DAVID BOWIE – “Silhouettes And Shadows” Book Takes Deep Dive Into Scary Monsters (And Super Creeps) Album

DAVID BOWIE -

Adam Steiner’s new book, Silhouettes And Shadows – a deep dive into Bowie’s year of fear 1980 and the making of Scary Monsters (And Super Creeps) – is out this July in North America, and in September in the UK.

An avant-garde pop album rich with tension and fear, 1980’s Scary Monsters (And Super Creeps) marked a pivotal point in David Bowie’s career. Standing at the bleeding edge of the new decade between the experimental Berlin Trilogy (Low, Heroes, and Lodger) and 1983’s wildly successful Let’s Dance, it was here Bowie sought to bury the ghosts of his past and the golden decade of the 1970s to become a global superstar reaching millions of new fans.

Featuring fresh insights and exclusive interviews with close collaborators, Adam Steiner’s Silhouettes And Shadows uncovers the studio stories, meanings behind, and secret history of Scary Monsters. Steiner gives a nuanced, memorable portrait of Bowie at a personal and professional crossroads, drawing on his own struggle with addiction, growing paranoia, and political turmoil. Including the hit singles “Fashion” and “Ashes To Ashes,” the album found Bowie riding a new wave of inspiration, from the post-punk of Joy Division, The Specials’ two-tone revolution, and the stadium synth-pop of Gary Numan.

The album marked a final goodbye to Major Tom, Ziggy Stardust, and The Thin White Duke, characters and personas that had defined his career: in this rare moment, David Bowie, the costumed clown of romance, suffering, and song, let his mask slip to reveal David Jones, the man within

“Steiner’s rich text brilliantly recreates the claustrophobic paranoia and relentless self-analysis of the album.” – Peter Doggett, author of The Man Who Sold The World: David Bowie And The 1970s

“Beautifully conceived and written with penetrating insight.” – Chuck Hammer, Guitarist

“Written with a poet’s love for the jumble of words, the critic’s fierce interrogating eye and the fan’s love of music, Silhouettes And Shadows is an essential read for anyone who takes Bowie seriously.” – David Buckley, author of David Bowie – Strange Fascination

Pre-order the book here.

(Photo – Peter Strongwater, 1981)

Foo Fighters’ new album But Here We Are is a defiant, emotional roar in the face of loss

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

No one would have blamed Dave Grohl if he’d called time on the Foo Fighters last year. The sudden, shocking death of drummer Taylor Hawkins – a man Dave called “my best friend” – in March 2022 was the kind of body blow many people would struggle to recover from. The loss of the singer’s mother, Virginia, a few months later only compounded his personal agony.

Yet the fact that he’s elected to continue the band shouldn’t really be a surprise. The Foo Fighters themselves were partly Grohl’s attempt to find a light in the darkness of the aftermath of Nirvana bandmate Kurt Cobain’s death. But unlike the Foos’ bruised yet ultimately optimistic self-titled 1995 debut album, But Here We Are is 48 minutes of raw intensity.

It came in a flash / It came out of nowhere / It happened so fast / And then it was over,’ are the first words Grohl sings on propulsive opening song Rescued, his voice edged with hoarseness as a barrage of drums erupts out of nowhere. ‘Cathartic’ is an over-used word, but it really does sound like 15 months’ worth of pent-up emotions being uncorked at once.

Musically, But Here We Are is heavier and denser than anything the Foo Fighters have released in the last 25 years – not Probot heavy, but still a world away from Times Like These. Guitars buzz and rage like wasps in an upturned jam jar, bearing the clear imprint of Hüsker Dü, the cult 80s hardcore icons beloved by the singer. He plays drums on every track, hitting them as hard as he did back in the Nirvana days, each beat powered by grief, anger, hopelessness and defiance.

Of course, this is a Dave Grohl record. Despite everything, his unerring sense for massive melodies and huge tunes hasn’t deserted him. The title track is a shredded-throat roar of defiance designed to be hollered out in festival fields around the world. Under You is a stadium-ready anthem that could easily sit next to Monkeywrench or Best Of Me in the Foos live set, at least if you don’t listen to the lyrics. ‘There are times I need someone… There are times I just don’t know what to do,’ he sings like a man lost without a map in a world that doesn’t make sense any more.

