All of the concerts will take place in September, beginning with a two-night stand in Bridgeport, Connecticut. The tour will also make stops in New York, New Jersey, Pennsylvania, Virginia and Massachusetts. He’ll wrap things up at Niagara Falls.
A complete list of cities and dates is below. Tickets for these new dates go on sale for the general public at 10AM local time on Friday, March 21.
Winwood supported the Doobie Brothers on tour last summer. His most recent studio album dates back to 2008’s Nine Lives, a Top 20 U.S. hit.
Steve Winwood Fall 2025 Tour 9/12-13 – Bridgeport, CT @ Hartford HealthCare Amphitheater 9/15 – Beverly, MA @ The Cabot 9/17 – Port Chester, NY @ The Capitol Theatre 9/19 – Red Bank, NJ @ The Vogel 9/20 – Vienna, VA @ The Filene Center at Wolf Trap 9/22 – Wilkes-Barre, PA @ The F.M. Kirby Center for the Performing Arts 9/24 – Morristown, NJ @ Mayo Performing Arts Center 9/26 – Atlantic City, NJ @ Hard Rock Hotel & Casino 9/27 – Verona, NY @ Turning Stone Resort Casino 9/28 – Niagara Falls, ON, Canada @ OLG Stage at Fallsview Casino
Sheryl Crow has spent decades shaping her place as one of the most respected singer-songwriters in American music. Raised in Kennett, Missouri, Crow grew up in a musical household that nurtured her talents from an early age. After earning a degree in music education at the University of Missouri, she taught elementary school music before breaking into the music industry as a backing vocalist. Her earliest major break came when she landed a gig touring with Michael Jackson on his Bad tour in 1987–1989, an opportunity that introduced her voice to massive global audiences and set the stage for her own career. These early years in Los Angeles were formative, as she worked on commercial jingles and session recordings, steadily building her reputation among music insiders before eventually stepping into the spotlight on her own.
Crow’s debut album, Tuesday Night Music Club, released in 1993, launched her into stardom. Fueled by the success of the hit single “All I Wanna Do,” which became a chart-topping phenomenon, the album eventually sold over ten million copies worldwide. The project was an unexpected breakthrough, earning her three Grammy Awards in 1995, including Record of the Year, Best New Artist, and Best Female Pop Vocal Performance. “Strong Enough” and “Leaving Las Vegas” were among the other singles that showcased her distinctive blend of pop, rock, folk, and country, establishing her as a dynamic force in popular music. Rather than being a one-album wonder, Crow followed up her initial success with a long list of critically acclaimed and commercially successful albums that underscored her talent as both a performer and songwriter.
Throughout her career, Sheryl Crow has released eleven studio albums, including Sheryl Crow (1996), The Globe Sessions (1998), C’mon, C’mon (2002), Detours (2008), and Threads (2019), among others. Each album has demonstrated her remarkable ability to evolve artistically while staying true to the heartfelt songwriting that first brought her acclaim. Hit singles such as “If It Makes You Happy,” “Everyday Is a Winding Road,” “My Favorite Mistake,” “Soak Up the Sun,” and “The First Cut Is the Deepest” helped to sustain her commercial relevance over three decades. “Picture,” her 2002 duet with Kid Rock, further expanded her reach into country and crossover audiences. Throughout this extensive catalog, Crow has been lauded for her emotional honesty, sharp lyricism, and genre-defying sound.
Her list of accolades is as long as her list of hits. Sheryl Crow has won nine Grammy Awards out of an impressive thirty-two nominations, underscoring the respect she commands from her peers and the Recording Academy alike. She has also received awards from the American Music Awards and ASCAP, recognizing both her artistry and songwriting skill. In addition to her Grammy victories, she was inducted into the Rock and Roll Hall of Fame in 2023, cementing her place in the history of modern music. Crow’s ability to write songs that resonate deeply with listeners—whether tackling personal heartbreak or broader social issues—has been central to her enduring popularity.
Beyond her music career, Crow has been an active and outspoken advocate on a number of social and environmental issues. She has championed cancer research and awareness following her own battle with breast cancer in 2006, becoming a visible figure in the fight for early detection and treatment. Environmental causes have also been close to her heart, with Crow frequently using her platform to speak out on issues related to global warming and conservation. In 2007, she famously embarked on a cross-country “Stop Global Warming College Tour” alongside environmental activist Laurie David, bringing urgent attention to the climate crisis. Her activism has included campaigns against single-use plastics and support for sustainable farming, reflecting her deep concern for the planet and future generations.
