Author: Logan Rocker

Modern thrash titans, Warbringer, recently announced their new album, Wrath And Ruin, out March 14 via Napalm Records, with the release of cataclysmic single, “A Better World”.

Today, the band returns to sound the beacon, announcing their upcoming North American co-headline tour with death metal stalwarts Allegaeon. Featuring support from Skeletal Remains and Summoning The Lich, “The Vortex of Violence Tour” kicks off March 18 in San Diego, CA, pillaging through several major cities including Montreal, QC, Toronto, ON, Chicago, IL and Denver, CO before concluding the campaign of carnage in Los Angeles, CA on April 12.

About the tour, frontman Jon Kevill says: “We are announcing our first run of 2025, where we will be raining down Wrath and Ruin across the USA and Canada! We will be joined by a full arsenal of vicious brutality with Allegaeon, Skeletal Remains, and Summoning The Lich providing fire support. We will be playing new songs as well as old live favorites, and we will be going all gas no brakes every night, as you’ve come to expect. Get down to the show, mosh like there’s no tomorrow, and enter the Vortex of Violence!”

Tickets go on sale this Friday, January 17 at 9 AM, PST/12 PM, EST. For more information, visit the band’s official website.

Tour dates:

March
18 – San Diego, CA – Brick by Brick
19 – Phoenix, AZ – Last Exit Live
20 – Albuquerque, NM – Launchpad
21 – Oklahoma City, OK – 89th Street Collective
22 – Haltom City, TX – Haltom Theater
23 – Austin, TX – Come and Take it Live
24 – Corpus Christi, TX – House of Rock
26 – Orlando, FL – Conduit
27 – Jacksonville, NC – Hooligan’s
28 – Bensalem, PA – Broken Goblet
29 – Brooklyn, NY – Woodshop
30 – Montreal, QC – Foufounes Electriques
31 – Toronto, ON – The Garrison

April
1 – Detroit, MI – The Sanctuary
2 – Chicago, IL – Reggies
3 – Lawrence, KS – The Bottleneck
4 – Lincoln, NE – Bourbon Theater
5 – Denver, CO – HQ
6 – Salt Lake City, UT – Metro Music Hall
8 – Seattle, WA – El Corazon
9 – Vancouver, BC – Rickshaw Theatre
10 – Portland, OR – Hawthorne Theater
11 – San Francisco, CA – DNA Lounge
12 – Los Angeles, CA – Teragram Ballroom

On Wrath And Ruin, Warbringer continues their furious assault against the powers that be with eight new explosive rippers lyrically focused on inspiring listeners to recognize strength in numbers and actualize their class power. The bonus CD, included with the 2CD and digital versions of the album, boasts 15 incendiary live versions of fan favorites recorded along their “Ravaging Europe 2023” tour. The album features pristine production by Mark Lewis, famous for his work with Cannibal Corpse, Trivium, and The Black Dahlia Murder, mastering by Justin Shturtz (Testament, Sepultura, Machine Head), and album art by the legendary Andreas Marschall (Kreator, Obituary, and In Flames).

Wrath And Ruin’s destructive opening duo of “The Sword And The Cross” and “A Better World” quickly kick the gates of cataclysm open with broodingly dark guitar work and virtuosic precision. Frontman John Kevill’s passionate proclamations are as potent as ever, mocking those who scoffed at clear harbingers of societal collapse with their misguided optimism. “Neuromancer” rides low and steady with blast master Carlos Cruz putting some serious stank on an irresistible battle vest fist pumper. “The Jackhammer” sees the band explode into a frenzy with chaotic riffage and ear splitting pinch dives. “Through A Glass, Darkly” indulges in deliciously gothic chord work and melodic leads embellishing Kevill’s already hellish vocal fry. “Strike From The Sky” is trademark thrash excellence quickly followed by the atmospheric, true cult epic “Cage Of Air,” with its tensely ornate dueling guitars on full display. Album closer “The Last Of My Kind” continues this dark gothic path with syncopated octave runs dancing around tightly dueling melodeath riffage. Wrath And Ruin sees Warbringer indulging in the darker elements of their sound, for an uncompromising and unflinching exploration of life’s most bitter pills.

Wrath And Ruin will be available in the following formats:

– 2CD Digisleeve
– 1-LP Gatefold Black Vinyl
– 1-LP Gatefold Marbled Vinyl w/ 12inch Booklet + Slipmat (Napalm Records mail order only – limited to 300)
– CD + Shirt Bundle (Napalm Records mail order only)
– Digital Album

Pre-order Wrath And Ruin here.