Naturally, Taylor Hawkins and Virginia Grohl are all over But Here We Are. There are countless lump-in-the-throat moments. Show Me How is a gentle respite featuring a prominent vocal from Dave’s daughter Violet – less a duet, more the sound of a two people propping each other up in the wake of shared loss. Hardest going, emotionally, is the 10-minute The Teacher, inspired by his mum, herself a teacher. It finds the singer addressing Virginia directly. ‘You showed me how to breathe,’ he sings plaintively. ‘But never showed me how to say goodbye.’ Like the rest of the album, it’s full-on but never mawkish or depressing.

It’s impossible to separate But Here We Are from what has happened to Dave Grohl in the last 18 months, but then that’s the whole point of it. It’s an album he would have preferred to never have had to make, but here he is, trying to heal the pain in the only way he knows how: by screaming at the world and hoping it makes things a little better.

Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.

ROB ZOMBIE – “I Haven’t Stood In A Room With A Band And Jammed On Ideas Since The Early ’90s”

ROB ZOMBIE -

Rob Zombie recently appeared on the Howie Mandel Does Stuff podcast, co-hosted by the comedian and his daughter Jackelyn Shultz. An excerpt has been transcribed as follows: 

Howie Mandel: What are you working on now?

Rob Zombie: “Right now I’m just worrying about the summer tour and the next album, ’cause it’s been a while since I’ve made a record.”

Howie Mandel: Are you writing the album and the music right now?

Rob Zombie: “I was ’til about a week ago. And it’s going good. It’s a long process. I like making records over a long period of time, so that I can live with it. Sometimes you write something and it’s new and you’re all excited cause it’s new and the time goes by, and you’re, like ‘Eh, it’s just exciting cause it’s new. It’s not really that good.’ But if you live with stuff for a while…”

Howie Mandel: When you say you’re writing, or putting together an album, is it just you in a room? Or do you collaborate?

Rob Zombie: “Usually it starts with just me and the producer coming up with ideas, mapping out rough ideas. And then the band will start, ‘I’ve got this idea. And this idea…’ I haven’t stood in a room with a band and jammed on ideas since the early ’90s. Cause I just always found that to be really draining… I like working with one guy behind the board and we formulate ideas and you piece it together — kind of like you would a movie; it’s kind of similar. As opposed to a bunch of guys jamming all day long. You’re, like, ‘Anyone got any ideas?’ ‘Not really’.”

Howie Mandel: How close do you think you are to the next album?

Rob Zombie: “Not close at all. We just have a ton of ideas and I’ve gotta take those ideas, whittle them down, start writing lyrics, see if that makes sense… Hopefully by next summer.”

This summer, Rob Zombie and Alice Cooper will join forces for the 2023 Freaks On Parade Tour. Rounding out the lineup are industrial pioneers Ministry, and eclectic alternative rock act Filter. Tickets are on sale now.

Tour dates:

August
24 – Dallas, TX – Dos Equis Pavilion
26 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
27 – West Palm Beach, FL – iTHINK Financial Amphitheatre
29 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
30 – Virginia Beach, VA – Veterans United Home Loans Amphitheater

September
1 – Tinley Park, IL – Hollywood Casino Amphitheatre
2 – Des Moines, IA – Wells Fargo Arena
5 – Clarkston, MI – Pine Knob Music Theatre
6 – Toronto, ON – Budweiser Stage
8 – Scranton, PA – The Pavilion at Montage Mountain
9 – Wantagh, NY – Northwell Health at Jones Beach Theater
10 – Hartford, CT – The XFINITY Theatre
12 – Nashville, TN – Bridgestone Arena
16 – Englewood, CO – Fiddler’s Green Amphitheatre 
19 – Ridgefield, WA – RV Inn Style Resorts Amphitheater
20 – Auburn, WA – White River Amphitheatre
22 – Concord, CA – Concord Pavilion
23 – Anaheim, CA – Honda Center
24 – Phoenix, AZ – Talking Stick Resort Amphitheatre

Ian Anderson Confused by Roger Waters’ Political Outbursts

Ian Anderson expressed confusion over Roger Waters’ political outbursts in recent years.

The Pink Floyd co-founder has created controversy while airing his opinions, notably on the tensions between Israel and Palestine. He recently staged a legal battle to force a German venue to allow him to play after his date was canceled on the allegation that he was antisemitic – an accusation he strenuously denied. He separately argued that Russia was provoked into the invasion of Ukraine.