Crow’s life and career are equally defined by her role as a mother. She adopted two sons, and her experience as a parent has often informed her songwriting and public statements. Balancing motherhood with a high-profile music career, she has spoken candidly about the challenges of maintaining privacy while in the public eye. This authenticity, both in her personal life and in her music, has helped her maintain a strong connection with her fans. Despite her fame, Crow has always projected a down-to-earth, relatable persona, making her one of the most approachable and admired artists in the business.
As an artist, Sheryl Crow remains as active as ever. In addition to continuing to perform live and record new music, she has collaborated with a wide range of musicians across genres, including Stevie Nicks, Eric Clapton, Keith Richards, and Chris Stapleton. Her 2019 album Threads featured an extraordinary list of collaborators and was billed as a “final” album, though she has since indicated that she will continue to release singles and work on special projects. Her ability to bridge rock, pop, folk, and country has kept her relevant in an ever-changing industry, and her work continues to influence younger generations of songwriters.
Sheryl Crow’s career is a testament to resilience, artistry, and a deep commitment to authenticity. From her beginnings as a schoolteacher to the heights of music stardom, she has never lost sight of her voice—both as a musician and as an advocate. Whether through her chart-topping singles, her Grammy-winning albums, or her tireless work for social causes, Crow has shaped a legacy that reaches far beyond the music charts. She remains a beloved figure not only for her contributions to music but also for her courage in facing life’s challenges and her dedication to making a difference in the world.
100 Miles from Memphis – 100 Miles from Memphis (Standard Edition) – 2010
Abilene – C’mon, C’mon (Standard Edition) – 2002
A Change Would Do You Good – Sheryl Crow (Standard Edition) – 1996
Alarm Clock – Evolution (Standard Edition) – 2024
All By Myself – Tuesday Night Music Club (Brazilian Bonus Track) – 1993
All I Wanna Do – Tuesday Night Music Club (Standard Edition) – 1993
All Through the Night – Home for Christmas (Standard Edition) – 2008
Alone in the Dark – Be Myself (Standard Edition) – 2017
Always on Your Side – Wildflower (Standard Edition) – 2005
Am I Getting Through (Part I & II) – The Globe Sessions (Standard Edition) – 1998
Anything but Down – The Globe Sessions (Standard Edition) – 1998
Detours (Live Acoustic version) (Japanese Tour Edition)
Diamond Ring (Standard Edition)
Doctor My Eyes (US iTunes Bonus Track)
Drunk with the Thought of You (Standard Edition)
Drunk with the Thought of You (Live Acoustic version) (Japanese Tour Edition)
Gasoline (Standard Edition)
God Bless This Mess (Standard Edition)
Here Comes the Sun (UK/US iTunes Bonus Track)
Love Is All There Is (Standard Edition)
Love Is Free (Standard Edition)
Love Is Free (Live Acoustic version) (Japanese Tour Edition)
Lullaby for Wyatt (Standard Edition)
Make It Go Away (Radiation Song) (Standard Edition)
Motivation (Standard Edition)
Now That You’re Gone (Standard Edition)
Out of Our Heads (Standard Edition)
Peace Be Upon Us (Standard Edition)
Rise Up (UK/Japanese/Japanese Tour Edition Bonus Track)
Shine over Babylon (Standard Edition)
Shine over Babylon (Live Acoustic version) (Japanese Tour Edition)
Home for Christmas (2008) – 12 songs:
All Through the Night (Standard Edition)
Blue Christmas (Standard Edition)
Go Tell It on the Mountain (Standard Edition)
Hello My Friend, Hello (2008 and 2011 editions)
I’ll Be Home for Christmas (Standard Edition)
Long Road Home (2011 edition only)
Merry Christmas Baby (Standard Edition)
O Holy Night (Standard Edition)
The Bells of St. Mary’s (Standard Edition)
The Christmas Song (Standard Edition)
There Is a Star That Shines Tonight (Standard Edition)
White Christmas (Standard Edition)
100 Miles from Memphis (2010) – 16 songs:
100 Miles from Memphis (Standard Edition)
Eye to Eye (Standard Edition)
I Want You Back (Bonus Track)
Long Road Home (Standard Edition)
Long Road Home (Acoustic version) (iTunes Bonus Track)
Our Love Is Fading (Standard Edition)
Peaceful Feeling (Standard Edition)
Roses and Moonlight (Standard Edition)
Say What You Want (Standard Edition)
Say What You Want (Acoustic version) (Barnes & Noble Bonus Track)
