“He was very grumpy, ignoring people.” Why teenage guitar prodigy John Frusciante walked away from an audition to join Frank Zappa’s band before hooking up with Red Hot Chili Peppers

Frusciante and Zappa
(Image credit: AJ Barratt/Avalon/Getty Images | Lynn Goldsmith/Corbis/VCG via Getty Images)

In 1987, one year before he joined Red Hot Chili Peppers, the then-17-year-old John Frusicante scored an audition to join Frank Zappa‘s band. The teenager was a huge Zappa fan, who could play every guitar solo on every Zappa album by the time he was 16, but when within touching distance of scoring a gig with the legendary bandleader, he opted to walk away.

In a 2004 interview with UK music magazine MOJO, Frusciante explained why.

“I don’t know if this is a nice thing to print but he was very grumpy,” the guitarist told music writer Sylvie Simmons. “I watched the way that he was dealing with people, ignoring people. At that point I was doing cocaine – it was a part of my life I really liked – and I knew about his attitude to that. So I was sitting there thinking, do you want to be a rock star and write your own songs and draw all the girls and things like that, or do you want to be not allowed to take drugs, and it’s kind of a square band so there’s not going to be a lot of girls at the shows? And I thought, Nah, and I walked out.”

Frusciante came from a musical family. His father, also named John, trained at New York’s prestigious Juilliard School, while his grandfather and great-grandfather played fiddle and mandolin for diners in Italian restaurants in the city. From the age of four, Frusciante told Simmons, he heard voices in his head telling him that he would become a musician, and upon discovering punk rock in Los Angeles as a 10-year-old, that dream seemed attainable to the youngster.

“Before that I was into Kiss, Led Zeppelin, Aerosmith,” the guitarist recalled. “I had deeply moving experiences with that music, but still it was something that everybody else was into. But punk felt specifically aimed at me. It was very real all of a sudden and music was not just this thing done by these gods.

“I’d read about [Germs vocalist] Darby Crash jumping off Santa Monica pier on 10 hits of acid, and the pier was a place I saw all the time, so I felt he could be somebody I could know. And the music was simple enough for me to be able to imagine playing.”

By his late teens, the punk-adjacent Red Hot Chili Peppers were Frusciante’s favourite hometown band. It was former Dead Kennedys’ drummer DH Peligro, briefly a member of the Chili Peppers, who introduced Anthony Kiedis and Flea to Frusciante.

At this point, following the June 1988 death of Hillel Slovak, the band were jamming with Parliament-Funkadelic guitarist DeWayne ‘Blackbyrd’ McKnight, but upon seeing Frusciante audition for his friend Bob Forrest’s band, Thelonious Monster, Flea decided that the young guitarist would be the perfect fit for his own band.

“They asked me if I wanted the job and I said, Yes, more than anything in the world,” Frusciante recalled to Simmons. “That night they fired Blackbyrd and hired me.”

And the rest, as they say, is history. Frusciante made his recording debut with the Red Hot Chili Peppers on 1991’s Blood Sugar Sex Magik and helped propel the band to global superstardom. He has subsequently played upon five further studio albums by the band.

The latest news, features and interviews direct to your inbox, from the global home of alternative music.

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

Babymetal get skull-smashingly heavy with Slaughter To Prevail on new single Song 3, postpone album release yet again

Members of babymetal and Slaughter To Prevail against a black background in 2025
(Image credit: Babymetal)

Babymetal have teamed up with Russian-American deathcore unit Slaughter To Prevail for gnarly new single Song 3.

The song, which will appear on both the new Babymetal album Metal Forth and the new Slaughter To Prevail album Grizzly later this year, was released today (May 28) along with an accompanying music video. Have a watch/listen below.

Babymetal call Song 3 “one of the Japanese metal band’s most forceful tracks to date, pairing Slaughter to Prevail’s raw, punishing vocals with Babymetal’s soaring, melodic choruses”.

They add, “The result is tense and theatrical, but tightly controlled – a balancing act the band has long specialised in.”

Babymetal, who recently delayed Metal Forth’s release from June 13 to June 27, have postponed the album once again. It’s now due on August 8, and the band have previously put out two singles from the collaboration-heavy collection: Ratatata, featuring German synth-metal duo Electric Callboy, and From Me To U, featuring nu-gen genre-splicer Poppy.

Other songs will feature Bloodywood, Polyphia, Spiritbox, and Tom Morello of Rage Against The Machine.