In a recent interview with Classic Rock, Anderson said he couldn’t understand why “someone who’s been doing it as long as he has is seemingly unable to act on the understanding that it’s up to you to convey your ideas in a way that isn’t going to get you a drubbing.”

He added that Waters was “loose-tongued with his convictions, which seem to be a little confused and perhaps not based on reality.” As a result, he suggested, “[he] goes out there ranting and raving, as many others do.”

The Jethro Tull mastermind noted that he keeps in contact with friends in Russia, including a media operative who has to be careful with communication. “He knows that I know that his emails are probably being monitored, so we’ve only skittered around the edges of [the current situation],” he explained. Anderson also spoke of Boris Grebenshchikov of the prog group Aquarium, saying that he’s “Russian to the core, but very anti the current regime, just as he was very critical of the regime in his early life when it was a very brave thing to even try and start a rock band.”

Considering developments in Eastern Europe – which are touched on in the new Jethro Tull album, RokFlote – he said, “I’m not scared for me, but I am for my grandchildren. I do get concerned for what they may be facing. But you can’t worry about it forever, and I prefer to be optimistic in thinking that Putin is the ultimate bluff meister.”

Anderson also revealed he was once something of a doomsday prepper, in the original Cold War era during which nuclear devastation always seemed imminent. “I wasn’t exactly a survivalist, but I did think quite seriously about an escape plan, what to do if the proverbial hit the fan,” he said. “There were two fueled-up vehicles and probably 30 gallons of petrol stashed away. They were the days of easier gun ownership, and there were some fairly serious-looking armaments that I would not have left at home.”

Jethro Tull is currently touring Europe, with North American dates starting in August.

Pink Floyd Albums Ranked

Three different eras, one great band.

More From Ultimate Classic Rock

Zakk Wylde Reveals He Never Jammed With Dimebag Darrell

Zakk Wylde revealed that he and Dimebag Darrell Abbott never jammed when they were spending time together. Even though they respected each others’ abilities, the close friends preferred to focus their energies on partying, the Black Label Society leader told Guitar World in a recent interview.

Asked if he and late Pantera guitarist Dimebag had traded licks in private, Wylde said, “No. Why would we do that? Let’s see. We could be at an Irish pub somewhere laughing our asses off, or we could be working on writing some new music. Hmm. I think we’ll be at the Irish pub! Seriously, man, there was no time to jam. They live in Texas; I was out in California. Whenever we got together it was just to have a good time. … We’d make each other cry, we’d be laughing so hard. But every time we got together it was always hilarious – nothing but pure comedy. And sometimes we caused mayhem.”

Wylde said that when they started “hanging out, of course, we drank. But most of the time drinking with Dime would be over the phone. We talked on the phone all the time for several hours just drinking away.” Asked what powered the pair’s close connection, Wylde replied, “It was a combination of everything. Between the playing, the drinking, how we matched our stilettos and our fishnets with our eyeliner and our rouge – all the typical stuff that brings fellas together!”

The guitarist is currently touring Europe with Pantera in place of Dimebag, with Anthrax drummer Charlie Benante replacing Dime’s late brother Vinnie Paul Abbott in the band. The road trip returns to North America in July.

Pantera Live in Texcoco, Dec. 2, 2022

Reunion/tribute tour kicked off at Hell & Heaven Metal Fest in Mexico.

Watch Foo Fighters debut four songs from new album But Here We Are at first headline show since Taylor Hawkins’ death

Foo Fighters in New Hampshire

(Image credit: Metro Fire YouTube)

Last night, May 24, Foo Fighters played their first headline show since Taylor Hawkins‘ passing, and treated the audience at the Bank of New Hampshire Pavilion in Gilford, NH to live premieres of four songs from their upcoming But Here We Are album. 

Dave Grohl’s band kicked off an epic 21-song setlist with Rescued, the first single from their forthcoming 11th studio album, and played the new album’s title track as the sixth song on the set-list. Then, following an airing of 2007 single The Pretender, the band performed their current single, Under You, as the night’s eighth song. Later in the evening, another new song, Nothing At All was performed as song 14 of the show.

The gig was significant too for being drummer Josh Freese‘s first gig with the band. Best known for his work with The Vandals, Freese has also played with Nine Inch Nails, Paramore, A Perfect Circle and more.

Watch fan-filmed footage of all the new album tracks below:

Elsewhere, Dave Grohl‘s daughter Violet – who performed at the Taylor Hawkins tribute shows in London and Los Angeles – joined the band onstage for Shame Shame, and Cold Day In The Sun, a song originally sung by Taylor Hawkins, was fronted by Grohl.