Sideways (Standard Edition)
Sign Your Name (Standard Edition)
Stop (Standard Edition)
Summer Day (Standard Edition)
Summer Day (Acoustic version) (Barnes & Noble Bonus Track)
The First Cut Is the Deepest (QVC UK Bonus Disc)
Feels Like Home (2013) – 14 songs:
Best of Times (Standard Edition)
Callin’ Me When I’m Lonely (Standard Edition)
Crazy Ain’t Original (Standard Edition)
Easy (Standard Edition)
Give It to Me (Standard Edition)
Homecoming Queen (Standard Edition)
Homesick (Standard Edition)
Nobody’s Business (Standard Edition)
Shotgun (Standard Edition)
Stay at Home Mother (Standard Edition)
This Is You (That Was Then) (Deluxe Edition Bonus Track)
Waterproof Mascara (Standard Edition)
We Oughta Be Drinkin’ (Standard Edition)
You’re Asking the Wrong Person (Deluxe Edition Bonus Track)
Be Myself (2017) – 14 songs:
Alone in the Dark (Standard Edition)
Be Myself (Standard Edition)
Disappearing World (Target and Japanese Bonus Track)
Grow Up (Standard Edition)
Halfway There (Standard Edition)
Heartbeat Away (Standard Edition)
Long Way Back (Standard Edition)
Long Way Back (Acoustic version) (Target and Japanese Bonus Track)
Love Will Save the Day (Standard Edition)
Rest of Me (Standard Edition)
Roller Skate (Standard Edition)
Strangers Again (Standard Edition)
The World You Make (Target and Japanese Bonus Track)
Woo Woo (Standard Edition)
Threads (2019) – 17 songs:
Beware of Darkness (Standard Edition)
Border Lord (Standard Edition)
Cross Creek Road (Standard Edition)
Don’t (Standard Edition)
Everything Is Broken (Standard Edition)
Flying Blind (Standard Edition)
For the Sake of Love (Standard Edition)
Live Wire (Standard Edition)
Lonely Alone (Standard Edition)
Nobody’s Perfect (Standard Edition)
Prove You Wrong (Standard Edition)
Redemption Day (Standard Edition)
Still the Good Old Days (Standard Edition)
Story of Everything (Standard Edition)
Tell Me When It’s Over (Standard Edition)
The Worst (Standard Edition)
Wouldn’t Want to Be Like You (Standard Edition)
Evolution (2024) – 10 songs:
Alarm Clock (Standard Edition)
Broken Record (Standard Edition)
Digging in the Dirt (Deluxe Edition)
Do It Again (Standard Edition)
Don’t Walk Away (Standard Edition)
Evolution (Standard Edition)
Love Life (Standard Edition)
Waiting in the Wings (Standard Edition)
Where? (Standard Edition)
You Can’t Change the Weather (Standard Edition)
Total songs: 185
Check out our fantastic and entertaining Sheryl Crow articles, detailing in-depth the band’s albums, songs, band members, and more…all on ClassicRockHistory.com
Ora’s debut album, Ora, was released in 2012 and debuted at No. 1 on the UK Albums Chart, an impressive achievement that announced her arrival as a major new pop artist. The album spawned several hit singles, including “R.I.P.” featuring Tinie Tempah, which reached No. 1 in the UK, and “How We Do (Party),” another chart-topper that blended pop hooks with R&B swagger. Her collaborations with high-profile artists such as DJ Fresh on “Hot Right Now” — a track that also hit No. 1 in the UK — further cemented her as a dynamic force in the British pop and dance scenes. Ora was certified platinum, and its success launched her into the spotlight as one of the UK’s most promising new stars.
After her debut, Ora continued releasing successful singles, though delays and contractual disputes slowed her second album’s release. Despite this, she kept her career thriving by working on high-profile collaborations. Among these, her duet with Iggy Azalea on “Black Widow” in 2014 became a Top 5 hit on the US Billboard Hot 100, marking her most successful crossover into the American market. She also contributed the hit “I Will Never Let You Down,” produced by Calvin Harris, which became another UK No. 1 single. These collaborations expanded her presence in pop and urban music, showcasing her versatility and vocal power.
Her second studio album, Phoenix, finally arrived in 2018, preceded by the success of several singles that re-established her as a consistent hitmaker. “Your Song,” co-written with Ed Sheeran, became a Top 10 hit in the UK, while “Anywhere” also climbed to No. 2. “Let You Love Me” was another smash, making her the British female solo artist with the most Top 10 singles on the UK Singles Chart at that time. Phoenix was a critical and commercial success, praised for its polished production and Ora’s confident performances, blending pop, dance, and R&B elements with contemporary flair.