Babymetal are currently touring Europe, supported by Poppy as well as Bambie Thug, and will play at Le Zénith in Paris, France, tonight. They’ll conclude the leg of shows at the O2 Arena in London on May 30, before jetting off to North America for a 24-show run that starts in Houston, Texas on June 13. Support will come from Black Veil Brides, Jinjer and Bloodywood. See all details below.

Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!

Meanwhile, Slaughter To Prevail are gearing up to release Grizzly on July 18. They shared the lead single Russian Grizzly In America last month, days after it was announced that vocalist Alex Terrible had adopted two bear cubs.

The band will play several US festival shows this summer. They’ll appear at Inkcarceration in Mansfield, Ohio on July 19, then at Louder Than Life in Louisville, Kentucky on September 2 and at Aftershock in Sacramento, California on October 4.

BABYMETAL x Slaughter To Prevail – Song 3 (OFFICIAL MUSIC VIDEO) – YouTube BABYMETAL x Slaughter To Prevail - Song 3 (OFFICIAL MUSIC VIDEO) - YouTube

Watch On

Jun 13: Houston 713 Music Hall, TX ^=
Jun 14: Irving, The Pavilion at Toyota Music Factory, TX ^=
Jun 17: Tampa Yuengling Center, FL ^=
Jun 18: Atlanta Coca-Cola Roxy, GA ^=
Jun 20: Charlotte Skyla Credit Union Amphitheatre, NC ^=
Jun 21: Baltimore Pier Six Pavilion, MD ^=
Jun 24: New York The Theater at Madison Square Garden, NY ^=
Jun 25: Boston MGM Music Hall at Fenway, MA ^=
Jun 27: Uncasville Mohegan Sun Arena, UT ^=
Jun 28: Philadelphia TD Pavilion at The Mann Center, PA ^=
Jun 30: Laval Place Bell, Canada ^=

Jul 02: Toronto Coca-Cola Coliseum, Canada ^=
Jul 03: Sterling Heights Michigan Lottery Amphitheatre, MI ^=
Jul 05: Milwaukee Summerfest, WI *
Jul 06: St. Louis, MO – Saint Louis Music Park, MO +=
Jul 08: Chicago Byline Bank Aragon Ballroom, IL +=
Jul 09: Minneapolis The Armory, MN +=
Jul 11: Denver The JunkYard, CO +=
Jul 14: Vancouver Doug Mitchell Thunderbird Sports Center, Canada +=
Jul 15: Kent accesso ShoWare Center, WA +=
Jul 17: San Francisco The Masonic, CA +=
Jul 20: Las Vegas Pearl Concert Theater at Palms Casino, NV +=
Jul 21: Salt Lake City Utah First Credit Union Amphitheatre, UT +=
Jul 23: Phoenix Arizona Financial Theatre, AZ +=

^ Black Veil Brides supporting
+ Jinjer supporting
= Bloodywood supporting

Founded in 1983, Metal Hammer is the global home of all things heavy. We have breaking news, exclusive interviews with the biggest bands and names in metal, rock, hardcore, grunge and beyond, expert reviews of the lastest releases and unrivalled insider access to metal’s most exciting new scenes and movements. No matter what you’re into – be it heavy metal, punk, hardcore, grunge, alternative, goth, industrial, djent or the stuff so bizarre it defies classification – you’ll find it all here, backed by the best writers in our game.

Download festival comments after artists speak out over “unsafe” toilets for trans people: “We stand with all members of our community and want everyone to feel safe”

Cropped version of the 2025 Download festival poster
(Image credit: Live Nation)

Download festival have commented following controversy over their guidance for trans people using on-site toilet facilities.

On Tuesday (May 27), UK singer/songwriter Noahfinnce took to X (formerly Twitter) to speak out against an email sent by the team behind the Donington weekender, which urged trans people not to use the toilets of the gender they’ve transitioned to.

The email, screenshotted in Noahfinnce’s post, read in part: “We will be following the interim guidance issued by the Equalities And Human Rights Commission (EHRC) on 25 April 2025 here.

“The guidance states that ‘trans women (biological men) should not be permitted to use the women’s facilities and trans men (biological women) should not be permitted to use the men’s facilities’ and that ‘trans people should not be put in a position where there are no facilities for them to use.’”

Noahfinnce, who is transgender, asked in response in their post: “What the fuck are you doing. How have you got the gall to invite trans people like me to play your festival and then ban them from using the toilet?”

