAKOWSKI Releases New Solo Single / Video “Fall”

KOBRA AND THE LOTUS Guitarist JASIO KULAKOWSKI Releases New Solo Single / Video

Kobra And The Lotus guitarist, Jasio Kulakowski, has released a new solo single, “Fall”. Check out the official video below.

Jasio: “My first release as a solo artist, ‘Fall’, is out on all streaming platforms. It’s a 2-track single including an unplugged version as well. I wrote, produced and mixed this at my home studio in Canada, mastered by Ted Jensen at Sterling Sound, USA.

This song is able to make me laugh and cry at the same time and it embodies everything I got into making music for 20 years ago – that’s a beautiful feeling. I love it and I hope you will check it out.

I shot this around various places in southern Utah. The main performance bits are done sitting on a rock in the middle of the canyon narrows in Zion National Park while people were traipsing around me. I had no idea what I’d be seeing here and did not go with the intention of filming anything, but I had my camera with me and was blown away by the area and a little high on the experience. It’s a surreal and completely unique place I can highly recommend anyone to see it. I was trying very hard not to slip and/or drop my camera in the river as getting to this spot required wading through nearly waist-deep water in areas.

Thank you and much love.”

Jasio has co-written and recorded five albums and one EP with Kobra And The Lotus: Kobra And The Lotus (2012), High Priestess (2014), Prevail I (2017), Prevail II (2018), Evolution (2019), and the Words Of The Prophets EP (2015).


“I can’t marry you, but we can totally have an affair sometime”: Halestorm’s Lzzy Hale is open to singing with Skid Row again

Halestorm frontwoman Lzzy Hale says she is open to singing with Skid Row again.

The singer/guitarist fronted the glam metal legends for a handful of shows during the summer, filling in for former vocalist Eric Grönwall after he departed for health reasons.

Despite the concerts bringing a new wave of attention to the veteran band and even Jon Bon Jovi urging her to carry on, Hale said after the dates that she could not continue, citing her commitment to Halestorm.

In the new issue of Metal Hammer, however, Hale reveals that she’d be open to rejoining Skid Row for more shows later down the line, even if she can never be a full-time member.

Metal Hammer 395

(Image credit: Future)

“We left it like, ‘I can’t marry you, but we can totally have an affair sometime,’” she tells writer Emily Swingle. “If the guys send up the bat signal in a time of crisis, I’ll be there.”

Hale also reveals how she got the job temporarily fronting Skid Row. “Well, I’ve known Rachel [Bolan, bassist] and Snake [guitarist Dave Sabo] for the better part of a decade,” she says.

“One day, Rachel and I are eating cake at a birthday party. Out of the blue, he just asks me, ‘Would you ever consider playing some shows with us?’ My dumb brain goes, ‘Halestorm and Skid Row, that’d be cool!’ Obviously, that’s not what he means.

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“He’s like, ‘No, dummy, I mean you fronting Skid Row!’ Not even a week later, he calls me up, and it’s actually happening. He asks, ‘Are you in?’ So I called my ‘adults’ in management and cleared my schedule immediately.””

At time of publication, Skid Row still haven’t named a full-time vocalist to replace Grönwall. Founding singer Sebastian Bach expressed his interest during the summer, but Sabo swiftly shot him down in an interview.

“Well, the answer has been the same for – I don’t know – 20,000 years now. It’s not gonna happen,” the guitarist stated.

“And I say the same thing every time. I’m thankful that people have such an interest in wanting to see that happen, but I also have to reiterate that this is about being happy in the situation that you’re in. So I’ll speak for myself personally.”

Sabo later added that, although Skid Row had previously been offered “a good amount of money” to reunite with Bach, “it’s just never been about the money, man”.

“I choose my happiness, my willingness to continue to be a really good friend to my best friends and a really good husband and a really good dad and bandmate and person. And I don’t wanna endanger that in any way.”

Meanwhile, Halestorm have announced a great many shows for 2025, with tours across North America and Europe lined up for the first half of the year. See dates and full details via the band’s website.

As well as the interview with Hale, the new issue of Metal Hammer offers the essential breakdown of the year in metal. The magazine ranks the best metal albums of 2024, revisits Slipknot’s blockbuster anniversary tour, gets the inside story of Gojira’s show-stealing Olympic Games performance, and so much more. Order now and get your copy delivered directly to your doorstep.

Half of Kansas’ Classic Lineup Reunites for 2024 Tour Finale

Kansas celebrated the end of its Another Fork in the Road 50th Anniversary tour by putting the band — or at least some of it — back together again.

Original bassist Dave Hope reunited with co-founding guitarist Rich Williams and drummer Phil Ehart – playing only his second date since suffering major heart attack in February — and the current Kansas lineup on Wednesday at the Benedum Center in Pittsburgh. It was an appropriate venue to close the 18-month tour; the city has been a Kansas stronghold since early in the group’s career, thanks to the efforts of promoter Rich Engler — who produced Wednesday’s show — and local radio during the 70s.

You can see the full set list and exclusive photos of the show below.

Read More: Kansas Drummer Phil Ehart Recovering From ‘Major’ Heart Attack

The Benedum also hosted the latest tour’s first show on June 2, 2023 and, as the Stanley Theatre, was the site of a much bootlegged 1975 concert broadcast on radio.

“It’s a special relationship,” Williams told UCR before the show, noting that Kansas was “more famous in Pittsburgh in particular, and across Pennsylvania, when we couldn’t draw flies back home.”