In addition to her music career, Rita Ora has been recognized for her contributions to film and television. She appeared in Fifty Shades of Grey as Mia Grey and reprised her role in its sequels, expanding her brand into acting. She also became a well-known television personality, serving as a coach on The Voice UK, a judge on The X Factor, and later as the host of America’s Next Top Model. Her presence on these shows allowed her to showcase her knowledge of the entertainment industry and her charisma as a media personality, further broadening her fan base.
Ora’s influence goes beyond her music and television roles. She has been active in philanthropic efforts, supporting causes such as UNICEF, breast cancer research, and refugee rights, drawing from her own family’s experience as refugees. Throughout her career, she has also been known for her bold fashion statements and partnerships with major brands, including Adidas and Rimmel, becoming a style icon as much as a pop star.
Despite facing setbacks, including delays in releasing music and challenges in maintaining creative control, Rita Ora has consistently demonstrated resilience and adaptability in her career. Her ability to reinvent herself and maintain relevance in an ever-changing pop landscape has earned her respect in the music industry and admiration from fans worldwide. With three studio albums, including her 2023 release You & I, and a steady flow of hit singles, Ora remains a fixture in contemporary pop music, recognized for her distinctive voice, versatility, and unrelenting drive.
Stevie Wonder will headline the American Express presents BST at Hyde Park festival on July 12.
The legendary singer/songwriter will play the central London Royal park as part of his 2025 Love, Light & Song tour, returning to the site’s Great Oak Stage for a third time, having previously headlined a night at the festival in 2016 and 2019.
A full supporting cast for the day will be announced in due course.
Wonder, 74, has won 25 Grammy Awards – the most by any male solo artist – a Grammy Lifetime Achievement Award, a Golden Globe and an Academy Award. He has sold over 100 million albums worldwide since scoring his first US number one single, Fingertips, at the age of 13.
This year’s American Express presents BST at Hyde Park festival celebrations kick off on June 27 with US pop star Olivia Rodrigo headlining the Great Oak Stage for the first time.
American country singer/songwriter Zach Bryan will headline on June 28 and 29, folk-pop star Noah Kahan will headline on July 4, and pop superstar Sabrina Carpenter will headline on July 5 and 6. On the festival’s closing weekend, Neil Young and the Chrome Hearts will headline on July 11, Stevie Wonder will headline on July 12, and Jeff Lynne’s ELO will headline on July 13, with the Doobie Brothers and Steve Winwood in support.
Other support acts across the festival includes Beabadoobee, The Last Dinner Party, Girl in Red, Dermot Kennedy, Van Morrison and Grace Abrams.
For full details and tickets, visit the festival website.
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A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.
Journey had to cancel their show in Houston, Texas, this weekend after just five songs when an electrical fire broke out below the stage area.
The band were performing at the RodeoHouston event at NRG Stadium and had just started playing their massive hit Don’t Stop Believin’ when the sound at the venue abruptly stopped.
As the band left the stage, staff with fire extinguishers rushed to the drum riser. An announcement was made shortly after, telling fans the band would not return as an electrical fire had damaged equipment.
Drummer Deen Castronovo wrote in a social media post that he had a lucky escape.
Castronovo says: “Hey, Houston. An act of God tonight. Fire broke out underneath the stage – right under my drum riser!
“I was literally on fire for 4 ½ songs, all the power cables melted, and the show was a bust! That doesn’t mean we won’t be back soon, because we love you all – and we will return. God bless you all!”
Organisers RodeoHouston later shared a statement saying fans would hear from them soon about refunds or a rescheduling of the show.
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The statement reads: “Due to an unforeseen electrical incident under the stage area, we regretfully announce the cancellation of tonight’s Journey concert.
“We sincerely apologise to all fans for this disappointment. Our team is working diligently to assess the situation, and we will provide updates regarding rescheduling options and or refunds as soon as possible.”
There were no reports of any injuries as a result of the fire.
Journey fans were forced to stop believin’ that the band would return to the stage when their Friday performance at the Houston Rodeo was cut short due to an “electrical fire” under the stage.
You can see video of the truncated performance below.
The rockers had the plug pulled on them in the middle of “Don’t Stop Believin’,” the fourth song of their set at Houston’s NRG Stadium. The power on the stage cut out just as the band was approaching the song’s first chorus. Singer Arnel Pineda led the audience in a singalong before the group left the stage.
“Due to an electrical fire, the show cannot continue,” an announcer told the audience, according to the Houston Chronicle. The lights came up to signal the end of the show, leaving roughly 72,000 concertgoers to evacuate the venue.