The post led other artists to call out the June festival online, including Pinkshift, who called the guidance “crazy and so unsafe”, and Witch Fever.

Amidst the backlash, Download have issued a comment to NME. While not walking back the festival’s apparent stance on trans women using the facilities of “biological men” and trans men using the facilities of “biological women”, the statement emphasises that there will be unisex toilets across the site for all to use.

Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!

The comment reads in full: “Download Festival has always been and remains for everyone. At the heart of Download is acceptance – we stand with all members of our community and want everyone to feel safe, supported and welcome at the festival. We want to reassure all of our customers that the majority of the toilets across the site are gender-neutral.

“The majority of toilets across the site will be gender-neutral and will cater to everyone. Download values every single member of its wonderful community and wants everyone to feel safe, supported and welcome at the festival.”

In addition, Noahfinnce has put out a follow-up X post, claiming to be in “direct communication” with Download. According to them, the festival say there will be no “policing” of toilets on-site and that the “customer service person” responsible for the original email should not have used the wording they did.

On April 16, judges in the UK Supreme Court unanimously ruled that the legal definition of a woman is based on biological sex, not gender. According to the EHRC website, this means that “a ‘woman’ is a biological woman or girl (a person born female)” and “a ‘man’ is a biological man or boy (a person born male)”, and that people should use toilets that align with their birth sex and not their gender.

Though the UK government welcomed the ruling “and the clarity it brings for women”, it has been decried as transphobic.

There has also been confusion as to how the ruling will be enforced, with a report in The Guardian on May 26 saying that an agreement on how companies should implement it “may not be fully signed off for months”.

This marks the second year in a row that the lead-up to Download, which will take place at Donington race track from June 13 to 15, has been mired in controversy.

Last year, several bands pulled out of the festival at the last minute to protest the sponsorship of Barclaycard, which had ties to defence companies supplying Israel. Barclaycard suspended its involvement with Download and other festivals on June 14, 2024.

Download 2025 will go ahead as planned with headliners Green Day, Sleep Token and Korn. No bands have pulled out of the upcoming lineup at time of publication.

Louder’s resident Gojira obsessive was still at uni when he joined the team in 2017. Since then, Matt’s become a regular in Metal Hammer and Prog, at his happiest when interviewing the most forward-thinking artists heavy music can muster. He’s got bylines in The Guardian, The Telegraph, The Independent, NME and many others, too. When he’s not writing, you’ll probably find him skydiving, scuba diving or coasteering.

Styx Confirms New ‘Circling From Above’ Concept Album

Styx‘s first LP since 2021’s Crash of the Crown has been confirmed. Their avian-themed Circling From Above concept album is set for release on July 18 on streaming sites.

Compact disc and vinyl copies are available to purchase now on StyxWorld.com. See a complete track listing and listen to the advance single, “Build and Destroy,” below.

Tommy Shaw, an avid birder, took a lead creative role. He said many of the songs took on a personal dimension. “You’re writing about your experiences in your life and things that you love and enjoy, or things that were hard to go through and that sort of thing,” he told UCR. “So you’re just really just writing a book in little sections like that.”

READ MORE: The Best Tommy Shaw Styx Songs

Shaw had early worries that Styx’s label representative might not be on board. “But he says, ‘Oh, we’re birders!'” Shaw later admitted. “It was kind of risky to say this thing’s gonna be about a bird. But there was so much enthusiasm and it’s like, you know, sometimes in life things just go your way – and this went our way.”

Sessions for Circling From Above were just as organic as the writing process, Shaw said. All of the songs on the 41-minute, 13-song album were written by some combination of Shaw, producer Will Evankovich and singer/keyboardist Lawrence Gowan.

“I guess we just stumbled upon a way of doing it,” Shaw told UCR. “Will and I, we’ve been writing songs together for you know for 10, 15 years. When we get one that we like – Will’s a lot more organized than I am, but he’ll put it on a hard drive. So we had amassed a whole bunch of songs.”

Styx will support Circling From Above on a lengthy run of summer dates with Kevin Cronin of REO Speedwagon and former Eagles guitarist Don Felder. Styx is rounded out by founding guitarist/vocalist James “JY” Young and bassist Chuck Panozzo, along with longtime drummer Todd Sucherman and bassist Terry Gowan.