Wrath And Ruin tracklisting:

CD1:
“The Sword And The Cross”
“A Better World”
“Neuromancer”
“The Jackhammer”
“Through A Glass, Darkly”
“Strike From The Sky”
“Cage Of Air”
“The Last of My Kind”

CD 2:
“Firepower Kills” (Live in Budapest, Hungary – April 7th, 2023)
“The Black Hand Reaches Out” (Live in Budapest, Hungary – April 7th, 2023)
“Crushed Beneath The Tracks” (Live in Nantes, France – April 20th, 2023)
“Living Weapon” (Live in Budapest, Hungary – April 7th, 2023)
“Woe To The Vanquished” (Live in Budapest, Hungary – April 7th, 2023)
“Living In A Whirlwind” (Live in Budapest, Hungary – April 7th, 2023)
Guitar Solo / “Outer Reaches” (Live in Nantes, France – April 20th, 2023)
“Shellfire” (Live in Munich, Germany – April 5th, 2023
“Descending Blade” (Live in Krakow, Poland – April 4th, 2023)
“Hunter-Seeker” (Live in Krakow, Poland – April 4th, 2023)
“Defiance Of Fate” (Live in Budapest, Hungary – April 7th, 2023)
“Silhouettes” (Live in Nantes, France – April 20th, 2023)
“Remain Violent” (Live in Budapest, Hungary – April 7th, 2023)
“Combat Shock” (Live in Budapest, Hungary – April 7th, 2023)
“Total War” (Live in Budapest, Hungary – April 7th, 2023)

“A Better World” video:

Warbringer is:

John Kevill – Vocals
Adam Carroll – Guitar
Carlos Cruz – Drums
Chase Becker – Gui
Chase Bryant – Bass

(Photo – Alex Solca)

Whether it’s an anthem of freedom, a tender confession, or a contemplative journey, these tracks resonate deeply with audiences, often becoming defining moments in the careers of the artists who perform them. In this article, we explore ten remarkable songs that incorporate “away” in their titles, celebrating their lyrical depth, emotional resonance, and lasting impact on music and culture.

Bob Seger & The Silver Bullet Band’s “Roll Me Away” captures the quintessential spirit of escape and self-reflection, blending Seger’s raspy vocals with a powerful, piano-driven arrangement that has become an anthem for open-road wanderers. The James Gang delivered “Walk Away,” a blistering showcase of Joe Walsh’s fiery guitar work and sharp songwriting, perfectly encapsulating their blend of rock and blues during their peak. Styx’s “Come Sail Away” invites listeners on an imaginative journey, combining Dennis DeYoung’s theatrical vocal delivery with anthemic rock instrumentation to create an enduring classic.

The Rolling Stones brought raw energy to “Not Fade Away,” their early rock hit that merged their blues influences with an infectious rhythm, becoming a staple in their iconic live performances. Dobie Gray’s “Drift Away” stands as a soulful masterpiece, offering a heartfelt ode to the power of music and Gray’s smooth, soothing vocal delivery. Jethro Tull’s “Skating Away on the Thin Ice of the New Day” showcases Ian Anderson’s poetic lyrics and intricate acoustic instrumentation, offering a thought-provoking commentary on societal and personal transformation.

Led Zeppelin’s “Over the Hills and Far Away” serves as a sonic odyssey, seamlessly transitioning between acoustic delicacy and electric ferocity, showcasing the band’s genre-defying versatility. Simon & Garfunkel’s “You’ve Got to Hide Your Love Away” interprets Lennon and McCartney’s poignant ballad with their signature harmonies, emphasizing the song’s vulnerability and introspection. Paul Simon’s “Slip Slidin’ Away” is a bittersweet meditation on life’s fleeting moments, delivered with Simon’s lyrical finesse and understated folk instrumentation. Finally, The Byrds bring their jangly guitars and celestial harmonies to “Farther Along,” a spiritually reflective song that adds depth to their already rich catalog.

# 10 – Away From Home – Bachman-Turner Overdrive

Can’t doesn’t get more fun than opening up with a great and very underrated BTO song. From their 1975 album Head On, Bachman-Turner Overdrive’s “Away From Home” captures a raw, nomadic spirit, blending heartfelt storytelling with the band’s signature blend of rock and roll grit. Produced by Randy Bachman, the song was recorded in Vancouver at Kaye-Smith Studios, a location that had become synonymous with the band’s polished yet powerful sound. The track features Randy Bachman on guitar, C.F. Turner on bass and vocals, Robbie Bachman on drums, and Blair Thornton on rhythm and lead guitar, each contributing to the song’s layered, immersive composition.

Read More: List Of All Bachman-Turner Overdrive Albums In Order Of Our Favorites

# 9 – Skating Away on the Thin Ice of the New Day – Jethro Tull

“Skating Away on the Thin Ice of the New Day,” a track from Jethro Tull’s 1974 album War Child, is a masterful blend of folk and rock. Written by Ian Anderson, the song was initially intended for their previous album, A Passion Play, but found its ideal place within War Child.

The song opens with a delicate acoustic guitar riff, supported by Anderson’s distinctive vocals, which gradually build into a rich tapestry of sound featuring contributions from the entire band, including Martin Barre on electric guitar, Jeffrey Hammond on bass, John Evan on piano, and Barriemore Barlow on drums. Anderson’s flute work, a hallmark of Jethro Tull’s sound, adds an ethereal layer to the composition. Recorded at Morgan Studios in London, the production captures both the intimacy of the acoustic passages and the grandeur of the full-band segments.

“Skating Away on the Thin Ice of the New Day” is a contemplative exploration of individuality, uncertainty, and the shifting dynamics of life in a rapidly changing world. Lines such as “As you cross the circle line, the ice-wall creaks behind / You’re a rabbit on the run” metaphorically describe the fragility of existence and the challenges of forging one’s own path.

Read More: 10 Most Underrated Jethro Tull Songs

# 8 –  Slip Slidin Away – Paul Simon

Paul Simon’s “Slip Slidin’ Away,” released in 1977 as a single from Greatest Hits, Etc., captures the essence of life’s fleeting moments with poetic precision and emotional resonance. Recorded during sessions that also involved contributions to Simon’s 1975 album Still Crazy After All These Years, the song features Simon’s masterful storytelling and introspective lyricism. It was produced by Phil Ramone and Simon.