Journey and Houston Rodeo Comment on Concert Cancellation
The Houston Rodeo issued a statement following the end of Journey’s performance. “Due to an unforeseen electrical incident under the stage area, we regretfully announce the cancellation of tonight’s Journey concert,” the organization said. “We sincerely apologize to all fans for this disappointment. Our team is working diligently to assess the situation, and we will provide updates regarding rescheduling options and/or refunds as soon as possible.”
Journey drummer Deen Castronovo also commented on the mishap in an Instagram post, which you can see below. “Hey, Houston! An act of God tonight! Fire broke out underneath the stage—right under my drum riser!” he wrote. “I was literally on fire for four and a half songs, all the power cables melted, and the show was a BUST! That doesn’t mean we won’t be back soon, because we love you all—and WE WILL RETURN! #dontstopbelievin God bless you all!”
Journey is set to return to the stage on Sunday at the Yaamava’ Theater in Highland, California.
Music’s Worst Concert Accidents and Tragedies
The possibility for danger always lurks whenever large groups of people get together, and that’s especially true at concerts and festivals.
“‘26 will be a Poison year,” the drummer remarked to Sirius XM host Eddie Trunk, noting that the band will be celebrating the 40th anniversary of their debut album, Look What the Cat Dragged In. “I cannot believe it’s going to be a 40th anniversary. There’s very few bands that ever make it to 40 years, and most people never stay at a job for forty years or at same house, marriages don’t last [that long]. I mean, this is crazy how long this has been. Honestly, it’s amazing.”
Rockett admitted he never envisioned Poison having this kind of longevity, adding that he was “blown away” by the upcoming milestone.
“I reflect back in time, I remember somebody at the very very beginning of our career, I think it was our first manager said, ‘Just remember you have to come down the the steps that you go up.’ And that really always stuck with me,” Rockett continued, noting that after decades on the road, Poison’s tour crew felt like family. The downside of being around so long, he explained, is losing some of the people who helped you along the way.
“We didn’t take a bunch of kids out on the road with us,“ Rockett noted. “Most of them were older people that could show us the ropes and [had] seen it. And they were mentors and they’re passing on now and it’s like wow. It’s hard to handle that sometimes, but on a good note… We’re going back out and it’s gonna be super exciting.”
Rockett didn’t have many further details to share, explaining that things were still in the planning process at this early stage. The drummer suggested Poison’s plans will likely include a mix of headlining dates, as well as a run of shows alongside another big-name act.
Bret Michaels First Suggested Poison’s 40th Anniversary Tour
In a September social media post, the singer said it “would make perfect sense to have the possibility of a reunion in 2026.” “In my opinion, it would be the perfect 40th anniversary tour.” This year, however, Michaels is committed to solo performances, including festival dates and his ongoing Parti Gras trek.
Meanwhile, Rockett has gigs lined up for his new project, the Rockett Mafia. The group features Rockett alongside singer Brandon Gibbs (Devil Ciy Angels), guitarist Mick Sweda (BUulletboys) on guitar and bassist Bryan Kimes.
Iron Maiden’sAdrian Smith has been playing guitar for the group for more than four decades now. But his recent work with Richie Kotzen offers a look at what it could have been like if he hadn’t joined the British heavy metal legends.
The pair are set to release their second album under the Smith/Kotzen banner with the arrival of Black Light/White Noise April 4. During an upcoming interview on the UCR Podcast, the guitarist shed some interesting light on his early days prior to joining Maiden. “I was 15 years old and I hadn’t really picked up a guitar yet,” he remembers now. “I met Dave Murray, who’s the other guitarist [in Iron Maiden]. We became friends when we were kids.”
“Dave had already been playing for a couple of years, so we decided we wanted to form a band, because we were the only kids in our neighborhood who were into Deep Purple, Black Sabbath and all of that,” he details. “I said, ‘Well, I’ll be the singer.’ I didn’t have a guitar, so I sang and he played guitar. [But] he had a spare guitar, so I learned guitar as I went along, but I was mainly singing. I did that from the age of 15 until just before I joined Iron Maiden. I’d kind of paid my dues [as a result] doing the whole club and pub scene.”
Decades down the line, it’s a situation which left him in a very familiar place when it came to the idea of sharing the lead vocals with Kotzen. “Singing through shitty PAs [back then] and screaming out [the vocals], I’m very comfortable with it,” he shares. “It’s kind of in my DNA, since I learned to do it a long time ago. It’s something I’ve done over the years and something I was very happy to do with Richie.