Ehart joined the group partway through “Lonely Wind,” which finished a four-song semi-unplugged segment of the show, while Hope and Ehart were both part of the subsequent “Hold On” and the encore of “Carry on Wayward Son.” Fellow co-founder Kerry Livgren had intended to be at the show, too, but elected to stay home with his wife, Vicki, who recently suffered a broken collarbone; their daughter Kate played viola on “Dust in the Wind” in his stead. Current violinist Joe Deninzon soloed on a white instrument owned by the late Robbie Steinhardt, whose widow and daughter were also in attendance for the show.

The potent 20-song, two-hour and 10-minute concert found Kansas still in strong form after at the end of the 118-date tour, which Williams said was initially planned to be just 50 shows. Other hits, such as “Point of Know Return” and “The Wall,” were mixed with deep catalog favorites like “Glimpse of Home,” an epic “The Pinnacle” and “Reason to Be,” and the John Elefante era of the band was also represented with “Play the Game” and “Fight Fire With Fire.”

Conspicuously, but not surprisingly, absent was original singer-keyboardist Steve Walsh, who served two stints with Kansas and left for good in 2015. “He’s not interested — he’s made it clear, and that’s his prerogative,” Williams said. “He’s retired, and it’s kind of in the rearview mirror now.” But the guitarist said having any assemblage of Kansas’ old guard together is always special. “They’ve done it several times with us over the years, and it’s always great,” he said. “We have so many great memories together, and it’s always great to see them and play with them again.”

Hope, who left the band during 2000 but has made several guest returns over the years – and still plays in a cover band “for fun” at home on Florida’s Gulf Coast — said after the show that, “It’s got a strong family thing to it. These are my high school friends. It’s hard to say if it’s the music or this or that – it’s all of the above.” He added that he chose to play “Hold On” and “Carry On Wayward Son” because “I don’t have to practice much to do those…I’m not gonna take on ‘Song For America.”

Watch Kansas Perform ‘Carry On Wayward Son’ in Pittsburgh

Ehart, meanwhile, reported that he’s been improving steadily since the heart attack and was cleared by his cardiologist to play on Wednesday. “This (was) a special show,” he noted. “Coming here tonight, seeing the band and getting up and playing, that’s what I’m supposed to do. This is my life. It’s 50 years of drumming. I’m happy to be here.”

Prior to the show Ehart – joined by Kate Livgren and her brother Kyle — was presented with BMI certifications of nine million radio plays for “Carry On Wayward Son” and seven million for “Dust in the Wind.” Eric Gold, whose father Wally Gold signed Kansas to Kirshner Records in 1973, also shared some memories with the crowd.

With the 50th anniversary celebration in the books, Williams said Kansas will now go about the business of, well, carrying on. The group returns to the road during January in Florida with a Kansas Classics show, and a co-headlining amphitheater tour with .38 Special is on tap for the spring and summer. But Williams added that “the odds are stacked again” a new album, following 2020’s The Absence of Presence.

“Never say never, ’cause I’ve said no before,” Williams explained. “There’s a couple things in the can, but we’ve been so darn busy (touring) there hasn’t been any opportunity for the creative process. We’ve got a creative bunch of guys in the band, but the rub on that in today’s reality is it won’t get on the radio. It might get bought by our hardcore fans, but it won’t be played. Meanwhile we’ve got 17 people on the road (whose) families we have to support. Taking off a year to write and record and release an album takes out of the (touring) marketplace, and…if we took that much time off, we’re gonna lose people.”

Ehart, who’s been Kansas’ manager for the past 40 years, echoed the sentiment. “My philosophy right now is just keep the boat afloat, keep doing what we’re doing,” he said. “Let’s concentrate on what’s working, which is (playing) live. Why are we going to go in the studio, come off the road from all these people and go into the studio and make something nobody’s gonna buy? That’s a model for failure.” Ehart and Williams did, however, hold out the possibility that Kansas could record and release something shorter than a full album.

“I’ve been pushing for that for a long time,” he said. “In these times when everything is streaming and very little hard product is sold, why not just release it ourselves, just put it out on the Internet for a 99 cent download. It makes sense to me. So, yeah, that’s quite possible — and quite likely.”

Kansas, Dec. 12, 2024 Benedum Center, Pittsburgh Set List:

“Belexes”
“Point of Know Return”
“Play the Game”
“Fight Fire With Fire”
“Icarus”
“Icarus II”
“Throwing Mountains”
“Glimpse of Home”
“The Pinnacle”

Semi-Acoustic:
“People of the Southwind”
“Dust in the Wind” (with Kate Livgren)
“Reason to Be”
“Lonely Wind” (with Phil Ehart)

“Hold On” (with Ehart and Dave Hope)
“Song For America”
“Can I Tell You”
“Down the Road”
“The Wall”
“Miracles Out of Nowhere”

Encore:
“Carry On Wayward Son” (with Ehart and Hope)

Kansas 2024 Reunion Show

Kansas celebrated the end of its Another Fork in the Road 50th Anniversary tour by putting the band — or at least some of it — back together again.

30 Wintertime Songs That Aren’t Holiday-Related

According to a 2023 poll by Yahoo, 54% of people think holiday music has been starting “too early” over the past few years.

If you’re in the 46% percent of people who are perfectly okay with holiday music starting somewhere around the end of Halloween, this article is not for you. For you, might we suggest something like Rock’s Biggest Christmas Songs: The Stories Behind 15 Classics?

But there is no law saying that just because it’s winter one must listen to holiday music — there are other options available. This December, think kindly, if you would, of those folks who aren’t in love with songs about Christmas and Santa and the like but still want to get into the seasonal spirit. Here are 30 Wintertime Songs That Aren’t Holiday-Related.