The musicianship on “Slip Slidin’ Away” is a highlight, with contributions from an impressive lineup of artists. The song’s serene acoustic guitar work complements Simon’s tender vocal delivery, while the soaring harmonies of The Oak Ridge Boys add a rich, gospel-inspired layer to the track.   Lines such as “Slip slidin’ away, the nearer your destination, the more you’re slip slidin’ away” encapsulate the universal struggle of striving for fulfillment while grappling with life’s inevitable uncertainties. The vignettes in the verses—featuring a father, a mother, and a spiritual seeker—create a tapestry of relatable experiences, painting a picture of the delicate balance between ambition and reality.

Despite not appearing on a standard studio album, “Slip Slidin’ Away” achieved significant commercial success, reaching number five on the Billboard Hot 100.

Read More: Top 10 Paul Simon Songs

# 7 – Over The Hills And Far Away – Led Zeppelin

Written by Jimmy Page and Robert Plant, “Over the Hills and Far Away” is a track that exemplifies Led Zeppelin’s musical versatility. Recorded in 1972 at Stargroves, Mick Jagger’s English estate, using the Rolling Stones’ Mobile Studio, the song was included on the 1973 album Houses of the Holy. Jimmy Page produced the track, with contributions from Robert Plant on vocals, John Bonham on drums, and John Paul Jones on bass and keyboards.

The song opens with a delicate acoustic guitar riff, transitioning into a powerful electric arrangement, showcasing Page’s dynamic guitar work and Plant’s expressive vocal delivery. Lyrically, it delves into themes of freedom, self-discovery, and the yearning for adventure, resonating deeply with the band’s ethos during this period. Although not released as a single in the UK, it charted in the U.S., where it solidified its place as a classic rock staple.

Read More: 25 Classic Led Zeppelin Songs Everyone Should Know

# 6 – Drift Away – Dobie Gray

Originally written by Mentor Williams and recorded by Dobie Gray, “Drift Away” was released in 1973 as part of Gray’s album of the same name. The song was recorded at Quadrafonic Sound Studio in Nashville, Tennessee, with Mentor Williams also producing the track. The musicians featured on the recording included legendary session players from the Muscle Shoals Rhythm Section, whose contributions lent the track its soulful and polished sound.

“Drift Away” became a signature hit for Gray, reaching number five on the Billboard Hot 100 chart and earning a Gold certification. Its lyrics encapsulate a longing for musical escapism, with the chorus, “Give me the beat, boys, and free my soul, I wanna get lost in your rock and roll and drift away,” resonating deeply with listeners. The track’s gentle groove, anchored by Gray’s smooth and emotive vocal delivery, helped cement it as a timeless classic.

This enduring anthem has seen numerous covers over the decades, yet Dobie Gray’s version remains definitive. Its blend of soul, pop, and rock elements exemplifies the versatility of early 1970s music and continues to evoke a sense of nostalgia and emotional connection for audiences worldwide.

Read More: Top 10 Dobie Gray Songs

# 5 – Not Fade Away – The Rolling Stones

The Rolling Stones’ version of “Not Fade Away” captures the raw energy and rebellious spirit that would come to define their early career. Originally written by Buddy Holly and Norman Petty and recorded by Holly’s band, The Crickets, in 1957, this classic was reimagined by The Stones for their 1964 debut album in the U.S. and served as their first single released in America. Recorded at Regent Sound Studios in London in early 1964, the track was produced by Andrew Loog Oldham, who was instrumental in shaping the band’s gritty sound.

The Stones infused their rendition of “Not Fade Away” with a distinctive Bo Diddley-inspired beat, driven by Charlie Watts’ rhythmic drumming and Brian Jones’ bluesy harmonica flourishes. Mick Jagger’s charismatic vocal delivery and Keith Richards’ raw guitar riffs further elevated the track, giving it a swagger that set it apart from the original. The single peaked at number 48 on the Billboard Hot 100, marking the band’s first chart entry in the U.S. and a pivotal step toward their international success.

Read More: Complete List Of Rolling Stones Band Members

# 4 – You’ve Got To Hide Your Love Away – The Beatles

“You’ve Got to Hide Your Love Away,” penned by John Lennon and credited to the Lennon-McCartney partnership, stands as a striking example of The Beatles’ exploration of folk influences. Recorded on February 18, 1965, at EMI Studios in London, the song was produced by George Martin and featured on Help!, the band’s fifth studio album. The track marked a distinct shift in Lennon’s songwriting, showcasing his admiration for Bob Dylan’s introspective and acoustic style.

Musically, the song is notable for its stripped-down arrangement, centering on Lennon’s heartfelt vocal performance and acoustic guitar, accompanied by Paul McCartney on bass and George Harrison on classical guitar. Ringo Starr adds percussion with a tambourine, while John Scott contributes a poignant touch with his flute overdub. This minimalist instrumentation underscores the song’s melancholic tone and introspective lyrics.