A concept video for “Build and Destroy” is due later today. “That little melody, I kept singing ‘Build and Destroy,'” Lawrence Gowan said in an official statement. “Even though we don’t sing over that part, I kept thinking that would be a good title. It’s thematic. The melody feels like a little Star Trek or Twilight Zone thing — just a small tag that reinforces the title.”

This is Styx’s third new album in just eight years. Evankovich also produced their two most recent LPs before becoming an official member in 2022.

Styx, Circling From Above’ Track Listing
1. “Circling From Above”
2. “Build and Destroy”
3. “Michigan”
4. “King of Love”
5. “It’s Clear”
6. “Forgive”
7. “Everyone Raise a Glass”
8. “Blue Eyed Raven”
9. “She Knows”
10. “Ease Your Mind”
11. “The Things That You Said”
12. “We Lost the Wheel Again”
13. “Only You Can Decide”

The Most Awesome Live Album From Every Rock Legend

Some of these concert recordings sold millions of copies, while others received little fanfare. Still, they remain the best of the best.

Gallery Credit: Corey Irwin

Ghost’s Tobias Forge Sings ‘Bohemian Rhapsody’ for Queen Members

Ghost’s Tobias Forge Sings ‘Bohemian Rhapsody’ for Queen Members

Ghost leader Tobias Forge sang a cover of Queen’s signature track “Bohemian Rhapsody” as Brian May and Roger Taylor watched.

Forge’s performance – which also featured Opeth guitarist Fredrik Åkesson and the Eric Ericson Chamber Choir – took place during the annual Polar Music Prize ceremony in Stockholm, Sweden Tuesday night.

Queen collaborator Adam Lambert delivered versions of “Who Wants to Live Forever” and “Another One Bites the Dust’ while Swedish vocalist Erik Gronwall, formerly of Skid Row and currently with Michael Schenker, sang “Stone Cold Crazy.” Videos can be seen below.

READ MORE: Top ’70s Queen Songs

“When we started our band… we had ambitions, but never dreamed of the journey that was to follow,” Taylor said in a press release before the ceremony. “We were fortunate in the fact that our four wildly different personalities came together to achieve a wonderful chemistry.”

He added: “The Polar Music Prize is exceptional in the fact that, unlike other awards it recognizes the entirety of an artiste’s career. What an honor to be included in the glittering cavalcade of previous laureates. True Olympian company indeed.”

May said: “In this special moment, I contemplate how that younger Brian May in 1974 would have felt if he knew that we would be living this kind of dream 50 years in the future.”

Watch Tobias Forge Perform Queen’s ‘Bohemian Rhapsody’

Watch Adam Lambert Perform Queen’s ‘Who Wants to Live Forever’

Watch Adam Lambert Perform Queen’s ‘Another One Bites the Dust’

Watch Erik Gronwall Perform ‘Stone Cold Crazy’

Queen Albums Ranked

Gallery Credit: Eduardo Rivadavia

More From Ultimate Classic Rock

Rod Stewart and Ronnie Wood Will Perform Together at Glastonbury

Rod Stewart and Ronnie Wood Will Perform Together at Glastonbury
Kerry Marshall, Getty Images / Simone Joyner, Getty Images

Rod Stewart has confirmed that his Faces bandmate Ronnie Wood will perform with him at this year’s Glastonbury festival, which will take place in late June.

“Woody, I do [speak to] a lot,” Stewart said on a recent episode of That Peter Crouch Podcast. “Just recently, ’cause we’re gonna do Glastonbury together.”

The last time Stewart performed at Glastonbury was in 2002, while Wood appeared at the festival with the Rolling Stones in 2013.

READ MORE: How Rod Stewart Survived the ’80s

Stewart is scheduled to perform at the festival on June 29. Other big names who will appear during the multi-day event include John Fogerty, Neil Young, Alanis Morissette, the Libertines, Nick Lowe, Weezer and more. (Complete lineups for each of the festival’s days can be viewed on their website.)

New Music From Faces

Another of Stewart’s Faces bandmates, Kenney Jones, recently spoke about new music from the band. In an interview with The Telegraph, Jones said they’re working on “about 11 tracks,” but that fans shouldn’t expect a new album to come out this year.

“Everyone’s doing different things,” he explained. “We do little snippets [of recording] here and there. Then all of a sudden, the Stones are out [on tour] again, Rod’s out again.”

In the meantime, there is a documentary about Faces currently in the works, one that uses archival footage from handheld video cameras given to the band members in 1972.

“It’s never been seen,” Jones said, “and there’s some rude bits in there!”