1. “Cold as Ice,” Foreigner
From: Foreigner (1977)

Yes, Foreigner’s “Cold as Ice” is meant to be a metaphor for a stony-hearted lover, but there was also a literal aspect to it. “It wasn’t aimed at anyone specific,” Mick Jones explained to Classic Rock in 2021. “Well, there was one girl at school that dumped me, so maybe that trauma stayed with me over the years and subconsciously filtered in! The other contributing factor was that it was about minus 20 degrees in New York at the time we were writing it, which may have fed into the atmosphere.”

2. “Snowballed,” AC/DC
From: For Those About to Rock We Salute You (1981)

There’s a few different ways you could interpret AC/DC’s “Snowballed.” It’s not out of the realm of possibilities that it refers to cocaine — “Snowballed out of my mind.” But perhaps it’s more like the old saying, the one used to describe circumstances that accelerate or accumulate quickly — “The howl of the wolf, snow in his eye / Waiting to take you by surprise.”

3. “Snowblind,” Black Sabbath
From: Vol. 4 (1972)

Okay, this one is actually a very clear reference to cocaine  — “Fill my dreams with flakes of snow / Soon I’ll feel the chilling glow.” Black Sabbath has admitted so themselves. In fact, at one point they wanted to call Vol. 4, the album it appeared on, Snowblind, but, according to Tony Iommi‘s autobiography Iron Man: My Journey Through Heaven and Hell With Black Sabbath, the higher-ups at Vertigo Records wouldn’t allow it.

4. “A Hazy Shade of Winter,” Simon & Garfunkel
From: Bookends (1968)

There’s something mournful about the period of time in which fall fades into the beginning of winter. “Hang on to your hopes, my friend,” Simon & Garfunkel sing in “A Hazy Shade of Winter,” which went to No. 13 on the Billboard Hot 100. “That’s an easy thing to say.” When you’re done listening to this version, check out the Bangles’ 1987 cover of it, an even bigger chart hit.

5. “Wintertime Love,” The Doors
From: Waiting for the Sun (1968)

You’ve heard of a summer love. How about a wintertime one? It’s essentially the same thing, but with the seasons flopped and instead you have a lover to keep you warm during the cold months. “The piano and guitar interplay is absolutely beautiful,” Ray Manzarek said in the liner notes to 1997’s The Doors: Box Set. “I don’t think Robby [Krieger] and I ever played so sensitively together. It was the closest we ever came to being Bill Evans and Jim Hall.”

6. “Snow Blind,” Ace Frehley
From: Ace Frehley (1978)

If you ever listened to Ace Frehley’s “Snow Blind” when you were a kid — or essentially any age before you were exposed to the seeder underbelly of life — you may have thought he was just singing about being lost in a blizzard. As you got older, you likely came to terms with the fact that that was probably not the kind of white stuff Frehley was referring to when he sang “I’m snow blind, think I’m lost in space

7. “Trapped Under Ice,” Metallica
From: Ride the Lightning (1984)

There’s two ways you could look at Metallica’s “Trapped Under Ice.” On the one hand, the lyrics could be considered metaphorically as being about someone who feels confined in some way emotionally — “Frozen soul, frozen down to the core / Break the ice, I can’t take anymore.” Or if you’d like to get a little more morbid with it, maybe the narrator is quite literally cryogenically frozen in time — “Crystallized as I lay here and rest / Eyes of glass stare directly at death.”

8. “Winter,” The Rolling Stones
From: Goats Head Soup (1973)

You would not guess it based on the lyrics and subject matter, but the Rolling Stones penned “Winter” while in balmy Jamaica. This is a rare track in the sense that Keith Richards does not play on it at all — the rhythm guitar is Mick Jagger‘s doing, while the lead and slide guitar was done by Mick Taylor. The delicate piano part is courtesy of Nicky Hopkins, and the strings are the work of Nicky Harrison, who also arranged the strings in the song “Angie.”

9. “A Winter’s Tale,” Queen
From: Made in Heaven (1995)

Freddie Mercury did not live to see the release of “A Winter’s Tale,” which appeared on 1995’s Made in Heaven. According to Brian May, Mercury wrote the song at a lake house in Montreux, Switzerland, a place that is certainly no stranger to snow. May recorded his guitar solo after Mercury’s 1991 passing. “It was one of those things where I could hear it in my head, long before I actually got to play it,” May later said to Mojo (via uDiscover Music). “And when I recorded it, at my home studio, in my head I was there with Freddie in Montreux in those moments, even though this was happening long after he was gone.”

10. “Winterlude,” Bob Dylan
From: New Morning (1970)

“Winterlude” isn’t exactly Bob Dylan’s most his most intellectually stimulating song, and actually, “Winterlude” is meant to be a girl’s name in the lyrics — “You’re the one I adore, come over here and give me more / Then Winterlude, this dude thinks you’re fine.” But fun fact: years after this song was released on 1970’s New Morning, an annual wintertime festival called Winterlude began in Canada’s National Capital Region.

11. “Cold,” Annie Lennox
From: Diva (1992)

Just watching Annie Lennox’s music video for “Cold” makes one feel a little chilly. Her skin is so pale it’s nearly white and her lips appear a frosty blue-gray. “Cold is the color of crystal,” she sings. “the snowlight that falls from the heavenly skies.”

12. “Snowbound,” Genesis
From: …And Then There Were Three… (1978)

To be honest, Genesis has a few songs that probably could fit in on this list. “Snowbound” is one of them. “We tried to make this song a bit different,” Mike Rutherford explained to BBC Radio One in 1978, “a verse/chorus romantic acoustic song and the drums were slowed down, if you listen, they have a funny sound. It was an easy one to record, a romantic song about a guy who gets inside a snowman outfit to hide from everybody, he was paranoid, and he gets stuck!”