Read More: Why The Beatles Should Have Never Broken Up

# 3 – Come Sail Away – Styx

“Come Sail Away,” written and sung by Dennis DeYoung, is one of Styx’s most iconic songs, blending progressive rock complexity with a pop ballad’s emotional resonance. Released in 1977 on the band’s The Grand Illusion album, the track stands as a testament to Styx’s ability to craft songs that are both musically intricate and widely accessible. Recorded at Paragon Recording Studios in Chicago and produced by Barry Mraz and Rob Kingsland, The Grand Illusion marked a turning point for the band, propelling them into mainstream success.

The song begins as a tender piano ballad, with DeYoung’s emotive lyrics reflecting themes of hope, ambition, and the yearning for escape. As the track progresses, it transforms into a powerful rock anthem, complete with soaring guitar riffs by James “J.Y.” Young and Tommy Shaw, and a dynamic rhythm section courtesy of Chuck Panozzo on bass and John Panozzo on drums. The shift from the delicate opening to the high-energy crescendo showcases the band’s hallmark fusion of progressive and arena rock styles.

Lyrically, “Come Sail Away” is steeped in metaphor, with the journey by sea representing a quest for self-discovery and transcendence. The narrative’s unexpected twist, hinting at extraterrestrial intervention, adds a layer of mystique and whimsy, elevating the song beyond a typical rock ballad. Charting at number 8 on the Billboard Hot 100, “Come Sail Away” became a defining hit for Styx, cementing their reputation as masters of blending theatricality with heartfelt storytelling. Its enduring appeal has kept it a staple in the band’s live performances and a beloved classic in the rock canon.

Read More: 10 Most Rocking Styx Songs

# 2 – Walk Away – The James Gang

“Walk Away” stands as one of The James Gang’s most recognizable tracks, showcasing Joe Walsh’s dynamic songwriting and guitar prowess. Released in 1971 as part of the album Thirds, the song was recorded at the Record Plant in Los Angeles and produced by Bill Szymczyk. It features Walsh on lead vocals and guitar, Dale Peters on bass and backing vocals, and Jim Fox on drums. This track not only highlights the band’s synergy but also captures the essence of their blues-infused hard rock style that resonated during the early 1970s.

Charting at number 51 on the Billboard Hot 100, “Walk Away” gained substantial airplay and became a staple of classic rock radio. The song’s structure is built around a compelling riff and a driving rhythm, with Walsh’s slide guitar adding a distinctive texture. Lyrically, it touches on themes of disillusionment and resolution, aligning with the introspective yet assertive tone prevalent in rock during that era

Read More: Top 10 James Gang Songs

# 1 – Roll Me Away – Bob Seger

“Roll Me Away,” one of Bob Seger’s most enduring anthems, captures the spirit of freedom and self-discovery. Released in 1983 as part of the album The Distance, the song was recorded at Criteria Studios in Miami, Florida, and produced by Seger himself alongside engineer Jimmy Iovine. Featuring Seger’s unmistakable raspy vocals and evocative storytelling, the track combines heartfelt lyrics with a soaring, piano-driven rock arrangement. The Silver Bullet Band provided their signature support, with Chris Campbell on bass, Craig Frost on keyboards, and a powerful rhythm section that underscores the song’s driving momentum.

The track gained further prominence after being featured in the 1984 film Teachers and later in the 1994 movie Forrest Gump, cementing its place in popular culture. Lyrically, “Roll Me Away” narrates a journey of personal reflection and renewal, beginning with a sense of discontent and evolving into a celebration of independence and exploration. Seger’s vivid imagery of hitting the open road resonates with listeners, capturing the essence of seeking meaning and escape.

Read More: Top 20 Bob Seger Songs

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10 Best Songs With The Word ‘Away’ In The Title article published on Classic RockHistory.com© 2025

Brit Floyd returns to the stage in 2025 with their biggest and most spectacular production to date, celebrating the 50th Anniversary of Pink Floyd’s iconic album, Wish You Were Here, complete with the group’s award-winning laser and light show, massive circular screen, inflatables, and theatrics. In addition, Brit Floyd this summer will collaborate and perform on a massive double-bill run of five shows throughout iconic venues in California and Nevada with musician/producer-icon, Alan Parsons.

Presented by Palladium Entertainment, this year’s celebration of the Wish You Were Here album will kick off with dates in the UK beginning February 19 in Manchester, UK and ending March 9 at Symphony Hall in Birmingham ahead of the group’s US shows. The tour will honor the iconic album (released in 1975) which features four of Pink Floyd’s most beloved songs – “Shine On You Crazy Diamond,” “Welcome To The Machine,” “Have A Cigar” and “Wish You Were Here” – and is widely regarded as one of the greatest albums of all time.

Every night, in a two-and-a-half-hour-plus show, Brit Floyd will perform the music of Wish You Were Here as well as classic tracks from Pink Floyd’s magnificent catalog of albums, including Dark Side of the Moon, The Wall, Animals, The Division Bell, Meddle, and more.

The assembled band of musicians that audiences have come to love and respect worldwide over the years will take to the stage to perform note-for-note renditions of all the classic Pink Floyd tracks. The ensemble includes Brit Floyd’s long-time guitarist/lead vocalist and musical director Damian Darlington, bassist/lead vocalist Ian Cattell, and Canadian Idol Winner vocalist Eva Avila, along with the other expert musicians who have joined the ranks of Brit Floyd over the last decade.