The Birth of Smith/Kotzen
It turns out that the core of what the pair are currently doing with Smith/Kotzen flies very close to the music that the guitarist himself loved when he was growing up. “Richie’s a world class singer, who is very accomplished,” he says. “But I wanted to do some singing in our project, so it was part of the blueprint of what we were doing — and also, I think it’s interesting. Some of my favorite bands [had] two singers, like the Deep Purple lineup [with Glenn Hughes and David Coverdale], Humble Pie, they all used to sing. No one’s really doing that [now], trading vocal and guitar lines. So it’s a win-win all around, because we write really well together. Richie — with me, anyway — he’s really into the idea of splitting it up. He can see the good in it.”
The infectious “Black Light” is the latest single from the album. Smith and Kotzen enjoyed making an appropriately themed music video to go along with the track’s arrival. “‘Black Light’ started out as a song that we recorded and we weren’t happy with it,” the guitarist shares. “We kept the drums and stripped everything else away. I had a title, ‘Black Light,’ which I thought was a strong title. So we applied it to the track we were reconstructing and built a new song around it. But you know, in its original form, it nearly didn’t make the album.”
“We ran with the black light idea for the video. We used fluorescent paint and stuff like that,” he continues. “The song itself is about [how] when you shine a black light on something, you see things you wouldn’t see in a normal light. So, similarly, it’s like you see a person in their true colors. It’s about deception and things are not as they seem.”
Welcome to this week’s Tracks Of The Week. Seven brand-new and diverse slices of progressively inclined music for you to enjoy.
US prog rockers Glass Hammer triumphed last week with their ten-minute plus Terminal Lucidity narrowly beating Nad Sylvan’s return to solo work with That’s Not Me, and with Bjørn Riis in third place.
The premise for Tracks Of The Week is simple – we’ve collated a batch of new releases by bands falling under the progressive umbrella and collated them together in one post for you – makes it so much easier than having to dip in and out of various individual posts, doesn’t it?
The idea is to watch the videos (or listen if it’s a stream), enjoy (or not) and also to vote for your favourite in the voting form at the bottom of this post. Couldn’t be easier, could it?
We’ll be bringing you Tracks Of The Week, as the title implies, each week. Next week we’ll update you with this week’s winner, and present a host of new prog music for you to enjoy.
If you’re a band and you want to be featured in Prog‘s Tracks Of The Week, send your video (as a YouTube link) or track embed, band photo and biog to us here.
MICHAEL WOODMAN – LYCHGATE
Thumpermonkey guitarist and vocalist Michael Woodman is back with new solo music. He’s just shared a new video for Lychgate, which is taken from his upcoming debut full-length solo album Hiss Of Today, which will be released through Kavus Torabi’s Believer’s Roast label on April 24. As you can see from the delightful accompanying video the themes of folk horror continue to abound in Woodman’s work.
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“Back in 2023, Teddy Powell approached me about the possibility of working on a music video,” he explains. “We had a fair bit of back-and-forth correspondence about Peter Greenaway’s The Baby of Mâcon and Stuart Gordon’s Robot Jox – but it wasn’t until he sent me a short film he had made – essentially 10 minutes of nightmarish elliptical hauntology – that I decided we needed to work together on the Lychgate video.”
Lychgate – Michael Woodman (Official Video) – YouTube
Norwegian prog rockers Magic Pie will release their sixth studio album, Maestro, through Karimsa Records on May 16, from which comes their rollicking new single Everyday Hero. The new album features seven new songs penned by guitarist Kim Steinberg and vocalist Eirikur Hauksson.
“Everyday Hero is an honest little rock tune, and quite a jolly one too,” enthuses Hauksson. “A straightforward tribute to all the nine-to-five-fivers around the world, where Kim and Erling once again invite you to a high-class guitar and synth duel. Have a listen…”
Magic Pie – Everyday Hero (Official Music Video) – YouTube
Swedish instrumental proggers Gösta Berlings Saga have been pretty quiet since they released Konkret Music through InsideOut back in 2020. well now they’re back, signed to Pelagic Records, for whom they will release their seventh studio album Forever Now, from which comes new single Through The Arches with its eye-catching video. It’s also the quintet’s 25th anniversary. That’s all definitely something to celebrate!
“Through The Arches is GBS in 2025 – pure and amplified,” the band say. “One of the first tracks completed for the new album, it packs all the classic GBS ingredients, but turned up a few notches. Melodic, cosmic, chaotic, euphoric—all in one track. The accompanying video, crafted by Martin Gustafsson, is a visual journey into the everlasting and beyond, perfectly capturing the song’s essence.”