Rod Stewart Albums Ranked

From soulful early records to that huge disco hit to five volumes of the Great American Songbook, there isn’t a genre he hasn’t tried. 

Gallery Credit: Michael Gallucci

More From Ultimate Classic Rock

Top 35 Double Albums

Top 35 Double Albums

Stopgap cash grab by the record company or the result of artist indulgence that can’t be contained within the usual confines of a single LP? The double album has been both throughout its long and inflated history.

As the list below of the Top 35 Double Albums, chosen by UCR’s staff, shows, two LPs are regularly better than one, particularly when it comes to the most legendary artists. (The Beatles, the Clash, Bob Dylan, Jimi Hendrix, the Rolling Stones and the Who arguably were never better than on their double albums.)

Many of the greatest records in rock and pop history are double albums. This is often because of their nature — creative outpouring can lead to new ideas being explored in innovative ways — and other times, they’ve arrived at the peak of an artist’s career. So, given the freedom and opportunity to expand the playing time of their music, artists leap at the chance.

READ MORE: Top 100 Live Albums

The summary features personal statements and career-encapsulating inventories,  concept albums and stories of the creators’ journeys to that point; they share a belief that expression shouldn’t be limited by time, length and expectations. The best of these albums could never be as fully realized as they are in this twice-as-much form.

The list below includes live albums, sometimes the most defining works of an artist’s career, but it does not include compilations. In some cases, the entire concept of the double album is turned inside out, because great music doesn’t have to follow rules.

Top 35 Double Albums

When twice the amount of music really matters. 

Gallery Credit: Michael Gallucci

More From Ultimate Classic Rock

Guns N’ Roses Debut New Cover, Bring Back Classics in Abu Dhabi

Guns N’ Roses Debut New Cover and Bring Back Classics in Abu Dhabi

Guns N’ Roses delivered a cover version they’d never played live before during their 31-song show at the Etihad Arena in Abu Dhabi Tuesday night.

The band performed the New York Dolls’ “Human Being” – which appears on GNR’s 1993 covers album “The Spaghetti Incident?” – towards the end of the concert, which by then had already contained the tour debuts of Misfits’ “Attitude” – sung by Duff McKagan – and the Live Like a Suicide track “Reckless Life.”

Later, Axl Rose and company presented the tour debut of 2023’s “The General” before playing the G N’ R Lies track “Used to Love Her” for the first time since 2018. Videos of those two tracks, plus “Human Being,” can be seen below, along with the full set list.

READ MORE: What to Wear to Guns N’ Roses 2025 Tour

Guns N’ Roses’ Because What You Want & What You Get Are Two Completely Different Things tour features new drummer Isaac Carpenter, who replaced Frank Ferrer in March.

The road trip began in April, with current bookings running until on the Wacken Open Air festival on July 31. No North American dates have yet been announced.

Watch Guns N’ Roses Perform ‘Human Being’ For First Time

Watch Guns N’ Roses Perform ‘The General’ in Abu Dhabi

Watch Guns N’ Roses Perform ‘Used To Love Her’ in Abu Dhabi

Guns N’ Roses – Etihad Arena, Abu Dhabi, U.A.E., May 27 – Set List

1. “Welcome to the Jungle”
2. “Bad Obsession”
3. “It’s So Easy”
4. “Live and Let Die”
5. “Mr. Brownstone”
6. “Slither”
7. “You Could Be Mine”
8. “Chinese Democracy”
9. “Estranged”
10. “Yesterdays”
11. “Absurd”
12. “Double Talkin’ Jive”
13. “Perhaps”
14. “Hard Skool”
15. “Attitude”
16. “Reckless Life”
17. “Knockin’ on Heaven’s Door”
18. “My Michelle”
19. “Rocket Queen”
20. “Patience”
21. “Civil War”
22. “Sweet Child o’ Mine”
23. “Coma”
24. “November Rain”
25. “Wichita Lineman”
26. “Don’t Cry”
27. “Human Being”
28. “The General”
29. “Used to Love Her”
30. “Nightrain”
31. “Paradise City”

Every Guns N’ Roses Song Ranked Worst to Best

Multiple narratives emerged when compiling the above list of Guns N’ Roses Songs Ranked Worst to Best. All entries by Eduardo Rivadavia except where noted.