In the past, touring musicians from both Pink Floyd and Roger Waters’ touring band have shared the stage with Brit Floyd in the US, UK, and Europe. They include Pink Floyd bassist/vocalist Guy Pratt, backing vocalists Durga McBroom, and Roberta Freeman; Pink Floyd saxophonist Scott Page; Hammond organist/keyboardist Harry Waters (who will join Brit Floyd for 30 shows: 10 in the UK and 20 in the US); and drummer Graham Broad, who are both from Roger Waters touring band. Expect to see some of these artists making guest appearances on the 2025 dates.

Having performed over 1,200 shows since their launch in Liverpool, England in January 2011, Brit Floyd have circled the world, sold out tours across Europe, North America, South America, Asia, and the Middle East. They have performed concerts at some of the world’s greatest venues, including London’s prestigious Royal Albert Hall, the awe-inspiring Red Rocks Amphitheatre in Denver, Colorado; the historic Greek Theatre in Los Angeles; and ‘The Showplace of the Nation,’ NYC’s Radio City Music Hall in Manhattan. The Brit Floyd show has become a phenomenon, widely regarded by many as the world’s greatest rock tribute experience.

Brit Floyd’s 2025 tour dates are listed below.

February
19 – Manchester, UK – Bridgewater Hall               
20 – Glasgow, UK – Pavillion              
22 – Dunfermline, UK – Alhambra Theatre            
24 – Northampton, UK – The Derngate                 
25 – London, UK – Barbican – (with Harry Waters)
27 – Poole, UK – Lighthouse – (with Harry Waters)
28 – Portsmouth, UK – Guildhall – (with Harry Waters)

March
1 – Cardiff, UK – New Theatre – (with Harry Waters)
3 – Liverpool, UK – Philharmonic Hall – (with Harry Waters)
4 – Leicester, UK – De Montfort Hall – (with Harry Waters)
6 – Basingstoke, UK – The Anvil – (with Harry Waters)
7 – Guildford, UK – G LIve – (with Harry Waters)
8 – Scunthorpe, UK – Baths Hall – (with Harry Waters)
9 – Birmingham, UK – Symphony Hall – (with Harry Waters)

April
10 – Johnstown, PA – 1st Summit Arena                 
11 – Pittsburgh, PA – Benedum Center           
12 – Pittsburgh, PA – Benedum Center           
13 – Akron, OH – Akron Civic               
15 – Rochester, NY – Auditorium Theatre                
16 – Montreal, QC – Place Des Artes              
18 – Hamilton, ON – First Ontario Concert Hall               
19 – Rama, ON – Casino Rama             
21 – London, ON – Canada Life Place             
22 – Toledo, OH – Huntington Center             
23 – Buffalo, NY – Shea’s PAC               
25 – Wallingford, CT – Toyota Oakdale Theatre               
26 – Boston, MA – Orpheum Theatre              
27 – Wilkes Barre, PA – F.M Kirby         
28 – Huntington, NY – Paramount Theatre              
30 – Bethlehem, PA – Wind Creek Events Center             

May
1 – Bethlehem, PA – Wind Creek Events Center              
2 – Baltimore, Theatre – Lyric Theatre           
3 – Atlantic City, NJ – Hard Rock Live Etess Arena           
5 – Syracuse – The OnCenter Cruse Hinds              
6 – Morristown, NJ – Mayo Performing Arts Centre          
7 – Providence, RI – The Vets               
9 – Hershey, PA – The Giant Center               
10 – Washington, DC – Warner Theatre          
11 – Durham, NC – DPAC            
13 – Daytona Beach, FL – Peabody Auditorium                
14 – Estero, FL – Hertz Arena               
16 – Clearwater, FL – Ruth Eckhard Hall         
17 – Miami, FL – The Fillmore               
18 – Melbourne, FL – King Center         
20 – Jacksonville, FL – Florida Theatre           
21 – Pensacola, FL – Saenger Theatre            
22 – Atlanta, GA – Cobb Energy PAC              
23 – Louisville, KY – The Louisville Palace               
24 – Huber Heights – The Rose Music Hall               
27 – Grand Rapids, MI – DeVos Music Hall              
29 – Detroit, MI – The Fox Theatre                
30 – Waukegan, IL – Genessee Theatre         
31 – Milwaukee, WI – Riverside Theatre         

June
1 – Milwaukee, WI – Riverside Theatre           
3 – Kansas City, MO – Midlands            
5 – Denver, CO – Red Rocks Amphitheatre (Sold Out)
7 – Colorado Springs, CO – Pikes Peak Center         
9 – Prescott Valley, AZ – Findley Auto Center          

July
10 – Phoenix, AZ – Arizona Financial Theatre          
11 – Los Angeles, CA – Greek Theatre – (with Alan Parsons)
12 – San Diego, CA – Cal Coast Credit Union Amphitheatre – (with Alan Parsons)
13 – Henderson, NV – Lees Family Forum               
15 – Reno, NV – Grand Sierra Resort – (with Alan Parsons)
16 – Reno, NV – Grand Sierra Resort – (with Alan Parsons)
18 – Murphys, CA – Ironstone Amphitheatre – (with Alan Parsons)
19 – San Francisco, CA – Warfield                  
20 – Saratoga, CA – Mountain Winery            
22 – Portland, OR – Keller Auditorium            
23 – Redmond, WA – Marymoor Live              
24 – Vancouver, BC – Queen Elizabeth Theatre                
26 – Spokane, WA – First Interstate Center for the Arts                 
27 – Boise, ID – Egyptian            
29 – Salt Lake City – Maverik Arena               
31 – Alburquerque, NM – Kiva Theatre           