GÖSTA BERLINGS SAGA – Through The Arches – YouTube
Sleep Token’s inclusion might feel slightly odd to anyone who’s never heard the band’s music and is only going on the masses of press the band receive, but anyone who has actually listened will know there’s plenty of prog, djent and even jazz in their expansive sound. They even cite Leprous, Agent Fresco, Explosions In The Sky and prog metal heavyweights Meshuggah as influences.
The band, who have only ever given one interview, and are taken genuinely exploratory music to headline stages around the world, will release their fourth album, Even In Arcadia, for new label RCA on June 13, from which comes brand new single Emergence.
Italian quintet Benthos will release their second album, From Nothing, for prog specialists InsideOut Music on April 11. As typifies many young genre-bending rock acts these days, the band mix prog, djent, metal and other musical elements. The atmospherically melodic Let Me Plunge is the third single to be released from the album, and this far, the best sonic opportunity to introduce Benthos to a wider prog audience.
“This track might surprise you–a taste of the album’s diversity, where we go beyond the heavy intensity you’ve come to expect from us,” the band explain. “With Let Me Plunge, we want to show you yet another side of our musical landscape; an emotional texture that permeates From Nothing throughout, with vintage tones and bittersweet melodies. The song expresses the inner turmoil that burns inside us when chasing our deepest ambitions, the will to listen to our voice and surrender ourselves to them.”
BENTHOS – Let Me Plunge (OFFICIAL VIDEO) – YouTube
The hugely prolific worriedaboutsatan return with The Future Can Wait, their 18th album in just 19 years! The new album is released through mainman Gavin Miller’s own This Is It Forever label on March 14 and sees him conjuring Tangerine Dream-esque proggy electronica while mulling over themes of growing older and sitting silently and watching the world descend into hell.
“La Mouche is a personal favourite of the more recent stuff I’ve done – I wanted to take different sections of stuff and see if I could meld it all together and not have it sound really jarring, so loaded up the masters of doing things like that: Tangerine Dream. I sat back and listened to Ricochet and thought ‘right, it’s never going to sound as good as that, but I could at least give it a shot’ haha,” explains Miller. “La Mouche means ’the fly’ in French, and as I was struggling for a title for it, I watched Quentin Dupieux’s film Mandibles, which is about a huge fly that two stoner dudes befriend. As you do!”
worriedaboutsatan – La Mouche (Visualizer) – YouTube
Atmospheric US post-rock quintet SOM release their third album, Let The Light In, through Pelagic Records today. Comprised of former members of Caspian, Constants and Junius, the quartet add some metallic grit to their sound, tempered by the melodic vocals of Will Benoit. The Light features a video from award-winning queer Muslim writer/director Samia Zaidi, the second of two innovative linked videos directed for this album; returning to the themes and narratives explored in her video for the band’s previous single Let The Light In.
“This album, especially these two songs, thematically presented us with a unique visual opportunity to not only explore the act of summoning a sort of primal optimism during dark times, but to explore both the social and individual experiences of interiority within both optimism and darkness,” the band say.
Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.
All has been revealed! Alright, that’s a bit of an overstatement, but barely a week after we got next Ghost news, we’ve been blessed with the confirmation that we’re getting a new Sleep Token album before the band headline this summer’s Download Festival. Exciting! That’s not all that’s exciting though, as we’re back with another hefty stock of brilliant new metal tunes for you to peruse.
First, the results of last week’s vote! Let’s not beat around the bush: Ghost had this one beat, hands-down. But while they took top spot, returning Danes Volbeat put a powerful showing in for second place, leaving the remaining podium spot for Italian doom metallers Messa and their sax-infused epic The Dress.
But will the sax win out again this week? We’ve got all new singles from Sleep Token, Cradle Of Filth and Epica up top to tickle the diverse fancies of the modern metalhead, as well as a diverse showing from some of metal’s best rising stars in the form of Face Yourself, Witch Fever, Slung and so much more all gathered for your listening pleasure this week. As ever, don’t forget to vote for your favourite in the poll below – and have a fantastic weekend!
Sleep Token – Emergence
Speculation, hints, coded cyphers… Yep, Sleep Token are at it again. Cryptic teasers and their own billboard ads finally gave way to the official announcement that new album Even In Arcadia is coming on May 9. Although they hinted that conceptually they were moving on from their prior trilogy of releases, lead single Emergence still very much lives in the sumptously produced RNB/Tech metal mash-up that has become the band’s staple, mixing powerful, pop-laced vocals with crunching tech breakdowns and even a gorgeous sax solo (provided by Bilmuri’s Fabi Rose) that closes the song out with some smooth, elegant style.