Full set below.

1. Rescued
2. Walk
3. No Son of Mine
4. Learn to Fly
5. Times Like These
6. Under You
7. The Pretender
8. But Here We Are
9. Breakout
10. The Sky Is A Neighbourhood
11. My Hero
12. This Is A Call
13. All My Life
14. Nothing At All
15. Shame Shame
16. These Days
17. Cold Day In The Sun
18. Monkey Wrench
19. Best of You
20. Aurora
21. Everlong

Sign up below to get the latest from Louder, plus exclusive special offers, direct to your inbox!

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne’s private jet, played Angus Young’s Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Brannigan lives in North London and supports The Arsenal.

How Korn got over a major fallout about Jesus and dubstep and managed to become a band again

Munky, Jonathan Davis, Head, Fieldy and Ray Luzier of Korn visit Music Choice on September 26, 2013 in New York City

(Image credit: Theo Wargo/Getty Images)

Korn helped to shape the sound of modern metal, but not without pulling themselves apart in the process. It was back in 2005 that guitarist Brian ‘Head’ Welch acrimoniously quit the group to become a born-again Christian, sparking a war of words with frontman Jonathan Davis and beginning an uncertain, uneasy time for the nu metal giants. They got things back on track with Head’s return in 2013 for their album The Paradigm Shift, and the band told Metal Hammer how the reunion had come about.

It started when Head played in Bakersfield, where Davis lives, with his post-Korn project Love And Death and the singer’s wife forced him to go to the show. “She dragged my ass down there,” Davis said. “We hung out all night and Head was back to normal, he wasn’t into all that crazy Christian shit no more.” 

Looking back to the period before Head departed, Davis remembered a man “cuckoo with religious stuff”. 

“He was kicking speed so obviously he’s not gonna be right in the head for a while,” Davis continued. “Him getting all crazy Christian and stuff, what it really did was save his life, so I don’t give a fuck. I’ve had too many people around me die from drugs and I wouldn’t want that to happen.”

The band had experimented with dubstep sonics in Head’s absence, but the guitarist encouraged them to return to their rock roots. “I was like, ‘dude, I love what you’ve done with the electronics and stuff, but if you wanna do that, I don’t think it’s right for me,’” Head told Metal Hammer. “We all agreed that this had to be a rock record.”

“I was right there with him, added guitarist Munky. “[Without Head in the band], it’s like somebody walking around without their left arm. You can get by, but Korn in its natural state is with Head. With him back in the band it makes sense to do a guitar album.”

It was an album that set Korn right, harking back to their classic records at the same time as mapping a route forward – three albums on, they’re still channelling their heavy roots and resisting the latest emerging trends in electronic dance music. For Davis, it helped put the band in a healthier place than they’d ever been. “We’re at that point now where we don’t give a fuck, we’re doing it cos we love it,” he said. “It’s more real than it’s ever been.”

Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!

Niall Doherty is a writer for The Guardian, Variety and Classic Rock, and co-runs the music Substack letter The New Cue with fellow former editors of Q magazine Ted Kessler and Chris Catchpole. Niall has written for NME, X-Ray Magazine and XFM Online and interviewed some of music’s biggest stars, including Coldplay, Arctic Monkeys, St Vincent, The 1975, Depeche Mode, Radiohead and many more.

METALLICA – M72 Pop-Up Shop For Hamburg No Repeat Weekend Shows Opens Today

METALLICA - M72 Pop-Up Shop For Hamburg No Repeat Weekend Shows Opens Today

The Metallica Machine is making its way to Hamburg for a No Repeat Weekend starting Friday, May 26, with special guests Architects and MammothWVH. Then, two days later, the band takes the stage again – after special guests Epica and Ice Nine Kills – to perform an entirely different setlist.

They have checked in with the following update:

“Check out the latest exclusive colorway of Juan Ma Orozco’s official Pop-Up Shop poster for Hamburg!

The only place to get your hands on this is the M72 Hamburg Pop-Up Shop, where a limited number of prints will be available each day. So if you’ve got your eye on one, make sure you show up early!

Thursday, May 25 – Sunday, May 28
11 am – 6 pm Barlach Halle K
Klosterwall 13 20095 Hamburg, Germany

Be sure to check out the official #M72 interactive map that will guide you to all the Metallica spots you’ll want to see while you’re in town.