Gallery Credit: Eduardo Rivadavia

More From Ultimate Classic Rock

Complete List Of Glass Animals Songs From A to Z

Complete List Of Glass Animals Songs From A to Z

Feature Photo: Sam Prickett, CC BY-SA 4.0 , via Wikimedia Commons

When Dave Bayley first started making music in his bedroom in Oxford, England, it was more of a personal experiment than the early steps of a global phenomenon. Bayley, born in Massachusetts and raised in Texas before relocating to the UK, originally studied neuroscience at King’s College London. It was there that music began to take over, pulling him into a creative world he hadn’t expected. Alongside childhood friends Joe Seaward, Drew MacFarlane, and Edmund Irwin-Singer, he formed Glass Animals in 2010, giving birth to a band that would eventually redefine the boundaries of indie rock and experimental pop.

“We want to finish on a decisive high, having released four albums that we are 100 percent proud of”: UK post-metal dynamos Svalbard to break up in 2026, announce farewell tour

Svalbard in 2023
(Image credit: Georgia Penny)

UK post-hardcore favourites Svalbard have announced their impending break-up.

The Bristol/London quartet will split in 2026, but will be prolific during their final months. They’ll play their final UK tour in November, supported by Cage Fight and Knife Bride, and have plans for later standalone shows, plus the release of one last song.

See the scheduled stops on the band’s farewell run below.

In an exclusive statement to Metal Hammer, singer/guitarist Serena Cherry explains that Svalbard are splitting to try and avoid a creative decline after releasing four critically acclaimed studio albums. She describes the break-up as amicable and expresses pride in the band’s achievements.

Her words read in full: “You know when a band you love starts churning out less-inspired, repetitive music that totally plays it safe? And you find yourself longingly reflecting on the magic of their previous albums, wondering if they will ever be able to reignite that creative fire again? Well, I know that feeling too. There’s loads of bands I adore who I wish had stopped writing music after four or five albums.

“From a musician’s perspective, it’s very hard to walk away from unlikely success that required so much work and sacrifice to achieve. It’s a daunting and depressing prospect – to lose the band you poured your entire life into.

“Some bands turn that fear of loss into fuel, marching onwards making albums that sound like a photocopy of a photocopy of a photocopy. We don’t want to do this. Svalbard does not want to plod on in the name of half-hearted musical compromise.

Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!

“We’ve always been an all-or-nothing band. And even though it’s utterly heartbreaking, we have accepted that our musical journey together is reaching its end. We have one song left within us as a band. We want to finish on a decisive high, having released four albums that we are 100 percent proud of.

“There is no animosity between band members and we wanted to give the band a proper send-off, with a final UK tour and final shows all over the world coming in 2026. It means a lot to us that we can give Svalbard one last year before we musically go our separate ways.”

Cherry co-founded Svalbard with guitarist/vocalist Liam Phelan in 2011. They released their debut album, One Day All This Will End, in 2015. The band became known for their distinct fusion of post-hardcore, post-metal and black metal, as well as their outspoken, principled lyrics, which have tackled such topics as rape culture, mental health and corporate greed.

Cherry spoke about her forthright writing style in a 2023 interview with The Guardian. “It was a very deliberate choice to be as lyrically direct as possible,” she said. “You could listen to a song by most metal bands and it might be about depression or something political but, dressed up in prose and poetry, that message becomes obscured. If you say something as concisely as possible, you can reach as many people as possible.”

Metal Hammer called Svalbard’s third album – When I Die, Will I Get Better? – “the most important British metal record of 2020”, and their final album, 2023’s The Weight Of The Mask, was met with similar goodwill.

Svalbard have toured with the likes of Enslaved, Alcest and Cult Of Luna and graced the stage at such festivals as Hellfest, Arctangent, Summer Breeze and 2000 Trees. The band are booked to play their first-ever set at the UK’s blockbuster Download festival on Friday, June 13.

Svalbard 2025 UK tour poster

(Image credit: Doomstar Bookings)

Svalbard 2025 UK farewell tour dates:

Nov 19: Glasgow Slay
Nov 20: Manchester Rebellion
Nov 21: Newcastle Think Tank
Nov 22: Bristol Thekla
Nov 23: London Oslo Hackney

Louder’s resident Gojira obsessive was still at uni when he joined the team in 2017. Since then, Matt’s become a regular in Metal Hammer and Prog, at his happiest when interviewing the most forward-thinking artists heavy music can muster. He’s got bylines in The Guardian, The Telegraph, The Independent, NME and many others, too. When he’s not writing, you’ll probably find him skydiving, scuba diving or coasteering.