13. “Winterlong,” Neil Young
From: Decade (1977)

Neil Young did an excellent job of distilling down the distinct sense of yearning that seems to come along with the season in “Winterlong,” which happens to be a favorite of Black Francis from Pixies. “There’s not really a chorus in the song, but it sounds like a really chorus-y song,” Francis once told Songfacts. “It has very classic/traditional kind of chord shapes in it, like ’50s rock, but it has a much more nuanced arrangement than you would think, kind of like a Roy Orbison song or something like that.”

14. “Writes of Winter,” Jimmy Page
From: Outrider (1988)

There’s nothing really about Jimmy Page’s “Writes of Winter” that screams winter aside from the title, given that it’s an instrumental song. But who cares? It’s a fun listen anyway. “I’m not trying to be flippant here, but I just play the guitar, don’t I?” Page said to Guitar World in 1988, the year his one and only solo album, Outrider, was released, which included “Writes of Winter.” “That is my characteristic and it’s my identity as you hear it. I suppose as far as this album goes, in a way it’s almost like a back-to-basics album. And with the guitar, as you’ve heard, I’ve limited the guitar effects as such, and in fact the ‘effects’ are the layering — the textures of the things. That was the basic idea of it.”

15. “December,” Weezer
From: Maladroit (2002)

“December” is the closing song on Weezer’s 2002 album Maladroit. The intertwining guitars? Pure artistic coincidence. “That was a total miracle,” Rivers Cuomo told Guitar World back then. “I had my solo mapped out, and Brian [Bell, Weezer co-guitarist] had his counterpoint line, but we had never heard each other’s parts. We just mashed them together to see what would happen, and it sounded beautiful.”

16. “February Stars,” Foo Fighters
From: The Colour and the Shape (1997)

Below is the 1997 version of “February Stars,” as recorded by Foo Fighters. But the song dates back several more years to Dave Grohl‘s Nirvana days. Somewhere out there is an early version with only Grohl and Krist Novoselic, who made a demo of it during Nirvana’s last recording session.

17. “Cold Rain and Snow,” The Grateful Dead
From: The Grateful Dead (1967)

Before the Grateful Dead officially began, Jerry Garcia could often be found playing folk music — he played acoustic guitar and banjo in bluegrass groups like the Sleepy Hollow Hog Stompers. So it makes sense that some traditional folk songs carried over into the Grateful Dead’s catalog. “Cold Rain and Snow” was one of them, which dates back to 1917.

18. “40 Below,” David Lee Roth
From: A Little Ain’t Enough (1991)

Leave it to David Lee Roth to turn a song about cold temperatures into some kind of sexual metaphor. “Call me 40 below and I’ll be whippin’ in your window,” he sings. “I’ll be lickin’ round your knees / I can drop below zero any moment, baby / I’m talkin’ 40 degrees.”

19. “Out in the Cold,” Tom Petty and the Heartbreakers
From: Into the Great Wide Open (1991)

“It’s not a bad album,” Tom Petty once said of 1991’s Into the Great Wide Open. “I don’t think it was the best way to work with the Heartbreakers.” Petty was almost certainly referring to the fact that Jeff Lynne co-produced the album, lending a style that not everyone in the band loved. Still, there’s some great rock ‘n’ roll songwriting on it — “Out in the Cold” is one example.

20. “California Dreamin,'” The Mamas and the Papas
From: If You Can Believe Your Eyes and Ears (1966)

If you live in California or someplace else with a similar climate, this entry is not for you. This is for the people who live where sheets of snow fall every winter, which can sometimes lose its magic after shoveling it out for weeks on end. Those people deserve a little sunshine and a warm breeze. The Mamas and the Papas sang about this exact feeling in “California Dreamin.'”

21. “2000 Miles,” The Pretenders
From: Learning to Crawl (1984)

Chrissie Hynde penned “2000 Miles” following the passing of Pretenders guitarist James Honeyman-Scott, who died of a drug overdose at 25 years old. “The snow is falling down / Gets colder day by day / I miss you,” she sings. The accompanying music video shows Hynde out in the elements, plus a…person in a polar bear costume.

22. “Winter Time,” Steve Miller Band
From: Book of Dreams (1977)

“Winter Time” by Steve Miller Band features Bob Glaub on bass, whose resume of rock collaborations ranges from John Lennon to Journey, Bob Dylan to the Bee Gees and so many more. A special shout out should be given to Norton Buffalo who provides the haunting harmonica solo at the beginning of the song while the wind fades.

23. “Bare Trees,” Fleetwood Mac
From: Bare Trees (1972)

Bare Trees, Fleetwood Mac’s sixth studio album, was the last to include Danny Kirwan, meaning “Bare Trees” the song was one of the last Kirwan-penned numbers the band recorded. (Kirwan also sang the lead vocal on it.) “Danny was a quantum leap ahead of us creatively,” Mick Fleetwood later told Music Aficionado. “He was a hugely important part of the band.”

24. “Mandolin Wind,” Rod Stewart
From: Every Picture Tells a Story (1971)

Why does Rod Stewart always seem to be singing about a lost lover? “Through the coldest winter in almost 14 years, I couldn’t believe you kept a smile,” he sings in “Mandolin Wind,” which features — you guessed it — a mandolin part by Ray Jackson. A year after Stewart’s version came out, the Everly Brothers recorded the song for their 1972 album Stories We Could Tell.