Discover pop-up shops, support gigs, notable sites from Metalli-history, and more. The map will update with new places to visit in each city on the tour, so be sure to check back often.”

Go to this location for the interactive map.

On Wednesday, May 19th, Metallica performed Night 2 of their No Repeat Weekend in Paris, France at Stade de France.  They have shared the setlist, found below. Fan-filmed video of the entire show is also available.

Metallica: “Here’s the set from Night 2 at Stade de France featuring not a single song from Night 1. Over the two shows, we played 32 different songs from 11 different albums & a movie soundtrack too.”

Setlist:

“Creeping Death”
“Harvester of Sorrow”
“Cyanide” (tour debut)
“King Nothing”
“72 Seasons”
“If Darkness Had a Son”
“Welcome Home (Sanitarium)”
“You Must Burn!”
“The Call of Ktulu”
“The Unforgiven”
“Wherever I May Roam”
“Moth Into Flame”
“Battery”
“Whiskey in the Jar”
“One”
“Enter Sandman”

Avenged Sevenfold are on the cover of the new Metal Hammer – and it comes with three free gifts!

Avenged Sevenfold in Angel Wings on the cover of Metal Hammer magazine

(Image credit: Future)

The new issue of Metal Hammer features Avenged Sevenfold on the cover, and comes with three exclusive gifts: a Deathbat patch, a laptop sticker of their album artwork, and a reaper print.

Inside, we speak to all five members of the band about the making of their brain-meltingly brilliant new record, Life Is But A Dream…, which is inspired by the likes of Mr. Bungle, Daft Punk and Frank Sinatra – as well as psychedelic toad venom. But will this dramatic change in direction pay off for them?

“I was scared,” frontman M. Shadows says of how he felt once they’d finished the record. “What are people going to think when they get to the end of this thing? But that’s exactly what I want.”

Elsewhere, we fly to Amsterdam for the first date of Metallica’s epic M72 World Tour, and report back on all the action from the Snake Pit. We also remember legendary Slayer guitarist Jeff Hanneman on the 10-year anniversary of his death, and get in the studio with Corey Taylor for an exclusive chat about his next solo album. 

Plus, we speak to Maynard James Keenan about the weird birth of Puscifer, celebrate 20 years of Download, and meet the gatekeeper-baiting ‘bimbocore’ heroine Scene Queen.

All this, and: Royal Thunder, Sevendust, Devildriver, Elegant Weapons, Jesus Piece, Sabaton, Unearth, Limp Bizkit, Witch Fever, Demonstealer, Skindred and much, much more!

Only in the new issue of Metal Hammer, on sale now. Order it online and have it delivered straight to your door.

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Metal Hammer issue 375

(Image credit: Future)

Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!

CANCER BATS Unveil “Hammering On” Video; Canadian East Coast Dates Begin

CANCER BATS Unveil “Hammering On” Video; Canadian East Coast Dates Begin

Today, six-time JUNO-nominated Canadian hardcore punk heavyweights Cancer Bats unveil the official music video for “Hammering On”. Featuring live footage from their sold-out December 2022 performance at The Danforth Music Hall in Toronto, the video captures the band in top form, playing to a packed hometown crowd and connecting every note with their ferocious live energy.

Along with the electrifying title track Psychic Jailbreak, the punishing, southern-tinged banger “Lonely Bong”, the hard-hitting “Pressure Mind” and the hardcore anthem “Radiate”, “Hammering On” is taken from the band’s critically-praised and JUNO-nominated seventh studio album Psychic Jailbreak, which dropped in April 2022 via the band’s own label Bat Skull Records in partnership with New Damage Records. A band favourite, “Hammering On” showcases the bands love of all things stoner, sludge and Sabbath and features soaring duet vocals from Brooklyn Doran.

Tonight, Cancer Bats are kicking off their East Coast dates in support of Psychic Jailbreak. The band will play Charlottetown, PEI this evening at Trailside Cafe and are set to play Moncton, Halifax and Sydney, NS over the next few days. For a list of all upcoming Canadian tour dates and to purchase tickets, head to cancerbats.com.

Dates:

May
24 – Charlottetown, PEI – Trailside Café
25 – Moncton, NB – Xeroz
26 – Halifax, NS – Seahorse
27 – Sydney, NS – Curling Club 

July
8 – Toronto, ON – Budweiser Stage (support for Billy Talent)

(Photo – Sid Tang)