August
1 – Midland, TX – Wagner Noel PAC              
2 – Austin, TX – Austin City Limits – Moody            
3 – Houston, TX – Bayou Music Center           
5 – Grand Prairie, TX – Texas Trust CU Theatre               
6 – Shreveport, LA – Municipal Theatre          
7 – Tulsa, OK – Tulsa Theatre                
9 – Huntsville, AL – Mark C Smith Concert Hall               
10 – Knoxville, TN – Tennessee Theatre         
12 – Indianapolis, IN – Everwise Amphitheatre                
14 – Cincinnati, OH – PNC Pavillion                
15 – Cleveland, OH – Jacobs Pavillion            
16 – Interlochen, OH – Center for the Performing Arts                 
19 – Saratoga Springs – Saratoga Springs Performing Arts Center         
20 – Bridgeport, CT – Hartford Healthcare Amphitheatre               
21 – Bangor, ME – Maine Savings Amphitheatre              
22 – Hampton Beach, NH – Casino Ballroom           
25 – Greensboro, NC – Steven Tanger PAC              
26 – Wilmington, NC – Wilson Center             
27 – Charlotte, NC – Ovens Auditorium          
28 – Columbia, SC – Township Auditorium

(Photo – Andy Robbins)

January 15, 2025, 42 minutes ago

news heavy metal rarities opeth music on vinyl

Music On Vinyl has announced the first repress in years of Opeth’s 2011 progressive rock masterpiece, Heritage.

Says Music On Vinyl, “Swedish masters Opeth really outdid themselves on their 10th album, with fan favourites like ‘The Devil’s Orchard’. Now available on beautiful black & red marbled vinyl. And act fast, only these first 5,000 will have a deluxe 16-page booklet.

Heritage:

• Gatefold sleeve
• First 5,000 copies will contain a 16 page booklet
• Includes insert
• Includes poster (60×30)
• Limited edition of 5,000 individually numbered copies on black & red marbled vinyl

Heritage tracklisting:

“Heritage” (instrumental)
“The Devil’s Orchard”
“I Feel The Dark”
“Slither”
“Nepenthe”
“Häxprocess”
“Famine”
“The Lines In My Hand”
“Folklore”
“Marrow Of The Earth” (instrumental)

For further details, visit musiconvinyl.com.

January 15, 2025, an hour ago

news hard rock alex van halen van halen latin percussion

Dance the night away with Alex Van Halen’s Signature Cowbell from Latin Percussion.

This limited edition, mountable, and American-made bell pumps out rock-ready tone, while the sparkling chrome finish and stamped Alex Van Halen signature and iconic VH logo will make you the envy of any Van Halen fan.

Van Halen Store has a limited supply in stock right now. Add this Big Bad Bell to your collection by ordering one today!

Enjoy free standard shipping for your entire order when ordering this item within the United States. (USPS 3-8 day shipping). Or, choose discounted FedEx 2-Day US shipping for just $17.99. If you order by 1 PM Pacific, it will ship today and arrive this Friday.

Shop here.

January 15, 2025, an hour ago

news heavy metal exodus steve “zetro” souza rob dukes

American thrashers, Exodus, have announced that they have parted ways with frontman, Steve “Zetro” Souza. They also confirmed the return of former singer, Rob Dukes, who was previously with the band from 2005 – 2014. A message from the band follows:

“Announcement! Exodus have parted ways with Steve “Zetro” Souza. We thank Steve for his years fronting the band and all the killer music we made during that time. We wish him only the best in the future and much success with anything he does.

“And please help us welcome Rob Dukes back to Exodus! We are beyond stoked to have Rob back ripping up the stage with us and he’s looking forward to crushing everything like only he can.
 
“Next chapter begins, new record rolls along as planned and the beatings will continue. See you soon.”

In support for America’s veterans, Vet Tix is proud to announce that Minutemen Family of Companies and Barney Monk Event Staffing donated $50,000 to provide free tickets for veterans to attend Trans-Siberian Orchestra’s (TSO) electrifying 2024 winter tour, The Lost Christmas Eve. In an inspiring gesture of generosity, TSO matched this donation dollar-for-dollar.

This latest donation to Vet Tix is a testament to the ongoing commitment of TSO and Jay Lucarelli President and CEO Minutemen Family of Companies and Barney Monk Event Staffing to support the veteran community. With this contribution, veterans across the country were able to experience the unforgettable magic of TSO’s grand return of The Lost Christmas Eve to stages across the country.

“We are incredibly grateful to Jay Lucarelli, The Minutemen Family of Companies, and Barney Monk Event Staffing for their generous support of our mission to provide unforgettable experiences for our nation’s heroes,” said Vet Tix Founder, CEO and U.S. Navy veteran Michael A. Focareto III. “This partnership allows us to give the magic of TSO to those who have served our country with courage and sacrifice.”

This contribution brought TSO’s total charitable donations for the 2024 tour to over $800,000 – at least $1 for every concert ticket sold- further solidifying the band’s commitment to giving back to the community. Since its first tour, TSO has now surpassed an impressive $20 million in total charitable giving.