25. “A Winter’s Tale,” The Moody Blues
From: December (2003)

Queen is not the only band with a song called “A Winter’s Tale.” But actually, the Moody Blues recording below is a cover of a 1982 song originally recorded by the English singer-songwriter David Essex, who took it to No. 2 on the U.K. singles chart. The Moody Blues’ version appeared on their 2003 album — and their last ever – December.

26. “The White Snows of Winter,” REO Speedwagon
From: Not So Silent Night … Christmas with REO Speedwagon (2009)

Oddly enough, like the Moody Blues above, REO Speedwagon’s last album was also a holiday one. Most of the tracks on 2009’s Not So Silent Night…Christmas With REO Speedwagon are, well, Christmas-related. But “The White Snows of Winter” is an exception.

27. “Latitude 88 North,” Electric Light Orchestra
From: Out of the Blue (2007 Reissue)

ELO’s “Latitude 88 North” surfaced on the 2007 reissue Out of the Blue. For you geography fans out there, the title is a reference to what’s known as 88th parallel north, the particular circle of latitude located in the Arctic Ocean. Pretty damn cold up there.

28. “Sometimes in Winter,” Blood, Sweat & Tears
From: Blood, Sweat & Tears (1968)

The person primarily responsible for lead vocals in Blood, Sweat & Tears was David Clayton-Thomas, who joined the band in time for their second album. “David had that commercial voice,” his bandmate Steve Katz once said. “We felt it was going to work.” But there was one track on that 1968 self-titled release that featured Katz as the lead vocalist instead: “Sometimes in Winter.”

29. “End of the Season,” The Kinks
From: Something Else by the Kinks (1967)

In “End of the Season,” Ray Davies uses the changing of the weather as a metaphor for the departure of his lover: “Summer birds aren’t singing since you went away / Since you’ve been gone, end of the season, winter is here, close of play.” (It’s made particularly literal though with some real bird sounds at the beginning of the track.)

30. “Urge for Going,” Joni Mitchell
From: 1972 B-side

Like the Kinks above, Joni Mitchell uses the shift of the seasons to drive home the feeling of drifting apart from a partner in “Urge for Going.” The song was first recorded by Tom Rush in 1968 — Mitchell’s own version finally arrived in 1972 as the one and only non-album B-side of her entire career.

Great Classic Rock Christmas Memories

As you’ll see, rock stars celebrate Christmas in their own rock star ways.

Gallery Credit: Nick DeRiso

Why ‘Freddy vs. Jason’ Was Worth a Sixteen Year Wait

It took 16 years of anticipation, lots of corporate wrangling and six million dollars in script development, but in 2003 Freddy Kruger and Jason Voorhees finally squared off in one of the most satisfying and successful crossovers in horror movie history.

New Line Cinema, home to the A Nightmare on Elm Street series, and Paramount, original home of the Friday the 13th franchise, first tried to get their famous murdering maniacs together on the big screen in 1987, according to Daily Dead. The studios were unable to strike a deal, and numerous aborted crossover proposals were shot down over the next few years.

In the early ’90s, New Line got the rights to the Jason Voorhees character and teamed up with Sean S. Cunningham, the producer and director of the original Friday the 13th with the goal of making Freddy vs. Jason. However, A Nightmare on Elm Street mastermind Wes Craven instead decided to return to that franchise for a stand-alone Freddy movie, 1994’s Wes Craven’s New Nightmare, delaying Cunningham’s plans.

Read More: ‘Dream Warriors’ Reveals Freddy Krueger’s Backstory

In an attempt to resuscitate Jason’s dormant box office career while awaiting his dream crossover, Cunningham instead helped craft 1993’s rather shitty Jason Goes to Hell, which concluded with a surprise appearance from Kruger, openly teasing a full-fledged matchup.

Despite the fan excitement created by that scene, it still took 10 years for the studio to come up with a Freddy vs. Jason script that did justice to both characters. According the book Crystal Lake Memories, the process included 18 drafts by 12 different writers, at a cost of six million dollars before the cameras ever rolled.

“Originally, New Line was very excited: ‘Whoa! Freddy vs. Jason! That’s going to be kick-ass!,’ development executive Noel Cunningham explained. “But then you really have to sit down and think about it, and ask, “Okay, what happens? You have two main characters – both of whom are villains. One of them [Freddy] doesn’t exist in the real world, and the other one [Jason] doesn’t talk. How do you create a movie around those two characters? It’s damn near impossible.”

The writers finally cracked the code, coming up with a clever scenario in which Freddy had been forgotten, robbing him of the “fear power” he needed to resume his killing spree. He tricks Jason into killing the children on Elm Street instead of the hockey mask-wearing lunatic’s normal Crystal Lake haunt, making Freddy’s hometown think Krueger was back. This creates the required terror for the knife-glove wearing, wisecracking murderer to actually return. Conflict arises when Jason proves to be a bit too good at his job, robbing Freddy of the chance to make his own kills.

The two eventually battle in both Freddy’s dream world and in a climactic real-world showdown. Instead of an early plan to have two separate endings with different victors, Freddy vs. Jason concludes with a pretty clear winner in a very close and bloody fight – until, in true horror movie cliffhanger fashion, the last frames suggest maybe things aren’t what they seem.

Freddy vs. Jason was filmed on three times the budget of any previous Freddy movie, and more than seven times the budget of any of the first nine Jason movies. This allowed director Ronny Yu to deliver some of the most cinematic sequences in either franchise’s history, including a particularly stunning scene where Jason carves up a bunch of teenagers at a rave in a cornfield – despite being covered in flames himself.