There’s a sense of demonic whimsy to the opening riff of Epica’s T.I.M.E. But then, that’s what we’ve come to expect from the symphonic metal veterans. A balance of beautific melodies and ferocious heaviness, this latest offering from upcoming album Aspiral – due April 11 – shows they aren’t losing touch with their most grandiose roots and if anything are only growing more theatrical.
There are few things more joyously exciting as Cradle Of Filth at the peak of their pomp. That’s very much where we find the black metal veterans on new single White Hellebore, a track that somehow navigates their many eras to bring together the furious explosiveness of their early albums with the gothic romanticism of 2000’s Midian and Nymphetamine right to the spectacular symphonic edge they embraced on Existence Is Futile. All signs point to new album The Screaming Of The Valkyries being an absolute classic – and with only a week to go until release, we won’t have to wait long to confirm.
CRADLE OF FILTH – White Hellebore (Official Video) | Napalm Records – YouTube
Hands up – who ordered the doomgaze take on a pop anthem? Even if you didn’t, you’d do well to hear Iress’s take on Billie Eilish’s What Was I Made For, a track that takes full advantage of the luscious, shimmering guitar tones of Iress to offer a weighty counterbalance to drifting vocal melodies and melancholic lyrics. Sublime.
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Iress – What Was I Made For (Billie Eilish doomgaze cover) [OFFICIAL STREAM] – YouTube
Doom menace and shrieking alt. punk collide on Witch Fever’s latest single Dead To Me! Its a fusion the band have been plying to delightful effect since their 2022 debut Congregation, but with even more low-end than ever before you can really feel the menace and tooth-gnashing intensity of their sound.
Witch Fever – DEAD TO ME! (Official Video) – YouTube
Skittering techno beats meet shrieking deathcore for Face Yourself’s Predatory. Taken from the band’s freshly announced EP Martyr, which will be with us on April 18, the track takes a scatter-grab approach to style, combining some brutal, clanging riffs and growls with techno drumbeats that wouldn’t sound out of place on Spiritbox’s latest album. It’s a fascinating mix, and has us eager to hear what else the band have in the vaults.
FACE YOURSELF – Predatory (Official Music Video) – YouTube
Our Mirage – Don’t Talk (ft. Christopher Kristensen)
Rising stars of Germany’s metalcore scene, Our Mirage’s latest single Don’t Talk sees them team up with Dead By April vocalist Christopher Kristensen for a modern metalcore earworm. Built around a big hook with solid snarl-along opportunities (“Don’t. Talk. To. MEEEE”), this one feels perfect for the fast approach of festival season.
OUR MIRAGE – Don’t Talk ft. Christopher Kristensen from Dead By April (OFFICIAL VIDEO) – YouTube
There’s only a week to go until Tiberius release Singing For Company. To build anticipation, the Scottish band have released Juggernaut, an impressive blend of prog metal technicality and anthemic alt metal melodies, coming on like the spiritual successors to the likes of – the much missed – Black Peaks.
Tiberius – Juggernaut (Official Music Video) – YouTube
Vitriolic and seething with malevolence, Devil Left Me On Read is the latest single from deathcore howlers Not Enough Space. It’s a searing dose of brutality from the band, somehow bridging the pigsquealing intensity of early deathcore with the anthemic fare the genre has traded in more recently. With shows booked on the resurrected Warped Tour, as well as Louder Than Life later this year, this lot are definitely worth keeping eyes on.
Prompts – Stranger ft. Landon Towers
If you prefer the heavier ends of metalcore, Japan’s Prompts have you covered. New single Stranger is an absolute rager, featuring The Plot In You’s Landon Towers, the track covers the extensive gap between metalcore’s most vicious elements and its inherent tendencies towards anthemic sing-alongs, striking a surprisingly confident balance that brings to mind the heaviest elements of a band like Architects.
It’s not just the Blind Dates style video that has an air of vintage throwback to Slung’s new single Thinking About It. With airy, leaden-doom riffs and alluring vocal melodies, the track bridges Black Sabbath with the modern alt greats like Witch Fever, giving us plenty to be excited about when it comes totheir upcoming debut album In Ways, due May 2.
Slung – Thinking About It (Official Video) – YouTube
Sounding like a pissed off composition for some adult-oriented Tim Burton project, Raven Black’s latest single Fxck You is all sneering hate and gothic fairytale like melodies. Taken from the band’s upcoming album Black Sonata, a concept album about a girl who discovers she’s half-doll, it’s a brilliantly theatrical and snotty offering that has us eager to hear more of the story.
![Iress - What Was I Made For (Billie Eilish doomgaze cover) [OFFICIAL STREAM] - YouTube](https://img.youtube.com/vi/tZDPMMFeSv0/maxresdefault.jpg)