The 2024 TSO tour, which began on November 13 and concluded December 30, featured a completely reimagined production of The Lost Christmas Eve with cutting-edge visuals, pyrotechnics, and a high-energy second set packed with TSO’s greatest hits and fan favorites.

Previously, the partnership between Lucarelli, his companies, and TSO has had a significant impact on the group’s charitable efforts, adding $65,000 to TSO’s charity donations during the 2023 tour alone.

(Pictured at top, left to right: Adam Lind (Night Castle Management), TSO’s Chris Caffery, Jay Lucarelli)

In 2015, Baroness released their fourth album, Purple – the last to feature guitarist Peter Adams, who went on to focus on Valkyrie. Before that, though, he told Prog about how he discovered Camel – and the musical ambition Andy Latimer’s band had inspired in him.

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“My parents raised me on good music in Virginia. They had a massive vinyl collection that I spent my youth thumbing through, so I got to listen to everything from The Allman Brothers to The Rolling Stones and tons of classic rock and blues.”

But my older brother Jake had the biggest influence on my musical taste. I knew about Pink Floyd when I was a kid, I love Gentle Giant, I’ve always liked Steve Hackett’s solo stuff, and Focus as well – I can really relate to all that – but Jake was the one who turned me on to Camel.

The first thing I heard of theirs was the live version of The Snow Goose, from A Live Record. It was recorded at the Royal Albert Hall; I think it’s an amazing record. It took me a minute to get into it, but once it had clicked, I was a major fan from then on.

At first I didn’t realise it was live. When the clapping came in, I was like, ‘This is live? That’s incredible!’ I had to hear the rest of Camel – I had to know what else this band had done, where they were going, what they were doing.

I went straight through their back catalogue. I really love their first self-titled album and a lot of stuff off Rain Dances but if I had to choose one, I’d say Moonmadness is probably my favourite. I love the flow of that album.

Right when people started carrying iPods, I borrowed one for a flight and I put Moonmadness on it. I remember it was a brilliant day, flying through the clouds and it was just the perfect soundtrack. I was listening to Air Born thinking, ‘This is great!’

With Baroness, we’ve always had proggy bits but I would say it’s less and less these days compared to the past. I’ve thought about composing something on The Snow Goose scale though – I love that idea of taking something like a book, and trying to score it.

I read a lot of Robert Ruark and Peter Capstick, so who knows? Maybe we could do something with Hemingway’s Green Hills Of Africa? That’s the kind of stuff I love. Maybe one day…”

Bob Dylan this, Bob Dylan that. There’s been a lot of talk about Bob Dylan lately.

With the 2024 release — and phenomenal box office success — of A Complete Unknown starring Timothee Chalamet, the undeniably talented singer-songwriter has been at the front of a lot of people’s minds. Dylan is the subject of the film, but other characters, each integral to the American folk music scene of the early ’60s, surround him, including Joan Baez, Pete Seeger and Woody Gurthrie.

But those names are well-known. The fact of the matter is that “folk” (the genre is not always easy to define) artists like Dylan, Baez, Joni Mitchell, the Byrds, Judy Collins, Donovan and other musical stars of their day were heavily influenced by a whole host of less famous people.

In the below list, we’re running down 10 Folk Acts That Deserved More Respect. Without these people – and frankly this is just the tip of the iceberg — its possible there may not have been a Dylan or a folk music movement at all.

1. The New Lost City Ramblers

Entire books have been written about the folk revival of the late ’50s and early ’60s, but to briefly summarize: in America in particular, a swath of young musicians began performing and recording songs that were written years before their own birth, often with a political bent to the lyrics, taking elements of country, blues and gospel and turning it into what would ultimately become the foundation of protest music. Put another way, as one of the movement’s chief influencers Woody Guthrie once said: “It’s a folk singer’s job to comfort disturbed people and to disturb comfortable people.”

The New Lost City Ramblers strived for as authentic a sound as possible, recording old-time style music of the ’20s and ’30s with what was then quite new technology — they had one album literally titled Songs From the Depression. This might sound a bit boring to you now, but at the time it was a refreshing change of pace from “classic pop” type music — Frank Sinatra, Dean Martin, Perry Como, etc.

2. Carolyn Hester

Anybody who was anybody in the folk revival world was in Greenwich Village in the first half of the ’60s. Apart from Cambridge, Massachusetts, it was arguably the epicenter of folk music. That’s how you wound up with recordings like the one below, with Carolyn Hester inviting a very young, barely heard of Bob Dylan to play harmonica on her album. (This session would eventually lead to Dylan getting signed himself to Columbia Records.) In those days, Hester, who hailed from Waco, Texas, was dubbed “The Texas Songbird,” and was a regular performer at venues like the Gaslight Cafe, Gerde’s Folk City and more.

3. Richard Farina and Mimi Baez

We’re grouping Richard Farina and Mimi Baez together here on account of, well, the fact that they were married to one another from 1963 until Farina’s death in a motorcycle accident in 1966. In that time they became an important duo in the folk scene, recording both traditional songs and ones penned by Farina himself. His original works were often political in nature — “Birmingham Sunday,” one of his best known songs, which was later recorded by his wife’s older sister Joan Baez, was about the murder of four children in a bombing orchestrated by white supremacists. But he was also what we might consider now a sort of connecting figure between the beats of the early ’60s and the hippies of the later half. “He was a serial fabulist,” David Hajdu, author of Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina, explained to The Guardian in 2016. “He made up wild stories about his life. He created a persona, and in him you can see the mercurial identity we know so well in artists from David Bowie to Madonna to Lady Gaga.”