Watch the ‘Freddy vs. Jason’ Cornfield Rave Scene

Released on Aug. 15, 2003, Freddy vs. Jason went on to gross $116 million, more than double the earnings of any previous film from either franchise. You would think those numbers would guarantee a sequel, and the idea was of course discussed. Bruce Campbell, star of the Evil Dead franchise, said he was approached about having his character Ash join in on the fun in the follow-up.

“We were like, ‘Great, Ash can kill ’em both.’ There was a long pause, ‘Well actually that’s not something we can entertain.’ And we couldn’t control any other character, only control Ash – what these guys said or what they did and you couldn’t kill either one,” Campbell told ScreenRant. “So right from the start, it’s creatively bankrupt. Economically, now you’re splitting the pot with two other partners – nah. We’re good.” Freddy vs. Jason vs. Ash was instead made into a six-part comic book series in 2007. (Spoiler alert: Ash kicked both their asses.)

Jason and Freddy instead went their separate ways, with the franchises both opting for complete reboots. The revamped Friday the 13th arrived first in 2009, with A Nightmare on Elm Street debuting the following year. Both were financially successful, with Friday earning $92 million and Nightmare earning $116 million, but neither Freddy nor Jason has returned to the big screen in over a decade due to separate legal battles over the rights to their characters and franchises.

In 2019 Bloody Disgusting reported that the rights to the Nightmare franchise had reverted back to Craven’s estate, but there has been no word on a new film since that time. A Friday the 13th prequel series named Crystal Lake is scheduled to debut on NBC’s Peacock streaming network on Halloween 2025. In May 2024, Cunningham said that Jason’s return to the big screen was at least several years away.

Watch the ‘Freddy Vs. Jason’ Trailer

The Best Horror Movie From Every Year

Counting down a century’s worth of monsters, demons and things that go bump in the night.

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Wacken Open Air Co-Founder On Securing GUNS N’ ROSES For W:O:A 2025 – “Forty Years Of Guns N’ Roses, 34 Years Of Wacken; It Won’t Get Any Better Than That” (Video)

Wacken Open Air Co-Founder On Securing GUNS N' ROSES For W:O:A 2025 -

Guns N’ Roses have announced they will return to the road on a massive 2025 European and Middle East Tour, headlining stadiums and festivals throughout the summer with special guests Public Enemy, Rival Sons and Sex Pistols featuring Frank Carter on select dates.

The last stop on the first leg of the tour will be the Wacken Open Air in Wacken, Germany on July 31st. In the clip below, Wacken co-founder Holger Hübner comments on finally securing Guns N’ Roses for the festival (German with English subtitles).

Hübner: “Of course, we are very happy that Guns N’ Roses will finally come to Wacken. Especially for (the band’s) 40th anniversary. We’ve been following the band since the ’80s. During the Covid pandemic, I listened to Guns N’ Roses almost every day. If you see how we started, and over 30 years later we’re able to welcome such an act. That’s insane. We all think it’s gonna be awesome, and I think it’s going to be a great show. Forty years of Guns N’ Roses, 34 years of Wacken. It won’t get any better than that.”

Kicking off on May 23, the 24 date tour will see the LA legends perform in Saudi Arabia, Georgia, Lithuania and Luxembourg for the first time. The 2025 dates also see the powerhouse rock band return to familiar stages in Bulgaria, Serbia, Turkey, Portugal, Spain, Italy, Czech Republic, Germany, UK, Denmark, Norway, Sweden, Finland , Poland, Hungary and Austria.

Nightrain presale for all non-festival shows will start December 10 at 9 AM, Local Time. Rock For The People festival date in Hradec Karlove, CZ will offer a Nightrain presale starting December 10 at 9 AM Local, Time. Active Nightrain members will see their unique presale code displayed on the tour page after logging in.

For all public onsale dates, go to gunsnroses.com/tour for the most up to date info.

If you are not currently a member of Nightrain, check out the packages here.

Tour dates:

May
23 – Kingdom Arena – Riyadh, SA
27 – Etihad Arena – Abu Dhabi, UAE
30 – Shekvetili Park 0 Shekvetili, GE (with Rival Sons)

June
2 – Tüpraş Stadyumu – Istanbul, TR (with Rival Sons)
6 – Estádio Cidade de Coimbra – Coimbra, PT (with Rival Sons)
9 – Estadi Olímpic Lluís Companys – Barcelona, ES (with Rival Sons)
12 – Firenze Rocks – Florence, IT (with Rival Sons)
15 – Rock For People – Hradec Kralove, CZ (with Rival Sons)
18 – Merkur Spiel-Arena – Dusseldorf, DE (with Rival Sons)
20 – Allianz Arena – Munich, DE (with Rival Sons)
23 – Villa Park – Birmingham, UK (with Rival Sons)
26 – Wembley Stadium – London, UK (with Rival Sons)
29 – Eskelunden – Aaehus, DK (with Public Enemy)

July
2 – Granåsen Ski Centre – Trondheim, NO (with Public Enemy)
4 – Strawberry Arena – Stockholm, SE (with Public Enemy)
7 – Ratina Stadium – Tampere, FI (with Public Enemy)
10 – Darius and Girėnas Stadium – Kaunus, LT (with Public Enemy)
12 – PGE Narodowy – Warsaw, PL (with Public Enemy)
15 – Ferenc Puskás Stadium – Budapest, HU (with Public Enemy)
18 – Ušće Park – Belgrade, RS (with Public Enemy)
21 – Vasil Levski Stadium – Sofia, BG (with Public Enemy)
24 – Ernst Happel Stadium – Vienna, AT (with Sex Pistols)
28 – Luxembourg Open Air – Luxembourg City, LU (with Sex Pistols)
31 – Wacken Open Air – Wacken, DE


JUDAS PRIEST Frontman ROB HALFORD Reflects On Making Of Painkiller Album – “‘We Really Need To Show Off What This Band’s True Heart And Soul And Spirit Is About”

JUDAS PRIEST Frontman ROB HALFORD Reflects On Making Of Painkiller Album -

Speaking with Heavy Consequence about Judas Priest’s upcoming Shield Of Pain Tour 2025, frontman Rob Halford reflected on the  band’s iconic Painkiller album, which will celebrate its 35th Anniversary.

Painkiller will be a focus of the tour, but Halford revealed they will not play the albun in its entirety.

Looking back on the making of Painkiller, Haford offered the following:

“The importance was we had to really go into a huddle and say, ‘We really need to show off what this band’s true heart and soul and spirit is about.’ And I’m using that in reference to some of the previous albums and some of the previous songs. Our attitude was, ‘We’re gonna make the hardest, heaviest, strongest, most energized metal album we’ve ever done,’ and we did that. We achieved it. It’s full-on; it only pulls back a little bit for ‘A Touch Of Evil’. The rest of it is just non-stop, non-stop, non-stop.”

“It’s a beloved, revered metal album. A lot of our friends in different bands will say, ‘If you wanna hear what a metal album is all about, put on Painkiller….’ and that’s pretty cool. But our fans, as well, recognize that of all of the 19 albums that this band has ever made, Painkiller’s still very heavily under the spotlight. And here we are, 35 years next year.”

Judas Priest have announced two new dates for their European “Shield Of Pain Tour 2025”, which launches on June 14 in Hamar, Norway.

The new dates are July 23 at Scarborough Open Air Theatre in Scarborough, England with support from Phil Campbell And The Bastard Sons, and July 25 at The O2 in London, England, a co-headline date with Alice Cooper. Tickets for both dates will be available here

Current Judas Priest 2025 European tour dates are listed below. Check judaspriest.com for the band’s complete tour itinerary and ticket links.

June
14 – Hamar, Norway – Tjuvholmen Kro
17 – Stuttgart, Germany – Schleyerhalle
18 – Frankfurt Am Main, Germany – Hessentag Festival

July
1 – Ferrara, Italy – Ferrara Summer Festival
3 – Zürich, Switzerland – Hallenstadion
7 – Łódź, Poland – Atlas Arena
10 – Rättvik, Sweden – Dalhalla
13 – München, Germany – Olympiahalle
15 – Carcassonne, France – Festival de Carcassonne
17 – Sion, Switzerland – Sion Sous Les Étoiles
19 – Esch-sur-alzette, Luxembourg – Rockhal
20 – Oberhausen, Germany – Rudolf Weber-Arena
23 – Scarborough, England – Scarborough Open Air Theatre
25 – London, England – The O2


GUNS N’ ROSES Announce 2025 Tour With Special Guests PUBLIC ENEMY, RIVAL SONS, SEX PISTOLS

GUNS N' ROSES Announce 2025 Tour With Special Guests PUBLIC ENEMY, RIVAL SONS, SEX PISTOLS

Today, Guns N’ Roses announced they will return to the road on a massive 2025 European and Middle East Tour, headlining stadiums and festivals throughout the summer with special guests Public Enemy, Rival Sons and Sex Pistols featuring Frank Carter on select dates.

Kicking off on May 23, the 24 date tour will see the LA legends perform in Saudi Arabia, Georgia, Lithuania and Luxembourg for the first time. The 2025 dates also see the powerhouse rock band return to familiar stages in Bulgaria, Serbia, Turkey, Portugal, Spain, Italy, Czech Republic, Germany, UK, Denmark, Norway, Sweden, Finland , Poland, Hungary and Austria.

Nightrain presale for all non-festival shows will start December 10 at 9 AM, Local Time. Rock For The People festival date in Hradec Karlove, CZ will offer a Nightrain presale starting December 10 at 9 AM Local, Time. Active Nightrain members will see their unique presale code displayed on the tour page after logging in.

For all public onsale dates, go to gunsnroses.com/tour for the most up to date info.

If you are not currently a member of Nightrain, check out the packages here.

Tour dates:

May
23 – Kingdom Arena – Riyadh, SA
27 – Etihad Arena – Abu Dhabi, UAE
30 – Shekvetili Park 0 Shekvetili, GE (with Rival Sons)

June
2 – Tüpraş Stadyumu – Istanbul, TR (with Rival Sons)
6 – Estádio Cidade de Coimbra – Coimbra, PT (with Rival Sons)
9 – Estadi Olímpic Lluís Companys – Barcelona, ES (with Rival Sons)
12 – Firenze Rocks – Florence, IT (with Rival Sons)
15 – Rock For People – Hradec Kralove, CZ (with Rival Sons)
18 – Merkur Spiel-Arena – Dusseldorf, DE (with Rival Sons)
20 – Allianz Arena – Munich, DE (with Rival Sons)
23 – Villa Park – Birmingham, UK (with Rival Sons)
26 – Wembley Stadium – London, UK (with Rival Sons)
29 – Eskelunden – Aaehus, DK (with Public Enemy)