4. Phil Ochs

It’s interesting how sometimes the most influential people in a given musical movement are often the ones with such little commercial success. Phil Ochs was that type, a sharp-witted songwriter who wrote some 200 songs in the span of roughly a decade, many of them in opposition to war and in support of civil rights. Among the artists who covered his songs: Joan Baez, Judy Collins, Cher, John Denver, Gordon Lightfoot and more. Ochs was a perfect example of what the folk revival wound up creating: a herd of singer-songwriters who found inspiration in the vein of historical folk music and used it to write material relevant to the present day.

5. The Roches

One thing that is important to understand about folk music is that it has experienced multiple shifts over the course of decades. The Roches, a trio of sisters, arrived during the sort of second wave of folk artists, the ones that followed people like Dylan and Baez by making music more along the lines of folk pop. In fact, the Roches got their break when Paul Simon hired them to sing backing vocals on his 1973 album There Goes Rhymin’ Simon. Their self-titled debut album was produced by Robert Fripp — yes, the one from King Crimson. Here was proof that acoustic guitar-based arrangements and rich harmonies had a place in the musical tapestry of the ’70s, even if disco was all the rage.

6. Judee Sill

Judee Sill appeared to have everything going for her. She was the first person signed to David Geffen’s own Asylum record label, which would also release albums by Dylan, Joni Mitchell, Jackson Browne, Linda Ronstadt and more. Plus, Sill’s first two albums were acclaimed by critics and it was clear she possessed serious songwriting talent. “You could tell that she was taking everything in,” Graham Nash said of Sill in 2021. Sill toured with Crosby, Stills & Nash for a time as their opening act, and Nash himself produced Sill’s first single, “Jesus Was a Cross Maker.” “If she saw an old man on a street corner flashing by, you knew that it might end up as a line in one of her songs. Because she didn’t say much, you didn’t really know how bright she was.” For all intents and purposes, she was primed to be one of Los Angeles’ biggest musical stars, right up alongside fellow SoCal dwellers like Neil Young, Cass Elliot and others. And yet, major commercial success evaded the delicate-voiced Sill, who unfortunately never finished her third album, dying of a drug overdose in 1979.

7. Lead Belly

“If there was no Lead Belly, there would have been no Lonnie Donegan,” George Harrison purportedly once said. “No Lonnie Donegan, no Beatles. Therefore no Lead Belly, no Beatles.” But one could also argue that no Lead Belly, no Bob Dylan either. Dylan was one of many who quite literally discovered various folk song standards through the singer/guitarist. “Transported me into a world I’d never known,” Dylan wrote in his 2016 Nobel Prize speech. “It was like an explosion went off. Like I’d been walking in darkness and all of the sudden the darkness was illuminated. It was like somebody laid hands on me.” Lead Belly’s music, like other Black musicians of his era, received the most commercial success via the white artists who covered it, and it wasn’t until after his death that he earned more recognition for his work. But the fact of the matter remains: without Lead Belly, a whole generation of folk singers, rock ‘n’ rollers and blues lovers may not have existed the same way — and a certain someone may not have won a Nobel Prize.

8. Happy Traum

We could come up with a whole separate list titled something along the lines of “Integral Greenwich Village Folk Musicians.” Happy Traum would most definitely be on it, a member of the New World Singers, the group that recorded the first version of Dylan’s “Blowin’ in the Wind.” Traum was a consistent presence in both the studios of New York City and the local coffee houses, playing guitar with multiple different acts, including a duo with his brother Artie that Rolling Stone once said “defined the Northeast folk music style.” Traum embodied the kind of easy going, blues-adjacent style of finger picking that was then viewed as hip and informed, and could now be considered a building block for all acoustic guitar playing.

9. Jackson C. Frank

To be transparent: this writer has a special affinity for the late Jackson C. Frank since he also hails from Buffalo, New York. But he’s a bit different from the others on this list in that his eponymous debut album, which came out in 1965, was made in the U.K., where a similar folk revival was happening with artists like Donovan, Nick Drake and others. The album was produced by Paul Simon and was received well in England. Unfortunately, Frank’s mental health took a turn for the worse not long after and the remainder of his life was a difficult journey. His music, however, would ultimately be covered by the likes of John Mayer, Counting Crows, Mark Lanegan of Screaming Trees and more.

10. David Blue

If you know the name David Blue you’ve probably seen clips from Dylan’s 1975 Rolling Thunder Revue, or perhaps you’re a really dedicated Eagles fan. Blue is the writer behind “Outlaw Man,” which appeared on the Eagles’ 1973 album Desperado. Before that though, he was a stalwart of the Greenwich Village folk scene, rubbing shoulders with all the people who would wind up world famous while Blue remained a cult artist of sorts. He’s also the man responsible for introducing Bruce Springsteen and Jackson Browne early on in their careers. “He knew everybody and he was there at the beginning,” singer/actress Ronee Blakley told Rolling Stone in 2020, “but he didn’t make it to the fullness of his talent and didn’t achieve the degree of success he deserved. It’s a difficult thing to predict. I don’t understand it. I really don’t.”