July
2 – Granåsen Ski Centre – Trondheim, NO (with Public Enemy)
4 – Strawberry Arena – Stockholm, SE (with Public Enemy)
7 – Ratina Stadium – Tampere, FI (with Public Enemy)
10 – Darius and Girėnas Stadium – Kaunus, LT (with Public Enemy)
12 – PGE Narodowy – Warsaw, PL (with Public Enemy)
15 – Ferenc Puskás Stadium – Budapest, HU (with Public Enemy)
18 – Ušće Park – Belgrade, RS (with Public Enemy)
21 – Vasil Levski Stadium – Sofia, BG (with Public Enemy)
24 – Ernst Happel Stadium – Vienna, AT (with Sex Pistols)
28 – Luxembourg Open Air – Luxembourg City, LU (with Sex Pistols)
31 – Wacken Open Air – Wacken, DE


“I was twelve, on the bus, and someone said it was angel dust, and I thought ‘That sounds great'”: Fantastic Negrito has poured his upbringing into his extraordinary and beautiful latest album

When Xavier Dphrepaulezz was 12 years old, he was thrown out of the family home by his tyrannical father, and tumbled through the California foster care system into a life of crime. Music threw him a lifeline, and having begun trading as Fantastic Negrito in 2014, he finally addresses that scarring relationship in the fuzzed-up alt. blues concept album, Son Of A Broken Man.

“Every song,” he explains, “I wanted it to be about how I felt about my daddy.”

Lightning bolt page divider

Your father sounds like he was a very complicated man.

He was brilliant, but he was horrible too. Maybe he is the quintessential explanation of human beings, and how we are. Y’know, how we can cure polio and make an HIV vaccine, but then we drop nuclear bombs and put people in concentration camps.

What was it like growing up with him?

We had a huge family, but my dad kept putting all the kids in foster homes. My first memory is him telling me, about my older brother: “Don’t ever say his name.” I had brothers and sisters, and they were being kind of excommunicated. My brother is a historian now, and he goes: “Dad was a lot like Joseph Stalin.” He would ban people. And being sent off to foster homes was like being sent to a gulag.

The title track says: ‘I picked up the pieces and I survived’. Are you ever surprised that you made it?

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Yeah. At times I was one step away from being on the other side of this whole thing. I remember almost smoking PCP. I was twelve, on the bus, and someone said it was angel dust, and I thought: “That sounds great.” Just by fate, man, I had to get off at the next stop. I remember being on the ground with a ninemillimeter pointed at my head…

Fantastic Negrito – Runaway From You (Official Video) – YouTube Fantastic Negrito - Runaway From You (Official Video) - YouTube

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How did you decide what style of music would suit these stories?

I think, when you start making albums in your late forties, you just don’t give a fuck. I just want to be free. Do I want to make shitloads of money? Actually, I don’t. Do I want to be super-famous? Hell no. I want to be free, with the wisdom of a grandpa and the freedom of a teenager. I’ve learnt from albums like The Beatles that what matters is a good song, not the genre. You know when Twitter asks you to describe yourself? I put: ‘Fantastic Negrito, a marketing nightmare’.

Have you found that you’re a very different type of dad?

Well, I sometimes see my dad in me. He rears his head occasionally and I’m like: “Oh shit!” I have to do the work, take the steps, calm down. I see my twelve-year-old and I’m like: “Wow, that’s when I was on the corners, selling drugs.” At twelve! My twelve-year-old is, like, a nerdy guy who wants to play video games.

What do you hope Son Of A Broken Man can help achieve?

Maybe it can help other sons of broken men. It doesn’t mean you have to become nothing, go to prison, be on drugs, pass on that toxic upbringing. I hate cycles. The neighbourhoods I came from, there’s cycles. Y’know: “They’ve done bad, their grandmother did bad, they’ve been doing bad since they came up from the South.” And I was like: “I’m stopping this, man.” I think the most important thing about this record is not passing on the mess that dad made of all our lives.

Son Of A Broken Man is out now via Storefront Records.

DOROTHY Shares “I Come Alive” Lyric Video

DOROTHY Shares

The raven-haired rock star from Los Angeles, Dorothy, continues to satiate her rabid fanbase with new music. Most recently, she has shared the new track “I Come Alive”. 

The song opens with Dorothy’s powerhouse vocal, as she declares “I come alive” and takes the listener to church with power and soul. Her stadium-sized vocal performance will make even the finest hair on the back of your neck stand on end with all of its glory. Her voice is backed by buzzsaw riffs and an unforgettable groove.

Lyrically, the song has a motivating message — for both the artist and her fans!

“When I’m faced with the weight of the world and things feel like they’re at their worst, I try to pause and let the turbulent emotions pass,” the singer shares. “I try to take a good honest look at myself. I may have a bad day, week, or month… but then I get up and I face the fear and problems head on. I put my armor on and fight. The only way out is through the pain.”

Stream / download “I Come Alive” here.

A musical outlaw through and through, Dorothy returned this summer with “MUD”, a display of raw, full-bodied vocal power complimented by heavy-hitting instrumentation and riffs galore. The song landed at #3 on the Billboard Mainstream Rock Chart and at #4 on the Active Rock Chart. The video presents Dororhy in all of her bad-ass, rock ‘n’ roll glory.

Dorothy also previously shared the song “The Devil I Know”.

With three brand new songs released into the wild and the world, the details of Dororthy’s forthcoming fourth studio album are imminent. 2025 is shaping up to be the year of Dorothy…

Dorothy’s discography thus far includes Gifts From The Holy Ghost (2022), which was inspired by a spiritual awakening, as well as RockIsDead (2016), which inspired Roc Nation to sign the artist to the label, and 28 Days In The Valley (2018). The Budapest, Hungary-born stunner has enjoyed over 1 billion global streams combined across her career and has participated in high-profile collaborations with everyone from Staind to Slash of Guns N’ Roses to Scott Stapp of Creed to Alice Cooper guitarist Nita Strauss, earning and ultimately cementing her place among the hard rock elite.